*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Neon Orange, Light Blue, Yellow


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Blue, Light Rosé, Neon Green


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

B2 = vinyl exclusive

Tracklist:
A. Tia
B1. Bigna
B2. Nea (Vinyl exclusive)

Release info:
Next up on Nico Stojan and Acid Pauli’s Ouïe label is the Tia EP by Cologne-based producer Jonathan Kaspar. Fitting perfectly into the label’s roster, as the 2018 predecessor Mera, this is three tracks of tricky, leftfield dance music that will appeal to the more adventurous electronic music aficionados. Lead track Tia is a brooding epic, unfolding in unexpected ways as the rougher edges give way to dreamy pads and a tight, loopy groove keeps things in motion. Bigna shares a similar aesthetic - an intricate percussive groove provides the foundation for some minimalistic synth explorations and textures. Exclusively on the vinyl release is Nea - artfully balancing dancefloor prowess with esoteric instrumentation and a minimal aesthetic. Elin rounds off the digital release, a slow burning heater with live percussion, thick bass and atmospheric pads and blasts of noise.








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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A1. Mera
A2. Mera (Strip Down) (Vinyl only)
B. Weiss

Jonathan Kaspar has been making left of center dance music for some years, releasing on labels such as Crosstown Rebels, Objektivity, Pets Recordings or Kompakt's KX.

Here, the Cologne-based DJ and producer provides three tracks that serve as a reminder that dance music doesn't have to be one dimensional.

Opener 'Mera' starts out along a shuffling, groove-heavy path before various sound elements creep in, culminating with a hummed vocal full of mystery and magic. The track appears here in two versions, with the 'Strip Down' getting deeper into the drums for a full rhythm-frenzy workout.

Both tracks are perfect sunrise music, as is 'Weiss'. Although ostensibly having more of a straight up dancefloor approach, the track's low slung groove slowly reveals itself over its nine minutes into a spaced out cosmic journey.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklisting:

1. (A1) Extrawelt - Grand Départ (DE-Q20-25-00036)
2. (A2) Extrawelt - Clapland (x Jimi Jules) (DE-Q20-25-00037)
3. (B1) Extrawelt - Dystortion (DE-Q20-25-00038)
4. (B2) Extrawelt - Surrounded By Miracles (DE-Q20-25-00039)
5. (C1) Extrawelt - Der Agent (DE-Q20-25-00040)
6. (C2) Extrawelt - Die Hatz (DE-Q20-25-00041)
7. (C3) Extrawelt - Sir Stringalot (DE-Q20-25-00042)
8. (D1) Extrawelt - ¡No Pasaran! (DE-Q20-25-00043)
9. (D2) Extrawelt - No Song For The Dead (DE-Q20-25-00044)
10. (E1) Extrawelt - Hope Sounds Good (DE-Q20-25-00045)
11. (E2) Extrawelt - Hurt (DE-Q20-25-00046)
12. (F1) Extrawelt - Dysto Disko (DE-Q20-25-00047)
13. (F2) Extrawelt - Schöne Aussichten (DE-Q20-25-00048)
14. (F3) Extrawelt - Reverse Curse (DE-Q20-25-00049)


DYSTORTION
Extrawelt's Latest and Longest-Brewing Album Lands This December on Cocoon

In this beautiful world marked by rising chaos, sometimes the simplest way to escape its troubles is through sonic relief. Germany's renowned electronic duo Extrawelt will offer exactly that with their 5th full-length album, DYSTORTION, via Cocoon Recordings this December.

For over two decades, the humble duo behind Extrawelt, who shy away from making music for clicks, have been a steadfast presence in electronic music. Known as serious studio and tour-focused artists who craft timepiece albums, each a work of enduring craft, that go on to create atmospheric, out-of-the-box live acts, they've been shaping and redefining electronica since their first release.


DYSTORTION is their most diverse and evocative album to date. Imagined over six years and shaped by a world in flux through COVID, political upheavals, social media, and AI, it reflects the contrasts and twists we've all felt while offering surges of serenity and hope. From brooding tension to playful relief, it moves through different states in an evolved Extrawelt manner.

The album's opening credit, "Grand Départ," as if a cinematic prelude, invites us into a world of creeping bass, an explicitly Extrawelt sound that's synonymous with the "anti-genre genre" they work within. The album's second track, "Clapland," sees Extrawelt joining forces with Jimi Jules, a name synonymous with excellence in electronic music, creating a rare collaboration that is felt in every note. Soon, the mood shifts into softer melodies as heard in "Surrounded By Miracles," "Hope Sounds Good," and "Sir Stringalot," which bring bright euphorics to balance the darker moments in an album echoed by industrial influences. Later, as "Dystortion" (the album's title track) unfolds, we're drawn into something few electronic artists can create: raw emotion. This is a gritty landscape as reflective as it is pulsing, glitchy, intense, and richly textured.

DYSTORTION is a reflection of a complex, divided world, carried through dramatically with Extrawelt's signature techno tension. Like the world right now, it is full of contradictions, surprises, and moments of introspection, an essential listen for fans of mature electronic music that may or may not need a reminder of why, after 20 years, we're still listening.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2025 Repress

UPC: 827170537965
Tracklist: (A) A Little Further (Not On A Map) (B1) A Little Further (37 Routes) (B2) A Little Further (Imaginary Escort)
With Dominik Eulberg and Arne Schaffhausen (of EXTRAWELT) we welcome back two longtime Cocoon heroes to the label. The two were featured in a VICE Magazine special last year for a "field recording" documentary which marked the beginning of a new collaboration. Dominik and Arne checked their fresh recorded sounds in the studio and found out that there have a common base and musical understanding. They started to work on new tracks and it looks like this joint venture will continue for a longer time.
The first results of their mutual work is "A Little Further" which will be released in three different versions on Cocoon Recordings in the next weeks (COR12117). So let's start with "Not On A Map" version: This one seems to be tailor made for the next afterhour and the rising sun. Dominik and Arne create the perfect mood for those special moments on the floor with a nice mix of energetic beats, interesting sounds and an emotional bass- and synth-programming. So many layers and different levels however the overall picture never gets overcharged or too demanding.
Coming up next is the "37 Routes" version which quite stands out with the used breakbeats and no standard 4/4 kick drum. The synths are more scratchy and louder and the bassline seems to jump out of the speakers, this is a massive wall of sound production. The direction here is clear. However the two incorporated some cool and magic breaks that seem to refer to the deeper Eulberg sound which forms a great mix of two different techno-visions. Last but not least there's the "Imaginery Escort" version which appears a bit like the dub edit of "A Little Further". This one emphazies the cool and reduced beat programming. The "Imaginery Escort" is more DJ-friendly and without the big breaks, it keeps the rolling beat going and going and we see the floors burning to this cool groover, too. One of these tracks DJs can't wait to drop them in their sets! All three versions make a great package and a big release that breathes pure techno air. No pseudo-retro-hype and no tech-house-mash-up, this one is just techno. Big techno! And it makes us even more excited looking forward to the upcoming festival season!


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Exclusive 5x12” luxurious 5x12" box set with a spectral-reflective foil finish

Tracklisting:
Vinyl 1
1. (A1) Jonathan Kaspar – Her (DE-Q20-25-00019)
2. (B1) Robag Wruhme – Ratibor Numida (DE-Q20-25-00020)
3. (B2) ja:cK - Neverland (DE-Q20-25-00021)
Vinyl 2
4. (A1) Butch – Straight Tripping (DE-Q20-25-00022)
5. (B1) Josh Wink – Self Acceptance (DE-Q20-25-00023)
6. (B2) Raxon – Believe In Mi (DE-Q20-25-00024)
Vinyl 3
7. (A1) Dino Lenny – Sayonara Chicago (DE-Q20-25-00026)
8. (B1) Extrawelt – Mindwear (DE-Q20-25-00027)
9. (B2) Frank Sonic & Dist_42 – Silberschwein (DE-Q20-25-00028)
Vinyl 4
10. (A1) Guy J – Alive Again (DE-Q20-25-00029)
11. (B1) Riccardo De Polo – Melancholia (DE-Q20-25-00031)
12. (B2) Johannes Volk – Vaporized Memories (DE-Q20-25-00032)
Vinyl 5
13. (A1) Harvey McKay – Tears In Rain (DE-Q20-25-00033)
14. (B1) Damiano Von Erckert - Mad Man (I told you what I know) (DE-Q20-25-00034)
14. (B2) Fedele - Zommerfest 25 (DE-Q20-25-00035)

25 Years Cocoon Recordings – Volume One

For its 25th anniversary, Cocoon Recordings returns to its roots with an elaborate vinyl LP box set, marking the first part of a two-volume anniversary project. 25 Years Cocoon Recordings – Volume
One brings together exclusive contributions from international artists who have defined the sound and diversity of the label over the past two decades, complemented by fresh talents who are helping to shape its future.
Over the span of 25 years, Cocoon Recordings has created a catalog that now comprises hundreds of releases, 12-inches, albums, mix CDs, and iconic compilation box sets, always bridging past, present, and future. While firmly rooted in techno and house, the label has also provided space for electronica,
ambient, and other evolving genres.
25 Years Cocoon Recordings – Volume One is more than just a compilation. It is both a homage to the label’s history and a glimpse into what lies ahead. With exclusive tracks that embody the Cocoon sound in all its depth and complexity, this release marks a milestone in the legacy of one of electronic
music’s most influential labels, arguably the strongest compilation in Cocoon’s history. To mark this special occasion, Sven Väth’s label presents the first of two carefully curated volumes, uniting 15 exclusive tracks from international artists in celebration of nearly three decades of Cocoon
Recordings. The luxurious 5x12" box set features a spectral-reflective foil finish and includes contributions from renowned names such as Butch, Robag Wruhme, Josh Wink, Guy J, and Dino Lenny, alongside longtime companions of the label including Extrawelt, Harvey McKay, Johannes
Volk, and Raxon. New discoveries of recent years, Jonathan Kaspar and Riccardo De Polo, enrich the release in their own distinctive ways. The compilation is completed by the unmistakable talents of Damiano von Erckert, Fedele, and ja:ck, who provide the perfect conclusion to the first of two parts.
This release sets the stage for what's next: a daring diptych where musical voices emerge, shining with originality and passion, carrying the spirit forward. The story is just beginning. Something special is on the horizon. One can only wonder which artists will shine on the second chapter.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Blue, Light Rosé, Neon Green


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Neon Orange, Light Blue, Yellow


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Limited Vinyl Box Set including 6x olive 12” vinyl & download code

Tracklisting:

Digital / LP
1. (A1) Delenz & Zeitstill – Place To Be (DE-Q20-25-00007)
2. (B1) Superpitcher – Dream B (DE-Q20-25-00008)
3. (C1) Patrice Bäumel – Nat (DE-Q20-25-00009)
4. (D1) Sawlin – Der Jasager (DE-Q20-25-00010)
5. (E1) DC Salas – Escapism (DE-Q20-25-00011)
6. (F1) Tal Fussman – Eyes (DE-Q20-25-00012)
7. (G1) Ken Ishii & Yuada – Split Second (DE-Q20-25-00013)
8. (H1) Marcel Fengler – Aura (DE-Q20-25-00014)
9. (I1) Impérieux – Kala (DE-Q20-25-00015)
10. (J1) Joe Metzenmacher – Da Freak (DE-Q20-25-00016)
11. (K1) Joseph Capriati – Cosmopop (DE-Q20-25-00017)
12. (L1) Matthias Schildger – Distorter (DE-Q20-25-00018)

Cocoon Recordings presents: Cocoon Compilation V

Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.

Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.

The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.

A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.

On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.

Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.

Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.

From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Exclusive 4x12” vinyl box set with glossy Spot UV finish

Tracklisting:

CORLP058 Vinyl 1

1. (A1) Sven Väth – Ritual Of Life (Adam Port 108 Mix) (DE-Q20-15-01361)
2. (B1) Sven Väth – Ballet-Fusion (Speedy J Remix) (DE-Q20-95-01244)
3. (B2) Metal Master – Spectrum (Bart Skills & Weska Reinterpretation) (DE-Q20-22-00022)


CORLP058 Vinyl 2

4. (A1) Sven Väth – The Beauty And The Beast (Eric Prydz Re-edit) (DE-Q20-08-00033)
5. (A2) OFF Feat. Sven Väth – Electrica Salsa (Roman Flügel Remix) (DE-Q20-16-01485)
6. (B1) Sven Väth – Cala Llonga (DE-Q20-02-01236)
7. (B2) Sven Väth – Sounds Control Your Mind (DE-Q20-98-01216)


CORLP058 Vinyl 3

8. (A1) Sven Väth – Dein Schweiss (DE-Q20-00-01221)
9. (A2) Sven Väth – Robot (Kölsch Remix) (DE-Q20-16-01471)
10. (B1) Sven Väth – L’Esperanza (Hardspace Mix) (DE-Q20-24-00010)
11. (B2) Sven Väth – Privado (DE-Q20-00-01227)


CORLP058 Vinyl 4

12. (A1) Sven Väth – Mind Games (Roman Flügel Remix) (DE-Q20-25-00001)
13. (A2) Sven Väth – Face It (DE-Q20-98-01214)
14. (B1) Astral Pilot – The Day After (DE-Q20-08-00068)




Cocoon Recordings presents: Sven Väth - Retrospective

This retrospective is not merely a celebration—it’s a legacy. Sven Väth’s unparalleled life and pioneering spirit, as well as the defining moments that inspired an entire generation, are distilled into a profound tribute. A musical retrospective that captures the evolution of a visionary whose art has defined, inspired, and reimagined electronic music culture and retells it with zeitgeist.

Sven Väth is more than a DJ, he is a force of nature. A trailblazer whose work is not just music, it’s a philosophy of life: ecstasy, freedom, and a fearless pursuit of creativity, all wrapped in a knowing wink of craziness and rebellion.

Spanning over three decades, this carefully curated collection invites listeners to trace special moments of Sven’s musical work. From his electrifying beginnings to modern interpretations that pulse, This collection is a tribute to a life dedicated to music, every beat a moment frozen in time. Beyond the timeless anthems lies an unreleased treasure—a hidden gem by Roman Flügel that promises to surprise even the most ardent followers.

Alongside Sven’s timeless originals, this release showcases visionary remixes by some of the most revered names in electronic music. Beginning with Adam Port’s hypnotic reimagining of Ritual Of Life to Eric Prydz’s cinematic take on The Beauty and the Beast and Roman Flügel’s unique interpretations, each remix pays homage to Sven’s legacy while channeling a bold, contemporary edge. Speedy J, Bart Skils & Weska, and Kölsch further elevate the collection, showcasing the influence of Sven’s work across generations and styles.

More than a retrospective, this is a living contemporary document that makes techno and club culture tangible. It’s a sonic time capsule for those who lived through the golden nights when Sven set dancefloors ablaze - a musical legacy that connects past, present, and future in a shared pulse that transcends boundaries.

For those who want to experience Sven Väth's incomparable energy and passion over and over again. The perfect opportunity to rediscover Sven Väth's legacy in music history or perhaps even experience it for the first time.

It's more than just a look back - it's an experience. A celebration of nights without end, of passion without limits, and Sven himself, of course.

Coming on February 20th, 2025 —a monument of sound, a story etched in rhythm, and an invitation to lose yourself once more in the magic of Sven Väth. Don’t just listen. Live it.



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Tracklist: (1) Damiano von Erckert – Steam (Staub Mix) (DE-Q20-24-00015)
(2) Damiano von Erckert – Dad Was Not Around (DE-Q20-24-00016)
(3) Damiano von Erckert – Roh (DE-Q20-24-00017)
(4) Damiano von Erckert – Fantazia 93 (DE-Q20-24-00018)


Long overdue, we are happy to welcome Damiano von Erckert to Cocoon Recordings with his debut single, bringing late summer vibes that were well worth the wait. Damiano's lovely energy shines through in this EP, resulting in music that blends soulful character with his signature house sound.

“Steam (Staub Mix)” lifts your spirits from the very first beat, and the summery vibe of the housey Rhodes piano brings a smile to your face. Yet, the track retains a somewhat wistful and melancholy feel. Skillful intonation gives the break a jazzy feel, it's this friction that makes it special. Von Erckert showcases his skill with this playful arrangement, sure to have dancers' hands reaching skyward. The second track “Das Was Not Around” is a masterclass in purism, where simplicity meets profound emotion. Swirly synth pads unfold to create a dreamy, immersive atmosphere, pulling listeners into its depths. Despite its introspective title, a sense of hopefulness permeates the track, as if reaching for light through the shadows. Damiano’s approach allows every element to shine, making the deep grooves and ethereal sounds feel both intimate and expansive. It’s a journey of reflection yet imbued with a quiet optimism that lingers long after the final beat fades.

The essence of reduced Chicago drumming is brilliantly embodied in “Roh”, channeling a raw, stripped-back rhythm that strikes with precision and purpose. This forms the bedrock of a composition that feels timeless. The track carries an unmistakable grandeur, echoing the majestic hymns of certain legendary French artists. As the beats develop, they evoke a profound sense of reverence and nostalgia, seamlessly blending classic house influences with a modern edge. It's a track that honors the roots while confidently advancing the frontiers of contemporary house music. "Fantazia 93" is a nostalgic dive into a ‘90s House vibe, channeling the essence of that unforgettable era with authenticity. Damiano's signature sounds are front and center, infusing the track with a unique touch that’s fresh while reminiscent of classic house anthems. The track exudes an Ibiza after-hour feeling, transporting listeners to those sun-drenched days where time seems to stand still. It’s a sonic journey that feels like sunbeams warming the skin, bathing the senses in a radiant, feel-good energy that resonates long after.







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Tracklist:
(1) Riccardo De Polo – Ascension (DE-Q20-24-00011)
(2) Riccardo De Polo – Wahnstimmung (DE-Q20-24-00012)
(3) Riccardo De Polo – Inception (DE-Q20-24-00013)


The epochal energy of "Ascension" captivated us from the very first moment, making it an ideal intro track. With its cinematic soundtrack reminiscent of "Vangelis", Italian producer Riccardo De Polo has crafted a sublimely ethereal experience that transports listeners into the vast expanse of space. As stars and planets drift by, the music beckons us to explore further, to surrender ourselves to the moment. The low strings serve as a booster until the rocket engine roars to life and the spaceship disappears into another galaxy.

Subsequently the polyrhythmic sequence of "Wahnstimmung" spirals abstractly far below the cerebral cortex. The driving bass drum, paired with shakers and percussion, propels the composition forward at a steady pace. The tension intensifies, painting a picture of liquid metal pouring into a melting pot.
Pure, stripped-down techno as we know it from its origins.

"Inception" hypnotically takes you into a deep state of trance, engulfing you in a tribe's energy. It’s truly a classic Cocoon sound that has its very own place in Sven's sets. The vigor is palpable, the shimmering sequence will make the dust visibly glow above the open-air dance floors while the air begins to shimmer. Noisy snare drums heat the narrowed arrangement to the absolute boiling point. This is the energy we have been looking for!






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Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)


L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.

A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.

B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.

What is certain, you can't tell that either version has been around for 30 years.




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Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)

Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.


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10“ Vinyl with hand-stamped cover and labels

Tracklisting:

A1. DeFeKT x Extrawelt – Cell Sync (DE-Q20-23-00029)
B1. DeFeKT x Extrawelt – In The Space Of… (DE-Q20-23-00030)


After their debut 12" on Feel My Bicep and their contribution "Halluzinelle" to the Dots And Pearls 7 compilation, DeFeKT and Extrawelt are joining forces again.

In the act of remembering the true spirit of no-nonsense, raw, and direct techno, they created these two masterfully executed, original, and timeless cuts.

Each time they get together they come up with something truly unique, blending their styles effortlessly and seamlessly. Their expertise, knowledge, and recognition of our music's history just radiates out of this release. Both tracks immediately captured our souls here at Cocoon headquarters and we couldn't be more excited to put them out right away on this beautiful, limited, hand-stamped 10" vinyl.




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- Limited Vinyl Box Set including 6x purple 12” vinyl & download code

Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)

Cocoon Recordings presents: Cocoon Compilation U

Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.

New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.

DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.

Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!

Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.

Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.


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a pair of 2 cocoon slipmats black with neon orange print print (pair!)

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Tracklist:

(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)


Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.

“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!

“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.





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- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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Format Notes:

2025 first time vinyl release, 140g vinyl


Track List:


A1 It Couldn't Be You
A2 You Can't Hide Always
A3 We'll Make It Again

B1 Walk Straight Ahead
B2 Painting My Life Blue
B3 Just Two Lovers

Release Notes:


Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.

The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.

Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.

As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."

Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!

"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.

The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.

"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.

The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."

The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.

A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."

Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."

Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.

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12“ (+download, + sticker)

Tracklist:
01. Devil In a Skirt
02. Affaire de Coeur
03. Hide & Sick
04. We Are the Party
05. In Your Bed
06. AI Lover

Release Info:
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts.
Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love - ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4x4 rhythms.
Kicking things off is the shadowy, death rock inspired, "Devil In a Skirt", an infectious ballad about a temptress that may not be what she seems. Next up, "Affaire de Coeur" delivers body fuelled stabs which elegantly bleeds into "Hide & Sick", a more high energy cut, set to scorch the floor. "We Are The Party" keeps the pulse pounding with your next EBM anthem while "In Your Bed" shatters sonic boundaries and leaves things drenched in acid rave. "AI Lover" closes things out with more future goth rave energy which acts as both a warning and a desire for more.
Love Cuts builds on Years of Denial’s previous work while setting the stage for what’s to come. Commanding vocals and dominating beats transmit a powerful message of both the dystopian and euphoric. Remaining uncategorizable, the project continues to evolve their unique sound while burning a path toward the future.


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Tracklist:

A1. Inbetween 6:55
A2. Speak To Me 5:47
A3. No More 4:29

B1. Heartbeat 6:22
B2. Crisis 5:32
B3. Clusters 5:24

If Katsuhiro Otomo’s Akira were a utopia instead of its opposite, this EP could be a possible sound track. Using the ingredients of classic house as a platform (pianos anyone?), Nick Nikolov‘s imagination as a producer for his new new NKLV project is far too vivid to stay on the beaten track.

The sound design and nerdy attention of IDM and ambient (Clusters) connects with the brazen boogie approach of the French touch, micro-sampling manifestos have to stand up to the weirder moments of signature sounds like Basement Jaxx or KiNK‘s musical side (Heartbeat). Not too far off from his peer‘s early approach, the Bulgarian‘s take is emotionally charged, play- and powerful.

For instance, Speak to Me and No More hit their respective topical nails on the head and the EPs title track Inbetween is sultry serotonin soul. If you are looking for plain and pure euphoria in between all the hardships, happiness is just around the bend.






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UPC: 5060421560809 - Numbered limited boxset (1000 units Worldwide) with red ribbon inside to pull out the records. Features 3LP+3CD and a large poster. includes REMIXES by Frankie Knuckles, Kevin Saunderson, Alan Braxe, Dimitri from Paris, etc...!

CERRONE IV - The Golden Touch
(Gold colored LP vinyl in gatefold sleeve with printed inner-sleeve and CD included)

A1. Je Suis Music / A2. Rocket in the Pocket
B1. Look for Love / B2. Music of Life

CERRONE VII - You Are The One
(Yellow colored LP vinyl in standard sleeve with CD included)

A1. Hooked On You / A2. My Look / A3. Letter To My Mother / A4. Some O To Love
B1. You Are The One / B2. Cherry Tree / B3. Took Me So Long

GIVE ME REMIXES
(Double LP vinyl in screen-printed recycled cardboard sleeve with CD included)

LP1 // A1. Love In C Minor - Dimitri From Paris Remix / A2. Hooked On You - The Reflex Revision / B1. Je Suis Music - L'impératrice Remix / B2. Dr Doo Dah - Sacha Mambo Jungle adjustment

LP2 // C1. Music Of Life - Alan Braxe Remix / C2. Cerrone's Paradise - Joey Negro Remix / C3. Give Me Love - Frankie Knuckles Remix / D1. Supernature - Kevin Saunderson Remix / D2. Misunderstanding - A-Trak & Codes Remix / D3. Africanism/Gimme Some Lovin - Get A Room! Remix

MALLIGATOR & BECAUSE Music continue to put forward CERRONE's disco heritage with the release of albums IV ("The Golden Touch") and VII ("You Are The One") in vinyl and CD, assembled in an exclusive box-set. Along with this release, a remix compilation associating the avant-garde of the contemporary electro-disco scene (L'Impératrice, Sacha Mambo, A-Trak & Codes…) as well as such authorities as Frankie Knuckles, Dimitri From Paris, Kevin Saunderson…

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Tracklist:
A1. Looney - A2. Dancehall - B1. Girls – B2. Get Away

Release Info:
Bella Boo is back on Studio Barnhus with her most direct and club-focused
material yet. A veteran of the Stockholm underground, named “one of the most
promising new artists not only on Studio Barnhus, but in house music in general”
by Resident Advisor, Bella has channelled the energy of her recent DJ dates at
Berlin’s Panorama Bar and London’s Phonox into this Looney Talks EP, a
collection of four intoxicating dance trax full of intense rhythmic themes and
inventive new takes on classic rave sounds.
Looney Talks (12'' vinyl + digital release) is out on Studio Barnhus on March 24
2023.

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Territories: World excl. UK

FORMAT 2025 repress, 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.


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Format: 2LP, incl inlay - 2025 Re Edition

Tracklist

A1. A Sea Of Love
A2. Lifeblood (Naïve Melody)
B1. Hear Me Out
B2. Kraanvogel
C1. On The Embankment
C2. Marked For Life
C3. Cubist Camouflage
D1. Promises Of Fertility
D2. The Sacred Dance

Monolithic and stark but extremely warm, intensely personal, and for every one in every which way. We are very happy to present to you "For Those Of You Who Have Never (And Also Those Who Have), an album by Huerco S.”















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LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"

2. GENRE/S: Electronic

3. TRACKLISTS:

> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:

The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.

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LP, 2022 REPRESS EDITION, ORIGINAL ART

played by:
Gregor Schwellenbach /Hauschka/ Daniel Brauer/ Paul Frick (both of Brandt Brauer Frick) Erol Sarp / Lukas Vogel (both of Grandbrothers) / John Kameel Farah

Tracklist:
1. Steve Reich "Six Pianos" 22:09 mins
2. Terry Riley "Study #1" 19:50 mins

Info:
After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of "Grandbrothers"), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it.
The basic idea came up at the beginning of the 70s at "The Baldwin Piano & Organ Company" in New York. During a rehearsal phase Steve Reich spent in this very piano store, the idea emerged of writing a composition for all the grand pianos available to him at the company. By the time of the finished piece, the actual number of pianos had settled down to six, whereof "Six Pianos" developed in 1973.
On the occasion of his 80th birthday, the six pianists declare their love to Steve Reich and his composition with this release. Shaped by electronic club music as well as their classical education, they form "Six Pianos" in dignified modernity and top it off with today's sound esthetics and technical recording possibilities.
What you will be hearing is not the recording from the "Kölner Philharmonie" (Cologne Philharmonics) but the ensemble play of six different grand pianos in six different locations, throughout Germany. Each pianist performed his part on his piano using his typical studio equipment and passed the recording over to the next one. Thus the six characteristic and individual timbres of the performers overlay to create the overall picture - "Six Pianos" the way it should be looked at in 2016.
"Pianists are soloists and lone warriors by nature", as Gregor Schwellenbach once said. But the initiator not only won over solo artists to the greatest possible extent such as Hauschka or John Kameel Farah but also musicians from "Brandt Brauer Frick" and "Grandbrothers" as well as their ensemble partners: Jan Brauer mixed "Six Pianos" in the studio while Lukas Vogel provided delays for the b-side.
"Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich's composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach's assumption: "Especially Terry Riley's and Steve Reich's music are open doors for pianists socialized by pop music and their audience."





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Tracklist:
01 Xoul Trap
02 Temptress
03 Inertia
04 Unorthodox

Release Info:
Otik drops the four-track ‘Xoul Trap EP’ on Will Saul’s Aus Music this May.
Otik, aka Ashley Thomas, has been steadily making himself known as one of the finest exponents of leftfield
UK club music since his debut in 2013 through a string of heavy releases on the likes of Midland’s
Intergraded, Martyn’s 3024, and his own Solar Body imprint. Arriving now on Aus Music, the
London-based DJ/producer brings a set of atmospheric, breakbeat-laden techno tracks for his first
appearance on the label.
‘Xoul Trap’ kicks off the A-side with moody vocal chops, emotive pads, and thunderous kicks combining to
form a hair-raising late-night affair. Following is the shuffling ‘Temptress’, which sees sharp and detailed
percussion fuse with dusty chords and speaker-rattling subs.
On the flip, ‘Inertia’ begins with a pumping 4/4 pattern as washed-out synths reverberate alongside shining
plucks and warm, inviting low end. ‘Unorthodox’ sees shimmering leads swirl around choral samples and UK
Funky-tinged drum hits, rounding out yet another standout record from both Otik and Aus Music.
Otik’s ‘Xoul Trap EP’ drops via Aus Music on 12th May 2023






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Tracklist:
A1) Andras and Eden Burns – Wrangler (07:18 min)
A2) Mayurashka and Eden Burns – Obsession (05:39 min)
B1) Matisa and Eden Burns – Calvin Klein (06:43 min)

Short info:
Eden Burns & friends follow the Big Beats. For this volume of BBM, Eden invites
Andras, Matisa and Mayurashka to make some beats.
So much fun! „Beat moves feet, feet do dance, dance is joy, joy is life!“



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