GENRE/S: Lovers Rock / Dub / Reggae

TRACKLISTS:

1 - Raspberry Sun (Demo)
2- Gnossiennes No.3
3 - Sora Wo Matagu Hashi (Demo)
4 - Happa San No Uta
5 - Happy Days (Demo)
6 - Love Is Flower (Demo)
7 - The Love Silent Siren
8- Forever Young Boy
9 -Maringe Blue

SHORT INFO:

Love Wonderland - The Best Twilights of Love Wonderland (CAM027)

Formed in 2018 by Takujuro Iwade, film director and drummer Kaya Koike and Mayumi Sakurai with the theme of " Lovers Rock from the other side," Love Wonderland performs reggae with a unique interpretation influenced by psychedelia and synth-pop.

The Best Twilights LP compiles tracks from three demos released between 2019 and 2024 and reflects their full spectrum from electronic dub to pop tinted reinterpretation of their peers.
Considered as the best kept secret of the Japanese dub scene, they continue to grow at each live performance with faith and passion.
Love Wonderland's main aspiration is to keep their motto alive.

Mastered by Krikor Kouchain and limited to 400 copies. More

LP,LTD300- First tape of Bene Gesserit for the first time on vinyl. Includes four unreleased tracks from Alain Neffe vault


TRACKLISTS:
1 A1 - Epitaph For a One-Way Love
2 A2 - Hymne au Ver
3 A3 - Gloria
4 A4 - I Killed my Basil
5 A5- Fly To Hell
6 A6 - We've got an sk1 and We Gonna Use it
7 B1 - Kidnapping
8 B2 - Erg Habbania
9 B3 - Your Mind
10 B4 - G.P.P.M.
11 B5 - Orchestral Story
12 B6 -The Man Who Hated Belgian Beer
13 B7 -Live in China



Underground prominent figures of the Belgian 80's scene, Alain Neffe and Nadine Bal have released and produced dozens of tapes under different monikers.
Bene Gesserit is probably their most famous and iconic one due to its multiple facets.

Originally a tape released in 1981 on their own Insane Music label, "Best Of" encaptures all the DIY and creative freedom of the band.
From the yagé vapors of "Erg Habbiana" to synth madness of "Gloria" or "Gppm" this album summarizes the full spectrum of their ethos :
Insane music without borders.

This reissue additionally includes four unreleased tracks from Alain Neffe vault.

Remastered by Krikor Kouchain and limited to 300 copies.
More

2LP - Japanese electronic music legend Takayuki Shiraishi´s First Techno LP finally on vinyl!

GENRE/S: Techno / Ambient

TRACKLISTS:
A1 - Graviton
A2 - Clear
B1- Figure 8
B2 - Fluorite
B3 - Photon
C1 - Clear Away
C2 - The Vanishing Point
C3 - Afterglow
D1 - Wavy Flame
D2- Blue Devided by Blue

SHORT INFO:

A fascinating Japanese Ambient Techno excursion finally reissued.
Takayuki Shiraishi is no stranger to Camisole Records. With projects like BGM, MLD
(CAM022) or Tristan Disco (CAM023) he is considered as one of the most prominent
figures of underground Japanese music.

Following those 80's industrial projects he continued his path and recorded numerous
electronic tracks without forgetting his experimental roots.
After an EP on the highly revered label Apollo with his alias "Planetoid", he released on a
very limited run his first album "Photon" only on cd in 1997.
Mixing Techno and Ambient, those works were recorded between 1987 and 1996 to create
a trancey ride of dreamy tunes.
A journey through spectral dances and afterglows, dreamy incantations and Solar rituals
devoted to euphoria.
Experimental techno who never forget to keep your mind and body aware.
We are really proud to give this album the attention it deserves with a Double Vinyl LP
reissue remastered by Krikor Kouchian.
5 More

Territories: WW-FR

LP

Camisole is proud to unveil another part of the french cold wave history with the reissue of "Paroles Absurdes" LP by White Pain.

Hailing from Lyon the band began as a duo with Patrick Saveau and Patrick Gravier in 1984.Active figures in the underground scene of their city, they played some gigs and even had their own show on the local radio station.They developed a small following around them and recruited other members to record this album in 1986.

"Paroles Absurdes" is driven by the feeling that you can't escape your fate. Saying Words that you sometimes regret but you feel to be true.This testimony infuses this whole album.However, positive assumptions flow from time to time and left their more pop appeal roll into some songs.
This reissue also includes the first two tracks of the group only released on tape in 1985.As a duo, White Pain was a synth and drum machine band inspired by early 80's german pioneers like DAF or Din a Testbild.They used to have a raw, powerful, and dark sound quite unique in France at this time."Vienna" is probably the best way to resume their first intention.

A1-Tomorrow's Enough
A2-Nowhere To Go
A3-State Of Mind
A4-Différentes Attitudes view

B1-Get Out
B2-A Kick In Your Mind
B3-Paroles Absurdes
B4-Vienna [1985 Tape]
B5-Nowhere To Go [1985 Tape] More

Territories: WW-FR

LP

Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, MLD) focused on making dubbish Post-Punk.
In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline.

On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect to shatter your brain.
Retakes from the mysterious ambient artist Civilistjävel! are more brooding.
Introspection and faded horizons are the main purposes here but a glimpse of hope still glow.

A1. Tristan Disco - Social Dance (Childish 44)
A2. Tristan Disco - Nuance
A3. Tristan Disco - Be On The Decrease

B1. Krikor - Social Dance Retake
B2. Civilistjävel! - Be On The Decrease Retake
B3. Civilistjävel! - Social Dance Retake

More

Territory World Ex FR

Andy Ded was an English artist who living in Paris in the mid 80's. The only trace of his work is this EP called "Summer Nightmares and Lazy Dogs" mixing industrial music with a Post-punk attitude.
Notwithstanding a danceable appeal, the release did not gain access to an audience more attracted by the emerging french Cold Wave scene.
This reissue is accompanied by a mutant Tolouse Low Trax Rework featuring additionals lyrics and vocals. With the help of some friends (Laura Lippie and Gwen Jamois aka Iueke) he adds a deviant Laurie Anderson atmosphere to the original track.
Remastered and Limited to 300 copies.

Tracklist
A1. Summer Nightmares and Lazy Dogs
A2. Can Swim
B1. Summer Nightmares and Lazy Dogs (Tribal Mix)
B2. Summer Nightmares and Lazy Dogs (Tolouse Low Trax Rework)
More

Territory World Ex FR
Genre : Cold-wave / Post-punk

After the vinyl reissue of the holy grail 7" "Eyes / Morning Rain" and the replica of "Crazy Night" Cassette for the first time on vinyl, Camisole Records is proud to present a compilation of all studio tracks from seminal french post-punk band Coldreams, available on CD only.

Including an unreleased long version of their classic track "Eyes" remastered from the original tapes.

Also featuring their earlier tracks from the tape "Crazy Night" this compilation showcases the band delicate mix of Post-Punk and pop appeal which definitely take them apart from their contemporaries.

Coldreams was formed in 1984 in Clermont-Ferrand university by a gang of young students. Despite being unsuccessful at their time, they're now one of the most look after french eighties coldwave band.

1. Eyes (Extended Version)
2. Morning Rain
3. Don't Cry
4. Crazy Night
5. Burning Passion
6. Bulbs & Bubbles
7. Turn the Button
8. Don't Cry (reprise)





More

Territory World Ex FR

Genre : Cold-wave / Post-punk


Tracklist
A1. Coldreams - Don't Cry
A2. Coldreams - Crazy Night
A3. Coldreams - Burning Passion

B1. Coldreams - Bulbs and Bubbles
B2. Coldreams- Turn the Button
B3. Coldreams - Don't Cry (reprise)


Short Info:

Limited and remastered from original tapes. Available for the first time on vinyl, fully licenced.

Insert with band history and unpublished pictures.

After the repress of their single "Eyes / Morning Rain", Camisole Records is proud to announce the reissue of Coldreams tape " Crazy Night ".

Recorded in 1984-1985 by a gang of young students passionate about Post-Punk this record represents the culmination of the band first period.
Haunted lyrics and melancholia were already the basics of their sound and from "Don't Cry" to "Crazy Night / Burning Passion" it's difficult to imagine that they were only 18 to 19 years old at that time.

"Bulbs and Bubbles" and "Turn the Button" show their pop appeal which definitely takes them apart from their contemporaries and all-around gloomy feelings infuse these six tracks which unveils another part of Coldreams history...

More

Territory World Ex FR
Genre : Synth-pop / Cold-wave

A. Jinx - Rêve Inconscient
B. Madame Bovary - I'm a Runner



French Post-Punk is full of diversity and never ends to surprise the amateurs.

This 7" showcases two different approaches by reissuing hard to find tracks by Jinx and Madame Bovary.

Jinx made the elusive track "Rêve inconscient" in 1987. Guided by an unreachable and mysterious female voice you're able to walktrough an enigmatic path. A dream that you probably wouldn't want to wake up.

Madame Bovary had a more upfront attitude. Jangly guitars, rowdy lyrics and leading synth lines defined their sound. I'm a Runner summarize their vision.







More

Territory World Ex FR and USA
Genre : Synth-pop / Art-rock
First reissue of this arty synth-pop french gem from Nuts & Co, ephemeral self-produced project.

After a short mental trip to Japan, Camisole is back in France with the reissue of Kangourou by Nuts & Co. Inspired by Dadaism, ancient tribes and natural life they self-produced and released this album in 1982. The result is a blend of experimental synth-pop combined with some german spoken word and french madness.

For sure "Semite" with its shamanic percussions will get your attention but other synth oddities includes "La Vie des Animaux" , "Auf Dem Lande" and "Kangourou" too. If you're more into french arty synth-pop "Dancing","Nuit de Chine" and "Der Spiegel" will definitely convinced you.

Remastered and limited to 300 copies


Tracklist
A1. Auf Dem Lande
A2. Kangourou
A3. La Vie des Animaux
A4. Semite
A5. Nuit de Chine

B1. Nuts
B2. Das Trottoir
B3. Tremens
B4. Der Spiegel
B5. Dancing

More

Territory World Ex FR and USA

Tracklist :

A1 Concert Maillol
A2 Je Derve Avec Láir
B1 Montparnasse
B2 La Bou.....


First reissue of this long time looked after Japanese experimental gem from the 80's !

A walk in Paris somewhere between the 30's and the 50's made by a Japanese lost soul. "Montparnasse" by Yoran is a surreal journey into an era which has maybe existed but long gone. A melancholic phantasy about a time you'll never know and can only smell the atmosphere. Memories and flashes come from an ancient time, cobbled streets where heels crack far away surrounded by the tickle of a street musician, a classical dance class directed by some piano notes or an announcement from an old train station. The cryptic french spoken-word infuses the extracts and sound collages taken from different french movies looped into a broken tape player. The result is one of the most mysterious and looked after japanese 80's underground record.This reissue is pressed for the first time on 12" at 45 RPM. Remastered and limited to 500 copies.




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Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.

Tracklist :

A Eyes
B Morning Rain

Short Info:

Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.

We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.

Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.

Reissue limited to 500 copies.

More

Tracklist
A1. île Flottante
A2. Central Park
A3. Crystal Snowflakes
A4. Katamaran
B1. Low Tide
B2. Cedar Sunset
B3. Ocean Spray
B4. Dance Of The Dolphin

Île Flottante is Mr. Beatnick´s 5th album, following 2023’s Joy In Variation (including the notorious cover of Love on a Real Train) and his well-received off-beat collaboration with London-based avant-garde agitator Richard Greenan – Coasty – this is his first contribution to the International Feel trademark. Probably best known for some big deep house revivalist tunes circa 2013 on the now dormant Don’t Be Afraid record label, Beatnick now converts that aural quality and dimensionality into the Balearic system.
Île Flottante takes its name from the tastiest French pudding of Mr. Beatnick’s childhood holidays. The name, also a jeux de mots - floating island - hinting at the album’s inspirations and sense of identity, as a danceable soundtrack to a fictional island. Explored with high intensity and over a yearlong process, the sounds of the well-worn, but never failing Balearic universes were a mind expanding influence. Think of genre staples like Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
„I spent a year listening to a lot of synthesized island music, and marveling at the many twinkling wonders of the Balearic musical universe. Struck by a sense of belonging that had often eluded me on my musical journey thus far, as the weirdo at the back of the club who had orbited many scenes for 20 years, but never felt like I fitted in, I found music that made me feel like I had come home. The songs that came out of this process are presented in the order that they were written - an open book of ocean hymns, honest and spoken from the heart.“
Île Flottante tries its very hardest to avoid being any one thing in particular. At one point, it is a gentle beach walk accompanied by polyrhythmic drum plod and flourishes of Guzheng. At another, the infamous James Yancey septuplet swing is repurposed against a marimba melody that wouldn’t be out of place in one of Link’s forest adventures.
Elsewhere, there are the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality, facets which are often attributed to Mr. Beatnick’s holistic b-boy approach. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze.


Short:
Île Flottante is Mr. Beatnick´s 5th album and first contribution the Balearic system of International Feel. Full of ocean hymns and forest adventures, it includes marimba melodies, the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze. For fans of: Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.






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All those creatures, standing there, making time. Fury eyes, golden dust on artificial fog. Dancing on glass, repetitive poems, looping long after the last loop looped away. Oriental acid, frenzied samples, low hanging film noir suspense. This is DALO. Or not. She is many. Dry maniac downbeat is her craft. Or dark-ish pop-not-pop. There is dub, trance, techno, too. She is known for releases on labels like ESP Institute, WARNING, or Tresor. She is part of bands like Init. She played them all, those clubs, that matter, and those that matter more. Live. Alone. As an artist. With a band. Here she comes with her first album. On the R.i.O. sphere. Her homebase. A trusted zone for experimentation. She brings “Duster”. Seven tunes twisted in different dreams. Fast, slow, veiled, enchanted, haunting trenchant. She sings. These songs. To dance. For a different, stripped-back trance. DALO. Her record longs for a stage. Exporting grace, face to face. A work like a mirror. Hypnotizing. A psychedelic portrait of a performer. Nuanced industrial veils ceremonial journey music. Claps, Jungle. Desolate vocal snippets. A whirlwind of words. All those chords, hanging there, kick drum time. Fury eyes, golden horns amid acid fog. Dancing on glass, cyclic synth-lines. DALO. Duster. A-round-and-a-around. Circulating the ritual. More

I was dancing when I was out, I was dancing when I was in. Is it strange to dance so late? Is it strange to dance so soon? Cosmic dancers always ball. Dancing with themselves, dancing space away. Right into the smallest hole a human brain can create: the inner cosmos, a psychedelic region, where time gets space and space turns to haze.

Berlin based producer TM Solver is such a kind of cosmic dancer. He has danced late. And so soon. Since 2008 he released yearly one, sometimes two albums via the German Berlin School dedicated label Syngate and its experimental subdivision Luna. Intensely meandering synthesizer journey music, that is pirouetting on inner universes, genuinely crafted in the tradition of Berlin School and Krautrock. You can catch the unearthly nuances of Can and the spaciously swinging psychedelic corners of Amon Dül, Embryo, Tangerine Dream, or Klaus Schulze. As TM Solver has been a lover of analog synthesizers for almost 30 years, all pulsates on analogue sound orbs under the zigzagging guidance of machines like Moog Prodegy, Korg MS20 and GRP A4, as well as state-of-the-art systems as ASM Hydrasynth and Korg Wavestate. When he got in touch with the Berlin club scene and all its propelling grooves in 2006, a new rhythmic universe joined his vast musical space of sound latitudes. “Tinkering around with sound structures is my thing. Leading the listener into a combination of music and sound spaces.“ he reveals on his emotive musical art. How affecting it works, is now displayed with four epic compositions for R.i.O., Berlin Wedding’s label of novel ways for caved rhythmic patterns. Grooving between 90 to 240 BPM, they offer a vast variety of emotional landscapes, slowing down, rolling up, drifting into genuinely layered tonality magic. Headspace music for vigilant wanderers. Utterly psychedelic and yet so clear. His R.i.O. debut “Subtraktiv Additiv“ comes with five additional remixes, fashioned by R.i.O. conspirator Benedikt Frey, Amsterdam based DJ and producer Mayo, “Die Orakel” magician O-Wells from Frankfurt, Siamese Twin Records co-runner Sunju Hargun, and the versatile club and beyond production duo Red Axes. They all respect TM Solver’s analogue zones and pitch them into the 115 to 130 BPM districts, while transcending his absorbing synth compositions into the world of nervous acid-laden ambient, slow-mo techno, industrial bass, post-trance, and all that hallucinogenic echo house. Nine subtle energy vibrations, epic and full of countless facets, shaped to turn on, tune in, and drop out. More

2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse

Composed, mixed and produced by Robert Henke 2024.. More

Chansons for the replicates. Hymns for the algorythmed. Operatic minimal wave. Spoken words. Otherworldly electronica. Oh pop, Oh techno. Oh Pose Dia. Now on R.i.O. simulating herself on an album full of weeping synthlines, melding melodies, unreeling theatre between the notes, camouflaging in fashion and rhyme. Impulsive, destructive, yet so perceptive, gently repetitive. “Simulate Yourself” is her second album since “Front View,” released in 2020 on Bureau B.

Now the Hamburg-based filmmaker, DJ and musician Helena Ratka, aka Pose Dia, brings a notion of digital archeology. Nine otherworldly chanting cold blooded Lieder and tracks, manic, longing for the real in the un- real. The matter of her poetic-abstract lyrics is rhizomatic, linking psychological “Suspiria” fantasy with sociology, media theory and all that never obsolete post-structuralism. Hyperreality for the hyped. Fully illusionistic. Wrapped in touching airs, drilling into cold waving Risiko spheres. X-mal rotating towards novel corners, shading light on old ones. Track make-up transforms into lacquered songs. Fog and fire. Night and light. Hairspray and cigarettes. Pose Dia transfers fine-tuned dissatisfaction to all those fully satisfied. Welcome to the other side of the Ocean. More

WW -DE, -AT.

LP incl DL code

GENRE/S:
Electronica, Breaks, Drum & Bass

TRACKLISTS:
A1. Jungle Times
A2. Roll Of Thunder
A3. When Young
A4. Ombre
B1. Aura
B2. Dog Days
B3. Drift Out

SHORT INFO:
ZG is the moniker of London based Zansika Lachhani and Grant (aka Anthony Collins, and the Tony in Frank & Tony). The concept was borne out of a connection online, as Grant and Zan connected on Soundcloud, both independently vibing off each other's music and approach to their art.
In 2018 they began to work together, developing a number of tracks but eventually parking the project as other life commitments got in the way. Fast forward to 2021, while clearing out old harddrives, Grant rediscovered the recordings and was blown away by the music already put down. Together they began to rework and develop the project further, resulting in a blindingly beautiful seven track LP.
Opener Jungle Times sets the scene, an atmospheric dreamy opening giving way to an idiosyncratic breakbeat and whispered vocals from Zan, setting the tone perfectly, floating the sound equally between London and New York styles. Following it up is the enigmatic Roll of Thunder, drawing its power broken beat patterns, deep and soulful strings and washes reminiscent of 4Hero in their prime.
When Young also brings a jazz aesthetic to the fore, with upfront drums and Rhodes chords washing over in melodic bliss. Ombre starts with a thick bassline and urgent synth stabs before developing into a tripped-out groove, layered with thick synth lines and subtle harmonic touches. Similarly, Aura uses some of the same sound palette as well with touches of guitars and more sparking pads creating an uplifting yet melancholic journey. The first real vocal arrives with the penultimate track Dog Days, dreamily layered over beautifully evolving synth washes and skittering beats. By the time Drift Out arrives to usher in the last act of this exceptional LP, we are on cloud nine.








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2LP - Japanese electronic music legend Takayuki Shiraishi´s First Techno LP finally on vinyl!

GENRE/S: Techno / Ambient

TRACKLISTS:
A1 - Graviton
A2 - Clear
B1- Figure 8
B2 - Fluorite
B3 - Photon
C1 - Clear Away
C2 - The Vanishing Point
C3 - Afterglow
D1 - Wavy Flame
D2- Blue Devided by Blue

SHORT INFO:

A fascinating Japanese Ambient Techno excursion finally reissued.
Takayuki Shiraishi is no stranger to Camisole Records. With projects like BGM, MLD
(CAM022) or Tristan Disco (CAM023) he is considered as one of the most prominent
figures of underground Japanese music.

Following those 80's industrial projects he continued his path and recorded numerous
electronic tracks without forgetting his experimental roots.
After an EP on the highly revered label Apollo with his alias "Planetoid", he released on a
very limited run his first album "Photon" only on cd in 1997.
Mixing Techno and Ambient, those works were recorded between 1987 and 1996 to create
a trancey ride of dreamy tunes.
A journey through spectral dances and afterglows, dreamy incantations and Solar rituals
devoted to euphoria.
Experimental techno who never forget to keep your mind and body aware.
We are really proud to give this album the attention it deserves with a Double Vinyl LP
reissue remastered by Krikor Kouchian.
5 More

Territories: WORLD EXCL DE, AT, Scandinavia

LP transparent crystal clear vinyl, leaflet, sticker, download code

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
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Territory: WW -FR

Still on and about after years of the most intense crate digging, gem mining, desperate head-scratching and avid schooling, thirsty as ever for the next musical thrill to wrap our ears and brains around, here comes the fruit of our life-long love story with Japanese electronics, Denshi Ongaku No Bigaku Vol. 1 and Vol.2. From the soul-fulfilling first crush felt upon hearing the iconic soundtrack of ‘Merry Christmas Mr. Lawrence’ by Ryuichi Sakamoto onto our release of Inner Science ‘Cosmo Tracks’, through the life-affirming sets of Laurent Garnier at Dijon’s seminal club, l’An-fer, which have at all times nurtured and expanded our taste for Easternmost delicacies, the influence of Japanese music on our vision and endeavours was paramount to the development of our catalogue, whether directly or indirectly.

This first volume gets the ball rolling with a fine assortment of mostly ambient, electronica and deep house-focussed joints. Draped in organic membranes and ASMR-like synth tapestries, K. Inoue’s nu-agey opener ‘Em Paz’ takes us on a ride across the most serene dreamscapes. Jazzing up these lush and oneiric coastal vibes, Gabby & Lopez ‘Drive form the Miracle’ merges a sense of Californian psychedelia with a straight out hard-bop swing. No stranger to our catalogue, Inner Science returns to serve up a crystalline slice of laid-back house on a mystique-imbued tip he holds the secret to. Flip it over and here comes Aquarium with the splendidly immersive ‘Rainy Night in Shibuya’, which very much feels like wandering amidst its neon-upholstered streets and swarming hallways in a bubble of your own.

Naohito Uchiyama treats us to a synth-drenched nocturnal ballad with the ‘80s-inflected vibes of ’Shugetsu’, whereas Keta Ra cuts a path of ethereal sublimation via the mischievously fun and bouncy balearic lounge of ‘equals’. Masterly crafted by Yuu Udagawa, ‘Infinite Possibility’ eases us in a realm where weightless pop and low-slung abstract hip-hop combine to further exhilarating effect. All in harp-driven brittleness and velveteen sub-bass stealth, Noah ‘Gemini - Mysterious Lot’ has us drifting to a lavishly orchestrated headspace, laying down an impressive work on textures and arrangements. All in on the sedated drip-tease flex, Sauce81 ’Sign of Secret Love’ is a blast of freaky hedonism, just as ready to cast its hypnotic spell down the sweatbox as it was upon its original release ten years ago.

Languid jacking house tune ’Tai+Dai’ from Keita Sano blows the winds of discoid luvin’ across the room with its impeccable balance of sharp, glimmering synthwork and driving bass onslaughts from the depths. An odd slice of reshuffled folk music, Waltz ‘Folkesta’ makes for some eerie invitation of sorts, enchanting and spookily haunting in equal measure. Back to a fevered, hip-swaying mindset, Kuniyuki hi-NRG jazz number ‘Free’ is an absolute wonder of piano and drums-driven boogie, cut from the same cloth as some of Blue Note’s finest Cuban jazz classics. Rounding off the package, Japanese legend Ken Ishii’s version of Larry Heard’s house Hall-of-Famer ‘Can You Feel It’ is pure bliss in a can, tailored to turn any crowd into a shapeless cloud of balmy euphoria and universal love, whatever the place or time.


A1 Seiji Ono ‘ Celebrate Your Life
A2 Uyama Hiroto ‘Compass’
A3 J.A.K.A.M ‘Pray’

B1 Yuu Udagawa ‘We Float’
B2 Jazztronik ‘ Neon Forest’ (vinyl only)
B3 BRISA ‘State of Mind’

C1 Ryoma Takemasa ‘Deepn’ (The Backwoods remix)
Remix: The Backwoods (DJ Kent of Force Of Nature)
C2 The Backwoods ‘Cloud Nine’
Written & Produced by The Backwoods
Guitar : LOADRUNNER

D1 909 State ‘RaTaTaTam’ (Hiroshi Watanabe Instrumental remix)
D2 Tomi Chair ‘Remorse’ (Satoshi Fumi Mix) More

Territory World Ex FR

Genre : Cold-wave / Post-punk


Tracklist
A1. Coldreams - Don't Cry
A2. Coldreams - Crazy Night
A3. Coldreams - Burning Passion

B1. Coldreams - Bulbs and Bubbles
B2. Coldreams- Turn the Button
B3. Coldreams - Don't Cry (reprise)


Short Info:

Limited and remastered from original tapes. Available for the first time on vinyl, fully licenced.

Insert with band history and unpublished pictures.

After the repress of their single "Eyes / Morning Rain", Camisole Records is proud to announce the reissue of Coldreams tape " Crazy Night ".

Recorded in 1984-1985 by a gang of young students passionate about Post-Punk this record represents the culmination of the band first period.
Haunted lyrics and melancholia were already the basics of their sound and from "Don't Cry" to "Crazy Night / Burning Passion" it's difficult to imagine that they were only 18 to 19 years old at that time.

"Bulbs and Bubbles" and "Turn the Button" show their pop appeal which definitely takes them apart from their contemporaries and all-around gloomy feelings infuse these six tracks which unveils another part of Coldreams history...

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