We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio 'I-I'. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.

Tracklist

1.I-I - movement 1

2.I-I - movement 2

3.I-I - movement 3

4.I-I - movement 4

5.I-I - movement 5

6.I-I - movement 6



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First pressing of 300 units, no more information related.

A1. Baby U Lar
A2. Guardians
A3. We walk together
A4. Kjj_


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Modern Obscure Music is proud to present Pierre Bastien & DJ Low's "Swing Low", a work that fuses the poetic inventiveness of Pierre Bastien with the visionary legacy of the late DJ Low (Tom Deweerdt), a central figure in Belgian independent music and founder of the influential Lowlands label. This album, which interweaves memory and experimentation, represents Bastien's debut on the Barcelona label's catalog and a testament to the creative bond between the two artists.
The album, composed of seven pieces, stands out for its hybrid nature: five reinterpretations of Bastien's previous works, some of them coming from his influential Mecanoid (originally released by Rephlex), and two unreleased improvisations, A Pupa and Reviver, which seal the unique character of the project.
Pierre Bastien, recognized as a composer, inventor and builder of sound machines, has been a tireless explorer of the frontiers between the mechanical and the musical. From his contribution to the Belcanto Orchestra, his collaboration with the PRSNT project to his participation in Pedro Vian's Earth, Our Planet or his collaboration with Tomaga for the Other People label, his career illustrates a constant commitment to experimentation and the intersection of disciplines. Among the artists he has worked with are names such as Robert Wyatt, Jac Berrocal, Jaki Liebezeit and designer Issey Miyake. His works have found homes on iconic labels such as Marionette, Morphine and Discrepant to name a few.

The album is presented with a visual design by Koen Bruyneel, reinterpreted as a tribute to Tom Deweerdt, a decade after his departure.

Tracklist:

1 - Revel Ever / Deep Speed
2 - Revolt Lover
3 - Rev Over
4 - No Lemon, No Melon
5 - Vipers
6 - A Pupa
7 - Reviver

Genre: Folk / Electronica

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GENRE/S: Folk / Electronics

Pedro Vian Vian and Maalem Najib Soudani "Mogador": A Fusion of Analog Electronic Music and Traditional Gnawa Sounds
"Mogador" stands as a compelling exploration of the intersection between seemingly irreconcilable musical worlds: the experimental realm of analog electronic music and the deep-rooted tradition of Gnawa. This project is more than just a juxtaposition of styles; it’s a meeting of minds where the ancient and the modern, the analog and the organic, are woven together into a seamless auditory dialogue.
What truly sets "Mogador" apart is the way Pedro Vian’s use of the EMS AKS Synthi and Buchla doesn’t overpower the mix but instead forms a perfect synergy with Maalem Najib Soudani’s qrebeb and guimbiri. Rather than competing, the analog pulses intertwine with the hypnotic lines of the traditional instruments, amplifying the trance-inducing qualities inherent in Gnawa music. The Maalem’s vocals, steeped in history and spirituality, float over layers of synths that feel both ethereal and tangible, crafting a soundscape that is as cinematic as it is visceral.
This is not just a collision of cultures or a superficial fusion exercise. "Mogador" represents a genuine dialogue between two ways of understanding sound and space, where every element—from the syncopated percussion to the serpentine modular waves—contributes to a sonic landscape that is both haunting and profoundly resonant. Here, tradition isn’t a museum piece, and analog electronics aren’t a rootless futurism; instead, they transform each other, creating something greater than the sum of their parts.

1. Intro
2. Mogador 1 07:03
3. Mogador 2 04:12
4. Mogador 3 04:56
5. Mogador 4 05:38
6. Mogador 5 01:20
7. Outro 00:37





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2024 Repress

First vinyl pressing of Baroque by Japanese composer and multi-instrumentalist Susumu Yokota. The full length album was originally released by United Sounds Of Blue in 2014, a subdivision of Frogman Records in CD format. Now it is being re-released by Barcelona-based record label Modern Obscure Music as a double LP and in digital format. Baroque is one of the most significant albums of Susumu signed under his original name, and this is the first time the album will be pressed on a double LP 12". Yokota, was an eclectic, highly prolific electronic musician and composer from Japan who died in 2015 at 54. "There is always fear, rage, and ugliness existing behind beauty. I have been trying to express ki-do-ai-raku (the four emotions: joy, anger, sorrow, and happiness) through music. I would like to express even one's hidden emotion with reality. It's my eternal goal." Baroque is a clear example of this, thought the deep listeing of the album you can experiment all of that feelings in just one record and feel how his music infulenced the next generation of producers during the two next decades till today. The Tokyo-based artist devoted his time and creative energy to achieving this goal, and the result is a vast discography that begins with banging early acid house tracks in the 1990s, moves across the next two decades to include deep house and Detroit-influenced techno, a stunning run of ambient electronic albums and, in his last decade, a glorious confluence that wove his various skills into a series of borderless electronic records. Modern Obscure Music team is really excited to bring this gem to the light, Baroque is remastered and distributed in two 12" to be played in clubs and home sound-system bringing the best quality of sound to have the best experience. Susumu Yokota (?? ? Yokota Susumu, or ???·??? Susumu Yokota (April 22,1960 - March 27, 2015) Also known by the pseudonyms Stevia and Ebi, among other.


TRACKLIST

A1 Deformed Pearl 6:06
A2 Deep Sea Diva 5:54
A3 Gem Stones 5:37

B1 Keel 5:12
B2 Re 4:47

C1 Extension 4:25
C2 Royal Flush 5:50
C3 Boreas 5:25

D1 Spinner 5:44
D2 Nacre 6:04

All tracks written and produced by SUSUMU YOKOTA
A&R and Art Direction DAI SATO & KENGO
Original art direction and design by SHIN-ICHIRO HIRATA (PRIMITIVEHANDS INC.)
Photo by HIROHIKO IKEDA
Mastered by THORU KOTETUSU
Remastered by PEDRO PINA
Design adapted by ALBERT PÉREZ CASDO
Reissued by PEDRO VIAN on MODERN OBSCURE MUSIC

MOMA002

® FROGMAN RECORDS 2004
© MODERN OBSCURE MUSIC 2022


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Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.

TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN


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Pedro Vian and Merzbow release their first joint work, an unbounded expression of creativity
and experimentation. Over the album's forty-minute duration, listeners can experience a blend of
field recordings made by Pedro Vian at the Dia Beacon Foundation in NYC, specifically inside Richard
Serra's sculptures. These recordings are interwoven with the ambient percussion and melodies
characteristic of Vian's work, alongside the piercing and sharp computer frequencies produced by
Merzbow, one of the most acclaimed artists in the global noise scene.

"Inside Richard Serra Sculptures" is both a complex and spontaneous piece, an abstract journey
into the unconscious that may be difficult to grasp for closed minds. This work stands as a
masterpiece of contemporary expressionism, merging ambient sound and noise in a way that
challenges and redefines the boundaries of sound art.

The collaboration between Vian and Merzbow is notable not only for its innovation but also for
its ability to transport listeners to a space where sound becomes an immersive and visceral
experience. The use of Richard Serra's sculptures as a source of inspiration and sonic material
adds a unique dimension to the project, emphasizing the interaction between physical space
and musical creation. Photo by Alba Ricard




A Inside Richard Serra Sculptures Part I 20:13
B Inside Richard Serra Sculptures Part II 21:00


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World excl. UK

White Vinyl Repress!

Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker

All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.

©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.

Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.


1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX


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Merzbow (aka Masami Akita), Animal Rights Activist, Writer, and Musician, an Iconic Figure in International Noise Scene

Renowned for his pioneering contributions to the noise music genre, Merzbow (aka Masami Akita) has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently pushed the boundaries of sonic experimentation.

Modern Obscure Music is delighted to unveil Merzbow's debut release on the label, "Tsubute Mosaic."

Tracklisting:
A. Tsubute Mosaic Part 1 - 19:06
B. Tsubute Mosaic Part 2 - 17:41


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“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.


1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Lucid Dreams
5_Pedro Vian - Un Storia Infinita
6_Pedro Vian feat. Raul Refree - The Limit of Nothing
7_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
8_Pedro Vian - Your Face Shines more than the Sun
9_Pedro Vian - Hipódromo
10_Pedro Vian - Crema Lent

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.


1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Mother of Dragons
5_Pedro Vian - Silent Ecstasy
6_Pedro Vian - Lucid Dreams
7_Pedro Vian - Un Storia Infinita
8_Pedro Vian feat. Raul Refree - The Limit of Nothing
9_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
10_Pedro Vian - Your Face Shines more than the Sun
11_Pedro Vian - Crema Lent
12_Pedro Vian - Hipódromo


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio 'I-I'. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.

Tracklist

1.I-I - movement 1

2.I-I - movement 2

3.I-I - movement 3

4.I-I - movement 4

5.I-I - movement 5

6.I-I - movement 6



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lim. 150 blue transparent 180 Gr LP + 7" + Poster / incl. Silent Servant Remix

A cross-cutting label exploring the boundaries between different disciplines based on deep listening and music research, Modern Obscure Music is set to release 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) on the 1st December, the new album from Dellarge.

Inspired by the scenic beauty of his studio's surroundings at Lake Pátzcuaro in Michoacan, Mexico, Alejandro Barba, aka Dellarge, delves deep into the depths of his artistic consciousness to craft a spiritual album that encapsulates the essence of the place. 'INRI' stands for Industria Nacional del Ruido Infinito (National Industry of Infinite Noise) and serves as a vessel for Dellarge's innermost self-expression and reflections on the potential of humanity.

A multifaceted artist and veteran of the music industry for over two decades, his latest musical creation is an intimate and personal album and a departure from previous Techno/EBM-orientated Dellarge releases. 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) offers a mesmerizing blend of ambient, futuristic, and industrial sounds that transport listeners into a realm of mysticism, futurism, and duality and stands as a testament to Dellarge's artistic growth and his ability to transcend boundaries, offering listeners an immersive experience that connects them to his world.

Drawing inspiration from numerous sources, Dellarge found creative fuel in books such as 'El Arte de los Ruidos' by Luigi Russolo, 'Manifiestos y Textos Futuristas' by F.T. Marinetti, and science fiction classics including 'Congreso de Futurología' by Stanislaw Lem, 'Neuromancer' by William Gibson, and 'Dune' by Frank Herbert. Musically, he delved into the works of Coil, Michael Bundt, The Threshold Houseboys Choir, krautrock legends CAN and Popol Vuh, early Kraftwerk, Arthur Brown, Yello, Esquivel, The Residents, and Hector Lavoe for inspiration.

When asked about the creative process behind the album, Dellarge revealed a disciplined routine that involved immersing himself in the sounds, focusing on minute details that connected with the vivid world he envisioned. Ethereal tracks such as 'Viento Androide' and 'Viaje al Sol' offer a glimpse of a hopeful future, while darker compositions such as 'Corpus de Sangre' and 'Toro de Falaris', explore the wickedness and compassion within humanity. Each piece in the album represents a unique sonic journey.

'Viaje al Sol', the first single to be taken from the album, is set for release on the 27th October, and is also available as an EP which includes a remix from Juan Mendez aka Silent Servant. The remix is also included on the digital version of the album and available on 7" vinyl alongside an exclusive reworking of 'Cascabel' by the founder of Modern Obscure Music, Pedro Vian.


Tracklisting:

1. Viaje al Sol
2. The Maestro
3. Esferas de Cristal
4. Mama
5. Cascabel
6. Juguentes Rotos
7. Sigilo
8. Orquesta Sinfonica Angustia
9. Toro de Falaris
10. Perdon de Judas
11. Viento Androide
12. Corpus de Sangre

Digital Only:
13. Inferno
14. Invasores
15. Nave Nodriza
16. Espino

7":
A Dellarge - Viaje al Sol (Silent Servant Remix)
B Dellarge - Cascabel (Pedro Vian Remix)

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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World excl. UK

Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker

All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.

©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.

Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.


1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

World excl. UK

Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker

All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.

©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.

Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.


1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Constantly evolving and adapting his sound, Shackleton has releases
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull
Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the
Barcelona-based, Modern Obscure Music.
Undoubtedly Shackleton, but taking the meditative aspects of his sound
to a new plane, The Purge of Tomorrow, is an alias born to transmit a
less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are
spawned from a live performance context. The essence was to create an
immersive encounter where listeners are called on to actively unburden
their mind of unnecessary thoughts. Staying true to the trance elements
that Shackleton is renowned for, this EP is not dependent on traditional
structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments
and contemplative states. Hypnotic strings provided by Kathy Alberici
construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new
direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.

Artwork by Juaki Pesudo
Design by Andrea di Franco
Mastered by Rupert Clervaux

A1. The Purge of Tomorrow - Time Moving
B1. The Purge of Tomorrow - Waves

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ARTIST:
Felicia Atkinson, Büsra Kayikçi, Carmen Villain, Kuniyuki

Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard, Pedro Vian

It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection,
namely Felicia Atkinson, Büþra Kayýkçý, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov,
KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their
willingness to participate in an artistic experiment: to build bridges between architecture and music.
Each of these artists chose a space and translated it into a piece of music, and the result is a sonic
kaleidoscope through which specific territories can be gazed upon from unexplored points of view. The
compositions that make up this compilation are synaesthetic windows through which we can observe with
our ears. To look through them, all we have to do is listen and we’ll be able to contemplate, in a unique
way, spaces located in such different places as Vilches (Chile), Istanbul (Turkey), Oslo (Norway), Sapporo
(Japan), Nairobi (Kenya), London (England), Rome (Italy), Berlin (Germany), or even in imaginary
universes.

TRACKLIST

1. Büsra Kayikçi - Genius Loci
2. Pavel Milyakov - GTR chords movement 1
3. Felicia Atkinson - Le Poème de l’Angle Droit
4. Carmen Villain - Luften Imellom
5. Kuniyuki Takahashi - Moere
6. KMRU - Stretch Mabati
7. Ana Quiroga - London Fields
8. Abul Mogard - Teatro Romano di Tuscolo
9. Pedro Vian - Neue Nationalgalerie

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Tracklist:
A. Hans – B1. Heinrich – B2. Oskar
Info:
Three impeccable pieces of stripped down, unfeigned tanz trax make out
the debut release of Esther Silex – deejay extraordinaire, Colognian
woman-about-town and very dear new addition to the Studio Barnhus
family. The gargantuan yet free-flowing bassline of Hans, the menacing
tension of Heinrich and the dawntime anthem Oskar are all testaments to
Esther's unquestionable status as an impassioned powerhouse with
enough West German swagger to create timeless music with equal parts
simplicity and beauty.

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Tracklist

A1. Things Can’t Go On Like This Forever (Main Mix)
A2. Things Can’t Go On Like This Forever (Instrumental)
A3. Things Can’t Go On Like This Forever (Freestyle Mix)
B1. So I Go Dancing (Gerd Janson DJ Remix)
B2. Things Can’t Go On Like This Forever (Freestyle Instrumental)
B3. Things Can’t Go On Like This Forever (Freestyle Beats)

Maximum vocal power and prime time dramatics by Chrissy and Carrie Wilds. The San Francisco based DJ and producer shows his stylistic versatility and technical capability to work with vocals, melodies and sound sources. Like a facsimile of the late 1980s house/freestyle record that you never owned, Things Can’t Go On Like This Forever ticks all the right boxes. Heartfelt vocals (by the great Carrie Wilds): check! Timely social message: check! Melodic euphoria: check! Old school house and true school freestyle flavor: check! Comes in various mixes and with a freestyle bonus beat special.

Additional airtime is given to the now classic Chrissy production So I Go Dancing. Done in a traditional remix fashion by Gerd Janson it highlights all the features of the original and again Carrie‘s enchanting voice, extends the included hysteria and adds a few snare rolls. Let‘s go dancing to brighten the darkness. Dance music in its purest and maybe most US-American form.







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Genre: House, Acapella


Tracklist 12":

A1 – How You Feel (For Me)
A2 – Feelapella


Info:

Friebe and Puestel – the perfect match, a combined force! Golden times have come...


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Tracklist:

Comedy Side
A1) Andras - The Same Old Boring Thing (01:37 min)
A2) Tambien - Breakbeat Frosch Interlude (02:53 min)
A3) Franziska Kronitzer - Drehen und Lächeln (02:52 min)
A4) Bell Towers - I Make Music For Myself And I DJ For Money (02:00 min)

Rhythm Side
B1) 5AM - Answer (03:42 min)
B2) Coper - Stop (03:14 min)
B3) Samo DJ - Turning Point (03:59 min)

Sun Side
C1) Eden Burns - 10 Years Off (05:04 min)

Moon Side
D1) Bell Towers & Adam - Keep Moving Forward (02:53 min)
D2) DJ City - Tu Trouveras (03:59 min)
D3) Nice Girl – Make Things Better (03:02 min)

Bang Bang Bam Side
E1) Mr. Tophat - Fade Away (06:36 min)
E2) Mainline Magic Orchestra - House Music 2 The World (Lokotron Live Mix) (04:00 min)
E3) Olaf Nicolai – Everday At Noon (00:04 min)

Soft Side
F1) Salamanda - Whistling (03:47 min)
F2) Aiden Ayers - Canyon No. 1 (07:33 min)
F3) Martin Brugger - Low Mute (03:55 min)
F4) World Gym - It Always Ends In Tears (04:41 min)

Short info:
Public Possession turns 10. What holds it all together?
Comedy & Rhythm. Find us in between the sun and the moon. Onward, forward, don’t step backward.
The source is everywhere.
• Where (Who) Am I? An angel with an UFO.
• Toot, Toot, Beep, Beep....
• Maintain a child’s mind
• Listen, talk, see
• Archaeology (dig it)
• WOW (curiosity)
• Easy & Difficult
• Mix It Up
• Soft Education
• Love Unlimited
We are not doing this alone.
The biggest thank you goes to the P.P. Team & all label artists.
To many more years!!


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Tracklist:
A-Side
A1) Aroma Pitch - Millennium Surfer (06:00 min)
A2) Aroma Pitch - Balearic Shift (05:40 min)
B-Side
B1) Aroma Pitch - Staub Groove (06:44 min)
B2) Aroma Pitch - Areal Earth (06:11 min)

Short info:
Aroma Pitch is back with a 4 Track EP including all traits of their warm analogue sound, that has
gained them so much appreciation in the past. Find a bouquet of styles including driving, balearic nu
disco for big rooms, playful breakbeats, dreamy lofi & more. Dig in!!



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A Tempest Of Intimacy.
It's part of the nature of man to start with romance and build to a reality
and this is what System Olympia has done with this new 4 track EP.
Love, longing, and the restlessness of the heart and body are the foundation forces of this record.
"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.
System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.
Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.
Mi Dimentico makes beauty out of melancholy, and nostalgia out of the oscillation between resignation and demand.
Sanctified EP is naked skin over a sunken heart, and a soaring mind.

Tracklist:
A1 - Luce Rossa
A2 - Sanctified feat Working Men's Club
B1 - Lenzuola Di Raso
B2 - Mi Dimentico


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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.






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UPC 827170559264 Release: 13.10.2014
Tracklist :
1. Missing – 2. Reality Sparks – 3. Rain Dance – 4. Sun Dance – 5. Ja Rule – 6. Golden Eye – 7. Aches – 8. Drone Zone – 9. Weeeb – 10. Hotel Exile – 11. Quest 1 – 12. Discovery – New Dawn
Baba Stiltz hails from a tradition of funky outcasts centred around the calm yet unpredictable city of Stockholm, Sweden. Since his infant days he's been guided through the nitty-gritty basics of what it is to be a true music lover by some of the city's most prolific artists, producers and djs. Despite his youth, 20-year-old Baba boasts an impressive discography, with two albums of dreamy folk-pop (as The Betlehem Beard Corporation) and a string of hit singles within the elusive Skweee scene already under his belt.
His more recent studio adventures have led to three 12'' releases on Stockholm dance label Studio Barnhus as well as recurring production work for post-rap phenomenon Yung Lean. Total is Baba's debut album under his own name and his finest work to date. From the opening machine-funk arpeggio of Missing to the sanguine melancholia of closing hiphop beat Discovery – New Dawn, Baba's masterpiece rides through psychedelic screw-pop, minimalistic emo-acid and opiate-drenched coming-of-age-ambient. As lucid and strong as it is obscure and beautiful, this is an album us folks at Studio Barnhus are immensely proud of presenting to the world

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Tracklist 12":

A1) The Party (Extended Version)
A2) The See Me (Extended Version)
B1) The Come On (Extended Version)
B2) The Slide


A new Toy Tonics EP! By label boss Kapote!

4 tracks for the dancefloor inspired by Italo Disco, New Wave Funk and NYC 90ies House. A perfect sound for the new Y2K vibes on 2024 dancefloors.

A new Kapote release is a rare thing. Although he is a musician and producer in the first place he rarely releases music. Why? Because the last years he was busy djing every weekend around the world (as a regular at clubs like Berlin’s Panorama Bar and London’s Phonox but also Festivals like Melt or Kala) and creating the Toy Tonics madness with his label friends. The Berlin based label that is the home base for 15 international artists (Cody Currie, Coeo, Gee Lane, Athlete Whippet, Baby‘s Berserk, Stump Valley…) became THE brand for a colorful and diverse, innovative and ‘organic’ funk oriented post - digital dance music.
Kapote and his friends release music that connects analogue and band vibes with digital production in a very fresh and unique way. Influenced by European underground disco and American house as well as afro beats, new wave and soulful Electronica.
But he and his label also have achieved a great reputation for working with some of the hottest names in Berlin graphic design and art to release the limited edition Toy Tonics Shirts, the label own TT Pocket Poster Magazine, posters and organizing exhibitions and visual shows.
Kapote aka Mathias Modica was and his 3 members TT krew were busy building all this.
Including also the Toy Tonics Jams. The label parties that started in an illegal venue in Berlin 2020 and exploded in 2023. With more than 120 TT events all over Europe. Where the label represents his very own vison of sound, vibe and style. Kapote organized all this with his krew. And it looks like 2024 will be even busier. With Toy Tonics Events at clubs but also museums (Palais de Tokio/ Paris, Milano Design Festjval) or Kapote & Toy Tonics Crew playing with Kaytranada and Peggy Gou at Sonar Festival.

In case you missed the last production works of Kapote check out his album ‘What it is’. Originally relased 2019. Re-released with new songs 2023. Or some of the 5 EPs he did on Toy Tonics in the last 8 years.
In case you don’t know his work under the name of Munk on his former label Gomma records (RIP) check it out. Kapote aka Munk co- produced the first 2 albums of Danish band WhoMadeWho, NYC art freak The Rammellzee, disco albums for Peaches and Nancy Whang of LCD Soundsystem, singles with DJ Chloe and many others.

(Words by Clara de Vernies)













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Tracklist 12" EP:
A) Some Song Teachers
B) Dilemma

Short info:
Continuous movement of ones foot (first foot) then second foot - two feet.
One foot (first foot) then second foot (two feet) - continuing movement.
Selected & None Selected Sequences of human movements may lead into ecstatic trance states.
Regularly repeating pulse (beat/tactus) establishes tempo, supports and directs participants.
Here are some songs to teach you.


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Tracklist

A1. Who Dis
B1. Dance With Your Feet (ACD Mix)


After a 6-year break, a poignant love affair between Life and Death and Marvin & Guy resumes with two catchy but effective tracks that breaks a two-year hiatus from releasing original music.Minimal and purposefully crafted for dancefloors, a departure from the usual emphasis on melodies we all get used to listen from them. This record emerges organically during playful experimentation with just a bass on a synthesizer, preserving its distinctive rhythmic and harmonic changes.The girlfriend's continuous request to play "Who Dis" underscores its contagious allure. Both songs incorporate sounds like shattered glass, opening doors, a whip, and an authentic Formula 1 engine roar – all meticulously recorded specifically for these ideas. There's not really specific creative process beside having fun with synthesizers; it's simply music crafted for the joy of dancing.



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