Label:Fragile
Cat-No:fragile09
Release-Date:21.08.2020
Configuration:12" Excl
Barcode:4251804122207
backorder
Last in:21.08.2020
+ Show full info- Close
backorder
Last in:21.08.2020
Label:Fragile
Cat-No:fragile09
Release-Date:21.08.2020
Configuration:12" Excl
Barcode:4251804122207
1
Wolfgang Tillmans - A. Life Guarding
2
Wolfgang Tillmans - AA. Growing
'Life Guarding' offers a first glance into an upcoming album by Wolfgang Tillmans. The song finds Tillmans in open waters, lyrically exploring wor(l)ds as they appear like undertows and tie in the listeners by his candid approach to accept whatever the drift throws at him and leaving him exposed at his most vulnerable.
It seems no coincidence that the video Tillmans' shot and directed for the song finds a similar approach to 'liquidity' in visual language. Shifting the lens between micro and macrocosms, collages of body parts, fruit and insects, we find him equally paying attention to the waves of the Atlantic Ocean as well as to the 'same' water in the form of drops, evaporating on a hot kitchen plate.
This current shape of 'Life Guarding', in equal measures upbeat and melancholic, emerged in sessions with Tillmans' long term musical collaborators Tim Knapp and Jay Pluck in early 2019 at Trixx Studios in Berlin, that were further developed and produced by Tim Knapp and Bruno Breitzke.
'Growing' was originally part of Wolfgang Tillmans' sound, light and video installation 'South Tank' at Tate Modern in 2017. This summer finally sees the independent release of this collaboration with the L.A.-based duo Wreck and Reference. The song also features excerpts of Fred Weyrich's lyrics for German singer Alexandra's 1968 hit 'Sehnsucht' (Longing).
'Growing' involved the band placing samples of Tillmans' singing and spoken word over a kick drum-driven techno track made with synthesizers, acoustic drum recordings converted to digital drums, and noisy samples of jangling keys.
'Wreck and Reference' are an experimental music project from California by Felix Skinner and Ignat Frege. Drawing upon the blown-out intensity of black metal and noise rock, they eschew traditional guitar-centric instrumentation to construct songs with digital samples, drums, and voice. To date, the band has released four EPs and four full-length albums, and has contributed to the production of the title track to Tillmans' 2018 EP 'Heute Will Ich Frei Sein'.
Tracklist Vinyl:
A Life Guarding
AA Growing
More
It seems no coincidence that the video Tillmans' shot and directed for the song finds a similar approach to 'liquidity' in visual language. Shifting the lens between micro and macrocosms, collages of body parts, fruit and insects, we find him equally paying attention to the waves of the Atlantic Ocean as well as to the 'same' water in the form of drops, evaporating on a hot kitchen plate.
This current shape of 'Life Guarding', in equal measures upbeat and melancholic, emerged in sessions with Tillmans' long term musical collaborators Tim Knapp and Jay Pluck in early 2019 at Trixx Studios in Berlin, that were further developed and produced by Tim Knapp and Bruno Breitzke.
'Growing' was originally part of Wolfgang Tillmans' sound, light and video installation 'South Tank' at Tate Modern in 2017. This summer finally sees the independent release of this collaboration with the L.A.-based duo Wreck and Reference. The song also features excerpts of Fred Weyrich's lyrics for German singer Alexandra's 1968 hit 'Sehnsucht' (Longing).
'Growing' involved the band placing samples of Tillmans' singing and spoken word over a kick drum-driven techno track made with synthesizers, acoustic drum recordings converted to digital drums, and noisy samples of jangling keys.
'Wreck and Reference' are an experimental music project from California by Felix Skinner and Ignat Frege. Drawing upon the blown-out intensity of black metal and noise rock, they eschew traditional guitar-centric instrumentation to construct songs with digital samples, drums, and voice. To date, the band has released four EPs and four full-length albums, and has contributed to the production of the title track to Tillmans' 2018 EP 'Heute Will Ich Frei Sein'.
Tracklist Vinyl:
A Life Guarding
AA Growing
More
More records from Wolfgang Tillmans
LP Excl
in stock
Label:Fragile
Cat-No:fragile015lp
Release-Date:26.04.2024
Configuration:LP Excl
Barcode:4251804180672
in stock
Last in:07.08.2024
+ Show full info- Close
in stock
Last in:07.08.2024
Label:Fragile
Cat-No:fragile015lp
Release-Date:26.04.2024
Configuration:LP Excl
Barcode:4251804180672
1
Wolfgang Tillmans - 1. Where Does The Tune Hide?
2
Wolfgang Tillmans - 2. Regratitude
3
Wolfgang Tillmans - 3. Cab Ride
4
Wolfgang Tillmans - 4. Primal (Intro)
5
Wolfgang Tillmans - 5. We Are Not Going Back
6
Wolfgang Tillmans - 6. Morning Light
7
Wolfgang Tillmans - 7. ADA403
8
Wolfgang Tillmans - 8. French Lesson
9
Wolfgang Tillmans - 9. Grüne Linien feat. FRAGILE
10
Wolfgang Tillmans - 10. Build From Here
11
Wolfgang Tillmans - 11. Modernist Survival Unit
12
Wolfgang Tillmans - 12. There’s More That Connects Us
13
Wolfgang Tillmans - 13. Not Telling A Friend
14
Wolfgang Tillmans - 14. Language
LP - BioVinyl - Gatefold - Printed Innersleeves
- Second album from Wolfgang Tillmans
- Cover and inner sleeve designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
LP
Side 1
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
Side 2
1. Grüne Linien feat. FRAGILE
2. Build From Here
3. Modernist Survival Unit
4. There’s More That Connects Us
5. Not Telling A Friend
6. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
- Second album from Wolfgang Tillmans
- Cover and inner sleeve designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
LP
Side 1
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
Side 2
1. Grüne Linien feat. FRAGILE
2. Build From Here
3. Modernist Survival Unit
4. There’s More That Connects Us
5. Not Telling A Friend
6. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
CD Excl
in stock
Label:Fragile
Cat-No:fragile015cd
Release-Date:26.04.2024
Configuration:CD Excl
Barcode:4251804180689
in stock
Last in:28.02.2024
+ Show full info- Close
in stock
Last in:28.02.2024
Label:Fragile
Cat-No:fragile015cd
Release-Date:26.04.2024
Configuration:CD Excl
Barcode:4251804180689
1
Wolfgang Tillmans - 1. Where Does The Tune Hide?
2
Wolfgang Tillmans - 3. Cab Ride
3
Wolfgang Tillmans - 5. We Are Not Going Back
CD,16 page Booklet
- Second album from Wolfgang Tillmans
- Artwork designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
CD
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
9. Grüne Linien feat. FRAGILE
10. Build From Here
11. Modernist Survival Unit
12. There’s More That Connects Us
13. Not Telling A Friend
14. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
- Second album from Wolfgang Tillmans
- Artwork designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
CD
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
9. Grüne Linien feat. FRAGILE
10. Build From Here
11. Modernist Survival Unit
12. There’s More That Connects Us
13. Not Telling A Friend
14. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
LP Excl
in stock
Label:Fragile
Cat-No:fragile012lp
Release-Date:17.11.2023
Configuration:LP Excl
Barcode:4251804128407
in stock
Last in:12.10.2023
+ Show full info- Close
in stock
Last in:12.10.2023
Label:Fragile
Cat-No:fragile012lp
Release-Date:17.11.2023
Configuration:LP Excl
Barcode:4251804128407
1
Wolfgang Tillmans - Celloloop / More That Connects Us
2
Wolfgang Tillmans - Rain Gutter
3
Wolfgang Tillmans - Fourth Floor
4
Wolfgang Tillmans - Nairobi Traffic Light
5
Wolfgang Tillmans - Possibility / Kardio Loop (a)
6
Wolfgang Tillmans - Stonerella
7
Wolfgang Tillmans - Don't Kill It By Naming It
8
Wolfgang Tillmans - Insanely Alive
9
Wolfgang Tillmans - El Condor Pasa
10
Wolfgang Tillmans - Kardio Loop (b)
11
Wolfgang Tillmans - Can't Escape into Space
12
Wolfgang Tillmans - Kardio Loop (c)
13
Wolfgang Tillmans - Celloloop / Stronger Than This
14
Wolfgang Tillmans - Im Treppenhaus (a)
15
Wolfgang Tillmans - Late For The Webinar
16
Wolfgang Tillmans - Kardio Loop (d)
17
Wolfgang Tillmans - Kantine
18
Wolfgang Tillmans - Ocean Walk
19
Wolfgang Tillmans - Give Me A Shadow
LP - 2023 Repress Edition in BioVinyl
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
12" Excl
backorder
+ Show full info- Close
backorder
Last in:22.04.2022
Label:Fragile
Cat-No:fragile013
Release-Date:20.05.2022
Genre:House
Configuration:12" Excl
Barcode:4251804129480
GENRE/S:
Techno / House
Electronic
Pop
TRACKLISTS:
Insanely Alive (Pet Shop Boys Maxi Mix)
Insanely Alive (Total Freedom and Sami Baha's Spooky Curse / Special Blessing Mix)
Insanely Alive (Pet Shop Boys Radio Edit)
Insanely Alive (Original)
SHORT INFO:
Fresh from the release of his recent debut album 'Moon in Earthlight', Wolfgang Tillmans drops "Insanely Alive" with remixes by the legendary Pet Shop Boys alongside producer Total Freedom, in a collaboration with Sami Baha. Tillmans, a life-long fan of the Pet Shop Boys, directed the music video for their 2002 single 'Home And Dry', and contributed the cover artwork for the third iteration of their remix series 'Disco 3'. In 2015, Tillmans met Ashland Mines aka Total Freedom for the first time at Mike Q's club night at Escuelita in New York. Earlier that year, Tillmans had researched the DJ and producer's tracks for 'Playback Room', his sound installation focusing on the sounds of American producers. For this remix single, Tillmans invited both the Pet Shop Boys and Total Freedom to put their hands on the catchiest song of his album, resulting in a classic PSB Maxi Mix, an additional radio edit and Total Freedom's pulsating rework of "Insanely Alive".
5. VITAL SALES POINTS:
Pet Shop Boys Remix, Total Freedom Remix
More
Techno / House
Electronic
Pop
TRACKLISTS:
Insanely Alive (Pet Shop Boys Maxi Mix)
Insanely Alive (Total Freedom and Sami Baha's Spooky Curse / Special Blessing Mix)
Insanely Alive (Pet Shop Boys Radio Edit)
Insanely Alive (Original)
SHORT INFO:
Fresh from the release of his recent debut album 'Moon in Earthlight', Wolfgang Tillmans drops "Insanely Alive" with remixes by the legendary Pet Shop Boys alongside producer Total Freedom, in a collaboration with Sami Baha. Tillmans, a life-long fan of the Pet Shop Boys, directed the music video for their 2002 single 'Home And Dry', and contributed the cover artwork for the third iteration of their remix series 'Disco 3'. In 2015, Tillmans met Ashland Mines aka Total Freedom for the first time at Mike Q's club night at Escuelita in New York. Earlier that year, Tillmans had researched the DJ and producer's tracks for 'Playback Room', his sound installation focusing on the sounds of American producers. For this remix single, Tillmans invited both the Pet Shop Boys and Total Freedom to put their hands on the catchiest song of his album, resulting in a classic PSB Maxi Mix, an additional radio edit and Total Freedom's pulsating rework of "Insanely Alive".
5. VITAL SALES POINTS:
Pet Shop Boys Remix, Total Freedom Remix
More
Label:Fragile
Cat-No:fragile012cd
Release-Date:26.11.2021
Configuration:CD Excl
Barcode:4251804128292
in stock
Last in:21.10.2021
+ Show full info- Close
in stock
Last in:21.10.2021
Label:Fragile
Cat-No:fragile012cd
Release-Date:26.11.2021
Configuration:CD Excl
Barcode:4251804128292
1
Wolfgang Tillmans - Celloloop / More That Connects Us
2
Wolfgang Tillmans - Rain Gutter
3
Wolfgang Tillmans - Fourth Floor
4
Wolfgang Tillmans - Nairobi Traffic Light
5
Wolfgang Tillmans - Possibility / Kardio Loop (a)
6
Wolfgang Tillmans - Stonerella
7
Wolfgang Tillmans - Don't Kill It By Naming It
8
Wolfgang Tillmans - Insanely Alive
9
Wolfgang Tillmans - El Condor Pasa
10
Wolfgang Tillmans - Kardio Loop (b)
11
Wolfgang Tillmans - Can't Escape into Space
12
Wolfgang Tillmans - Kardio Loop (c)
13
Wolfgang Tillmans - Celloloop / Stronger Than This
14
Wolfgang Tillmans - Im Treppenhaus (a)
15
Wolfgang Tillmans - Late For The Webinar
16
Wolfgang Tillmans - Kardio Loop (d)
17
Wolfgang Tillmans - Kantine
18
Wolfgang Tillmans - Ocean Walk
19
Wolfgang Tillmans - Give Me A Shadow
CD - Debut album by Wolfgang Tillmans. CD and Vinyl designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
12" Excl
in stock
+ Show full info- Close
in stock
Last in:05.11.2021
Label:Fragile
Cat-No:fragile011
Release-Date:19.11.2021
Genre:House
Configuration:12" Excl
Barcode:4251804127363
12"
First sound collaboration between Wolfgang Tillmans and Honey Dijon
GENRE/S:
Techno / House
Electronic
Pop
3. TRACKLISTS:
12''
Can't Escape into Space (Honey Dijon's Euphoria Mix)
Can't Escape into Space (Original Mix)
4. SHORT INFO:
Both regulars of the club, arts and queer scenes of New York, Berlin and London of the last three decades, it's surprising Wolfgang Tillmans and Honey Dijon only met five years ago. A walk between clubs in Brooklyn resulted in the two having a mutual interest to collaborate. Busy as both are, the wait was long, but well worth it. This week's release of Honey Dijon's Euphoria Mix of 'Can't Escape into Space' sets the tone for what is left of this summer: Our desire to be together, with friends and strangers, close up on dancefloors, festivals and open airs. Honey's and Wolfgang's shared unapologetic spirit comes alive as Dijon transforms Tillmans's original song into an electrifying dance floor banger. As we can already sense a reawakening of our freedom blowing in the air, even if many clubs remain closed, the two musicians' call to come together again is euphoric and inescapable.
The original version of the song was released last winter in the midst of lockdown, accompanied by a video showing an empty nightclub and its mirror balls performing for the camera, filmed in 2017 by Tillmans, in pre-pandemic Fire Island. A new video accompanies Honey Dijon's Euphoria mix with three vignettes of longing and passion.
More
First sound collaboration between Wolfgang Tillmans and Honey Dijon
GENRE/S:
Techno / House
Electronic
Pop
3. TRACKLISTS:
12''
Can't Escape into Space (Honey Dijon's Euphoria Mix)
Can't Escape into Space (Original Mix)
4. SHORT INFO:
Both regulars of the club, arts and queer scenes of New York, Berlin and London of the last three decades, it's surprising Wolfgang Tillmans and Honey Dijon only met five years ago. A walk between clubs in Brooklyn resulted in the two having a mutual interest to collaborate. Busy as both are, the wait was long, but well worth it. This week's release of Honey Dijon's Euphoria Mix of 'Can't Escape into Space' sets the tone for what is left of this summer: Our desire to be together, with friends and strangers, close up on dancefloors, festivals and open airs. Honey's and Wolfgang's shared unapologetic spirit comes alive as Dijon transforms Tillmans's original song into an electrifying dance floor banger. As we can already sense a reawakening of our freedom blowing in the air, even if many clubs remain closed, the two musicians' call to come together again is euphoric and inescapable.
The original version of the song was released last winter in the midst of lockdown, accompanied by a video showing an empty nightclub and its mirror balls performing for the camera, filmed in 2017 by Tillmans, in pre-pandemic Fire Island. A new video accompanies Honey Dijon's Euphoria mix with three vignettes of longing and passion.
More
12" Excl
backorder
Label:Fragile
Cat-No:fragile07
Release-Date:04.05.2018
Configuration:12" Excl
Barcode:4260544824029
backorder
Last in:24.04.2018
+ Show full info- Close
backorder
Last in:24.04.2018
Label:Fragile
Cat-No:fragile07
Release-Date:04.05.2018
Configuration:12" Excl
Barcode:4260544824029
1
Wolfgang Tillmans - Source (Roman Flügel Remix)
2
Wolfgang Tillmans - Source (Original)
Special remarks: 12'' cover and labels designed by Wolfgang Tillmans. Contains a download code including bonus track: Source (Roman Flügel 909 Mix)
Tracklist (12’’):
A Wolfgang Tillmans - Source (Roman Flügel Remix)
B Wolfgang Tillmans - Source (Original)
Info:
'Source', a new release by Wolfgang Tillmans, comes in an original version and two remixes by legendary German producer Roman Flügel.
The sixteen-minute original version is a vocal piece in which Tillmans explores his abilities to generate vocal sounds to tell a story while refraining from using actual words. Meshing six different sequences into one composition, each sequence investigates different moods and emotions meandering between the guttural, sacral, and absurd. Recorded in a studio session in 2017, the piece focuses on the immediacy of vocal improvisation as much as on its post-production and edit.
Tillmans knows that whatever is achieved through spontaneity can as easily be lost, as he recently told Emily Bicks in a feature for 'The Wire': I am, of course, always planning things ahead, and I am managing an archive of 25 years, and communicating in the now with dozens of contacts, but the fortunate thing that I feel I've retained is an ability to get in touch with this moment of being in the here and now, and seeing, or hearing, or allowing words or melodies to pop into my head in such moments.
The A-side and an additional bonus track are both remixes by German producer Roman Flügel. In a ten-minute remix, the multi-faceted producer stays true to the original's spontaneity and develops changing arrangements wherever Tillmans' vocals are creating momentum. Exploring various directions, Flügel's experience allows him to glide effortlessly through the different sequences. The bonus 909 Mix instead takes a tighter direction with claps and high-hats and builds up around Tillmans' staccato laughter before culminating in beautiful house piano chords.
The title may suggest a specific origin, a 'source' that is to be located, but in Tillmans' understanding it is a transient space abundant of undiscovered possibilities.
More
Tracklist (12’’):
A Wolfgang Tillmans - Source (Roman Flügel Remix)
B Wolfgang Tillmans - Source (Original)
Info:
'Source', a new release by Wolfgang Tillmans, comes in an original version and two remixes by legendary German producer Roman Flügel.
The sixteen-minute original version is a vocal piece in which Tillmans explores his abilities to generate vocal sounds to tell a story while refraining from using actual words. Meshing six different sequences into one composition, each sequence investigates different moods and emotions meandering between the guttural, sacral, and absurd. Recorded in a studio session in 2017, the piece focuses on the immediacy of vocal improvisation as much as on its post-production and edit.
Tillmans knows that whatever is achieved through spontaneity can as easily be lost, as he recently told Emily Bicks in a feature for 'The Wire': I am, of course, always planning things ahead, and I am managing an archive of 25 years, and communicating in the now with dozens of contacts, but the fortunate thing that I feel I've retained is an ability to get in touch with this moment of being in the here and now, and seeing, or hearing, or allowing words or melodies to pop into my head in such moments.
The A-side and an additional bonus track are both remixes by German producer Roman Flügel. In a ten-minute remix, the multi-faceted producer stays true to the original's spontaneity and develops changing arrangements wherever Tillmans' vocals are creating momentum. Exploring various directions, Flügel's experience allows him to glide effortlessly through the different sequences. The bonus 909 Mix instead takes a tighter direction with claps and high-hats and builds up around Tillmans' staccato laughter before culminating in beautiful house piano chords.
The title may suggest a specific origin, a 'source' that is to be located, but in Tillmans' understanding it is a transient space abundant of undiscovered possibilities.
More
Label:Fragile
Cat-No:fragile06
Release-Date:02.02.2018
Configuration:12" Excl
Barcode:4260544822469
backorder
Last in:25.01.2018
+ Show full info- Close
backorder
Last in:25.01.2018
Label:Fragile
Cat-No:fragile06
Release-Date:02.02.2018
Configuration:12" Excl
Barcode:4260544822469
Special remarks: The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Tracklist (12’’):
A1 Heute Will Ich Frei Sein (feat. Wreck & Reference)
A2 Completely Changed
AA1 On My Own
AA2 Fast Lane - Whatever/Whatever Remix by Justin Strauss & Bryan Mette
AA3 Tired Car Alarm
Info:
A year after his last 12 inch release Here We Are / That's Desire EP and few months after a CD release Hamburg Süd/Nee IYaow eow eow featuring experimental field recordings and vocal improvisations, Wolfgang Tillmans returns with a new extended play on his own label Fragile.
Heute Will Ich Frei Sein sets an energetic tone for the 5 track EP that leads straight on the dancefloor, a space that Tillmans has observed and discussed from various angles throughout his artistic career. While Los Angeles based experimental noise project Wreck and Reference's beats and 808 staccato claps instantly create a hedonistic dance moment, it is Tillmans' lyrics that contrast the simplicity of this message. Tillmans knows that clubs have always been spaces mirroring constant crisis of 'western' societies towards minorities, race and gender. In the light of current political events, it is the singers' nod that informs us about the precarity and necessity of such spaces as no contradiction.
Completely Changed and On My Own, Tillmans and his long-term collaborators Jay Pluck, Kyle Combs and Tim Knapp return to more song based recordings but with a stronger approach on synthesiser soundscapes. On My Own finds Tillmans again singing simple lines over a staggering pop production that can be read as a comment on nightlife as well as the artist emerging into a more mature stage in life. It is this ambiguity that marks Tillmans' writing and constant striving for variation.
Almost last, the extended play features a remix of Fast Lane, originally released on 2016 / 1986 EP - tracing back to Tillmans' first musical steps with collaborator Bernd Lessmann in 1986. The remix by Bryan Mette and New York club legend Justin Strauss slows the original recording down and embeds the original's nervous teenage angst into a bold genre-crossing dance track, a signature of Mette & Strauss' work. "I live in the fast lane but I have no fear" sings Tillmans 18 year old self, knowing that it might never be fully overcome but can be a force that sparks our audacity to do something, stand up and move ourselves.
Tired Car Alarm B, a Tillmans field recording to be enjoyed pure as a ready made, or to be used as a DJ tool.
Whatever/Whatever is the production duo of Justin Strauss and Bryan Mette. Recent releases include remixes for Goldfrapp, Sparks, Franz Ferdinand and an original track on the "Sisters and Brothers - The Gathering" compilation.
Wreck & Reference are an experimental noise project from California, formed in 2011 by Felix Skinner and Ignat Frege. Drawing upon the blown-out intensity of black metal and noise rock, they eschew traditional guitar-centric instrumentation to construct songs with digital samples, drums, and voice.
To date, the band has released three full-length albums and two EPs. Their first work, an EP titled Black Cassette, showcased distorted fragments and synthesizers in angular, heavy songs, with themes of determinism and Cormac McCarthy-esque isolation. Their debut full length Y?o?u?t?h? (2012) and their sophomore release Want (2014), described by Pitchfork as having "radical vision" and "boundless experimentation," represented dramatic expansions of their sonic palette. In 2016 Wreck and Reference released their third LP, Indifferent Rivers Romance End. Considered by many to be their definitive album, Indifferent Rivers saw Wreck and Reference perfect their song craft and push their noisy, sample-based instrumentation to its limits.
More
Tracklist (12’’):
A1 Heute Will Ich Frei Sein (feat. Wreck & Reference)
A2 Completely Changed
AA1 On My Own
AA2 Fast Lane - Whatever/Whatever Remix by Justin Strauss & Bryan Mette
AA3 Tired Car Alarm
Info:
A year after his last 12 inch release Here We Are / That's Desire EP and few months after a CD release Hamburg Süd/Nee IYaow eow eow featuring experimental field recordings and vocal improvisations, Wolfgang Tillmans returns with a new extended play on his own label Fragile.
Heute Will Ich Frei Sein sets an energetic tone for the 5 track EP that leads straight on the dancefloor, a space that Tillmans has observed and discussed from various angles throughout his artistic career. While Los Angeles based experimental noise project Wreck and Reference's beats and 808 staccato claps instantly create a hedonistic dance moment, it is Tillmans' lyrics that contrast the simplicity of this message. Tillmans knows that clubs have always been spaces mirroring constant crisis of 'western' societies towards minorities, race and gender. In the light of current political events, it is the singers' nod that informs us about the precarity and necessity of such spaces as no contradiction.
Completely Changed and On My Own, Tillmans and his long-term collaborators Jay Pluck, Kyle Combs and Tim Knapp return to more song based recordings but with a stronger approach on synthesiser soundscapes. On My Own finds Tillmans again singing simple lines over a staggering pop production that can be read as a comment on nightlife as well as the artist emerging into a more mature stage in life. It is this ambiguity that marks Tillmans' writing and constant striving for variation.
Almost last, the extended play features a remix of Fast Lane, originally released on 2016 / 1986 EP - tracing back to Tillmans' first musical steps with collaborator Bernd Lessmann in 1986. The remix by Bryan Mette and New York club legend Justin Strauss slows the original recording down and embeds the original's nervous teenage angst into a bold genre-crossing dance track, a signature of Mette & Strauss' work. "I live in the fast lane but I have no fear" sings Tillmans 18 year old self, knowing that it might never be fully overcome but can be a force that sparks our audacity to do something, stand up and move ourselves.
Tired Car Alarm B, a Tillmans field recording to be enjoyed pure as a ready made, or to be used as a DJ tool.
Whatever/Whatever is the production duo of Justin Strauss and Bryan Mette. Recent releases include remixes for Goldfrapp, Sparks, Franz Ferdinand and an original track on the "Sisters and Brothers - The Gathering" compilation.
Wreck & Reference are an experimental noise project from California, formed in 2011 by Felix Skinner and Ignat Frege. Drawing upon the blown-out intensity of black metal and noise rock, they eschew traditional guitar-centric instrumentation to construct songs with digital samples, drums, and voice.
To date, the band has released three full-length albums and two EPs. Their first work, an EP titled Black Cassette, showcased distorted fragments and synthesizers in angular, heavy songs, with themes of determinism and Cormac McCarthy-esque isolation. Their debut full length Y?o?u?t?h? (2012) and their sophomore release Want (2014), described by Pitchfork as having "radical vision" and "boundless experimentation," represented dramatic expansions of their sonic palette. In 2016 Wreck and Reference released their third LP, Indifferent Rivers Romance End. Considered by many to be their definitive album, Indifferent Rivers saw Wreck and Reference perfect their song craft and push their noisy, sample-based instrumentation to its limits.
More
CD Excl
in stock
Label:Fragile
Cat-No:fragile05
Release-Date:17.11.2017
Genre:Electronic
Configuration:CD Excl
Barcode:4260544821547
in stock
Last in:07.11.2017
+ Show full info- Close
in stock
Last in:07.11.2017
Label:Fragile
Cat-No:fragile05
Release-Date:17.11.2017
Genre:Electronic
Configuration:CD Excl
Barcode:4260544821547
CD includes a 35-minute sound installation audio piece, in DVD case, 48-page booklet. Publication is being released as part of the exhibition: Wolfgang Tillmans: There were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003 at Kunstverein in Hamburg from 23 September to 12 November 2017. Recordings, sleeve and booklet by Wolfgang Tillmans.
Tracklist:
Tracklist:
Hamburg Süd / Nee IYaow eow eow
1 Hamburg Süd part 1
2 MMMMM aah
3 Hamburg Süd part 2
4 HaHaHaHa
5 Hamburg Süd part 3
6 Nee IYaow eow eow
7 Hamburg Süd part 4
8 EEEEEEEhh
9 Hamburg Süd part 5
10 Device Control (intro)
11 Hamburg Süd part 6
Further listening:
12 It's Completely Changed
13 Throw A View
14 Mmmmeehh
15 Hihihi hee
16 Soda Stream
17 Overdub (calm to chaos Jul28)
18 Morning Return
19 Make It Up As You Go Along
20 Device Control
Info:
Wolfgang Tillmans has devised a 35-minute sound installation as part of the exhibition. The installation takes the exhibition's inner-city context as its starting point, and operates in conjunction with numerous photographs (from a variety of Tillmans' work phases) and video works to transform the space into a single cinematic whole.
The Kunstverein in Hamburg is now releasing the 35-minute sound work Hamburg Süd / Nee IYaow eow eow as a CD, accompanied by a 48-page booklet that features exhibition views photographed and designed by Wolfgang Tillmans.
Electronic manipulations of Tillmans' own voice, made to sound alternately choral, guttural and absurd, are mixed with a kind of sung evocation of the four directions of the compass - to which the exhibition hall is almost exactly aligned. To provide this counterpart voice, Tillmans invited the Hamburg-born and internationally renowned singer Billie Ray Martin. The alternating singing styles are embedded within long silent pauses, when visitors can hear noise from the two routes of traffic between which the Kunstverein is located: the cluster of platforms at Hamburg's central railway station, and Klosterwall, one of the city's main thoroughfares.
Through the interplay of screeching railway lines, traffic noise, the reverberation of the immediate environment, word play, and voice explorations, Tillmans uses the sound work to react to aspects specific to the exhibition room at the Kunstverein in Hamburg: you can hear the city, but do not see it.
In Further Listening, the second part of the CD, Tillmans presents further experimental solo pieces, collaborations, and two works that were previously released last year (now available for the first time on CD): Make It Up As You Go Along, Tillmans' first release, and Device Control, which first came to public attention in 2016 when a full-length version of the song appeared as a guest contribution on Endless, a visual album by the US R&B musician Frank Ocean.
More
Tracklist:
Tracklist:
Hamburg Süd / Nee IYaow eow eow
1 Hamburg Süd part 1
2 MMMMM aah
3 Hamburg Süd part 2
4 HaHaHaHa
5 Hamburg Süd part 3
6 Nee IYaow eow eow
7 Hamburg Süd part 4
8 EEEEEEEhh
9 Hamburg Süd part 5
10 Device Control (intro)
11 Hamburg Süd part 6
Further listening:
12 It's Completely Changed
13 Throw A View
14 Mmmmeehh
15 Hihihi hee
16 Soda Stream
17 Overdub (calm to chaos Jul28)
18 Morning Return
19 Make It Up As You Go Along
20 Device Control
Info:
Wolfgang Tillmans has devised a 35-minute sound installation as part of the exhibition. The installation takes the exhibition's inner-city context as its starting point, and operates in conjunction with numerous photographs (from a variety of Tillmans' work phases) and video works to transform the space into a single cinematic whole.
The Kunstverein in Hamburg is now releasing the 35-minute sound work Hamburg Süd / Nee IYaow eow eow as a CD, accompanied by a 48-page booklet that features exhibition views photographed and designed by Wolfgang Tillmans.
Electronic manipulations of Tillmans' own voice, made to sound alternately choral, guttural and absurd, are mixed with a kind of sung evocation of the four directions of the compass - to which the exhibition hall is almost exactly aligned. To provide this counterpart voice, Tillmans invited the Hamburg-born and internationally renowned singer Billie Ray Martin. The alternating singing styles are embedded within long silent pauses, when visitors can hear noise from the two routes of traffic between which the Kunstverein is located: the cluster of platforms at Hamburg's central railway station, and Klosterwall, one of the city's main thoroughfares.
Through the interplay of screeching railway lines, traffic noise, the reverberation of the immediate environment, word play, and voice explorations, Tillmans uses the sound work to react to aspects specific to the exhibition room at the Kunstverein in Hamburg: you can hear the city, but do not see it.
In Further Listening, the second part of the CD, Tillmans presents further experimental solo pieces, collaborations, and two works that were previously released last year (now available for the first time on CD): Make It Up As You Go Along, Tillmans' first release, and Device Control, which first came to public attention in 2016 when a full-length version of the song appeared as a guest contribution on Endless, a visual album by the US R&B musician Frank Ocean.
More
12" Excl
backorder
Label:Fragile
Cat-No:fragile03
Release-Date:09.09.2016
Configuration:12" Excl
Barcode:4260038315033
backorder
Last in:09.09.2016
+ Show full info- Close
backorder
Last in:09.09.2016
Label:Fragile
Cat-No:fragile03
Release-Date:09.09.2016
Configuration:12" Excl
Barcode:4260038315033
1
wolfgang tillmans - Device Control
2
wolfgang tillmans - Angered Son (live with Kyle Combs)
3
wolfgang tillmans - Angered Son (with Solo)
4
wolfgang tillmans - Make It Up As You Go Along (Salem remix)
5
wolfgang tillmans - Make It Up As You Go Along (Daniel Wang & JEEP remix)
6
wolfgang tillmans - Make It Up As You Go Along
Special remarks: The record sleeve and inner sleeve were designed by Wolfgang Tillmans. Videos directed by Tillmans will be released for Device Control and Make It Up As You Go Along - Salem Remix.
Tracklist :
A1 Device Control A2 Angered Son (live with Kyle Combs) A2 Angered Son (W solo)
AA1 Make It Up As You Go Along SALEM Remix AA2 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Remix AA3 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Dub
Device Control EP, the second release by Wolfgang Tillmans, is a double Aside
12” and digital release,
featuring two new songs and three remixes of his debut Make It Up As You Go Along. One remix is by
legendary US band, Salem, the other two by Berlinbased
American/French producerDJs,
Daniel Wang
& J.E.E.P.
The title track Device Control opens with a stunning kaleidoscope of synths by Kyle Combs (New York)
leading into the bouncing, hypnotic main body of this 134 bpm dance track, which Tillmans worked on
with Tim Knapp at Trixx Studios Berlin. Additional live drums are by Rosie Slater of New York band, New
Myths. The lyrics are made up of fauxsmartphone
adverts about the supposed possibilities of streaming
one’s life. The song was written and recorded in one take with an iPhone voice recorder followed by
various stages of production in Berlin and New York.
Angered Son borrows a single line lyric from a New York Times article about the perpetrator of the
Orlando shooting: ‘His son had recently been angered by seeing two men kissing’. In two different a
cappella versions, the looped and sampled vocals recall songs in the round style.
The AA side is devoted to three outstanding remixes of this summer’s Make It Up As You Go Along. In
what amounts to something of a music world sensation, Tillmans was able to win Salem’s Jack
Donoghue and John Holland as contributors, it being their first released music in five years. In their
signature style, the 2’45” short track is a strong abstraction of the original, leaving just the basic harmony
in place while creating an intense piece of draw and pull.
‘I feel there is the same kind of magic or draw coming from the bayou and where we were staying in
Montegut, Louisiana, so it's nice to think we maybe tapped into that…’ John Holland
Daniel Wang & J.E.E.P. have created a remix and a dub of Make It Up As You Go Along which will
undoubtedly leave its mark on the house dance floor. They added addictive arpeggiators, turned the
bassline over into a warping warm 303 groove, and slowed down the track to 117 bpm. The fast
arpeggiators meanwhile give an uptempo feel to the groove. In addition to the existing vocals they
sampled Tillmans’ vocal line ‘What we do here is a crime in most countries, but it’s not. There is no
victim. Leave us alone’ from his Triangle / Gong / What track. The line references a number of activities
and pleasures we indulge in, on a good night out.
The EP was recorded and mixed this spring/summer in Berlin, New York, and Louisiana, possibly
capturing a sense of time and place of where we are.
The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Videos directed by Tillmans will be released for Device Control and Make It Up As You Go Along –
Salem Remix.
More
Tracklist :
A1 Device Control A2 Angered Son (live with Kyle Combs) A2 Angered Son (W solo)
AA1 Make It Up As You Go Along SALEM Remix AA2 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Remix AA3 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Dub
Device Control EP, the second release by Wolfgang Tillmans, is a double Aside
12” and digital release,
featuring two new songs and three remixes of his debut Make It Up As You Go Along. One remix is by
legendary US band, Salem, the other two by Berlinbased
American/French producerDJs,
Daniel Wang
& J.E.E.P.
The title track Device Control opens with a stunning kaleidoscope of synths by Kyle Combs (New York)
leading into the bouncing, hypnotic main body of this 134 bpm dance track, which Tillmans worked on
with Tim Knapp at Trixx Studios Berlin. Additional live drums are by Rosie Slater of New York band, New
Myths. The lyrics are made up of fauxsmartphone
adverts about the supposed possibilities of streaming
one’s life. The song was written and recorded in one take with an iPhone voice recorder followed by
various stages of production in Berlin and New York.
Angered Son borrows a single line lyric from a New York Times article about the perpetrator of the
Orlando shooting: ‘His son had recently been angered by seeing two men kissing’. In two different a
cappella versions, the looped and sampled vocals recall songs in the round style.
The AA side is devoted to three outstanding remixes of this summer’s Make It Up As You Go Along. In
what amounts to something of a music world sensation, Tillmans was able to win Salem’s Jack
Donoghue and John Holland as contributors, it being their first released music in five years. In their
signature style, the 2’45” short track is a strong abstraction of the original, leaving just the basic harmony
in place while creating an intense piece of draw and pull.
‘I feel there is the same kind of magic or draw coming from the bayou and where we were staying in
Montegut, Louisiana, so it's nice to think we maybe tapped into that…’ John Holland
Daniel Wang & J.E.E.P. have created a remix and a dub of Make It Up As You Go Along which will
undoubtedly leave its mark on the house dance floor. They added addictive arpeggiators, turned the
bassline over into a warping warm 303 groove, and slowed down the track to 117 bpm. The fast
arpeggiators meanwhile give an uptempo feel to the groove. In addition to the existing vocals they
sampled Tillmans’ vocal line ‘What we do here is a crime in most countries, but it’s not. There is no
victim. Leave us alone’ from his Triangle / Gong / What track. The line references a number of activities
and pleasures we indulge in, on a good night out.
The EP was recorded and mixed this spring/summer in Berlin, New York, and Louisiana, possibly
capturing a sense of time and place of where we are.
The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Videos directed by Tillmans will be released for Device Control and Make It Up As You Go Along –
Salem Remix.
More
Label:Fragile
Cat-No:fragile01
Release-Date:24.06.2016
Configuration:12" Excl
Barcode:4260038313695
backorder
Last in:09.01.2017
+ Show full info- Close
backorder
Last in:09.01.2017
Label:Fragile
Cat-No:fragile01
Release-Date:24.06.2016
Configuration:12" Excl
Barcode:4260038313695
Special remarks: Wolfgang Tillmans designed Cover with Innersleeve
Tracklist
A1 Make It Up As You Go Along A2 Triangle / Gong / What
B1 Fascinating This Time B2 Stranger B3 Time Flows All Over
Shortinfo:
How to introduce the first record by Wolfgang Tillmans? Now considered one of the most significant visual artists working today, his very first passion in life lay with music. This record features on its B-side three songs recorded in 1986 in his home town of Remscheid. The A-side features two pieces recorded in 2015/2016. The 29-year gap in between were marked by Tillmans exploring music, pop and club culture from many different angles.
'Make It Up As You Go Along' is a pulsing dance track based on the recordings of a book printing press in a factory in Stuttgart. Morphed through various production stages, the press's syncopations and his Tillmans' serendipitouspenditous vocals merge into an intoxicating track that could become a summer festival early a.m. favourite. 'Triangle / Gong / What' is an experimental offering made up ofwhich combines the sounds of playing a special alloy triangle, a 999 fine gold gong and a vocal, fused through a particular gain manipulation during the recording process.
The 1986 side features three songs which Tillmans wrote and recorded with collaborator Bert Leßmann. A single channel recording from the rehearsal room was all he had from back in the day. With the help of Tim and Klaus Knapp the recordings were filtered and eq'ed and then supported with precise reconstructions of the original instruments. Out of this production process spanning 30 years a unique time capsule emerged, which portraits a small town teenager with some ambition. 'Time Flows All Over' is a haunting reminiscence of the angst and energy of the mid-1980s, infused with surprising contemporary relevance.
More
Tracklist
A1 Make It Up As You Go Along A2 Triangle / Gong / What
B1 Fascinating This Time B2 Stranger B3 Time Flows All Over
Shortinfo:
How to introduce the first record by Wolfgang Tillmans? Now considered one of the most significant visual artists working today, his very first passion in life lay with music. This record features on its B-side three songs recorded in 1986 in his home town of Remscheid. The A-side features two pieces recorded in 2015/2016. The 29-year gap in between were marked by Tillmans exploring music, pop and club culture from many different angles.
'Make It Up As You Go Along' is a pulsing dance track based on the recordings of a book printing press in a factory in Stuttgart. Morphed through various production stages, the press's syncopations and his Tillmans' serendipitouspenditous vocals merge into an intoxicating track that could become a summer festival early a.m. favourite. 'Triangle / Gong / What' is an experimental offering made up ofwhich combines the sounds of playing a special alloy triangle, a 999 fine gold gong and a vocal, fused through a particular gain manipulation during the recording process.
The 1986 side features three songs which Tillmans wrote and recorded with collaborator Bert Leßmann. A single channel recording from the rehearsal room was all he had from back in the day. With the help of Tim and Klaus Knapp the recordings were filtered and eq'ed and then supported with precise reconstructions of the original instruments. Out of this production process spanning 30 years a unique time capsule emerged, which portraits a small town teenager with some ambition. 'Time Flows All Over' is a haunting reminiscence of the angst and energy of the mid-1980s, infused with surprising contemporary relevance.
More
More records from Fragile
LP Excl
in stock
Label:Fragile
Cat-No:fragile015lp
Release-Date:26.04.2024
Configuration:LP Excl
Barcode:4251804180672
in stock
Last in:07.08.2024
+ Show full info- Close
in stock
Last in:07.08.2024
Label:Fragile
Cat-No:fragile015lp
Release-Date:26.04.2024
Configuration:LP Excl
Barcode:4251804180672
1
Wolfgang Tillmans - 1. Where Does The Tune Hide?
2
Wolfgang Tillmans - 2. Regratitude
3
Wolfgang Tillmans - 3. Cab Ride
4
Wolfgang Tillmans - 4. Primal (Intro)
5
Wolfgang Tillmans - 5. We Are Not Going Back
6
Wolfgang Tillmans - 6. Morning Light
7
Wolfgang Tillmans - 7. ADA403
8
Wolfgang Tillmans - 8. French Lesson
9
Wolfgang Tillmans - 9. Grüne Linien feat. FRAGILE
10
Wolfgang Tillmans - 10. Build From Here
11
Wolfgang Tillmans - 11. Modernist Survival Unit
12
Wolfgang Tillmans - 12. There’s More That Connects Us
13
Wolfgang Tillmans - 13. Not Telling A Friend
14
Wolfgang Tillmans - 14. Language
LP - BioVinyl - Gatefold - Printed Innersleeves
- Second album from Wolfgang Tillmans
- Cover and inner sleeve designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
LP
Side 1
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
Side 2
1. Grüne Linien feat. FRAGILE
2. Build From Here
3. Modernist Survival Unit
4. There’s More That Connects Us
5. Not Telling A Friend
6. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
- Second album from Wolfgang Tillmans
- Cover and inner sleeve designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
LP
Side 1
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
Side 2
1. Grüne Linien feat. FRAGILE
2. Build From Here
3. Modernist Survival Unit
4. There’s More That Connects Us
5. Not Telling A Friend
6. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
CD Excl
in stock
Label:Fragile
Cat-No:fragile015cd
Release-Date:26.04.2024
Configuration:CD Excl
Barcode:4251804180689
in stock
Last in:28.02.2024
+ Show full info- Close
in stock
Last in:28.02.2024
Label:Fragile
Cat-No:fragile015cd
Release-Date:26.04.2024
Configuration:CD Excl
Barcode:4251804180689
1
Wolfgang Tillmans - 1. Where Does The Tune Hide?
2
Wolfgang Tillmans - 3. Cab Ride
3
Wolfgang Tillmans - 5. We Are Not Going Back
CD,16 page Booklet
- Second album from Wolfgang Tillmans
- Artwork designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
CD
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
9. Grüne Linien feat. FRAGILE
10. Build From Here
11. Modernist Survival Unit
12. There’s More That Connects Us
13. Not Telling A Friend
14. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
- Second album from Wolfgang Tillmans
- Artwork designed and photographed by the artist
2. GENRE/S:
Electronica
Pop
Leftfield
3. TRACKLISTS:
CD
1. Where Does The Tune Hide?
2. Regratitude
3. Cab Ride
4. Primal (Intro)
5. We Are Not Going Back
6. Morning Light
7. ADA403
8. French Lesson
9. Grüne Linien feat. FRAGILE
10. Build From Here
11. Modernist Survival Unit
12. There’s More That Connects Us
13. Not Telling A Friend
14. Language
4. SHORT INFO:
Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy
and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in
style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable
beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its
prominence throughout, serving as the album's core. More
LP Excl
in stock
Label:Fragile
Cat-No:fragile012lp
Release-Date:17.11.2023
Configuration:LP Excl
Barcode:4251804128407
in stock
Last in:12.10.2023
+ Show full info- Close
in stock
Last in:12.10.2023
Label:Fragile
Cat-No:fragile012lp
Release-Date:17.11.2023
Configuration:LP Excl
Barcode:4251804128407
1
Wolfgang Tillmans - Celloloop / More That Connects Us
2
Wolfgang Tillmans - Rain Gutter
3
Wolfgang Tillmans - Fourth Floor
4
Wolfgang Tillmans - Nairobi Traffic Light
5
Wolfgang Tillmans - Possibility / Kardio Loop (a)
6
Wolfgang Tillmans - Stonerella
7
Wolfgang Tillmans - Don't Kill It By Naming It
8
Wolfgang Tillmans - Insanely Alive
9
Wolfgang Tillmans - El Condor Pasa
10
Wolfgang Tillmans - Kardio Loop (b)
11
Wolfgang Tillmans - Can't Escape into Space
12
Wolfgang Tillmans - Kardio Loop (c)
13
Wolfgang Tillmans - Celloloop / Stronger Than This
14
Wolfgang Tillmans - Im Treppenhaus (a)
15
Wolfgang Tillmans - Late For The Webinar
16
Wolfgang Tillmans - Kardio Loop (d)
17
Wolfgang Tillmans - Kantine
18
Wolfgang Tillmans - Ocean Walk
19
Wolfgang Tillmans - Give Me A Shadow
LP - 2023 Repress Edition in BioVinyl
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
12" Excl
backorder
+ Show full info- Close
backorder
Last in:22.04.2022
Label:Fragile
Cat-No:fragile013
Release-Date:20.05.2022
Genre:House
Configuration:12" Excl
Barcode:4251804129480
GENRE/S:
Techno / House
Electronic
Pop
TRACKLISTS:
Insanely Alive (Pet Shop Boys Maxi Mix)
Insanely Alive (Total Freedom and Sami Baha's Spooky Curse / Special Blessing Mix)
Insanely Alive (Pet Shop Boys Radio Edit)
Insanely Alive (Original)
SHORT INFO:
Fresh from the release of his recent debut album 'Moon in Earthlight', Wolfgang Tillmans drops "Insanely Alive" with remixes by the legendary Pet Shop Boys alongside producer Total Freedom, in a collaboration with Sami Baha. Tillmans, a life-long fan of the Pet Shop Boys, directed the music video for their 2002 single 'Home And Dry', and contributed the cover artwork for the third iteration of their remix series 'Disco 3'. In 2015, Tillmans met Ashland Mines aka Total Freedom for the first time at Mike Q's club night at Escuelita in New York. Earlier that year, Tillmans had researched the DJ and producer's tracks for 'Playback Room', his sound installation focusing on the sounds of American producers. For this remix single, Tillmans invited both the Pet Shop Boys and Total Freedom to put their hands on the catchiest song of his album, resulting in a classic PSB Maxi Mix, an additional radio edit and Total Freedom's pulsating rework of "Insanely Alive".
5. VITAL SALES POINTS:
Pet Shop Boys Remix, Total Freedom Remix
More
Techno / House
Electronic
Pop
TRACKLISTS:
Insanely Alive (Pet Shop Boys Maxi Mix)
Insanely Alive (Total Freedom and Sami Baha's Spooky Curse / Special Blessing Mix)
Insanely Alive (Pet Shop Boys Radio Edit)
Insanely Alive (Original)
SHORT INFO:
Fresh from the release of his recent debut album 'Moon in Earthlight', Wolfgang Tillmans drops "Insanely Alive" with remixes by the legendary Pet Shop Boys alongside producer Total Freedom, in a collaboration with Sami Baha. Tillmans, a life-long fan of the Pet Shop Boys, directed the music video for their 2002 single 'Home And Dry', and contributed the cover artwork for the third iteration of their remix series 'Disco 3'. In 2015, Tillmans met Ashland Mines aka Total Freedom for the first time at Mike Q's club night at Escuelita in New York. Earlier that year, Tillmans had researched the DJ and producer's tracks for 'Playback Room', his sound installation focusing on the sounds of American producers. For this remix single, Tillmans invited both the Pet Shop Boys and Total Freedom to put their hands on the catchiest song of his album, resulting in a classic PSB Maxi Mix, an additional radio edit and Total Freedom's pulsating rework of "Insanely Alive".
5. VITAL SALES POINTS:
Pet Shop Boys Remix, Total Freedom Remix
More
Label:Fragile
Cat-No:fragile012cd
Release-Date:26.11.2021
Configuration:CD Excl
Barcode:4251804128292
in stock
Last in:21.10.2021
+ Show full info- Close
in stock
Last in:21.10.2021
Label:Fragile
Cat-No:fragile012cd
Release-Date:26.11.2021
Configuration:CD Excl
Barcode:4251804128292
1
Wolfgang Tillmans - Celloloop / More That Connects Us
2
Wolfgang Tillmans - Rain Gutter
3
Wolfgang Tillmans - Fourth Floor
4
Wolfgang Tillmans - Nairobi Traffic Light
5
Wolfgang Tillmans - Possibility / Kardio Loop (a)
6
Wolfgang Tillmans - Stonerella
7
Wolfgang Tillmans - Don't Kill It By Naming It
8
Wolfgang Tillmans - Insanely Alive
9
Wolfgang Tillmans - El Condor Pasa
10
Wolfgang Tillmans - Kardio Loop (b)
11
Wolfgang Tillmans - Can't Escape into Space
12
Wolfgang Tillmans - Kardio Loop (c)
13
Wolfgang Tillmans - Celloloop / Stronger Than This
14
Wolfgang Tillmans - Im Treppenhaus (a)
15
Wolfgang Tillmans - Late For The Webinar
16
Wolfgang Tillmans - Kardio Loop (d)
17
Wolfgang Tillmans - Kantine
18
Wolfgang Tillmans - Ocean Walk
19
Wolfgang Tillmans - Give Me A Shadow
CD - Debut album by Wolfgang Tillmans. CD and Vinyl designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
12" Excl
in stock
+ Show full info- Close
in stock
Last in:05.11.2021
Label:Fragile
Cat-No:fragile011
Release-Date:19.11.2021
Genre:House
Configuration:12" Excl
Barcode:4251804127363
12"
First sound collaboration between Wolfgang Tillmans and Honey Dijon
GENRE/S:
Techno / House
Electronic
Pop
3. TRACKLISTS:
12''
Can't Escape into Space (Honey Dijon's Euphoria Mix)
Can't Escape into Space (Original Mix)
4. SHORT INFO:
Both regulars of the club, arts and queer scenes of New York, Berlin and London of the last three decades, it's surprising Wolfgang Tillmans and Honey Dijon only met five years ago. A walk between clubs in Brooklyn resulted in the two having a mutual interest to collaborate. Busy as both are, the wait was long, but well worth it. This week's release of Honey Dijon's Euphoria Mix of 'Can't Escape into Space' sets the tone for what is left of this summer: Our desire to be together, with friends and strangers, close up on dancefloors, festivals and open airs. Honey's and Wolfgang's shared unapologetic spirit comes alive as Dijon transforms Tillmans's original song into an electrifying dance floor banger. As we can already sense a reawakening of our freedom blowing in the air, even if many clubs remain closed, the two musicians' call to come together again is euphoric and inescapable.
The original version of the song was released last winter in the midst of lockdown, accompanied by a video showing an empty nightclub and its mirror balls performing for the camera, filmed in 2017 by Tillmans, in pre-pandemic Fire Island. A new video accompanies Honey Dijon's Euphoria mix with three vignettes of longing and passion.
More
First sound collaboration between Wolfgang Tillmans and Honey Dijon
GENRE/S:
Techno / House
Electronic
Pop
3. TRACKLISTS:
12''
Can't Escape into Space (Honey Dijon's Euphoria Mix)
Can't Escape into Space (Original Mix)
4. SHORT INFO:
Both regulars of the club, arts and queer scenes of New York, Berlin and London of the last three decades, it's surprising Wolfgang Tillmans and Honey Dijon only met five years ago. A walk between clubs in Brooklyn resulted in the two having a mutual interest to collaborate. Busy as both are, the wait was long, but well worth it. This week's release of Honey Dijon's Euphoria Mix of 'Can't Escape into Space' sets the tone for what is left of this summer: Our desire to be together, with friends and strangers, close up on dancefloors, festivals and open airs. Honey's and Wolfgang's shared unapologetic spirit comes alive as Dijon transforms Tillmans's original song into an electrifying dance floor banger. As we can already sense a reawakening of our freedom blowing in the air, even if many clubs remain closed, the two musicians' call to come together again is euphoric and inescapable.
The original version of the song was released last winter in the midst of lockdown, accompanied by a video showing an empty nightclub and its mirror balls performing for the camera, filmed in 2017 by Tillmans, in pre-pandemic Fire Island. A new video accompanies Honey Dijon's Euphoria mix with three vignettes of longing and passion.
More
12" Excl
backorder
Label:Fragile
Cat-No:fragile07
Release-Date:04.05.2018
Configuration:12" Excl
Barcode:4260544824029
backorder
Last in:24.04.2018
+ Show full info- Close
backorder
Last in:24.04.2018
Label:Fragile
Cat-No:fragile07
Release-Date:04.05.2018
Configuration:12" Excl
Barcode:4260544824029
1
Wolfgang Tillmans - Source (Roman Flügel Remix)
2
Wolfgang Tillmans - Source (Original)
Special remarks: 12'' cover and labels designed by Wolfgang Tillmans. Contains a download code including bonus track: Source (Roman Flügel 909 Mix)
Tracklist (12’’):
A Wolfgang Tillmans - Source (Roman Flügel Remix)
B Wolfgang Tillmans - Source (Original)
Info:
'Source', a new release by Wolfgang Tillmans, comes in an original version and two remixes by legendary German producer Roman Flügel.
The sixteen-minute original version is a vocal piece in which Tillmans explores his abilities to generate vocal sounds to tell a story while refraining from using actual words. Meshing six different sequences into one composition, each sequence investigates different moods and emotions meandering between the guttural, sacral, and absurd. Recorded in a studio session in 2017, the piece focuses on the immediacy of vocal improvisation as much as on its post-production and edit.
Tillmans knows that whatever is achieved through spontaneity can as easily be lost, as he recently told Emily Bicks in a feature for 'The Wire': I am, of course, always planning things ahead, and I am managing an archive of 25 years, and communicating in the now with dozens of contacts, but the fortunate thing that I feel I've retained is an ability to get in touch with this moment of being in the here and now, and seeing, or hearing, or allowing words or melodies to pop into my head in such moments.
The A-side and an additional bonus track are both remixes by German producer Roman Flügel. In a ten-minute remix, the multi-faceted producer stays true to the original's spontaneity and develops changing arrangements wherever Tillmans' vocals are creating momentum. Exploring various directions, Flügel's experience allows him to glide effortlessly through the different sequences. The bonus 909 Mix instead takes a tighter direction with claps and high-hats and builds up around Tillmans' staccato laughter before culminating in beautiful house piano chords.
The title may suggest a specific origin, a 'source' that is to be located, but in Tillmans' understanding it is a transient space abundant of undiscovered possibilities.
More
Tracklist (12’’):
A Wolfgang Tillmans - Source (Roman Flügel Remix)
B Wolfgang Tillmans - Source (Original)
Info:
'Source', a new release by Wolfgang Tillmans, comes in an original version and two remixes by legendary German producer Roman Flügel.
The sixteen-minute original version is a vocal piece in which Tillmans explores his abilities to generate vocal sounds to tell a story while refraining from using actual words. Meshing six different sequences into one composition, each sequence investigates different moods and emotions meandering between the guttural, sacral, and absurd. Recorded in a studio session in 2017, the piece focuses on the immediacy of vocal improvisation as much as on its post-production and edit.
Tillmans knows that whatever is achieved through spontaneity can as easily be lost, as he recently told Emily Bicks in a feature for 'The Wire': I am, of course, always planning things ahead, and I am managing an archive of 25 years, and communicating in the now with dozens of contacts, but the fortunate thing that I feel I've retained is an ability to get in touch with this moment of being in the here and now, and seeing, or hearing, or allowing words or melodies to pop into my head in such moments.
The A-side and an additional bonus track are both remixes by German producer Roman Flügel. In a ten-minute remix, the multi-faceted producer stays true to the original's spontaneity and develops changing arrangements wherever Tillmans' vocals are creating momentum. Exploring various directions, Flügel's experience allows him to glide effortlessly through the different sequences. The bonus 909 Mix instead takes a tighter direction with claps and high-hats and builds up around Tillmans' staccato laughter before culminating in beautiful house piano chords.
The title may suggest a specific origin, a 'source' that is to be located, but in Tillmans' understanding it is a transient space abundant of undiscovered possibilities.
More
Label:Fragile
Cat-No:fragile06
Release-Date:02.02.2018
Configuration:12" Excl
Barcode:4260544822469
backorder
Last in:25.01.2018
+ Show full info- Close
backorder
Last in:25.01.2018
Label:Fragile
Cat-No:fragile06
Release-Date:02.02.2018
Configuration:12" Excl
Barcode:4260544822469
Special remarks: The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Tracklist (12’’):
A1 Heute Will Ich Frei Sein (feat. Wreck & Reference)
A2 Completely Changed
AA1 On My Own
AA2 Fast Lane - Whatever/Whatever Remix by Justin Strauss & Bryan Mette
AA3 Tired Car Alarm
Info:
A year after his last 12 inch release Here We Are / That's Desire EP and few months after a CD release Hamburg Süd/Nee IYaow eow eow featuring experimental field recordings and vocal improvisations, Wolfgang Tillmans returns with a new extended play on his own label Fragile.
Heute Will Ich Frei Sein sets an energetic tone for the 5 track EP that leads straight on the dancefloor, a space that Tillmans has observed and discussed from various angles throughout his artistic career. While Los Angeles based experimental noise project Wreck and Reference's beats and 808 staccato claps instantly create a hedonistic dance moment, it is Tillmans' lyrics that contrast the simplicity of this message. Tillmans knows that clubs have always been spaces mirroring constant crisis of 'western' societies towards minorities, race and gender. In the light of current political events, it is the singers' nod that informs us about the precarity and necessity of such spaces as no contradiction.
Completely Changed and On My Own, Tillmans and his long-term collaborators Jay Pluck, Kyle Combs and Tim Knapp return to more song based recordings but with a stronger approach on synthesiser soundscapes. On My Own finds Tillmans again singing simple lines over a staggering pop production that can be read as a comment on nightlife as well as the artist emerging into a more mature stage in life. It is this ambiguity that marks Tillmans' writing and constant striving for variation.
Almost last, the extended play features a remix of Fast Lane, originally released on 2016 / 1986 EP - tracing back to Tillmans' first musical steps with collaborator Bernd Lessmann in 1986. The remix by Bryan Mette and New York club legend Justin Strauss slows the original recording down and embeds the original's nervous teenage angst into a bold genre-crossing dance track, a signature of Mette & Strauss' work. "I live in the fast lane but I have no fear" sings Tillmans 18 year old self, knowing that it might never be fully overcome but can be a force that sparks our audacity to do something, stand up and move ourselves.
Tired Car Alarm B, a Tillmans field recording to be enjoyed pure as a ready made, or to be used as a DJ tool.
Whatever/Whatever is the production duo of Justin Strauss and Bryan Mette. Recent releases include remixes for Goldfrapp, Sparks, Franz Ferdinand and an original track on the "Sisters and Brothers - The Gathering" compilation.
Wreck & Reference are an experimental noise project from California, formed in 2011 by Felix Skinner and Ignat Frege. Drawing upon the blown-out intensity of black metal and noise rock, they eschew traditional guitar-centric instrumentation to construct songs with digital samples, drums, and voice.
To date, the band has released three full-length albums and two EPs. Their first work, an EP titled Black Cassette, showcased distorted fragments and synthesizers in angular, heavy songs, with themes of determinism and Cormac McCarthy-esque isolation. Their debut full length Y?o?u?t?h? (2012) and their sophomore release Want (2014), described by Pitchfork as having "radical vision" and "boundless experimentation," represented dramatic expansions of their sonic palette. In 2016 Wreck and Reference released their third LP, Indifferent Rivers Romance End. Considered by many to be their definitive album, Indifferent Rivers saw Wreck and Reference perfect their song craft and push their noisy, sample-based instrumentation to its limits.
More
Tracklist (12’’):
A1 Heute Will Ich Frei Sein (feat. Wreck & Reference)
A2 Completely Changed
AA1 On My Own
AA2 Fast Lane - Whatever/Whatever Remix by Justin Strauss & Bryan Mette
AA3 Tired Car Alarm
Info:
A year after his last 12 inch release Here We Are / That's Desire EP and few months after a CD release Hamburg Süd/Nee IYaow eow eow featuring experimental field recordings and vocal improvisations, Wolfgang Tillmans returns with a new extended play on his own label Fragile.
Heute Will Ich Frei Sein sets an energetic tone for the 5 track EP that leads straight on the dancefloor, a space that Tillmans has observed and discussed from various angles throughout his artistic career. While Los Angeles based experimental noise project Wreck and Reference's beats and 808 staccato claps instantly create a hedonistic dance moment, it is Tillmans' lyrics that contrast the simplicity of this message. Tillmans knows that clubs have always been spaces mirroring constant crisis of 'western' societies towards minorities, race and gender. In the light of current political events, it is the singers' nod that informs us about the precarity and necessity of such spaces as no contradiction.
Completely Changed and On My Own, Tillmans and his long-term collaborators Jay Pluck, Kyle Combs and Tim Knapp return to more song based recordings but with a stronger approach on synthesiser soundscapes. On My Own finds Tillmans again singing simple lines over a staggering pop production that can be read as a comment on nightlife as well as the artist emerging into a more mature stage in life. It is this ambiguity that marks Tillmans' writing and constant striving for variation.
Almost last, the extended play features a remix of Fast Lane, originally released on 2016 / 1986 EP - tracing back to Tillmans' first musical steps with collaborator Bernd Lessmann in 1986. The remix by Bryan Mette and New York club legend Justin Strauss slows the original recording down and embeds the original's nervous teenage angst into a bold genre-crossing dance track, a signature of Mette & Strauss' work. "I live in the fast lane but I have no fear" sings Tillmans 18 year old self, knowing that it might never be fully overcome but can be a force that sparks our audacity to do something, stand up and move ourselves.
Tired Car Alarm B, a Tillmans field recording to be enjoyed pure as a ready made, or to be used as a DJ tool.
Whatever/Whatever is the production duo of Justin Strauss and Bryan Mette. Recent releases include remixes for Goldfrapp, Sparks, Franz Ferdinand and an original track on the "Sisters and Brothers - The Gathering" compilation.
Wreck & Reference are an experimental noise project from California, formed in 2011 by Felix Skinner and Ignat Frege. Drawing upon the blown-out intensity of black metal and noise rock, they eschew traditional guitar-centric instrumentation to construct songs with digital samples, drums, and voice.
To date, the band has released three full-length albums and two EPs. Their first work, an EP titled Black Cassette, showcased distorted fragments and synthesizers in angular, heavy songs, with themes of determinism and Cormac McCarthy-esque isolation. Their debut full length Y?o?u?t?h? (2012) and their sophomore release Want (2014), described by Pitchfork as having "radical vision" and "boundless experimentation," represented dramatic expansions of their sonic palette. In 2016 Wreck and Reference released their third LP, Indifferent Rivers Romance End. Considered by many to be their definitive album, Indifferent Rivers saw Wreck and Reference perfect their song craft and push their noisy, sample-based instrumentation to its limits.
More
CD Excl
in stock
Label:Fragile
Cat-No:fragile05
Release-Date:17.11.2017
Genre:Electronic
Configuration:CD Excl
Barcode:4260544821547
in stock
Last in:07.11.2017
+ Show full info- Close
in stock
Last in:07.11.2017
Label:Fragile
Cat-No:fragile05
Release-Date:17.11.2017
Genre:Electronic
Configuration:CD Excl
Barcode:4260544821547
CD includes a 35-minute sound installation audio piece, in DVD case, 48-page booklet. Publication is being released as part of the exhibition: Wolfgang Tillmans: There were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003 at Kunstverein in Hamburg from 23 September to 12 November 2017. Recordings, sleeve and booklet by Wolfgang Tillmans.
Tracklist:
Tracklist:
Hamburg Süd / Nee IYaow eow eow
1 Hamburg Süd part 1
2 MMMMM aah
3 Hamburg Süd part 2
4 HaHaHaHa
5 Hamburg Süd part 3
6 Nee IYaow eow eow
7 Hamburg Süd part 4
8 EEEEEEEhh
9 Hamburg Süd part 5
10 Device Control (intro)
11 Hamburg Süd part 6
Further listening:
12 It's Completely Changed
13 Throw A View
14 Mmmmeehh
15 Hihihi hee
16 Soda Stream
17 Overdub (calm to chaos Jul28)
18 Morning Return
19 Make It Up As You Go Along
20 Device Control
Info:
Wolfgang Tillmans has devised a 35-minute sound installation as part of the exhibition. The installation takes the exhibition's inner-city context as its starting point, and operates in conjunction with numerous photographs (from a variety of Tillmans' work phases) and video works to transform the space into a single cinematic whole.
The Kunstverein in Hamburg is now releasing the 35-minute sound work Hamburg Süd / Nee IYaow eow eow as a CD, accompanied by a 48-page booklet that features exhibition views photographed and designed by Wolfgang Tillmans.
Electronic manipulations of Tillmans' own voice, made to sound alternately choral, guttural and absurd, are mixed with a kind of sung evocation of the four directions of the compass - to which the exhibition hall is almost exactly aligned. To provide this counterpart voice, Tillmans invited the Hamburg-born and internationally renowned singer Billie Ray Martin. The alternating singing styles are embedded within long silent pauses, when visitors can hear noise from the two routes of traffic between which the Kunstverein is located: the cluster of platforms at Hamburg's central railway station, and Klosterwall, one of the city's main thoroughfares.
Through the interplay of screeching railway lines, traffic noise, the reverberation of the immediate environment, word play, and voice explorations, Tillmans uses the sound work to react to aspects specific to the exhibition room at the Kunstverein in Hamburg: you can hear the city, but do not see it.
In Further Listening, the second part of the CD, Tillmans presents further experimental solo pieces, collaborations, and two works that were previously released last year (now available for the first time on CD): Make It Up As You Go Along, Tillmans' first release, and Device Control, which first came to public attention in 2016 when a full-length version of the song appeared as a guest contribution on Endless, a visual album by the US R&B musician Frank Ocean.
More
Tracklist:
Tracklist:
Hamburg Süd / Nee IYaow eow eow
1 Hamburg Süd part 1
2 MMMMM aah
3 Hamburg Süd part 2
4 HaHaHaHa
5 Hamburg Süd part 3
6 Nee IYaow eow eow
7 Hamburg Süd part 4
8 EEEEEEEhh
9 Hamburg Süd part 5
10 Device Control (intro)
11 Hamburg Süd part 6
Further listening:
12 It's Completely Changed
13 Throw A View
14 Mmmmeehh
15 Hihihi hee
16 Soda Stream
17 Overdub (calm to chaos Jul28)
18 Morning Return
19 Make It Up As You Go Along
20 Device Control
Info:
Wolfgang Tillmans has devised a 35-minute sound installation as part of the exhibition. The installation takes the exhibition's inner-city context as its starting point, and operates in conjunction with numerous photographs (from a variety of Tillmans' work phases) and video works to transform the space into a single cinematic whole.
The Kunstverein in Hamburg is now releasing the 35-minute sound work Hamburg Süd / Nee IYaow eow eow as a CD, accompanied by a 48-page booklet that features exhibition views photographed and designed by Wolfgang Tillmans.
Electronic manipulations of Tillmans' own voice, made to sound alternately choral, guttural and absurd, are mixed with a kind of sung evocation of the four directions of the compass - to which the exhibition hall is almost exactly aligned. To provide this counterpart voice, Tillmans invited the Hamburg-born and internationally renowned singer Billie Ray Martin. The alternating singing styles are embedded within long silent pauses, when visitors can hear noise from the two routes of traffic between which the Kunstverein is located: the cluster of platforms at Hamburg's central railway station, and Klosterwall, one of the city's main thoroughfares.
Through the interplay of screeching railway lines, traffic noise, the reverberation of the immediate environment, word play, and voice explorations, Tillmans uses the sound work to react to aspects specific to the exhibition room at the Kunstverein in Hamburg: you can hear the city, but do not see it.
In Further Listening, the second part of the CD, Tillmans presents further experimental solo pieces, collaborations, and two works that were previously released last year (now available for the first time on CD): Make It Up As You Go Along, Tillmans' first release, and Device Control, which first came to public attention in 2016 when a full-length version of the song appeared as a guest contribution on Endless, a visual album by the US R&B musician Frank Ocean.
More
Label:Fragile
Cat-No:fragile04
Release-Date:09.12.2016
Configuration:12" Excl
Barcode:4260038316177
backorder
Last in:30.11.2016
+ Show full info- Close
backorder
Last in:30.11.2016
Label:Fragile
Cat-No:fragile04
Release-Date:09.12.2016
Configuration:12" Excl
Barcode:4260038316177
1
fragile - That’s Desire (feat. Ash B.)
2
fragile - Here we are
3
fragile - Fast lane
4
fragile - Anderes Osterlied
5
fragile - Naive me
6
fragile - Warm Star
Special remarks: The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Tracklist (12’’):
A1 That’s Desire (feat. Ash B.) A2 Fast Lane (1986 recording) A3 Anderes Osterlied AA1 Here We Are AA2 Naive Me AA3 Warm Star (Porto / Bogotá Edit)
Info:
That's Desire/Here We Are EP is a 12'' vinyl and digital release by Fragile, Wolfgang Tillmans' evolving band project that spans from early recordings in 1986 with Bert Leßmann to a full band ensemble made up of a group of musicians in New York in 2016.
The double A-side EP opens with That’s Desire, a collaboration with the New York rapper Ash B. The song evokes associations with DFA, DAF and a queer Talking Heads. In a spontaneous action Ash B. takes over the mic and raps over Tillmans' heartfelt lyrics, originally written in 1985, combined with a funky bass line by Thomas Roach. The experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in one’s own desire. While Tillmans and Ash B. have their own individual take on their desires, the song’s arrangement and energy unifies them. Fast Lane, recorded in 1986 with Leßmann, captures the young alias of Tillmans – struggling with recurring issues of his time and apprehension of teenage growing pains in a punky attitude. In Anderes Osterlied, Fragile recreates a Protestant church song from the 1970s. Here We Are is a melancholic pop song about moments of stillness and drifting – moments to allow observance of everything around and finding diversion in simple things. More specifically, Naive Me directly reflects on the aftermath of Britain’s EU Referendum - contemplating personal illusion, the failures of ideology, and the hope for a better future. Warm Star, the last song of the EP, is a new wave inspired rock song that Tillmans initially created in collaboration with Juan Pablo Echeverri in Porto in 2016. In the tradition of German New Wave (NDW) songs, lyrically switching between German and English, the song closes the EP with an existential meditation of loss and love. The diverse tracks of the EP reveal that Fragile is a musical process, relating to ideas of the past and our interactions with the future, to explore the current state we’re in.
Fragile is a Wolfgang Tillmans band project in varying constellations including:
1985/86: Bert Leßmann
2016 Porto: Juan Pablo Echeverri, Jorge Costa, Ricardo Martins, Edys Da Silva, Nuno Pereira
2016 New York: Juan Pablo Echeverri, Kyle Combs, Jay Pluck, Tom Roach, Daniel Pearce, Tim Knapp, Ted McGrath
More
Tracklist (12’’):
A1 That’s Desire (feat. Ash B.) A2 Fast Lane (1986 recording) A3 Anderes Osterlied AA1 Here We Are AA2 Naive Me AA3 Warm Star (Porto / Bogotá Edit)
Info:
That's Desire/Here We Are EP is a 12'' vinyl and digital release by Fragile, Wolfgang Tillmans' evolving band project that spans from early recordings in 1986 with Bert Leßmann to a full band ensemble made up of a group of musicians in New York in 2016.
The double A-side EP opens with That’s Desire, a collaboration with the New York rapper Ash B. The song evokes associations with DFA, DAF and a queer Talking Heads. In a spontaneous action Ash B. takes over the mic and raps over Tillmans' heartfelt lyrics, originally written in 1985, combined with a funky bass line by Thomas Roach. The experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in one’s own desire. While Tillmans and Ash B. have their own individual take on their desires, the song’s arrangement and energy unifies them. Fast Lane, recorded in 1986 with Leßmann, captures the young alias of Tillmans – struggling with recurring issues of his time and apprehension of teenage growing pains in a punky attitude. In Anderes Osterlied, Fragile recreates a Protestant church song from the 1970s. Here We Are is a melancholic pop song about moments of stillness and drifting – moments to allow observance of everything around and finding diversion in simple things. More specifically, Naive Me directly reflects on the aftermath of Britain’s EU Referendum - contemplating personal illusion, the failures of ideology, and the hope for a better future. Warm Star, the last song of the EP, is a new wave inspired rock song that Tillmans initially created in collaboration with Juan Pablo Echeverri in Porto in 2016. In the tradition of German New Wave (NDW) songs, lyrically switching between German and English, the song closes the EP with an existential meditation of loss and love. The diverse tracks of the EP reveal that Fragile is a musical process, relating to ideas of the past and our interactions with the future, to explore the current state we’re in.
Fragile is a Wolfgang Tillmans band project in varying constellations including:
1985/86: Bert Leßmann
2016 Porto: Juan Pablo Echeverri, Jorge Costa, Ricardo Martins, Edys Da Silva, Nuno Pereira
2016 New York: Juan Pablo Echeverri, Kyle Combs, Jay Pluck, Tom Roach, Daniel Pearce, Tim Knapp, Ted McGrath
More
12" Excl
backorder
Label:Fragile
Cat-No:fragile03
Release-Date:09.09.2016
Configuration:12" Excl
Barcode:4260038315033
backorder
Last in:09.09.2016
+ Show full info- Close
backorder
Last in:09.09.2016
Label:Fragile
Cat-No:fragile03
Release-Date:09.09.2016
Configuration:12" Excl
Barcode:4260038315033
1
wolfgang tillmans - Device Control
2
wolfgang tillmans - Angered Son (live with Kyle Combs)
3
wolfgang tillmans - Angered Son (with Solo)
4
wolfgang tillmans - Make It Up As You Go Along (Salem remix)
5
wolfgang tillmans - Make It Up As You Go Along (Daniel Wang & JEEP remix)
6
wolfgang tillmans - Make It Up As You Go Along
Special remarks: The record sleeve and inner sleeve were designed by Wolfgang Tillmans. Videos directed by Tillmans will be released for Device Control and Make It Up As You Go Along - Salem Remix.
Tracklist :
A1 Device Control A2 Angered Son (live with Kyle Combs) A2 Angered Son (W solo)
AA1 Make It Up As You Go Along SALEM Remix AA2 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Remix AA3 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Dub
Device Control EP, the second release by Wolfgang Tillmans, is a double Aside
12” and digital release,
featuring two new songs and three remixes of his debut Make It Up As You Go Along. One remix is by
legendary US band, Salem, the other two by Berlinbased
American/French producerDJs,
Daniel Wang
& J.E.E.P.
The title track Device Control opens with a stunning kaleidoscope of synths by Kyle Combs (New York)
leading into the bouncing, hypnotic main body of this 134 bpm dance track, which Tillmans worked on
with Tim Knapp at Trixx Studios Berlin. Additional live drums are by Rosie Slater of New York band, New
Myths. The lyrics are made up of fauxsmartphone
adverts about the supposed possibilities of streaming
one’s life. The song was written and recorded in one take with an iPhone voice recorder followed by
various stages of production in Berlin and New York.
Angered Son borrows a single line lyric from a New York Times article about the perpetrator of the
Orlando shooting: ‘His son had recently been angered by seeing two men kissing’. In two different a
cappella versions, the looped and sampled vocals recall songs in the round style.
The AA side is devoted to three outstanding remixes of this summer’s Make It Up As You Go Along. In
what amounts to something of a music world sensation, Tillmans was able to win Salem’s Jack
Donoghue and John Holland as contributors, it being their first released music in five years. In their
signature style, the 2’45” short track is a strong abstraction of the original, leaving just the basic harmony
in place while creating an intense piece of draw and pull.
‘I feel there is the same kind of magic or draw coming from the bayou and where we were staying in
Montegut, Louisiana, so it's nice to think we maybe tapped into that…’ John Holland
Daniel Wang & J.E.E.P. have created a remix and a dub of Make It Up As You Go Along which will
undoubtedly leave its mark on the house dance floor. They added addictive arpeggiators, turned the
bassline over into a warping warm 303 groove, and slowed down the track to 117 bpm. The fast
arpeggiators meanwhile give an uptempo feel to the groove. In addition to the existing vocals they
sampled Tillmans’ vocal line ‘What we do here is a crime in most countries, but it’s not. There is no
victim. Leave us alone’ from his Triangle / Gong / What track. The line references a number of activities
and pleasures we indulge in, on a good night out.
The EP was recorded and mixed this spring/summer in Berlin, New York, and Louisiana, possibly
capturing a sense of time and place of where we are.
The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Videos directed by Tillmans will be released for Device Control and Make It Up As You Go Along –
Salem Remix.
More
Tracklist :
A1 Device Control A2 Angered Son (live with Kyle Combs) A2 Angered Son (W solo)
AA1 Make It Up As You Go Along SALEM Remix AA2 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Remix AA3 Make It Up As You Go Along DANIEL WANG & J.E.E.P. Dub
Device Control EP, the second release by Wolfgang Tillmans, is a double Aside
12” and digital release,
featuring two new songs and three remixes of his debut Make It Up As You Go Along. One remix is by
legendary US band, Salem, the other two by Berlinbased
American/French producerDJs,
Daniel Wang
& J.E.E.P.
The title track Device Control opens with a stunning kaleidoscope of synths by Kyle Combs (New York)
leading into the bouncing, hypnotic main body of this 134 bpm dance track, which Tillmans worked on
with Tim Knapp at Trixx Studios Berlin. Additional live drums are by Rosie Slater of New York band, New
Myths. The lyrics are made up of fauxsmartphone
adverts about the supposed possibilities of streaming
one’s life. The song was written and recorded in one take with an iPhone voice recorder followed by
various stages of production in Berlin and New York.
Angered Son borrows a single line lyric from a New York Times article about the perpetrator of the
Orlando shooting: ‘His son had recently been angered by seeing two men kissing’. In two different a
cappella versions, the looped and sampled vocals recall songs in the round style.
The AA side is devoted to three outstanding remixes of this summer’s Make It Up As You Go Along. In
what amounts to something of a music world sensation, Tillmans was able to win Salem’s Jack
Donoghue and John Holland as contributors, it being their first released music in five years. In their
signature style, the 2’45” short track is a strong abstraction of the original, leaving just the basic harmony
in place while creating an intense piece of draw and pull.
‘I feel there is the same kind of magic or draw coming from the bayou and where we were staying in
Montegut, Louisiana, so it's nice to think we maybe tapped into that…’ John Holland
Daniel Wang & J.E.E.P. have created a remix and a dub of Make It Up As You Go Along which will
undoubtedly leave its mark on the house dance floor. They added addictive arpeggiators, turned the
bassline over into a warping warm 303 groove, and slowed down the track to 117 bpm. The fast
arpeggiators meanwhile give an uptempo feel to the groove. In addition to the existing vocals they
sampled Tillmans’ vocal line ‘What we do here is a crime in most countries, but it’s not. There is no
victim. Leave us alone’ from his Triangle / Gong / What track. The line references a number of activities
and pleasures we indulge in, on a good night out.
The EP was recorded and mixed this spring/summer in Berlin, New York, and Louisiana, possibly
capturing a sense of time and place of where we are.
The record sleeve and inner sleeve were designed by Wolfgang Tillmans.
Videos directed by Tillmans will be released for Device Control and Make It Up As You Go Along –
Salem Remix.
More
Label:Fragile
Cat-No:fragile01
Release-Date:24.06.2016
Configuration:12" Excl
Barcode:4260038313695
backorder
Last in:09.01.2017
+ Show full info- Close
backorder
Last in:09.01.2017
Label:Fragile
Cat-No:fragile01
Release-Date:24.06.2016
Configuration:12" Excl
Barcode:4260038313695
Special remarks: Wolfgang Tillmans designed Cover with Innersleeve
Tracklist
A1 Make It Up As You Go Along A2 Triangle / Gong / What
B1 Fascinating This Time B2 Stranger B3 Time Flows All Over
Shortinfo:
How to introduce the first record by Wolfgang Tillmans? Now considered one of the most significant visual artists working today, his very first passion in life lay with music. This record features on its B-side three songs recorded in 1986 in his home town of Remscheid. The A-side features two pieces recorded in 2015/2016. The 29-year gap in between were marked by Tillmans exploring music, pop and club culture from many different angles.
'Make It Up As You Go Along' is a pulsing dance track based on the recordings of a book printing press in a factory in Stuttgart. Morphed through various production stages, the press's syncopations and his Tillmans' serendipitouspenditous vocals merge into an intoxicating track that could become a summer festival early a.m. favourite. 'Triangle / Gong / What' is an experimental offering made up ofwhich combines the sounds of playing a special alloy triangle, a 999 fine gold gong and a vocal, fused through a particular gain manipulation during the recording process.
The 1986 side features three songs which Tillmans wrote and recorded with collaborator Bert Leßmann. A single channel recording from the rehearsal room was all he had from back in the day. With the help of Tim and Klaus Knapp the recordings were filtered and eq'ed and then supported with precise reconstructions of the original instruments. Out of this production process spanning 30 years a unique time capsule emerged, which portraits a small town teenager with some ambition. 'Time Flows All Over' is a haunting reminiscence of the angst and energy of the mid-1980s, infused with surprising contemporary relevance.
More
Tracklist
A1 Make It Up As You Go Along A2 Triangle / Gong / What
B1 Fascinating This Time B2 Stranger B3 Time Flows All Over
Shortinfo:
How to introduce the first record by Wolfgang Tillmans? Now considered one of the most significant visual artists working today, his very first passion in life lay with music. This record features on its B-side three songs recorded in 1986 in his home town of Remscheid. The A-side features two pieces recorded in 2015/2016. The 29-year gap in between were marked by Tillmans exploring music, pop and club culture from many different angles.
'Make It Up As You Go Along' is a pulsing dance track based on the recordings of a book printing press in a factory in Stuttgart. Morphed through various production stages, the press's syncopations and his Tillmans' serendipitouspenditous vocals merge into an intoxicating track that could become a summer festival early a.m. favourite. 'Triangle / Gong / What' is an experimental offering made up ofwhich combines the sounds of playing a special alloy triangle, a 999 fine gold gong and a vocal, fused through a particular gain manipulation during the recording process.
The 1986 side features three songs which Tillmans wrote and recorded with collaborator Bert Leßmann. A single channel recording from the rehearsal room was all he had from back in the day. With the help of Tim and Klaus Knapp the recordings were filtered and eq'ed and then supported with precise reconstructions of the original instruments. Out of this production process spanning 30 years a unique time capsule emerged, which portraits a small town teenager with some ambition. 'Time Flows All Over' is a haunting reminiscence of the angst and energy of the mid-1980s, infused with surprising contemporary relevance.
More
Customers who bought this also bought this
12" Excl
in stock
Label:Definitive Recordings
Cat-No:DEFCLAS006
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:844216060010
in stock
Last in:28.06.2024
+ Show full info- Close
in stock
Last in:28.06.2024
Label:Definitive Recordings
Cat-No:DEFCLAS006
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:844216060010
1
Calisto - A Calisto - Get House (Josh Wink Interpretation)
2
Calisto - B1 Calisto - Get House (Remaster)
3
Calisto - B2 Calisto - Get House (Acapella Tool)
12"
GENRE/S:
Techno, House, Acid
3. TRACKLISTS:
A Calisto - Get House (Josh Wink Interpretation)
B1 Calisto - Get House (Remaster)
B2 Calisto - Get House (Acapella Tool)
SHORT INFO:
Definitive Recordings revisits 1994 house classic 'Get House' by Calisto with a new version by legend Josh Wink. The iconic house music classic 'Get House' by Calisto from 1994, is now being revitalized by the legendary house music pioneer Josh Wink. Josh Wink, renowned for his pioneering contributions to the Acid House movement, infuses his signature style into 'Get House,' breathing new life into the timeless anthem. The remix pays homage to the roots of electronic music while propelling it into the future, creating an immersive sonic experience that captivates listeners and ignites dance floors with its infectious energy. But the journey doesn't end there. Alongside Wink's groundbreaking remix, the release includes the raw and percussive original version of 'Get House,' straight from the depths of 1994. With a bassline that delves deep into the soul of the dance floor and cut-up vocals interlaced with stiff snares, this track delivers an edgy groove that remains as exhilarating as ever. Remastered for contemporary audiences, the original version retains its raw intensity while boasting enhanced clarity and depth. "I used to rock the original at parties and raves all over the world in the mid-'90s, and it was one of those special records of the time that combined house, acid house, and electro-breaks. It was perfect to segue from different styles as a DJ. One of my favorites on the mighty Definitive Recordings catalog!" says Josh Wink about the original. Adding to the excitement, the release also features the acapella version of 'Get House,' providing DJs and producers with a versatile tool for creative remixing and reimagining. 'Get House' by Calisto, including the Josh Wink remix, the original version, and the acapella, will be available on all major streaming platforms as well as on vinyl.
More
GENRE/S:
Techno, House, Acid
3. TRACKLISTS:
A Calisto - Get House (Josh Wink Interpretation)
B1 Calisto - Get House (Remaster)
B2 Calisto - Get House (Acapella Tool)
SHORT INFO:
Definitive Recordings revisits 1994 house classic 'Get House' by Calisto with a new version by legend Josh Wink. The iconic house music classic 'Get House' by Calisto from 1994, is now being revitalized by the legendary house music pioneer Josh Wink. Josh Wink, renowned for his pioneering contributions to the Acid House movement, infuses his signature style into 'Get House,' breathing new life into the timeless anthem. The remix pays homage to the roots of electronic music while propelling it into the future, creating an immersive sonic experience that captivates listeners and ignites dance floors with its infectious energy. But the journey doesn't end there. Alongside Wink's groundbreaking remix, the release includes the raw and percussive original version of 'Get House,' straight from the depths of 1994. With a bassline that delves deep into the soul of the dance floor and cut-up vocals interlaced with stiff snares, this track delivers an edgy groove that remains as exhilarating as ever. Remastered for contemporary audiences, the original version retains its raw intensity while boasting enhanced clarity and depth. "I used to rock the original at parties and raves all over the world in the mid-'90s, and it was one of those special records of the time that combined house, acid house, and electro-breaks. It was perfect to segue from different styles as a DJ. One of my favorites on the mighty Definitive Recordings catalog!" says Josh Wink about the original. Adding to the excitement, the release also features the acapella version of 'Get House,' providing DJs and producers with a versatile tool for creative remixing and reimagining. 'Get House' by Calisto, including the Josh Wink remix, the original version, and the acapella, will be available on all major streaming platforms as well as on vinyl.
More
12" Excl
backorder
Label:Luv Shack Records
Cat-No:LUV047
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182249
backorder
Last in:07.08.2024
+ Show full info- Close
backorder
Last in:07.08.2024
Label:Luv Shack Records
Cat-No:LUV047
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182249
1
Lee Stevens - Run Away
2
Das Komplex - Ennio
3
Space Echo - Woo Disco
4
Siggatunez - Love N' Affection
Special remarks: handstamped vinyl, cover sticker
Tracklist 12":
A1. Lee Stevens - Run Away
A2. Das Komplex - Ennio
B1. Space Echo - Woo Disco
B2. Siggatunez - Love N' Affection
Short Info:
Just in time for festival season, another batch of Disco Biscuits has landed on Luv Shack Records.
This time the maitre de’s Lee Stevens, Das Komplex, Space Echo and Siggatunez have whipped up extra delicious treats using only their favourite recipes to ensure maximum satisfaction on the dancefloor!
More
Tracklist 12":
A1. Lee Stevens - Run Away
A2. Das Komplex - Ennio
B1. Space Echo - Woo Disco
B2. Siggatunez - Love N' Affection
Short Info:
Just in time for festival season, another batch of Disco Biscuits has landed on Luv Shack Records.
This time the maitre de’s Lee Stevens, Das Komplex, Space Echo and Siggatunez have whipped up extra delicious treats using only their favourite recipes to ensure maximum satisfaction on the dancefloor!
More
12" Excl
in stock
+ Show full info- Close
in stock
Last in:24.06.2024
Label:Parodia
Cat-No:PARODIA05
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182485
1
Nathan Melja - A1 - Stargazing
2
Nathan Melja - A2 - UnDcided
3
Nathan Melja - B1 - Welcome
4
Nathan Melja - B2 - Bblluurrryy
12" EP, 180G
Welcome to the " Triangle d'Or " by Nathan Melja. The first opus of a series to come out on his label Parodia, this record is an ode to those Parisian nights where the prestige and extravagance are prior.
Showing a strong willing to integrate elements from the mainstream world in his creative process, the EP opens with the contemplative and emotive 'Stargazing'. You're walking down Champs Elysées, looking at the sky. In a fraction of a second, everything starts to move in slow motion. You're passing out, your eyes stuck on moving stars. It was all a dream, they say.
As you wake up, you're sitting next to a glossy club. 'UnDcided' is blasting out of that neon door. You get lost in its colorful and trippy intro before your head starts to feel the vibrations of its wobbly baseline.
You need a cocktail to get your night started. You enter the restaurant next door. 'Welcome!' is playing in the background. That's Patrick Holland on the guitars you just tried to Shazam! Like the missing piece is not missing anymore.
One too many drinks - you got lost in the groove of the night. It's time to go home. As you leave the club, the sounds of 'Bblluurrryy' are floating in the air, every noise you hear melts into the music. Everything looks hazy. Nothing feels the same anymore.
TRACKLIST
A1 - Stargazing
A2 - UnDcided
B1 - Welcome
B2 - Bblluurrryy
More
Welcome to the " Triangle d'Or " by Nathan Melja. The first opus of a series to come out on his label Parodia, this record is an ode to those Parisian nights where the prestige and extravagance are prior.
Showing a strong willing to integrate elements from the mainstream world in his creative process, the EP opens with the contemplative and emotive 'Stargazing'. You're walking down Champs Elysées, looking at the sky. In a fraction of a second, everything starts to move in slow motion. You're passing out, your eyes stuck on moving stars. It was all a dream, they say.
As you wake up, you're sitting next to a glossy club. 'UnDcided' is blasting out of that neon door. You get lost in its colorful and trippy intro before your head starts to feel the vibrations of its wobbly baseline.
You need a cocktail to get your night started. You enter the restaurant next door. 'Welcome!' is playing in the background. That's Patrick Holland on the guitars you just tried to Shazam! Like the missing piece is not missing anymore.
One too many drinks - you got lost in the groove of the night. It's time to go home. As you leave the club, the sounds of 'Bblluurrryy' are floating in the air, every noise you hear melts into the music. Everything looks hazy. Nothing feels the same anymore.
TRACKLIST
A1 - Stargazing
A2 - UnDcided
B1 - Welcome
B2 - Bblluurrryy
More
12" Excl
backorder
Label:Tenampa Recordings
Cat-No:TENA123
Release-Date:12.07.2024
Genre:techhouse
Configuration:12" Excl
Barcode:4251804143387
backorder
Last in:05.07.2024
+ Show full info- Close
backorder
Last in:05.07.2024
Label:Tenampa Recordings
Cat-No:TENA123
Release-Date:12.07.2024
Genre:techhouse
Configuration:12" Excl
Barcode:4251804143387
1
Sascha Dive - Lost Inside This Sound
2
Sascha Dive - Backs to Scream
3
Sascha Dive - Time Is Flying
4
Sascha Dive - Space Odyssey
Introducing the highly anticipated debut of rising German star Sascha Dive on Tenampa, with his captivating EP, 'Time is Flying'.
Sascha, a visionary artist, passionately embraces the essence of the authentic vinyl sound, proudly representing it with each release he does.
His impressive discography boasts an illustrious presence on renowned labels such as Cocoon, Ghostly International, 8bit, and Bondage.
Sascha's signature sound can be best described as soulful, rhythmically captivating, and irresistibly grooving. His music effortlessly transports listeners on a journey that alternates between deep introspection and spaciously transcendent moments. With this remarkable release, Sascha Dive unquestionably showcases his immense talent, leaving a undoubtedly prominent mark.
5. VITAL SALES POINTS:
- Only vinyl limited release. No Repress.
- Releases on: Cocoon, Ghostly International, 8bit, and Bondage.
01- Lost Inside This Sound
02- Backs to Scream
03 Time Is Flying
04 Space Odyssey
More
Sascha, a visionary artist, passionately embraces the essence of the authentic vinyl sound, proudly representing it with each release he does.
His impressive discography boasts an illustrious presence on renowned labels such as Cocoon, Ghostly International, 8bit, and Bondage.
Sascha's signature sound can be best described as soulful, rhythmically captivating, and irresistibly grooving. His music effortlessly transports listeners on a journey that alternates between deep introspection and spaciously transcendent moments. With this remarkable release, Sascha Dive unquestionably showcases his immense talent, leaving a undoubtedly prominent mark.
5. VITAL SALES POINTS:
- Only vinyl limited release. No Repress.
- Releases on: Cocoon, Ghostly International, 8bit, and Bondage.
01- Lost Inside This Sound
02- Backs to Scream
03 Time Is Flying
04 Space Odyssey
More
Label:Diggers Factory
Cat-No:BLKRTZ055
Release-Date:12.01.2024
Genre:Techno
Configuration:2LP Excl
Barcode:3760370268475
backorder
Last in:18.01.2024
+ Show full info- Close
backorder
Last in:18.01.2024
Label:Diggers Factory
Cat-No:BLKRTZ055
Release-Date:12.01.2024
Genre:Techno
Configuration:2LP Excl
Barcode:3760370268475
1
Deadbeat - THE DOUBLE BONG CLOUD (DENIAL I)
2
Deadbeat - STRAIGHT NO CHASER (DENIAL II)
3
Deadbeat - TOUGH LOVE (ANGER I)
4
Deadbeat - BRICK STICK BLICK BLADE (ANGER II)
5
Deadbeat - HUEY LEWIS VOTERS DUB (NEGOTIATION)
6
Deadbeat - THINGS FALL APART (DEPRESSION)
7
Deadbeat - WITH GRAND TREPIDITION (ACCEPTANCE I)
8
Deadbeat - MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Territory: World except France and Belgium
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
Vinyl Album Excl
backorder
Label:Acid Test
Cat-No:atlp06
Release-Date:07.10.2022
Configuration:Vinyl Album Excl
Barcode:827170609563
backorder
Last in:13.06.2022
+ Show full info- Close
backorder
Last in:13.06.2022
Label:Acid Test
Cat-No:atlp06
Release-Date:07.10.2022
Configuration:Vinyl Album Excl
Barcode:827170609563
2022 Repress Edition, Beautifully Designed 2LP
When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.
Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid More
When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.
Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid More
2LP Excl
pre-sale
Label:Be With Records
Cat-No:bewith095lp
Release-Date:31.01.2025
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804125345
pre-sale
Last in:10.01.2023
+ Show full info- Close
pre-sale
Last in:10.01.2023
Label:Be With Records
Cat-No:bewith095lp
Release-Date:31.01.2025
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804125345
1
DJ Quik - 1 A1 : Street Level Entrance (1:52)
2
DJ Quik - 2 A2 : Get At Me (4:08)
3
DJ Quik - 3 A3 : Diggin’ U Out (4:48)
4
DJ Quik - 4 A4 : Safe + Sound (4:49)
5
DJ Quik - 5 B1 : Somethin’ 4 Tha Mood (5:55)
6
DJ Quik - 6 B2 : Don’t You Eat It! (1:08)
7
DJ Quik - 7 B3 : Can I Eat It? (4:59)
8
DJ Quik - 8 B4 : It’z Your Fantasy (4:23)
9
DJ Quik - 9 C1 : Tha Ho In You (4:45)
10
DJ Quik - 10 C2 : Dollaz + Sense (5:53)
11
DJ Quik - 11 C3 : Let You Havit (3:40)
12
DJ Quik - 12 C4 : Summer Breeze (4:34)
13
DJ Quik - 13 D1 : Quik’s Groove III (2:37)
14
DJ Quik - 14 D2 : Sucka Free (2:11)
15
DJ Quik - 15 D3 : Keep Tha “P” In It (5:25)
16
DJ Quik - 16 D4 : Hooray 4 Tha Funk (2:11)
17
DJ Quik - 17 D5 : Tanqueray (4:19)
Territories: Worldwide no restrictions
Format Notes: 2025 repress, 140g double vinyl, includes the CD bonus track “Tanqueray”, reproduction of the original stickered sleeve
Track List:
1 A1 : Street Level Entrance (1:52)
2 A2 : Get At Me (4:08)
3 A3 : Diggin’ U Out (4:48)
4 A4 : Safe + Sound (4:49)
5 B1 : Somethin’ 4 Tha Mood (5:55)
6 B2 : Don’t You Eat It! (1:08)
7 B3 : Can I Eat It? (4:59)
8 B4 : It’z Your Fantasy (4:23)
9 C1 : Tha Ho In You (4:45)
10 C2 : Dollaz + Sense (5:53)
11 C3 : Let You Havit (3:40)
12 C4 : Summer Breeze (4:34)
13 D1 : Quik’s Groove III (2:37)
14 D2 : Sucka Free (2:11)
15 D3 : Keep Tha “P” In It (5:25)
16 D4 : Hooray 4 Tha Funk (2:11)
17 D5 : Tanqueray (4:19)
Release Notes:
DJ Quik is a giant of West Coast hip-hop. With 1995’s Safe + Sound, he scaled new levels of musical magnificence with his signature new age P-Funk/laconic G-Funk. A quintessential, sun-scorched LA album, this is pretty much essential. Typical for mid-90s albums the original vinyl copies are now rare so here’s the Be With re-issue, complete with “Tanqueray”, the hidden track from the original CD release.
A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.
By the time of his third album DJ Quik was a household name on the West Coast - California’s premier rapper/producer not named Andre Young. Released on Profile in 1995, Safe + Sound was certified gold. Less reliant on samples and more focused on live instruments, it elevated him from producer to fully-fledged composer. This sound — the quick, winding basslines, tinny high hats, smooth instrumental solos, soulful pipes, and Roger Troutman’s talkbox — defined him. This is an album of full-blown masterpieces. Rich soundscapes and masterfully arranged orchestrations with dense layers of sounds, intricate rhythms, and well-balanced songwriting.
The first track proper, “Get At Me” samples Cameo whilst Quik takes aim at the Judases in his life, the horn-laced chorus providing a triumphant feel. On the horizontal “Diggin’ U Out”, the soulful electric piano of Warryn Campbell lays a relaxed groove for Quik to talk over about one of his favourite topics: sex. Title track “Safe + Sound” chronicles Quik’s formative years over a slick instrumental. The moody bass locks a laidback infectious groove, the hook is catchy and Quik’s delivery is in fine form. On the uber-chilled “Somethin’ 4 Tha Mood”, Quik cooks up a breezy, feel good track of sparkly keyboards, syncopated claps, shuffling hi-hats, woozy synths and a floating two-minute flute solo courtesy of Robert “Fonksta” Bacon. Analysing the highs and lows of an average day in the hood, it echoes Cube’s “It Was a Good Day”.
“It’z Your Fantasy” is a silky smooth soundtrack to Quik’s detailed retelling of a sexcapade with a young lady and whilst “Tha Ho In You” is musically perfect for that midsummer family BBQ, its lyrical content is unsurprisingly decidedly less family-friendly. A real highlight, the infamous “Dollaz + Sense” is one of the most ruthless diss tracks of all time. The brutal lyrics ride a laidback West Coast beat, flipping a sample from Young & Company’s “I Like (What You’re Doing To Me)” as Quik fires lyrical shots at his arch Compton nemesis, MC Eiht. On the loping, hazy “Let You Havit”, Quik is again in gangsta mode, with more bars of barbs aimed at Eiht, rhyming over sun-kissed synthy-rollerskate funk.
Some of the finest tracks on Safe + Sound are those designed to de-stress. The evocative “Summer Breeze” is a classic warm-weather jam, anchored by a twangy funk guitar, breezy string arrangement, and a soulful hook delivered by Dionne Knighton. Quik’s nostalgic lyrics are not far from DJ Jazzy Jeff & The Fresh Prince’s “Summertime”, reminiscing over barbecues at the park, young love, and the brevity of halcyon youth. The relaxed and jazzy “Quik’s Groove III” is another highlight, as bass, guitar, piano and flute combine to create a smooth, soulful instrumental.
The swaggering “Shack Up”-sampling “Sucka Free” features a cameo from Playa Hamm, all funky braggadocio and over much too quikly (pun thoroughly intended). The jazz-flavoured “Keep Tha ‘P’ In It”, again featuring Playa Hamm but this time extending the cameo invitations to Hi-C, 2nd II None and Kam, is pure laidback P-Funk. The deep bass and industrial drums make sure the groove hits hard.
“Tanqueray” was originally a hidden track on the CD version of the album, but it’s too good to hide. This wild party samples Brass Construction’s gigantic “Get Up To Get Down” and soars in its drunk-ebullience. An apt way to close this party-driven set.
This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Safe + Sound was originally pressed as a double, so all that was missing was the CD’s hidden bonus track “Tanqueray”, so we’ve fixed that. The original vinyl release never got a picture sleeve, so we’ve recreated the original’s promo-style silver-sticker and plain black jacket. A subtle cover for a wonderfully unsubtle record.
More
Format Notes: 2025 repress, 140g double vinyl, includes the CD bonus track “Tanqueray”, reproduction of the original stickered sleeve
Track List:
1 A1 : Street Level Entrance (1:52)
2 A2 : Get At Me (4:08)
3 A3 : Diggin’ U Out (4:48)
4 A4 : Safe + Sound (4:49)
5 B1 : Somethin’ 4 Tha Mood (5:55)
6 B2 : Don’t You Eat It! (1:08)
7 B3 : Can I Eat It? (4:59)
8 B4 : It’z Your Fantasy (4:23)
9 C1 : Tha Ho In You (4:45)
10 C2 : Dollaz + Sense (5:53)
11 C3 : Let You Havit (3:40)
12 C4 : Summer Breeze (4:34)
13 D1 : Quik’s Groove III (2:37)
14 D2 : Sucka Free (2:11)
15 D3 : Keep Tha “P” In It (5:25)
16 D4 : Hooray 4 Tha Funk (2:11)
17 D5 : Tanqueray (4:19)
Release Notes:
DJ Quik is a giant of West Coast hip-hop. With 1995’s Safe + Sound, he scaled new levels of musical magnificence with his signature new age P-Funk/laconic G-Funk. A quintessential, sun-scorched LA album, this is pretty much essential. Typical for mid-90s albums the original vinyl copies are now rare so here’s the Be With re-issue, complete with “Tanqueray”, the hidden track from the original CD release.
A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.
By the time of his third album DJ Quik was a household name on the West Coast - California’s premier rapper/producer not named Andre Young. Released on Profile in 1995, Safe + Sound was certified gold. Less reliant on samples and more focused on live instruments, it elevated him from producer to fully-fledged composer. This sound — the quick, winding basslines, tinny high hats, smooth instrumental solos, soulful pipes, and Roger Troutman’s talkbox — defined him. This is an album of full-blown masterpieces. Rich soundscapes and masterfully arranged orchestrations with dense layers of sounds, intricate rhythms, and well-balanced songwriting.
The first track proper, “Get At Me” samples Cameo whilst Quik takes aim at the Judases in his life, the horn-laced chorus providing a triumphant feel. On the horizontal “Diggin’ U Out”, the soulful electric piano of Warryn Campbell lays a relaxed groove for Quik to talk over about one of his favourite topics: sex. Title track “Safe + Sound” chronicles Quik’s formative years over a slick instrumental. The moody bass locks a laidback infectious groove, the hook is catchy and Quik’s delivery is in fine form. On the uber-chilled “Somethin’ 4 Tha Mood”, Quik cooks up a breezy, feel good track of sparkly keyboards, syncopated claps, shuffling hi-hats, woozy synths and a floating two-minute flute solo courtesy of Robert “Fonksta” Bacon. Analysing the highs and lows of an average day in the hood, it echoes Cube’s “It Was a Good Day”.
“It’z Your Fantasy” is a silky smooth soundtrack to Quik’s detailed retelling of a sexcapade with a young lady and whilst “Tha Ho In You” is musically perfect for that midsummer family BBQ, its lyrical content is unsurprisingly decidedly less family-friendly. A real highlight, the infamous “Dollaz + Sense” is one of the most ruthless diss tracks of all time. The brutal lyrics ride a laidback West Coast beat, flipping a sample from Young & Company’s “I Like (What You’re Doing To Me)” as Quik fires lyrical shots at his arch Compton nemesis, MC Eiht. On the loping, hazy “Let You Havit”, Quik is again in gangsta mode, with more bars of barbs aimed at Eiht, rhyming over sun-kissed synthy-rollerskate funk.
Some of the finest tracks on Safe + Sound are those designed to de-stress. The evocative “Summer Breeze” is a classic warm-weather jam, anchored by a twangy funk guitar, breezy string arrangement, and a soulful hook delivered by Dionne Knighton. Quik’s nostalgic lyrics are not far from DJ Jazzy Jeff & The Fresh Prince’s “Summertime”, reminiscing over barbecues at the park, young love, and the brevity of halcyon youth. The relaxed and jazzy “Quik’s Groove III” is another highlight, as bass, guitar, piano and flute combine to create a smooth, soulful instrumental.
The swaggering “Shack Up”-sampling “Sucka Free” features a cameo from Playa Hamm, all funky braggadocio and over much too quikly (pun thoroughly intended). The jazz-flavoured “Keep Tha ‘P’ In It”, again featuring Playa Hamm but this time extending the cameo invitations to Hi-C, 2nd II None and Kam, is pure laidback P-Funk. The deep bass and industrial drums make sure the groove hits hard.
“Tanqueray” was originally a hidden track on the CD version of the album, but it’s too good to hide. This wild party samples Brass Construction’s gigantic “Get Up To Get Down” and soars in its drunk-ebullience. An apt way to close this party-driven set.
This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Safe + Sound was originally pressed as a double, so all that was missing was the CD’s hidden bonus track “Tanqueray”, so we’ve fixed that. The original vinyl release never got a picture sleeve, so we’ve recreated the original’s promo-style silver-sticker and plain black jacket. A subtle cover for a wonderfully unsubtle record.
More
12" Excl
backorder
Cat-No:CCR-006-PRG0710
Release-Date:08.04.2022
Configuration:12" Excl
Barcode:8014360004068
backorder
Last in:22.03.2022
+ Show full info- Close
backorder
Last in:22.03.2022
Cat-No:CCR-006-PRG0710
Release-Date:08.04.2022
Configuration:12" Excl
Barcode:8014360004068
1
HORNBOSTEL - A01.OBSESSION - (Shadow Mix) 5:14
2
HORNBOSTEL - A02.OBSESSION - (Bass-Lines Mix) 6:34
3
HORNBOSTEL - A03.OBSESSION - (Mr. Marvin Edit) 6:36
4
HORNBOSTEL - B01. SET ME FREE (Vocal Mix) 6:05
5
HORNBOSTEL - B02. SET ME FREE (Mr. Marvin Mix) 6:45
6
HORNBOSTEL - B03. SET ME FREE (Subground Mix) 4:41
SPECIAL EDITION 12" single BLU vinyl /400 copies
180 gr.
Catalogue no: CCR 006
EAN: 8014360004068
Release: 01.04.2022
2. GENRE/S:
HOUSE / DEEP HOUSE
3. TRACKLISTS:
A01 - OBSESSION
- (Shadow Mix) 5:14
A02 - OBSESSION
- (Bass-Lines Mix) 6:34
A03 - OBSESSION
- B01 - SET ME FREE
- (Vocal Mix) 6:05
B02 - SET ME FREE
-
B03 - SET ME FREE
-
4. VITAL SALES POINTS:
"CCR - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12" taken form Expanded Music's labels.
The 6th release on "CCR - Club Culture Rarities" HORNBOSTEL E.P. 1 originally released on PROGRESSIVE MOTION RECORDS in 1993
Produced by Christian Hornbostel & Mr. Marvin (Virtualmismo, VFR, Tales of Underground, etc.) during their greatest artistic fertility period.
HORNBOSTEL EP1 takes us back to hypnotic grooves and atmospheres built with typical instruments belonging to that music era, such as the mythical Korg M1 and Waldorf Microwave.
A new colored vinyl (blue) release on CCR Club Culture Rarities
Ask for it and stay tuned.
More
180 gr.
Catalogue no: CCR 006
EAN: 8014360004068
Release: 01.04.2022
2. GENRE/S:
HOUSE / DEEP HOUSE
3. TRACKLISTS:
A01 - OBSESSION
- (Shadow Mix) 5:14
A02 - OBSESSION
- (Bass-Lines Mix) 6:34
A03 - OBSESSION
- B01 - SET ME FREE
- (Vocal Mix) 6:05
B02 - SET ME FREE
-
B03 - SET ME FREE
-
4. VITAL SALES POINTS:
"CCR - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12" taken form Expanded Music's labels.
The 6th release on "CCR - Club Culture Rarities" HORNBOSTEL E.P. 1 originally released on PROGRESSIVE MOTION RECORDS in 1993
Produced by Christian Hornbostel & Mr. Marvin (Virtualmismo, VFR, Tales of Underground, etc.) during their greatest artistic fertility period.
HORNBOSTEL EP1 takes us back to hypnotic grooves and atmospheres built with typical instruments belonging to that music era, such as the mythical Korg M1 and Waldorf Microwave.
A new colored vinyl (blue) release on CCR Club Culture Rarities
Ask for it and stay tuned.
More
+ Show full info- Close
in stock
Last in:21.06.2023
Label:Figure
Cat-No:figure x37
Release-Date:23.06.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804143158
1
Len Faki - A1. Halide Part 1
2
Len Faki - A2. Make Me Scream
3
Len Faki - B1. Tor 8
4
Len Faki - B2.Astra
12" vinyl with full cover print
TRACKLIST:
A1 Halide Part 1
A2 Make Me Scream
B1 Tor 8
B2 Astra
INFO:
When writing his album Fusion, Len Faki never quite knew where the creative process would take him. Eventually it transported his sound into an all new realm, where he could show 360 degrees his talents and styles. Finally finding completion as a mighty double LP, the Figure x37 EP takes four of the album's new cuts to be presented in this special format ahead of the official release of Fusion.
An important corner stone of the album, the Halide tracks were made in remembrance of Faki's late mother, who passed away during the last production stage of the LP. These delicate tracks, which both feature the voice of Halide, capture the intense sadness Faki was feeling at the time and helped him to process his grief and eventually finish off the album. Part 1 is a softly mourning, melancholic breakbeat ballad, musically reminiscent of the chillout rooms Faki found himself spending a lot of time at going out to clubs throughout the 90s. The much darker second part,
echoing the hopeless bleeps of a heart rate monitor, will only be released on the full album.
Next to this very personal track are more examples of Faki's versatility as an artist, who has seen it all and now uses the album format to work without any constraints or expectations.
A gentle yet gritty electro homage, Make Me Scream is a take on the classic breakbeat from days long gone, with hollow drums and a mysteriously sweet vocal lurking underneath the track's soothing pads and lively synth riffs.
On Tor 8 Faki combines his driving techno and strong melodic elements, subdued chords rising to create an atmosphere of euphoria, while a classic bleep keeps things on track.
Astra (taken from Fusion's more straight-laced disc one) is the most punchy outing of the record, but it still comes with a myriad of detailed sounds to explore amongst its tight-knit rhythmic corset. Twinkly synths slowly rise to make the track bloom into its full, exuberantly colourful form.
With x37 readied, it's only a few weeks until the final release of the Fusion double-album. Here at Figure we can't wait to let you explore the full range of the singular sound that Len Faki has created.
More
TRACKLIST:
A1 Halide Part 1
A2 Make Me Scream
B1 Tor 8
B2 Astra
INFO:
When writing his album Fusion, Len Faki never quite knew where the creative process would take him. Eventually it transported his sound into an all new realm, where he could show 360 degrees his talents and styles. Finally finding completion as a mighty double LP, the Figure x37 EP takes four of the album's new cuts to be presented in this special format ahead of the official release of Fusion.
An important corner stone of the album, the Halide tracks were made in remembrance of Faki's late mother, who passed away during the last production stage of the LP. These delicate tracks, which both feature the voice of Halide, capture the intense sadness Faki was feeling at the time and helped him to process his grief and eventually finish off the album. Part 1 is a softly mourning, melancholic breakbeat ballad, musically reminiscent of the chillout rooms Faki found himself spending a lot of time at going out to clubs throughout the 90s. The much darker second part,
echoing the hopeless bleeps of a heart rate monitor, will only be released on the full album.
Next to this very personal track are more examples of Faki's versatility as an artist, who has seen it all and now uses the album format to work without any constraints or expectations.
A gentle yet gritty electro homage, Make Me Scream is a take on the classic breakbeat from days long gone, with hollow drums and a mysteriously sweet vocal lurking underneath the track's soothing pads and lively synth riffs.
On Tor 8 Faki combines his driving techno and strong melodic elements, subdued chords rising to create an atmosphere of euphoria, while a classic bleep keeps things on track.
Astra (taken from Fusion's more straight-laced disc one) is the most punchy outing of the record, but it still comes with a myriad of detailed sounds to explore amongst its tight-knit rhythmic corset. Twinkly synths slowly rise to make the track bloom into its full, exuberantly colourful form.
With x37 readied, it's only a few weeks until the final release of the Fusion double-album. Here at Figure we can't wait to let you explore the full range of the singular sound that Len Faki has created.
More
12" Excl
in stock
Label:Running Back
Cat-No:rb087
Release-Date:12.06.2020
Genre:House
Configuration:12" Excl
Barcode:4251648417774
in stock
Last in:13.08.2020
+ Show full info- Close
in stock
Last in:13.08.2020
Label:Running Back
Cat-No:rb087
Release-Date:12.06.2020
Genre:House
Configuration:12" Excl
Barcode:4251648417774
1
Rheji Burrell pres: New York House'N Aut - A1. 1st Time
2
Rheji Burrell pres: New York House'N Aut - A2. 2nd Time
3
Rheji Burrell pres: New York House'N Aut - A3. 3rd Time
4
Rheji Burrell pres: New York House'N Aut - B1. 4th Time
5
Rheji Burrell pres: New York House'N Aut - B2. 5th Time
6
Rheji Burrell pres: New York House'N Aut - B3. 6th Time
7
Rheji Burrell pres: New York House'N Aut - B4. 7th Time
Tracklist
A1. 1st Time
A2. 2nd Time
A3. 3rd Time
B1. 4th Time
B2. 5th Time
B3. 6th Time
B4. 7th Time
Shortinfo:
You cannot say Nu Groove without saying Burrell. The seminal New York House label that existed from 1988 until 1992 was at the helm of a sound that was as much traditional as it was transitional. Since the closure of the Paradise Garage in 1987 and before the „NYC House sound“ was well-defined and fenced, Nu Groove was a kaleidoscope and an amalgamation of everything that informed it until then: uptempo r&b, reggae, dub, disco, freestyle, techno, jazz, and the sound that was embossed by Larry Heard in Chicago that was so well picked up in the Big Apple, you name it. Ronald and Rheji Burrell provided its basis, first floor and roof. But that story has already been told by our dear friends from Rush Hour, including its most important chapters. But we are going to tell a new one.
Rheji Burrell presents N.Y. House’N Authority & The Utopia Project. Twelve tracks split over two EPs on Running Back. Named „Out of Body Experience“ and „The ’V’EP“, it features all new music that feels like modern garments cut out of a classic cloth. Almost as if the Nu Groove would have never stopped. And that it is - at the risk of self-praise - all that old or new fans and also we could hope for. Two EPs full of deep-that-doesn’t rhyme-with-sleep house music, has simple, yet clever arrangements, features jazzy sounds, but snappy drums, merry melodies and glossy grooves. An overall joy to listen or dance to. The difference in both EPs is for the Burrell-die-hards and Nu-Groove-scientists to decide.
More
A1. 1st Time
A2. 2nd Time
A3. 3rd Time
B1. 4th Time
B2. 5th Time
B3. 6th Time
B4. 7th Time
Shortinfo:
You cannot say Nu Groove without saying Burrell. The seminal New York House label that existed from 1988 until 1992 was at the helm of a sound that was as much traditional as it was transitional. Since the closure of the Paradise Garage in 1987 and before the „NYC House sound“ was well-defined and fenced, Nu Groove was a kaleidoscope and an amalgamation of everything that informed it until then: uptempo r&b, reggae, dub, disco, freestyle, techno, jazz, and the sound that was embossed by Larry Heard in Chicago that was so well picked up in the Big Apple, you name it. Ronald and Rheji Burrell provided its basis, first floor and roof. But that story has already been told by our dear friends from Rush Hour, including its most important chapters. But we are going to tell a new one.
Rheji Burrell presents N.Y. House’N Authority & The Utopia Project. Twelve tracks split over two EPs on Running Back. Named „Out of Body Experience“ and „The ’V’EP“, it features all new music that feels like modern garments cut out of a classic cloth. Almost as if the Nu Groove would have never stopped. And that it is - at the risk of self-praise - all that old or new fans and also we could hope for. Two EPs full of deep-that-doesn’t rhyme-with-sleep house music, has simple, yet clever arrangements, features jazzy sounds, but snappy drums, merry melodies and glossy grooves. An overall joy to listen or dance to. The difference in both EPs is for the Burrell-die-hards and Nu-Groove-scientists to decide.
More
2LP Excl
in stock
Label:Krachladen Dub
Cat-No:KLD003
Release-Date:11.11.2022
Genre:Electronic
Configuration:2LP Excl
Barcode:4251804137065
in stock
Last in:05.10.2022
+ Show full info- Close
in stock
Last in:05.10.2022
Label:Krachladen Dub
Cat-No:KLD003
Release-Date:11.11.2022
Genre:Electronic
Configuration:2LP Excl
Barcode:4251804137065
1
A Rocket In Dub - Mr. Fix-It
2
A Rocket In Dub - B-Boy Drum Machine
3
A Rocket In Dub - Low Tide
4
A Rocket In Dub - Shut Up And Dub
5
A Rocket In Dub - Magnificent
6
A Rocket In Dub - Rhythm 77
7
A Rocket In Dub - Singalong Dub
8
A Rocket In Dub - Abstract Dub
9
A Rocket In Dub - Monotony Is Nice
Special remarks: Double 12" Vinyl, inside out printed cover sleeve, incl. download card
GENRE: Dub, Dub Techno, Electronica, Minimal
TRACKLIST:
A1 Mr. Fix-It
A2 B-Boy Drum Machine
B1 Low Tide
B2 Shut Up And Dub
C1 Magnificent
C2 Rhythm 77
D1 Singalong Dub
D2 Abstract Dub
D3 Monotony Is Nice
SHORT INFO:
For some, melancholy is the joy of being sad. But for A Rocket In Dub, the reawakened project of Düsseldorf producer Stefan Schwander, also known under pseudonyms like Antonelli Electr. or Harmonious Thelonious, Viktor Hugo's famous saying always applies. Two years ago, the Düsseldorf producer and musician released a 4x 7" box set on Krachladen Dub, his first release after a break of 17 years at the time. Now, two years later, 9 new tracks follow as a longplayer on double vinyl and music cassette. Even more experimental, more playful, more hypnotic and with a trombone! Monotony is nice! The rocket is back in the club, teaching genres like house and minimal Jamaican dub deepness again.
More
GENRE: Dub, Dub Techno, Electronica, Minimal
TRACKLIST:
A1 Mr. Fix-It
A2 B-Boy Drum Machine
B1 Low Tide
B2 Shut Up And Dub
C1 Magnificent
C2 Rhythm 77
D1 Singalong Dub
D2 Abstract Dub
D3 Monotony Is Nice
SHORT INFO:
For some, melancholy is the joy of being sad. But for A Rocket In Dub, the reawakened project of Düsseldorf producer Stefan Schwander, also known under pseudonyms like Antonelli Electr. or Harmonious Thelonious, Viktor Hugo's famous saying always applies. Two years ago, the Düsseldorf producer and musician released a 4x 7" box set on Krachladen Dub, his first release after a break of 17 years at the time. Now, two years later, 9 new tracks follow as a longplayer on double vinyl and music cassette. Even more experimental, more playful, more hypnotic and with a trombone! Monotony is nice! The rocket is back in the club, teaching genres like house and minimal Jamaican dub deepness again.
More
Label:Studio Barnhus
Cat-No:barn088
Release-Date:30.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804160803
backorder
Last in:06.09.2023
+ Show full info- Close
backorder
Last in:06.09.2023
Label:Studio Barnhus
Cat-No:barn088
Release-Date:30.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804160803
1
LADYMONIX - A1. In A Daze
2
LADYMONIX - A2. So Sweet
3
LADYMONIX - B1. Welcome 2 My House
4
LADYMONIX - B2. Desire
12" GENRE/S: House
- First solo venture outside of her own label Frizner Electric
- Baltimore-native, Detroit based DJ and producer
- Releasing new EP on Studio Barnhus 2023
-LADYMONIX's core sound: Essential dance tracks, firmly grounded in sacred house music tradition, executed
with heaps of personality, finesse and charm.
TRACKLISTS:
A1 In A Daze
A2 So Sweet
B1 Welcome 2 My House
B2 Desire
-
4. SHORT INFO:
Do you like house music? We're big fans over here at Studio Barnhus HQ, with the particular house music of
LADYMONIX having been a key element of our liveliest house music get-togethers over the last years. We're thrilled to
announce the Baltimore-native, Detroit based DJ and producer's new EP on our label, which marks her first solo venture
outside of her own Frizner Electric imprint. The four tracks on the Welcome 2 My House EP are perfect examples of
LADYMONIX's core sound: Essential dance tracks, firmly grounded in sacred house music tradition, executed with
heaps of personality, finesse and charm. Vinyl and digital release out June 30 2023.
More
- First solo venture outside of her own label Frizner Electric
- Baltimore-native, Detroit based DJ and producer
- Releasing new EP on Studio Barnhus 2023
-LADYMONIX's core sound: Essential dance tracks, firmly grounded in sacred house music tradition, executed
with heaps of personality, finesse and charm.
TRACKLISTS:
A1 In A Daze
A2 So Sweet
B1 Welcome 2 My House
B2 Desire
-
4. SHORT INFO:
Do you like house music? We're big fans over here at Studio Barnhus HQ, with the particular house music of
LADYMONIX having been a key element of our liveliest house music get-togethers over the last years. We're thrilled to
announce the Baltimore-native, Detroit based DJ and producer's new EP on our label, which marks her first solo venture
outside of her own Frizner Electric imprint. The four tracks on the Welcome 2 My House EP are perfect examples of
LADYMONIX's core sound: Essential dance tracks, firmly grounded in sacred house music tradition, executed with
heaps of personality, finesse and charm. Vinyl and digital release out June 30 2023.
More