FJAAK returns to their own imprint with a third album. 23 multi facetted tracks (incl. collaborations with Modeselektor and Skee Mask) spread across 4 discs and an extensive booklet! Fuelled by the Berlin-based duo's love of club music in all its forms 'FJAAK THE SYSTEM' is FJAAK's most definitive album to date, a winding sonic odyssey that surveys the rave landscape, dipping between frantic euphoria and deep contemplation. Featuring sizzling collaborations with Modeselektor, Skee Mask, Red Eye and J.Manuel, the album draws a bold line under FJAAK's 15 years of mischief and mayhem, pulling together 23 tracks (culled from over 300, no less) that truly reflect the duo's boundless enthusiasm for the dancefloor. Grazing UK breakbeat, techno, 2-step, d'n'b, jungle, trip-hop and ambient, these elasticated, hybrid bangers paint a vivid picture of FJAAK's utopian club ideal, a place where genre boundaries evaporate and only the groove remains. Since graduating in audio engineering in the early 2010s, FJAAK have been challenging the logic of a maddeningly conservative club scene with their hardware only live shows, DJ sets a myriad of record releases. In 2019 they launched the label and platform Spandau20 with a steady flow of records and a mixtape series featuring new talent and established artists. With their rebellious attitude and notoriously energetic live sets, the duo have brought back a crucial lost ingredient to the rave: playfulness. And if their well-loved albums 'FJAAK', released on Modeselektor's Monkeytown imprint, and 'Havel' set the scene, 'FJAAK THE SYSTEM' rises above and beyond expectations, creating a new benchmark. It's not just blood, sweat and tears either, FJAAK's advanced technical knowhow and love of synthesizers and drum machines helps them formulate a sound that's conscious of dance music history, but focused on a brighter, more equitable future. Their second single 'And You Feel' is an emotional rollercoaster combining UK breakbeat with a dubstep-influenced bassline wobler and alluring vocals, emulating the moment the mind becomes a tranquil void through the crescendo of adrenaline like a strain of physical exertion. This is reflected on their new music video which shows an unexpected "rage room" scene. As for the rest of the album, fittingly, the album opens with 'Unity', a brief cry from FJAAK that urges listeners to overcome their prejudices and focus on the music itself. Then we're thrown right into 'And You Feel', a searing blend of nostalgic pads, snatched diva vocals and factory-strength breaks. A conscious balancing act between tranquility and rushing adrenaline, it's one of the album's most unashamedly emotional moments. And by the time we reach 'Redemption', dynamism takes hold completely: ear-pummeling drums feed the soundsystem, and squelchy, acidic TB-303s twist into peak time. For FJAAK, it's a track that confronts the harsh reality of a music industry that's not always kind to artists, highlighting the relentless struggles in a furious rush of pneumatic kicks and a merciless synth throb. The mood shifts into intricate dark territory when they team up with Modeselektor on 'Horsepower', a track that captures the giddiness of their studio sessions. A rush of stepped breaks, lysergic pads and untamed glitches, it's a trip towards ecstasy that's a testament to the four producers' mastery over their craft. And on the energetic 'Mechanic Love', FJAAK examine the relationship between humans and technology wondering what impact an augmented reality might have on intimacy and companionship. Using wailing, timestretched voices and pounding kicks, they blur the boundaries between the organic and the mechanical, whisking their sonics into a passionate fervor. Elsewhere, they pause for breath on the blissed-out, aquatic 'Glove Box', and enlist Munich's Skee Mask on the electro-tinged 'Black Ice', bringing in FJAAK's former member J.Manuel to slow down gritty breaks into a contemplative whirl on 'Wind Mill Hill'. 'FJAAK THE SYSTEM' is a rich, diverse statement from a duo who aren't willing to rest on their laurels. While FJAAK always have one eye trained on the dancefloor, the other is always looking further inside. Written and produced by Felix Wagner & Aaron Robig as FJAAK. Mixed by FJAAK. More

Introducing the forthcoming vinyl single from FJAAK's highly anticipated album, "FJAAK THE SYSTEM." Featuring three electrifying stompers and an exclusive acapella track tailored for DJ tool usage, this release promises to captivate techno enthusiasts and vinyl aficionados alike. First up, "A1 - Redemption" unleashes an ancient acid-techno anthem, pulsating with acidic elements and an unmistakable old-school vibe. Its hard-hitting beats and minimalist structure reflect the chaotic state of our world's system, while sporadic vocal shots weave a narrative of societal disarray, urging listeners to delve into the madness. Next, "A2 - Hustle" encapsulates the relentless journey of artists striving to leave their mark in the world of music. With pulsating futuristic breakbeats and driving rhythms, the track embodies the dedication and passion fueling their creative pursuits, amidst the challenges of the road and the vibrant energy of the techno scene. Then, "B1 - Mechanic Love" delves into the intricate dynamics of relationships in a technologically infused world. Exploring the blurred boundaries between humans, machines, and cyborgs, the track navigates themes of love, intimacy, and companionship within a futuristic realm where humanity's evolution converges with technological innovation. It's a symphony of emotion and machinery, inviting listeners to ponder the complexities of existence. Lastly "B2 - Unity" featuring US artist Red Eye, the vinyl single includes an exclusive acapella version of a track featured on the upcoming album, providing DJs with a versatile tool for creative mixing and experimentation. More

Better get ready for FJAAK009! With A-side: "Give It To Me" and B-side: "Why Are You Here" two hard-hitting powerhouse & techno tracks that have been road-tested around the globe are coming your way. The release features a extra heavy-weight 180 gram vinyl for those who truly appreciate the analog sound! More

Hard hitters from the Fjaak guys! Acidic techno tracks road tested at their shows around the globe! B2 is vinyl only - extra heavy-weight 180grams vinyl for the lovers! More

FJAAK proudly presents SYS03, the third instalment in the series the producers have put in place to help venues that hold a dear place in their hearts. This edition is dedicated to Fabric in London, Blitz in Munich, Fuse Brussels & Cologne's Gewoelbe, all with rich history behind them & all seriously endangered by the ongoing COVID pandemic. Get your slab - do your part - save your scene. More

SYS02 proudly presented by FJAAK. Another charity project in order to give back to some of the places that have supported us so much over the years, coming in a time where giving back is most important. The second release contains 4 dirty slammers, again each one dedicated to the place it's named after. All revenue generated through this release is going straight to the pockets of the clubs. Long live Bassiani, District8, Flash & Basement. Thank you for believing in us and letting us do our thing! More

More FJAAKy goodness for your Bag.

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FJAAK proudly presents SYS01. A charity project in place in order to give back to some of the places that have supported us so much over the years, coming in a time where giving back is most important. The release encompasses 4 signature FJAAKy weapons, each one dedicated to the place it's named after. All revenue (not profit) generated through sales of this release is going straight to the pockets of the four clubs. Long live OHM Berlin, Lehmann Club Stuttgart, City Club Augsburg & PAL Club Hamburg. Thank you for letting us do our thing and continuously believing in us. Yours FJAAK More

FJAAK present FJAAK006, including 2 party bombs & a slice of ambience. More

German trio FJAAK return with their sophomore album entitled "Havel" LP, dropping on their eponymous label this November. More

Here it is: 50WEAPONSXTR05, another heavy hitting 2 tracker by the three young guns hailing from Spandau. Gewerbe 15 is a primetime sure shot initiating a broken kickdrum which eventually makes way for a pummeling 4/4 beat which is bound to shake the walls of any club. The track takes its title from the Gewerbe (German for commercial space) where the boys have spent the years leading up to their 50WEAPONS signing. Here, at 15 square meters spanning a living space and a studio for three people, the first two FJAAK EPs for 50WEAPONS had seen the light of day. Track 2 entitled Rush sees FJAAK play with a much more house-oriented approach to a peaktime track. A rock hard and distorted kickdrum, piercing hi-hats and a soaring ride are paired with almost jersey-esque, shuffling chords that will work any sweaty club just as much as a breezy open air. FJAAK go hard and we're pretty sure we will hear this record being played on repeat by the big house and techno DJs and all their hungry followers alike. KILLER! More

FJAAK are new to 50WEAPONS and they already have had a killer start. It is said that they actually sleep/live in their studio and one can easily imagin them listening to bassdrum samples for breakfast. Their rough techno tracks are driven by a fast and furious energy, that is pulsing with love for its genre. The A side is ruled by the outstandingly well carved noises of the Kick drum's reverb, brilliantly timed breaks and a windy flute pad that pairs perfectly with the distorted snare drum. A knack for expertly distorted drum sounds is one of FJAAK's most distinctive features. The B side explores the quest for finest distorted kick drum. "The Wind" pairs it with delayed synths and a noise-come-percussion heading into deeper territories while "Curious" on B2 sets a darker vibe with growling bass drones that sting like metallic insects and infect you with dancemania. More

Introducing Pruvan to Tectonic and to the world, with this debut EP of soundsystem smashing beats! Think - expertly crafted productions that effortlessly bring together some of the best elements from techno, D&B and dubstep. The US-born, Czech-based producer has carved a fresh space, bringing next level sounds together with finely tuned production skills.

Lead track Pozor sets the pace, just simple and effective, followed by a pick-up in tempo with Beastwoman; fiddly fun with Buckets and a vinyl exclusive tech-workout with All My Mites. The digital EP comes with 2 extra tracks, Raw Dawg & Yoji, providing bonus extra fire.
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Introducing USA based artist Jon Linskey aka 'Sectra' to Tectonic! With a truly unique sound, Sectra's music sits among the crushing, claustrophobic weight of Shapednoise drone spaces, the percussive dexterity of a Detroit techno wizard and summoning the power of DMZ with sub bass sonics designed to hug your ankles.

'A Demon In My View' runs at a dangerous 90bpm, a total night stalker of a beat riddled with menace and the deep stench of fear. You will be scared, but that's OK, we'll get through this. 'Counter Culture' runs at 126bpm and projects us far out into distance space for a Sci-Fi adventure to a distant galaxy with a techno shaped rocket to propel us out there (well, there's a 4/4 kick in there at least..).

Flip for 'Ashes' where we get a hint of dubstep influence melded with mangling technology and more perfectly placed sounds. Lastly we turn to 'Bedlam' which takes the pace down a few notches and we find ourselves hypnotized in a half-step, rocking gently, wrapped in a blanket, slowly shaking off the trauma.
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René Pawlowitz presents himself in many different forms; whether it's as Head High, EQD, Wax, WK7, The Traveller or more recently as Hoover - he consistently, and without any fuss or hype - produces some of the most effective, qual-ity techno you can find on the planet. The Shed alias is usually reserved for his best work.

With this in mind, it really is a special event to announce this amazing new EP from Shed on Tectonic, showcasing 3 distinctive and highly effective techno cuts.

'Try' takes a broken-beat techno rhythm for it's spine - reminiscent a little of the 2008/9 dubstep/techno crossover peri-od. Tension is set with dissonant elements pulsing around swooping subs until we are saved by the heroic pads that ease in, building ever upwards to a lush finale. Close your eyes and be transported back to the rave.

'Box' is a darker, more percussive affair - claustrophobic and industrial. 130bpm 4/4 distorted kicks set the stage as frantic drum machine hats and claps crash about heavily reverb'ed ghostly samples.

Lastly we come to 'Sweep', a hypnotic bleepy roller with a bass heavy presence. As the riff loops up and over, drums build and a dissonant synth part creeps in. The not-quite 4/4 kick drives you ever forward with a gentle stumble as rat-tling hi hats flair about over head. Great finish to a great EP.


Tracklist:
A1: Try
A2: Box
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Tectonic is very proud to welcome Lamont to the team!

Bristol's bendy-beats whizz kid is mainly known for dropping jaws with his releases on Swamp 81 and it's various offshoots. This time, he's been chipping away at 4 fine-cut gem, especially for Tectonic - bringing some darkside vibrations in addition to his usual bounce.

'Hold Dat' runs at 135bpm, sitting in-between grime, dubstep and housey/techno/whatever that thing Lamont usually does! Charged with a disgusting, totally greasy bassline, this one drops hard and keeps going - quality moves for (now, mostly imaginary) dancefloors.

'Push' takes it down a notch, to 130 for a more heads-y work out, laden with crackling, fizzing sonics - and heavily punctuated by sub bass hits. The energy levels step back a touch, while building intensity.

'Brain' sees Lamont working more familiar territories - sending a pounding 4/4 kick drum out to hold together a series of collapsing percussive hits and warping melodies - as a 'brain' sample, simply haunts your brain.

The EP closes off with 'Open Letter', taking things into a dread-space; dub wise, deep and dangerous. The lurching bass hits take charge and push you through layers of echo'ed hits and micro-melodramas, to round off this great EP in fine style.


Tracklist:
A1: Hold Dat
A2: Push
AA1: Brain
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On June 26th the influential Bristol figurehead Rob Ellis AKA Pinch will release his first solo album 13 years, via his own label, Tectonic.

'Reality Tunnels' is a concept that was originally introduced by Robert Anton Wilson in his 1983 book 'Prometheus Ris-ing'. In essence, the concept of a reality tunnel relates to an idea on how we create our own perspective - the subjec-tive filter that we each apply to the world around us; the things we perceive and what our consciousness deems worthy of attention, IE what we see and hear is entirely relative to what we do not.

At points angular and uncompromising with levels in the red, frequencies pushed out and EQ curves stretched into strange new shapes, Pinch mixes both low and hi fi on this boldly distinct sonic statement. It sees him flexing years of production skills - but unconventionally so - knowing well that safe predictability and rounded polish don't get the most interesting results.
Dark trip hop Bristolia segues into blistering jungle on album opener 'Entangled Particles', before planet-hopping onto the spiky insidious grimestep of 'All Man Got', featuring the rugged rasp of OG warhorse Trim.
Beginning a triptych of future techno, 'Accelerated Culture' offers the album's most relatively straightforward moment, albeit one of scorching, anthemic dancefloor heat. Delving deeper into the vortex is the synapse sparking wobbler 'Returnity', before 'Finding Space' reaches to the cosmos' far-flung, glowing outlands.
Back to an urban reality is 'Party', where a subtly menacing sense of dread is ignited by Killa P's incremental flow, which ramps-up and pairs-back the intensity in unexpected ways. Still moving freely between different realities, 'Back To Beyond' is beautiful gloaming ambience, executed with equal fine-tuned grace as the genre's masters.


Jamaican vocalist Inezi lends sweet tones to the slow burning, roots-meets-modern-bass spiritual 'Change Is A Must', and on 'Non-Terrestrial Forms' an atmospheric, misty steppers intro segues stealthily into fiercely dystopian, amen-fuelled jungle tekno; marking one of several surprise attacks on the album, where a subtle-slight-of hand shoots the intensity level dynamically up.Closing as it begins, the album is bookended by a piece that recalls the dark, intricate soundscapes of Massive Attack's 'Mezzanine' and Tricky's 'Maxinquaye' - found here in 'The Last One's scorched, smoky rocker.

Hit the vinyl double pack for an exclusive and quite unique sounding 120bpm glitchy techno roller featuring man like Trim once again and live cello recordings.



Vinyl Tracklist:
A1. Entangled Particles Feat. Emika
A2. All Man Got Feat. Trim
A3. Accelerated Culture

B1. Returnity
B2. Making Space
B3. What Am I Waiting For? Feat. Trim **vinyl exclusive bonus track**

C1. Party Feat. Killa P
C2. Back To Beyond

D1. Change Is A Must Feat. Inezi
D2. Non-Terrestrial Forms
D3. The Last One Feat. Nive Nielsen
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On June 26th the influential Bristol figurehead Rob Ellis AKA Pinch will release his first solo album 13 years, via his own label, Tectonic.

'Reality Tunnels' is a concept that was originally introduced by Robert Anton Wilson in his 1983 book 'Prometheus Ris-ing'. In essence, the concept of a reality tunnel relates to an idea on how we create our own perspective - the subjec-tive filter that we each apply to the world around us; the things we perceive and what our consciousness deems worthy of attention, IE what we see and hear is entirely relative to what we do not.

At points angular and uncompromising with levels in the red, frequencies pushed out and EQ curves stretched into strange new shapes, Pinch mixes both low and hi fi on this boldly distinct sonic statement. It sees him flexing years of production skills - but unconventionally so - knowing well that safe predictability and rounded polish don't get the most interesting results.
Dark trip hop Bristolia segues into blistering jungle on album opener 'Entangled Particles', before planet-hopping onto the spiky insidious grimestep of 'All Man Got', featuring the rugged rasp of OG warhorse Trim.
Beginning a triptych of future techno, 'Accelerated Culture' offers the album's most relatively straightforward moment, albeit one of scorching, anthemic dancefloor heat. Delving deeper into the vortex is the synapse sparking wobbler 'Returnity', before 'Finding Space' reaches to the cosmos' far-flung, glowing outlands.
Back to an urban reality is 'Party', where a subtly menacing sense of dread is ignited by Killa P's incremental flow, which ramps-up and pairs-back the intensity in unexpected ways. Still moving freely between different realities, 'Back To Beyond' is beautiful gloaming ambience, executed with equal fine-tuned grace as the genre's masters.


Jamaican vocalist Inezi lends sweet tones to the slow burning, roots-meets-modern-bass spiritual 'Change Is A Must', and on 'Non-Terrestrial Forms' an atmospheric, misty steppers intro segues stealthily into fiercely dystopian, amen-fuelled jungle tekno; marking one of several surprise attacks on the album, where a subtle-slight-of hand shoots the intensity level dynamically up.Closing as it begins, the album is bookended by a piece that recalls the dark, intricate soundscapes of Massive Attack's 'Mezzanine' and Tricky's 'Maxinquaye' - found here in 'The Last One's scorched, smoky rocker.


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Walton returns to Tectonic to drop his latest EP of deadly dance floor weapons, as Tectonic sets up to celebrate being 15 years old!
With releases dropping on Illian Tape and Kaizen, Manchester's Walton is a producer in high demand for his inimita-ble style the blends grime and pirate radio aesthetics with forward-thinking dance floor sensibilities..
'Scooped' opens the EP with mood setting pads and 128bpm drums, in preparation for a gut-wrenching bass line, bringing elements of grime, dubstep and techno altogether.
Following on next is 'SBWYS'. The title references a vocal sample that decorates the rough 138bpm beats, "Sound boy watch ya space!". Point made.
'Smashed Crabs' takes a 2003-era grime style rhythmic framework and paints over hard bass sonics and laser blips at 134bpm.
Lastly, the title track 'Abyss' continues the rave lazer aesthetic and tempo of Smashed Crabs, but sending things more intergalactic in trajectory, wrapping up a great EP in fine style. Definitely a bit of something for most dancefloors, craft-ed in the way of the Walton.
Tracklist:
A1. Scooped
A2. SBWYS
AA1. Smashed Crabs
More

This is a big release for Tectonic as label boss Pinch combines forces with Kahn to produce two killer rhythm tracks that meld deepness with futuristic dancehall powers. Normally this would be plenty to get excited about anyway - but if you then add the vocal talents of Killa P, Irah & Long Range - aka 'Killa's Army' - there is even more reason! Dubstep meets grime meets dancehall, while Bristol meets Brixton.
All three MCs in Killa's Army have their own, very distinctive but complimentary styles, bringing a hard, uncompromising vocal delivery to match Pinch & Kahn's tough beats.
Long Range opens the track and sets pace, his rapid, agile lyrical flow bouncing off the distorted thumping of a darkside 142bpm dancehall-flavoured rhythm. Killa P unleashes the chorus with full force, then setting up the next verse. Irah drops it an octave and holds the mood with his unique tone and delivery. The track pulls back then for a moment, like a filmic interlude, before the General himself, Killa P comes in to finish off anyone who might try test, like an end of level boss. 'Crossing The Line' will be rattling out of speakers for many years to come, no doubt!
Flip the vinyl over and you'll find another, instrumental track, from Pinch & Kahn. 'Send Out' is a dubstep banger that holds a deep mood whilst pushing the energy levels through the roof. A rhythm track that has been pulled up, wheeled; set dance floors ablaze with it's almost heavy-metal levels of energy. An early version of 'Send Out' originally appeared as an exclusive track on Kahn & Neek's Fabriclive mix but is now available properly for the first time.

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Hailing from Cardiff, Elmono has previously released on Cold Recordings, launching the label with it's first release and following up with a twisted take on Swamp 81 style UK bass 4/4 music. His debut on Tectonic shows off a different flavour altogether, combining all the classic elements of old school UK rave music - and giving them a fresh twist. Tempos run around 128-130bpm while the mood captures the essence of 92-94, as hardcore mutated into jungle.
We kick off with 'Cooper's Dream' which filters upward from a muted position, dropping into a jungle-tech format, building up to a strange melodic bass line as we are taken further and further into the void of Cooper's hallucinogenic dream space!
'For The Future' begins with a short, gentle intro before dropping wildly out of the blue into a tearing bass drop that will rip apart the walls of any dance. Harking back to the old school ways, the track develops with sample snippets and 'ardcore synth stabs.
Flip then for 'Endorfiend' which runs with the theme of jungle/hardcore ingredients, reworked for 2019. Swooping bass hits and melodic chimes leave one foot in 1992 and the other in the here and now.
'Shermi Paradox' closes up the EP with splashing drum breaks, dissonant chords and synths, spinning acid like ele-ments alongside Detroit-esque bass patterns.
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Having released 2 killer and totally unique EPs on Cold Recordings, the British-born, Berlin-based Eric Baldwin aka Cocktail Party Effect, lines up his first for Tectonic. Across these 4 dynamic 130bpm cuts, CPE demonstrates his sharp ear for creating tracks full of energising percussive twists, melding hard-charging, dynamic techno textures and while running wild with a UK sense of bass-heavy and percussive manoeuvres. More

The sound of sheet metal, ripping slowly, suspended in low gravity. Screaming in slow motion, claustrophobic and encapsulated. This is the result of Nino Pedone's reworking of Mumdance & Logos' dancefloor deep heaters 'Chaos Engine' and 'Cold', taken from the 2015 LP 'Proto', also released on Tectonic.
No beats, pure drama. Each of Shapednoise's versions pull the original tracks deep into a chasm of crushing reverbs and grinding atmospherics, stretching the originals to their limit - and well beyond. Prepare yourself for a journey that will take you deeper into the darkside.
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Walton kicks off 2019 for Tectonic with 4 cuts of pirate radio infused dancefloor orientated DJ tools. 'Inside EP' fol-lows on from Walton's exceptional 'Black Lotus' LP, which dropped on Tectonic last summer, gaining widespread ac-claim - even rated as The Guardian's 'Contemporay Album Of The Month'!
What we have here is 4 tracks that all sit around the 130bpm mark, providing grime sonics to a techno compatible form. Built for those who don't really give a f**k if you call it techno, grime or bass blah blah so long as it bangs in the dance and moves those feet.
Sampling snippets of MC's chatting between tracks, each track takes a mostly functional approach, building raw el-ements in a simple but effective fashion. 'Bullet #2' sets the scene, kicking off with a radio style wheel up - before dropping into rolling 4/4 square wave power moves. 'Inside' follows the mood, building towards a more rolling tech-noid construct. 'More Cowbell' bangs out like an old 4/4 grime anthem with a contemporary production sonic, while 'Gunshot Clap'
closes out the EP, with its swooping square wave stabs and background shouts from behind the mic.

Tracklist:
A1: 'Bullet #2'
A2: 'Inside'
AA1: 'More Cowbell'
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BOO WILLIAMS returns to Chicago's NOBLE SQUARE with 4 deeply spiritual bangers. Includes a special remix of the highly sought after 90s classic FRUITS OF THE SPIRIT that should not be missed. Act quickly, this future classic EP captures why BOO is a Chitown legend and will sell out fast. More

FELIPE GORDON has been on a pretty epic roll lately with releases on SHALL NOT FADE, TOY TONICS, and RAZOR-N-TAPE among others. His 3 track debut on Brooklyn's TOUCAN SOUNDS featuring a spacey & chilled remix from GLENN UNDERGROUND that keeps with that pattern of superb output. Don't sleep. More

Sometime in 1984, San Diego native Anthony "Antone" Williams found himself sitting alone at Pure Sound Studios, tinkering around with a drum machine. Eventually he landed on a "sinister groove" which would lay the propulsive foundation for his hauntingly melodic tour de force, "Windows of My Mind." Released the following year as a seven-inch single on his own Unity Records label, the song features Antone's otherworldly production. Some have referred to the result as "post punk soul," but we'll let you be the judge. Coming up in San Diego in the Seventies, part of an extensive musical family, Antone's creative fuse was lit by the sounds of Stevie Wonder, Earth Wind & Fire, and the Jackson 5.. At the age of 13, he was performing in area clubs, making a name for himself. By age 22, he had opened his own recording studio, Pure Sound. The influence of Sly and the Family Stone was decisive for Antone, who took to wearing a star-shaped gold necklace, not unlike the one famously worn by Stone on his epochal 1975 LP High on You. "Windows of My Mind" was Antone & The Underworld's sole release. Limited to 500 copies and handed out as a promotional tool for a purported album of the same name, the single didn't get much traction. (A story as old as time.) Perhaps the music was ahead of its time and Antone's visionary message will finally sink in 2023. "I didn't want to make a song like Shake Your Booty", he says now. And yet we think that this long-lost record with its "sinister groove" is eminently danceable, almost 40 years later. We challenge you to take a listen to this home-grown 1985 7", remastered directly from the original tape, and make an assessment of your own. More

This repressed 12" features 5 of the best early DM remixes from his now legendary (and long out of print) mashup EP 12"s. Includes his classic mashed up remixes of NAS vs PORTISHEAD, AUDIO TWO vs AIR, SUZANNE VEGA vs 50 CENT, OUTKAST vs FUNKADELIC, and XZIBIT vs RADIOHEAD.

Tracklisting:
A1. Nas vs Portishead – It Ain’t Hard to Tell (3:19)
A2. Audio Two vs Air – Top Billin (2:59)
A3. Suzanne Vega vs 50 Cent – Tom’s Diner (4:54)
B1. Outkast vs Funkadelic – Whole World (4:53)
B2. Xzibit vs Radiohead – Paparazzi (3:43) More

Athens of the North is very proud to present this insanely rare Georgia rarity (I have never seen a copy of the original vinyl) 'You Can Tell Me Goodbye' by Bernetia Miller. Itwas recorded in Phil Walden's studio (Capricorn Records) in Macon, Georgia. Bernetia remembers a many takes and hard work before they were happy with the record. The Soul Groovers toured extensively, they even had their own little tour bus. The Reissue is taken from the master tapes which Bernetia has held onto for all these years and from whom ewe licenced this single directly More

As a standout and highly requested track in Maceo Plex sets over the last year, his Ellum Audio label finally releases Raxon's 'The Cage of Love,' an epic cover of trance classic 'Age of Love'. The original 'Age of Love' is a genre and era-defining tune. Despite its legendary status, Raxon is an artist who is more than up to the challenge of reinterpreting it for contemporary dance floors. The Egyptian-born, Barcelona-based artist is an underground mainstay with a fantastic album on Kompakt, top singles on Ellum Audio and Cocoon Recordings and gigs all over the world. He has teased this track at many of them, and it has never failed to light up the dance floor. 'The Cage Of Love' has an all-new techno feel with a taught bassline and slapping drum funk. The lead synths are molten and futuristic, while the original's vocal adds the iconic hook. The track builds in layers, teasing and then pleasing when it finally drops as the dance floor explodes and the laser-like synths spray about the mix with a life of their own. The vinyl comes with extended and instrumental mixes, while digital downloads include the radio edit and extended mixes. This is a new high point for Raxon and a bona fide classic in the making from Ellum Audio. More