1
Pedro Vian - Flexible Girl (Hieroglyphic Being Remix)
2
Pedro Vian - Dawin's Nightmare (Vakula Remix)
3
Pedro Vian - Flexible Girl (Cardopusher Remix)
4
Pedro Vian - Flexible Girl (Da Silva Stranger Remix)
Fresh from Pedro Vian’s full LP release, here are club ready remixes of Flexible Girl and Darwin’s Nightmare. These are remixes made with the dancefloor in mind. The Flexible Girl remixes come from Chicago’s renowned sound sculptor Hieroglyphic Being who supplies a key led version, Barcelona based Cardopusher with an 80s bass driven revision and a submerged acid remix from Portuguese producer Da Silva. The remix of Darwin’s Nightmare is a trippy version by legendary Ukrainian producer Vakula.
A1. Flexible Girl (Hieroglyphic Being Remix)
A2. Dawin's Nightmare (Vakula Remix)
B1. Flexible Girl (Cardopusher Remix)
B2. Flexible Girl (Da Silva Stranger Remix) More
A1. Flexible Girl (Hieroglyphic Being Remix)
A2. Dawin's Nightmare (Vakula Remix)
B1. Flexible Girl (Cardopusher Remix)
B2. Flexible Girl (Da Silva Stranger Remix) More
More records from Pedro Vian
1
Pedro Vian - feat. Asia - Uróboros
2
Pedro Vian - feat. Mana - Les Tambours Suterraniens
3
Pedro Vian - Satan’s Voice
4
Pedro Vian - Lucid Dreams
5
Pedro Vian - Un Storia Infinita
6
Pedro Vian - feat. Raul Refree - The Limit of Nothing
7
Pedro Vian - feat. Pierre Bastien - A Day in Rotterdam
8
Pedro Vian - Your Face Shines more than the Sun
9
Pedro Vian - Hipódromo
10
Pedro Vian - Crema Lent
“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Lucid Dreams
5_Pedro Vian - Un Storia Infinita
6_Pedro Vian feat. Raul Refree - The Limit of Nothing
7_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
8_Pedro Vian - Your Face Shines more than the Sun
9_Pedro Vian - Hipódromo
10_Pedro Vian - Crema Lent More
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Lucid Dreams
5_Pedro Vian - Un Storia Infinita
6_Pedro Vian feat. Raul Refree - The Limit of Nothing
7_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
8_Pedro Vian - Your Face Shines more than the Sun
9_Pedro Vian - Hipódromo
10_Pedro Vian - Crema Lent More
Label:Modern Obscure Music
Cat-No:MOM050CD
Release-Date:12.04.2024
Genre:Electronic
Configuration:CD Excl
Label:Modern Obscure Music
Cat-No:MOM050CD
Release-Date:12.04.2024
Genre:Electronic
Configuration:CD Excl
1
Pedro Vian - feat. Asia - Uróboros
2
Pedro Vian - feat. Mana - Les Tambours Suterraniens
3
Pedro Vian - Satan’s Voice
4
Pedro Vian - Mother of Dragons
5
Pedro Vian - Silent Ecstasy
6
Pedro Vian - Lucid Dreams
7
Pedro Vian - Un Storia Infinita
8
Pedro Vian - feat. Raul Refree - The Limit of Nothing
9
Pedro Vian - feat. Pierre Bastien - A Day in Rotterdam
10
Pedro Vian - Your Face Shines more than the Sun
11
Pedro Vian - Hipódromo
12
Pedro Vian - Crema Lent
“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Mother of Dragons
5_Pedro Vian - Silent Ecstasy
6_Pedro Vian - Lucid Dreams
7_Pedro Vian - Un Storia Infinita
8_Pedro Vian feat. Raul Refree - The Limit of Nothing
9_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
10_Pedro Vian - Your Face Shines more than the Sun
11_Pedro Vian - Crema Lent
12_Pedro Vian - Hipódromo
More
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Mother of Dragons
5_Pedro Vian - Silent Ecstasy
6_Pedro Vian - Lucid Dreams
7_Pedro Vian - Un Storia Infinita
8_Pedro Vian feat. Raul Refree - The Limit of Nothing
9_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
10_Pedro Vian - Your Face Shines more than the Sun
11_Pedro Vian - Crema Lent
12_Pedro Vian - Hipódromo
More
1
Pedro Vian - A1 - Can Mortera
2
Pedro Vian - A2 - The destiny manifest
3
Pedro Vian - A3 - A romance between to planets
4
Pedro Vian - A4 - Interlude
5
Pedro Vian - B1 - Terrestial images
6
Pedro Vian - B2 - Medusa
7
Pedro Vian - B3 - The night dancer
8
Pedro Vian - B4 - Un passatge obscur
9
Pedro Vian - B5 - Le printemps est arrivé
Territory: WW / excl. UK
Tracklist:
A1 - Can Mortera
A2 - The destiny manifest
A3 - A romance between to planets
A4 - Interlude
B1 - Terrestial images
B2 - Medusa
B3 - The night dancer
B4 - Un passatge obscur
B5 - Le printemps est arrivé
Release Info:
Spanish producer Pedro Vian is dreaming of the sea on “Ibillorca”, his third studio album.
Vian, whose Modern Obscure Music label is at the heart of the Barcelona electronic scene, moved to Amsterdam in 2018. While the Dutch capital has embraced this inventive producer and DJ, Vian says the new album is inspired by a feelings of absence and longing for his Mediterranean home. “On this album I explore my feelings of missing the light,” he says. “Ibillorca is a journey to a utopian island, a journey to a new state of mind.”
You can hear this displaced utopia on songs like “Can Mortera”, a dreamy reflection on house music, recorded in Ibiza in summer 2019, that brings to mind Larry Heard at his most meditative; or “Medusa” (featuring artist Rosalie Wammes), which sounds like Tangerine Dream drifting over the sea.
The Quietus called Pedro Vian’s debut album “Beautiful Things You Left Us For Memories” “the soundtrack to walking around the city at night”, while his eponymous second album was both deeply personal and more suited for the dance floor. “Ibillorca” is his Mediterranean album. “I love the Mediterranean sea,” Vian explains. “I come from there and I miss the light, the sun and the smell of the sea, so I dedicated this album to this feeling.” Fittingly, “Ibillorca”’s enigmatic cover art, painted by Spanish artist Blanca Miró, depicts the Mediterranean islands of Ibiza & Mallorca
“Ibillorca” is also Vian’s most varied release to date: “The Destiny Manifest” nods to drum and bass - albeit a touchingly Iberian take on the genre - while “Western Snow” has a hint of Erik Satie’s piano minimalism. Vian’s new home in The Netherlands also played a role in shaping “Ibillorca” .Vian recorded the album during his residency at HetHEM, a new contemporary space in Zandaam, 30 minutes from Amsterdam. “I have my studio at the top of the building, from there I can see all the boats going up and down the river IJ,” Vian says. “The art space is located in an industrial area, everything is grey, also the sky.” All the better, then, for dreaming of the sea.
“Ibillorca” will be released in Spring,2020. More
Tracklist:
A1 - Can Mortera
A2 - The destiny manifest
A3 - A romance between to planets
A4 - Interlude
B1 - Terrestial images
B2 - Medusa
B3 - The night dancer
B4 - Un passatge obscur
B5 - Le printemps est arrivé
Release Info:
Spanish producer Pedro Vian is dreaming of the sea on “Ibillorca”, his third studio album.
Vian, whose Modern Obscure Music label is at the heart of the Barcelona electronic scene, moved to Amsterdam in 2018. While the Dutch capital has embraced this inventive producer and DJ, Vian says the new album is inspired by a feelings of absence and longing for his Mediterranean home. “On this album I explore my feelings of missing the light,” he says. “Ibillorca is a journey to a utopian island, a journey to a new state of mind.”
You can hear this displaced utopia on songs like “Can Mortera”, a dreamy reflection on house music, recorded in Ibiza in summer 2019, that brings to mind Larry Heard at his most meditative; or “Medusa” (featuring artist Rosalie Wammes), which sounds like Tangerine Dream drifting over the sea.
The Quietus called Pedro Vian’s debut album “Beautiful Things You Left Us For Memories” “the soundtrack to walking around the city at night”, while his eponymous second album was both deeply personal and more suited for the dance floor. “Ibillorca” is his Mediterranean album. “I love the Mediterranean sea,” Vian explains. “I come from there and I miss the light, the sun and the smell of the sea, so I dedicated this album to this feeling.” Fittingly, “Ibillorca”’s enigmatic cover art, painted by Spanish artist Blanca Miró, depicts the Mediterranean islands of Ibiza & Mallorca
“Ibillorca” is also Vian’s most varied release to date: “The Destiny Manifest” nods to drum and bass - albeit a touchingly Iberian take on the genre - while “Western Snow” has a hint of Erik Satie’s piano minimalism. Vian’s new home in The Netherlands also played a role in shaping “Ibillorca” .Vian recorded the album during his residency at HetHEM, a new contemporary space in Zandaam, 30 minutes from Amsterdam. “I have my studio at the top of the building, from there I can see all the boats going up and down the river IJ,” Vian says. “The art space is located in an industrial area, everything is grey, also the sky.” All the better, then, for dreaming of the sea.
“Ibillorca” will be released in Spring,2020. More
1
Pedro Vian - a1. Pedro Vian - Maia (Eric Copeland Remix)
2
Pedro Vian - a2. Pedro Vian - Pandora (Peder Mannerfelt Remix)
3
Pedro Vian - a3. Pedro Vian - Nine is Nine (Escapismo Remix)
4
Pedro Vian - b1. Pedro Vian - Le Fou (Tevo Howard Remix)
5
Pedro Vian - b2. Pedro Vian - Le Fou (Tevo Howard Acid Remix)
2020 Repress!
After a brilliant response to Pedro Vian’s debut Album “Beautiful Things You Left Us For Memories” towards the end of 2016, we shared “BTYLUFM Remixed,” an EP that showcases five remixes from Eric Copeland, a frequent collaborator of Animal Collective; the Swedish producer Peder Mannerfelt; two from the exceptional musician and DJ Tevo Howard and Escapismo, an anonymous project of which we cannot detail any information.
Tracklist:
a1. Pedro Vian - Maia (Eric Copeland Remix) a2. Pedro Vian - Pandora (Peder Mannerfelt Remix) a3. Pedro Vian - Nine is Nine (Escapismo Remix) b1. Pedro Vian - Le Fou (Tevo Howard Remix) b1. Pedro Vian - Le Fou (Tevo Howard Acid Remix) More
After a brilliant response to Pedro Vian’s debut Album “Beautiful Things You Left Us For Memories” towards the end of 2016, we shared “BTYLUFM Remixed,” an EP that showcases five remixes from Eric Copeland, a frequent collaborator of Animal Collective; the Swedish producer Peder Mannerfelt; two from the exceptional musician and DJ Tevo Howard and Escapismo, an anonymous project of which we cannot detail any information.
Tracklist:
a1. Pedro Vian - Maia (Eric Copeland Remix) a2. Pedro Vian - Pandora (Peder Mannerfelt Remix) a3. Pedro Vian - Nine is Nine (Escapismo Remix) b1. Pedro Vian - Le Fou (Tevo Howard Remix) b1. Pedro Vian - Le Fou (Tevo Howard Acid Remix) More
1
Pedro Vian - A1. Static Ecstasy
2
Pedro Vian - A2. Flexible Girl
3
Pedro Vian - A3. Hamets
4
Pedro Vian - A4. Unicorn
5
Pedro Vian feat. Laia Nada - A5. Seneca
6
Pedro Vian - A6. Desmai
7
Pedro Vian - B1. Platja
8
Pedro Vian - B2. Similar Faces
9
Pedro Vian - B3. Vistes desde ses Illes
10
Pedro Vian - B4. Sant Moritz
11
Pedro Vian - B5. Acid Brut
12
Pedro Vian - B6. Tribute to Ligeti
2020 Repress!
Tracklist:
A1 Static Ecstacy 2:40
A2 Flexible Girl 5:11
A3 Hamets 4:51
A4 The Unicorn 2:44
A5 Seneca feat. Laia Nadal Vocals - Laia Nadal 2:33
A6 Desmai 1:56
B1 Platja 2:53
B2 Simiar Faces 3:29
B3 Vistes desde ses Illes 1:57
B4 San Moris 5:16
B5 Acid Brut 5:56
B6 Tribute to Ligeti 3:26
Release Info
On Pedro Vian's second album, the now Amsterdam-based artist opens up a new sonic chapter of his life, running through depths of emotions and feelings, traversing moments of euphoria, fury, serenity, hope and love. Recorded between 2014 and 2018, the self titled LP opens with a melodic flourish, drops down through mournful vocal driven pieces and lands on fast moving synths across a set of 12 deeply personal tracks.
A follow up to Vian’s 2016 acclaimed debut album “Beautiful Things You Left Us For Memories” - supported by Pitchfork, RA, XLR8R, Ransom Note, The Quietus, NTS - this sophomore LP shows the breadth and maturity of Vian’s sound, falling in between the cracks of downtempo electronica, ambient and post rock. Pedro discloses: “I have tried to be sincere, transparent and pure. During the recording process I have avoided artificiality. I do not like the overproduction of music. I like to feel the naturalness and the essence of the beat of the instruments. I like to look inside until I find something real with which to communicate”.
“Pedro Vian” arrives on Vian’s own Modern Obscure Music imprint, home to like-minded artists such as Jamal Moss, Gavin Russom, Tevo Howard, Ivy Barkakati, Eterna and Sau Poler. Vian initially cut his teeth in the Barcelona scene, first as part of the duo Aster with JMII on Hivern Discs and Jamal Moss’ Mathematics then as a solo producer on his own Modern Obscure Music, MM Discos and Spring Theory. More
Tracklist:
A1 Static Ecstacy 2:40
A2 Flexible Girl 5:11
A3 Hamets 4:51
A4 The Unicorn 2:44
A5 Seneca feat. Laia Nadal Vocals - Laia Nadal 2:33
A6 Desmai 1:56
B1 Platja 2:53
B2 Simiar Faces 3:29
B3 Vistes desde ses Illes 1:57
B4 San Moris 5:16
B5 Acid Brut 5:56
B6 Tribute to Ligeti 3:26
Release Info
On Pedro Vian's second album, the now Amsterdam-based artist opens up a new sonic chapter of his life, running through depths of emotions and feelings, traversing moments of euphoria, fury, serenity, hope and love. Recorded between 2014 and 2018, the self titled LP opens with a melodic flourish, drops down through mournful vocal driven pieces and lands on fast moving synths across a set of 12 deeply personal tracks.
A follow up to Vian’s 2016 acclaimed debut album “Beautiful Things You Left Us For Memories” - supported by Pitchfork, RA, XLR8R, Ransom Note, The Quietus, NTS - this sophomore LP shows the breadth and maturity of Vian’s sound, falling in between the cracks of downtempo electronica, ambient and post rock. Pedro discloses: “I have tried to be sincere, transparent and pure. During the recording process I have avoided artificiality. I do not like the overproduction of music. I like to feel the naturalness and the essence of the beat of the instruments. I like to look inside until I find something real with which to communicate”.
“Pedro Vian” arrives on Vian’s own Modern Obscure Music imprint, home to like-minded artists such as Jamal Moss, Gavin Russom, Tevo Howard, Ivy Barkakati, Eterna and Sau Poler. Vian initially cut his teeth in the Barcelona scene, first as part of the duo Aster with JMII on Hivern Discs and Jamal Moss’ Mathematics then as a solo producer on his own Modern Obscure Music, MM Discos and Spring Theory. More
1
Pedro Vian - 1.Pandora
2
Pedro Vian - 2.Invisible Objects
3
Pedro Vian - 3.Copelands
4
Pedro Vian - 4.Nine is Nine
5
Pedro Vian - 5.Miralls
6
Pedro Vian - 6.801 Nite feat. Carla Perez Vas
7
Pedro Vian - 7.Le Fou
8
Pedro Vian - 8.Maia
9
Pedro Vian - 9.Vinçon
10
Pedro Vian - 10.Indian Strings
11
Pedro Vian - 11.Paradiso
12
Pedro Vian - 12.Start Again
2020 Repress!
Tracklist:
1.Pandora
2.Invisible Objects
3.Copelands
4.Nine is Nine
5.Miralls
6.801 Nite feat. Carla Perez Vas
7.Le Fou
8.Maia
9.Vinçon
10.Indian Strings
11.Paradiso
12.Start Again
Release Info:
The founder of Modern Obscure Music (MOM) presents this release which culminates a creative process that has led him to work during years with labels as respect- ed as Hivern Discs of John Talabot to Mathematics Recordings of Hieroglyphic Being.
Pedro Vian surprises us with a an album that is impossible to categorize into a single musical style. This LP guides its audience through musical scenes typically attributed to the artist, with atmopheric tracks like Pandora or Paradiso (available on the digital version). But it also travels through abstract, sonic labyrinths in songs like Maia or Nine is Nine, accentuates the rhythm with techno tracks such as Le Fou, Invisible Objects or Indian Strings, and even submerges us into the depths of pop with 801 Nite, where Pedro Vian collaborates with the young and talented singer of Mourn (Captured Tracks/USA) Carla Pe´rez Vas. Another cut that resonates is the influence of the Cocteau Twins.
Beautiful Things You Left Us For Memories is the most mature work signed by Pedro Vian, where he clearly manifests all of his influences and distances himself from the introspection prominent in his last EP’s, where he collaborated with artists like Inga Copeland from the Hype Williams Duet, or Pye Corner Audio. This is a bold move forward on an international trajectory that has received robust recognition from specialized, international critics.The new project will be published through a digital version with twelve originals; and through a reduced vinyl version where photographers Adria Can~ameras, artist Irene Royo and graphic designer Marc Monguilod have collaborated, and audio engineer Josh Bonati has mastered the sound. This is a kaleido- scopic work, adamantly supported by artists like Gold Panda, Laurel Halo, Barnt, bRUNA, and the north-american producer Chris Taylor (Grizzly Bear) among others
More
Tracklist:
1.Pandora
2.Invisible Objects
3.Copelands
4.Nine is Nine
5.Miralls
6.801 Nite feat. Carla Perez Vas
7.Le Fou
8.Maia
9.Vinçon
10.Indian Strings
11.Paradiso
12.Start Again
Release Info:
The founder of Modern Obscure Music (MOM) presents this release which culminates a creative process that has led him to work during years with labels as respect- ed as Hivern Discs of John Talabot to Mathematics Recordings of Hieroglyphic Being.
Pedro Vian surprises us with a an album that is impossible to categorize into a single musical style. This LP guides its audience through musical scenes typically attributed to the artist, with atmopheric tracks like Pandora or Paradiso (available on the digital version). But it also travels through abstract, sonic labyrinths in songs like Maia or Nine is Nine, accentuates the rhythm with techno tracks such as Le Fou, Invisible Objects or Indian Strings, and even submerges us into the depths of pop with 801 Nite, where Pedro Vian collaborates with the young and talented singer of Mourn (Captured Tracks/USA) Carla Pe´rez Vas. Another cut that resonates is the influence of the Cocteau Twins.
Beautiful Things You Left Us For Memories is the most mature work signed by Pedro Vian, where he clearly manifests all of his influences and distances himself from the introspection prominent in his last EP’s, where he collaborated with artists like Inga Copeland from the Hype Williams Duet, or Pye Corner Audio. This is a bold move forward on an international trajectory that has received robust recognition from specialized, international critics.The new project will be published through a digital version with twelve originals; and through a reduced vinyl version where photographers Adria Can~ameras, artist Irene Royo and graphic designer Marc Monguilod have collaborated, and audio engineer Josh Bonati has mastered the sound. This is a kaleido- scopic work, adamantly supported by artists like Gold Panda, Laurel Halo, Barnt, bRUNA, and the north-american producer Chris Taylor (Grizzly Bear) among others
More
1
pedro vian - No Title
2
pedro vian - No Title
3
pedro vian - No Title
Pedro Vian, the man who started Modern Obscure Music and one of the most crucial artists in Barcelona scene signes a new release on MM Discos.
Mythe de Sisyphe is an intensly personal and spiritual journey recorded over a period of over 6 years in different locations between Berlin and Barcelona. He keeps on exploring his own style with 2 tracks full of layers.
On the other hand we have the well known Massimiliano Pagliara remixing "El Suen~o Lucido" wich is a track made directly to the dancefloor. More
Mythe de Sisyphe is an intensly personal and spiritual journey recorded over a period of over 6 years in different locations between Berlin and Barcelona. He keeps on exploring his own style with 2 tracks full of layers.
On the other hand we have the well known Massimiliano Pagliara remixing "El Suen~o Lucido" wich is a track made directly to the dancefloor. More
1
pedro vian - News From Near Future
2
pedro vian - Dancing Hindus (The Hieroglyphic Being Experience II )
3
pedro vian - News From Near Future (MadteoNo Hay Nada Nuevo En El Futuro Remix)
Pedro Vian is Pettre’s new alter ego (Hivern Discs) and half of the duo Aster (Hivern Discs / Mathematics Recordings). After releasing several tarcks in different record labels and sharing his dj sets around Europe, Pedro Vian launches his own platform with the purpose to promote new coming artists and publish his most intimate productions. Under the brand name Modern Obscure Music he will present his first release in mid April 2014 in an analog format. Dancing Hindus EP comprises two original tracks that will come with two remixes of authentic luxury loaded with a particularly strong experimental burden. The invited artists to join this artist on his EP debut are on the one hand the sound artist Hieroglyphic Being (USA) and on the other hand the Italian-futuristic Madteo (IT), who is currently living in NY. On side A of the disc we find an original track entitled News From Near Future, which is along techno noisy lines at low revs and full of highly emotionally charged melodies. The second track is the remix by Jamal Moss, head of the American squadron Mathematics Recordings, who is in charge of deconstructing the track that gives name to the EP. On the flip side of the disc we discover a monumental reinterpretation by Madteo 15 'minutes long.In this case the artist wanted to reflect three different visions of News From Near Future in one piece. Dancing Hindus is a construction with sediments coming from the sampler and kept in a completely hypnotic loop. It will only appear in the digital edition. The 12 "has drawn the attention of big name artists such as Dj Sottofet, James Holden or John Talabot.
More
More records from Modern Obscure Music
1
Pedro Vian & Maalem Najib Soudani - Intro
2
Pedro Vian & Maalem Najib Soudani - Mogador 1 07:03
3
Pedro Vian & Maalem Najib Soudani - Mogador 2 04:12
4
Pedro Vian & Maalem Najib Soudani - Mogador 3 04:56
5
Pedro Vian & Maalem Najib Soudani - Mogador 4 05:38
6
Pedro Vian & Maalem Najib Soudani - Mogador 5 01:20
7
Pedro Vian & Maalem Najib Soudani - Outro 00:37
GENRE/S: Folk / Electronics
TRACKLIST:
1. Intro
2. Mogador 1 07:03
3. Mogador 2 04:12
4. Mogador 3 04:56
5. Mogador 4 05:38
6. Mogador 5 01:20
7. Outro 00:37
SHORT INFO:
Pedro Vian Vian and Maalem Najib Soudani "Mogador": A Fusion of Analog Electronic Music and Traditional Gnawa Sounds
"Mogador" stands as a compelling exploration of the intersection between seemingly irreconcilable musical worlds: the experimental realm of analog electronic music and the deep-rooted tradition of Gnawa. This project is more than just a juxtaposition of styles; it’s a meeting of minds where the ancient and the modern, the analog and the organic, are woven together into a seamless auditory dialogue.
What truly sets "Mogador" apart is the way Pedro Vian’s use of the EMS AKS Synthi and Buchla doesn’t overpower the mix but instead forms a perfect synergy with Maalem Najib Soudani’s qrebeb and guimbiri. Rather than competing, the analog pulses intertwine with the hypnotic lines of the traditional instruments, amplifying the trance-inducing qualities inherent in Gnawa music. The Maalem’s vocals, steeped in history and spirituality, float over layers of synths that feel both ethereal and tangible, crafting a soundscape that is as cinematic as it is visceral.
This is not just a collision of cultures or a superficial fusion exercise. "Mogador" represents a genuine dialogue between two ways of understanding sound and space, where every element—from the syncopated percussion to the serpentine modular waves—contributes to a sonic landscape that is both haunting and profoundly resonant. Here, tradition isn’t a museum piece, and analog electronics aren’t a rootless futurism; instead, they transform each other, creating something greater than the sum of their parts.
More
TRACKLIST:
1. Intro
2. Mogador 1 07:03
3. Mogador 2 04:12
4. Mogador 3 04:56
5. Mogador 4 05:38
6. Mogador 5 01:20
7. Outro 00:37
SHORT INFO:
Pedro Vian Vian and Maalem Najib Soudani "Mogador": A Fusion of Analog Electronic Music and Traditional Gnawa Sounds
"Mogador" stands as a compelling exploration of the intersection between seemingly irreconcilable musical worlds: the experimental realm of analog electronic music and the deep-rooted tradition of Gnawa. This project is more than just a juxtaposition of styles; it’s a meeting of minds where the ancient and the modern, the analog and the organic, are woven together into a seamless auditory dialogue.
What truly sets "Mogador" apart is the way Pedro Vian’s use of the EMS AKS Synthi and Buchla doesn’t overpower the mix but instead forms a perfect synergy with Maalem Najib Soudani’s qrebeb and guimbiri. Rather than competing, the analog pulses intertwine with the hypnotic lines of the traditional instruments, amplifying the trance-inducing qualities inherent in Gnawa music. The Maalem’s vocals, steeped in history and spirituality, float over layers of synths that feel both ethereal and tangible, crafting a soundscape that is as cinematic as it is visceral.
This is not just a collision of cultures or a superficial fusion exercise. "Mogador" represents a genuine dialogue between two ways of understanding sound and space, where every element—from the syncopated percussion to the serpentine modular waves—contributes to a sonic landscape that is both haunting and profoundly resonant. Here, tradition isn’t a museum piece, and analog electronics aren’t a rootless futurism; instead, they transform each other, creating something greater than the sum of their parts.
More
Label:Modern Obscure Music
Cat-No:MOMA002
Release-Date:15.11.2024
Genre:Electronic
Configuration:2LP Excl
Label:Modern Obscure Music
Cat-No:MOMA002
Release-Date:15.11.2024
Genre:Electronic
Configuration:2LP Excl
1
Susumu Yokota - Deformed Pearl
2
Susumu Yokota - Deep Sea Diva
3
Susumu Yokota - Gem Stones
4
Susumu Yokota - Keel
5
Susumu Yokota - Re
6
Susumu Yokota - Extension
7
Susumu Yokota - Royal Flush
8
Susumu Yokota - Boreas
9
Susumu Yokota - Spinner
10
Susumu Yokota - Nacre
2024 Repress
First vinyl pressing of Baroque by Japanese composer and multi-instrumentalist Susumu Yokota. The full length album was originally released by United Sounds Of Blue in 2014, a subdivision of Frogman Records in CD format. Now it is being re-released by Barcelona-based record label Modern Obscure Music as a double LP and in digital format. Baroque is one of the most significant albums of Susumu signed under his original name, and this is the first time the album will be pressed on a double LP 12". Yokota, was an eclectic, highly prolific electronic musician and composer from Japan who died in 2015 at 54. "There is always fear, rage, and ugliness existing behind beauty. I have been trying to express ki-do-ai-raku (the four emotions: joy, anger, sorrow, and happiness) through music. I would like to express even one's hidden emotion with reality. It's my eternal goal." Baroque is a clear example of this, thought the deep listeing of the album you can experiment all of that feelings in just one record and feel how his music infulenced the next generation of producers during the two next decades till today. The Tokyo-based artist devoted his time and creative energy to achieving this goal, and the result is a vast discography that begins with banging early acid house tracks in the 1990s, moves across the next two decades to include deep house and Detroit-influenced techno, a stunning run of ambient electronic albums and, in his last decade, a glorious confluence that wove his various skills into a series of borderless electronic records. Modern Obscure Music team is really excited to bring this gem to the light, Baroque is remastered and distributed in two 12" to be played in clubs and home sound-system bringing the best quality of sound to have the best experience. Susumu Yokota (?? ? Yokota Susumu, or ???·??? Susumu Yokota (April 22,1960 - March 27, 2015) Also known by the pseudonyms Stevia and Ebi, among other.
TRACKLIST
A1 Deformed Pearl 6:06
A2 Deep Sea Diva 5:54
A3 Gem Stones 5:37
B1 Keel 5:12
B2 Re 4:47
C1 Extension 4:25
C2 Royal Flush 5:50
C3 Boreas 5:25
D1 Spinner 5:44
D2 Nacre 6:04
All tracks written and produced by SUSUMU YOKOTA
A&R and Art Direction DAI SATO & KENGO
Original art direction and design by SHIN-ICHIRO HIRATA (PRIMITIVEHANDS INC.)
Photo by HIROHIKO IKEDA
Mastered by THORU KOTETUSU
Remastered by PEDRO PINA
Design adapted by ALBERT PÉREZ CASDO
Reissued by PEDRO VIAN on MODERN OBSCURE MUSIC
MOMA002
® FROGMAN RECORDS 2004
© MODERN OBSCURE MUSIC 2022
More
First vinyl pressing of Baroque by Japanese composer and multi-instrumentalist Susumu Yokota. The full length album was originally released by United Sounds Of Blue in 2014, a subdivision of Frogman Records in CD format. Now it is being re-released by Barcelona-based record label Modern Obscure Music as a double LP and in digital format. Baroque is one of the most significant albums of Susumu signed under his original name, and this is the first time the album will be pressed on a double LP 12". Yokota, was an eclectic, highly prolific electronic musician and composer from Japan who died in 2015 at 54. "There is always fear, rage, and ugliness existing behind beauty. I have been trying to express ki-do-ai-raku (the four emotions: joy, anger, sorrow, and happiness) through music. I would like to express even one's hidden emotion with reality. It's my eternal goal." Baroque is a clear example of this, thought the deep listeing of the album you can experiment all of that feelings in just one record and feel how his music infulenced the next generation of producers during the two next decades till today. The Tokyo-based artist devoted his time and creative energy to achieving this goal, and the result is a vast discography that begins with banging early acid house tracks in the 1990s, moves across the next two decades to include deep house and Detroit-influenced techno, a stunning run of ambient electronic albums and, in his last decade, a glorious confluence that wove his various skills into a series of borderless electronic records. Modern Obscure Music team is really excited to bring this gem to the light, Baroque is remastered and distributed in two 12" to be played in clubs and home sound-system bringing the best quality of sound to have the best experience. Susumu Yokota (?? ? Yokota Susumu, or ???·??? Susumu Yokota (April 22,1960 - March 27, 2015) Also known by the pseudonyms Stevia and Ebi, among other.
TRACKLIST
A1 Deformed Pearl 6:06
A2 Deep Sea Diva 5:54
A3 Gem Stones 5:37
B1 Keel 5:12
B2 Re 4:47
C1 Extension 4:25
C2 Royal Flush 5:50
C3 Boreas 5:25
D1 Spinner 5:44
D2 Nacre 6:04
All tracks written and produced by SUSUMU YOKOTA
A&R and Art Direction DAI SATO & KENGO
Original art direction and design by SHIN-ICHIRO HIRATA (PRIMITIVEHANDS INC.)
Photo by HIROHIKO IKEDA
Mastered by THORU KOTETUSU
Remastered by PEDRO PINA
Design adapted by ALBERT PÉREZ CASDO
Reissued by PEDRO VIAN on MODERN OBSCURE MUSIC
MOMA002
® FROGMAN RECORDS 2004
© MODERN OBSCURE MUSIC 2022
More
1
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part I
2
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part II
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
More
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
More
1
Pedro Vian & Merzbow - Inside Richard Serra Sculptures Part I
2
Pedro Vian & Merzbow - Inside Richard Serra Sculptures Part II
Pedro Vian and Merzbow release their first joint work, an unbounded expression of creativity
and experimentation. Over the album's forty-minute duration, listeners can experience a blend of
field recordings made by Pedro Vian at the Dia Beacon Foundation in NYC, specifically inside Richard
Serra's sculptures. These recordings are interwoven with the ambient percussion and melodies
characteristic of Vian's work, alongside the piercing and sharp computer frequencies produced by
Merzbow, one of the most acclaimed artists in the global noise scene.
"Inside Richard Serra Sculptures" is both a complex and spontaneous piece, an abstract journey
into the unconscious that may be difficult to grasp for closed minds. This work stands as a
masterpiece of contemporary expressionism, merging ambient sound and noise in a way that
challenges and redefines the boundaries of sound art.
The collaboration between Vian and Merzbow is notable not only for its innovation but also for
its ability to transport listeners to a space where sound becomes an immersive and visceral
experience. The use of Richard Serra's sculptures as a source of inspiration and sonic material
adds a unique dimension to the project, emphasizing the interaction between physical space
and musical creation. Photo by Alba Ricard
A Inside Richard Serra Sculptures Part I 20:13
B Inside Richard Serra Sculptures Part II 21:00
More
and experimentation. Over the album's forty-minute duration, listeners can experience a blend of
field recordings made by Pedro Vian at the Dia Beacon Foundation in NYC, specifically inside Richard
Serra's sculptures. These recordings are interwoven with the ambient percussion and melodies
characteristic of Vian's work, alongside the piercing and sharp computer frequencies produced by
Merzbow, one of the most acclaimed artists in the global noise scene.
"Inside Richard Serra Sculptures" is both a complex and spontaneous piece, an abstract journey
into the unconscious that may be difficult to grasp for closed minds. This work stands as a
masterpiece of contemporary expressionism, merging ambient sound and noise in a way that
challenges and redefines the boundaries of sound art.
The collaboration between Vian and Merzbow is notable not only for its innovation but also for
its ability to transport listeners to a space where sound becomes an immersive and visceral
experience. The use of Richard Serra's sculptures as a source of inspiration and sonic material
adds a unique dimension to the project, emphasizing the interaction between physical space
and musical creation. Photo by Alba Ricard
A Inside Richard Serra Sculptures Part I 20:13
B Inside Richard Serra Sculptures Part II 21:00
More
Label:Modern Obscure Music
Cat-No:MOM043W
Release-Date:21.06.2024
Genre:Electronic
Configuration:LP Excl
Label:Modern Obscure Music
Cat-No:MOM043W
Release-Date:21.06.2024
Genre:Electronic
Configuration:LP Excl
World excl. UK
White Vinyl Repress!
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
White Vinyl Repress!
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
1
MERZBOW - Tsubute Mosaic Part 1
2
MERZBOW - Tsubute Mosaic Part 2
Merzbow (aka Masami Akita), Animal Rights Activist, Writer, and Musician, an Iconic Figure in International Noise Scene
Renowned for his pioneering contributions to the noise music genre, Merzbow (aka Masami Akita) has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently pushed the boundaries of sonic experimentation.
Modern Obscure Music is delighted to unveil Merzbow's debut release on the label, "Tsubute Mosaic."
Tracklisting:
A. Tsubute Mosaic Part 1 - 19:06
B. Tsubute Mosaic Part 2 - 17:41
More
Renowned for his pioneering contributions to the noise music genre, Merzbow (aka Masami Akita) has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently pushed the boundaries of sonic experimentation.
Modern Obscure Music is delighted to unveil Merzbow's debut release on the label, "Tsubute Mosaic."
Tracklisting:
A. Tsubute Mosaic Part 1 - 19:06
B. Tsubute Mosaic Part 2 - 17:41
More
1
Pedro Vian - feat. Asia - Uróboros
2
Pedro Vian - feat. Mana - Les Tambours Suterraniens
3
Pedro Vian - Satan’s Voice
4
Pedro Vian - Lucid Dreams
5
Pedro Vian - Un Storia Infinita
6
Pedro Vian - feat. Raul Refree - The Limit of Nothing
7
Pedro Vian - feat. Pierre Bastien - A Day in Rotterdam
8
Pedro Vian - Your Face Shines more than the Sun
9
Pedro Vian - Hipódromo
10
Pedro Vian - Crema Lent
“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Lucid Dreams
5_Pedro Vian - Un Storia Infinita
6_Pedro Vian feat. Raul Refree - The Limit of Nothing
7_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
8_Pedro Vian - Your Face Shines more than the Sun
9_Pedro Vian - Hipódromo
10_Pedro Vian - Crema Lent More
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Lucid Dreams
5_Pedro Vian - Un Storia Infinita
6_Pedro Vian feat. Raul Refree - The Limit of Nothing
7_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
8_Pedro Vian - Your Face Shines more than the Sun
9_Pedro Vian - Hipódromo
10_Pedro Vian - Crema Lent More
Label:Modern Obscure Music
Cat-No:MOM050CD
Release-Date:12.04.2024
Genre:Electronic
Configuration:CD Excl
Label:Modern Obscure Music
Cat-No:MOM050CD
Release-Date:12.04.2024
Genre:Electronic
Configuration:CD Excl
1
Pedro Vian - feat. Asia - Uróboros
2
Pedro Vian - feat. Mana - Les Tambours Suterraniens
3
Pedro Vian - Satan’s Voice
4
Pedro Vian - Mother of Dragons
5
Pedro Vian - Silent Ecstasy
6
Pedro Vian - Lucid Dreams
7
Pedro Vian - Un Storia Infinita
8
Pedro Vian - feat. Raul Refree - The Limit of Nothing
9
Pedro Vian - feat. Pierre Bastien - A Day in Rotterdam
10
Pedro Vian - Your Face Shines more than the Sun
11
Pedro Vian - Hipódromo
12
Pedro Vian - Crema Lent
“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Mother of Dragons
5_Pedro Vian - Silent Ecstasy
6_Pedro Vian - Lucid Dreams
7_Pedro Vian - Un Storia Infinita
8_Pedro Vian feat. Raul Refree - The Limit of Nothing
9_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
10_Pedro Vian - Your Face Shines more than the Sun
11_Pedro Vian - Crema Lent
12_Pedro Vian - Hipódromo
More
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.
1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Mother of Dragons
5_Pedro Vian - Silent Ecstasy
6_Pedro Vian - Lucid Dreams
7_Pedro Vian - Un Storia Infinita
8_Pedro Vian feat. Raul Refree - The Limit of Nothing
9_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
10_Pedro Vian - Your Face Shines more than the Sun
11_Pedro Vian - Crema Lent
12_Pedro Vian - Hipódromo
More
1
I-I - Movement I
2
I-I - Movement II
3
I-I - Movement III
4
I-I - Movement IV
5
I-I - Movement V
6
I-I - Movement VI
We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio 'I-I'. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.
Tracklist
1.I-I - movement 1
2.I-I - movement 2
3.I-I - movement 3
4.I-I - movement 4
5.I-I - movement 5
6.I-I - movement 6
More
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.
Tracklist
1.I-I - movement 1
2.I-I - movement 2
3.I-I - movement 3
4.I-I - movement 4
5.I-I - movement 5
6.I-I - movement 6
More
Label:Modern Obscure Music
Cat-No:MOM046
Release-Date:12.01.2024
Genre:Electronic
Configuration:LP+7" Excl
Label:Modern Obscure Music
Cat-No:MOM046
Release-Date:12.01.2024
Genre:Electronic
Configuration:LP+7" Excl
1
Dellarge - Viaje al Sol
2
Dellarge - The Maestro
3
Dellarge - Esferas de Cristal
4
Dellarge - Mama
5
Dellarge - Cascabel
6
Dellarge - Juguentes Rotos
7
Dellarge - Sigilo
8
Dellarge - Orquesta Sinfonica Angustia
9
Dellarge - Toro de Falaris
10
Dellarge - Perdon de Judas
11
Dellarge - Viento Androide
12
Dellarge - Corpus de Sangre
13
Dellarge - Viaje al Sol (Silent Servant Remix)
14
Dellarge - Cascabel (Pedro Vian Remix)
lim. 150 blue transparent 180 Gr LP + 7" + Poster / incl. Silent Servant Remix
A cross-cutting label exploring the boundaries between different disciplines based on deep listening and music research, Modern Obscure Music is set to release 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) on the 1st December, the new album from Dellarge.
Inspired by the scenic beauty of his studio's surroundings at Lake Pátzcuaro in Michoacan, Mexico, Alejandro Barba, aka Dellarge, delves deep into the depths of his artistic consciousness to craft a spiritual album that encapsulates the essence of the place. 'INRI' stands for Industria Nacional del Ruido Infinito (National Industry of Infinite Noise) and serves as a vessel for Dellarge's innermost self-expression and reflections on the potential of humanity.
A multifaceted artist and veteran of the music industry for over two decades, his latest musical creation is an intimate and personal album and a departure from previous Techno/EBM-orientated Dellarge releases. 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) offers a mesmerizing blend of ambient, futuristic, and industrial sounds that transport listeners into a realm of mysticism, futurism, and duality and stands as a testament to Dellarge's artistic growth and his ability to transcend boundaries, offering listeners an immersive experience that connects them to his world.
Drawing inspiration from numerous sources, Dellarge found creative fuel in books such as 'El Arte de los Ruidos' by Luigi Russolo, 'Manifiestos y Textos Futuristas' by F.T. Marinetti, and science fiction classics including 'Congreso de Futurología' by Stanislaw Lem, 'Neuromancer' by William Gibson, and 'Dune' by Frank Herbert. Musically, he delved into the works of Coil, Michael Bundt, The Threshold Houseboys Choir, krautrock legends CAN and Popol Vuh, early Kraftwerk, Arthur Brown, Yello, Esquivel, The Residents, and Hector Lavoe for inspiration.
When asked about the creative process behind the album, Dellarge revealed a disciplined routine that involved immersing himself in the sounds, focusing on minute details that connected with the vivid world he envisioned. Ethereal tracks such as 'Viento Androide' and 'Viaje al Sol' offer a glimpse of a hopeful future, while darker compositions such as 'Corpus de Sangre' and 'Toro de Falaris', explore the wickedness and compassion within humanity. Each piece in the album represents a unique sonic journey.
'Viaje al Sol', the first single to be taken from the album, is set for release on the 27th October, and is also available as an EP which includes a remix from Juan Mendez aka Silent Servant. The remix is also included on the digital version of the album and available on 7" vinyl alongside an exclusive reworking of 'Cascabel' by the founder of Modern Obscure Music, Pedro Vian.
Tracklisting:
1. Viaje al Sol
2. The Maestro
3. Esferas de Cristal
4. Mama
5. Cascabel
6. Juguentes Rotos
7. Sigilo
8. Orquesta Sinfonica Angustia
9. Toro de Falaris
10. Perdon de Judas
11. Viento Androide
12. Corpus de Sangre
Digital Only:
13. Inferno
14. Invasores
15. Nave Nodriza
16. Espino
7":
A Dellarge - Viaje al Sol (Silent Servant Remix)
B Dellarge - Cascabel (Pedro Vian Remix) More
A cross-cutting label exploring the boundaries between different disciplines based on deep listening and music research, Modern Obscure Music is set to release 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) on the 1st December, the new album from Dellarge.
Inspired by the scenic beauty of his studio's surroundings at Lake Pátzcuaro in Michoacan, Mexico, Alejandro Barba, aka Dellarge, delves deep into the depths of his artistic consciousness to craft a spiritual album that encapsulates the essence of the place. 'INRI' stands for Industria Nacional del Ruido Infinito (National Industry of Infinite Noise) and serves as a vessel for Dellarge's innermost self-expression and reflections on the potential of humanity.
A multifaceted artist and veteran of the music industry for over two decades, his latest musical creation is an intimate and personal album and a departure from previous Techno/EBM-orientated Dellarge releases. 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) offers a mesmerizing blend of ambient, futuristic, and industrial sounds that transport listeners into a realm of mysticism, futurism, and duality and stands as a testament to Dellarge's artistic growth and his ability to transcend boundaries, offering listeners an immersive experience that connects them to his world.
Drawing inspiration from numerous sources, Dellarge found creative fuel in books such as 'El Arte de los Ruidos' by Luigi Russolo, 'Manifiestos y Textos Futuristas' by F.T. Marinetti, and science fiction classics including 'Congreso de Futurología' by Stanislaw Lem, 'Neuromancer' by William Gibson, and 'Dune' by Frank Herbert. Musically, he delved into the works of Coil, Michael Bundt, The Threshold Houseboys Choir, krautrock legends CAN and Popol Vuh, early Kraftwerk, Arthur Brown, Yello, Esquivel, The Residents, and Hector Lavoe for inspiration.
When asked about the creative process behind the album, Dellarge revealed a disciplined routine that involved immersing himself in the sounds, focusing on minute details that connected with the vivid world he envisioned. Ethereal tracks such as 'Viento Androide' and 'Viaje al Sol' offer a glimpse of a hopeful future, while darker compositions such as 'Corpus de Sangre' and 'Toro de Falaris', explore the wickedness and compassion within humanity. Each piece in the album represents a unique sonic journey.
'Viaje al Sol', the first single to be taken from the album, is set for release on the 27th October, and is also available as an EP which includes a remix from Juan Mendez aka Silent Servant. The remix is also included on the digital version of the album and available on 7" vinyl alongside an exclusive reworking of 'Cascabel' by the founder of Modern Obscure Music, Pedro Vian.
Tracklisting:
1. Viaje al Sol
2. The Maestro
3. Esferas de Cristal
4. Mama
5. Cascabel
6. Juguentes Rotos
7. Sigilo
8. Orquesta Sinfonica Angustia
9. Toro de Falaris
10. Perdon de Judas
11. Viento Androide
12. Corpus de Sangre
Digital Only:
13. Inferno
14. Invasores
15. Nave Nodriza
16. Espino
7":
A Dellarge - Viaje al Sol (Silent Servant Remix)
B Dellarge - Cascabel (Pedro Vian Remix) More
Label:Modern Obscure Music
Cat-No:MOM047CD
Release-Date:12.01.2024
Genre:Electronic
Configuration:CD Excl
Label:Modern Obscure Music
Cat-No:MOM047CD
Release-Date:12.01.2024
Genre:Electronic
Configuration:CD Excl
1
I-I - movement 1
2
I-I - movement 2
3
I-I - movement 3
4
I-I - movement 4
5
I-I - movement 5
6
I-I - movement 6
We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio 'I-I'. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.
Tracklist
1.I-I - movement 1
2.I-I - movement 2
3.I-I - movement 3
4.I-I - movement 4
5.I-I - movement 5
6.I-I - movement 6
More
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.
Tracklist
1.I-I - movement 1
2.I-I - movement 2
3.I-I - movement 3
4.I-I - movement 4
5.I-I - movement 5
6.I-I - movement 6
More
1
Raul Refree & Pedro Vian - La vera pau I
2
Raul Refree & Pedro Vian - La vera pau II
3
Raul Refree & Pedro Vian - La vera pau III
4
Raul Refree & Pedro Vian - La vera pau IV
5
Raul Refree & Pedro Vian - La vera pau V
6
Raul Refree & Pedro Vian - La vera pau VI
7
Raul Refree & Pedro Vian - La vera pau VII
8
Raul Refree & Pedro Vian - La vera pau VIII
9
Raul Refree & Pedro Vian - La vera pau IX
World excl. UK
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Label:Modern Obscure Music
Cat-No:MOM043CD
Release-Date:20.10.2023
Genre:Electronic
Configuration:CD Excl
Label:Modern Obscure Music
Cat-No:MOM043CD
Release-Date:20.10.2023
Genre:Electronic
Configuration:CD Excl
1
Raul Refree & Pedro Vian - La vera pau I
2
Raul Refree & Pedro Vian - La vera pau II
3
Raul Refree & Pedro Vian - La vera pau III
4
Raul Refree & Pedro Vian - La vera pau IV
5
Raul Refree & Pedro Vian - La vera pau V
6
Raul Refree & Pedro Vian - La vera pau VI
7
Raul Refree & Pedro Vian - La vera pau VII
8
Raul Refree & Pedro Vian - La vera pau VIII
9
Raul Refree & Pedro Vian - La vera pau IX
World excl. UK
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Label:Modern Obscure Music
Cat-No:MOM041
Release-Date:05.05.2023
Genre:Electronic
Configuration:12" Excl
Label:Modern Obscure Music
Cat-No:MOM041
Release-Date:05.05.2023
Genre:Electronic
Configuration:12" Excl
1
The Purge Of Tomorrow (Shackleton) - Time Moving
2
The Purge Of Tomorrow (Shackleton) - Waves
Constantly evolving and adapting his sound, Shackleton has releases
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull
Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the
Barcelona-based, Modern Obscure Music.
Undoubtedly Shackleton, but taking the meditative aspects of his sound
to a new plane, The Purge of Tomorrow, is an alias born to transmit a
less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are
spawned from a live performance context. The essence was to create an
immersive encounter where listeners are called on to actively unburden
their mind of unnecessary thoughts. Staying true to the trance elements
that Shackleton is renowned for, this EP is not dependent on traditional
structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments
and contemplative states. Hypnotic strings provided by Kathy Alberici
construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new
direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.
Artwork by Juaki Pesudo
Design by Andrea di Franco
Mastered by Rupert Clervaux
A1. The Purge of Tomorrow - Time Moving
B1. The Purge of Tomorrow - Waves More
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull
Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the
Barcelona-based, Modern Obscure Music.
Undoubtedly Shackleton, but taking the meditative aspects of his sound
to a new plane, The Purge of Tomorrow, is an alias born to transmit a
less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are
spawned from a live performance context. The essence was to create an
immersive encounter where listeners are called on to actively unburden
their mind of unnecessary thoughts. Staying true to the trance elements
that Shackleton is renowned for, this EP is not dependent on traditional
structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments
and contemplative states. Hypnotic strings provided by Kathy Alberici
construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new
direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.
Artwork by Juaki Pesudo
Design by Andrea di Franco
Mastered by Rupert Clervaux
A1. The Purge of Tomorrow - Time Moving
B1. The Purge of Tomorrow - Waves More
Label:Modern Obscure Music
Cat-No:MOM040
Release-Date:28.04.2023
Genre:Electronic
Configuration:2LP Excl
Label:Modern Obscure Music
Cat-No:MOM040
Release-Date:28.04.2023
Genre:Electronic
Configuration:2LP Excl
ARTIST:
Felicia Atkinson, Büsra Kayikçi, Carmen Villain, Kuniyuki
Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard, Pedro Vian
It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection,
namely Felicia Atkinson, Büþra Kayýkçý, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov,
KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their
willingness to participate in an artistic experiment: to build bridges between architecture and music.
Each of these artists chose a space and translated it into a piece of music, and the result is a sonic
kaleidoscope through which specific territories can be gazed upon from unexplored points of view. The
compositions that make up this compilation are synaesthetic windows through which we can observe with
our ears. To look through them, all we have to do is listen and we’ll be able to contemplate, in a unique
way, spaces located in such different places as Vilches (Chile), Istanbul (Turkey), Oslo (Norway), Sapporo
(Japan), Nairobi (Kenya), London (England), Rome (Italy), Berlin (Germany), or even in imaginary
universes.
TRACKLIST
1. Büsra Kayikçi - Genius Loci
2. Pavel Milyakov - GTR chords movement 1
3. Felicia Atkinson - Le Poème de l’Angle Droit
4. Carmen Villain - Luften Imellom
5. Kuniyuki Takahashi - Moere
6. KMRU - Stretch Mabati
7. Ana Quiroga - London Fields
8. Abul Mogard - Teatro Romano di Tuscolo
9. Pedro Vian - Neue Nationalgalerie More
Felicia Atkinson, Büsra Kayikçi, Carmen Villain, Kuniyuki
Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard, Pedro Vian
It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection,
namely Felicia Atkinson, Büþra Kayýkçý, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov,
KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their
willingness to participate in an artistic experiment: to build bridges between architecture and music.
Each of these artists chose a space and translated it into a piece of music, and the result is a sonic
kaleidoscope through which specific territories can be gazed upon from unexplored points of view. The
compositions that make up this compilation are synaesthetic windows through which we can observe with
our ears. To look through them, all we have to do is listen and we’ll be able to contemplate, in a unique
way, spaces located in such different places as Vilches (Chile), Istanbul (Turkey), Oslo (Norway), Sapporo
(Japan), Nairobi (Kenya), London (England), Rome (Italy), Berlin (Germany), or even in imaginary
universes.
TRACKLIST
1. Büsra Kayikçi - Genius Loci
2. Pavel Milyakov - GTR chords movement 1
3. Felicia Atkinson - Le Poème de l’Angle Droit
4. Carmen Villain - Luften Imellom
5. Kuniyuki Takahashi - Moere
6. KMRU - Stretch Mabati
7. Ana Quiroga - London Fields
8. Abul Mogard - Teatro Romano di Tuscolo
9. Pedro Vian - Neue Nationalgalerie More
1
Pedro Vian & Mana - Cascades Intro
2
Pedro Vian & Mana - Cascades 1
3
Pedro Vian & Mana - Cascades 2
4
Pedro Vian & Mana - Cascades 3
5
Pedro Vian & Mana - Cascades 4
6
Pedro Vian & Mana - Cascades 5
7
Pedro Vian & Mana - Cascades 6
8
Pedro Vian & Mana - Cascades 7
9
Pedro Vian & Mana - Cascades 8
10
Pedro Vian & Mana - Cascades 9
11
Pedro Vian & Mana - 11. Cacades Outro
On 9th December Modern Obscure Music presents Cascades, the new album from Pedro Vian &
Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is
reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic
analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that
features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You
Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The
‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto,
and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The
Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has
recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer
Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across
the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and
together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between
electronica, ambient, drone, and trance-inducing soundscapes.
Tracklist:
1. Cascades Intro
2. Cascades 1
3. Cascades 2
4. Cascades 3
5. Cascades 4
6. Cascades 5
7. Cascades 6
8. Cascades 7
9. Cascades 8
10. Cascades 9
11. Cacades Outro More
Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is
reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic
analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that
features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You
Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The
‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto,
and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The
Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has
recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer
Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across
the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and
together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between
electronica, ambient, drone, and trance-inducing soundscapes.
Tracklist:
1. Cascades Intro
2. Cascades 1
3. Cascades 2
4. Cascades 3
5. Cascades 4
6. Cascades 5
7. Cascades 6
8. Cascades 7
9. Cascades 8
10. Cascades 9
11. Cacades Outro More
1
Albino Sound - A1. Black Lagoon
2
Albino Sound - A2. Plum Valley
3
Albino Sound - A3. Transparent Colony
4
Albino Sound - B1. Dried Seeds
5
Albino Sound - B2. Dried Seeds (DJ Normal 4's Vibe Strike Remix)
Territories: WORLD EXCLUDING UK
Genre: Techno/Dance/Electronic
Tracklist 12":
A1.Albino Sound - Black Lagoon
A2.Albino Sound - Plum Valley
A3.Albino Sound - Transparent Colony
B1.Albino Sound - Dried Seeds
B2.Albino Sound - Dried Seeds (DJ Normal 4's Vibe Strike Remix)
Release Info:
Modern Obscure Music has been making links with the Far East since label boss Pedro Vian visited Japan and this is their first 12” release from a Japanese artist. Albino Sound is Hirotaka Umetani from Osaka and here he presents Black Lagoon. This is an exciting EP of experimental soundcapes and left of centre dancefloor escapades with an extra special remix from German producer DJ Normal 4. Black Lagoon opens the EP with live percussion and mysterious sounds and is followed by the mesmerising tones of Plum Valley. Transparent Colony is an open-armed ambient cut and the EP finishes with two versions on Dried Seeds. The original is an energetic mover and DJ Normal 4's Vibe Strike Remix is an eastern synth inspired mission.
More
Genre: Techno/Dance/Electronic
Tracklist 12":
A1.Albino Sound - Black Lagoon
A2.Albino Sound - Plum Valley
A3.Albino Sound - Transparent Colony
B1.Albino Sound - Dried Seeds
B2.Albino Sound - Dried Seeds (DJ Normal 4's Vibe Strike Remix)
Release Info:
Modern Obscure Music has been making links with the Far East since label boss Pedro Vian visited Japan and this is their first 12” release from a Japanese artist. Albino Sound is Hirotaka Umetani from Osaka and here he presents Black Lagoon. This is an exciting EP of experimental soundcapes and left of centre dancefloor escapades with an extra special remix from German producer DJ Normal 4. Black Lagoon opens the EP with live percussion and mysterious sounds and is followed by the mesmerising tones of Plum Valley. Transparent Colony is an open-armed ambient cut and the EP finishes with two versions on Dried Seeds. The original is an energetic mover and DJ Normal 4's Vibe Strike Remix is an eastern synth inspired mission.
More
1
Pedro Vian - A1 - Can Mortera
2
Pedro Vian - A2 - The destiny manifest
3
Pedro Vian - A3 - A romance between to planets
4
Pedro Vian - A4 - Interlude
5
Pedro Vian - B1 - Terrestial images
6
Pedro Vian - B2 - Medusa
7
Pedro Vian - B3 - The night dancer
8
Pedro Vian - B4 - Un passatge obscur
9
Pedro Vian - B5 - Le printemps est arrivé
Territory: WW / excl. UK
Tracklist:
A1 - Can Mortera
A2 - The destiny manifest
A3 - A romance between to planets
A4 - Interlude
B1 - Terrestial images
B2 - Medusa
B3 - The night dancer
B4 - Un passatge obscur
B5 - Le printemps est arrivé
Release Info:
Spanish producer Pedro Vian is dreaming of the sea on “Ibillorca”, his third studio album.
Vian, whose Modern Obscure Music label is at the heart of the Barcelona electronic scene, moved to Amsterdam in 2018. While the Dutch capital has embraced this inventive producer and DJ, Vian says the new album is inspired by a feelings of absence and longing for his Mediterranean home. “On this album I explore my feelings of missing the light,” he says. “Ibillorca is a journey to a utopian island, a journey to a new state of mind.”
You can hear this displaced utopia on songs like “Can Mortera”, a dreamy reflection on house music, recorded in Ibiza in summer 2019, that brings to mind Larry Heard at his most meditative; or “Medusa” (featuring artist Rosalie Wammes), which sounds like Tangerine Dream drifting over the sea.
The Quietus called Pedro Vian’s debut album “Beautiful Things You Left Us For Memories” “the soundtrack to walking around the city at night”, while his eponymous second album was both deeply personal and more suited for the dance floor. “Ibillorca” is his Mediterranean album. “I love the Mediterranean sea,” Vian explains. “I come from there and I miss the light, the sun and the smell of the sea, so I dedicated this album to this feeling.” Fittingly, “Ibillorca”’s enigmatic cover art, painted by Spanish artist Blanca Miró, depicts the Mediterranean islands of Ibiza & Mallorca
“Ibillorca” is also Vian’s most varied release to date: “The Destiny Manifest” nods to drum and bass - albeit a touchingly Iberian take on the genre - while “Western Snow” has a hint of Erik Satie’s piano minimalism. Vian’s new home in The Netherlands also played a role in shaping “Ibillorca” .Vian recorded the album during his residency at HetHEM, a new contemporary space in Zandaam, 30 minutes from Amsterdam. “I have my studio at the top of the building, from there I can see all the boats going up and down the river IJ,” Vian says. “The art space is located in an industrial area, everything is grey, also the sky.” All the better, then, for dreaming of the sea.
“Ibillorca” will be released in Spring,2020. More
Tracklist:
A1 - Can Mortera
A2 - The destiny manifest
A3 - A romance between to planets
A4 - Interlude
B1 - Terrestial images
B2 - Medusa
B3 - The night dancer
B4 - Un passatge obscur
B5 - Le printemps est arrivé
Release Info:
Spanish producer Pedro Vian is dreaming of the sea on “Ibillorca”, his third studio album.
Vian, whose Modern Obscure Music label is at the heart of the Barcelona electronic scene, moved to Amsterdam in 2018. While the Dutch capital has embraced this inventive producer and DJ, Vian says the new album is inspired by a feelings of absence and longing for his Mediterranean home. “On this album I explore my feelings of missing the light,” he says. “Ibillorca is a journey to a utopian island, a journey to a new state of mind.”
You can hear this displaced utopia on songs like “Can Mortera”, a dreamy reflection on house music, recorded in Ibiza in summer 2019, that brings to mind Larry Heard at his most meditative; or “Medusa” (featuring artist Rosalie Wammes), which sounds like Tangerine Dream drifting over the sea.
The Quietus called Pedro Vian’s debut album “Beautiful Things You Left Us For Memories” “the soundtrack to walking around the city at night”, while his eponymous second album was both deeply personal and more suited for the dance floor. “Ibillorca” is his Mediterranean album. “I love the Mediterranean sea,” Vian explains. “I come from there and I miss the light, the sun and the smell of the sea, so I dedicated this album to this feeling.” Fittingly, “Ibillorca”’s enigmatic cover art, painted by Spanish artist Blanca Miró, depicts the Mediterranean islands of Ibiza & Mallorca
“Ibillorca” is also Vian’s most varied release to date: “The Destiny Manifest” nods to drum and bass - albeit a touchingly Iberian take on the genre - while “Western Snow” has a hint of Erik Satie’s piano minimalism. Vian’s new home in The Netherlands also played a role in shaping “Ibillorca” .Vian recorded the album during his residency at HetHEM, a new contemporary space in Zandaam, 30 minutes from Amsterdam. “I have my studio at the top of the building, from there I can see all the boats going up and down the river IJ,” Vian says. “The art space is located in an industrial area, everything is grey, also the sky.” All the better, then, for dreaming of the sea.
“Ibillorca” will be released in Spring,2020. More