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Last in:12.02.2021
Label:SAFT
Cat-No:saft22
Release-Date:05.02.2021
Genre:House
Configuration:12"
Barcode:
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Joan Bibiloni - No Title
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Joan Bibiloni - No Title
When you find DJ Sotofett and Telephones on remix duties for the mighty Joan Bibiloni it's sure to be a treat. For the 22nd installment in the Saft series, two of Bibiloni's greatest numbers from "Born" (1989), are re-imagined for the occasion.
Sotofett opens up the A-side with an extended version of Bibiloni's "El Sur". Clocking in just under twelve minutes, the so-called "mastermix" is a version in the vein of the extended disco singles from the era of the original. Sotofett's supernatural dancefloor touch centers around Bibiloni's guitar-licks that gently slide along and communicate with the other elements of the original. This is a version to close a night with - or better yet - to close a summer set just before sundown.
The B-side contains a reworked version of "Sa Fosca" by another Norwegian artist: Telephones. "Telephones Coastal Dub", is another lengthy endeavor. The ten (and something) minutes long venture keeps in line with the Mallorcan character of the Bibiloni sound, while giving it a subtle touch of dancefloor, complete with the signature lead of the original as the focal point. The extensive intro and the balance between breeziness and firmness is sharply done More
Sotofett opens up the A-side with an extended version of Bibiloni's "El Sur". Clocking in just under twelve minutes, the so-called "mastermix" is a version in the vein of the extended disco singles from the era of the original. Sotofett's supernatural dancefloor touch centers around Bibiloni's guitar-licks that gently slide along and communicate with the other elements of the original. This is a version to close a night with - or better yet - to close a summer set just before sundown.
The B-side contains a reworked version of "Sa Fosca" by another Norwegian artist: Telephones. "Telephones Coastal Dub", is another lengthy endeavor. The ten (and something) minutes long venture keeps in line with the Mallorcan character of the Bibiloni sound, while giving it a subtle touch of dancefloor, complete with the signature lead of the original as the focal point. The extensive intro and the balance between breeziness and firmness is sharply done More
More records from Joan Bibiloni
Label:Music From Memory
Cat-No:MFM003
Release-Date:26.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:
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Last in:17.05.2024
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Last in:17.05.2024
Label:Music From Memory
Cat-No:MFM003
Release-Date:26.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:
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Joan Bibiloni - The Boogie
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Joan Bibiloni - El Cumpleaños Se Jaimito
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Joan Bibiloni - Valerie
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Joan Bibiloni - Sobrevivir
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Joan Bibiloni - El Salto Del Martin
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Joan Bibiloni - Val, I Vuw Ya
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Joan Bibiloni - Una Vida Llarga I Tranquila II
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Joan Bibiloni - Migas
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Joan Bibiloni - Sa Fosca
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Joan Bibiloni - La Española
Staying on the Mediterranean coast for their third release, Music From Memory this time shift their attention to the work of Mallorcan musician Joan Bibiloni. TIP!
Primarily a guitarist, Bibiloni was creating music at an early age, releasing his first single at the tender age of 15. In his twenties he formed Spanish progrock outfits Zebra and Euterpe where he would meet Pepe Milan, the two of them becoming the bluesy folk duo 'Milan & Bibiloni'. Bibiloni himself would later go on to play with a number of luminary musicians such as Larry Coryell, Daevid Allen and John Cage to name but a few.
In 1982 Bibiloni set up his own label Blau in order to highlight the muchoverlooked work of musicians not only on his home island of Mallorca but across the Balearic Islands. In doing so he created a platform not only for
local talent but also for his own music to breathe a new life, much influenced by the landscape and life that surrounds the islands.
Whilst Bibiloni's first solo releases on his Blau imprint have stronger echoes of contemporary Jazz fusion of the time, it is on the album known as 'Una Vida Llarga I Tranquila' where Bibiloni really began to experiment with new soundsand technologies; fusing tape loops, drum computers and synthesizers.
Taking these more electronic infused works as a departure point for the compilation and drawing on material from across his following five albums, El Surï sets out to highlight Joan Bibiloniïs unique ambient fusion and sun-drenched Mediterranean beach boogie. More
Primarily a guitarist, Bibiloni was creating music at an early age, releasing his first single at the tender age of 15. In his twenties he formed Spanish progrock outfits Zebra and Euterpe where he would meet Pepe Milan, the two of them becoming the bluesy folk duo 'Milan & Bibiloni'. Bibiloni himself would later go on to play with a number of luminary musicians such as Larry Coryell, Daevid Allen and John Cage to name but a few.
In 1982 Bibiloni set up his own label Blau in order to highlight the muchoverlooked work of musicians not only on his home island of Mallorca but across the Balearic Islands. In doing so he created a platform not only for
local talent but also for his own music to breathe a new life, much influenced by the landscape and life that surrounds the islands.
Whilst Bibiloni's first solo releases on his Blau imprint have stronger echoes of contemporary Jazz fusion of the time, it is on the album known as 'Una Vida Llarga I Tranquila' where Bibiloni really began to experiment with new soundsand technologies; fusing tape loops, drum computers and synthesizers.
Taking these more electronic infused works as a departure point for the compilation and drawing on material from across his following five albums, El Surï sets out to highlight Joan Bibiloniïs unique ambient fusion and sun-drenched Mediterranean beach boogie. More
Label:Gouranga Music
Cat-No:GRNGAR004
Release-Date:17.01.2023
Configuration:12"
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Last in:08.02.2023
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Last in:08.02.2023
Label:Gouranga Music
Cat-No:GRNGAR004
Release-Date:17.01.2023
Configuration:12"
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Joan Bibiloni - The Boogie (Ray Mang Edit)
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Joan Bibiloni - Val, I Vuw Ya (Ray Mang Edit)
Mallorcan mastermind Joan Bibiloni gets two key works from his esteemed catalogue officially licensed via Gouranga Music and edited by the remix maestro Ray Mang.
On the A side the boogie brilliance of the aptly named ‘The Boogie’, extended and echoed in all the right places to form a true dancefloor winner. On the flip, Mang turns this classic Balearic Bibiloni gem ‘Val, I Vuw Ya’ that has an acoustic guitar and chromonica spinning around each other from the three and a half minute original into a hypnotic six minute wonder. More
On the A side the boogie brilliance of the aptly named ‘The Boogie’, extended and echoed in all the right places to form a true dancefloor winner. On the flip, Mang turns this classic Balearic Bibiloni gem ‘Val, I Vuw Ya’ that has an acoustic guitar and chromonica spinning around each other from the three and a half minute original into a hypnotic six minute wonder. More
12"
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Label:NuNorthern Soul
Cat-No:nuns022
Release-Date:10.04.2020
Configuration:12"
Barcode:5060202594368
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Last in:05.10.2020
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Last in:05.10.2020
Label:NuNorthern Soul
Cat-No:nuns022
Release-Date:10.04.2020
Configuration:12"
Barcode:5060202594368
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Juan Bibiloni - No Title
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Juan Bibiloni - No Title
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Juan Bibiloni - No Title
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Juan Bibiloni - No Title
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Juan Bibiloni - No Title
Rare tracks taken from key albums from Spanish / Balearic Islands musician Joan Bibiloni’s extensive career focusing on the period 1982 to 1989. This will continue the NuNorthern Soul Selected Works series, following on from the x2 Ryo Kawasaki EPs released. One of those was a RSD release in 2017. Vinyl will be black, sleeve notes will come from interviews conducted by Marc Rowlands plus the RSD release will contain a poster of the front cover sleeve artwork.
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Joan Bibiloni - Born
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Joan Bibiloni - El Sur
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Joan Bibiloni - 92
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Joan Bibiloni - Una Vida Llarga I Tranquil-La
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Joan Bibiloni - Sa Fosca
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Joan Bibiloni - Nits De La Sultana
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Joan Bibiloni - Water Drops
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Joan Bibiloni - Ballad For An Empty Street
Joan Bibiloni's Born is widely considered as one of the highlights of modern ambient music. Ever since it was first released in 1989 on Bibiloni's 'Blau' imprint, Born has been a sought after record by collectors of different backgrounds.The eight compositions that Bibiloni wrote, and then recorded with several gifted musicians, share the same vivid ethereal quality. From the emotive latin of El Sur, to the heart wrenching tones of 'Ballad for an Empty Street', Born is one of the pinnacles of the balearic guitarists' discography. This is the first time since the original release back in 1989 that the full album gets a re-release. This edition comes as a slice of heavyweight vinyl (180Gr) and the tracks are remastered with the greatest care to meet today's listening standards.
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12"
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Last in:03.07.2023
Label:Saft
Cat-No:SAFTX006
Release-Date:09.06.2023
Genre:House
Configuration:12"
Barcode:
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Andy Ash - You_Me
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Andy Ash - You_Me (Mark E remix)
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Andy Ash - Momentary Days
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Andy Ash - Reach
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Andy Ash - Rico Rico!
Tracklisting:
A1 Andy Ash - You_Me
A2 Andy Ash - You_Me (Mark E remix)
B1 Andy Ash - Momentary Days
B2 Andy Ash - Reach
B3 Andy Ash - Rico Rico!
Sales Note
Assured UK house producer Andy Ash takes care of the next EP on SAFTX while the equally esteemed Mark E steps up to remix.
For well over a decade now, Andy Ash has been turning out high-quality house music on a range of labels. Last year he served up a tasteful full-length on Quintessentials, the year before he dropped a double 12" on Still Music and he is also a regular at the likes of Delusions Of Grandeur. From deep and dusty to disco-tinged and dynamic, he has a stylish sound that is well-versed in the classics but always his own twist. He shows that again here with four fresh tunes which cannot fail to make you feel good.
Opener 'You:Me' features Faber and os brilliantly warm house groove. The drums and hi-hats are prefectly designed, the vamping chords bring a playful funk and swirling pads add diffuse late-night energy. It's timeless cut with nods to the US midwest and subtle vocal sounds.
Remixer and Merc label boss Mark E has a rich history of edits and originals on the likes of Running Back, Delusions Of Grandeur and Studio Barnhus. On this version, he lays down hazy, heavy kicks for a beatdown workout that comes alive with gorgeous synt work akin to all the best Detroit dons.
Ash's 'Momentary Days' is a slow and roomy, dubbed-out house swinger. Well-placed samples - vocal coos, guitar riffs, jazzy chords - all peel off the loose drums and can't fail to get you moving. 'Reach' is another humid house cut for cosy back rooms and basements. The Scruffy drums have frayed edges while dreamy melodies loop up top. It's a heartfelt sound that slowly turns you to deep inward reflection.
Last of all is 'Rico! Rico!', a downtempo jazz-funk jam with crisp broken beats, keys that take you to the Riviera and strings so lush you can almost feel the sun on your face.
This deep house music as it should be - raw, expressive and full of human soul. More
A1 Andy Ash - You_Me
A2 Andy Ash - You_Me (Mark E remix)
B1 Andy Ash - Momentary Days
B2 Andy Ash - Reach
B3 Andy Ash - Rico Rico!
Sales Note
Assured UK house producer Andy Ash takes care of the next EP on SAFTX while the equally esteemed Mark E steps up to remix.
For well over a decade now, Andy Ash has been turning out high-quality house music on a range of labels. Last year he served up a tasteful full-length on Quintessentials, the year before he dropped a double 12" on Still Music and he is also a regular at the likes of Delusions Of Grandeur. From deep and dusty to disco-tinged and dynamic, he has a stylish sound that is well-versed in the classics but always his own twist. He shows that again here with four fresh tunes which cannot fail to make you feel good.
Opener 'You:Me' features Faber and os brilliantly warm house groove. The drums and hi-hats are prefectly designed, the vamping chords bring a playful funk and swirling pads add diffuse late-night energy. It's timeless cut with nods to the US midwest and subtle vocal sounds.
Remixer and Merc label boss Mark E has a rich history of edits and originals on the likes of Running Back, Delusions Of Grandeur and Studio Barnhus. On this version, he lays down hazy, heavy kicks for a beatdown workout that comes alive with gorgeous synt work akin to all the best Detroit dons.
Ash's 'Momentary Days' is a slow and roomy, dubbed-out house swinger. Well-placed samples - vocal coos, guitar riffs, jazzy chords - all peel off the loose drums and can't fail to get you moving. 'Reach' is another humid house cut for cosy back rooms and basements. The Scruffy drums have frayed edges while dreamy melodies loop up top. It's a heartfelt sound that slowly turns you to deep inward reflection.
Last of all is 'Rico! Rico!', a downtempo jazz-funk jam with crisp broken beats, keys that take you to the Riviera and strings so lush you can almost feel the sun on your face.
This deep house music as it should be - raw, expressive and full of human soul. More
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Last in:20.02.2023
Label:SAFT
Cat-No:saft24
Release-Date:10.02.2023
Genre:House
Configuration:2LP
Barcode:
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Chris Gray - Forage The Courage (What Could Be)
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Chris Gray - Woks & Their Toasted Sesame
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Chris Gray - 3s Then A Flour
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Chris Gray - Bring It To A Simmer
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Chris Gray - Freshened With Seductive Acidity
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Chris Gray - It's A Bad Day When The Store Locks Away Detergent
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Chris Gray - Fennel & Dill Pollen
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Chris Gray - The Rest, In Peas
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Chris Gray - Flan De Qoi Choi
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Chris Gray - Tikka Luvr
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Chris Gray - The Puttanesca Caper
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Chris Gray - Every Child's Pots & Pans
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Chris Gray - This Game Hen's Game's On
Tracklisting:
A1 Chris Gray - Forage The Courage (What Could Be)
A2 Chris Gray - Woks & Their Toasted Sesame
A3 Chris Gray - 3s Then A Flour
B1 Chris Gray - Bring It To A Simmer
B2 Chris Gray - Freshened With Seductive Acidity
B3 Chris Gray - It's A Bad Day When The Store Locks Away Detergent
C1 Chris Gray - Fennel & Dill Pollen
C2 Chris Gray - The Rest, In Peas
C3 Chris Gray - Flan De Qoi Choi
D1 Chris Gray - Tikka Luvr
D2 Chris Gray - The Puttanesca Caper
D3 Chris Gray - Every Child's Pots & Pans
D4 Chris Gray - This Game Hen's Game's On
Sales Note
Cosmic Simmering is a very personal new album of unreleased material from Chris Gray on saft. The 13 track album has been composed of previously lost archives, restored DAT tapes and old CDs and it plots the musical evolution of one of house mysic's most underrated artists.
Work on this album started in March 2020 when Chris started digging around in his archives. Some of what he found was sketched in the late 80s, while other tracks were written a few months after Chris moved to Chicago and was living in his uncle's south side attic in early 1993. There are also some cuts from 1995 onwards which have been salvaged from deteriorating DAT tapes after a friend of CHris fixed his player. There is also a selection of early 2000s deep4life material taken from 20-year-old backups on cheap CDs, all brought back to life for this record.
Cosmic Simmering is a beautifully widescreen album that works equally on mind, body and spirit. More
A1 Chris Gray - Forage The Courage (What Could Be)
A2 Chris Gray - Woks & Their Toasted Sesame
A3 Chris Gray - 3s Then A Flour
B1 Chris Gray - Bring It To A Simmer
B2 Chris Gray - Freshened With Seductive Acidity
B3 Chris Gray - It's A Bad Day When The Store Locks Away Detergent
C1 Chris Gray - Fennel & Dill Pollen
C2 Chris Gray - The Rest, In Peas
C3 Chris Gray - Flan De Qoi Choi
D1 Chris Gray - Tikka Luvr
D2 Chris Gray - The Puttanesca Caper
D3 Chris Gray - Every Child's Pots & Pans
D4 Chris Gray - This Game Hen's Game's On
Sales Note
Cosmic Simmering is a very personal new album of unreleased material from Chris Gray on saft. The 13 track album has been composed of previously lost archives, restored DAT tapes and old CDs and it plots the musical evolution of one of house mysic's most underrated artists.
Work on this album started in March 2020 when Chris started digging around in his archives. Some of what he found was sketched in the late 80s, while other tracks were written a few months after Chris moved to Chicago and was living in his uncle's south side attic in early 1993. There are also some cuts from 1995 onwards which have been salvaged from deteriorating DAT tapes after a friend of CHris fixed his player. There is also a selection of early 2000s deep4life material taken from 20-year-old backups on cheap CDs, all brought back to life for this record.
Cosmic Simmering is a beautifully widescreen album that works equally on mind, body and spirit. More
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Last in:12.01.2023
Label:Saft
Cat-No:SAFTX005
Release-Date:04.11.2022
Genre:House
Configuration:12"
Barcode:
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Pablo Valentino - Look Deeper
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Pablo Valentino feat. Patchworks - X-Rousse
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Pablo Valentino - Bagaço
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Pablo Valentino - Bagaco (Seb Wildblood remix)
Tracklisting:
A1 Pablo Valentino - Look Deeper
A2 Pablo Valentino feat. Patchworks - X-Rousse
B1 Pablo Valentino - Bagaço
B2 Pablo Valentino - Bagaco (Seb Wildblood remix)
Release Note:
Saft's X series signs up accomplished French house artist Pablo Valentino for a new EP that features Patchworks and includes a remix from Seb Wildblood. Valentino hails from East France but his work has made a global impact. He runs FACES Records and is A&R for the cult MCDE Recordings. Next to that he DJs around Europe and has produced both solo and as part of collectives such as Creative Swing Alliance and Hipster Wonkaz for labels like MCDE, Eureka and Room With A View.
Atmospheric opener "Look Deeper" is a rough and steamy deep house cut for cosy basements. The drums are raw and alive, the lead synth is haunting, and the keys bring a jazz feel while vocal coos add some serious soul. French jazz, soul and deep house artist Patchworks guests on "X Rousse", a freewheeling jam with loose-limbed drums and funky chords. It channels the spirit of Moodymann and is sure to bring heat to any party. The final original is "Bagaco"; a bubbly and percussive number underpinned by warm bass stabs. The dynamic groove never rests and raw claps amp up the energy throughout.
Seb Wildblood is a driving force in the South London scene thanks to running Church, All My Thoughts and Coastal Haze. From house to downtempo, leftfield to techno, he has a broad stylistic range that always looks forwards. His remix is a celebratory broken beat workout. It's all about big stabs, soulful smeared chords and cutting loose on the dance floor without a care in the world. Once again, The Saft X series really brings the heat with this fresh EP. More
A1 Pablo Valentino - Look Deeper
A2 Pablo Valentino feat. Patchworks - X-Rousse
B1 Pablo Valentino - Bagaço
B2 Pablo Valentino - Bagaco (Seb Wildblood remix)
Release Note:
Saft's X series signs up accomplished French house artist Pablo Valentino for a new EP that features Patchworks and includes a remix from Seb Wildblood. Valentino hails from East France but his work has made a global impact. He runs FACES Records and is A&R for the cult MCDE Recordings. Next to that he DJs around Europe and has produced both solo and as part of collectives such as Creative Swing Alliance and Hipster Wonkaz for labels like MCDE, Eureka and Room With A View.
Atmospheric opener "Look Deeper" is a rough and steamy deep house cut for cosy basements. The drums are raw and alive, the lead synth is haunting, and the keys bring a jazz feel while vocal coos add some serious soul. French jazz, soul and deep house artist Patchworks guests on "X Rousse", a freewheeling jam with loose-limbed drums and funky chords. It channels the spirit of Moodymann and is sure to bring heat to any party. The final original is "Bagaco"; a bubbly and percussive number underpinned by warm bass stabs. The dynamic groove never rests and raw claps amp up the energy throughout.
Seb Wildblood is a driving force in the South London scene thanks to running Church, All My Thoughts and Coastal Haze. From house to downtempo, leftfield to techno, he has a broad stylistic range that always looks forwards. His remix is a celebratory broken beat workout. It's all about big stabs, soulful smeared chords and cutting loose on the dance floor without a care in the world. Once again, The Saft X series really brings the heat with this fresh EP. More
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Last in:24.09.2021
Label:Saft
Cat-No:SAFTX004
Release-Date:17.09.2021
Genre:House
Configuration:12"
Barcode:
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Dubbyman - En La Ciudad
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Dubbyman - En La Ciudad" (Fit Siegel remix)
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Dubbyman - Up Again
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Dubbyman - Up Again" (Deep Explorer mix)
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Dubbyman - tropic
This summer, Saft welcomes Dubbyman after a three-year hiatus from releasing music. He serves up a gorgeous new EP in the SAFTX series that features a remix from Detroit mainstay FIT Siegel.
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Last in:06.11.2019
Label:Saft
Cat-No:saftx003
Release-Date:01.11.2019
Genre:House
Configuration:12"
Barcode:
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Rosario - No Title
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Rosario - No Title
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Rosario - No Title
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Rosario - No Title
Ross Ferraro is a seasoned producer from Australia that has been making waves as 1/2th of The Posse, - after a Posse remix on the Pulp side of things, Ross Ferraro now presents his first outing as Rosario on the Saft mothership. "Keep On EP" contains three originals and a remix by Adam Feingold's under his Ex-T moniker.
The title track is a breezy affair that combines crazed synth swirls with oddball disco FX and a tight section of drums which serves as the perfect opening track for this overall outgoing record.
"Ex-T's Phunqy Mix" starts off in a more timid way, but as the name suggests - quickly gets more extrovert and freakish. Vocals and experimental sounding blips and blops take over and cleverly come together in an original fashion.
"Lo" revolves around an tribal sounding chant, chord hits and an array of fx, and quickly becomes - while remaining quite stripped down - the most euphoric track in this collection. The chords sit beautifully with the bouncy drums and evolving arpeggiator that floats on top.
"Follow Me" is a silky smooth work with a soothing vocal and piano sample that work as the main sounds. Rosario is constantly altering the bass sound throughout this cut and creating a modern boogie ambience. The trance inducing synths suggest a relaxing evening atmosphere and cause for "Follow Me" to be the perfect farewell cut. More
The title track is a breezy affair that combines crazed synth swirls with oddball disco FX and a tight section of drums which serves as the perfect opening track for this overall outgoing record.
"Ex-T's Phunqy Mix" starts off in a more timid way, but as the name suggests - quickly gets more extrovert and freakish. Vocals and experimental sounding blips and blops take over and cleverly come together in an original fashion.
"Lo" revolves around an tribal sounding chant, chord hits and an array of fx, and quickly becomes - while remaining quite stripped down - the most euphoric track in this collection. The chords sit beautifully with the bouncy drums and evolving arpeggiator that floats on top.
"Follow Me" is a silky smooth work with a soothing vocal and piano sample that work as the main sounds. Rosario is constantly altering the bass sound throughout this cut and creating a modern boogie ambience. The trance inducing synths suggest a relaxing evening atmosphere and cause for "Follow Me" to be the perfect farewell cut. More
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Carlos Romanos - No Title
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Carlos Romanos - No Title
SAFT is proud to present a re-release of a sought after disco classic from 1979. Carlos Romanos 1-2-1 is without a doubt one of the highly regarding dancefloor classics from the heydays of the genre. With a length of 5.30 this brass infused stomper is club friendly,
positive and drenching with Latin influenced percussion sounds.
This new re-mastered edition will appear on a 12 record only and includes a hypnotic Sotofett formula dub on the B-side that spans ten minutes and maximizes the percussive nature of the original to create a psychedelic voyage that builds and builds whilst generating
a threatening atmosphere around the brass, vocals and perc hits of the original. A roaring guitar gives 1-2-1 a bizarre but signature Sotofett treatment which shouldn t be missing from any adventurous record collection. 1-2-1 including DJ Sotofett s formula dub will
be available from all specialized retailers from the summer of 2019. More
positive and drenching with Latin influenced percussion sounds.
This new re-mastered edition will appear on a 12 record only and includes a hypnotic Sotofett formula dub on the B-side that spans ten minutes and maximizes the percussive nature of the original to create a psychedelic voyage that builds and builds whilst generating
a threatening atmosphere around the brass, vocals and perc hits of the original. A roaring guitar gives 1-2-1 a bizarre but signature Sotofett treatment which shouldn t be missing from any adventurous record collection. 1-2-1 including DJ Sotofett s formula dub will
be available from all specialized retailers from the summer of 2019. More
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Last in:06.12.2018
Label:Saft
Cat-No:saftx002
Release-Date:16.11.2018
Genre:House
Configuration:12"
Barcode:
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se62 - No Title
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se62 - No Title
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se62 - No Title
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se62 - No Title
After a five year release hiatus, in 2018 Yura Khlop is putting out music under his SE62 alias again. "Jazzed EP" is the second release in the SAFT X series and the Kiev based producer has delivered a class record.
The A-side opening track; "Swing Tool" is built around more jazzed out samples than the other tracks. SE62 cleverly plays original notes together with a hazy sample that serves as the core element. "Jazzed EP" will be available through all specialized retailers in the autumn of 2018. On A2 we find "July". Again a very dance floor oriented record with taints of emotion. The very present chord and bassline dominate the tracks structure until at one point; a beautiful sample is introduced. Positive sounds for lovers of classic deep house.
The title track "Jazzed" is a signature piece of thumping deep house, using swinging MPC style drums and an evolving digital piano riff. This together with some submerged sounding sample shots, create a dance floor worthy ambiance. After "Jazzed", we find "Pitch Black", a sample-heavy jam that is based around a set of characteristic drums. A swinging chord and an infectious chord progression do the trick on this true dance floor record. More
The A-side opening track; "Swing Tool" is built around more jazzed out samples than the other tracks. SE62 cleverly plays original notes together with a hazy sample that serves as the core element. "Jazzed EP" will be available through all specialized retailers in the autumn of 2018. On A2 we find "July". Again a very dance floor oriented record with taints of emotion. The very present chord and bassline dominate the tracks structure until at one point; a beautiful sample is introduced. Positive sounds for lovers of classic deep house.
The title track "Jazzed" is a signature piece of thumping deep house, using swinging MPC style drums and an evolving digital piano riff. This together with some submerged sounding sample shots, create a dance floor worthy ambiance. After "Jazzed", we find "Pitch Black", a sample-heavy jam that is based around a set of characteristic drums. A swinging chord and an infectious chord progression do the trick on this true dance floor record. More
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Last in:26.10.2018
Label:Saft
Cat-No:saft19
Release-Date:19.10.2018
Genre:House
Configuration:12"
Barcode:
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notasun - No Title
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notasun - No Title
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notasun - No Title
The elusive producer 'Nortasun' hasn't released a record since his debut 'One' through SAFT back in 2016. After two years, it's time for a follow up which is fittingly named 'Two'. The track titles also resume in a fashionable manner with the opening track being titled: 'Untitled 3'. On this track, Nortasun introduces a firm rhythm that is supported by the impossibly beautiful strings that serve as the tracks key element and appear throughout. Next up is the 'AntonZap' remix. AntonZap doesn't do the stereotypical remix take on the original. His version is dub laden, otherworldly, and only implements miniscule pieces from the original take. With just under 7 minutes, the remix version is a true sonic voyage.
on the B-Side, Nortasun takes a more dubbed out approach to modern day house music. 'Untitled 4' is a work of precision. The carefully crafted hats and dub elements sizzle throughout the entire track and help the track morph into a stunning piece of dance floor music around the four minute mark. Nortasun cleverly introduces a thumpientire ng bass that changes up the mood for the work. Nortasun's 'Two' will be available through all specialized retailers just after the summer of 2018. More
on the B-Side, Nortasun takes a more dubbed out approach to modern day house music. 'Untitled 4' is a work of precision. The carefully crafted hats and dub elements sizzle throughout the entire track and help the track morph into a stunning piece of dance floor music around the four minute mark. Nortasun cleverly introduces a thumpientire ng bass that changes up the mood for the work. Nortasun's 'Two' will be available through all specialized retailers just after the summer of 2018. More
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Last in:13.09.2018
Label:Saft
Cat-No:saftx001
Release-Date:29.03.2018
Genre:House
Configuration:12"
Barcode:
1
lerosa - No Title
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lerosa - No Title
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lerosa - No Title
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lerosa - No Title
Dublin based musician Lerosa has built an impressive discography throughout the years. With his first efforts dating back to 2005 the producer who has a broad palette of sounds has already been around for over 10 years with releases for a vary of respected labels. For the first release on SAFTX , Lerosa hands out a taster of the labels new series ambitions. Vivrant house music is most definitely the back bone of Playa De La Guancha as a whole. The opening is packed with a strapping rhythm section and a vocal cut that is reminiscent of the Trax Records classic House Nation . Julius Steinhoff (of Smallpeople fame) gives Soul Tracing a modern sounding treatment that completely shifts the feel of the original and turns it into an adventurous piece of contemporary electronics. Lerosa opens up the B side with Bruised which is a work out of alternating basslines and brutal machine claps that give the piece a club oriented feel. Acidic sounds cut through the mix with determination and wobbly synth sounds serve as a pleasant sauce for this intergalactic sounding work. Marauder is a hefty bit at a slower tempo than it s predecessors. A loose rhythm section is causing for the listener the focus on the immense LFO threated sounds that float on to and the low down bassline that supports the overall atmosphere in a grounded manner. Playa De La Guancha will be available through all specialized retailers starting early April.
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Last in:07.02.2018
Label:Saft
Cat-No:saft16
Release-Date:04.01.2018
Genre:House
Configuration:12"
Barcode:
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urulu - No Title
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urulu - No Title
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urulu - No Title
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urulu - No Title
Taylor Freels has built quite a strong catalog over the years. His work under his Urulu moniker, is widely regarded as top quality deep house and 'The Banshee EP' continues in this fashion. The title track has a dreamlike atmosphere to it. 'The Banshee' is a work that will strike a chord with lovers of the ocean-influenced sounds and hazy atmospheres. A strong presence of strings and dubby sounds, create a certain laidback mood that is perfect for sun drenched days in the park. Chicagoan producer "Garrett David" builds on the hazy atmospheres of the original, while adding some melodic elements to his remix of 'The Banshee' where he cleverly shifts between scales and different moods. 'Quadrant Beat' is a warm track that is built around warm chords and fashionable drum sounds. Again, Urulu makes sure to weave some outgoing dub elements into this b-side opening track. 'Romance Track' is most likely one of the Berlin based producer's most melodic works to date. Beautifully executed piano hits flow together seemingly easy over a sturdy rhythm that serves as the track's backbone. "The Banshee EP" is a work of lush deep house and an excellent addition to both Urulu's repertoire and the SAFT label catalog.
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Last in:24.08.2017
Label:Saft
Cat-No:saft15
Release-Date:07.07.2017
Genre:House
Configuration:12"
Barcode:
1
løskøber - No Title
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løskøber - No Title
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løskøber - No Title
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løskøber - No Title
With Adryiano and Kastil on production duties for their Loskober alias (which first emerged through Soul Notes in 2013) the 15th SAFT release has some serious sounds on it. Apart from the two originals this time around the label has acquired remixes from the likes of 'Keita Sano' and Berlin based Australian 'Andy Hart'. Ranked 38th is a slab of tough disco tainted sample house with tight drums and a catchy phrase to highlight the dance floor nature of the opening track. For the sophomore track Japan native Keita Sano rewords the title track in an original fashion using the main elements while layering this with outlandish percussion and elevating FX. On the B side we find the modern classic sounds of 'Lake Michigan'. This is a piece of dance floor oriented music in the vain of the much appreciated sounds from the motor city heydays. Touching pads collide beautifully with the spacious bassline and the courageous drum work. For the B2 position, Berlin based 'Andy Hart' cleverly reworks the sounds of 'Lake Michigan' to a more contemporary house track without losing the central focus of the appealing bassline.
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Last in:03.05.2016
Label:saft
Cat-No:saft13
Release-Date:08.04.2016
Genre:House
Configuration:12"
Barcode:
When talking about sought after records in House music, Chris Gray's ''Sweetness You Bring'' which was first released through his own ''Deep4life'' imprint in 2000 will definitely come up as a golden grail every now and then. After enquiring about this release SAFT and the artist got the idea to re-issue this classic together with two alternative versions plus a ''Crue'' remix. The outcome is a solid 12''. SAFT13 opens up with an interpretation of ''Sweetness You Bring'' by Chris Gray's very own ''Moonchildren ''project, this version is a somewhat more melodic edit of the original. After this, the highly sought after original version of ''Sweetness You Bring'' comes up. Naturally the EP is built around this track which has proven to be a modern day classic. The Crue remix on the B1 position is a version where the signature vocal cut is being left out and the drums are altered big time which leads to a more dubbish version of the original. Chris Gray's Sultry version of the Title track is definitely the hardest hitting track on this EP altering the total mood with the use of firm built drums and funky organ sounds.
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Last in:20.01.2016
Label:saft
Cat-No:saft11
Release-Date:05.01.2016
Genre:House
Configuration:12"
Barcode:
1
ian blevins & ny*ak - Grasscutter
2
ian blevins & ny*ak - Good Feeling
3
ian blevins & ny*ak - Work It Out
4
ian blevins & ny*ak - Work It Out (DJ Nature remix)
With the eleventh installment in the SAFT series in place, the label has already celebrated their landmark tenth release. For the new record, the label has some adventurous sampling going on by the likes of "Ian Blevins" and "NY*AK".
Grasscutter EP is a balanced journey through uncanny rhode sounds, samples and lusty vocal cuts. The title track is a mid-paced belter that reminds one of a hazy jazz club, which of course strikes the right chord for a SAFT opening track.
The two producers continue to a more swift tempo with hefty sample use on "Good Feeling", a track that tends to evoke a more euphoric feeling whilst maintaining the overall lush vibe.
"Good Feeling" uses extrovert drums and choppy vocals to lay down a firm atmosphere. The B1 track "Work it Out" returns to a slower pace where Square basses are gently placed on top of shuffling drum patterns that subtly guide the vocal sample that is treated with a wash of delay.
New York based "DJ Nature" reworks "Work it out" with the use of a glidng bassline and some snappy piano chords. SAFT11 will be available through all good electronic music retailers starting December 2015. More
Grasscutter EP is a balanced journey through uncanny rhode sounds, samples and lusty vocal cuts. The title track is a mid-paced belter that reminds one of a hazy jazz club, which of course strikes the right chord for a SAFT opening track.
The two producers continue to a more swift tempo with hefty sample use on "Good Feeling", a track that tends to evoke a more euphoric feeling whilst maintaining the overall lush vibe.
"Good Feeling" uses extrovert drums and choppy vocals to lay down a firm atmosphere. The B1 track "Work it Out" returns to a slower pace where Square basses are gently placed on top of shuffling drum patterns that subtly guide the vocal sample that is treated with a wash of delay.
New York based "DJ Nature" reworks "Work it out" with the use of a glidng bassline and some snappy piano chords. SAFT11 will be available through all good electronic music retailers starting December 2015. More
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Last in:14.04.2016
Label:Saft
Cat-No:saft10
Release-Date:02.10.2015
Genre:House
Configuration:12"
Barcode:
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four walls - Limits
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four walls - Electronic Side
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four walls - Time To Shine (feat. Paula King)
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four walls - Time To Shine (Vincent Floyd remix)
SAFT10 is a boogie infused record by Grodno Based producer 'Four Walls'. Seemingly effortless the Belorussian newcomer to the SAFT family knits up an ecstatic wash of synths, pads and modish drum patterns. The opening track 'Limits' takes one into orbit with it's psychedelic synth sequences and moody rhodes. The track begins to ride half way which caters for an euphoric vibe in any setting, club and at home. The A side follow up continues in a more positive fashion on Electronic Side. Bright rhodes are alternating with sublime synth sounds and advanced drum programming. SAFT Regular 'Paula King 'joins' Four Walls' on the summertime hymne, 'Time To Shine'. This is a true house track with positive vibrations, reminiscent of some early 2000 Garage anthems. Chicagan of Rush Hour fame 'Vincent Floyd' twists things round on the B2. His rework for 'Time To Shine' revolves around characteristics but lush synth work that tempers the euphoric mood of the original and gives it some bite.
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Label:Saft
Cat-No:saft08
Release-Date:17.11.2014
Genre:House
Configuration:12"
Barcode:
1
jay ka ft. paula king - Only Grace (Original)
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jay ka ft. paula king - Only Grace (NY AK Remix)
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jay ka ft. paula king - Only Grace (Kai Alcé Late Night Interpretation)...
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jay ka ft. paula king - Only Grace (Kai Alcé Instrumental Late Night In)...
Versatile Parisian Jay Ka, offers a slow dripping slice of deepness to the SAFT following. With the help of Paula King on vocals, title track Only Grace is a reminiscent anthem with strong vocals supported by lush chords and smokey rhode hits. As a real single should, this package also offers 3 interpretations of the original. With remixes by Briton NY*AK and Atlanta situated Kai Alce, this SAFT output should grab your full attention easily. Where NY*AK's rework maintains a more repetitive vibe with nicely timed vocal cuts, Kai Alce's 'Late Night' interpretation recalls classic vocal-house reworks from the glory days of extended 12inch mixes. As usual for a complete single like this, an instrumental version of Kai Alce's rework is included.
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Last in:13.09.2018
Label:saft
Cat-No:saft06
Release-Date:14.02.2014
Genre:House
Configuration:12"
Barcode:
Gear appreciating Italian 'Giorgio Luceri' enters the SAFT dome with the machine driven 'Liger EP'. On the opening track 'Liger' Giorgio cleverly paints an elusive ambiance using jumbled drums and an appealing bassline together with a continual synthline that nicely sits on top of the serene pads that give rise to an intense atmosphere. The B1 side opens with similar soothing pads that gradually change when the immense bassline and full bodied kick drum come in. Giorgio again creates a somewhat adverse vibe which helps to give it a hint of lushness. For the B2, Chicago legend 'Gene Hunt' contributes with a massive percy remix for 'Liger'. A lot of drum action is present in this club oriented (yet deep) roller. As far as remixes go, Gene Hunt proves to be a craftsman of high stature. SAFT06 will be available from all good retailers from late January 2014.
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Label:Everland Psych
Cat-No:PSYCH009LP
Release-Date:09.08.2024
Genre:Electronic
Configuration:2LP
Barcode:0710473185097
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Last in:20.08.2024
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Last in:20.08.2024
Label:Everland Psych
Cat-No:PSYCH009LP
Release-Date:09.08.2024
Genre:Electronic
Configuration:2LP
Barcode:0710473185097
1
Mariah - Sokokara
2
Mariah - Shisen
3
Mariah - Hana Ga Saitara
4
Mariah - Fujiyu Na Nezumi
5
Mariah - Sora Ni Mau Maboroshi
6
Mariah - Shinzo No Tobira
7
Mariah - Shonen
Repress!
* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves
Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.
The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.
As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.
An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.
Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. More
* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves
Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.
The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.
As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.
An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.
Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. More
Label:Versatile Records
Cat-No:verlp45
Release-Date:09.02.2024
Genre:House
Configuration:LP Excl
Barcode:
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Last in:30.01.2024
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Last in:30.01.2024
Label:Versatile Records
Cat-No:verlp45
Release-Date:09.02.2024
Genre:House
Configuration:LP Excl
Barcode:
1
I:Cube - Prismatic
2
I:Cube - Vantableu
3
I:Cube - Gypsotheque
4
I:Cube - La Grotte Aux Fees
5
I:Cube - Kaszio
6
I:Cube - 0_0_01_48
7
I:Cube - Montsouris
8
I:Cube - Infinite Melodies
Backstock - shipping from Feb 9
A1. Prismatic
A2. Vantableu
A3. Gypsotheque
A4. La Grotte Aux Fees
B1. Kaszio
B2. 0_0_01_48
B3. Montsouris
B4. Infinite Melodies
I:Cube has made a new album. It is a very "hands on" album, as the eight tracks on show were created almost entirely by improvising with electronic hardware - synthesizers, sequencers, drum machines and effects units - and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track.
During the time he spent recording it, which was in part inspired by the processes behind his 'Cubo Live Sessions' series, I:Cube had fun, experimented, unleashed the raw, primitive energy of his machines, and emptied his head of thought. The resultant tracks are instinctive, immersive and otherworldly, driven by the emotion of the moment rather than the formulaic structures of dance music. They are unpolished and immediate, but also immersive and sincere.
Think of it as a soundtrack to time spent alone in the studio, daydreaming in darkness and light, translating mental and physical messages in real time. It is not calculated, overblown or over-produced like much modern electronic music, but gently odd, engaging and pleasingly rough round the edges. In some ways, it is I:Cube's most personal and emotional album to date.
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A1. Prismatic
A2. Vantableu
A3. Gypsotheque
A4. La Grotte Aux Fees
B1. Kaszio
B2. 0_0_01_48
B3. Montsouris
B4. Infinite Melodies
I:Cube has made a new album. It is a very "hands on" album, as the eight tracks on show were created almost entirely by improvising with electronic hardware - synthesizers, sequencers, drum machines and effects units - and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track.
During the time he spent recording it, which was in part inspired by the processes behind his 'Cubo Live Sessions' series, I:Cube had fun, experimented, unleashed the raw, primitive energy of his machines, and emptied his head of thought. The resultant tracks are instinctive, immersive and otherworldly, driven by the emotion of the moment rather than the formulaic structures of dance music. They are unpolished and immediate, but also immersive and sincere.
Think of it as a soundtrack to time spent alone in the studio, daydreaming in darkness and light, translating mental and physical messages in real time. It is not calculated, overblown or over-produced like much modern electronic music, but gently odd, engaging and pleasingly rough round the edges. In some ways, it is I:Cube's most personal and emotional album to date.
More
Label:Growing Bin Records
Cat-No:GBR042
Release-Date:17.06.2022
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Barcode:4251804129305
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Last in:07.04.2022
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Last in:07.04.2022
Label:Growing Bin Records
Cat-No:GBR042
Release-Date:17.06.2022
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Barcode:4251804129305
1
Nelson Brandt - A1. Passepartout
2
Nelson Brandt - A2. Knalleffekt
3
Nelson Brandt - A3. Schwimmen
4
Nelson Brandt - A4. Das Koksquartett
5
Nelson Brandt - A5. Assoziationsketten
6
Nelson Brandt - B1. Schweben
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Nelson Brandt - B2. Appartement N°5
8
Nelson Brandt - B3. Goetterspeise
9
Nelson Brandt - B4. Digitale Liebe
10
Nelson Brandt - B5. Schadstoffe
11
Nelson Brandt - B6. Platte
LP
File Under: Emotional Boogie Intellectualism / Dilettante Dreams
Release Date: June 17, 2022
Nepumuk / Knowsum glides onto the Growing Bin under his given name, living his best life in this lush loungecore fantasy. Eyebrow raised and hips unlocked, Nelson strolls through affluent funk, sun-blushed boogie and slacker soul to deliver a playful pop masterpiece. A Revered MC and renowned beat maker, his syrup-smooth vocals are just the cocktail cherry on top.
A1 Passepartout
A2 Knalleffekt
A3 Schwimmen
A4 Das Koksquartett
A5 Assoziationsketten
B1 Schweben
B2 Appartement N°5
B3 Go?tterspeise
B4 Digitale Liebe
B5 Schadstoffe
B6 Platte
Music by Nelson Brandt aka Knowsum aka Nepumuk
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Cheers, [email protected]
More
File Under: Emotional Boogie Intellectualism / Dilettante Dreams
Release Date: June 17, 2022
Nepumuk / Knowsum glides onto the Growing Bin under his given name, living his best life in this lush loungecore fantasy. Eyebrow raised and hips unlocked, Nelson strolls through affluent funk, sun-blushed boogie and slacker soul to deliver a playful pop masterpiece. A Revered MC and renowned beat maker, his syrup-smooth vocals are just the cocktail cherry on top.
A1 Passepartout
A2 Knalleffekt
A3 Schwimmen
A4 Das Koksquartett
A5 Assoziationsketten
B1 Schweben
B2 Appartement N°5
B3 Go?tterspeise
B4 Digitale Liebe
B5 Schadstoffe
B6 Platte
Music by Nelson Brandt aka Knowsum aka Nepumuk
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Cheers, [email protected]
More
Label:honest jons
Cat-No:hjp85
Release-Date:17.12.2018
Genre:Dope Beat/Hip Hop
Configuration:10"
Barcode:
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Last in:08.03.2021
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Last in:08.03.2021
Label:honest jons
Cat-No:hjp85
Release-Date:17.12.2018
Genre:Dope Beat/Hip Hop
Configuration:10"
Barcode:
1
DJ Sotofett & Maimouna Haugen - No Title
2
DJ Sotofett & Maimouna Haugen - No Title
Precious, timely, moody reflections on migrating from Côte d’Ivoire to Moss, in Norway, over ruff breakbeat funk supplied by the nimble bass-playing of Maimouna’s old man (from Kambo Super Sound), and the expert conga and kit-drumming of Stliletti-Ana (from Jesse, in Helsinki). Even in their delirium, b-boys and girls will savour traces of the Incredible Bongo Band, in the chorus. Over the eight minutes, and going deeper on the flip, the mix lifts off into a cosmic steppers dub, featuring Gilb-r alongside Sotofett on keyboards, with no let up for the dancefloor in energy and vibes.
In beautifully letter-pressed, poly-lined sleeves.
“It was in 2001 / I got the letter / A letter that said / I would travel to a cold world / Not knowing what would happen / I was full of loneliness / No country / Everyone was different / Not only skin colour / The way people spoke / The way people behaved / That’s the adventure / Obey / This is the story we’re told / The key to success / So we can do everything for our parents / Who need us / Desperate for a better life / That’s the adventure.” More
In beautifully letter-pressed, poly-lined sleeves.
“It was in 2001 / I got the letter / A letter that said / I would travel to a cold world / Not knowing what would happen / I was full of loneliness / No country / Everyone was different / Not only skin colour / The way people spoke / The way people behaved / That’s the adventure / Obey / This is the story we’re told / The key to success / So we can do everything for our parents / Who need us / Desperate for a better life / That’s the adventure.” More
Label:honest jons
Cat-No:hjp86
Release-Date:17.12.2018
Genre:Dope Beat/Hip Hop
Configuration:10"
Barcode:
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Last in:08.04.2019
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Last in:08.04.2019
Label:honest jons
Cat-No:hjp86
Release-Date:17.12.2018
Genre:Dope Beat/Hip Hop
Configuration:10"
Barcode:
1
DJ Sotofett - No Title
2
DJ Sotofett - No Title
3
DJ Sotofett - No Title
Three murderous steppers dubs on a propulsive, rat-tat-tat rhythm, combining mystical spaciousness with detail and ferocity. Angry-lion bass and smears of brass, fusillades and explosions, scares and shocks, oriental pentatonics, clattering percussion and synthy transcendence… the business. The second mix is nastiest; the third is the wildest and most discombobulated (and our favourite).
Letter-pressed, poly-lined sleeves. More
Letter-pressed, poly-lined sleeves. More
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic
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Genre:Electronic
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1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Label:Permanent Vacation
Cat-No:permvac229-1
Release-Date:06.05.2022
Genre:House
Configuration:LP Excl
Barcode:673795722916
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Label:Permanent Vacation
Cat-No:permvac229-1
Release-Date:06.05.2022
Genre:House
Configuration:LP Excl
Barcode:673795722916
1
DMX Krew - party life
2
DMX Krew - show her your soul
3
DMX Krew - audrey
4
DMX Krew - show me
5
DMX Krew - thought you were the one
6
DMX Krew - anything
7
DMX Krew - the key
8
DMX Krew - party life (dub mix)
LP
Tracklist
a1 party life
a2 show her your soul
a3 audrey
a4 show me
b1 thought you were the one
b2 anything
b3 the key
b4 party life (dub mix)
Short Info
After the re-release of the classic "Nu Romantix" album, Ed DMX aka DMX Krew returns to Permanent Vacation
with his new album "Party Life". This time the long-haired UK legend is taking a step back from his trademark
Electro and Techno sound and putting on his romancing suit. Ed is crooning over 80's styled Boogie, Disco and
Funk tracks in a way only he can do it and that will either make you jump for joy or cruising down the coastal
promenade. "Party Life" is another example why Ed is a master of all crafts in the ever expanding DMX Krew
universe.
More
Tracklist
a1 party life
a2 show her your soul
a3 audrey
a4 show me
b1 thought you were the one
b2 anything
b3 the key
b4 party life (dub mix)
Short Info
After the re-release of the classic "Nu Romantix" album, Ed DMX aka DMX Krew returns to Permanent Vacation
with his new album "Party Life". This time the long-haired UK legend is taking a step back from his trademark
Electro and Techno sound and putting on his romancing suit. Ed is crooning over 80's styled Boogie, Disco and
Funk tracks in a way only he can do it and that will either make you jump for joy or cruising down the coastal
promenade. "Party Life" is another example why Ed is a master of all crafts in the ever expanding DMX Krew
universe.
More
Label:Not On Label
Cat-No:PSR1011204
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
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Label:Not On Label
Cat-No:PSR1011204
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Gray - Sweetness Of The New
2
Gray - Willie Mays
3
Gray - New York City Have Some Pity
4
Gray - Rene
5
Gray - Monochromatic Breakdown
6
Gray - Galvestown
7
Gray - Brooklyn Sky
8
Gray - Dan Asher Remix
9
Gray - Battle Gray
10
Gray - 300 Americans
Noise, art, experimental music band Gray, founded by Jean-Michel Basquiat in 1979, has released their 2nd album titled, “Last of the Beats,” a reference to the lyrical poetry featured on the album, inspired by the likes of Allen Ginsburg and William S. Burroughs (Gray's first album was “Shades Of…,” released in 2010, a true collector's item today). Original Gray members Nick Taylor and Michael Holman conceived of this sonic and verbal work of conceptual and intellectual beauty, knowing they would be collaborating with a variety of celebrated musicians and lyricists, including: James Lavelle of U.N.K.L.E. (and Mo'Wax Records); writer and Downtown New York editor Glenn O’Brien of GQ and Interview magazines; Spike Lee actor and spoken word artist Roger Guenveur Smith; music producer and Digable Planets' DJ King Britt; John Cale Band and Andre 3000 drummer Deantoni Parks; legendary Hip Hop music producer Arthur Baker; “The Widow Basquiat” Suzanne Mallouk; 1970s New York scenester and poet Victoria Galves; with liner notes written by famed American art critic Carlo McCormick
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction. More
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction. More
2LP Excl
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Label:Versatile Records
Cat-No:verlp47
Release-Date:12.04.2024
Genre:House
Configuration:2LP Excl
Barcode:4251804179997
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Label:Versatile Records
Cat-No:verlp47
Release-Date:12.04.2024
Genre:House
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Barcode:4251804179997
1
Château Flight - Trombe
2
Château Flight - Fordizm
3
Château Flight - Clair de Lune à Mykonos
4
Château Flight - La Folie Studio
5
Château Flight - Allô?
6
Château Flight - Théâtre de Verdure
7
Château Flight - Mange
8
Château Flight - Satanique Musette
9
Château Flight - Esika Molimo Ezali
2LP
Electronica-dub-techno-house
Special remarks: Printed Inner Sleeves
Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure
Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.
Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.
More
Electronica-dub-techno-house
Special remarks: Printed Inner Sleeves
Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure
Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.
Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.
More
Label:Sex Tags UFO
Cat-No:UFO18
Release-Date:03.11.2023
Genre:House
Configuration:12" Excl
Barcode:4251804144445
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Last in:25.10.2023
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Label:Sex Tags UFO
Cat-No:UFO18
Release-Date:03.11.2023
Genre:House
Configuration:12" Excl
Barcode:4251804144445
1
DJ Fett Burger & Cato Canari - Para Siempre (Italo Balearic Vocal Mix)
2
DJ Fett Burger & Cato Canari - Para Siempre (Elements of Trance)
3
DJ Fett Burger & Cato Canari - Para Siempre (Italo Balearic Instrumental Mix)
DJ Fett Burger & Cato Canari team up on this special collaboration release, in the vein of the true Balearic spirit. A release that will capture the sound, emotions and dreams of the beautiful sunsets at the magic beach, the place you love and the experience you want to last forever.
Para Siempre comes in two different versions to fully give you the experience of the lost dream of Ibiza:
- The “Italo Balearic” version for a vintage infused sentimental melodic experience, with the dreamy voice of Florencia. A tune that captures the true emotional spirit of the Balearic dream! Comes with a bonus instrumental.
- The second mix, “Elements of Trance”, captures the spirit in a more modern way, but still with the greatness of the sounds from the past. A classy trance infused version. Bit more energetic in style, but still with the melodic and a melancholic touch, in the most desirable way.
Track List:
A. Para Siempre (Italo Balearic Vocal Mix)
B1. Para Siempre (Elements of Trance)
B2. Para Siempre (Italo Balearic Instrumental Mix) More
Para Siempre comes in two different versions to fully give you the experience of the lost dream of Ibiza:
- The “Italo Balearic” version for a vintage infused sentimental melodic experience, with the dreamy voice of Florencia. A tune that captures the true emotional spirit of the Balearic dream! Comes with a bonus instrumental.
- The second mix, “Elements of Trance”, captures the spirit in a more modern way, but still with the greatness of the sounds from the past. A classy trance infused version. Bit more energetic in style, but still with the melodic and a melancholic touch, in the most desirable way.
Track List:
A. Para Siempre (Italo Balearic Vocal Mix)
B1. Para Siempre (Elements of Trance)
B2. Para Siempre (Italo Balearic Instrumental Mix) More
Label:Growing Bin Records
Cat-No:GBR044
Release-Date:26.08.2022
Configuration:LP Excl
Barcode:4251804137362
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Label:Growing Bin Records
Cat-No:GBR044
Release-Date:26.08.2022
Configuration:LP Excl
Barcode:4251804137362
1
Matthieu Beck - A1. Island
2
Matthieu Beck - A2.California
3
Matthieu Beck - A3. Rooftop Rome
4
Matthieu Beck - A4. Suede
5
Matthieu Beck - B1.Malika
6
Matthieu Beck - B2. Retour De Plage
7
Matthieu Beck - B3.Tokyo Montana
8
Matthieu Beck - B4. Dora
9
Matthieu Beck - B5. Piano Fin
LP
File Under: Tropical Dreams / Pop for the clouds
Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism.
Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down.
Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.
A1 Island
A2 California
A3 Rooftop Rome
A4 Suede
B1 Malika
B2 Retour De Plage
B3 Tokyo Montana
B4 Dora
B5 Piano Fin
Music by Matthieu Beck
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Sales notes by Patrick Ryder
More
File Under: Tropical Dreams / Pop for the clouds
Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism.
Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down.
Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.
A1 Island
A2 California
A3 Rooftop Rome
A4 Suede
B1 Malika
B2 Retour De Plage
B3 Tokyo Montana
B4 Dora
B5 Piano Fin
Music by Matthieu Beck
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Sales notes by Patrick Ryder
More
Label:Furthur Electronix
Cat-No:FE079
Release-Date:20.01.2023
Genre:Breaks
Configuration:12"
Barcode:
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Label:Furthur Electronix
Cat-No:FE079
Release-Date:20.01.2023
Genre:Breaks
Configuration:12"
Barcode:
1
DMX Krew - Ambient Frog
2
DMX Krew - Bell Break
3
DMX Krew - Blue Bob
4
DMX Krew - Clean The Stylus (Ashley Break)
DMX Krew is back on Furthur Electronix! Here with a fine versatile EP, ranging in style from tripped out downbeat to Bleepy Sheffield style bass techno and acidic breakbeats. All in all another fine release from one of our greatest living underground legends.
More