180 gram dbl gatefold

TRACKLIST:
Side One
01 underSTANDING 2:48
02 Positiv’ly 4:11
03 Open Doors 3:15

Side Two
04 Community 3:19
05 Joffy’s Funk 4:08
06 Comin’ Around 4:15

Side Three
07 Same Same… 3:37
08 Comfort & Desire 3:18
09 Serotonin 4:59

Side Four
10 Flowers Bloom 4:08
11 Poh’s Devotion 1:37
12 Solitude 5:08

RELEASE INFO:
Aché is “the primordial, mystical energy that exists in the universe and permeates everything in it… Aché is everything: divine grace, knowledge, authority, wisdom, and the inherited experience of all those who went before.”

It is in this force that Yoruba Soul Records is proud to present the brand new solo album by Osunlade. In the time since his last full-length (2014’s Peacock), Osunlade has continued to rock parties all over the world, overseeing releases for both Yoruba Records and Yoruba Soul Records, AND still finding time to create music amidst a very busy schedule.


“This is the album I dreamt of making…” - Osunlade

Recorded in his hometown of St. Louis, USA and spiritual home of Santorini, Greece, Aché is the continued evolution of Osunlade as songwriter, arranger, and producer. It’s all here.

The seeds of minimalist electronic funk Osunlade began to sow on albums such as Peacock and Rebirth are now in full bloom with the album opener, “Positiv’ly”. Featuring a subtle, almost avant-garde performance by Yoruba Records’ very own Quetzal Guerrero on violin, this groove will have you confused on whether to listen to this sitting down with some headphones or blasting it through your best speakers while you dance.

“Open Doors” is Osunlade at his funkiest. Starting with a drum break reminiscent of the J Dilla produced Q-Tip single “Let’s Ride” and accompanied by a killer rolling bass line, the song speaks on finding yourself and letting your truth carry you to your highest self.

“Community” is a float-like groove, with a guitar motif that both soothes and encourages a beautifully urgent and powerful call to self-determination.

The Aquarian Moon showers its lunar dust all over “Joffy’s Funk”, a luminous groove that transports us to starry nights on the mountaintops of Santorini. The composition provides us with one of Ache’s most elegant moments (of which there are many on this album).

On the other side of reality, we know there is nothing funny about the social resentment and anger that is currently building up in this historical moment. Osunlade takes us through why that is. Part-homage to his deceased father, part state-of-the-union, “Comin’ Around” is the sound of Devante Swing at a Black Lives Matter demonstration in the US south.

Of course we can’t forget our house heads, and “Same Same”, which we premiered last year in a very special limited edition single for Record Store Day, is featured here as one of the album’s most energetic moments.

There’s even some Piscean Group frequencies being dispersed through the serotonin-inducing “Seratonin,” featuring a magnificent flute performance by Han Litz.

“Poh’s Devotion” is an ethereal interlude that leads us to the closing segment of this album, a closing that finds acceptance, acknowledgment and resolution, hope, and inner peace.

This sense of renewal and outlook for a better future is deeply felt on “Flowers Bloom,” the last vocal song of the album. Osunlade proclaims “there’s no more room for feeling blue,” and a future “where governments no longer rule,” and most profoundly “I’m one, with God… at last.”

Closing this journey is “Solitude.” Accompanied by an ornate string arrangement, Osunlade plays acoustic guitar in a setting that could find a home in a Nick Drake album. It captures a poetic melancholy, not desolate, but of coming to terms with oneself.

Aché is an album that comes at the right time. A body of work to be immersed in its entirety. A sonic meditation for soul healing and recovery. An album that urges us, regardless of circumstance, to live by love above all and to let go of any fear that may block us from being us.

Flowers bloom…






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Songs:
01 NiggaJazz 5:02
02 Lessons Of Love ft Osunlade 4:18
03 Two Step 4:44
04 Lucd Abyss 5:34
05 Hotfoot 3:``
06 Decisions 3:12

Created by Centaur Jackson
All songs published by Yoruba People’s Music, Ascap, Sony Atv Music LLC
Recorded and mixed at Centaur Studios, Earth
Collage by Afefe Iku
Executive Producer: Osunlade

Release Info:
This project reflects the simplicity of rhythm and melody in-formation. Set in the mood of a cigarette filled, dimmed bar. The album opens with the title cut, NiggaJazz , a be-bop dancers dream. Setting the floor for what’s to be a fun filled night of music. Lessons of Love find label boss Osunlade lending his voice while lovely saxophone serenades the soul. We continue with Two Step which brings us back to the floor for a dance circle rock out., flutes blare in harmony while choppy pianos and upright bass ride to syncopated rhythms., “effortless foot working biz.” Lucid Abyss slows things back to a smooth landing on mars while it’s follow up Hotfoot delivers a swinging improvised jam session before decisions take you home just in time for slippers and some relaxation. This album is meant to be enjoyed in a full listen or nice drive. Wherever you choose to experience Centaur Jackson’s NiggaJazz, we hope you enjoy it as much as the love we put in it.





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Coloured vinyl

Tracklist:
Side A Positiv’ly 4:11
Side B Look Into Myself 1:58

release Info:
Hot on the press comes another small (big?) preview of Osunlade’s much anticipated upcoming full length, Aché.

The seeds of minimalist electronic funk Osunlade began to sow on albums such as “Peacock” and “Rebirth” are now in full bloom with “Positiv’ly”. Featuring a subtle, almost avant-garde performance by Yoruba Records’ very own Quetzal Guerrero on violin, this groove will have you confused on whether to listen to this sitting down with some headphones or blasting it through your best speakers while you dance.

On the flip side, “Look Into Myself” is a stirring ode to The eighties. Blending funk-post-punk-nu wave and everything in between, this is one of the most unique songs from Osunlade’s ever expanding catalog.

Aché is steadily approaching. Watch this space as we will announce album details very soon!





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Tracklist:
A1 Whatever (7:25)
A2 Dr.Spin (Thrust) Feat Thelonious Kryptonite (6:03)
A3 Ecstasy (5:48)

B1 Eye To Eye (9:47)
B2 Take Your Time (8:53)

Release Info:
For those who have been closely following the young trajectory of Yoruba Soul Records, the name Jesse Gannon will already sound familiar. For the uninitiated, welcome to the world of one of St. Louis’ hidden musical gems. When Jesse Gannon released his Yoruba Soul debut last year (YSR004), it was clear that the single merely served as a teaser to some of the work Gannon had completed. The time has finally come to share that work with the world.

The self-titled EP from Gannon is an expansion of what we previously experienced on his last single. Not only do we finally get the full-length versions of “Dr. Spin (Thrust)” and “Take Your Time” we also get a much more complete vision of Gannon’s nu-soul-funk-jazz.

“Whatever” leads off the proceedings with a beautiful piano intro by Gannon and then gets into (dare-I-say) drum and bass territory with Dhoruba Shakur bringing the explosiveness on the drums. The juxtaposition of the urgency of Shakur and the calm and collective coolness of the rest of the rhythm section it’s the perfect segue way to Gannon’s vocals…. “Living in luxury ...whatever. Nothin in front of me, but everything”. For Gannon, this piece serves a coping mechanism for failure. Or perceived failure, to not allow ourselves to be shackled by things society expect from us, to not give up, but to know how to pick your battles, and to adjust.

A constant in Gannon’s music has been its search for truth. Another constant is needing to escape certain realizations about society and our current state on earth. “Dr. Spin” is a midtempo groove that certainly questions the nature of our reality and who is really pulling the strings affecting us on the daily. “Ecstasy” urges the escape of that reality through pure and unadulterated human connection.

“Eye To Eye” is a beautiful lament on a relationship that’s not currently in the jubilance that Gannon had just previously described. A multi-faceted arrangement which climaxes with Pete Lombardo’s soaring guitar solo, once the dust settles, Dhoruba Shakur gets serious on the breakdown with some J Dilla drumming vocabulary, and the band finding a groove reminiscent of classic Robert Glasper.

The EP ends with the complete three-part version of “Take Your Time.” This version was totally worth the wait and it is the perfect conclusion to another wonderful addition to the Yoruba Soul cannon. Don’t rush, just take your time with this one.







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Songs:
A: Same, Same… 3:37
B: Music Had Appeal 3:11

Info:
Osunlade's beautifully crafted Yoruba Soul imprint drops 2 delightfully soul & funk fuelled cuts in his distinctly unmistakable style.
Pressed on green vinyl in bespoke 7" sleeves.

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Tracklist:
Side A
01 Recovery ft Mike Steva 4:47
02 Presence 5:00
03 Stl6 3:13
Total: 13:00

Side B
01 The Bravest 2:58
02 The Moment I Saw… 2:32
03 Syrundipity 3:42
04 Duh/Geyt/Daouhn 2:19
05 The Present IZ The Gift 00:29
Total: 11:20

all voices and instruments by Osunlade
recovery music written and produced by Osunlade & Mike Steva
recorded and mixed @ the I'lle, Imerovigli, Greece
and
momma's groove, St Louis, USA
collage by Afefe Iku





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FORMAT 12“ vinyl, printed sleeve, dl card

TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28

The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..


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2024 Repress

TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30

The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.



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Territory: WORLD

FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve

TRACKLIST

A. Maintain 04:56
B. The Golden Ratio (Version) 04:43

INFO

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".

By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.

Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.

Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.

Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.

Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst







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FORMAT: 12" 180g vinyl

TRACKLIST
A1. Disrupted Neural Gateway 05:58
A2. Do You Want To Get Down? 05:44
B. Power Of The 3rd Brain 05:31

RELEASE INFO:
Following the re-release of Drexciya’s essentials 'Neptune's Lair', 'Hydro Doorways', 'Harnessed The Storm' and
'Digital Tsunami', the reissue series continues with Transllusion’s ‘Opening Of The Cerebral Gate’ and the
‘Mind Over Positive And Negative Dimensional Matter’ 12” coming on February 10th 2023.
Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor
dedicated to a more abstract and experimental electro sound, ‘The Opening Of The Cerebral Gate’ was
conceived as the second part of the so-called Drexciyan Storms – a whopping stack of seven albums by the
Detroit pair released under dierent monikers within a single year. This phase marks a groundbreaking time
for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music
production. All this is deeply reflected in Transllusion’s first album. This phase marks a groundbreaking time for
the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music
production. All this is deeply reflected in Transllusion’s first album.
2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and
Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned
Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's
Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September
2022. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The
Late Great Rupert J. Rosinthrope' - at the end of March.



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Coloured vinyl

Tracklist:
Side A Positiv’ly 4:11
Side B Look Into Myself 1:58

release Info:
Hot on the press comes another small (big?) preview of Osunlade’s much anticipated upcoming full length, Aché.

The seeds of minimalist electronic funk Osunlade began to sow on albums such as “Peacock” and “Rebirth” are now in full bloom with “Positiv’ly”. Featuring a subtle, almost avant-garde performance by Yoruba Records’ very own Quetzal Guerrero on violin, this groove will have you confused on whether to listen to this sitting down with some headphones or blasting it through your best speakers while you dance.

On the flip side, “Look Into Myself” is a stirring ode to The eighties. Blending funk-post-punk-nu wave and everything in between, this is one of the most unique songs from Osunlade’s ever expanding catalog.

Aché is steadily approaching. Watch this space as we will announce album details very soon!





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Territories: WORLD minus UK and US


2023 Repress

FORMAT 12", dl card

TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01


Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest.

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Format: 12” vinyl, printed labels, printed inner sleeve, dl code

Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.

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2022 repress

Format Notes: 180g vinyl, mastered from the original tapes

Track List:

A1 : Karam Bani (4:27)
A2 : Them Yebtheyet (5:12)
A3 : Ku Ka Maria (2:45)
A4 : Advice From Father (5:47)

B1 : Iro Le Pa (4:55)
B2 : Ye Koaba (4:27)
B3 : Peace (3:00)
B4 : Oh! Africa (5:37)

Release Notes:

A surefire Afro-Funk classic, long treasured by collectors across the globe, the fantastic self-titled LP from Ghanaian singing/percussion sensation Sidiku Buari nevertheless remains a criminally hard-to find gem. We’re honoured to present the first ever officially licensed vinyl reissue of this undoubted masterpiece.

Originally released on RCA in 1975, this is, quite simply, a ridiculous record. This super-rare album boasts an all-star cast of top funk instrumentalists playing alongside Buari as he blends heavy African rhythms with American soul-funk grooves. The arrangements and the playing are incredibly tight and the album is stacked with killer tracks including “Advice From Father” (sampled brilliantly by Kenny Dope) and “Ku Ka Maria”, with its intense, neck-snapping breaks and funky drumming from legend Bernard ‘Pretty’ Purdie. Purdie is in the pocket for the entirety of this stunning LP - the drumming is just straight out of hand; so varied yet so precise.

It’s not hard to fathom why these tracks have always been huge on the b-boy/breaking scene. Other standouts include the wonderful disco-tinged afro monsters “Karam Bani” and “Iro Le Pa” plus the cool laidback groove of “Them Yebtheyet”.

With access to the original analogue tape transfers, the stellar mastering by Simon Francis elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g.


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2023 repress

FORMAT 2x12" 180g vinyl, full printed sleeve, dl card

TRACKLIST:
1. / A1. K-Force 04:21
2. / A2. Liquification 02:01
3. / B1. Weapons 02:41
4. / B2. Gamma Scale 05:47
5. / C1. Chrome 03:23
6. / C2. Projectile Darts 05:06
7. / D1. The Protector 03:28
8. / D2. Magnetic Storm 05:41

Release Info:

The reissue of classic and seminal releases from the Tresor catalogue comes round to Waveform Transmission Vol.
2 by The Vision aka Robert Hood which celebrates its 30th anniversary this year.
Released in the same year he left UR and his hometown of Detroit, Waveform Transmission Vol. 2 represents a
pivotal moment in Hood’s career as his move to New York with fellow UR co-founder Je Mills led to Hood
experimenting with a new work ethos through which he settled on his trademark sound.
Fast, aurally assaulting, yet funky - the release is techno as eective as it can possibly be; in this version,
remastered by Thomas P. Heckmann, we see the first results of his transmutation as Hood manipulates the raw
sounds he would soon distil into seminal works like Internal Empire and Minimal Nation.
Ever philosophical and spiritual, in the sleeve notes for the release Hood dedicated the release “to the form of
simplicity[,] the reasoning of vision[,] the understanding of where we came from and how we got here and to the
perspective we use to construct over destiny” - words which from our early 2020s vantage point almost foresee
the influence this intuitive work would have on artists working from Birmingham to Berlin and beyond over the next
three decades.


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2023 repress

Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)

Release Notes

Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.

This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.

South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.

News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned!

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