Label:!K7 Records
Cat-No:K7390EP
Release-Date:08.07.2022
Genre:House / Techno
Configuration:12" Excl
Barcode:730003739002
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Cat-No:K7390EP
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Genre:House / Techno
Configuration:12" Excl
Barcode:730003739002
1
Red Axes - A1 Pad Yoga Raga
2
Red Axes - A2 Mumbai Syndrom
3
Red Axes - B1 Dehli Little Prince
4
Red Axes - B2 Little Prince (Bangalore Rave Version)
2022 repress
Tracklist:
A1 Pad Yoga Raga
A2 Mumbai Syndrom
B1 Dehli Little Prince
B2 Little Prince (Bangalore Rave Version)
Release Info:
Red Axes return with the third EP in their ongoing Trips series. This multimedia project mixes up music, film and travel and finds the cult pair seeking out extraordinary collaborations in the countries they visit. This time they head to India having previously visited Vietnam in 2019, and Ethiopia and The Ivory Coast in 2018.
Niv Arzi and Dori Sadovnik run their own Garzen Records label and have become much loved for their psyched-out and unusual fusions of guitars, synths and drums. From acid to techno to experimentalism they have done it all, and also worked with Life And Death label boss DJ Tennis as Redrago on a well received album in 2019. This project is about engaging with local cultures and musical traditions, linking up with local musicians, playing and recording with them and presenting workshops for youth music schools.
First up is 'Pad Yoga Raga' which has a mesmerising flute floating above a spoken world monologue about the history of raga. Supple bass synths and gently drums roll below to hypnotic effect and the whole thing is hugely atmospheric. 'Mumbai Syndrome' is as busy as the famous city itself: it bristles with life, bird sounds, hiccuping percussion, tabla sounds and slick grooves that sound like on India's famous trains. 'Dehli Little Prince' is a little deeper and more trippy thanks to the fusion of western rhythms with Indian melodies and instrumentals, which come on in uneven loops and eventually melt your mind. The Bangalore Rave Version is characterised by exquisite sitar and more rippling tablas.
Credits Ep:
Flute - Pandit Ajay Prasanna
Percussion - Sarthak Pahwa on tabla
Sitar - Shubhendra Rao
Indian Cello - Saskia Rao-de Haas
Harmonium: Pad from Patnem
Special thanks to:
Prateek & Andrea @ Slick
Munbir & Ruhi @ The Wild City
More
Tracklist:
A1 Pad Yoga Raga
A2 Mumbai Syndrom
B1 Dehli Little Prince
B2 Little Prince (Bangalore Rave Version)
Release Info:
Red Axes return with the third EP in their ongoing Trips series. This multimedia project mixes up music, film and travel and finds the cult pair seeking out extraordinary collaborations in the countries they visit. This time they head to India having previously visited Vietnam in 2019, and Ethiopia and The Ivory Coast in 2018.
Niv Arzi and Dori Sadovnik run their own Garzen Records label and have become much loved for their psyched-out and unusual fusions of guitars, synths and drums. From acid to techno to experimentalism they have done it all, and also worked with Life And Death label boss DJ Tennis as Redrago on a well received album in 2019. This project is about engaging with local cultures and musical traditions, linking up with local musicians, playing and recording with them and presenting workshops for youth music schools.
First up is 'Pad Yoga Raga' which has a mesmerising flute floating above a spoken world monologue about the history of raga. Supple bass synths and gently drums roll below to hypnotic effect and the whole thing is hugely atmospheric. 'Mumbai Syndrome' is as busy as the famous city itself: it bristles with life, bird sounds, hiccuping percussion, tabla sounds and slick grooves that sound like on India's famous trains. 'Dehli Little Prince' is a little deeper and more trippy thanks to the fusion of western rhythms with Indian melodies and instrumentals, which come on in uneven loops and eventually melt your mind. The Bangalore Rave Version is characterised by exquisite sitar and more rippling tablas.
Credits Ep:
Flute - Pandit Ajay Prasanna
Percussion - Sarthak Pahwa on tabla
Sitar - Shubhendra Rao
Indian Cello - Saskia Rao-de Haas
Harmonium: Pad from Patnem
Special thanks to:
Prateek & Andrea @ Slick
Munbir & Ruhi @ The Wild City
More
More records from Red Axes
Label:Shall Not Fade
Cat-No:SNF123
Release-Date:02.08.2024
Genre:Deephouse
Configuration:12"
Barcode:
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Cat-No:SNF123
Release-Date:02.08.2024
Genre:Deephouse
Configuration:12"
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1
Red Axes - Up
2
Red Axes - Casi O
3
Red Axes - Boss
4
Red Axes - Saturday Night
Tracklisting
A1 Red Axes - Up
A2 Red Axes - Casi O
B1 Red Axes - Boss
B2 Red Axes - Saturday Night
Sales Note
Dance music legends Red Axes return with four signature tracks for Bristol label Shall Not Fade! More
A1 Red Axes - Up
A2 Red Axes - Casi O
B1 Red Axes - Boss
B2 Red Axes - Saturday Night
Sales Note
Dance music legends Red Axes return with four signature tracks for Bristol label Shall Not Fade! More
12"
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Label:Crosstown Rebels
Cat-No:CRM291
Release-Date:26.05.2023
Genre:House
Configuration:12"
Barcode:5061002836207
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Label:Crosstown Rebels
Cat-No:CRM291
Release-Date:26.05.2023
Genre:House
Configuration:12"
Barcode:5061002836207
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Red Axes - Relax Shiva
2
Red Axes - Relax Shiva (DJ Gregory Remix)
Red Axes return to Crosstown Rebels with their absorbing new single ‘Relax Shiva’, featuring a remix from DJ Gregory. An electronic duo at the forefront of house and techno, Tel-Aviv-based pairing Dori Sadovnik and Niv Arzi, aka Red Axes, continue to advance and develop their own ever-evolving eccentric and idiosyncratic sound. Informed by new wave and post-punk through to electronic genres across the spectrum, their releases on Erol Alkan’s Phantasy Sound, Jennifer Cardini’s Correspondant and Life and Death, coupled with recent material on Higher Ground and Shall Not Fade, have welcomed a plethora of varying soundscapes. This versatility and range is something they explore once again as they return to Damian Lazarus’ Crosstown Rebels - following on from 2015’s ‘Sabor’ - with their latest single, ‘Relax Shiva’. An intensely hypnotic and entrancing effort that slowly wanders and creeps between sounds and spheres covering all hours of the night, the warping ‘Relax Shiva’ utilises resounding and deep organic percussion alongside a spiralling deeply rooted acid line at its core to guide the trance-inducing vocal calls across a near-eight-minute trip. Providing the remix on the package, Parisian house legend DJ Gregory, aka Point G, harnesses the vocals while introducing crisp, rolling drums and winding melodies, a sure-fire remix BOMB!
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1
Red Axes - The Phone Call
2
Red Axes - Sound Test XoX
Red Axes return to Phantasy with a double A sided single that captures and expands on the creative relationship forged between the cult Israeli duo and Erol Alkan’s highly regarded London label. The single arrives in tandem with a new compilation ‘The Phantasy Collection (Part 1)’, collecting an enviable run of EPs between 2018 that have resulted in Niz Arzi and Dori Sadnovil’s deserved prominence in DJ sets spanning genres. Carving a hypnotic path against the maximalism currently au-fait in club culture, ‘The Phone Calr’ is as peculiar as it is powerfully effective, a stripped back groove serving as the backdrop to the Axes’ playful deconstruction of an obscure broadcast concerning telephone area codes. A lesser staple of club culture, Sardnovik and Azri transform archival public information into club disorder, stretching a short burst of dialogue to absurd limits before releasing the tension with vampish pianos. ‘Sound Text XoX’ meanwhile finds the pair delivering a surprising alternative take on the lead track from their 2019 EP, retaining its central escalating countdown but adding a powerful, dystopian acid line. The resulting track transforms an already beloved club tool into a frenetic powerhouse
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Label:phantasy sound
Cat-No:PH121
Release-Date:18.11.2022
Genre:Acid House
Configuration:12"
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Label:phantasy sound
Cat-No:PH121
Release-Date:18.11.2022
Genre:Acid House
Configuration:12"
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1
Red Axes - Rhythm Passage
2
Red Axes - Oh My Arp
3
Red Axes - 20 Min
Red Axes continue their long-term dancefloor relationship with Phantasy and boldly embark down the ‘Rhythm Passage’, another triple-hitter of charismatic, out-there club music delivered only as they can. Beginning with the title track, ‘Rhythm Passage’ all but guarantees slowly escalating madness in disco spaces both vast and discreet. Weaponizing hypnotic percussion, dusty samples from rave eras gone by and all manner of classic Axes studio trickery, this seductive banger slowly, shrewdly unveils a visceral synth-pop melody that touches the heavens, before being quickly absorbed back into the bowels of the club.? In the hands of Red Axes, even a relative DJ tool is a cosmic journey, as demonstrated on the escalating ‘Oh My Arp’, which finds a collection of the finest analogue musical machinery in electronic music conspiring to fry synapses, with traditional Tel Aviv musicality unexpectedly emerging from deep in the mix. Finally, ‘20Min’ sees the pair turn their attention to both percussive control and their penchant for suspense, using relatively minimal elements to conjure a liquified roller full of dense, subtle drum play and distinctly psychedelic touches.
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12"
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Label:Shall Not Fade
Cat-No:SNFCC015
Release-Date:04.11.2022
Genre:Electronic
Configuration:12"
Barcode:
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Cat-No:SNFCC015
Release-Date:04.11.2022
Genre:Electronic
Configuration:12"
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1
Red Axes - The Electric
2
Red Axes - Next One Is Bill
3
Red Axes - The Bee
4
Red Axes - Axes In The Sky
Tracklisting:
A1 Red Axes - The Electric
A2 Red Axes - Next One Is Bill
B1 Red Axes - The Bee
B2 Red Axes - Axes In The Sky
Release Note:
We're beyond excited to be announcing the next release on our Classic Cuts series, pertaining to none other Israeli duo, Red Axes. The Tel Aviv techno stalwarts are veterans of the scene, over the years honing an inimitable sound which draws on a unique concoction of influences ranging from post-punk and EBM to disco and new wave.
As is encapsulated in the title, Electric Bees EP focuses on constructing strange, uncanny worlds which at times are disorienting, spooky and hostile ('The Electric'); and at others transportive to times past. 'Next One Is Bill' and 'The Bee' combine the retro quality of squelchy, square wave acid synths with an uber-polished production value to see a modern take on the classic sound, whilst 'Axes In The Sky' sees the EP's energy climax. Set apart from the rest of the tracks with a BPM of 130 and distinctly contemporary feel, it gives you a whiplash tour around a myriad of sounds, taking sharp and unanticipated corners at each breakdown. More
A1 Red Axes - The Electric
A2 Red Axes - Next One Is Bill
B1 Red Axes - The Bee
B2 Red Axes - Axes In The Sky
Release Note:
We're beyond excited to be announcing the next release on our Classic Cuts series, pertaining to none other Israeli duo, Red Axes. The Tel Aviv techno stalwarts are veterans of the scene, over the years honing an inimitable sound which draws on a unique concoction of influences ranging from post-punk and EBM to disco and new wave.
As is encapsulated in the title, Electric Bees EP focuses on constructing strange, uncanny worlds which at times are disorienting, spooky and hostile ('The Electric'); and at others transportive to times past. 'Next One Is Bill' and 'The Bee' combine the retro quality of squelchy, square wave acid synths with an uber-polished production value to see a modern take on the classic sound, whilst 'Axes In The Sky' sees the EP's energy climax. Set apart from the rest of the tracks with a BPM of 130 and distinctly contemporary feel, it gives you a whiplash tour around a myriad of sounds, taking sharp and unanticipated corners at each breakdown. More
12"
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Label:phantasy sound
Cat-No:PH84RED
Release-Date:24.09.2021
Genre:Techno
Configuration:12"
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Label:phantasy sound
Cat-No:PH84RED
Release-Date:24.09.2021
Genre:Techno
Configuration:12"
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1
red axes - Sound Test
2
red axes - Shabak Shalom
3
red axes - Kookoo Papa
Following their hugely well-received, refreshingly outlandish debut EP for Phantasy, Israeli club outsiders Red Axes return to the label with another three-track delight of leftfield dance entitled ‘Sound Test’. Debuting on Phantasy in 2018, ‘Sipoor’ by Red Axes was massive. The release received critical acclaim, not to mention heavy support within the club realm from DJs like Call Super, Jennifer Cardini, Ewan Pearson, Fort Romeau, Massimiliano Pagliara, Chloe, and many more. Highly soughtafter by those who’ve heard Erol Alkan unleash it in recent months, ‘Sound Test’ kickstarts Phantasy Sound’s 2019 - a rolling tool for a dance floor sliding into another dimension, constructed around a dramatic, numeric countdown. A minimal, skeletal build builds (and builds!) throughout to one of the most out-there breakdowns in recent rave-blotted memory, as the Axes slowly but surely rebuild their house to even more outlandish new proportions. Ten, nine, eight, seven... ‘Shabak Shalom’ quickly snatches the record back from outer space and drags it deep into the basement, zoning in on the gritter, strobe-ready sound that defines the duo’s most club-ready work. All of the Axes’ weapons of choice are deployed as unusually as per usual; militant drums, battered electronics, fucked- frequencies, wiry post-punk guitar lines and lovingly drowned traditional instruments blend to create their own special, slightly-menacing interpretation of hi-NRG. Finally, on the unapologetically sprawling and immediately effective closing number, ‘Kookoo Pa-pa’, Red Axes demonstrate their inherent talent, if proof were ever needed, of conjuring rolling, simmering tension in otherworldly shades. Those who enjoyed the cartoonish motor FX of ‘Teroof’ will be delighted to find themselves found into an even wackier race this time round, hitting on the origins of Chicago jack, acid meltdowns and screeching no-wave.
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Label:Phantasy Sound
Cat-No:PH69RED
Release-Date:24.09.2021
Genre:Techno
Configuration:12"
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Label:Phantasy Sound
Cat-No:PH69RED
Release-Date:24.09.2021
Genre:Techno
Configuration:12"
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1
red axes - Sipoor
2
red axes - Teroof
3
red axes - Bad Time Story
Already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated Israeli duo Red Axes make a surprise left-turn onto Phantasy with a three-track 12”, ‘Sipoor’. Unsurprisingly, the results are as pleasingly out-there as the occasion requires. Following on from last year’s self-released LP, ‘The Beach Goths’, ‘Sipoor’ immediately announces the Axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative ‘Bad Time Story’. Brazen, brash acid triggers this particular tale, as Red Axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. ‘Sipoor’ takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. His wish (and we hope, yours) is the Axes’ command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. Concluding the 12”, ‘Teroof’ takes each of Red Axes’ signature ingredients - deeply rhythmic EBM-inspired drums, spiralling electronics, unapologetically odd vocal distortions - and reconstructs them amid what sounds like the Monaco Grand Prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.
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12"
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Label:phantasy sound
Cat-No:PH108RED
Release-Date:17.09.2021
Genre:Techno
Configuration:12"
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Cat-No:PH108RED
Release-Date:17.09.2021
Genre:Techno
Configuration:12"
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1
Red Axes - Some Lights
2
Red Axes - Skulls
3
Red Axes - Professor Grasstov
Red Axes make a triumphant return to Phantasy with a further trio of expertly-crafted leftfield club tracks. Having produced several of the label’s best-loved club moments such as ‘Sipoor’ and ‘Sound Test’, the Israeli duo easily surpass their charismatic reputation across ‘Some Lights’. ‘Some Lights’ stomps forward to reveal the footprints of a rave giant, yet, even Red Axes at their most anthemic unfold the unexpected. Bleary-eyed chords stretch wistfully into the far-distance, as a male voice compounds the mood; “Sunrise”. Suddenly, the Axes pull the rug and reveal the howling club wolf hidden behind the sheep’s dress code, plunging dancers into a heavy trip of vintage rave chords and EBM-drum play. The more psychedelically inclined will meanwhile find plenty to embrace in the wide, kaleidoscopic canyons of ‘Skulls’, a deeper-still groove machine that conjures up images of untamed sonic plains, Morricone-esque chords unexpectedly synthesised with psychobilin. Finally, ‘Professor Grasstov’ finds the duo loosening up into more playful form still, dragging the good name of this notable academic on a loose, breaks'y trip full of baggy energy (and complete with audible liquid experiments).
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Label:!K7 Records
Cat-No:K7386EP
Release-Date:04.12.2020
Genre:House
Configuration:12" Excl
Barcode:730003738609
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Label:!K7 Records
Cat-No:K7386EP
Release-Date:04.12.2020
Genre:House
Configuration:12" Excl
Barcode:730003738609
1
Red Axes - A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
2
Red Axes - A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
3
Red Axes - B1 Phu Quok (feat. Minh Duong)
4
Red Axes - B2 Hue (feat. Music Acadamy Students)
2020 repress
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
More
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
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Label:Dark Entries
Cat-No:de275
Release-Date:14.05.2020
Genre:Techno
Configuration:LP
Barcode:
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Label:Dark Entries
Cat-No:de275
Release-Date:14.05.2020
Genre:Techno
Configuration:LP
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1
Red Axes - No Title
2
Red Axes - No Title
3
Red Axes - No Title
4
Red Axes - No Title
5
Red Axes - No Title
6
Red Axes - No Title
7
Red Axes - No Title
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Red Axes - No Title
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Red Axes - No Title
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Red Axes - No Title
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Red Axes - No Title
2020 marks the tenth of collaboration for Red Axes, the Tel Aviv-based duo of Dori Sadovnik and Niv Arzi. Informed by post-punk, new wave, and a plethora of club sounds old and new, they have cleaved a singular path with their hefty discography. To celebrate their anniversary, they reunite with Dark Entries for an eponymous 11 track LP brimming with jagged guitars, spacy arpeggios, and hypnotic vocals.
Although Sadovnik and Arzi have previously released LPs on I’m A Cliche and Garzen Records, Red Axes is their first effort written and conceived of as an album-length listening experience. This work flows effortlessly through a variety of stylistic detours, highlighting their ears as both keen listeners and skilled DJs. Opener ‘They Game’ is a grooving number that unifies the psychedelia of cosmic disco with the early 90s ‘baggy’ sound. The energy mounts further with “Shelera”, a guitar-driven acidic banger, and “Sticks and Stones”, a certifiable club hit fueled by sassy vocals courtesy of Adi Bronicki. Launching Side B is “Break the Limit”, an EBM-laced number that wouldn’t sound out of place on a Razormaid compilation. The following tracks wax moodier, with “Brotherhood (Of the Misunderstanding)” touching on darkwave territory. “Udibaby” and “Arpman” close out the album with their respectively dense and sparse takes on kosmische lysergia.
Red Axes was mixed by Steve Dub and mastered by George Horn at Fantasy Studios. The album’s artwork starkly depicts the project’s name in blood-red smear. Also included is a postcard with full credits and album art. It’s rare one finds an album that so casually challenges classification while still being firmly rooted on the dancefloor. More
Although Sadovnik and Arzi have previously released LPs on I’m A Cliche and Garzen Records, Red Axes is their first effort written and conceived of as an album-length listening experience. This work flows effortlessly through a variety of stylistic detours, highlighting their ears as both keen listeners and skilled DJs. Opener ‘They Game’ is a grooving number that unifies the psychedelia of cosmic disco with the early 90s ‘baggy’ sound. The energy mounts further with “Shelera”, a guitar-driven acidic banger, and “Sticks and Stones”, a certifiable club hit fueled by sassy vocals courtesy of Adi Bronicki. Launching Side B is “Break the Limit”, an EBM-laced number that wouldn’t sound out of place on a Razormaid compilation. The following tracks wax moodier, with “Brotherhood (Of the Misunderstanding)” touching on darkwave territory. “Udibaby” and “Arpman” close out the album with their respectively dense and sparse takes on kosmische lysergia.
Red Axes was mixed by Steve Dub and mastered by George Horn at Fantasy Studios. The album’s artwork starkly depicts the project’s name in blood-red smear. Also included is a postcard with full credits and album art. It’s rare one finds an album that so casually challenges classification while still being firmly rooted on the dancefloor. More
Label:Garzen Records
Cat-No:grz006
Release-Date:04.06.2019
Configuration:2LP
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Label:Garzen Records
Cat-No:grz006
Release-Date:04.06.2019
Configuration:2LP
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12" Excl
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Label:Permanent Vacation
Cat-No:permvac143
Release-Date:19.04.2019
Genre:House
Configuration:12" Excl
Barcode:673795714317
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Label:Permanent Vacation
Cat-No:permvac143
Release-Date:19.04.2019
Genre:House
Configuration:12" Excl
Barcode:673795714317
1
red axes - Sun My Sweet Sun
2
red axes - Way To Neptune
3
red axes - Cockroach
2019 REISSUE ORIGINAL ART!!
Red Axes is the project of Tel-Aviv-based producers and DJs Dori Sadovnik and Niv Arzi. They had a meteoric rise over the last 12 months with a string of releases on labels like Multi Culti, Crosstown Rebels, Hivern Disc as well as on their freshly founded own imprint Garzen. As a result they've deservedly become sought after remixers and global DJs. Coming from a band background (as members of new wave / post punk band Red Cotton) Dori and Niv often use live instruments, Oriental influences and techno elements on their recordings thereby blurring the boundaries between songs and tracks. For the "Sun My Sweet Sun" EP - Red Axes first outlet on Permanent Vacation - they've added a tropical facet to their sound, that instantly lets your brain recall happy times. Percussion-filled and sun-drenched club music for long days and long nights.
A Side 01 Sun My Sweet Sun
B Side 01 Way To Neptune, 02 Cockroach
More
Red Axes is the project of Tel-Aviv-based producers and DJs Dori Sadovnik and Niv Arzi. They had a meteoric rise over the last 12 months with a string of releases on labels like Multi Culti, Crosstown Rebels, Hivern Disc as well as on their freshly founded own imprint Garzen. As a result they've deservedly become sought after remixers and global DJs. Coming from a band background (as members of new wave / post punk band Red Cotton) Dori and Niv often use live instruments, Oriental influences and techno elements on their recordings thereby blurring the boundaries between songs and tracks. For the "Sun My Sweet Sun" EP - Red Axes first outlet on Permanent Vacation - they've added a tropical facet to their sound, that instantly lets your brain recall happy times. Percussion-filled and sun-drenched club music for long days and long nights.
A Side 01 Sun My Sweet Sun
B Side 01 Way To Neptune, 02 Cockroach
More
More records from !K7 Records
Label:!K7 Records
Cat-No:K7441LP
Release-Date:12.07.2024
Genre:House
Configuration:2LP
Barcode:4062548086720
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Label:!K7 Records
Cat-No:K7441LP
Release-Date:12.07.2024
Genre:House
Configuration:2LP
Barcode:4062548086720
“Universal.” That is the word that Tristan Hallis proudly states when describing his inaugural entry into DJ-Kicks’ storied lineage. As DJ BORING, the Australian DJ and producer has forged a vibrant and illustrious career that has taken him to all corners of the globe.
LP TRACKLIST
A1 DJ BORING - You Luv Me
A2 Patrick Holland - Fried
A3 Sally C - All Love
B1 Cameo Blush - Art Of Worry
B2 DJ BORING - N15
B3 Sfire - Sfire6
C1 Burnski - Pacific
C2 Leo Pol - I’d Rather Be Getget
D1 Bambounou - Expensive Discogs
House
D2 Matisa - Balet
Listen LP: https://on.soundcloud.com/XJYBH3Cibx4w2piN6 More
LP TRACKLIST
A1 DJ BORING - You Luv Me
A2 Patrick Holland - Fried
A3 Sally C - All Love
B1 Cameo Blush - Art Of Worry
B2 DJ BORING - N15
B3 Sfire - Sfire6
C1 Burnski - Pacific
C2 Leo Pol - I’d Rather Be Getget
D1 Bambounou - Expensive Discogs
House
D2 Matisa - Balet
Listen LP: https://on.soundcloud.com/XJYBH3Cibx4w2piN6 More
Label:!K7 Records
Cat-No:K7441CD
Release-Date:12.07.2024
Genre:House
Configuration:CD
Barcode:4062548087420
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Label:!K7 Records
Cat-No:K7441CD
Release-Date:12.07.2024
Genre:House
Configuration:CD
Barcode:4062548087420
“Universal.” That is the word that Tristan Hallis proudly states when describing his inaugural entry into DJ-Kicks’ storied lineage. As DJ BORING, the Australian DJ and producer has forged a vibrant and illustrious career that has taken him to all corners of the globe.
CD TRACKLIST
01 Anthony Napels - Orb Two
02 Patrick Holland - Fried
03 Surgeons Girl - Sympathetic Cycle
04 Thomas Fehlmann -Schizophrenia
05 Oscar Jerome - Berlin 1
06 Rampa - 79249 Intro
07 Matisa - Balet
08 Sally C - All Love
09 Teqmun - Nettle Dweller (Pariah
Remix)
10 Beste Hira - Pembe Bulutlar
11 Burnski - Pacific
12 Cameo Blush - Art Of Worry
13 DJ BORING - You Luv Me
14 Shanti Celeste - Cutie
15 Hertz - More Funk
16 Bambounou - Expensive Discogs
House
17 Jennifer Loveless - Back 2 Front
(She Just Keeps Going)
18 Regal86- Fuel (Deep Dish Mix)
19 Tim Taylor Vs. Thor 54 - Over The
Hill (Mr G's Hi Nrg Dub)
20 DJ BORING - N15
21 Odymel - Even Sven
22 Leo Pol - I'd Rather Be Getget
23 Ede & Deckert feat. Sargland -
Immer (Narciss 'Venice' Remix)
24 moktar & Saad El Soghayar -
???? H
https://on.soundcloud.com/1eSYshcRcVYcU6Kx9 More
CD TRACKLIST
01 Anthony Napels - Orb Two
02 Patrick Holland - Fried
03 Surgeons Girl - Sympathetic Cycle
04 Thomas Fehlmann -Schizophrenia
05 Oscar Jerome - Berlin 1
06 Rampa - 79249 Intro
07 Matisa - Balet
08 Sally C - All Love
09 Teqmun - Nettle Dweller (Pariah
Remix)
10 Beste Hira - Pembe Bulutlar
11 Burnski - Pacific
12 Cameo Blush - Art Of Worry
13 DJ BORING - You Luv Me
14 Shanti Celeste - Cutie
15 Hertz - More Funk
16 Bambounou - Expensive Discogs
House
17 Jennifer Loveless - Back 2 Front
(She Just Keeps Going)
18 Regal86- Fuel (Deep Dish Mix)
19 Tim Taylor Vs. Thor 54 - Over The
Hill (Mr G's Hi Nrg Dub)
20 DJ BORING - N15
21 Odymel - Even Sven
22 Leo Pol - I'd Rather Be Getget
23 Ede & Deckert feat. Sargland -
Immer (Narciss 'Venice' Remix)
24 moktar & Saad El Soghayar -
???? H
https://on.soundcloud.com/1eSYshcRcVYcU6Kx9 More
Label:!K7 Records
Cat-No:K7444EP
Release-Date:24.05.2024
Genre:Techno
Configuration:12"
Barcode:
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Label:!K7 Records
Cat-No:K7444EP
Release-Date:24.05.2024
Genre:Techno
Configuration:12"
Barcode:
1
Kassian - Yena
2
Kassian - Yami
3
Kassian - Pulguerio Baile
4
Kassian - Sistema Baile
London outfit Kassian continue their broadly- evolving yet highly detailed journey through and beyond sound towards something ever more expansive. Their second release for !K7 Records comes in the wake of creating a dedicated hardware-forward studio in a Northeast London container complex, where they have the freedom to interlink their machines. This renewed focus brought them to Supercontinent EP, named for the ancient geological era when Africa and South America were joined as Pangea.
A reformulation of rhythmic ideas inspired by South= African Amapiano and South American Baile Funk governs the two hemispheres of the record. The pair examine and deconstruct dancefloor material, eschewing 4/4 for interlocking shaker patterns, searing acid lines, cracking breakbeats, and vocal samples in Zulu and Brazil Portuguese.
The immediacy of the restless rhythm and bass-led funk of “Yena” (the word Yena translates to ‘he/him /man’)forms a sweet spot where double-time and half-time can coexist. “Yami” (‘mine’ in Zulu) is a slinkier proposition which sheds prominent percussion in favour of a weighty, fluid, acid-informed bassline undulating from below.
An ascending percussive riff marks the arrival of “Pulgueiro”, followed closely by break beats and the nostalgia of distinctly British acid electro; it is an intentionally future-forward retelling of a vintage sound, replete with a mind-melt breakdown of rave pads.
A dubbed-out groove dominates the bottom-heavy “Sistema” – a groovy, steady roller that chugs and propels and chugs with head-nod hypnotism through an intricately minimalistic approach. More
A reformulation of rhythmic ideas inspired by South= African Amapiano and South American Baile Funk governs the two hemispheres of the record. The pair examine and deconstruct dancefloor material, eschewing 4/4 for interlocking shaker patterns, searing acid lines, cracking breakbeats, and vocal samples in Zulu and Brazil Portuguese.
The immediacy of the restless rhythm and bass-led funk of “Yena” (the word Yena translates to ‘he/him /man’)forms a sweet spot where double-time and half-time can coexist. “Yami” (‘mine’ in Zulu) is a slinkier proposition which sheds prominent percussion in favour of a weighty, fluid, acid-informed bassline undulating from below.
An ascending percussive riff marks the arrival of “Pulgueiro”, followed closely by break beats and the nostalgia of distinctly British acid electro; it is an intentionally future-forward retelling of a vintage sound, replete with a mind-melt breakdown of rave pads.
A dubbed-out groove dominates the bottom-heavy “Sistema” – a groovy, steady roller that chugs and propels and chugs with head-nod hypnotism through an intricately minimalistic approach. More
Label:!K7 Records
Cat-No:K7437EP
Release-Date:15.03.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Label:!K7 Records
Cat-No:K7437EP
Release-Date:15.03.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
SUCHI - Ghungroo
2
SUCHI - Blåmerke
3
SUCHI - Bottlepop
4
SUCHI - Blåmerke (Sam Goku Remix)
Suchi’s bouncy, airy productions are so organically deft that they almost belie the complexity that exists within. Prior to her !K7 debut the Oslo-born, London-bred, Delhiinfluenced DJ and producer found herself in a period of creative stagnation, while attempting to rediscover her own voice through production. After going back to the drawing board again and again she resolved to let go of overthinking, eschew the process, and let experimentation lead the way, revisiting some simmering sketches and work in new ways.
Ghungroo EP is the result of this reset, and rediscovers Suchi’s sense of playfulness through different production styles. It’s pressed on eco-friendly vinyl, PVR free and 100% recycled. “Ghungroo” is a homage to Suchi’s early years, and named for the small metallic bells strung around the ankles of classical Indian dancers. The track is equal parts cosmic, bassy and wavy, with a downwards bassline that plumbs the depths of low frequencies. The memory of early music passions emerges as the same melodic loop undresses and redresses in different guises - between breezy pads, glowing chimes and euphoric bells.
“Bla°merke” means bruise in Suchi’s native Norweigan tongue, and it leads heavily with double-time polyrhythmic drums, ravey rhythms and percussive bubbles popping. Triplets of synth stabs are artfully deployed with reverb and warped, stretched pads, bringing a whimsical twist to a track that is otherwise a tough-edged stomper. “Bottlepop” loosens up the tempo for a funky house framework, foregrounded by a big melodic synth riff. The track’s hookiness is enhanced by its old-school school feel, with distorted whistles and evocative pads. “Bla°merke” is then given a rework by Sam Goku who was chosen for his euphoric, dusty-sounding club tracks that hit hard; in his care the remix provides exactly that, via throbbing, shimmering, deep trippiness More
Ghungroo EP is the result of this reset, and rediscovers Suchi’s sense of playfulness through different production styles. It’s pressed on eco-friendly vinyl, PVR free and 100% recycled. “Ghungroo” is a homage to Suchi’s early years, and named for the small metallic bells strung around the ankles of classical Indian dancers. The track is equal parts cosmic, bassy and wavy, with a downwards bassline that plumbs the depths of low frequencies. The memory of early music passions emerges as the same melodic loop undresses and redresses in different guises - between breezy pads, glowing chimes and euphoric bells.
“Bla°merke” means bruise in Suchi’s native Norweigan tongue, and it leads heavily with double-time polyrhythmic drums, ravey rhythms and percussive bubbles popping. Triplets of synth stabs are artfully deployed with reverb and warped, stretched pads, bringing a whimsical twist to a track that is otherwise a tough-edged stomper. “Bottlepop” loosens up the tempo for a funky house framework, foregrounded by a big melodic synth riff. The track’s hookiness is enhanced by its old-school school feel, with distorted whistles and evocative pads. “Bla°merke” is then given a rework by Sam Goku who was chosen for his euphoric, dusty-sounding club tracks that hit hard; in his care the remix provides exactly that, via throbbing, shimmering, deep trippiness More
Label:!K7 Records
Cat-No:K7046LP
Release-Date:08.03.2024
Genre:Eclectic
Configuration:2LP
Barcode:730003704611
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Label:!K7 Records
Cat-No:K7046LP
Release-Date:08.03.2024
Genre:Eclectic
Configuration:2LP
Barcode:730003704611
Finally back on vinyl again! A double LP that doesn't need an introduction!
More
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Label:!K7 Records
Cat-No:K7240LP3
Release-Date:01.03.2024
Genre:Trip Hop/Headz
Configuration:3LP
Barcode:4062548077612
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Label:!K7 Records
Cat-No:K7240LP3
Release-Date:01.03.2024
Genre:Trip Hop/Headz
Configuration:3LP
Barcode:4062548077612
For the 15th anniversary of this timeless classic, !K7 Records are re-issuing Tosca’s seminal album ‘No Hassle’ in an audiophile 3LP format.
Tracklist:
1.1My First
1.2Elitsa
1.3Springer
1.4Birthday
2.1Oysters In May
2.2Joe Si Ha
2.3Elektra Bregenz
2.4Fondue
3.1Rosa
3.2Raymondo
3.3Mrs. Bongo
3.4No Hassle More
Tracklist:
1.1My First
1.2Elitsa
1.3Springer
1.4Birthday
2.1Oysters In May
2.2Joe Si Ha
2.3Elektra Bregenz
2.4Fondue
3.1Rosa
3.2Raymondo
3.3Mrs. Bongo
3.4No Hassle More
Label:!K7 Records
Cat-No:K7419LP
Release-Date:10.11.2023
Genre:Techno
Configuration:2LP
Barcode:4062548067279
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Label:!K7 Records
Cat-No:K7419LP
Release-Date:10.11.2023
Genre:Techno
Configuration:2LP
Barcode:4062548067279
2LP TRACKLIST
A1 HAAi x Jon Hopkins x KAM-BU - Always Ascending
A2 HAAi - ZiGGY
B1 I. JORDAN - Life on the Wing
B2 Joshua James - We Go Again
B3 DJ PGZ - Quality High
C1 Koreless - Seven (Drumhell)
C2 Cocktail Party Effect - Make It Undone
C3 The Blessed Madonna - Strength
D1 Manni Dee, River Moon - Hot
D2 HAAi - SHiNE
London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We’re Ascending, HAAi has reached what she calls “another career milestone” - an invitation to steer the next edition of !K7 Records’ acclaimed DJ-Kicks series.
HAAi approached this mix with two concurrent goals: to continue to iterate on her artistic theme - which she named ‘always ascending’ - and to highlight her flair for hyperkinesis and drama behind the decks, which she achieves with BPM left-turns, endless upwards tilts and sharp accelerations, liminal transitions and moments of pure euphoria. Within the sweeping journey she More
A1 HAAi x Jon Hopkins x KAM-BU - Always Ascending
A2 HAAi - ZiGGY
B1 I. JORDAN - Life on the Wing
B2 Joshua James - We Go Again
B3 DJ PGZ - Quality High
C1 Koreless - Seven (Drumhell)
C2 Cocktail Party Effect - Make It Undone
C3 The Blessed Madonna - Strength
D1 Manni Dee, River Moon - Hot
D2 HAAi - SHiNE
London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We’re Ascending, HAAi has reached what she calls “another career milestone” - an invitation to steer the next edition of !K7 Records’ acclaimed DJ-Kicks series.
HAAi approached this mix with two concurrent goals: to continue to iterate on her artistic theme - which she named ‘always ascending’ - and to highlight her flair for hyperkinesis and drama behind the decks, which she achieves with BPM left-turns, endless upwards tilts and sharp accelerations, liminal transitions and moments of pure euphoria. Within the sweeping journey she More
Label:!K7 Records
Cat-No:K7419CD
Release-Date:10.11.2023
Genre:Techno
Configuration:CD
Barcode:4062548074536
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Label:!K7 Records
Cat-No:K7419CD
Release-Date:10.11.2023
Genre:Techno
Configuration:CD
Barcode:4062548074536
CD TRACKLIST
01 HAAi - Intro
02 Lähetys/Transmission - Pan Sonic
03 HAAi - Ziggy
04 The Blessed Madonna - Strength
05 Jaco - Show Some Love (Rhythm Invention Remix)
06 Agoria - Boomerang
07 HAAi - SHiNE
08 Manni Dee, River Moon - Hot
09 I. JORDAN - Life on the Wing
10 Perc & Fractal - Up (Perc Remix)
11 Radiotrance - Plasma
12 Tunnidge - Geddeon
13 Surusinghe - Bet
14 Cocktail Party Effect - Make It Undone
15 Koreless - Seven (Drumhell)
16 Christian Smith, John Selway -Total Departure
17 HAAi x Jon Hopkins x KAM-BU - Always Ascending
London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We’re Ascending, HAAi has reached what she calls “another career milestone” - an invitation to steer the next edition of !K7 Records’ acclaimed DJ-Kicks series.
HAAi approached this mix with two concurrent goals: to continue to iterate on her artistic theme - which she named ‘always ascending’ - and to highlight her flair for hyperkinesis and drama behind the decks, which she achieves with BPM left-turns, endless upwards tilts and sharp accelerations, liminal transitions and moments of pure euphoria. Within the sweeping journey she More
01 HAAi - Intro
02 Lähetys/Transmission - Pan Sonic
03 HAAi - Ziggy
04 The Blessed Madonna - Strength
05 Jaco - Show Some Love (Rhythm Invention Remix)
06 Agoria - Boomerang
07 HAAi - SHiNE
08 Manni Dee, River Moon - Hot
09 I. JORDAN - Life on the Wing
10 Perc & Fractal - Up (Perc Remix)
11 Radiotrance - Plasma
12 Tunnidge - Geddeon
13 Surusinghe - Bet
14 Cocktail Party Effect - Make It Undone
15 Koreless - Seven (Drumhell)
16 Christian Smith, John Selway -Total Departure
17 HAAi x Jon Hopkins x KAM-BU - Always Ascending
London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We’re Ascending, HAAi has reached what she calls “another career milestone” - an invitation to steer the next edition of !K7 Records’ acclaimed DJ-Kicks series.
HAAi approached this mix with two concurrent goals: to continue to iterate on her artistic theme - which she named ‘always ascending’ - and to highlight her flair for hyperkinesis and drama behind the decks, which she achieves with BPM left-turns, endless upwards tilts and sharp accelerations, liminal transitions and moments of pure euphoria. Within the sweeping journey she More
Label:!K7 Records
Cat-No:K7433LP
Release-Date:27.10.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:4062548067965
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Label:!K7 Records
Cat-No:K7433LP
Release-Date:27.10.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:4062548067965
For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force – an artistic device which not only informs their work, but anchors it.
As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.
Their most recent album, OSAM, takes this idea of renewal even further. Now they have reworked the source material from their ninth record and selected some of their friends to help make MIRAGE: The OSAM Remixes.
TRACKLISTING 2LP / CD
A1/01 Dementamente (Brendon Moeller Reshape)
A2/02 Clean Up (Balint Dobozi Remix)
A3/03 Clean Up (D'AL SENIO Remix)
B1/04 Shout Sister (Tosca Mirage Ambient Version)
B2/05 Dementamente (Brendon Moeller House Dub)
B3/06 Nobody Cares (Sam Irl Dub)
C1/07 Entrecote (Domenico Ferrari Remix)
C2/08 Osam (Oberst & Buchner Remix)
C3/09 Osam (Tosca Mirage Remix)
D110 Dementamente (Brendon Moeller Campfire Dubu)
D2/11 Make Up (Cay Taylan's Ambient Diary Mix)
Listen: https://listen.k7.com/47723ad2-ab12-458d-84bc-f7a783e6b10b More
As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.
Their most recent album, OSAM, takes this idea of renewal even further. Now they have reworked the source material from their ninth record and selected some of their friends to help make MIRAGE: The OSAM Remixes.
TRACKLISTING 2LP / CD
A1/01 Dementamente (Brendon Moeller Reshape)
A2/02 Clean Up (Balint Dobozi Remix)
A3/03 Clean Up (D'AL SENIO Remix)
B1/04 Shout Sister (Tosca Mirage Ambient Version)
B2/05 Dementamente (Brendon Moeller House Dub)
B3/06 Nobody Cares (Sam Irl Dub)
C1/07 Entrecote (Domenico Ferrari Remix)
C2/08 Osam (Oberst & Buchner Remix)
C3/09 Osam (Tosca Mirage Remix)
D110 Dementamente (Brendon Moeller Campfire Dubu)
D2/11 Make Up (Cay Taylan's Ambient Diary Mix)
Listen: https://listen.k7.com/47723ad2-ab12-458d-84bc-f7a783e6b10b More
Label:!K7 Records
Cat-No:K7433CD
Release-Date:27.10.2023
Genre:Trip Hop/Headz
Configuration:CD
Barcode:4062548067972
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Label:!K7 Records
Cat-No:K7433CD
Release-Date:27.10.2023
Genre:Trip Hop/Headz
Configuration:CD
Barcode:4062548067972
For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force – an artistic device which not only informs their work, but anchors it.
As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.
Their most recent album, OSAM, takes this idea of renewal even further. Now they have reworked the source material from their ninth record and selected some of their friends to help make MIRAGE: The OSAM Remixes.
TRACKLISTING 2LP / CD
A1/01 Dementamente (Brendon Moeller Reshape)
A2/02 Clean Up (Balint Dobozi Remix)
A3/03 Clean Up (D'AL SENIO Remix)
B1/04 Shout Sister (Tosca Mirage Ambient Version)
B2/05 Dementamente (Brendon Moeller House Dub)
B3/06 Nobody Cares (Sam Irl Dub)
C1/07 Entrecote (Domenico Ferrari Remix)
C2/08 Osam (Oberst & Buchner Remix)
C3/09 Osam (Tosca Mirage Remix)
D110 Dementamente (Brendon Moeller Campfire Dubu)
D2/11 Make Up (Cay Taylan's Ambient Diary Mix)
Listen: https://listen.k7.com/47723ad2-ab12-458d-84bc-f7a783e6b10b More
As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.
Their most recent album, OSAM, takes this idea of renewal even further. Now they have reworked the source material from their ninth record and selected some of their friends to help make MIRAGE: The OSAM Remixes.
TRACKLISTING 2LP / CD
A1/01 Dementamente (Brendon Moeller Reshape)
A2/02 Clean Up (Balint Dobozi Remix)
A3/03 Clean Up (D'AL SENIO Remix)
B1/04 Shout Sister (Tosca Mirage Ambient Version)
B2/05 Dementamente (Brendon Moeller House Dub)
B3/06 Nobody Cares (Sam Irl Dub)
C1/07 Entrecote (Domenico Ferrari Remix)
C2/08 Osam (Oberst & Buchner Remix)
C3/09 Osam (Tosca Mirage Remix)
D110 Dementamente (Brendon Moeller Campfire Dubu)
D2/11 Make Up (Cay Taylan's Ambient Diary Mix)
Listen: https://listen.k7.com/47723ad2-ab12-458d-84bc-f7a783e6b10b More
Label:!K7 Records
Cat-No:K7431
Release-Date:15.09.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Label:!K7 Records
Cat-No:K7431
Release-Date:15.09.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Ciel - Scene From A Marriage
2
Ciel - Orlando
3
Ciel - El Califa
4
Ciel - El Califa (Ali Berger Remix)
Toronto-based producer and DJ Ciel is renowned for a style of dancefloor material that’s as heady as it is visceral. The Xi’an-born artist’s ascendant profile has seen her cutting- edge and club-ready EPs released on UK labels Peach Discs and Coastal Haze, as well as Stateside imprints Spectral Sound and Mister Saturday Night.
As a member of the renowned collective Discwoman and the creator of femme-forward party Work in Progress Ciel’s thoughtful narratives are clear, running in parallel to the perception-altering sounds that are consistently woven deeply into her wide-ranging sets, beloved mixes and inventive collaborations. Now the Parallel Minds label co- founder is crystallising her imaginative and omnivorous sound with her !K7 Records debut, ORLANDO.
Written during her emergence from an uncharacteristic bout of writers’ block, the three original tracks of Orlando chart a return to the musical self, spurred along by a cinephile’s embrace of film, a love of classic literature, and a curiosity for the oddest corners of popular culture. “SCENES FROM A MARRIAGE” might share a name with the episodic series, but is rather a nuanced critique of the modern rite of union, moving through structured chapters, and mirroring the un-static nature of longtime love.Inspired by Virginia Woolf’s radical novel, and its superphysical protagonist, “ORLANDO” considers the cult literary figure who lived from the renaissance to the modern age, and embodies both sides of the sex binary. The thrown sounds and aural illusions of “EL CALIFA” create the effect of a beckoning, beguiling psychedelic experience. To complete the EP, Ali Berger, Ciel’s recent collaborator on the Jacktone Records’ release Damn Skippy! repurposes the mind-bending flourishes of “El Califa” into a noodly and spacious deep house production, replete with pillowy, gauzy pads. More
As a member of the renowned collective Discwoman and the creator of femme-forward party Work in Progress Ciel’s thoughtful narratives are clear, running in parallel to the perception-altering sounds that are consistently woven deeply into her wide-ranging sets, beloved mixes and inventive collaborations. Now the Parallel Minds label co- founder is crystallising her imaginative and omnivorous sound with her !K7 Records debut, ORLANDO.
Written during her emergence from an uncharacteristic bout of writers’ block, the three original tracks of Orlando chart a return to the musical self, spurred along by a cinephile’s embrace of film, a love of classic literature, and a curiosity for the oddest corners of popular culture. “SCENES FROM A MARRIAGE” might share a name with the episodic series, but is rather a nuanced critique of the modern rite of union, moving through structured chapters, and mirroring the un-static nature of longtime love.Inspired by Virginia Woolf’s radical novel, and its superphysical protagonist, “ORLANDO” considers the cult literary figure who lived from the renaissance to the modern age, and embodies both sides of the sex binary. The thrown sounds and aural illusions of “EL CALIFA” create the effect of a beckoning, beguiling psychedelic experience. To complete the EP, Ali Berger, Ciel’s recent collaborator on the Jacktone Records’ release Damn Skippy! repurposes the mind-bending flourishes of “El Califa” into a noodly and spacious deep house production, replete with pillowy, gauzy pads. More
Label:!K7 Records
Cat-No:K7430
Release-Date:28.07.2023
Genre:Techno
Configuration:12"
Barcode:
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Configuration:12"
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1
Kassian - X-303
2
Kassian - Tabla
3
Kassian - Prelude
4
Kassian - Patterns
Within the transformations of their meticulous processes, London duo Kassian become a vessel for alchemy: filtering and distilling scores of stems, samples and layers until something richer and more complex than the sum of its parts emerges. Uncomfortable in any solitary genre, and at the midpoint of somewhere unexpected and uncharted, the pair describe their sound as “almost techno.”
Since their debut release in 2018, Kassian have drifted leftwards into heavier, more abstract territory, harnessing their individual skills for working in the small pockets and painting the whole cloth of the canvas. In their first outing for !K7, Phase Two EP, the Roland System 1 synth is the throughline as they painstakingly piece together sketches, turning high hats into kick drums, capturing the resonance of percussion and drift further into each other’s heavy-hitting sonic realms.
“X-303” recontextualises the sci-fi inspiration of its name, forging a new style of interstellar acid. A driving kick drum holds steady through a track which oscillates between contrasts: from eerie, suspenseful pads and distorted string sounds, to a minimalistic groove accented with double-time drums and mechanistic pulses. “Tabla” reduces a distinct latin rhythm down to its essence, and is propelled by a thick and distended bass loop. Its hypnotic groove combines the human and the virtual with a glitching vocal sample and the juddering of strummed guitar strings, highlighted by the percussive hits of its namesake instrument.
The pair characterise “Prelude” as “a Frankenstein kind of monster.” Constructed around a radio sample of a legend of the scene, it is a sleek and incremental gradation of shades, with micro layers from their palette of sounds rising and falling, blending and twisting with no obvious lead or bass. Repurposing the same drums as “X-303”, the EP’s final track “Patterns” was inspired by Kassian’s earliest incarnations of live performances, and it unashamedly captures the peaks of communal moments, rounding out the EP with an epic take on deep and techy house. More
Since their debut release in 2018, Kassian have drifted leftwards into heavier, more abstract territory, harnessing their individual skills for working in the small pockets and painting the whole cloth of the canvas. In their first outing for !K7, Phase Two EP, the Roland System 1 synth is the throughline as they painstakingly piece together sketches, turning high hats into kick drums, capturing the resonance of percussion and drift further into each other’s heavy-hitting sonic realms.
“X-303” recontextualises the sci-fi inspiration of its name, forging a new style of interstellar acid. A driving kick drum holds steady through a track which oscillates between contrasts: from eerie, suspenseful pads and distorted string sounds, to a minimalistic groove accented with double-time drums and mechanistic pulses. “Tabla” reduces a distinct latin rhythm down to its essence, and is propelled by a thick and distended bass loop. Its hypnotic groove combines the human and the virtual with a glitching vocal sample and the juddering of strummed guitar strings, highlighted by the percussive hits of its namesake instrument.
The pair characterise “Prelude” as “a Frankenstein kind of monster.” Constructed around a radio sample of a legend of the scene, it is a sleek and incremental gradation of shades, with micro layers from their palette of sounds rising and falling, blending and twisting with no obvious lead or bass. Repurposing the same drums as “X-303”, the EP’s final track “Patterns” was inspired by Kassian’s earliest incarnations of live performances, and it unashamedly captures the peaks of communal moments, rounding out the EP with an epic take on deep and techy house. More
Label:!K7 Records
Cat-No:K7424LP
Release-Date:28.04.2023
Configuration:2LP
Barcode:4062548059137
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Cat-No:K7424LP
Release-Date:28.04.2023
Configuration:2LP
Barcode:4062548059137
2LP TRACKLIST
A1. East-West - Can’t Face The Night (Club Mix)
A2. Omri Smadar, Roy Shpilman - Adama
B1. Herbert - Keep Time (Nobody)
B2. Dan Curtin - Particle Dawn
C1. Jensen Interceptor - Lean Before The Interview (Ft. Assembler Code)
C2. Elkka - Hands
C3. Hodge, Peder Mannerfelt - All My Love
D1. Elkka, Jeigo - Body
D2. Villager - Monocyclical
D3. Breaka - Living
Info text
Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.
As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. More
A1. East-West - Can’t Face The Night (Club Mix)
A2. Omri Smadar, Roy Shpilman - Adama
B1. Herbert - Keep Time (Nobody)
B2. Dan Curtin - Particle Dawn
C1. Jensen Interceptor - Lean Before The Interview (Ft. Assembler Code)
C2. Elkka - Hands
C3. Hodge, Peder Mannerfelt - All My Love
D1. Elkka, Jeigo - Body
D2. Villager - Monocyclical
D3. Breaka - Living
Info text
Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.
As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. More
Label:!K7 Records
Cat-No:K7424CD
Release-Date:28.04.2023
Configuration:CD
Barcode:4062548062076
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Cat-No:K7424CD
Release-Date:28.04.2023
Configuration:CD
Barcode:4062548062076
CD TRACKLIST
01. Elkka - Attention, Lovers
02. Shake - Music Is The Only Way (I Can Communicate)
03. Paula Tape - Panamericana
04. Dauwd - La Nota
05. East-West - Can’t Face The Night (Club Mix)
06. Omri Smadar, Roy Shpilman - Adama
07. Pelada - No Hay
08. Herbert - Keep Time (Nobody)
09. UK Electro, Gerd Janson - ICA Beats Part 1 (Gerd Janson Edit)
10. Dan Curtin - Particle Dawn
11. Carli - Lights & Strobes
12. Jensen Interceptor - Lean Before The Interview (Ft. Assembler Code)
13. Surusinghe - BAD GIRLS
14. Elkka - Hands
15. Anna Wall - Memories
16. Hodge, Peder Mannerfelt - All My Love
17. Mark Broom - Silenced Part 2
18. Elkka, Jeigo - Body
19. Jeigo - IHaint
20. Villager - Monocyclical
21. Breaka - Living
22. Mark Pritchard - Give It Your Choir ft. Bibio
23. Patty Waters - Why Can’t I Come To You
Info text
Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.
As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. More
01. Elkka - Attention, Lovers
02. Shake - Music Is The Only Way (I Can Communicate)
03. Paula Tape - Panamericana
04. Dauwd - La Nota
05. East-West - Can’t Face The Night (Club Mix)
06. Omri Smadar, Roy Shpilman - Adama
07. Pelada - No Hay
08. Herbert - Keep Time (Nobody)
09. UK Electro, Gerd Janson - ICA Beats Part 1 (Gerd Janson Edit)
10. Dan Curtin - Particle Dawn
11. Carli - Lights & Strobes
12. Jensen Interceptor - Lean Before The Interview (Ft. Assembler Code)
13. Surusinghe - BAD GIRLS
14. Elkka - Hands
15. Anna Wall - Memories
16. Hodge, Peder Mannerfelt - All My Love
17. Mark Broom - Silenced Part 2
18. Elkka, Jeigo - Body
19. Jeigo - IHaint
20. Villager - Monocyclical
21. Breaka - Living
22. Mark Pritchard - Give It Your Choir ft. Bibio
23. Patty Waters - Why Can’t I Come To You
Info text
Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.
As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. More
Label:!K7 Records
Cat-No:K7140LPR
Release-Date:31.03.2023
Configuration:4LP
Barcode:730003714047
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Cat-No:K7140LPR
Release-Date:31.03.2023
Configuration:4LP
Barcode:730003714047
To celebrate the 20 year anniversary of Tosca’s landmark third studio album ‘Dehli 9', we are proud to present a fully remastered edition of this magical Tosca release. Available on 4LP and carefully reworked by Bo Kondren at Calyx Mastering in Berlin, this 2023 master purposely avoids any modern hi-fi tricks and techniques and is committed to the sound of the early 2000’s
4LP embossed gatefold with printed inner sleeves
Tracklist:
A1. Oscar feat. Anna Clementi
A2. Me & Yoko Ono feat. Anna Clementi
B1. Gute Laune feat. Tweed
B2. Mango di Bango
C. Wonderful feat. Earl Zinger
D. Every Day & Every Night feat. Sugar B
E. Rolf Royce feat. Stefan Graf Hadik Wildner
F1. Sperl
F2. La Vendeuse des chaussures des femmes
G. session 1: d- moll
G. session 2: einschlaf
G. session 3: wien in E
G. session 4: schwimmer
G. session 5: 1504 / 7
G. session 6: slow hell
G. session 7: song
H. session 8: romanze in es
H. session 9: fluß
H. session 10: ping
H. session 11: 2504 / 1
H. session 12: piano 1
More
4LP embossed gatefold with printed inner sleeves
Tracklist:
A1. Oscar feat. Anna Clementi
A2. Me & Yoko Ono feat. Anna Clementi
B1. Gute Laune feat. Tweed
B2. Mango di Bango
C. Wonderful feat. Earl Zinger
D. Every Day & Every Night feat. Sugar B
E. Rolf Royce feat. Stefan Graf Hadik Wildner
F1. Sperl
F2. La Vendeuse des chaussures des femmes
G. session 1: d- moll
G. session 2: einschlaf
G. session 3: wien in E
G. session 4: schwimmer
G. session 5: 1504 / 7
G. session 6: slow hell
G. session 7: song
H. session 8: romanze in es
H. session 9: fluß
H. session 10: ping
H. session 11: 2504 / 1
H. session 12: piano 1
More
Label:!K7 Records
Cat-No:K7085LP
Release-Date:18.11.2022
Configuration:2LP
Barcode:730003708510
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Configuration:2LP
Barcode:730003708510
1
Tosca - Suzuki
2
Tosca - Annanas
3
Tosca - Orozco
4
Tosca - Busenfreund
5
Tosca - Honey
6
Tosca - Boss On The Boat
7
Tosca - John Tomes
8
Tosca - The Key
9
Tosca - Doris Dub
REpress!
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub More
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub More
Label:!K7 Records
Cat-No:K7305LP
Release-Date:18.11.2022
Configuration:2LP
Barcode:730003730511
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Cat-No:K7305LP
Release-Date:18.11.2022
Configuration:2LP
Barcode:730003730511
1
Tosca - Zur Guten Ambience
2
Tosca - What If
3
Tosca - Heatwave
4
Tosca - Jayjay
5
Tosca - Soda
6
Tosca - Meixner
7
Tosca - Stuttgart
8
Tosca - In My Brain Prinz Eugen
9
Tosca - Cavallo
10
Tosca - Bonjour
BACK IN STOCK! Tosca is Richard Dorfmeister (of Kruder & Dorfmeister fame) and Rupert Huber, who have been crafting trip-hop and downtempo together for nearly two decades. Odeon, their sixth proper full-length album, should be darker and more subdued than previous material. Dorfmeister explains: "We"ve always had a darker, ambient side, but we really wanted to emphasize that aspect of music with this record. That"s where our hearts are at the moment, just keeping the whole vibe low and understated." The album promises to be an intimate listen as well, due in part to Tosca"s face-to-face work with a "creative inner circle" of guest vocalists.
Tracklist
1.1Zur Guten Ambience
1.2What If
1.3Heatwave
1.4Jayjay
1.5Soda
1.6Meixner
2.1Stuttgart
2.2In My Brain Prinz Eugen
2.3Cavallo
2.4Bonjour More
Tracklist
1.1Zur Guten Ambience
1.2What If
1.3Heatwave
1.4Jayjay
1.5Soda
1.6Meixner
2.1Stuttgart
2.2In My Brain Prinz Eugen
2.3Cavallo
2.4Bonjour More
Label:!K7 Records
Cat-No:K7320LP
Release-Date:18.11.2022
Configuration:2LP
Barcode:730003732010
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Cat-No:K7320LP
Release-Date:18.11.2022
Configuration:2LP
Barcode:730003732010
1
Tosca - Harry Dean
2
Tosca - Outta Here
3
Tosca - Crazy Love
4
Tosca - Have Some Fun
5
Tosca - HDA
6
Tosca - Prysock
7
Tosca - My Sweet Monday
8
Tosca - Swimswimswim
9
Tosca - Schopsca
10
Tosca - Put It Down
11
Tosca - Kickin It Down
12
Tosca - Lone Ranger
13
Tosca - Open Sky
14
Tosca - Happy Hour
REpress!
Trackliste
1.1Harry Dean
1.2Outta Here
1.3Crazy Love
1.4Have Some Fun
1.5H.D.A.
1.6Prysock
1.7My Sweet Monday
2.1Swimswimswim
2.2Schopsca
2.3Put It On
2.4Kickin It Down
2.5Lone Ranger
2.6Open Sky
2.7Happy Hour More
Trackliste
1.1Harry Dean
1.2Outta Here
1.3Crazy Love
1.4Have Some Fun
1.5H.D.A.
1.6Prysock
1.7My Sweet Monday
2.1Swimswimswim
2.2Schopsca
2.3Put It On
2.4Kickin It Down
2.5Lone Ranger
2.6Open Sky
2.7Happy Hour More
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Label:Unheard of Hope
Cat-No:UOH012LPC
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:5061041820410
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Label:Unheard of Hope
Cat-No:UOH012LPC
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:5061041820410
Territory: Germany, Austria, Switzerland only
Single LP Gatefold (terracota vinyl)
Tracklist
1. Kravitz
2. Pantalla azul
3. Elastica II
4. Oidos
5. Quieras o no
6. Enfrente
7. Elastica
8. Márgen del indice
9. Alarmas olvidadas
10. Descubrimos un suspiro
11. Intento fallido
12. Kitana
13. Angel nuevo
A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”
Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.
For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios. This can be heard in three short, intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track, “Angel nuevo”) and a pair of two-minute instrumental interludes, “Elastica” I and II. None are throwaway mood pieces; rather they act as emotional cue cards, and hint at the way Fratti and Tosta created the overall atmosphere of Sentir Que No Sabes.
A strong sense of rhythm irrigates the sound from the jump, as heard on the glorious opening track, “Kravitz.” Here, the brilliant plucked cello line acts as a bassline and props up the steady thump of the kick drum. The cello’s growl serves as a conduit for a set of slightly paranoid lyrics that tell us “Quizás haya oídos en el techo” (“maybe there are ears in the ceiling”), while the song also introduces another staple of the record: the clever brass stabs, whistles, parps, and other interjections that paint a canvas of traffic in a city. It’s a postmodern, widescreen sound that for some might recall The Blue Nile’s Hats.
Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s. “Oídos” (“Ears”) is a beautiful slice of contemporary, hybrid pop, in which Fratti’s vocal lines delicately spin themselves around the lean structures erected by the brass and drums, and the descending “plink” of a set of piano chords. Then we have a gloriously strong ending with the swell of “Angel nuevo” (“New angel”), another cinematic track full of gentle, instrument-rich swells and eddies that manages to be almost endless in its range–and yet intensely personal, as Fratti’s voice is close, almost whispering in your ear. A much needed lullaby for our fractious times.
The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor. Here, she was keen to mention Tosta’s constant encouragement in her finding a path to best sing or phrase her words to impart their maximum effect. “Hector was super inquisitive about my lyrics and asked me questions about what I meant, which sometimes is something you don't wonder so much about in isolation,” Fratti explains. “Besides, he is a great poet, and you can see that in what he did on the Titanic record. This made me go deeper into my lyric writing and definitely transformed it into something that I feel super happy about now.”
Take “Enfrente” (“In Front”), a track that initially comes across as a languid, glossy number, with plucked cello strings standing in for a bass line and brittle synth parts. Soon we catch on to a brilliant minor chord switch, which mirrors the fear and doubt expressed in the lyrics as someone “trembles up to the podium” in a “search for meaning.” There’s also the startling introduction of a vocoder in “Quieras o no” (“Whether you want it or not”); it comes precisely at the point Fratti sings “Quieras o no es un desastre” (“Whether you want it or not, it's a disaster”). Moments like these leave room for interpretation and, over time, create a strong bond between the listener and the record.
In fact, across Sentir Que No Sabes, each phrase–whether instrumental or vocal–becomes at some level emblematic of acts and moods that impart deep emotional significance. We see this best on “Intento fallido” (“Failed attempt”), which could be the score to feeling trapped in self-doubt, only to suddenly be sprung free by the song’s gloriously upbeat ending. On “Márgen del índice” (“Index margin”), the quicksilver switch between initial disharmony and a beautiful melody is breathtaking, all augmented by evocative arrangements, textured production, and the slightly playful, gnomic lyrics. The track’s emotional ecosystem allows another brilliant ending, which uses the simple repeated phrase, “Cómo lo va a ver?” (“How are you going to see it?”).
So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.
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Single LP Gatefold (terracota vinyl)
Tracklist
1. Kravitz
2. Pantalla azul
3. Elastica II
4. Oidos
5. Quieras o no
6. Enfrente
7. Elastica
8. Márgen del indice
9. Alarmas olvidadas
10. Descubrimos un suspiro
11. Intento fallido
12. Kitana
13. Angel nuevo
A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”
Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.
For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios. This can be heard in three short, intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track, “Angel nuevo”) and a pair of two-minute instrumental interludes, “Elastica” I and II. None are throwaway mood pieces; rather they act as emotional cue cards, and hint at the way Fratti and Tosta created the overall atmosphere of Sentir Que No Sabes.
A strong sense of rhythm irrigates the sound from the jump, as heard on the glorious opening track, “Kravitz.” Here, the brilliant plucked cello line acts as a bassline and props up the steady thump of the kick drum. The cello’s growl serves as a conduit for a set of slightly paranoid lyrics that tell us “Quizás haya oídos en el techo” (“maybe there are ears in the ceiling”), while the song also introduces another staple of the record: the clever brass stabs, whistles, parps, and other interjections that paint a canvas of traffic in a city. It’s a postmodern, widescreen sound that for some might recall The Blue Nile’s Hats.
Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s. “Oídos” (“Ears”) is a beautiful slice of contemporary, hybrid pop, in which Fratti’s vocal lines delicately spin themselves around the lean structures erected by the brass and drums, and the descending “plink” of a set of piano chords. Then we have a gloriously strong ending with the swell of “Angel nuevo” (“New angel”), another cinematic track full of gentle, instrument-rich swells and eddies that manages to be almost endless in its range–and yet intensely personal, as Fratti’s voice is close, almost whispering in your ear. A much needed lullaby for our fractious times.
The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor. Here, she was keen to mention Tosta’s constant encouragement in her finding a path to best sing or phrase her words to impart their maximum effect. “Hector was super inquisitive about my lyrics and asked me questions about what I meant, which sometimes is something you don't wonder so much about in isolation,” Fratti explains. “Besides, he is a great poet, and you can see that in what he did on the Titanic record. This made me go deeper into my lyric writing and definitely transformed it into something that I feel super happy about now.”
Take “Enfrente” (“In Front”), a track that initially comes across as a languid, glossy number, with plucked cello strings standing in for a bass line and brittle synth parts. Soon we catch on to a brilliant minor chord switch, which mirrors the fear and doubt expressed in the lyrics as someone “trembles up to the podium” in a “search for meaning.” There’s also the startling introduction of a vocoder in “Quieras o no” (“Whether you want it or not”); it comes precisely at the point Fratti sings “Quieras o no es un desastre” (“Whether you want it or not, it's a disaster”). Moments like these leave room for interpretation and, over time, create a strong bond between the listener and the record.
In fact, across Sentir Que No Sabes, each phrase–whether instrumental or vocal–becomes at some level emblematic of acts and moods that impart deep emotional significance. We see this best on “Intento fallido” (“Failed attempt”), which could be the score to feeling trapped in self-doubt, only to suddenly be sprung free by the song’s gloriously upbeat ending. On “Márgen del índice” (“Index margin”), the quicksilver switch between initial disharmony and a beautiful melody is breathtaking, all augmented by evocative arrangements, textured production, and the slightly playful, gnomic lyrics. The track’s emotional ecosystem allows another brilliant ending, which uses the simple repeated phrase, “Cómo lo va a ver?” (“How are you going to see it?”).
So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.
More
Label:!K7 Records
Cat-No:K7386EP
Release-Date:04.12.2020
Genre:House
Configuration:12" Excl
Barcode:730003738609
in stock
Last in:19.06.2024
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Last in:19.06.2024
Label:!K7 Records
Cat-No:K7386EP
Release-Date:04.12.2020
Genre:House
Configuration:12" Excl
Barcode:730003738609
1
Red Axes - A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
2
Red Axes - A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
3
Red Axes - B1 Phu Quok (feat. Minh Duong)
4
Red Axes - B2 Hue (feat. Music Acadamy Students)
2020 repress
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
More
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
More
LP Excl
pre-sale
Label:Unheard of Hope
Cat-No:UOH012LP
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:5061041820304
pre-sale
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Label:Unheard of Hope
Cat-No:UOH012LP
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:5061041820304
Territory: Germany, Austria, Switzerland only
Single LP Gatefold (black vinyl)
Tracklist
1. Kravitz
2. Pantalla azul
3. Elastica II
4. Oidos
5. Quieras o no
6. Enfrente
7. Elastica
8. Márgen del indice
9. Alarmas olvidadas
10. Descubrimos un suspiro
11. Intento fallido
12. Kitana
13. Angel nuevo
A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”
Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.
For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios. This can be heard in three short, intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track, “Angel nuevo”) and a pair of two-minute instrumental interludes, “Elastica” I and II. None are throwaway mood pieces; rather they act as emotional cue cards, and hint at the way Fratti and Tosta created the overall atmosphere of Sentir Que No Sabes.
A strong sense of rhythm irrigates the sound from the jump, as heard on the glorious opening track, “Kravitz.” Here, the brilliant plucked cello line acts as a bassline and props up the steady thump of the kick drum. The cello’s growl serves as a conduit for a set of slightly paranoid lyrics that tell us “Quizás haya oídos en el techo” (“maybe there are ears in the ceiling”), while the song also introduces another staple of the record: the clever brass stabs, whistles, parps, and other interjections that paint a canvas of traffic in a city. It’s a postmodern, widescreen sound that for some might recall The Blue Nile’s Hats.
Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s. “Oídos” (“Ears”) is a beautiful slice of contemporary, hybrid pop, in which Fratti’s vocal lines delicately spin themselves around the lean structures erected by the brass and drums, and the descending “plink” of a set of piano chords. Then we have a gloriously strong ending with the swell of “Angel nuevo” (“New angel”), another cinematic track full of gentle, instrument-rich swells and eddies that manages to be almost endless in its range–and yet intensely personal, as Fratti’s voice is close, almost whispering in your ear. A much needed lullaby for our fractious times.
The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor. Here, she was keen to mention Tosta’s constant encouragement in her finding a path to best sing or phrase her words to impart their maximum effect. “Hector was super inquisitive about my lyrics and asked me questions about what I meant, which sometimes is something you don't wonder so much about in isolation,” Fratti explains. “Besides, he is a great poet, and you can see that in what he did on the Titanic record. This made me go deeper into my lyric writing and definitely transformed it into something that I feel super happy about now.”
Take “Enfrente” (“In Front”), a track that initially comes across as a languid, glossy number, with plucked cello strings standing in for a bass line and brittle synth parts. Soon we catch on to a brilliant minor chord switch, which mirrors the fear and doubt expressed in the lyrics as someone “trembles up to the podium” in a “search for meaning.” There’s also the startling introduction of a vocoder in “Quieras o no” (“Whether you want it or not”); it comes precisely at the point Fratti sings “Quieras o no es un desastre” (“Whether you want it or not, it's a disaster”). Moments like these leave room for interpretation and, over time, create a strong bond between the listener and the record.
In fact, across Sentir Que No Sabes, each phrase–whether instrumental or vocal–becomes at some level emblematic of acts and moods that impart deep emotional significance. We see this best on “Intento fallido” (“Failed attempt”), which could be the score to feeling trapped in self-doubt, only to suddenly be sprung free by the song’s gloriously upbeat ending. On “Márgen del índice” (“Index margin”), the quicksilver switch between initial disharmony and a beautiful melody is breathtaking, all augmented by evocative arrangements, textured production, and the slightly playful, gnomic lyrics. The track’s emotional ecosystem allows another brilliant ending, which uses the simple repeated phrase, “Cómo lo va a ver?” (“How are you going to see it?”).
So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.
More
Single LP Gatefold (black vinyl)
Tracklist
1. Kravitz
2. Pantalla azul
3. Elastica II
4. Oidos
5. Quieras o no
6. Enfrente
7. Elastica
8. Márgen del indice
9. Alarmas olvidadas
10. Descubrimos un suspiro
11. Intento fallido
12. Kitana
13. Angel nuevo
A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”
Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.
For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios. This can be heard in three short, intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track, “Angel nuevo”) and a pair of two-minute instrumental interludes, “Elastica” I and II. None are throwaway mood pieces; rather they act as emotional cue cards, and hint at the way Fratti and Tosta created the overall atmosphere of Sentir Que No Sabes.
A strong sense of rhythm irrigates the sound from the jump, as heard on the glorious opening track, “Kravitz.” Here, the brilliant plucked cello line acts as a bassline and props up the steady thump of the kick drum. The cello’s growl serves as a conduit for a set of slightly paranoid lyrics that tell us “Quizás haya oídos en el techo” (“maybe there are ears in the ceiling”), while the song also introduces another staple of the record: the clever brass stabs, whistles, parps, and other interjections that paint a canvas of traffic in a city. It’s a postmodern, widescreen sound that for some might recall The Blue Nile’s Hats.
Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s. “Oídos” (“Ears”) is a beautiful slice of contemporary, hybrid pop, in which Fratti’s vocal lines delicately spin themselves around the lean structures erected by the brass and drums, and the descending “plink” of a set of piano chords. Then we have a gloriously strong ending with the swell of “Angel nuevo” (“New angel”), another cinematic track full of gentle, instrument-rich swells and eddies that manages to be almost endless in its range–and yet intensely personal, as Fratti’s voice is close, almost whispering in your ear. A much needed lullaby for our fractious times.
The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor. Here, she was keen to mention Tosta’s constant encouragement in her finding a path to best sing or phrase her words to impart their maximum effect. “Hector was super inquisitive about my lyrics and asked me questions about what I meant, which sometimes is something you don't wonder so much about in isolation,” Fratti explains. “Besides, he is a great poet, and you can see that in what he did on the Titanic record. This made me go deeper into my lyric writing and definitely transformed it into something that I feel super happy about now.”
Take “Enfrente” (“In Front”), a track that initially comes across as a languid, glossy number, with plucked cello strings standing in for a bass line and brittle synth parts. Soon we catch on to a brilliant minor chord switch, which mirrors the fear and doubt expressed in the lyrics as someone “trembles up to the podium” in a “search for meaning.” There’s also the startling introduction of a vocoder in “Quieras o no” (“Whether you want it or not”); it comes precisely at the point Fratti sings “Quieras o no es un desastre” (“Whether you want it or not, it's a disaster”). Moments like these leave room for interpretation and, over time, create a strong bond between the listener and the record.
In fact, across Sentir Que No Sabes, each phrase–whether instrumental or vocal–becomes at some level emblematic of acts and moods that impart deep emotional significance. We see this best on “Intento fallido” (“Failed attempt”), which could be the score to feeling trapped in self-doubt, only to suddenly be sprung free by the song’s gloriously upbeat ending. On “Márgen del índice” (“Index margin”), the quicksilver switch between initial disharmony and a beautiful melody is breathtaking, all augmented by evocative arrangements, textured production, and the slightly playful, gnomic lyrics. The track’s emotional ecosystem allows another brilliant ending, which uses the simple repeated phrase, “Cómo lo va a ver?” (“How are you going to see it?”).
So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.
More
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Label:WRWTFWW
Cat-No:wrwtfww017
Release-Date:12.04.2024
Genre:Soundtracks
Configuration:LP Excl
Barcode:7640153366719
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1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
LP Excl
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Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Nu Jazz
Configuration:LP Excl
Barcode:4251804125499
in stock
Last in:02.04.2024
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in stock
Last in:02.04.2024
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Nu Jazz
Configuration:LP Excl
Barcode:4251804125499
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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Label:imbalance computer music
Cat-No:ML-036CD
Release-Date:06.09.2024
Configuration:CD Excl
Barcode:5051142068910
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Label:imbalance computer music
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Release-Date:06.09.2024
Configuration:CD Excl
Barcode:5051142068910
Digipak, 4C print
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:06.09.2024
Configuration:2LP Excl
Barcode:5051142068927
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:06.09.2024
Configuration:2LP Excl
Barcode:5051142068927
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
Label:Because Music
Cat-No:BEC5543358
Release-Date:16.03.2018
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5060525433580
in stock
Last in:07.11.2023
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in stock
Last in:07.11.2023
Label:Because Music
Cat-No:BEC5543358
Release-Date:16.03.2018
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5060525433580
1
The Jimmy Castor Bunch - - Creation (Epilogue)
2
Ann Peebles - The Handwriting Is On The Wall
3
The Dells vs. The Dramatics - Tune Up
4
Sydney Joe Qualls - How Can You Say Goodbye
5
Jackie Moore - If
6
The Supremes - It's Time To Breakdown
7
Judy Clay - It Ain't Long Enough
8
Barbara & The Browns - In My Heart
9
Willie Mitchell - Mercy Mercy Mercy
10
Joe Tex - I'll Never Do You Wrong
11
The Sweet Inspirations - You Roam When You Don't Get It At Home
12
Bobby Bland - Ain't No Love In The Heart Of The City
13
B.B. King - Chains And Things
14
Rufus Thomas - The Breakdown Part 2
15
Freddie Waters - Groovin' On My Baby's Love
16
David Porter - Hang On Sloopy (Single Version)
17
Dionne Warwick - You're Gonna Need Me
18
Ann Sexton - I'm His Wife (You're Just His Frien
19
The Rimshots - Takin' It
20
The Persuasions - Gypsy Woman
Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433580
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
in stock
Last in:26.03.2024
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in stock
Last in:26.03.2024
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
Rights: World excluding France & UK
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
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DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
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Label:WRWTFWW
Cat-No:wrwtfww019/pf06
Release-Date:17.03.2017
Configuration:LP Excl
Barcode:7640153367198
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Cat-No:wrwtfww019/pf06
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1
Midori Takada - Mr. Henri Rousseau's Dream
2
Midori Takada - Crossing
3
Midori Takada - Trompe-l'œil
4
Midori Takada - Catastrophe ?
- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
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- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
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Label:Modern Obscure Music
Cat-No:MOM051
Release-Date:02.08.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804181990
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Release-Date:02.08.2024
Genre:Jazz
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Barcode:4251804181990
1
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part I
2
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part II
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
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Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
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Label:Kynant Records
Cat-No:KYNX004
Release-Date:10.05.2024
Genre:Dub/Reggae
Configuration:12"
Barcode:
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Last in:01.07.2024
Label:Kynant Records
Cat-No:KYNX004
Release-Date:10.05.2024
Genre:Dub/Reggae
Configuration:12"
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1
Paul St. Hilaire & René Löwe - Faith (Vox Mix) 8:56
2
Paul St. Hilaire & René Löwe - Faith (No Vox Mix) 8:35
Twenty years after its original release, Paul St. Hilaire (AKA Tikiman) & René Löwe’s eternal classic Faith is being reissued for the first time.
Tracklist
A Faith (Vox Mix) 8:56
B Faith (No Vox Mix) 8:35
Richard Akingbehin’s Kynant Records - which recently released the first solo Tikiman album since 2006 - is behind the reissue of Faith, giving new life and the first digital release to one of the most beloved dub techno 12”s of all time.
Written & produced by Paul St. Hilaire & René Löwe.
Mastered by Moritz von Oswald.
Artwork by Grant Gibson.
Originally released by False Tuned (2003). More
Tracklist
A Faith (Vox Mix) 8:56
B Faith (No Vox Mix) 8:35
Richard Akingbehin’s Kynant Records - which recently released the first solo Tikiman album since 2006 - is behind the reissue of Faith, giving new life and the first digital release to one of the most beloved dub techno 12”s of all time.
Written & produced by Paul St. Hilaire & René Löwe.
Mastered by Moritz von Oswald.
Artwork by Grant Gibson.
Originally released by False Tuned (2003). More