Kalita Records are proud and honoured to announce the first ever and official reissue of Kallaloo's sought-after 1982 disco single 'Star Child', accompanied by interview-based liner notes. Originally released on Jeffrey Turpin's Trinidadian record label IDA, 'Star Child' has since become highly sought-after by both DJs and collectors alike as an invisible, yet astonishing piece of Caribbean disco. Unable at the time to gain the traction and success that it deserved, we hope that this re-release provides an opportunity to bring such a great record to a much wider audience. Kallaloo consisted of various Trinidadian musicians including Keith Alexander and Peter Wayne Barkley. Keith had been well-respected as a member of the Trinidadian group Impact, and was later to become an in-demand producer and composer under the name of Keith Diamond, responsible for various hits by Billy Ocean, Donna Summer, Starpoint and Melba Moore. In contrast, Peter was a well-known recording session drummer, but after 'Star Child's' release he moved to North Carolina to pursue other interests and "was never heard from again". 'Star Child' was recorded at Right Track Recording, in mid-town Manhattan, New York. As Jeffrey recalls, the atmosphere in the studio was "great", with "everyone upbeat, the cream of the crop just looking for that break... everyone was talented and just wanted the chance to express their own ideas". Five hundred copies of the record were released on IDA with a white label design, and they were sold both in Brooklyn, New York and Port of Spain, Trinidad. It was also released on a red label, however this was not to Jeffrey's knowledge at the time. Jeffrey explains that the reason why the record didn't fare well at the time was because of the difficulty in getting the song played on the radio. As he recalls, radio stations were much more likely to play 'radio versions' of songs which lasted for a couple of minutes, rather than five or seven minute 'extended' versions such as 'Star Child', which were more suitable to a club environment. In addition, as Jeffrey explains, radio airplay is a "political business", and also within a short while band members such as Keith got their own breaks, and the Kallaloo era was over as quickly as it had started. . More

Special Remarks : Full Colour Sleeve


Tracklist
A1. Garden Party
A2. Parade d’amour
B1. Juke City
B2. Wood & Neon


Shortinfo:
Roman Flügel’s debut on Running Back under his given name (Roman IV doesn’t count) is a wonderful confirmation of his outstanding position in the past, present and future of electronic music. Needless to mention all his merits (or monikers for that sake) and excessive in almost any style, „Garden Party“ highlights his competence in the dance hall and sees Flügel in a jovial mood. Presented by someone who knows the roots of it all, you can hear and envision traces of disco, stories of Manchester’s Hacienda, memories of the night life in Frankfurt as well as the reflections in and of US-American mirror balls. But simultaneously, the rich content here also shows the blossoms of the seed, if one avoids the danger of retromania. This is serious fun and as uplifting as a garden party should be. Or based loosely on the creator’s thoughts: if ABC’s blue-eyed soul stems from punk and new wave, Flügel’s „Look of Love“ is a direct result of more than 25 years of kick drums .

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Tracklist:
A CLOSER (CALIFORNIA DREAMING MIX)
B ENDLESS SKIES

Release Info:
Thomas Melchior provides a foretaste of his upcoming album.
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zip (dimbiman) and soul capsules (mark broom & baby ford) on this fantastic deep tech electrnic groover More

Special remarks : Special inner-sleeve LP pocket

Tracklist:

A1 Sabbia Calda
A2 Palmtree Calling
A3 Kartoffel Garten
B1 Daytrippin
B2 Amour Fantaisie
B3 Egipcia

Short info:
6 melodious pieces applauded by audiences across the country! This music embodies the nonsense of life during crucial times humanity is undergoing. We believe that digestion plays an highly important role in the well being of earthlings and balance; the immortality of sound within the cosmos of abnormal ideas and thoughts. This album says more than can be mentioned, we have no doubt that this record will do its duty in fulfilling its purpose in your mind

While recording these songs, we light-hearted artists were able to combine our digested voices with the exact sentiments depicted in humankind's pivotal moments of loneliness. We hereby create a soothing inner feeling in our listeners. This album says more than can be mentioned, we have no doubt that this record will do its duty in fulfilling its purpose in your mind.

Vital Sales Points:
350 copies only- Follow up to the labels previous exotic waves of Scribble & Sjunne Ferger,
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7”. Edition of 281 copies. Hand stamped, cover white ink printed on coloured card.

Tracklist:

1. Blood Pressure In The Sand
2. Dusk
3. The Tinning Test

Short info:

Height/Dismay were the M Squared studio-as-instrument duo of Patrick Gibson and Dru Jones. A member of Systematics and Scattered Order, Gibson was an integral part of the M Squared label and studio, where he met Jones. With an unapologetic misuse of instruments and ample time, the two sonic explorers scraped guitar strings, manipulated clarinets, and contact mic’d woks to layer their echo chamber apparitions.

Collating three 1981 recordings, the then-shelved ‘Blood Pressure In The Sand’ joins ‘Dusk’, their con-tribution to archetypal cassette-zine Fast Forward. Also unreleased, ‘The Tinning Test’ rejects formal lyrics in favour of a deadpan reading from the Australian Standard for tinned copper wire. The outsid-ers of the outside, these mutual minds’ productions have long been overlooked as crucial pieces of the Australian DIY music puzzle.

Height/Dismay is pressed in an edition of 281 hand stamped white labels, wrapped in white ink print-ed coloured card.

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Tracklist
1. Sabbia Bianca
2. Anatema
3. L’Età Dell’Oro
4. Gaul Tanz
5. Vivo
6. Il Capriccio
7. Epsilon



Info: International Feel welcomes Jolly Mare. Hailing from Italy and being a well-versed producer. Multi-instrumentalist and passionate DJ, his first release on the rekindled label sees him delving deep into the mystical and magical realms of vintage synthesizers, drum machines and effect units (please see back sleeve or below for a full instrument list). Sounding like a one-man band from the late Seventies conferring with a studio wizard from the 2020s, it has all the components of a cosmic or balearic master thesis: traces of Krautrock, Italian pop sensibilities, dance rhythms, cosmic curveballs and capturing chants. The single Vivo melds those ingredients and is just the first bite in an extraordinary Omakase.



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Tracklist

A1-Dumme Willie
A2-Dumme Willie – Drum Version
B1-Schlagstock
B2-Schlagstock – Vacant Gaze Version

Release Info:
Three’s a charm: U-Star, Noid and Droid! Of course, Dan Tyler and Conrad McDonnell have done way more than that. Better known as Idjut Boys, they were still there when the sun-of the summer of love went down and the acid house fever settled down. As remixers extraordinaire, party priests, dub poets or mirror ball hippies, they were broadening minds with labels like Discfunction and treating disco as a way of life. It’s hard to imagine the British club (and music) scene without their mark. Here is their long overdue return under the Droid umbrella. Reactivated for the needs and dance nerds of today, Droid initially had been designed for straight up machine music, fierce drums, electronic body music and bass heavy melodies in 2008. Following that template, Droid 0422 sounds like a cocktail made from Prelude bonus beats, Supertronics dubs and stand off between George Kranz and Curt Cress. Two well-crafted takes of each Dumme Willie and Schlagstock fill the proverbial boots of said influences and equally draw for your attention. An Idjut thing indeed. Fun fidelity guaranteed.
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Tracklist
A1. Orlandos
A2. Don Moneyiere
A3. Time Million
B1. Yogtze
B2. Socialo Blanco
B3. Endless Expansion Pt1
B4. Gold Matches
B5. Endless Expansion Pt2


Release Info:
Sometimes, - despite today's high-octane, fast-track and hyper-hysteric music business - you come across things that seem so pure, perfect and poetic that it almost hurts. "Socialo Blanco" is one of these objects.

It appears understated at a first listen, startling at the second and totally enamouring by the third run. To lay it all out on the table: it sounds like a Music from Memory re-issue, looks like a Growing Bins Records discovery and feels like a flea-market-hippie-uncle-record-collection find.

Based on the language (coincidences and misbehaviour included) and direction of the classic EMS Synthi AKS and recorded by hand and directly to tape (no midi, no sync, no computer), it is at once out of time and out of touch with current sound aesthetics, but that only makes it even more contemporary (vintage) - like a great piece of furniture.

Unsurprising, if you know that Feater is helmed by Daniel Meuzard. Hailing from Vienna and having made a name for himself as a trustworthy and skilled studio equipment dealer and working closely with producer and studio engineer Sam Irl, the man has a knack for turning yesterday into today.

Already is his project's second album, "Socialo Blanco" is the result of all of this and some magical and effortless sessions. The voice of Vilja Larjosto from Finland and Ghana's Eric Owusu (Pat Thomas, Ebo Taylor) on percussion, spontaneously invited to the recording sessions by fellow Viennese Giuseppe Leonardi, are the icing on the cake. All of that and especially the non-conformist pop song "Time Million" symbolizes the heart and soul of an album that deserves to be billed as such. And that is no mean feat.

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