Label:Other People
Cat-No:OP055-LP
Release-Date:23.10.2020
Configuration:LP Excl
Barcode:4251804120012
backorder
Last in:15.08.2023
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:15.08.2023
Label:Other People
Cat-No:OP055-LP
Release-Date:23.10.2020
Configuration:LP Excl
Barcode:4251804120012
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - 1 Vanish
Add all to playlist
Play all
2
Nicolas Jaar - 2 Menysid
Add all to playlist
Play all
3
Nicolas Jaar - 3 Cenizas
Add all to playlist
Play all
4
Nicolas Jaar - 4 Agosto
Add all to playlist
Play all
5
Nicolas Jaar - 5 Gocce
Add all to playlist
Play all
6
Nicolas Jaar - 6 Mud
Add all to playlist
Play all
7
Nicolas Jaar - 7 Vacíar
Add all to playlist
Play all
8
Nicolas Jaar - 8 Sunder
Add all to playlist
Play all
9
Nicolas Jaar - 9 Hello, Chain
Add all to playlist
Play all
10
Nicolas Jaar - 10 Rubble
Add all to playlist
Play all
11
Nicolas Jaar - 11 Garden
Add all to playlist
Play all
12
Nicolas Jaar - 12 Xerox
Add all to playlist
Play all
13
Nicolas Jaar - 13 Faith Made of Silk
LP
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Nicolas Jaar
2LP Excl
in stock
Label:Other People
Cat-No:OP078
Release-Date:17.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
in stock
Last in:26.03.2025
Add all to playlist
Play all
+ Show full info- Close



in stock
Last in:26.03.2025
Label:Other People
Cat-No:OP078
Release-Date:17.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolás Jaar - A1 Cangilón
Add all to playlist
Play all
2
Nicolás Jaar - A2 Piedras
Add all to playlist
Play all
3
Nicolás Jaar - A3 Aqui
Add all to playlist
Play all
4
Nicolás Jaar - A4 Agua pa fantasmas
Add all to playlist
Play all
5
Nicolás Jaar - B1 Rio de las tumbas
Add all to playlist
Play all
6
Nicolás Jaar - B2 Viento
Add all to playlist
Play all
7
Nicolás Jaar - B3 Mi viejita
Add all to playlist
Play all
8
Nicolás Jaar - B4 No Hope
Add all to playlist
Play all
9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
Add all to playlist
Play all
10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
Add all to playlist
Play all
11
Nicolás Jaar - C3 3eee
Add all to playlist
Play all
12
Nicolás Jaar - C4 F Collect
Add all to playlist
Play all
13
Nicolás Jaar - C5 Even heaven is uneven
Add all to playlist
Play all
14
Nicolás Jaar - C6 El azar
Add all to playlist
Play all
15
Nicolás Jaar - D1 I, you
Add all to playlist
Play all
16
Nicolás Jaar - D2 Heterodina
Add all to playlist
Play all
17
Nicolás Jaar - D3 Sin Conexión
Add all to playlist
Play all
18
Nicolás Jaar - D4 SSS1
Add all to playlist
Play all
19
Nicolás Jaar - D5 SSS2
Add all to playlist
Play all
20
Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
backorder
Label:Circus Company
Cat-No:ccs116-180
Release-Date:09.07.2021
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804126953
backorder
Last in:01.07.2021
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:01.07.2021
Label:Circus Company
Cat-No:ccs116-180
Release-Date:09.07.2021
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804126953
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - A1. Être
Add all to playlist
Play all
2
Nicolas Jaar - A2. Colomb
Add all to playlist
Play all
3
Nicolas Jaar - A3. Sunflower
Add all to playlist
Play all
4
Nicolas Jaar - B1. Too Many Kids Finding Rain In The Dust
Add all to playlist
Play all
5
Nicolas Jaar - B2. Keep Me There
Add all to playlist
Play all
6
Nicolas Jaar - B3. Problem With The Sun
Add all to playlist
Play all
7
Nicolas Jaar - C1. Space Is Only Noise If You Can See
Add all to playlist
Play all
8
Nicolas Jaar - C2. Almost Fell
Add all to playlist
Play all
9
Nicolas Jaar - C3. Balance Her In Between Your Eyes
Add all to playlist
Play all
10
Nicolas Jaar - D1. Specters Of The Future
Add all to playlist
Play all
11
Nicolas Jaar - D2. Trace
Add all to playlist
Play all
12
Nicolas Jaar - D3. Variations
Add all to playlist
Play all
13
Nicolas Jaar - D4. ^tre
After the Crystal Clear edition sold out in Presales - here´s the New Editon in 180G Black Vinyl
Special remarks :
- Limited Ten Year Edition
- 180G Black Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut
- Download Code
- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's
It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.
What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on 180g Black vinyl to let the glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.
While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.
Tracklist LP:
A1. Être
A2. Colomb
A3. Sunflower
B1. Too Many Kids Finding Rain In The Dust
B2. Keep Me There
B3. Problem With The Sun
C1. Space Is Only Noise If You Can See
C2. Almost Fell
C3. Balance Her In Between Your Eyes
D1. Specters Of The Future
D2. Trace
D3. Variations
D4. ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Special remarks :
- Limited Ten Year Edition
- 180G Black Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut
- Download Code
- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's
It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.
What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on 180g Black vinyl to let the glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.
While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.
Tracklist LP:
A1. Être
A2. Colomb
A3. Sunflower
B1. Too Many Kids Finding Rain In The Dust
B2. Keep Me There
B3. Problem With The Sun
C1. Space Is Only Noise If You Can See
C2. Almost Fell
C3. Balance Her In Between Your Eyes
D1. Specters Of The Future
D2. Trace
D3. Variations
D4. ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
backorder
Label:Circus Company
Cat-No:ccs116
Release-Date:09.07.2021
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804124065
backorder
Last in:08.07.2021
Add all to playlist
Play all
+ Show full info- Close

backorder
Last in:08.07.2021
Label:Circus Company
Cat-No:ccs116
Release-Date:09.07.2021
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804124065
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - A1. Être
Add all to playlist
Play all
2
Nicolas Jaar - A2. Colomb
Add all to playlist
Play all
3
Nicolas Jaar - A3. Sunflower
Add all to playlist
Play all
4
Nicolas Jaar - B1. Too Many Kids Finding Rain In The Dust
Add all to playlist
Play all
5
Nicolas Jaar - B2. Keep Me There
Add all to playlist
Play all
6
Nicolas Jaar - B3. Problem With The Sun
Add all to playlist
Play all
7
Nicolas Jaar - C1. Space Is Only Noise If You Can See
Add all to playlist
Play all
8
Nicolas Jaar - C2. Almost Fell
Add all to playlist
Play all
9
Nicolas Jaar - C3. Balance Her In Between Your Eyes
Add all to playlist
Play all
10
Nicolas Jaar - D1. Specters Of The Future
Add all to playlist
Play all
11
Nicolas Jaar - D2. Trace
Add all to playlist
Play all
12
Nicolas Jaar - D3. Variations
Add all to playlist
Play all
13
Nicolas Jaar - D4. Être
Special remarks :
- Limited Ten Year Edition
- Crystal Clear Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut
- Download Code
- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's
It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.
What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on crystal clear vinyl to let the glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.
While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.
Tracklist LP:
A1. Être
A2. Colomb
A3. Sunflower
B1. Too Many Kids Finding Rain In The Dust
B2. Keep Me There
B3. Problem With The Sun
C1. Space Is Only Noise If You Can See
C2. Almost Fell
C3. Balance Her In Between Your Eyes
D1. Specters Of The Future
D2. Trace
D3. Variations
D4. ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- Limited Ten Year Edition
- Crystal Clear Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut
- Download Code
- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's
It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.
What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on crystal clear vinyl to let the glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.
While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.
Tracklist LP:
A1. Être
A2. Colomb
A3. Sunflower
B1. Too Many Kids Finding Rain In The Dust
B2. Keep Me There
B3. Problem With The Sun
C1. Space Is Only Noise If You Can See
C2. Almost Fell
C3. Balance Her In Between Your Eyes
D1. Specters Of The Future
D2. Trace
D3. Variations
D4. ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP055-CD
Release-Date:25.09.2020
Configuration:CD Excl
Barcode:4251804120029
in stock
Last in:18.09.2020
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:18.09.2020
Label:Other People
Cat-No:OP055-CD
Release-Date:25.09.2020
Configuration:CD Excl
Barcode:4251804120029
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - 1. Vanish
Add all to playlist
Play all
2
Nicolas Jaar - 2. Menysid
Add all to playlist
Play all
3
Nicolas Jaar - 3. Cenizas
Add all to playlist
Play all
4
Nicolas Jaar - 4. Agosto
Add all to playlist
Play all
5
Nicolas Jaar - 5. Gocce
Add all to playlist
Play all
6
Nicolas Jaar - 6. Mud
Add all to playlist
Play all
7
Nicolas Jaar - 7. Vacíar
Add all to playlist
Play all
8
Nicolas Jaar - 8. Sunder
Add all to playlist
Play all
9
Nicolas Jaar - 9. Hello, Chain
Add all to playlist
Play all
10
Nicolas Jaar - 10. Rubble
Add all to playlist
Play all
11
Nicolas Jaar - 11. Garden
Add all to playlist
Play all
12
Nicolas Jaar - 12. Xerox
Add all to playlist
Play all
13
Nicolas Jaar - 13. Faith Made of Silk
CD Version
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CD Excl
in stock
Label:Other People
Cat-No:OP055-CD+
Release-Date:25.09.2020
Configuration:CD Excl
Barcode:4251804121156
in stock
Last in:25.09.2020
Add all to playlist
Play all
+ Show full info- Close

in stock
Last in:25.09.2020
Label:Other People
Cat-No:OP055-CD+
Release-Date:25.09.2020
Configuration:CD Excl
Barcode:4251804121156
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - 1. Vanish
Add all to playlist
Play all
2
Nicolas Jaar - 2. Menysid
Add all to playlist
Play all
3
Nicolas Jaar - 3. Cenizas
Add all to playlist
Play all
4
Nicolas Jaar - 4. Agosto
Add all to playlist
Play all
5
Nicolas Jaar - 5. Gocce
Add all to playlist
Play all
6
Nicolas Jaar - 6. Mud
Add all to playlist
Play all
7
Nicolas Jaar - 7. Vacíar
Add all to playlist
Play all
8
Nicolas Jaar - 8. Sunder
Add all to playlist
Play all
9
Nicolas Jaar - 9. Hello, Chain
Add all to playlist
Play all
10
Nicolas Jaar - 10. Rubble
Add all to playlist
Play all
11
Nicolas Jaar - 11. Garden
Add all to playlist
Play all
12
Nicolas Jaar - 12. Xerox
Add all to playlist
Play all
13
Nicolas Jaar - 13. Faith Made of Silk
LTD CD : CD + Book + Clear PVC Sleeve
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
backorder
Label:Other People
Cat-No:OP055-2LP
Release-Date:25.09.2020
Configuration:2LP Excl
Barcode:4251804121149
backorder
Last in:18.03.2022
Add all to playlist
Play all
+ Show full info- Close

backorder
Last in:18.03.2022
Label:Other People
Cat-No:OP055-2LP
Release-Date:25.09.2020
Configuration:2LP Excl
Barcode:4251804121149
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - 1. Vanish
Add all to playlist
Play all
2
Nicolas Jaar - 2. Menysid
Add all to playlist
Play all
3
Nicolas Jaar - 3. Cenizas
Add all to playlist
Play all
4
Nicolas Jaar - 4. Agosto
Add all to playlist
Play all
5
Nicolas Jaar - 5. Gocce
Add all to playlist
Play all
6
Nicolas Jaar - 6. Mud
Add all to playlist
Play all
7
Nicolas Jaar - 7. Vacíar
Add all to playlist
Play all
8
Nicolas Jaar - 8. Sunder
Add all to playlist
Play all
9
Nicolas Jaar - 9. Hello, Chain
Add all to playlist
Play all
10
Nicolas Jaar - 10. Rubble
Add all to playlist
Play all
11
Nicolas Jaar - 11. Garden
Add all to playlist
Play all
12
Nicolas Jaar - 12. Xerox
Add all to playlist
Play all
13
Nicolas Jaar - 13. Faith Made of Silk
- 2LP is mastered for Exceptional Sound
LTD Edition includes : 2LP + Book + OCard + Clear PVC Sleeve
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LTD Edition includes : 2LP + Book + OCard + Clear PVC Sleeve
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:op032
Release-Date:29.06.2015
Genre:Alternative/Electronic
Configuration:12" Excl
Barcode:827170598560
backorder
Last in:06.12.2016
+ Show full info- Close
backorder
Last in:06.12.2016
Label:Other People
Cat-No:op032
Release-Date:29.06.2015
Genre:Alternative/Electronic
Configuration:12" Excl
Barcode:827170598560
Tracklist:
A - Swim
B - Mistress
Description:
Swim / Mistress
Recorded in New York City between 2011 - 2015
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A - Swim
B - Mistress
Description:
Swim / Mistress
Recorded in New York City between 2011 - 2015
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:op022
Release-Date:11.05.2015
Genre:Alternative/Electronic
Configuration:12" Excl
Barcode:827170573963
backorder
Last in:06.12.2016
+ Show full info- Close
backorder
Last in:06.12.2016
Label:Other People
Cat-No:op022
Release-Date:11.05.2015
Genre:Alternative/Electronic
Configuration:12" Excl
Barcode:827170573963
Tracklist:
A1 - The three sides of Audrey and why she’s all alone now
B1 - No one is looking at U
Description:
The three sides of Audrey and why she´s all alone now/No one is looking at U Recorded in New York City between 2011 - 2015
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 - The three sides of Audrey and why she’s all alone now
B1 - No one is looking at U
Description:
The three sides of Audrey and why she´s all alone now/No one is looking at U Recorded in New York City between 2011 - 2015
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Circus Company
Cat-No:ccs055-2
Release-Date:11.01.2012
Genre:House
Configuration:LP Excl
Barcode:827170433861
backorder
Last in:10.11.2022
+ Show full info- Close
backorder
Last in:10.11.2022
Label:Circus Company
Cat-No:ccs055-2
Release-Date:11.01.2012
Genre:House
Configuration:LP Excl
Barcode:827170433861
Nicolas Jaar Vinyl- 2nd Flush! Now available again...
A1 . Être A2 . Colomb A3 . Sunflower A4 . Too Many Kids Finding Rain in the Dust A5 . Keep me There
B1. Problems with the Sun B2. Space is Only Noise if You Can See B3. Almost Fell B4 . Balance Her in Between Your Eyes B5 . Specters of the Future B6 . Trace B7 . Variations B8 . ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 . Être A2 . Colomb A3 . Sunflower A4 . Too Many Kids Finding Rain in the Dust A5 . Keep me There
B1. Problems with the Sun B2. Space is Only Noise if You Can See B3. Almost Fell B4 . Balance Her in Between Your Eyes B5 . Specters of the Future B6 . Trace B7 . Variations B8 . ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Circus Company
Cat-No:cccd009-2
Release-Date:14.11.2011
Genre:House
Configuration:CD Excl
Barcode:827170120822
in stock
Last in:12.02.2021
+ Show full info- Close
in stock
Last in:12.02.2021
Label:Circus Company
Cat-No:cccd009-2
Release-Date:14.11.2011
Genre:House
Configuration:CD Excl
Barcode:827170120822
Nicolas Jaar has graduated-- Space is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music's most exciting producers.
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
10" Excl
backorder
Label:clown and sunset
Cat-No:cs007
Release-Date:19.10.2011
Genre:House
Configuration:10" Excl
Barcode:827170426764
backorder
Last in:19.08.2016
+ Show full info- Close
backorder
Last in:19.08.2016
Label:clown and sunset
Cat-No:cs007
Release-Date:19.10.2011
Genre:House
Configuration:10" Excl
Barcode:827170426764
2014 ONE TIME repress/re-rerelease of CS007 in it´s original sleeve /art/ labeldesign!
In the dead of winter, I visited Nico in his apartment in Providence, Rhode Island. He had just finished composing "Don't Break My Love," the A-side of his new EP and his first song since Space is Only Noise. He seemed solemn, but I didn't ask why. The next night, I witnessed a rare occurrence: Nico DJ-ed a small party. We danced all night in a brick-walled loft as snow fell outside. Half a year later and a continent away, the B-side, "Why Didn't You Save Me," arrived. Nico wrote it one sleepless night after a show in Germany. He spent the rest of the tour developing the song, letting it grow.
The rhythms on the EP unravel slowly. As the songs progress, they fill up with rapid-fire hi-hats and mechanical percussion. The faster strikes meet slower beats and the songs seem to stretch; they feel pulled in both directions almost ad infinitum. After the tour, I re-listened to the EP, a ten inch vinyl, with Nico in his apartment in New York. He told me he had been singing more and more, and sampling less. The EP foreshadowed an evolving sound within Clown & Sunset, he explained, and previewed an upcoming compilation by the same name, replete with new talent.
When the B-side wound down, and the clavinet faded out, Nico placed his finger tip on the edge of the record, slowing it to a crawl. With the resonance of our feelings, we remained still for a while after, as silence enveloped us.
Tracklisting:
A: Don't Break My Love
B: Why Didn't You Save Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
In the dead of winter, I visited Nico in his apartment in Providence, Rhode Island. He had just finished composing "Don't Break My Love," the A-side of his new EP and his first song since Space is Only Noise. He seemed solemn, but I didn't ask why. The next night, I witnessed a rare occurrence: Nico DJ-ed a small party. We danced all night in a brick-walled loft as snow fell outside. Half a year later and a continent away, the B-side, "Why Didn't You Save Me," arrived. Nico wrote it one sleepless night after a show in Germany. He spent the rest of the tour developing the song, letting it grow.
The rhythms on the EP unravel slowly. As the songs progress, they fill up with rapid-fire hi-hats and mechanical percussion. The faster strikes meet slower beats and the songs seem to stretch; they feel pulled in both directions almost ad infinitum. After the tour, I re-listened to the EP, a ten inch vinyl, with Nico in his apartment in New York. He told me he had been singing more and more, and sampling less. The EP foreshadowed an evolving sound within Clown & Sunset, he explained, and previewed an upcoming compilation by the same name, replete with new talent.
When the B-side wound down, and the clavinet faded out, Nico placed his finger tip on the edge of the record, slowing it to a crawl. With the resonance of our feelings, we remained still for a while after, as silence enveloped us.
Tracklisting:
A: Don't Break My Love
B: Why Didn't You Save Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
backorder
Label:Circus Company
Cat-No:ccs057
Release-Date:18.05.2011
Genre:House
Configuration:12" Excl
Barcode:827170367562
backorder
Last in:27.08.2014
+ Show full info- Close
backorder
Last in:27.08.2014
Label:Circus Company
Cat-No:ccs057
Release-Date:18.05.2011
Genre:House
Configuration:12" Excl
Barcode:827170367562
A1 Too Many Kids Finding Rain In The Dust - Pépé Bradock's Blind Pig Mix A2 Too Many Kids Finding Rain In The Dust - Pépé Bradock's Train Fantôme Poke B1 Space Is Only Noise If You Can See - Dave Aju remix
After the roaring success of Nicolas Jaar's Space is only Noise album the fine curatorial heads at Circus Company HQ have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. Having built a cult following and peerless reputation for his remixes of everyone from Roy Ayers to Cassius, Pépé Bradock turns in no less than 3 versions of Too Many Kids Finding Rain in the Dust. The proceedings begin with his Blind Pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. The Train Fantôme Poke follows and is certain to find it's way into many a discerning DJ bag in the weeks and months to come, with it's Mathew Herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. Dave Aju takes up the baton on the flip turning the album's title track into the kind of late 80s dance floor work out Martin Hannet would have been proud of, certain to appeal to fans of recent work by Matias Aguayo, Rebolledo and the Comeme camp. Finally, the bonus cut for the digital release, Mirandapella, sees Bradock doing away with the beats entirely and letting is fx units and sanity slip out the window into full cinematic free fall.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
After the roaring success of Nicolas Jaar's Space is only Noise album the fine curatorial heads at Circus Company HQ have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. Having built a cult following and peerless reputation for his remixes of everyone from Roy Ayers to Cassius, Pépé Bradock turns in no less than 3 versions of Too Many Kids Finding Rain in the Dust. The proceedings begin with his Blind Pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. The Train Fantôme Poke follows and is certain to find it's way into many a discerning DJ bag in the weeks and months to come, with it's Mathew Herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. Dave Aju takes up the baton on the flip turning the album's title track into the kind of late 80s dance floor work out Martin Hannet would have been proud of, certain to appeal to fans of recent work by Matias Aguayo, Rebolledo and the Comeme camp. Finally, the bonus cut for the digital release, Mirandapella, sees Bradock doing away with the beats entirely and letting is fx units and sanity slip out the window into full cinematic free fall.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Other People
LP Excl
pre-sale
Label:Other People
Cat-No:OP089
Release-Date:23.05.2025
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804185622
pre-sale
Last in:-
Add all to playlist
Play all
+ Show full info- Close


pre-sale
Last in:-
Label:Other People
Cat-No:OP089
Release-Date:23.05.2025
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804185622
Add all to playlist
Play all
Add all to playlist
Play all
1
Carla Boregas & Anelena Toku - A1. Orelha do Mundo
Add all to playlist
Play all
2
Carla Boregas & Anelena Toku - A2. Clarão
Add all to playlist
Play all
3
Carla Boregas & Anelena Toku - A3. Antes eu não sabia como dizer tudo que eu digo agora
Add all to playlist
Play all
4
Carla Boregas & Anelena Toku - A4. Falando, eu me lembro
Add all to playlist
Play all
5
Carla Boregas & Anelena Toku - A5. Lebrina
Add all to playlist
Play all
6
Carla Boregas & Anelena Toku - B1. Hush
Add all to playlist
Play all
7
Carla Boregas & Anelena Toku - B2. Estilhaço
Add all to playlist
Play all
8
Carla Boregas & Anelena Toku - B3. Patrimonium
Add all to playlist
Play all
9
Carla Boregas & Anelena Toku - B4. O Avanço em Retorno
Add all to playlist
Play all
10
Carla Boregas & Anelena Toku - B5. Una
1- Format: LP
Special remarks: OBI-strip
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
> A1 / 1. A Orelha do Mundo
> A2 / 2. Clarão
> A3 / 3. Antes eu não sabia como dizer tudo que eu digo agora
> A4 / 4. Falando, eu me lembro
> A5 / 5. Lebrina
> B1 / 6. Hush
> B2 / 7. Estilhaço
> B3 / 8. Patrimonium
> B4 / 9. O Avanço em Retorno
> B5 / 10. Una
4. SHORT INFO:
Highlighting a decade of working together as ‘Fronte Violeta’, Brazilian transdisciplinary artist Anelena
Toku and musician and sound artist Carla Boregas are set to release the album ‘Fronte Violeta’, a
captivating blend of aural compositions, scents and experiences.
Switching the moniker name to the album title serves as a way to showcase the culmination of their
multidisciplinary project’s journey, developed from compiling fragments, sounds and intentions from
their previous body of work comprising electroacoustic and electronic music composition, moving
image, scent, installation and live performances.
‘Fronte Violeta’ is a sonic amalgam where synthesized sounds, percussion, voice, feathers, branches
and other non-human sonorities coalesce. Toku and Boregas have skillfully woven together those
elements creating a rich tapestry of interconnected sounds that tension our perception as something
always in motion, never fully settling into an established form.
Composed and performed by Anelena Toku and Carla Boregas.
Anelena Toku : synth, sampler, voice
Carla Boregas : synth, electronics, tape, taishogoto, gong, feedback, voice, amplified objects
Juliana R. : voice (track 7)
Caio Vinícius : gong, feather (track 1 and 3)
Barata : drums (track 6)
Recorded by Anelena Toku, Carla Boregas, Felipe Pato and Bruno Palazzo
Produced by Carla Boregas
Mixed by Carla Boregas and Nicolás Jaar
Mastered by Patrick Higgins
Design by Maziyar Pahlevan
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Special remarks: OBI-strip
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
> A1 / 1. A Orelha do Mundo
> A2 / 2. Clarão
> A3 / 3. Antes eu não sabia como dizer tudo que eu digo agora
> A4 / 4. Falando, eu me lembro
> A5 / 5. Lebrina
> B1 / 6. Hush
> B2 / 7. Estilhaço
> B3 / 8. Patrimonium
> B4 / 9. O Avanço em Retorno
> B5 / 10. Una
4. SHORT INFO:
Highlighting a decade of working together as ‘Fronte Violeta’, Brazilian transdisciplinary artist Anelena
Toku and musician and sound artist Carla Boregas are set to release the album ‘Fronte Violeta’, a
captivating blend of aural compositions, scents and experiences.
Switching the moniker name to the album title serves as a way to showcase the culmination of their
multidisciplinary project’s journey, developed from compiling fragments, sounds and intentions from
their previous body of work comprising electroacoustic and electronic music composition, moving
image, scent, installation and live performances.
‘Fronte Violeta’ is a sonic amalgam where synthesized sounds, percussion, voice, feathers, branches
and other non-human sonorities coalesce. Toku and Boregas have skillfully woven together those
elements creating a rich tapestry of interconnected sounds that tension our perception as something
always in motion, never fully settling into an established form.
Composed and performed by Anelena Toku and Carla Boregas.
Anelena Toku : synth, sampler, voice
Carla Boregas : synth, electronics, tape, taishogoto, gong, feedback, voice, amplified objects
Juliana R. : voice (track 7)
Caio Vinícius : gong, feather (track 1 and 3)
Barata : drums (track 6)
Recorded by Anelena Toku, Carla Boregas, Felipe Pato and Bruno Palazzo
Produced by Carla Boregas
Mixed by Carla Boregas and Nicolás Jaar
Mastered by Patrick Higgins
Design by Maziyar Pahlevan
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OPTOTEBLK
Release-Date:04.04.2025
Genre:Alternative/Electronic
Configuration:Tote Bag
Barcode:
backorder
Last in:01.04.2025
+ Show full info- Close
backorder
Last in:01.04.2025
Label:Other People
Cat-No:OPTOTEBLK
Release-Date:04.04.2025
Genre:Alternative/Electronic
Configuration:Tote Bag
Barcode:
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Other People
Cat-No:OP081
Release-Date:28.03.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804184441
in stock
Last in:19.02.2025
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:19.02.2025
Label:Other People
Cat-No:OP081
Release-Date:28.03.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804184441
Add all to playlist
Play all
Add all to playlist
Play all
1
Surface Access - A1. Drainage Overflow
Add all to playlist
Play all
2
Surface Access - B1 .Basic User Charge
12"
2. GENRE/S: Dub Techno
3. TRACKLISTS:
> A1 / 1. Drainage Overflow
> B1 / 2. Basic User Charge
4. SHORT INFO:
Delectable and on point dub techno, 'Advanced Surface Habitat' is the debut EP by French duo
Surface Access
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Dub Techno
3. TRACKLISTS:
> A1 / 1. Drainage Overflow
> B1 / 2. Basic User Charge
4. SHORT INFO:
Delectable and on point dub techno, 'Advanced Surface Habitat' is the debut EP by French duo
Surface Access
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP083
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804184595
in stock
Last in:29.01.2025
Add all to playlist
Play all
+ Show full info- Close



in stock
Last in:29.01.2025
Label:Other People
Cat-No:OP083
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804184595
Add all to playlist
Play all
Add all to playlist
Play all
1
Enxin/Onyx - A1. A Void
Add all to playlist
Play all
2
Enxin/Onyx - A2. Flare and Coil
Add all to playlist
Play all
3
Enxin/Onyx - A3. Needle Pierces the Threshold
Add all to playlist
Play all
4
Enxin/Onyx - B1.The Face of Others
Add all to playlist
Play all
5
Enxin/Onyx - B2. Embers Kiss the Eye
Add all to playlist
Play all
6
Enxin/Onyx - B3. Dorothy
Add all to playlist
Play all
7
Enxin/Onyx - B4. Din Dian Redux
1. Format: LP
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
> A1 / 1. A Void
> A2 / 2. Flare and Coil
> A3 / 3. Needle Pierces the Threshold
> B1 / 4. The Face of Others
> B2 / 5. Embers Kiss the Eye
> B3 / 6. Dorothy
> B4 / 7. Din Dian Redux
4. SHORT INFO:
Enxin/Onyx, the duo of Nicky Mao/Hiro Kone and Tot Onyx (formerly group A), joins Other People with
their debut album "In Rupture," capturing the same mesmerizing energy for which their live sets have
become known.
“In Rupture” is not painless but in rupture lies possibility. The elasticity of this time pitching us across
unknown terrain, revealing new potentialities, eclipsing static being. Whether in breach, collision,shimmer or severance, Enxin/Onyx explores these as occasions for transformation. Peeling back the
layers through discord and harmony, exciting the inversion of expectation, towing the listener to
depths and back up again to illuminate the senses. At times metallic and feral, at others murky and
sharp, each song serves as an offering for all that is in rupture; body, spirit, land, ecosystem.
The opening track “A Void” calls to mind some mutation in its mechanical ecstasy, but for what
purpose remains unknown. Even in the near moments of stillness, “Needle Pierces the Threshold”
breathes a forceful disquietude. Tommi’s vocals pulling the listener down into some subterranean
madness, to unravel upwards from all sides, flooding the once parched landscape. In “Embers Kiss
the Eye”, all of time emerges in one moment, compelling the subject’s gaze towards a new horizon.
The album follows its subjects through exile, exhumation and discovery. Through this process plates
shift, fissures are revealed and what once appeared to be indomitable absolutes crack, pointing
towards their inevitable collapse. To be in rupture is regeneration, to be in rupture is to return.
5. VITAL SALES POINTS:
Debut album by Enxin/Onyx (Nicky Mao/Hiro Kone and Tot Onyx, formerly one half of group A)
“Despite its thunderous sonics, the EP derives its intensity from restraint. On her records as Hiro
Kone, Nicky Mao often allows her modular synth programming to tip into chaos, crashing layers upon
layers of sound into one another. Here, each sound feels considered. And rather than simply reacting
to what's coming from Mao's rig, Tokyo works to integrate her caustic and creaking vocalizations. At
points throughout the EP it's hard to discern between voice and electronics. Dorothy might be a
harrowing 20 minutes, but it's thrilling in its hive-mind execution, where two distinctive artists
effortlessly melt into each other.” RA review Dorothy EP
NTS mix
https://www.nts.live/shows/guests/episodes/enxin-onyx-2nd-may-202
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
> A1 / 1. A Void
> A2 / 2. Flare and Coil
> A3 / 3. Needle Pierces the Threshold
> B1 / 4. The Face of Others
> B2 / 5. Embers Kiss the Eye
> B3 / 6. Dorothy
> B4 / 7. Din Dian Redux
4. SHORT INFO:
Enxin/Onyx, the duo of Nicky Mao/Hiro Kone and Tot Onyx (formerly group A), joins Other People with
their debut album "In Rupture," capturing the same mesmerizing energy for which their live sets have
become known.
“In Rupture” is not painless but in rupture lies possibility. The elasticity of this time pitching us across
unknown terrain, revealing new potentialities, eclipsing static being. Whether in breach, collision,shimmer or severance, Enxin/Onyx explores these as occasions for transformation. Peeling back the
layers through discord and harmony, exciting the inversion of expectation, towing the listener to
depths and back up again to illuminate the senses. At times metallic and feral, at others murky and
sharp, each song serves as an offering for all that is in rupture; body, spirit, land, ecosystem.
The opening track “A Void” calls to mind some mutation in its mechanical ecstasy, but for what
purpose remains unknown. Even in the near moments of stillness, “Needle Pierces the Threshold”
breathes a forceful disquietude. Tommi’s vocals pulling the listener down into some subterranean
madness, to unravel upwards from all sides, flooding the once parched landscape. In “Embers Kiss
the Eye”, all of time emerges in one moment, compelling the subject’s gaze towards a new horizon.
The album follows its subjects through exile, exhumation and discovery. Through this process plates
shift, fissures are revealed and what once appeared to be indomitable absolutes crack, pointing
towards their inevitable collapse. To be in rupture is regeneration, to be in rupture is to return.
5. VITAL SALES POINTS:
Debut album by Enxin/Onyx (Nicky Mao/Hiro Kone and Tot Onyx, formerly one half of group A)
“Despite its thunderous sonics, the EP derives its intensity from restraint. On her records as Hiro
Kone, Nicky Mao often allows her modular synth programming to tip into chaos, crashing layers upon
layers of sound into one another. Here, each sound feels considered. And rather than simply reacting
to what's coming from Mao's rig, Tokyo works to integrate her caustic and creaking vocalizations. At
points throughout the EP it's hard to discern between voice and electronics. Dorothy might be a
harrowing 20 minutes, but it's thrilling in its hive-mind execution, where two distinctive artists
effortlessly melt into each other.” RA review Dorothy EP
NTS mix
https://www.nts.live/shows/guests/episodes/enxin-onyx-2nd-may-202
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Other People
Cat-No:OP078
Release-Date:17.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
in stock
Last in:26.03.2025
Add all to playlist
Play all
+ Show full info- Close



in stock
Last in:26.03.2025
Label:Other People
Cat-No:OP078
Release-Date:17.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolás Jaar - A1 Cangilón
Add all to playlist
Play all
2
Nicolás Jaar - A2 Piedras
Add all to playlist
Play all
3
Nicolás Jaar - A3 Aqui
Add all to playlist
Play all
4
Nicolás Jaar - A4 Agua pa fantasmas
Add all to playlist
Play all
5
Nicolás Jaar - B1 Rio de las tumbas
Add all to playlist
Play all
6
Nicolás Jaar - B2 Viento
Add all to playlist
Play all
7
Nicolás Jaar - B3 Mi viejita
Add all to playlist
Play all
8
Nicolás Jaar - B4 No Hope
Add all to playlist
Play all
9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
Add all to playlist
Play all
10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
Add all to playlist
Play all
11
Nicolás Jaar - C3 3eee
Add all to playlist
Play all
12
Nicolás Jaar - C4 F Collect
Add all to playlist
Play all
13
Nicolás Jaar - C5 Even heaven is uneven
Add all to playlist
Play all
14
Nicolás Jaar - C6 El azar
Add all to playlist
Play all
15
Nicolás Jaar - D1 I, you
Add all to playlist
Play all
16
Nicolás Jaar - D2 Heterodina
Add all to playlist
Play all
17
Nicolás Jaar - D3 Sin Conexión
Add all to playlist
Play all
18
Nicolás Jaar - D4 SSS1
Add all to playlist
Play all
19
Nicolás Jaar - D5 SSS2
Add all to playlist
Play all
20
Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP080
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:
in stock
Last in:08.11.2024
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:08.11.2024
Label:Other People
Cat-No:OP080
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Okokon - A1 / 1. Borga
Add all to playlist
Play all
2
Okokon - A2 / 2. Mentor
Add all to playlist
Play all
3
Okokon - A3 / 3. Judgement (feat. Okwui Okpokwasili)
Add all to playlist
Play all
4
Okokon - A4 / 4. Principalities I
Add all to playlist
Play all
5
Okokon - A5 / 5. Fruit Bat
Add all to playlist
Play all
6
Okokon - B1 / 6. Lifted
Add all to playlist
Play all
7
Okokon - B2 / 7. Principalities II
Add all to playlist
Play all
8
Okokon - B3 / 8. Agnate
Add all to playlist
Play all
9
Okokon - B4 / 9. Libate
Add all to playlist
Play all
10
Okokon - B5 / 10. Bones
LP
GENRE/S: Electronic / Experimental
TRACKLISTS:
> A1 / 1. Borga
> A2 / 2. Mentor
> A3 / 3. Judgement (feat. Okwui Okpokwasili)
> A4 / 4. Principalities I
> A5 / 5. Fruit Bat
> B1 / 6. Lifted
> B2 / 7. Principalities II> B3 / 8. Agnate
> B4 / 9. Libate
> B4 / 10. Bones
SHORT INFO:
Okokon returns to Other People with his sophomore album, 'Offering', delving deeper into the lush
and cinematic soundscapes he first explored on his debut album, 'Turkson Side'. While primarily
working in visual arts, Africanus Okokon, who records under his surname, bridges his artistic practices
in 'Offering', using his masterful collage techniques to create his most personal work yet. Defying easy
categorization, the album melds influences from dream pop, avant-garde folk, psychedelia, trip hop,
and dub, with traces of field recordings seamlessly blended throughout to form a cohesive whole.
'Offering' sees Okokon confronting and negotiating a sudden and unexplained death that occurred in
his childhood and the complex emotions left in its aftermath, acting as his main inspiration when
making the album. This ambiguity is something that permeates throughout, with Okokon wanting to
explore the ambivalence and sometimes uneasiness of contradicting emotions appearing
simultaneously, alluded to in the album title. This is also reflected in how the album tracks each inhabit
different narrators with varying perspectives on the same events. The result being a hauntingly
beautiful album, with recurring themes of death, growth, sacrifice and spirituality ever present.
VITAL SALES POINTS:
Follow up to 2015’s Turkson Side. released on Other People, which garnered favourable reviews from
the press
“standout album with an electrifying mixture of modernity and tradition, with chimes, drums, and
keyboards sparkling through a warm, nostalgic production haze.” PopMatters
“Turkson side is by no means a dystopian epic, rather a gooey slice of lighthearted experimentation”
The Wire
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Electronic / Experimental
TRACKLISTS:
> A1 / 1. Borga
> A2 / 2. Mentor
> A3 / 3. Judgement (feat. Okwui Okpokwasili)
> A4 / 4. Principalities I
> A5 / 5. Fruit Bat
> B1 / 6. Lifted
> B2 / 7. Principalities II> B3 / 8. Agnate
> B4 / 9. Libate
> B4 / 10. Bones
SHORT INFO:
Okokon returns to Other People with his sophomore album, 'Offering', delving deeper into the lush
and cinematic soundscapes he first explored on his debut album, 'Turkson Side'. While primarily
working in visual arts, Africanus Okokon, who records under his surname, bridges his artistic practices
in 'Offering', using his masterful collage techniques to create his most personal work yet. Defying easy
categorization, the album melds influences from dream pop, avant-garde folk, psychedelia, trip hop,
and dub, with traces of field recordings seamlessly blended throughout to form a cohesive whole.
'Offering' sees Okokon confronting and negotiating a sudden and unexplained death that occurred in
his childhood and the complex emotions left in its aftermath, acting as his main inspiration when
making the album. This ambiguity is something that permeates throughout, with Okokon wanting to
explore the ambivalence and sometimes uneasiness of contradicting emotions appearing
simultaneously, alluded to in the album title. This is also reflected in how the album tracks each inhabit
different narrators with varying perspectives on the same events. The result being a hauntingly
beautiful album, with recurring themes of death, growth, sacrifice and spirituality ever present.
VITAL SALES POINTS:
Follow up to 2015’s Turkson Side. released on Other People, which garnered favourable reviews from
the press
“standout album with an electrifying mixture of modernity and tradition, with chimes, drums, and
keyboards sparkling through a warm, nostalgic production haze.” PopMatters
“Turkson side is by no means a dystopian epic, rather a gooey slice of lighthearted experimentation”
The Wire
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Other People
Cat-No:OP077
Release-Date:12.07.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804181679
in stock
Last in:24.04.2024
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:24.04.2024
Label:Other People
Cat-No:OP077
Release-Date:12.07.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804181679
Add all to playlist
Play all
Add all to playlist
Play all
1
Patrick Higgins - (1) Versus
Add all to playlist
Play all
2
Patrick Higgins - (2) Antinome
Add all to playlist
Play all
3
Patrick Higgins - (3) In Situ
Add all to playlist
Play all
4
Patrick Higgins - (4) Sirocco
Add all to playlist
Play all
5
Patrick Higgins - (5) Catalyst
Add all to playlist
Play all
6
Patrick Higgins - (6) Faceless (pulse)
Add all to playlist
Play all
7
Patrick Higgins - (7) The Outside Doesn't Dream of Itself
Add all to playlist
Play all
8
Patrick Higgins - (8) Little One
Add all to playlist
Play all
9
Patrick Higgins - (9) Aporia
LP. 180G BioVinyl, Obi Tag, Printed Inner Sleeves, Special Pantone Colors
2. GENRE/S: Electronic / Dark Ambient
3. TRACKLISTS:
Side A
(1) Versus (18'26")
Side B
(2) Antinome (6'57")
(3) In Situ (5'18")
Side C
(4) Sirocco (16'35")
(5) Catalyst (4'58")
Side D
(6) Faceless (pulse) (5'31")
(7) The Outside Doesn't Dream of Itself (9'30")
(8) Little One (4'21")
(9) Aporia (5'44")
4. SHORT INFO:
PATRICK HIGGINS is an American composer, guitarist, and producer from New York City, known for his work in experimental and contemporary classical music. Higgins plays guitar and composes in the band Zs, described by The New York Times as "one of the strongest avant-garde bands in New York." Heralded as a "formidable concert music composer" (Boston Globe) and "one of the most gifted guitarists working today" (The Quietus), Higgins has received attention for bridging traditions including baroque chamber music, contemporary noise, electronics and 20th century minimalism. His work has been performed in over 25 countries internationally, and he has composed works for some of the world's leading ensembles, ranging from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored works for television, museum exhibitions, and films both short-form and feature-length. Since 2013, he has operated Future-Past Studios, a recording studio in upstate NY.
He recently had a solo exhibition of artworks and sheet music, as well as two world premiers, at The Clark Museum in MA, USA. In 2019, he was a curator and headliner of the Le Guess Who festival in Holland. Higgins has performed and presented works at many of the world's largest festivals and venues across the past 12 years, including The Broad Museum (LA), The Warhol Museum, SF MOMA, Unsound Festival (Poland), Pioneer Works (NYC), Monom Berlin, Sony Ginza Park (Tokyo), ReWire (Holland), Cleveland MOCA, ICA Boston, Teatro Carignano (Torino IT), Sacrum Profanum (Kracow), Merriweather Post Pavillion, Donau Festival (Austria), Paula Cooper Gallery (NYC), Club Unit (Tokyo), Shakespeare Theater (Gdansk), The Netherlands Philharmonic Orchestra and many more.
5. VITAL SALES POINTS:
Higgins currently records for the Other People label, and has previously worked with NNA Tapes, Northern Spy, and Telegraph Harp records.
He is the founding member of AEAEA, a new duo project with electronic musician Nicolás Jaar.
"Patrick Higgins composes with a scholar's historical perspective and a punk's sense of abandon." - PITCHFORK
"one of the prime movers of the avant-garde" - The New Yorker
"a pioneer of modern experimental music" - East Village Radio (NYC)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Electronic / Dark Ambient
3. TRACKLISTS:
Side A
(1) Versus (18'26")
Side B
(2) Antinome (6'57")
(3) In Situ (5'18")
Side C
(4) Sirocco (16'35")
(5) Catalyst (4'58")
Side D
(6) Faceless (pulse) (5'31")
(7) The Outside Doesn't Dream of Itself (9'30")
(8) Little One (4'21")
(9) Aporia (5'44")
4. SHORT INFO:
PATRICK HIGGINS is an American composer, guitarist, and producer from New York City, known for his work in experimental and contemporary classical music. Higgins plays guitar and composes in the band Zs, described by The New York Times as "one of the strongest avant-garde bands in New York." Heralded as a "formidable concert music composer" (Boston Globe) and "one of the most gifted guitarists working today" (The Quietus), Higgins has received attention for bridging traditions including baroque chamber music, contemporary noise, electronics and 20th century minimalism. His work has been performed in over 25 countries internationally, and he has composed works for some of the world's leading ensembles, ranging from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored works for television, museum exhibitions, and films both short-form and feature-length. Since 2013, he has operated Future-Past Studios, a recording studio in upstate NY.
He recently had a solo exhibition of artworks and sheet music, as well as two world premiers, at The Clark Museum in MA, USA. In 2019, he was a curator and headliner of the Le Guess Who festival in Holland. Higgins has performed and presented works at many of the world's largest festivals and venues across the past 12 years, including The Broad Museum (LA), The Warhol Museum, SF MOMA, Unsound Festival (Poland), Pioneer Works (NYC), Monom Berlin, Sony Ginza Park (Tokyo), ReWire (Holland), Cleveland MOCA, ICA Boston, Teatro Carignano (Torino IT), Sacrum Profanum (Kracow), Merriweather Post Pavillion, Donau Festival (Austria), Paula Cooper Gallery (NYC), Club Unit (Tokyo), Shakespeare Theater (Gdansk), The Netherlands Philharmonic Orchestra and many more.
5. VITAL SALES POINTS:
Higgins currently records for the Other People label, and has previously worked with NNA Tapes, Northern Spy, and Telegraph Harp records.
He is the founding member of AEAEA, a new duo project with electronic musician Nicolás Jaar.
"Patrick Higgins composes with a scholar's historical perspective and a punk's sense of abandon." - PITCHFORK
"one of the prime movers of the avant-garde" - The New Yorker
"a pioneer of modern experimental music" - East Village Radio (NYC)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP070
Release-Date:28.06.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804144377
in stock
Last in:24.04.2024
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:24.04.2024
Label:Other People
Cat-No:OP070
Release-Date:28.06.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804144377
Add all to playlist
Play all
Add all to playlist
Play all
1
Solpara - Time To Hold Better
Add all to playlist
Play all
2
Solpara - This Time Last Year
Add all to playlist
Play all
3
Solpara - We Keep Us Safe
Add all to playlist
Play all
4
Solpara - Melancholy Sabotage
Add all to playlist
Play all
5
Solpara - Measures
Add all to playlist
Play all
6
Solpara - We Don't Owe
Add all to playlist
Play all
7
Solpara - Breaking Points
Add all to playlist
Play all
8
Solpara - Eviction
LP
2. GENRE/S: Electronic / Trip Hop / Breaks
3. TRACKLISTS:
1 - Time To Hold Better
2 - This Time Last Year
3 - We Keep Us Safe
4 - Melancholy Sabotage
5 - Measures
6 - We Don't Owe
7 - Breaking Points
8 - Eviction
The new album from Lebanese-American musician Solpara, Melancholy Sabotage, marks his full length debut and return to Nicolas Jaar's Other People label. While it was recorded over Covid lockdowns, Jaar had been talking about wanting to back a Solpara full-length since he put out Swing. The album came to life while Solpara was living alone in a Brooklyn loft, collecting unemployment checks and viewing ample free time as the artist residency he'd dreamed of; he'd previously been forced to make music in odd windows between numerous jobs and the unmerciful pace of city life. Free from obligations, he would wake up early to take Arabic lessons online, read Tracey Thorn's autobiography, and skateboard the deserted streets, then come home and design sounds until he had a track that felt like it needed to be released. While this easy going lifestyle was peaceful in many ways, Solpara found more complex inspiration in the emotion that stemmed from participation in Black Lives Matter protests and the 2020 Beirut Port explosion, which rocked all of his extended family members in Lebanon.
Melancholy Sabotage explores the theme of sabotaging melancholy. Echoing sounds from the post-punk, trip-hop, and ambient genres, it is about sabotaging the cycle of melancholy and looking at this process without ignoring the sources that put it into motion. It may be compared to a rattling breaking free from retention, reaching states of dreamy euphoria while simultaneously acknowledging the sources of retention, viewed from above. The sources can be personal, political, or socio-economic. They are to be apprehended post-melancholy, after the sabotaging of the initial cycle of melancholy. In other words, it is about transcending melancholy and understanding where it came from with some distance. It may be beautiful and healthy to feel for a while, but how may one sabotage this cycle when it becomes paralyzing? Ultimately, this album is about feeling melancholy but also resisting it and naming the sources that initiated it.
"Time To Hold Better" points to neglect on both personal and group levels. "This Time Last Year" is a personal time capsule. "We Keep Us Safe" is about solidarity, autonomy, and care witnessed within protest groups. "Melancholy Sabotage" is a sonic exploration of the album concept illustrating anger and sadness, but finally, resistance and liberation from these feelings. "Measures" is a more fluid exploration of the latter after the initial storm has passed. "We Don't Owe" points to bigger bodies inflicting harm on populations that we owe nothing to. "Breaking Points" harkens the times that we may lose focus while pushing to transcend melancholy. "Eviction" is about being pushed out of a space unwillingly while simultaneously being forced to move forward.
Melancholy Sabotage pulls from a range of genres, uniting electronic sounds under the same post-punky glow. It pulls from complex, heavy themes including damage and injustice, presenting Solpara's most moving body of work to date. It highlights the poignance that has always been at the heart of his fluid sound, which caters to dancefloors and avant-garde spaces in equal measure. Working with a mix of dissonant guitars, distorted drum machines, and distant, reverb-washed vocals, Melancholy Sabotage is Solpara's uneasiest outing to date. The record pinpoints the duality at the heart of Solpara's sound, which is as plaintive as it is searing.
5. VITAL SALES POINTS:
Solpara launched the label and event series Booma Collective with Oren Ratowsky and Valentin Stip - a lowkey institution in the international techno circuit.
His 2015 EP, Swing, marked both a sonic and professional turning point. It split the difference between noisy techno and spacey ambience, capturing the essence of a young artist settling into a singular lane. Issued by Nicolas Jaar's esteemed Other People label, it solidified Solpara's place as an inimitable up-and-comer. "Nicolas and I met in high school, played in a band together, and have been exchanging music ever since," he says. In part thanks to Jaar's powerful co-sign, subsequent Solpara releases landed on imprints such as Quiet Time Tapes and Bruta?.
Solpara fuses elements of post-punk, ambient, house, and dub techno. While plenty of his cuts would fit within the context of an energizing DJ set, many are arrhythmic and avant-garde. When asked about his influences, Solpara cites artists ranging from Laurel Halo to Laurie Spiegel to Massive Attack to Denis Mpunga to Lily Tchiumba. His eclectic tastes were nurtured while studying film and philosophy in college, with German expressionism, Tarkovsky, and Chris Marker's La Jetee allowing him to realize the atmosphere he had been searching for. This curiosity was further encouraged by Booma Collective members and his roommate Jurg Haller, who went on to found the label Forbidden Planet Records. Later, after Solpara returned to his New York City hometown, he worked as a buyer for the now-shuttered record store Halcyon. In that job, he listened to copious amounts of music every day. His deep knowledge of culture has had a strong impact on a sound that is simultaneously fluid and commanding.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Electronic / Trip Hop / Breaks
3. TRACKLISTS:
1 - Time To Hold Better
2 - This Time Last Year
3 - We Keep Us Safe
4 - Melancholy Sabotage
5 - Measures
6 - We Don't Owe
7 - Breaking Points
8 - Eviction
The new album from Lebanese-American musician Solpara, Melancholy Sabotage, marks his full length debut and return to Nicolas Jaar's Other People label. While it was recorded over Covid lockdowns, Jaar had been talking about wanting to back a Solpara full-length since he put out Swing. The album came to life while Solpara was living alone in a Brooklyn loft, collecting unemployment checks and viewing ample free time as the artist residency he'd dreamed of; he'd previously been forced to make music in odd windows between numerous jobs and the unmerciful pace of city life. Free from obligations, he would wake up early to take Arabic lessons online, read Tracey Thorn's autobiography, and skateboard the deserted streets, then come home and design sounds until he had a track that felt like it needed to be released. While this easy going lifestyle was peaceful in many ways, Solpara found more complex inspiration in the emotion that stemmed from participation in Black Lives Matter protests and the 2020 Beirut Port explosion, which rocked all of his extended family members in Lebanon.
Melancholy Sabotage explores the theme of sabotaging melancholy. Echoing sounds from the post-punk, trip-hop, and ambient genres, it is about sabotaging the cycle of melancholy and looking at this process without ignoring the sources that put it into motion. It may be compared to a rattling breaking free from retention, reaching states of dreamy euphoria while simultaneously acknowledging the sources of retention, viewed from above. The sources can be personal, political, or socio-economic. They are to be apprehended post-melancholy, after the sabotaging of the initial cycle of melancholy. In other words, it is about transcending melancholy and understanding where it came from with some distance. It may be beautiful and healthy to feel for a while, but how may one sabotage this cycle when it becomes paralyzing? Ultimately, this album is about feeling melancholy but also resisting it and naming the sources that initiated it.
"Time To Hold Better" points to neglect on both personal and group levels. "This Time Last Year" is a personal time capsule. "We Keep Us Safe" is about solidarity, autonomy, and care witnessed within protest groups. "Melancholy Sabotage" is a sonic exploration of the album concept illustrating anger and sadness, but finally, resistance and liberation from these feelings. "Measures" is a more fluid exploration of the latter after the initial storm has passed. "We Don't Owe" points to bigger bodies inflicting harm on populations that we owe nothing to. "Breaking Points" harkens the times that we may lose focus while pushing to transcend melancholy. "Eviction" is about being pushed out of a space unwillingly while simultaneously being forced to move forward.
Melancholy Sabotage pulls from a range of genres, uniting electronic sounds under the same post-punky glow. It pulls from complex, heavy themes including damage and injustice, presenting Solpara's most moving body of work to date. It highlights the poignance that has always been at the heart of his fluid sound, which caters to dancefloors and avant-garde spaces in equal measure. Working with a mix of dissonant guitars, distorted drum machines, and distant, reverb-washed vocals, Melancholy Sabotage is Solpara's uneasiest outing to date. The record pinpoints the duality at the heart of Solpara's sound, which is as plaintive as it is searing.
5. VITAL SALES POINTS:
Solpara launched the label and event series Booma Collective with Oren Ratowsky and Valentin Stip - a lowkey institution in the international techno circuit.
His 2015 EP, Swing, marked both a sonic and professional turning point. It split the difference between noisy techno and spacey ambience, capturing the essence of a young artist settling into a singular lane. Issued by Nicolas Jaar's esteemed Other People label, it solidified Solpara's place as an inimitable up-and-comer. "Nicolas and I met in high school, played in a band together, and have been exchanging music ever since," he says. In part thanks to Jaar's powerful co-sign, subsequent Solpara releases landed on imprints such as Quiet Time Tapes and Bruta?.
Solpara fuses elements of post-punk, ambient, house, and dub techno. While plenty of his cuts would fit within the context of an energizing DJ set, many are arrhythmic and avant-garde. When asked about his influences, Solpara cites artists ranging from Laurel Halo to Laurie Spiegel to Massive Attack to Denis Mpunga to Lily Tchiumba. His eclectic tastes were nurtured while studying film and philosophy in college, with German expressionism, Tarkovsky, and Chris Marker's La Jetee allowing him to realize the atmosphere he had been searching for. This curiosity was further encouraged by Booma Collective members and his roommate Jurg Haller, who went on to found the label Forbidden Planet Records. Later, after Solpara returned to his New York City hometown, he worked as a buyer for the now-shuttered record store Halcyon. In that job, he listened to copious amounts of music every day. His deep knowledge of culture has had a strong impact on a sound that is simultaneously fluid and commanding.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP076
Release-Date:28.03.2024
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4251804180511
in stock
Last in:07.02.2024
Add all to playlist
Play all
+ Show full info- Close


in stock
Last in:07.02.2024
Label:Other People
Cat-No:OP076
Release-Date:28.03.2024
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4251804180511
Add all to playlist
Play all
Add all to playlist
Play all
1
Valentina Villarroel - 1. Antena magne?tica captando campos electromagneticos I
Add all to playlist
Play all
2
Valentina Villarroel - 2. Antena magne?tica captando campos electromagne?ticos II
Add all to playlist
Play all
3
Valentina Villarroel - 3. Micro?fono de contacto captando vibracio?n del puente Llacole?n
Add all to playlist
Play all
4
Valentina Villarroel - 4. Micro?fono de contacto captando la interaccio?n entre el viento y un a?rbol
Add all to playlist
Play all
5
Valentina Villarroel - 5. Micro?fono de contacto en elementos vibrantes
Add all to playlist
Play all
6
Valentina Villarroel - 6. Micro?fonos de contacto captando granizos
Add all to playlist
Play all
7
Valentina Villarroel - 7. Micro?fonos de contacto en autobu?s
Add all to playlist
Play all
8
Valentina Villarroel - 8. Hidro?fono bajo el fondo del mar
Add all to playlist
Play all
9
Valentina Villarroel - 9. Vibraciones de materiales Geofon II
Add all to playlist
Play all
10
Valentina Villarroel - 10. Vibraciones de materiales Geofon I
Add all to playlist
Play all
11
Valentina Villarroel - 11. Vibraciones de materiales Geofon III
Add all to playlist
Play all
12
Valentina Villarroel - 12. En la direccio?n del viento
Add all to playlist
Play all
13
Valentina Villarroel - 13. Ronroneo de selai
Add all to playlist
Play all
14
Valentina Villarroel - 14. Rai?l
Add all to playlist
Play all
15
Valentina Villarroel - 15. Efectos sonoros en la naturaleza
Cassette
GENRE/S: Alternative / Electronic / Soundscapes
TRACKLISTS:
1. Antena magne?tica captando campos electromagneticos I
2. Antena magne?tica captando campos electromagne?ticos II
3. Micro?fono de contacto captando vibracio?n del puente Llacole?n
4. Micro?fono de contacto captando la interaccio?n entre el viento y un a?rbol
5. Micro?fono de contacto en elementos vibrantes
6. Micro?fonos de contacto captando granizos
7. Micro?fonos de contacto en autobu?s
8. Hidro?fono bajo el fondo del mar
9. Vibraciones de materiales Geofon II
10. Vibraciones de materiales Geofon I
11. Vibraciones de materiales Geofon III
12. En la direccio?n del viento
13. Ronroneo de selai
14. Rai?l
15. Efectos sonoros en la naturaleza
SHORT INFO:
Valentina Villarroel is a sound artist and phonographer who explores the intricate dynamics within various Southern ecosystems. Her work revolves around the profound potential of acoustic ecology, particularly in the face of encroaching real estate development on natural spaces. She also delves into the consequences of sound pollution on numerous species, contributing to their decline or disappearance. In recent years, her focus has extended to urban soundscapes and significant sonic events, such as the October 18th protest in Chile. With a solid background in bioacoustics applied to both human and animal well-being, Valentina assumes the role of co-director at AOIR Sound Laboratory. There, she spearheads an interdisciplinary initiative that centers sound as its core element. This includes the creation of the sonic cartography portal aoir.cl, as well as the development of handmade electronic devices like the Bowerbankii and the creation of various experimental microphones.
VITAL SALES POINTS:
Available only on limited cassette
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Alternative / Electronic / Soundscapes
TRACKLISTS:
1. Antena magne?tica captando campos electromagneticos I
2. Antena magne?tica captando campos electromagne?ticos II
3. Micro?fono de contacto captando vibracio?n del puente Llacole?n
4. Micro?fono de contacto captando la interaccio?n entre el viento y un a?rbol
5. Micro?fono de contacto en elementos vibrantes
6. Micro?fonos de contacto captando granizos
7. Micro?fonos de contacto en autobu?s
8. Hidro?fono bajo el fondo del mar
9. Vibraciones de materiales Geofon II
10. Vibraciones de materiales Geofon I
11. Vibraciones de materiales Geofon III
12. En la direccio?n del viento
13. Ronroneo de selai
14. Rai?l
15. Efectos sonoros en la naturaleza
SHORT INFO:
Valentina Villarroel is a sound artist and phonographer who explores the intricate dynamics within various Southern ecosystems. Her work revolves around the profound potential of acoustic ecology, particularly in the face of encroaching real estate development on natural spaces. She also delves into the consequences of sound pollution on numerous species, contributing to their decline or disappearance. In recent years, her focus has extended to urban soundscapes and significant sonic events, such as the October 18th protest in Chile. With a solid background in bioacoustics applied to both human and animal well-being, Valentina assumes the role of co-director at AOIR Sound Laboratory. There, she spearheads an interdisciplinary initiative that centers sound as its core element. This includes the creation of the sonic cartography portal aoir.cl, as well as the development of handmade electronic devices like the Bowerbankii and the creation of various experimental microphones.
VITAL SALES POINTS:
Available only on limited cassette
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP075
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804144902
in stock
Last in:07.02.2024
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:07.02.2024
Label:Other People
Cat-No:OP075
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804144902
Add all to playlist
Play all
Add all to playlist
Play all
1
Ale Hop - Head Transplant
Add all to playlist
Play all
2
Daniela Huerta - Tza Tun Tzat
Add all to playlist
Play all
3
Debashis Sinha - For the waters ever taste the heavens up parts I-V
Add all to playlist
Play all
4
Hexorcismos - Acaso de veras se vive con raíz en la Tierra
Add all to playlist
Play all
5
Hexorcismos & El Irreal Veintiuno - Interferencias
Add all to playlist
Play all
6
Jessika Khazrik - Gebera
Add all to playlist
Play all
7
Khyam Allami - Mix v6
Add all to playlist
Play all
8
Kloxii Li - Anhaga
Add all to playlist
Play all
9
KMRU - hidden options
Add all to playlist
Play all
10
MAF - What's heard once entered (Nommo)
Add all to playlist
Play all
11
Portrait XO - MUTUALISM_151122
Add all to playlist
Play all
12
Simina Oprescu - Granularities
Add all to playlist
Play all
13
Visions of Lizard - Barranca del muerto
2LP with Printed PVC Sleeve
GENRE/S: Alternative / Electronic
TRACKLISTS:
LP1:
A1 / 1. Ale Hop - Head Transplant
A2 / 2. Daniela Huerta - Tza Tun Tzat
A3 / 3. Debashis Sinha - For the waters ever taste the heavens up parts I-V
B1 / 4. Hexorcismos - ¿Acaso de veras se vive con raíz en la Tierra?
B2 / 5. Hexorcismos & El Irreal Veintiuno - Interferencias
B3 / 6. Jessika Khazrik - Gebera
LP2:
C1/ 7. Khyam Allami - Mix v6
C2 / 8. Kloxii Li - Anhaga
C3 / 9. KMRU - hidden options
C4 / 10. MAF - What's heard once entered (Nommo)
D1 / 11. Portrait XO - MUTUALISM_151122
D2 / 12. Simina Oprescu - Granularities
D3 / 13. Visions of Lizard - Barranca del muerto
SHORT INFO:
For the last seven years, sound artist, technologist, and electronic musician Moisés Horta Valenzuela (aka Hexorcismos) has been studying artificial intelligence and generative art, wondering how these new technologies might be augmented into his musical process. Born in Tijuana and currently based in Berlin, Hexorcismos has long attempted to break down the permeable borders between musical styles and expressions, using the spaces in between to reinforce his politics and worldview. And on 'MUTALISMX - becoming sonic network', he expands his vision, inviting artists from across the globe to collaborate on work that questions the biases inherent in AI models, offering a collective alternative that could serve as a blueprint for further research.
The majority of AI art at this stage works with "big data", taking ideas from the cultural canon and muddying them with our contemporary reality. But if we accept that mass culture is always politically biased, always swaying towards historical prejudices, then there must be a counter-narrative. Hexorcismos began to develop a bottom-up approach, using "small data" to interrogate his idiosyncratic approach to art; he built a tool called SEMILLA.AI based on neural audio synthesis that could not only mimic his sonic fingerprint but transform it into another. So when he offered the synth to his network of collaborators, he gave them the option of either using only their data or sharing the signatures of each other artist involved in the project, blurring their identities into a mutual voice.
The result is a compilation that unspools with the coherence and fluidity of a single-artist album or adventurous DJ mix, genreless and boundless but unified by a singular message. Hunanese-American artist Kloxii Li for example takes rugged percussion and tense, industrial ambience, smudging her soundscape into a swirling gust of ghostly dissonance. Hexorcismos himself contributes two compositions: the lengthy, hypnotic 'Acaso de veras se vive con raíz en la Tierra', an AI-powered scramble of his pointed tribal guarachero experiments; and 'Interferencias', a collaboration with Mexican club veteran Bryan Dálvez, aka El Irreal Veintiuno that drives intense dancefloor rhythms into a dense haze of frozen drones and radio static. Elsewhere, Berlin-based Lebanese artist and writer Jessika Khazrik dissolves her voice into a mesh of obscured rhythms and dissociated whirrs, blending the organic with the artificial but retaining an overpowering sense of humanity.
Some artists were drawn to the nebulous aspects of the technology, searching for truth in a soup of different sounds, while others, such as KMRU, used Hexorcismos's synthesizer the examine their output. On 'hidden options', the Kenyan sound artist fed his immense catalog into the neural net, bringing out his mannerisms and tendencies in the process. Each track is singular but myriad, prompting both mutual respect and a sonic becoming, a feedback process between the artist and the tool, the individual and the collective. Data sets are made by people, and by engaging directly with musicians, Hexorcismos suggests a new way of utilizing a technology demonized and glorified without careful examination. Each artist owns their AI model, and alongside the album Hexorcismos will release SEMILLA.AI to the public (with custom-made models to start the process), allowing anyone to access this revolutionary technology.
Even the album's artwork reflects the political message, conceptualized by Chilean duo hypereikon, who used AI processes to develop a visual reflection of the technology and its possibilities. Operating outside of academia and capitalist enterprises, MUTUALISMX proposes an alternative future - one without borders that's not beholden to the Western canon, where independent labor can be prioritized and celebrated, and where creativity can truly flourish.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Alternative / Electronic
TRACKLISTS:
LP1:
A1 / 1. Ale Hop - Head Transplant
A2 / 2. Daniela Huerta - Tza Tun Tzat
A3 / 3. Debashis Sinha - For the waters ever taste the heavens up parts I-V
B1 / 4. Hexorcismos - ¿Acaso de veras se vive con raíz en la Tierra?
B2 / 5. Hexorcismos & El Irreal Veintiuno - Interferencias
B3 / 6. Jessika Khazrik - Gebera
LP2:
C1/ 7. Khyam Allami - Mix v6
C2 / 8. Kloxii Li - Anhaga
C3 / 9. KMRU - hidden options
C4 / 10. MAF - What's heard once entered (Nommo)
D1 / 11. Portrait XO - MUTUALISM_151122
D2 / 12. Simina Oprescu - Granularities
D3 / 13. Visions of Lizard - Barranca del muerto
SHORT INFO:
For the last seven years, sound artist, technologist, and electronic musician Moisés Horta Valenzuela (aka Hexorcismos) has been studying artificial intelligence and generative art, wondering how these new technologies might be augmented into his musical process. Born in Tijuana and currently based in Berlin, Hexorcismos has long attempted to break down the permeable borders between musical styles and expressions, using the spaces in between to reinforce his politics and worldview. And on 'MUTALISMX - becoming sonic network', he expands his vision, inviting artists from across the globe to collaborate on work that questions the biases inherent in AI models, offering a collective alternative that could serve as a blueprint for further research.
The majority of AI art at this stage works with "big data", taking ideas from the cultural canon and muddying them with our contemporary reality. But if we accept that mass culture is always politically biased, always swaying towards historical prejudices, then there must be a counter-narrative. Hexorcismos began to develop a bottom-up approach, using "small data" to interrogate his idiosyncratic approach to art; he built a tool called SEMILLA.AI based on neural audio synthesis that could not only mimic his sonic fingerprint but transform it into another. So when he offered the synth to his network of collaborators, he gave them the option of either using only their data or sharing the signatures of each other artist involved in the project, blurring their identities into a mutual voice.
The result is a compilation that unspools with the coherence and fluidity of a single-artist album or adventurous DJ mix, genreless and boundless but unified by a singular message. Hunanese-American artist Kloxii Li for example takes rugged percussion and tense, industrial ambience, smudging her soundscape into a swirling gust of ghostly dissonance. Hexorcismos himself contributes two compositions: the lengthy, hypnotic 'Acaso de veras se vive con raíz en la Tierra', an AI-powered scramble of his pointed tribal guarachero experiments; and 'Interferencias', a collaboration with Mexican club veteran Bryan Dálvez, aka El Irreal Veintiuno that drives intense dancefloor rhythms into a dense haze of frozen drones and radio static. Elsewhere, Berlin-based Lebanese artist and writer Jessika Khazrik dissolves her voice into a mesh of obscured rhythms and dissociated whirrs, blending the organic with the artificial but retaining an overpowering sense of humanity.
Some artists were drawn to the nebulous aspects of the technology, searching for truth in a soup of different sounds, while others, such as KMRU, used Hexorcismos's synthesizer the examine their output. On 'hidden options', the Kenyan sound artist fed his immense catalog into the neural net, bringing out his mannerisms and tendencies in the process. Each track is singular but myriad, prompting both mutual respect and a sonic becoming, a feedback process between the artist and the tool, the individual and the collective. Data sets are made by people, and by engaging directly with musicians, Hexorcismos suggests a new way of utilizing a technology demonized and glorified without careful examination. Each artist owns their AI model, and alongside the album Hexorcismos will release SEMILLA.AI to the public (with custom-made models to start the process), allowing anyone to access this revolutionary technology.
Even the album's artwork reflects the political message, conceptualized by Chilean duo hypereikon, who used AI processes to develop a visual reflection of the technology and its possibilities. Operating outside of academia and capitalist enterprises, MUTUALISMX proposes an alternative future - one without borders that's not beholden to the Western canon, where independent labor can be prioritized and celebrated, and where creativity can truly flourish.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP073
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804144056
in stock
Last in:16.11.2023
Add all to playlist
Play all
+ Show full info- Close

in stock
Last in:16.11.2023
Label:Other People
Cat-No:OP073
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804144056
Add all to playlist
Play all
Add all to playlist
Play all
1
Ali Sethi & Nicolas Jaar - A1. Intiha - 3:50
Add all to playlist
Play all
2
Ali Sethi & Nicolas Jaar - A2. Nazar Se - 4:14
Add all to playlist
Play all
3
Ali Sethi & Nicolas Jaar - A3. Muddat - 6:30
Add all to playlist
Play all
4
Ali Sethi & Nicolas Jaar - A4. Raat Bhar - 2:58
Add all to playlist
Play all
5
Ali Sethi & Nicolas Jaar - B5. Dard - 7:30
Add all to playlist
Play all
6
Ali Sethi & Nicolas Jaar - B6. Chiragh - 5:46
Add all to playlist
Play all
7
Ali Sethi & Nicolas Jaar - B7. Lagta Nahi - 2:10
Add all to playlist
Play all
8
Ali Sethi & Nicolas Jaar - B8. Dono Jahan - 3:32
LP, Artwork with Obi Tag, Vinyl made of BioVinyl
2. GENRE/S: Alternative / Electronic
3. TRACKLISTS:
A
1. Intiha - 3:50
2. Nazar Se - 4:14
3. Muddat - 6:30
4. Raat Bhar - 2:58
B
5. Dard - 7:30
6. Chiragh - 5:46
7. Lagta Nahi - 2:10
8. Dono Jahan - 3:32
4. SHORT INFO:
Singer, songwriter and author Ali Sethi had been entranced by Jaar's music long before they began collaborating. He'd absorbed the sounds over a number of years, listening casually and taking in their subtleties in bars and rooftop parties across Lahore and London. "It felt familiar to me, that sense of adventure you have when you hear his music, like a tale that teases you and plays with your expectations as it unfolds," says Sethi. "In that sense it resembled the leisurely improvised ghazals and qawwalis I grew up hearing in Pakistan." So when the two were finally introduced by Indian visual artist Somnath Bhatt, a regular Jaar collaborator who also handled the album's artwork, Sethi was well prepared. He began to sketch out voice notes using loops snipped from Jaar's acclaimed 2020 album 'Telas', improvising vocalizations and seductive Urdu poems over Jaar's weightless, time-bending productions. Jaar was astonished by the result; "It was what 'Telas' had been missing," he explains.
Improvisation has been important to the Chilean artist for many years. Before he had even started making electronic music, Jaar jammed on accordion with friends on the street in New York City. It's at the core of his practice, "a moment in time," in his own words. 'Intiha', the opening track on the album, is the first they finished together, and positions Sethi's evocative phrases over Jaar's faded, metallic percussion. It's a perfect proof of concept, re- imagining the world of 'Telas' and augmenting it with a sense of ancestral melancholy and giddy euphoria that's truly transformational.
Sethi is best known globally for his attempts to revive the ghazal, an ancient poetic form that was taken by Sufi mystics from the Arab world to Persia and throughout the Indian subcontinent, where it captivated the royal court. It's been unfashionable in the last few decades, a mannered style associated with decadence, and Sethi offers it a new lease of life through his playfully revisionist covers and renditions. (His most popular single 'Pasoori' is a global phenomenon, one of the most Googled songs of 2022, with hundreds of millions of listeners tuning into its timeless message of forbidden love.) Sethi updates the ghazal form by using his years of training in raga music, lifting metaphors that reflect his journey as an out-of- place queer kid in Pakistan who became a US citizen and now lives in New York City.
5. VITAL SALES POINTS:
Critically acclaimed musician Nicolas Jaar collaborates with Pakistani artist Ali Sethi for a reworking of his original album Telas
Ali Sethi song "Pasoori" was the most googled song in 2022. It has over a billion streams across his profiles
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Alternative / Electronic
3. TRACKLISTS:
A
1. Intiha - 3:50
2. Nazar Se - 4:14
3. Muddat - 6:30
4. Raat Bhar - 2:58
B
5. Dard - 7:30
6. Chiragh - 5:46
7. Lagta Nahi - 2:10
8. Dono Jahan - 3:32
4. SHORT INFO:
Singer, songwriter and author Ali Sethi had been entranced by Jaar's music long before they began collaborating. He'd absorbed the sounds over a number of years, listening casually and taking in their subtleties in bars and rooftop parties across Lahore and London. "It felt familiar to me, that sense of adventure you have when you hear his music, like a tale that teases you and plays with your expectations as it unfolds," says Sethi. "In that sense it resembled the leisurely improvised ghazals and qawwalis I grew up hearing in Pakistan." So when the two were finally introduced by Indian visual artist Somnath Bhatt, a regular Jaar collaborator who also handled the album's artwork, Sethi was well prepared. He began to sketch out voice notes using loops snipped from Jaar's acclaimed 2020 album 'Telas', improvising vocalizations and seductive Urdu poems over Jaar's weightless, time-bending productions. Jaar was astonished by the result; "It was what 'Telas' had been missing," he explains.
Improvisation has been important to the Chilean artist for many years. Before he had even started making electronic music, Jaar jammed on accordion with friends on the street in New York City. It's at the core of his practice, "a moment in time," in his own words. 'Intiha', the opening track on the album, is the first they finished together, and positions Sethi's evocative phrases over Jaar's faded, metallic percussion. It's a perfect proof of concept, re- imagining the world of 'Telas' and augmenting it with a sense of ancestral melancholy and giddy euphoria that's truly transformational.
Sethi is best known globally for his attempts to revive the ghazal, an ancient poetic form that was taken by Sufi mystics from the Arab world to Persia and throughout the Indian subcontinent, where it captivated the royal court. It's been unfashionable in the last few decades, a mannered style associated with decadence, and Sethi offers it a new lease of life through his playfully revisionist covers and renditions. (His most popular single 'Pasoori' is a global phenomenon, one of the most Googled songs of 2022, with hundreds of millions of listeners tuning into its timeless message of forbidden love.) Sethi updates the ghazal form by using his years of training in raga music, lifting metaphors that reflect his journey as an out-of- place queer kid in Pakistan who became a US citizen and now lives in New York City.
5. VITAL SALES POINTS:
Critically acclaimed musician Nicolas Jaar collaborates with Pakistani artist Ali Sethi for a reworking of his original album Telas
Ali Sethi song "Pasoori" was the most googled song in 2022. It has over a billion streams across his profiles
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
MERCH Excl
in stock
Label:Other People
Cat-No:OP072
Release-Date:06.10.2023
Genre:Alternative/Electronic
Configuration:MERCH Excl
Barcode:4251804143424
in stock
Last in:31.07.2023
Add all to playlist
Play all
+ Show full info- Close







in stock
Last in:31.07.2023
Label:Other People
Cat-No:OP072
Release-Date:06.10.2023
Genre:Alternative/Electronic
Configuration:MERCH Excl
Barcode:4251804143424
Add all to playlist
Play all
Add all to playlist
Play all
1
Aho Ssan - 1. Ouverture feat Nyokabi Kariuki
Add all to playlist
Play all
2
Aho Ssan - 2. Rhizome I Feat Josefa Ntjam
Add all to playlist
Play all
3
Aho Ssan - 3. Cold Summer Part I Feat Blackhaine
Add all to playlist
Play all
4
Aho Ssan - 4. Le Tremblement Feat Nicolás Jaar & Resina
Add all to playlist
Play all
5
Aho Ssan - 5. Memoria Feat Ran Cap Duoi & Richie Culver
Add all to playlist
Play all
6
Aho Ssan - 6. Till The Sun Down Feat clipping. & Resina
Add all to playlist
Play all
7
Aho Ssan - 7. Rhizome II Feat Lafawndah
Add all to playlist
Play all
8
Aho Ssan - 8. Hero Once Been Feat 9 Antiope
Add all to playlist
Play all
9
Aho Ssan - 9. Tetsuo I feat James Ginzburg
Add all to playlist
Play all
10
Aho Ssan - 10. Tetsuo II
Add all to playlist
Play all
11
Aho Ssan - 11. Away feat Exzald S & Valentina Magaletti
Add all to playlist
Play all
12
Aho Ssan - 12. Rhizome IV Feat Moor Mother, Angel Bat Dawid & Mondkopf
Add all to playlist
Play all
13
Aho Ssan - 13. Fermeture Nyokabi Kariuki
160 Pages Book (Boodk/Auduio Combination sold as "Merch Item"), containing 13 QR codes to download 13 songs.
Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolás Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more
2. GENRE/S: Electronic / Alternative
3. TRACKLIST:
1. Ouverture feat Nyokabi Kariuki
2. Rhizome I Feat Josefa Ntjam
3. Cold Summer Part I Feat Blackhaine
4. Le Tremblement Feat Nicolás Jaar & Resina
5. Memoria Feat R?n C?p ?uôi & Richie Culver
6. Till The Sun Down Feat clipping. & Resina
7. Rhizome II Feat Lafawndah
8. Hero Once Been Feat 9 Antiope
9. Tetsuo I feat James Ginzburg
10. Tetsuo II
11. Away feat Exzald S & Valentina Magaletti
12. Rhizome IV Feat Moor Mother, Angel Bat Dawid & Mondkopf
13. Fermeture Nyokabi Kariuki
4. SHORT INFO:
Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolás Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more
Paris based composer Aho Ssan, the artist moniker of Niamké Désiré, presents his new full-length 'Rhizomes' on the Other People label following his debut LP 'Simulacrum' (2020) and collaborative record 'Limen' (2022) with fellow musician KMRU.
'Rhizomes' draws inspiration from a concept coined and developed between Gilles Deleuze and Felix Guatarri. The idea of an ever evolving structural model, constantly in motion and spreading out in all directions at once. It has no beginning and no end, but always remains in a middle, through which it grows and overflows.
"The root thought is the one that kills everything around itself while the rhizome is the root that stretches out to meet other roots," Désiré explains considering the works of French writer Édouard Glissant who addresses questions of identity, crossbreeding of cultures and its evolution.
Much like the name it borrows, Aho Ssan's 'Rhizomes' is a multimedia project that embarks on a myriad of disparate, unique musical and artistic partnerships. This piece adapts this concept to explore the influence of sound materials on creation, the appropriation of a sound object, and the collaborative nature of a composition that responds to modernity.
"Rhizome represents an underground stem system that fosters connections between various organisms and allows them to flourish collectively. It's an album that celebrates collaboration and brings together a diverse group of talented artists," Désiré continues.
Aho Ssan collaborated with a comprehensive cast of artists to create a musical rhizome including Nyokabi Kariuki, Josefa Ntjam, Blackhaine, Nicolás Jaar, Resina, R?n C?p ?uôi, Richie Culver, clipping., Lafawndah, 9T Antiope, James Ginzburg, Exzald S, Valentina Magaletti, Moor Mother, Angel Bat Dawid and Mondkopf. Cooperation and community are at the root of this project and the lens through which all the compositions can be understood through.
Aho Ssan will present 'Rhizomes' AV show together with visual artist Sevi Iko Dømochevsky at Berlin Atonal 2023. 'Rhizomes' received a Honorary Mention at Prix Ars Electronica 2023 Digital Music
5. VITAL SALES POINTS:
In conjunction with the album, 'Rhizomes' comes complete with a set of illustrations by Kim Grano in a book release. The drawings become a hybrid language, each an emotional response to the musical half. The book contains an extended version of the album with 3 additional songs and 2 longer versions of the album songs. It also includes a sample pack by Aho Ssan and a collection of solo tracks by Elliot Blaise, KMRU, Lamin Fofana, Brodinski & Se?bastien Forrester, Valence Drake, 9T Antiope, Exzald S and Valentina Magaletti. The extended version package is only accessible through the QR codes in the book.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolás Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more
2. GENRE/S: Electronic / Alternative
3. TRACKLIST:
1. Ouverture feat Nyokabi Kariuki
2. Rhizome I Feat Josefa Ntjam
3. Cold Summer Part I Feat Blackhaine
4. Le Tremblement Feat Nicolás Jaar & Resina
5. Memoria Feat R?n C?p ?uôi & Richie Culver
6. Till The Sun Down Feat clipping. & Resina
7. Rhizome II Feat Lafawndah
8. Hero Once Been Feat 9 Antiope
9. Tetsuo I feat James Ginzburg
10. Tetsuo II
11. Away feat Exzald S & Valentina Magaletti
12. Rhizome IV Feat Moor Mother, Angel Bat Dawid & Mondkopf
13. Fermeture Nyokabi Kariuki
4. SHORT INFO:
Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolás Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more
Paris based composer Aho Ssan, the artist moniker of Niamké Désiré, presents his new full-length 'Rhizomes' on the Other People label following his debut LP 'Simulacrum' (2020) and collaborative record 'Limen' (2022) with fellow musician KMRU.
'Rhizomes' draws inspiration from a concept coined and developed between Gilles Deleuze and Felix Guatarri. The idea of an ever evolving structural model, constantly in motion and spreading out in all directions at once. It has no beginning and no end, but always remains in a middle, through which it grows and overflows.
"The root thought is the one that kills everything around itself while the rhizome is the root that stretches out to meet other roots," Désiré explains considering the works of French writer Édouard Glissant who addresses questions of identity, crossbreeding of cultures and its evolution.
Much like the name it borrows, Aho Ssan's 'Rhizomes' is a multimedia project that embarks on a myriad of disparate, unique musical and artistic partnerships. This piece adapts this concept to explore the influence of sound materials on creation, the appropriation of a sound object, and the collaborative nature of a composition that responds to modernity.
"Rhizome represents an underground stem system that fosters connections between various organisms and allows them to flourish collectively. It's an album that celebrates collaboration and brings together a diverse group of talented artists," Désiré continues.
Aho Ssan collaborated with a comprehensive cast of artists to create a musical rhizome including Nyokabi Kariuki, Josefa Ntjam, Blackhaine, Nicolás Jaar, Resina, R?n C?p ?uôi, Richie Culver, clipping., Lafawndah, 9T Antiope, James Ginzburg, Exzald S, Valentina Magaletti, Moor Mother, Angel Bat Dawid and Mondkopf. Cooperation and community are at the root of this project and the lens through which all the compositions can be understood through.
Aho Ssan will present 'Rhizomes' AV show together with visual artist Sevi Iko Dømochevsky at Berlin Atonal 2023. 'Rhizomes' received a Honorary Mention at Prix Ars Electronica 2023 Digital Music
5. VITAL SALES POINTS:
In conjunction with the album, 'Rhizomes' comes complete with a set of illustrations by Kim Grano in a book release. The drawings become a hybrid language, each an emotional response to the musical half. The book contains an extended version of the album with 3 additional songs and 2 longer versions of the album songs. It also includes a sample pack by Aho Ssan and a collection of solo tracks by Elliot Blaise, KMRU, Lamin Fofana, Brodinski & Se?bastien Forrester, Valence Drake, 9T Antiope, Exzald S and Valentina Magaletti. The extended version package is only accessible through the QR codes in the book.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Book 1 (0-999 g)
in stock
Label:Other People
Cat-No:OP069
Release-Date:11.11.2022
Genre:Alternative/Electronic
Configuration:Book 1 (0-999 g)
Barcode:4251804139533
in stock
Last in:28.04.2023
+ Show full info- Close

in stock
Last in:28.04.2023
Label:Other People
Cat-No:OP069
Release-Date:11.11.2022
Genre:Alternative/Electronic
Configuration:Book 1 (0-999 g)
Barcode:4251804139533
Book (No Audio Included)
GENRE/S: Alternative / Electronic / Noise
TRACKLISTS (Chapters):
1-Pedro Paramo on his way to meet the dead
2-I was convinced that an atom of your love could keep me goinng
3-Sometimes a day can last a lifetime
4-The tune of Titan 3
5-John Coltrane and John Fahey crossing the Danube
6-So long lover
SHORT INFO:
Charbel Haber is Lebanese musician, performer, visual artist and composer from Beirut. His work has seen him collaborate with artists from a wide range of disciplines - film, video art, visual art, theatre, dance - both in Lebanon and abroad.
As a solo artist and as a member of post-punk band Scrambled Eggs, he has composed music for directors Khalil Joreige and Joana Hadjithomas, Ghassan Salhab, Mohamad Malas, video artists Lamia Joreige and Akram Zaatari, Maqamat dance company and playwrights Rabih Mroueh and Lina Saneh, to name but a few. His prolific and collaborative career includes free improv group Johnny Kafta Anti-Vegetarian Orchestra, psychedelic Arabic music ensembles Malayeen and Orchestra Omar, cold wave band The Bunny Tylers and minimal ambient duo Good Luck In Death. He is the founder of Those Kids Must Choke and co-founder of Johnny Kafta's Kids Menu - two experimental record labels - and he has recorded and collaborated with notable artists from the fields of free rock and improv such as Oiseaux-Tempête, Radwan Moumneh, Tarek Atoui, Jean Francois Pauvros, The Ex, Michael Zerang, Mats Gustafson, Eddie Prevost, Xavier Charles and Tony Buck.
VITAL SALES POINTS:
And once again, here I am telling you to go look for the truth and its beauty in the words of dead poets, in the little tales of ravaged cities, in aborted dreams, in the melancholy of the ruins of tomorrow, in meaningless plastic totems, in the enigmatic end of restless fools.
I'll be here long after you all disappear.
These are the first and last sentences from Charbel Haber's latest offering, A Common Misunderstanding of the Speed of Light: a multi-media musing on the chronic and the chronological, the subversive nature of time. This combination of a record and book observes the slow passing of life and the illusion of retrogradation in his every day. Simply by documenting - via image, text and tune - Haber assigns value to everything that is cast in amber by this project. There's an acceptance and appreciation of the destitution he witnesses, it is an homage given in overlapping forms.
ACMOTSOL has two parts. The book, hardcover in an embossed orange, features photographs and texts taken from Haber's personal digital diary spanning from 2020 to the start of 2022. Broken into six chapters - named for the six tracks on the record - the entries are an artist's log of sorts during a peculiar period of global hyper stagnation and navigating the aftermath of the Beirut explosions. The 96 pages highlight Haber's interest in decay, negative space and the temporality of the human condition. Instead of presenting the images and texts as they were originally paired online, they're reordered and recontextualized in the book. New connections are formed, as tenuous and fleeting as the content they surround. The images interrupt the texts in many instances, forcing pauses and inviting distraction.
At the center of the book is a sudden burst of orange pages, with stylized pluckings of the text framing a QR-code that grants access to the record. With the brilliant orange covers and matching innards, pregnant with the music at the core, it's almost as if these central pages act as a way to turn the book inside out. There, the book's purpose is altered, fixated on a mirror image of itself. It forms a self-completing arc for the project, a loop.
ACMOTSO's second half is that mirrored album. Six tracks totalling just under 52 minutes. The music could be a continuation of his solo albums Of Palm Trees and Decompositions (2016) and It Ended Up Being a Good Day Mr. Allende (2012), an exploration into the expansiveness of seemingly simple loops of a lilting guitar. Careful electronic effects add dimensions or reground the listener. There's a swelling of sound, the illusion of the push of space before it retracts back into itself or fades into the distance. Much like the images and texts the music complements, the songs challenge the purity of cycles. Endings are beginnings, beginnings are endings or is everything just the middle? Haber is quietly and elegantly grappling with the troublesome act of place-making. In music, in words and in visual storytelling.
ACMOTSOL is a work that can be calming or disorienting, depending on what is requested of it. Similar to the way loops and cycles can signify both meditation and mania. The tendrils of Haber's past - his home of Beirut, fictional and real characters encountered, authors read, films watched, composers listened, walks taken - knit themselves together for a presentation of our immediate present. An evidence of a happening. A considered project of time.
All photographs, texts and music by Charbel Haber. Album mixed by Radwan Ghazi Moumneh. Design by Maziyar Pahlevan. Printed by Albe De Coker in Belgium.
This dual-part project will be released on XX XXX 2022 on 'Other People.'
Description by Nereya Otieno.
86 images
6 songs*
52 minutes*
96 pages
86 texts
*there are no audio files coming with the book.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Alternative / Electronic / Noise
TRACKLISTS (Chapters):
1-Pedro Paramo on his way to meet the dead
2-I was convinced that an atom of your love could keep me goinng
3-Sometimes a day can last a lifetime
4-The tune of Titan 3
5-John Coltrane and John Fahey crossing the Danube
6-So long lover
SHORT INFO:
Charbel Haber is Lebanese musician, performer, visual artist and composer from Beirut. His work has seen him collaborate with artists from a wide range of disciplines - film, video art, visual art, theatre, dance - both in Lebanon and abroad.
As a solo artist and as a member of post-punk band Scrambled Eggs, he has composed music for directors Khalil Joreige and Joana Hadjithomas, Ghassan Salhab, Mohamad Malas, video artists Lamia Joreige and Akram Zaatari, Maqamat dance company and playwrights Rabih Mroueh and Lina Saneh, to name but a few. His prolific and collaborative career includes free improv group Johnny Kafta Anti-Vegetarian Orchestra, psychedelic Arabic music ensembles Malayeen and Orchestra Omar, cold wave band The Bunny Tylers and minimal ambient duo Good Luck In Death. He is the founder of Those Kids Must Choke and co-founder of Johnny Kafta's Kids Menu - two experimental record labels - and he has recorded and collaborated with notable artists from the fields of free rock and improv such as Oiseaux-Tempête, Radwan Moumneh, Tarek Atoui, Jean Francois Pauvros, The Ex, Michael Zerang, Mats Gustafson, Eddie Prevost, Xavier Charles and Tony Buck.
VITAL SALES POINTS:
And once again, here I am telling you to go look for the truth and its beauty in the words of dead poets, in the little tales of ravaged cities, in aborted dreams, in the melancholy of the ruins of tomorrow, in meaningless plastic totems, in the enigmatic end of restless fools.
I'll be here long after you all disappear.
These are the first and last sentences from Charbel Haber's latest offering, A Common Misunderstanding of the Speed of Light: a multi-media musing on the chronic and the chronological, the subversive nature of time. This combination of a record and book observes the slow passing of life and the illusion of retrogradation in his every day. Simply by documenting - via image, text and tune - Haber assigns value to everything that is cast in amber by this project. There's an acceptance and appreciation of the destitution he witnesses, it is an homage given in overlapping forms.
ACMOTSOL has two parts. The book, hardcover in an embossed orange, features photographs and texts taken from Haber's personal digital diary spanning from 2020 to the start of 2022. Broken into six chapters - named for the six tracks on the record - the entries are an artist's log of sorts during a peculiar period of global hyper stagnation and navigating the aftermath of the Beirut explosions. The 96 pages highlight Haber's interest in decay, negative space and the temporality of the human condition. Instead of presenting the images and texts as they were originally paired online, they're reordered and recontextualized in the book. New connections are formed, as tenuous and fleeting as the content they surround. The images interrupt the texts in many instances, forcing pauses and inviting distraction.
At the center of the book is a sudden burst of orange pages, with stylized pluckings of the text framing a QR-code that grants access to the record. With the brilliant orange covers and matching innards, pregnant with the music at the core, it's almost as if these central pages act as a way to turn the book inside out. There, the book's purpose is altered, fixated on a mirror image of itself. It forms a self-completing arc for the project, a loop.
ACMOTSO's second half is that mirrored album. Six tracks totalling just under 52 minutes. The music could be a continuation of his solo albums Of Palm Trees and Decompositions (2016) and It Ended Up Being a Good Day Mr. Allende (2012), an exploration into the expansiveness of seemingly simple loops of a lilting guitar. Careful electronic effects add dimensions or reground the listener. There's a swelling of sound, the illusion of the push of space before it retracts back into itself or fades into the distance. Much like the images and texts the music complements, the songs challenge the purity of cycles. Endings are beginnings, beginnings are endings or is everything just the middle? Haber is quietly and elegantly grappling with the troublesome act of place-making. In music, in words and in visual storytelling.
ACMOTSOL is a work that can be calming or disorienting, depending on what is requested of it. Similar to the way loops and cycles can signify both meditation and mania. The tendrils of Haber's past - his home of Beirut, fictional and real characters encountered, authors read, films watched, composers listened, walks taken - knit themselves together for a presentation of our immediate present. An evidence of a happening. A considered project of time.
All photographs, texts and music by Charbel Haber. Album mixed by Radwan Ghazi Moumneh. Design by Maziyar Pahlevan. Printed by Albe De Coker in Belgium.
This dual-part project will be released on XX XXX 2022 on 'Other People.'
Description by Nereya Otieno.
86 images
6 songs*
52 minutes*
96 pages
86 texts
*there are no audio files coming with the book.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
in stock
Label:Other People
Cat-No:OP068
Release-Date:30.09.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804138871
in stock
Last in:02.09.2022
Add all to playlist
Play all
+ Show full info- Close

in stock
Last in:02.09.2022
Label:Other People
Cat-No:OP068
Release-Date:30.09.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804138871
Add all to playlist
Play all
Add all to playlist
Play all
1
Saint Abdullah & Eomac - At The Opposite Pole of Architectural Virtue
Add all to playlist
Play all
2
Saint Abdullah & Eomac - In One Corner The Male Relatives
Add all to playlist
Play all
3
Saint Abdullah & Eomac - Serene Company
Add all to playlist
Play all
4
Saint Abdullah & Eomac - Tiles of The Façade
Add all to playlist
Play all
5
Saint Abdullah & Eomac - Chafing Dish
Add all to playlist
Play all
6
Saint Abdullah & Eomac - Such Gardens There Are
Add all to playlist
Play all
7
Saint Abdullah & Eomac - Capping Verse
Add all to playlist
Play all
8
Saint Abdullah & Eomac - Overdose Ferocious
Add all to playlist
Play all
9
Saint Abdullah & Eomac - Patience Of A Traitor
Add all to playlist
Play all
10
Saint Abdullah & Eomac - Bareekullah Picnic
Add all to playlist
Play all
11
Saint Abdullah & Eomac - In Thrall
LP [Limited Edition Vinyl]
GENRE/S: Alternative / Electronic / Noise
TRACKLISTS:
1. At The Opposite Pole of Architectural Virtue
2. In One Corner The Male Relatives
3. Serene Company
4. Tiles of The Façade
5. Chafing Dish
6. Such Gardens There Are
7. Capping Verse
8. Overdose Ferocious
9. Patience Of A Traitor
10. Bareekullah Picnic
11. In Thrall
SHORT INFO:
Tehran-born, NY based brothers Mohammad and Mehdi collaborate with Ian McDonnell, a.k.a. Eomac on a new record entitled "Patience of a Traitor". Inspired by the traditional bath houses in their native Tehran, the brothers say: "This record speaks to preserving the things that are timeless, through revisiting the past. The traditional Persian bath house - its architecture, the role it played in keeping, building community, the bathing rituals - served as our ultimate symbol. Now we drink from one cup, and fill the jar with the other."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Alternative / Electronic / Noise
TRACKLISTS:
1. At The Opposite Pole of Architectural Virtue
2. In One Corner The Male Relatives
3. Serene Company
4. Tiles of The Façade
5. Chafing Dish
6. Such Gardens There Are
7. Capping Verse
8. Overdose Ferocious
9. Patience Of A Traitor
10. Bareekullah Picnic
11. In Thrall
SHORT INFO:
Tehran-born, NY based brothers Mohammad and Mehdi collaborate with Ian McDonnell, a.k.a. Eomac on a new record entitled "Patience of a Traitor". Inspired by the traditional bath houses in their native Tehran, the brothers say: "This record speaks to preserving the things that are timeless, through revisiting the past. The traditional Persian bath house - its architecture, the role it played in keeping, building community, the bathing rituals - served as our ultimate symbol. Now we drink from one cup, and fill the jar with the other."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Other People
Cat-No:OP067
Release-Date:23.09.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804138864
in stock
Last in:11.08.2022
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:11.08.2022
Label:Other People
Cat-No:OP067
Release-Date:23.09.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804138864
Add all to playlist
Play all
Add all to playlist
Play all
1
Dienne - Addio
Add all to playlist
Play all
2
Dienne - Felicitazioni
Add all to playlist
Play all
3
Dienne - Piccolo e Cattivo
Add all to playlist
Play all
4
Dienne - Mio Signore
Add all to playlist
Play all
5
Dienne - Tranquillo
Add all to playlist
Play all
6
Dienne - Oboe Vento e Rumore
Add all to playlist
Play all
7
Dienne - Ti Saluto Parte 2
Add all to playlist
Play all
8
Dienne - Contacto
Add all to playlist
Play all
9
Dienne - Casa di Emma
Add all to playlist
Play all
10
Dienne - Ti Saluto Parte 1
LP [Limited Edition Vinyl]
GENRE/S: Alternative / Electronic / Ambient
TRACKLIST:
1. Addio
2. Felicitazioni
3. Piccolo e Cattivo
4. Mio Signore
5. Tranquillo
6. Oboe Vento e Rumore
7. Ti Saluto Parte 2
8. Contacto
9. Casa di Emma
10. Ti Saluto Parte 1
SHORT INFO:
Dienne's 'Addio' is a 32 minute study on loss and mourning. Following the death of her grandmother due to covid, and unable to say a proper goodbye due to travel restrictions, Dienne set out to give her "Addio" through musical form. She lets objects fall, leaves windows open, and lets the wind dust off the shelves. This is the sound of everyday mourning, a taste instead of an event. A lingering, broken and patient work of undeniable beauty.
Credits:
Artwork by Africanus Okokon and Maziyar Pahlevan.
Mastering by Gert Van Hoof.
Bio:
Dienne is a Belgian composer, vocalist and multi-instrumentalist. She builds songs and soundscapes portraying images & stories that play behind her eyes. Starting with the oboe as a child, before adding the piano and flute to her repertoire, she later produced soundtracks for theater and dance performances. Her debut 'Addio' will be released on 'Other People'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Alternative / Electronic / Ambient
TRACKLIST:
1. Addio
2. Felicitazioni
3. Piccolo e Cattivo
4. Mio Signore
5. Tranquillo
6. Oboe Vento e Rumore
7. Ti Saluto Parte 2
8. Contacto
9. Casa di Emma
10. Ti Saluto Parte 1
SHORT INFO:
Dienne's 'Addio' is a 32 minute study on loss and mourning. Following the death of her grandmother due to covid, and unable to say a proper goodbye due to travel restrictions, Dienne set out to give her "Addio" through musical form. She lets objects fall, leaves windows open, and lets the wind dust off the shelves. This is the sound of everyday mourning, a taste instead of an event. A lingering, broken and patient work of undeniable beauty.
Credits:
Artwork by Africanus Okokon and Maziyar Pahlevan.
Mastering by Gert Van Hoof.
Bio:
Dienne is a Belgian composer, vocalist and multi-instrumentalist. She builds songs and soundscapes portraying images & stories that play behind her eyes. Starting with the oboe as a child, before adding the piano and flute to her repertoire, she later produced soundtracks for theater and dance performances. Her debut 'Addio' will be released on 'Other People'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Other People
Cat-No:OP056
Release-Date:20.05.2022
Configuration:2LP Excl
Barcode:4251804137027
in stock
Last in:25.03.2022
+ Show full info- Close
in stock
Last in:25.03.2022
Label:Other People
Cat-No:OP056
Release-Date:20.05.2022
Configuration:2LP Excl
Barcode:4251804137027
LTD 2LP [Includes Art Prints by Zofia Kulik]
Compiled on vinyl for the first time
GENRE/S: Library / Ambient
TRACKLISTS:
1. Krzysztof Knittel: Lapis (1985)
2. Bohdan Mazurek: Canti (1973)
3. Magdalena Dàugosz: Yes and No (1990)
4. Barbara Zawadzka - Greya - III (1991)
5. Barbara Zawadzka Greya - IV (1990)
6. Barbara Zawadzka Greya - II (1987)
7. Rudnik - Epitaph of Stones (1984)
8. Boguslaw Shaeffer - Symphony. Elec…e (perf. by Wolfram) (1964-66) - I
9. Boguslaw Shaeffer - Symphony. Elec… (perf. by Wolfram) (1964-66) - II
10. Boguslaw Shaeffer - Symphony. Elec…(perf. by Wolfram) (1964-66) - III
11. Boguslaw Shaeffer - Symphony. Elec… (perf. by Wolfram) (1964-66) - IV
SHORT INFO:
Would It Sound Just As Bad If You Played It Backwards?"
A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001)
Art by Zofia Kulik
"Would it sound just as bad if you played it backwards?" assembles a collection of audio experi-ments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the century. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s. While PRES and Kulik remain touchstones in the recent history of the Polish avant-garde, presenting them togeth-er in one release may not have seemed like an obvious choice. There are, of course, some histori-cal intersections-the most notable being a shared interest in Polish artist and architect Oskar Hansen's Open Form theory. Open Form promoted a modular theory of architecture that became a tool adapted by its users and inhabitants. Hansen's ideas influenced Kulik's early works and also manifested in the PRES's iconic "black room," a music studio designed by Hansen, himself, which was equipped with moveable sound panels that absorbed or reflected sounds to promote a greater, creative freedom from its users. And yet, as it usually goes, the most obvious connections are usually the most deceitful. Whereas Kulik initially followed Open Form, she later turned away from it. And as for the black room-it mostly worked in theory but not in practice. What is it then that makes the two work together?
Within the realm of art history, Kulik's work is often divided into two periods: her early, artistic endeavours connected to Open Form, and the KwieKulik collaboration (with Przemys?av Kwiek), followed by her later turn towards a closed form, characterised by a departure from pro-cessual art in favour of material works of art. Yet these terms don't necessarily bring out the es-sence of Kulik's works. The artist explained that Hansen's Open Form was important for how it opened his students to perceive their environments in a different way. Reminiscing about those times, she states, "I wanted to catch the moment when the object I was looking at was real. I de-cided that as a static item it can never be real-it's possible only in the process of looking at it. That translates to the object being recorded and presented in certain sequences [...] there's the astonishment at the materiality of objects, colours, transformations."
Kulik's works chosen for this release are taken from two projects, Lady Halina and Cones (1968-71) and Excursion with White Screen. Route: Cemetery, The Palace of Culture, which were in-cluded in Kulik's diploma at the Sculpture Department of the Academy of Fine Arts in Warsaw. The projects consisted of slide projections presented on three screens, with specific temporal se-quencing. Lady Halina and Cones presents a woman's body, its forms, geometrical figures, and shapes undergoing a process of transformation. About Excursion with White Screen, Kulik says "this white sheet was supposed to signify an empty screen in different spatial situations in the city. I thought that I would later project a slide onto that screen, imposing another image after-wards, like a collage, but suddenly that screen became a material object instead of an abstract, pure idea of a potential image within an image. It became an object in itself and I began to notice that the screen sometimes wrinkles in the cemetery, and sometimes moves with the wind." A myriad of new meanings and references arise in the twenty-first century from Kulik's sequenced films. From the perspective of a young woman, Lady Halina and Scones poses questions about the objectification of women, the boundaries of their agency, and the recognition of their subjec-tivity within the patriarchal world in which their bodies often functioned as objects of control. In Excursion with White Screen the symbolism of a white sheet placed against a background image of a cemetery or the Palace of Culture questions the role of these religio-political monuments, the white screen acting as an empty, and potentially alternative, space between them.
The music chosen for "Would it sound just as bad if you played it backwards?" spans most of the history of the Polish Radio Experimental Studio, including tracks as early as W?odzimi-erz Koto?ski's "Concrete etude, Study for One Cymbal Stroke," and ending chronologically with Wolfram's rendition of Bogus?aw Schaeffer's "Symphony. Electronic Music." Just as with Kulik's works, the contemporaneity of the music presented is astonishing. The album opens and closes with Krzysztof Knittel's 1980s compositions, "Lapis" and "Poko," and perfectly encapsu-late his descriptions of his experiences in the studio: "We acted without any initial plans or elec-tronic scores, there were no goals to be achieved, no creative method defined in advance. We used our aesthetic and technological knowledge freely, the shapes of tracks emerged during our shared work in the studio."
The album also includes "Mictlan I" (1987) and "Yes and No," (1990) two stunning works by Magdalena D?ugosz, who studied composition with Krystyna Moszuma?ska-Nazar and music theory with Józef Patkowski. Since 1979 she has been teaching in the Electroacoustic Music Stu-dio at the Academy of Music in Kraków.
Also featured is the avant-garde composer El?bieta Sikora, Knittel's fellow member from the KEW Composers' Group, with her stark pieces "Letters to M" and "View from the Window," (1971), and Barbara Zawadzka, whose "Greya" (1988) is meant to evoke different sequencings of the colour grey. In this piece, particularly, it's hard not to appreciate the similarity to Kulik's notion of sequencing and transformation of objects.
Bernadetta Matuszczak's "Libera me" (1991) is an example of a somewhat different creative ex-perience. In a radio interview conducted by Marek Zwyrzykowski in 1992, the composer stated that she wasn't intending to discover any "extraordinary electronic effects"; instead, she focused on the piece's "expressive layer." With the help of Tadeusz Sudnik from PRES, she incorporated into "Libera Me" the characteristic melody from the Polish version of the Orthodox hymn "Holy God, Holy Mighty, Holy Immortal" and then combined it with sounds of explosions and instru-mental recordings, a veiled response to the US's interventions during the Gulf War.
Eugeniusz Rudnik, the composer and sound engineer whose name is among those most strongly associated with PRES, contributes with his "Epitaph for Stones," (1984) a dedication to Jerzy Popie?uszko, the Polish Roman Catholic priest associated with the Solidarity trade union and an-ti-communist movement who was murdered by the Security Service. Bohdan Mazurek, who took over the reins of the studio from Rudnik in 1962 is also included with his piece "Canti" (1973).
As mentioned above, the album also includes W?odzimierz Koto?ski's seminal "Concrete etude, Study for One Cymbal Stroke," a piece sourced from the single stroke of a mid-sized Turkish cymbal; it is often considered to be an important starting point for the development of experi-mental music in Poland. And, finally, the album features two performances of Bogus?aw Schaeffer's "Symphony. Electronic Music," the first by Bohdan Mazurek which remains very close to the composer's score, and a contemporary version by Wolfram, which takes much more creative liberties.
In a text about his seminal work, Schaeffer stated that he "decided to include the factor of inter-pretation in a work that was greatly precise by nature" underlining the importance of shifting el-ements: "the development of music lies in individual elements shifting in the hierarchy of their functions." Indeed, an interest in shifting hierarchies seems present in Kulik's powerful images and most of the sound pieces contained in this release. When the Polish Radio appointed Eu-geniusz Rudnik to present PRES's technical capabilities to a conservative delegation of Soviet composers, he was met with a bitter reply: "Would it sound just as bad, if you played it back-wards?" asked the rigid composers. Rudnick's answer was to create "Skalary," (1966) a multi-version piece which could be played from start to finish and from finish to start, at different speeds, as well as with altered left and right channel distribution. This modular openness calls to mind the empty sheet in Kulik's images. Whatever the context, its static emptiness creates space for a different reality than that which those in power had in mind. This brings us back to Kulik's thoughts on her experiences as a student in the late 60s, a pivotal time in which she determined the process of looking and listening was central to reality itself, thereby shattering the rigidity of traditional forms and religio-political power: "I decided that as a static item, an object can never be real-it's possible only in the process of looking at it."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Compiled on vinyl for the first time
GENRE/S: Library / Ambient
TRACKLISTS:
1. Krzysztof Knittel: Lapis (1985)
2. Bohdan Mazurek: Canti (1973)
3. Magdalena Dàugosz: Yes and No (1990)
4. Barbara Zawadzka - Greya - III (1991)
5. Barbara Zawadzka Greya - IV (1990)
6. Barbara Zawadzka Greya - II (1987)
7. Rudnik - Epitaph of Stones (1984)
8. Boguslaw Shaeffer - Symphony. Elec…e (perf. by Wolfram) (1964-66) - I
9. Boguslaw Shaeffer - Symphony. Elec… (perf. by Wolfram) (1964-66) - II
10. Boguslaw Shaeffer - Symphony. Elec…(perf. by Wolfram) (1964-66) - III
11. Boguslaw Shaeffer - Symphony. Elec… (perf. by Wolfram) (1964-66) - IV
SHORT INFO:
Would It Sound Just As Bad If You Played It Backwards?"
A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001)
Art by Zofia Kulik
"Would it sound just as bad if you played it backwards?" assembles a collection of audio experi-ments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the century. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s. While PRES and Kulik remain touchstones in the recent history of the Polish avant-garde, presenting them togeth-er in one release may not have seemed like an obvious choice. There are, of course, some histori-cal intersections-the most notable being a shared interest in Polish artist and architect Oskar Hansen's Open Form theory. Open Form promoted a modular theory of architecture that became a tool adapted by its users and inhabitants. Hansen's ideas influenced Kulik's early works and also manifested in the PRES's iconic "black room," a music studio designed by Hansen, himself, which was equipped with moveable sound panels that absorbed or reflected sounds to promote a greater, creative freedom from its users. And yet, as it usually goes, the most obvious connections are usually the most deceitful. Whereas Kulik initially followed Open Form, she later turned away from it. And as for the black room-it mostly worked in theory but not in practice. What is it then that makes the two work together?
Within the realm of art history, Kulik's work is often divided into two periods: her early, artistic endeavours connected to Open Form, and the KwieKulik collaboration (with Przemys?av Kwiek), followed by her later turn towards a closed form, characterised by a departure from pro-cessual art in favour of material works of art. Yet these terms don't necessarily bring out the es-sence of Kulik's works. The artist explained that Hansen's Open Form was important for how it opened his students to perceive their environments in a different way. Reminiscing about those times, she states, "I wanted to catch the moment when the object I was looking at was real. I de-cided that as a static item it can never be real-it's possible only in the process of looking at it. That translates to the object being recorded and presented in certain sequences [...] there's the astonishment at the materiality of objects, colours, transformations."
Kulik's works chosen for this release are taken from two projects, Lady Halina and Cones (1968-71) and Excursion with White Screen. Route: Cemetery, The Palace of Culture, which were in-cluded in Kulik's diploma at the Sculpture Department of the Academy of Fine Arts in Warsaw. The projects consisted of slide projections presented on three screens, with specific temporal se-quencing. Lady Halina and Cones presents a woman's body, its forms, geometrical figures, and shapes undergoing a process of transformation. About Excursion with White Screen, Kulik says "this white sheet was supposed to signify an empty screen in different spatial situations in the city. I thought that I would later project a slide onto that screen, imposing another image after-wards, like a collage, but suddenly that screen became a material object instead of an abstract, pure idea of a potential image within an image. It became an object in itself and I began to notice that the screen sometimes wrinkles in the cemetery, and sometimes moves with the wind." A myriad of new meanings and references arise in the twenty-first century from Kulik's sequenced films. From the perspective of a young woman, Lady Halina and Scones poses questions about the objectification of women, the boundaries of their agency, and the recognition of their subjec-tivity within the patriarchal world in which their bodies often functioned as objects of control. In Excursion with White Screen the symbolism of a white sheet placed against a background image of a cemetery or the Palace of Culture questions the role of these religio-political monuments, the white screen acting as an empty, and potentially alternative, space between them.
The music chosen for "Would it sound just as bad if you played it backwards?" spans most of the history of the Polish Radio Experimental Studio, including tracks as early as W?odzimi-erz Koto?ski's "Concrete etude, Study for One Cymbal Stroke," and ending chronologically with Wolfram's rendition of Bogus?aw Schaeffer's "Symphony. Electronic Music." Just as with Kulik's works, the contemporaneity of the music presented is astonishing. The album opens and closes with Krzysztof Knittel's 1980s compositions, "Lapis" and "Poko," and perfectly encapsu-late his descriptions of his experiences in the studio: "We acted without any initial plans or elec-tronic scores, there were no goals to be achieved, no creative method defined in advance. We used our aesthetic and technological knowledge freely, the shapes of tracks emerged during our shared work in the studio."
The album also includes "Mictlan I" (1987) and "Yes and No," (1990) two stunning works by Magdalena D?ugosz, who studied composition with Krystyna Moszuma?ska-Nazar and music theory with Józef Patkowski. Since 1979 she has been teaching in the Electroacoustic Music Stu-dio at the Academy of Music in Kraków.
Also featured is the avant-garde composer El?bieta Sikora, Knittel's fellow member from the KEW Composers' Group, with her stark pieces "Letters to M" and "View from the Window," (1971), and Barbara Zawadzka, whose "Greya" (1988) is meant to evoke different sequencings of the colour grey. In this piece, particularly, it's hard not to appreciate the similarity to Kulik's notion of sequencing and transformation of objects.
Bernadetta Matuszczak's "Libera me" (1991) is an example of a somewhat different creative ex-perience. In a radio interview conducted by Marek Zwyrzykowski in 1992, the composer stated that she wasn't intending to discover any "extraordinary electronic effects"; instead, she focused on the piece's "expressive layer." With the help of Tadeusz Sudnik from PRES, she incorporated into "Libera Me" the characteristic melody from the Polish version of the Orthodox hymn "Holy God, Holy Mighty, Holy Immortal" and then combined it with sounds of explosions and instru-mental recordings, a veiled response to the US's interventions during the Gulf War.
Eugeniusz Rudnik, the composer and sound engineer whose name is among those most strongly associated with PRES, contributes with his "Epitaph for Stones," (1984) a dedication to Jerzy Popie?uszko, the Polish Roman Catholic priest associated with the Solidarity trade union and an-ti-communist movement who was murdered by the Security Service. Bohdan Mazurek, who took over the reins of the studio from Rudnik in 1962 is also included with his piece "Canti" (1973).
As mentioned above, the album also includes W?odzimierz Koto?ski's seminal "Concrete etude, Study for One Cymbal Stroke," a piece sourced from the single stroke of a mid-sized Turkish cymbal; it is often considered to be an important starting point for the development of experi-mental music in Poland. And, finally, the album features two performances of Bogus?aw Schaeffer's "Symphony. Electronic Music," the first by Bohdan Mazurek which remains very close to the composer's score, and a contemporary version by Wolfram, which takes much more creative liberties.
In a text about his seminal work, Schaeffer stated that he "decided to include the factor of inter-pretation in a work that was greatly precise by nature" underlining the importance of shifting el-ements: "the development of music lies in individual elements shifting in the hierarchy of their functions." Indeed, an interest in shifting hierarchies seems present in Kulik's powerful images and most of the sound pieces contained in this release. When the Polish Radio appointed Eu-geniusz Rudnik to present PRES's technical capabilities to a conservative delegation of Soviet composers, he was met with a bitter reply: "Would it sound just as bad, if you played it back-wards?" asked the rigid composers. Rudnick's answer was to create "Skalary," (1966) a multi-version piece which could be played from start to finish and from finish to start, at different speeds, as well as with altered left and right channel distribution. This modular openness calls to mind the empty sheet in Kulik's images. Whatever the context, its static emptiness creates space for a different reality than that which those in power had in mind. This brings us back to Kulik's thoughts on her experiences as a student in the late 60s, a pivotal time in which she determined the process of looking and listening was central to reality itself, thereby shattering the rigidity of traditional forms and religio-political power: "I decided that as a static item, an object can never be real-it's possible only in the process of looking at it."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Other People
Cat-No:OP059
Release-Date:20.05.2022
Configuration:2LP Excl
Barcode:4251804137034
in stock
Last in:25.03.2022
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:25.03.2022
Label:Other People
Cat-No:OP059
Release-Date:20.05.2022
Configuration:2LP Excl
Barcode:4251804137034
Add all to playlist
Play all
Add all to playlist
Play all
1
Various Artists - 1. Wlodzimierz Kotonski - Study for One Cymbal Stroke (1951)
Add all to playlist
Play all
2
Various Artists - 2. Symphony. Electronic music, part I (performed by Bohdan Mazurek) (1966)
Add all to playlist
Play all
3
Various Artists - 3. Elzbieta Sikora - Letters to M. (1980)
Add all to playlist
Play all
4
Various Artists - 4. Bernadetta Matuszczak - Libera me (1991)
Add all to playlist
Play all
5
Various Artists - 5. Elzbieta Sikora - View from the Window (1978)
Add all to playlist
Play all
6
Various Artists - 6. Magdalena Dlugosz - Mictlan I (1987)
Add all to playlist
Play all
7
Various Artists - 7. Barbara Zawadzka - Greya part V (1991)
Add all to playlist
Play all
8
Various Artists - 8. Krzysztof Knittel - Poko (1986)
LTD 2LP [Includes Art Prints by Zofia Kulik]
Compiled on vinyl for the first time
GENRE/S: Library / Ambient
TRACKLISTS:
1. Wlodzimierz Kotonski - Study for One Cymbal Stroke (1951)
2. Symphony. Electronic music, part I (performed by Bohdan Mazurek) (1966)
3. Elzbieta Sikora - Letters to M. (1980)
4. Bernadetta Matuszczak - Libera me (1991)
5. Elzbieta Sikora - View from the Window (1978)
6. Magdalena Dlugosz - Mictlan I (1987)
7. Barbara Zawadzka - Greya part V (1991)
8. Krzysztof Knittel - Poko (1986)
SHORT INFO:
Would It Sound Just As Bad If You Played It Backwards?"
A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001)
Art by Zofia Kulik
"Would it sound just as bad if you played it backwards?" assembles a collection of audio experi-ments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the century. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s. While PRES and Kulik remain touchstones in the recent history of the Polish avant-garde, presenting them togeth-er in one release may not have seemed like an obvious choice. There are, of course, some histori-cal intersections-the most notable being a shared interest in Polish artist and architect Oskar Hansen's Open Form theory. Open Form promoted a modular theory of architecture that became a tool adapted by its users and inhabitants. Hansen's ideas influenced Kulik's early works and also manifested in the PRES's iconic "black room," a music studio designed by Hansen, himself, which was equipped with moveable sound panels that absorbed or reflected sounds to promote a greater, creative freedom from its users. And yet, as it usually goes, the most obvious connections are usually the most deceitful. Whereas Kulik initially followed Open Form, she later turned away from it. And as for the black room-it mostly worked in theory but not in practice. What is it then that makes the two work together?
Within the realm of art history, Kulik's work is often divided into two periods: her early, artistic endeavours connected to Open Form, and the KwieKulik collaboration (with Przemys?av Kwiek), followed by her later turn towards a closed form, characterised by a departure from pro-cessual art in favour of material works of art. Yet these terms don't necessarily bring out the es-sence of Kulik's works. The artist explained that Hansen's Open Form was important for how it opened his students to perceive their environments in a different way. Reminiscing about those times, she states, "I wanted to catch the moment when the object I was looking at was real. I de-cided that as a static item it can never be real-it's possible only in the process of looking at it. That translates to the object being recorded and presented in certain sequences [...] there's the astonishment at the materiality of objects, colours, transformations."
Kulik's works chosen for this release are taken from two projects, Lady Halina and Cones (1968-71) and Excursion with White Screen. Route: Cemetery, The Palace of Culture, which were in-cluded in Kulik's diploma at the Sculpture Department of the Academy of Fine Arts in Warsaw. The projects consisted of slide projections presented on three screens, with specific temporal se-quencing. Lady Halina and Cones presents a woman's body, its forms, geometrical figures, and shapes undergoing a process of transformation. About Excursion with White Screen, Kulik says "this white sheet was supposed to signify an empty screen in different spatial situations in the city. I thought that I would later project a slide onto that screen, imposing another image after-wards, like a collage, but suddenly that screen became a material object instead of an abstract, pure idea of a potential image within an image. It became an object in itself and I began to notice that the screen sometimes wrinkles in the cemetery, and sometimes moves with the wind." A myriad of new meanings and references arise in the twenty-first century from Kulik's sequenced films. From the perspective of a young woman, Lady Halina and Scones poses questions about the objectification of women, the boundaries of their agency, and the recognition of their subjec-tivity within the patriarchal world in which their bodies often functioned as objects of control. In Excursion with White Screen the symbolism of a white sheet placed against a background image of a cemetery or the Palace of Culture questions the role of these religio-political monuments, the white screen acting as an empty, and potentially alternative, space between them.
The music chosen for "Would it sound just as bad if you played it backwards?" spans most of the history of the Polish Radio Experimental Studio, including tracks as early as W?odzimi-erz Koto?ski's "Concrete etude, Study for One Cymbal Stroke," and ending chronologically with Wolfram's rendition of Bogus?aw Schaeffer's "Symphony. Electronic Music." Just as with Kulik's works, the contemporaneity of the music presented is astonishing. The album opens and closes with Krzysztof Knittel's 1980s compositions, "Lapis" and "Poko," and perfectly encapsu-late his descriptions of his experiences in the studio: "We acted without any initial plans or elec-tronic scores, there were no goals to be achieved, no creative method defined in advance. We used our aesthetic and technological knowledge freely, the shapes of tracks emerged during our shared work in the studio."
The album also includes "Mictlan I" (1987) and "Yes and No," (1990) two stunning works by Magdalena D?ugosz, who studied composition with Krystyna Moszuma?ska-Nazar and music theory with Józef Patkowski. Since 1979 she has been teaching in the Electroacoustic Music Stu-dio at the Academy of Music in Kraków.
Also featured is the avant-garde composer El?bieta Sikora, Knittel's fellow member from the KEW Composers' Group, with her stark pieces "Letters to M" and "View from the Window," (1971), and Barbara Zawadzka, whose "Greya" (1988) is meant to evoke different sequencings of the colour grey. In this piece, particularly, it's hard not to appreciate the similarity to Kulik's notion of sequencing and transformation of objects.
Bernadetta Matuszczak's "Libera me" (1991) is an example of a somewhat different creative ex-perience. In a radio interview conducted by Marek Zwyrzykowski in 1992, the composer stated that she wasn't intending to discover any "extraordinary electronic effects"; instead, she focused on the piece's "expressive layer." With the help of Tadeusz Sudnik from PRES, she incorporated into "Libera Me" the characteristic melody from the Polish version of the Orthodox hymn "Holy God, Holy Mighty, Holy Immortal" and then combined it with sounds of explosions and instru-mental recordings, a veiled response to the US's interventions during the Gulf War.
Eugeniusz Rudnik, the composer and sound engineer whose name is among those most strongly associated with PRES, contributes with his "Epitaph for Stones," (1984) a dedication to Jerzy Popie?uszko, the Polish Roman Catholic priest associated with the Solidarity trade union and an-ti-communist movement who was murdered by the Security Service. Bohdan Mazurek, who took over the reins of the studio from Rudnik in 1962 is also included with his piece "Canti" (1973).
As mentioned above, the album also includes W?odzimierz Koto?ski's seminal "Concrete etude, Study for One Cymbal Stroke," a piece sourced from the single stroke of a mid-sized Turkish cymbal; it is often considered to be an important starting point for the development of experi-mental music in Poland. And, finally, the album features two performances of Bogus?aw Schaeffer's "Symphony. Electronic Music," the first by Bohdan Mazurek which remains very close to the composer's score, and a contemporary version by Wolfram, which takes much more creative liberties.
In a text about his seminal work, Schaeffer stated that he "decided to include the factor of inter-pretation in a work that was greatly precise by nature" underlining the importance of shifting el-ements: "the development of music lies in individual elements shifting in the hierarchy of their functions." Indeed, an interest in shifting hierarchies seems present in Kulik's powerful images and most of the sound pieces contained in this release. When the Polish Radio appointed Eu-geniusz Rudnik to present PRES's technical capabilities to a conservative delegation of Soviet composers, he was met with a bitter reply: "Would it sound just as bad, if you played it back-wards?" asked the rigid composers. Rudnick's answer was to create "Skalary," (1966) a multi-version piece which could be played from start to finish and from finish to start, at different speeds, as well as with altered left and right channel distribution. This modular openness calls to mind the empty sheet in Kulik's images. Whatever the context, its static emptiness creates space for a different reality than that which those in power had in mind. This brings us back to Kulik's thoughts on her experiences as a student in the late 60s, a pivotal time in which she determined the process of looking and listening was central to reality itself, thereby shattering the rigidity of traditional forms and religio-political power: "I decided that as a static item, an object can never be real-it's possible only in the process of looking at it."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Compiled on vinyl for the first time
GENRE/S: Library / Ambient
TRACKLISTS:
1. Wlodzimierz Kotonski - Study for One Cymbal Stroke (1951)
2. Symphony. Electronic music, part I (performed by Bohdan Mazurek) (1966)
3. Elzbieta Sikora - Letters to M. (1980)
4. Bernadetta Matuszczak - Libera me (1991)
5. Elzbieta Sikora - View from the Window (1978)
6. Magdalena Dlugosz - Mictlan I (1987)
7. Barbara Zawadzka - Greya part V (1991)
8. Krzysztof Knittel - Poko (1986)
SHORT INFO:
Would It Sound Just As Bad If You Played It Backwards?"
A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001)
Art by Zofia Kulik
"Would it sound just as bad if you played it backwards?" assembles a collection of audio experi-ments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the century. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s. While PRES and Kulik remain touchstones in the recent history of the Polish avant-garde, presenting them togeth-er in one release may not have seemed like an obvious choice. There are, of course, some histori-cal intersections-the most notable being a shared interest in Polish artist and architect Oskar Hansen's Open Form theory. Open Form promoted a modular theory of architecture that became a tool adapted by its users and inhabitants. Hansen's ideas influenced Kulik's early works and also manifested in the PRES's iconic "black room," a music studio designed by Hansen, himself, which was equipped with moveable sound panels that absorbed or reflected sounds to promote a greater, creative freedom from its users. And yet, as it usually goes, the most obvious connections are usually the most deceitful. Whereas Kulik initially followed Open Form, she later turned away from it. And as for the black room-it mostly worked in theory but not in practice. What is it then that makes the two work together?
Within the realm of art history, Kulik's work is often divided into two periods: her early, artistic endeavours connected to Open Form, and the KwieKulik collaboration (with Przemys?av Kwiek), followed by her later turn towards a closed form, characterised by a departure from pro-cessual art in favour of material works of art. Yet these terms don't necessarily bring out the es-sence of Kulik's works. The artist explained that Hansen's Open Form was important for how it opened his students to perceive their environments in a different way. Reminiscing about those times, she states, "I wanted to catch the moment when the object I was looking at was real. I de-cided that as a static item it can never be real-it's possible only in the process of looking at it. That translates to the object being recorded and presented in certain sequences [...] there's the astonishment at the materiality of objects, colours, transformations."
Kulik's works chosen for this release are taken from two projects, Lady Halina and Cones (1968-71) and Excursion with White Screen. Route: Cemetery, The Palace of Culture, which were in-cluded in Kulik's diploma at the Sculpture Department of the Academy of Fine Arts in Warsaw. The projects consisted of slide projections presented on three screens, with specific temporal se-quencing. Lady Halina and Cones presents a woman's body, its forms, geometrical figures, and shapes undergoing a process of transformation. About Excursion with White Screen, Kulik says "this white sheet was supposed to signify an empty screen in different spatial situations in the city. I thought that I would later project a slide onto that screen, imposing another image after-wards, like a collage, but suddenly that screen became a material object instead of an abstract, pure idea of a potential image within an image. It became an object in itself and I began to notice that the screen sometimes wrinkles in the cemetery, and sometimes moves with the wind." A myriad of new meanings and references arise in the twenty-first century from Kulik's sequenced films. From the perspective of a young woman, Lady Halina and Scones poses questions about the objectification of women, the boundaries of their agency, and the recognition of their subjec-tivity within the patriarchal world in which their bodies often functioned as objects of control. In Excursion with White Screen the symbolism of a white sheet placed against a background image of a cemetery or the Palace of Culture questions the role of these religio-political monuments, the white screen acting as an empty, and potentially alternative, space between them.
The music chosen for "Would it sound just as bad if you played it backwards?" spans most of the history of the Polish Radio Experimental Studio, including tracks as early as W?odzimi-erz Koto?ski's "Concrete etude, Study for One Cymbal Stroke," and ending chronologically with Wolfram's rendition of Bogus?aw Schaeffer's "Symphony. Electronic Music." Just as with Kulik's works, the contemporaneity of the music presented is astonishing. The album opens and closes with Krzysztof Knittel's 1980s compositions, "Lapis" and "Poko," and perfectly encapsu-late his descriptions of his experiences in the studio: "We acted without any initial plans or elec-tronic scores, there were no goals to be achieved, no creative method defined in advance. We used our aesthetic and technological knowledge freely, the shapes of tracks emerged during our shared work in the studio."
The album also includes "Mictlan I" (1987) and "Yes and No," (1990) two stunning works by Magdalena D?ugosz, who studied composition with Krystyna Moszuma?ska-Nazar and music theory with Józef Patkowski. Since 1979 she has been teaching in the Electroacoustic Music Stu-dio at the Academy of Music in Kraków.
Also featured is the avant-garde composer El?bieta Sikora, Knittel's fellow member from the KEW Composers' Group, with her stark pieces "Letters to M" and "View from the Window," (1971), and Barbara Zawadzka, whose "Greya" (1988) is meant to evoke different sequencings of the colour grey. In this piece, particularly, it's hard not to appreciate the similarity to Kulik's notion of sequencing and transformation of objects.
Bernadetta Matuszczak's "Libera me" (1991) is an example of a somewhat different creative ex-perience. In a radio interview conducted by Marek Zwyrzykowski in 1992, the composer stated that she wasn't intending to discover any "extraordinary electronic effects"; instead, she focused on the piece's "expressive layer." With the help of Tadeusz Sudnik from PRES, she incorporated into "Libera Me" the characteristic melody from the Polish version of the Orthodox hymn "Holy God, Holy Mighty, Holy Immortal" and then combined it with sounds of explosions and instru-mental recordings, a veiled response to the US's interventions during the Gulf War.
Eugeniusz Rudnik, the composer and sound engineer whose name is among those most strongly associated with PRES, contributes with his "Epitaph for Stones," (1984) a dedication to Jerzy Popie?uszko, the Polish Roman Catholic priest associated with the Solidarity trade union and an-ti-communist movement who was murdered by the Security Service. Bohdan Mazurek, who took over the reins of the studio from Rudnik in 1962 is also included with his piece "Canti" (1973).
As mentioned above, the album also includes W?odzimierz Koto?ski's seminal "Concrete etude, Study for One Cymbal Stroke," a piece sourced from the single stroke of a mid-sized Turkish cymbal; it is often considered to be an important starting point for the development of experi-mental music in Poland. And, finally, the album features two performances of Bogus?aw Schaeffer's "Symphony. Electronic Music," the first by Bohdan Mazurek which remains very close to the composer's score, and a contemporary version by Wolfram, which takes much more creative liberties.
In a text about his seminal work, Schaeffer stated that he "decided to include the factor of inter-pretation in a work that was greatly precise by nature" underlining the importance of shifting el-ements: "the development of music lies in individual elements shifting in the hierarchy of their functions." Indeed, an interest in shifting hierarchies seems present in Kulik's powerful images and most of the sound pieces contained in this release. When the Polish Radio appointed Eu-geniusz Rudnik to present PRES's technical capabilities to a conservative delegation of Soviet composers, he was met with a bitter reply: "Would it sound just as bad, if you played it back-wards?" asked the rigid composers. Rudnick's answer was to create "Skalary," (1966) a multi-version piece which could be played from start to finish and from finish to start, at different speeds, as well as with altered left and right channel distribution. This modular openness calls to mind the empty sheet in Kulik's images. Whatever the context, its static emptiness creates space for a different reality than that which those in power had in mind. This brings us back to Kulik's thoughts on her experiences as a student in the late 60s, a pivotal time in which she determined the process of looking and listening was central to reality itself, thereby shattering the rigidity of traditional forms and religio-political power: "I decided that as a static item, an object can never be real-it's possible only in the process of looking at it."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
backorder
Label:Other People
Cat-No:OP055-2LP
Release-Date:25.09.2020
Configuration:2LP Excl
Barcode:4251804121149
backorder
Last in:18.03.2022
Add all to playlist
Play all
+ Show full info- Close

backorder
Last in:18.03.2022
Label:Other People
Cat-No:OP055-2LP
Release-Date:25.09.2020
Configuration:2LP Excl
Barcode:4251804121149
Add all to playlist
Play all
Add all to playlist
Play all
1
Nicolas Jaar - 1. Vanish
Add all to playlist
Play all
2
Nicolas Jaar - 2. Menysid
Add all to playlist
Play all
3
Nicolas Jaar - 3. Cenizas
Add all to playlist
Play all
4
Nicolas Jaar - 4. Agosto
Add all to playlist
Play all
5
Nicolas Jaar - 5. Gocce
6
Nicolas Jaar - 6. Mud
7
Nicolas Jaar - 7. Vacíar
8
Nicolas Jaar - 8. Sunder
9
Nicolas Jaar - 9. Hello, Chain
10
Nicolas Jaar - 10. Rubble
11
Nicolas Jaar - 11. Garden
12
Nicolas Jaar - 12. Xerox
13
Nicolas Jaar - 13. Faith Made of Silk
- 2LP is mastered for Exceptional Sound
LTD Edition includes : 2LP + Book + OCard + Clear PVC Sleeve
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LTD Edition includes : 2LP + Book + OCard + Clear PVC Sleeve
CENIZAS WAS WRITTEN AND PRODUCED BY NICOLAS JAAR BETWEEN 2017-2019. MASTERING BY RASHAD BECKER ART BY MAZIYAR PAHLEVAN
MIXING BY NICOLAS JAAR AND PATRICK HIGGINS
* In 2019, Patrick Higgins and Nicolas Jaar mixed some of the record in Higgins' Future- Past studios in Hudson NY and Electric Lady Studios in Manhattan. Additional mixing was done in Figure8 Studios in Brooklyn by Nicola?s.
8/10 Resident Advisor - Cenizas is an LP of significant gravitas from an artist with among the largest and most engaged followings in electronic music
8.0 Pitchfork - Given all the technical ground Cenizas covers, Jarr is an impressively meticulous guide. Every pluck, ping, buzz, scratch, and whistle is intentional, a bump in the tunnel as you slide down the rabbit hole
9/10 Loud & Quiet - Jaar's music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar's first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He's showing us now.
NICOLAS JAAR BIOGRAPHY
NICOLAS JAAR is a Chilean sound maker born in 1990. He is known in the club world for his various dance 12?? EPs and remixes he put out from 2008 to 2011. Since his first full length (SPACE IS ONLY NOISE, 2011), he has embarked in multiple divergent path.
For the last 7 years, he has released a large volume of recordings through his label OTHER PEOPLE (including music by LYDIA LUNCH, WILLIAM BASINSKI, PATRICK HIGGINS, DJ SLUGO, LUCRETIA DALT, PIERRE BASTIEN & TOMAGA, VTGNIKE and others).
In 2015, Nicolas scored DHEEPAN by director JACQUES AUDIARD (winner of the Palme d'Or at Cannes 2015).
In 2016, Jaar launched THE NETWORK, a web of 111 fictional radio stations done in collaboration with artists JENA MYUNG and MAZIYAR PAHLEVAN. A batch of these mixes was aired on NTS radio and is archived here: (https://bit.ly/35PwrHu). In 2017, THE NETWORK became a book, published by PRINTED MATTER In NY.
In the spring of 2019, Jaar was commissioned for a 9 hour improvisation in the OUDE KERK CHURCH in Amsterdam which he performed alongside two organists and a dozen surround speakers pointed at the ceiling of the church.
Nicola?s is currently curating a residency for sound artists in the West Bank that takes place in a 130 year-old converted food storage shack in Bethlehem (within the DAR YUSUF NASRI JACIR FOR ART AND RESEARCH)
Residents so far include composer SEBASTIAN JATZ RAWICZ and researcher and artist ROLANDO HERNANDEZ.
In the fall of 2019, he presented INCOMPREHENSIBLE SUN, a sound and light installation in a 200-meter-long ex-military shooting range in Zaandam (The Netherlands) and RETAINING THE ENERGY, BUT LOSING THE IMAGE alongside artist VINCENT DE BELLEVAL which consisted of 10 large rotating parabolic reflectors that capture and emit hyper-focalized surround sound.
For the first SHARJAH ARCHITECTURE TRIENNALE (curated by ADRIAN LAHOUD IN 2019) Nicola?s performed a piece for 16 buried speakers in the desert near the MLEIHA ARCHAEOLOGICAL CENTRE.
Nicola?s has collaborated with artist LYDIA OURAHMANE (MUSIC FOR TWO SEAS, Stromboli), FKA TWIGS (MAGDALENE), and PATRICK HIGGINS under the name AEAEA. He is also a current member of improvisational ensemble ¡MIE?RCOLES! alongside dancer and choreographer STEPHANIE JANAINA, founding member of research collective SHOCK FOREST GROUP, and half of the band DARKSIDE
Tracklist:
1 Vanish
2 Menysid
3 Cenizas
4 Agosto
5 Gocce
6 Mud
7 Vacíar
8 Sunder
9 Hello, Chain
10 Rubble
11 Garden
12 Xerox
13 Faith Made of Silk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Customers who bought this also bought this
Label:ANS Recordings
Cat-No:ans7000
Release-Date:02.05.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804185448
pre-sale
Last in:09.04.2025
+ Show full info- Close

pre-sale
Last in:09.04.2025
Label:ANS Recordings
Cat-No:ans7000
Release-Date:02.05.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804185448
1
Anthony Naples - Scanners
2
Anthony Naples - Compact
3
Anthony Naples - Hi Lo
4
Anthony Naples - Somebody
5
Anthony Naples - Night
6
Anthony Naples - Ampere
7
Anthony Naples - Bounce
8
Anthony Naples - Mushy
9
Anthony Naples - Lifetimes
10
Anthony Naples - Uforia2
Tracklist:
A1. Scanners
A2. Compact
B1. Hi Lo
B2. Somebody
B3. Night
C1. Ampere
C2. Bounce
D1. Mushy
D2. Lifetimes
D3. Uforia2
After a two-year hiatus following his critically acclaimed fifth album “Orbs”, Anthony Naples returns with his sixth album, “Scanners”, featuring ten new songs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Scanners
A2. Compact
B1. Hi Lo
B2. Somebody
B3. Night
C1. Ampere
C2. Bounce
D1. Mushy
D2. Lifetimes
D3. Uforia2
After a two-year hiatus following his critically acclaimed fifth album “Orbs”, Anthony Naples returns with his sixth album, “Scanners”, featuring ten new songs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Studio Barnhus
Cat-No:BARN114
Release-Date:11.04.2025
Genre:House
Configuration:2x12" Excl
Barcode:198704329470
in stock
Last in:01.04.2025
+ Show full info- Close


in stock
Last in:01.04.2025
Label:Studio Barnhus
Cat-No:BARN114
Release-Date:11.04.2025
Genre:House
Configuration:2x12" Excl
Barcode:198704329470
1
Martinou - You took me in
2
Martinou - Blur
3
Martinou - Somewhere
4
Martinou - Between here and home
5
Martinou - Light (from within)
6
Martinou - This is not the End
GENRE/S: House, Chill House
TRACKLIST:
[Vinyl]
A 33 RPM 1. You took me in / 2. Blur
B 45 RPM 1. Somewhere
C 33 RPM 1. Between here and home / 2. Light (from within)
D 45 RPM 1. This is not the End
SHORT INFO:
Swedish artist Martinou crafts deeply immersive electronic music, seamlessly balancing weight and delicacy. His productions oscillate between hypnotic intensity and introspective warmth, always evoking a visceral response on the dancefloor.
After releasing on acclaimed labels like Nous’klaer, Turbo Recordings, and Mule Musiq, the Malmö-based producer now makes his long-awaited debut on Stockholm’s Studio Barnhus. His Linked EP showcases six meticulously layered compositions, where intricate rhythms intertwine with luminous melodies – ethereal synths drifting in and out of the grooves, shaping an atmosphere that’s both expansive and deeply personal.
With Linked, Martinou further refines his signature approach, crafting music that feels at once free-flowing and deliberate. It’s a record that invites deep listening yet remains primed for the floor – a testament to the Malmö maestro's knack for blurring the lines between club functionality and sonic storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST:
[Vinyl]
A 33 RPM 1. You took me in / 2. Blur
B 45 RPM 1. Somewhere
C 33 RPM 1. Between here and home / 2. Light (from within)
D 45 RPM 1. This is not the End
SHORT INFO:
Swedish artist Martinou crafts deeply immersive electronic music, seamlessly balancing weight and delicacy. His productions oscillate between hypnotic intensity and introspective warmth, always evoking a visceral response on the dancefloor.
After releasing on acclaimed labels like Nous’klaer, Turbo Recordings, and Mule Musiq, the Malmö-based producer now makes his long-awaited debut on Stockholm’s Studio Barnhus. His Linked EP showcases six meticulously layered compositions, where intricate rhythms intertwine with luminous melodies – ethereal synths drifting in and out of the grooves, shaping an atmosphere that’s both expansive and deeply personal.
With Linked, Martinou further refines his signature approach, crafting music that feels at once free-flowing and deliberate. It’s a record that invites deep listening yet remains primed for the floor – a testament to the Malmö maestro's knack for blurring the lines between club functionality and sonic storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:London Records
Cat-No:LMS1725227
Release-Date:23.08.2024
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:5061017252276
in stock
Last in:03.07.2024
+ Show full info- Close
in stock
Last in:03.07.2024
Label:London Records
Cat-No:LMS1725227
Release-Date:23.08.2024
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:5061017252276
Rights: World excluding France & UK
DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker
SHORT PRODUCT INFORMATIONS
SHORT INFOS / KEY POINTS
" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.
TRACKLIST
DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker
SHORT PRODUCT INFORMATIONS
SHORT INFOS / KEY POINTS
" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.
TRACKLIST
DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
pre-sale
Label:A.r.t.less
Cat-No:A.R.T.LESS2170R
Release-Date:02.05.2025
Genre:Techno
Configuration:12" Excl
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:A.r.t.less
Cat-No:A.R.T.LESS2170R
Release-Date:02.05.2025
Genre:Techno
Configuration:12" Excl
Barcode:
1
Session Restore | Bernhard Hudalla - A1 - Drift
2
Session Restore | Bernhard Hudalla - A2 - Traces
3
Session Restore | Bernhard Hudalla - B1 - Diversion
4
Session Restore | Bernhard Hudalla - B2 - 262.0
12" non retournable! REPRESS EDITION
Genre: Techno, Dub Techno, Deep Techno
Tracklist 12":
A1 - Drift
A2 - Traces
B1 - Diversion
B2 - 262.0
Short Info:
At the end of the day, it's about human touch, personal connection and emotional reactions.
With great pleasure we are more than happy to welcome Session Restore and Bernhard Hudalla to the family with a superb debut 12" for the Mojuba sublabel a.r.t.less. A friendship and collaboration that connects musical dots between Hanover and Leipzig resulting in this release called Pathfinder EP. Session Restore might be familiar to some of you through his label rauh, from the party series he's doing in and around Hanover over the last couple of years or as one of the finest vinyl DJs the city has to offer. The debut EP for the Mojuba sub label is a true love letter in four parts to deep and dubby Techno with an emotional touch. As always, let the music do the talking and enjoy! Limited edition in hand-pulled screen-printed cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Techno, Dub Techno, Deep Techno
Tracklist 12":
A1 - Drift
A2 - Traces
B1 - Diversion
B2 - 262.0
Short Info:
At the end of the day, it's about human touch, personal connection and emotional reactions.
With great pleasure we are more than happy to welcome Session Restore and Bernhard Hudalla to the family with a superb debut 12" for the Mojuba sublabel a.r.t.less. A friendship and collaboration that connects musical dots between Hanover and Leipzig resulting in this release called Pathfinder EP. Session Restore might be familiar to some of you through his label rauh, from the party series he's doing in and around Hanover over the last couple of years or as one of the finest vinyl DJs the city has to offer. The debut EP for the Mojuba sub label is a true love letter in four parts to deep and dubby Techno with an emotional touch. As always, let the music do the talking and enjoy! Limited edition in hand-pulled screen-printed cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
pre-sale
+ Show full info- Close
pre-sale
Last in:10.01.2025
Label:Perlon
Cat-No:perlon26
Release-Date:25.04.2025
Genre:Techno
Configuration:12" Excl
Barcode:661956352614
2025 Repress
Tracklist:
A. Elastobabe
B1. Elastobabe (Soul Capsule's Cosmic Warrior Mix)
B2. Elastoflo Remix
zip (dimbiman) and soul capsules (mark broom & baby ford) on this fantastic deep tech electronic groover
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A. Elastobabe
B1. Elastobabe (Soul Capsule's Cosmic Warrior Mix)
B2. Elastoflo Remix
zip (dimbiman) and soul capsules (mark broom & baby ford) on this fantastic deep tech electronic groover
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sound Metaphors 23
Cat-No:SM23-09
Release-Date:18.04.2025
Genre:Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Sound Metaphors 23
Cat-No:SM23-09
Release-Date:18.04.2025
Genre:Techno
Configuration:12"
Barcode:
1
69db - 123% Repetitive
2
69db - Fuck The Bill
3
69db - Groove Connects
Sound Metaphors 23 is back with more output from the pioneering free-party clan & scourge of the establishment, Spiral Tribe - this time with a reissue Stormcore 3 from 1996. This record comes from the mind of 69db aka Sebastian Vaughan, the improvising electronic musician who joined Spiral Tribe after their infamous ’91 New Year's Eve party at the then-abandoned Camden Roundhouse. We have here three powerful cuts of uncompromising hardcore freetekno - coming in north of 180bpm but structured on complex rhythmic patterns so this music is at once punishing yet also meditative, penetrating deep within the micro dimensions of these newly explored sonic paradigms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
backorder
Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4260544825422
backorder
+ Show full info- Close
backorder
Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4260544825422
1
Ryo Fukui - Mellow Dream
2
Ryo Fukui - My Foolish Heart
3
Ryo Fukui - Baron Potato Blues
4
Ryo Fukui - What's New
5
Ryo Fukui - Horizon
6
Ryo Fukui - My Funny Valentine
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
pre-sale
Label:A.r.t.less
Cat-No:A.R.T.LESS2168R
Release-Date:02.05.2025
Genre:Techno
Configuration:12" Excl
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:A.r.t.less
Cat-No:A.R.T.LESS2168R
Release-Date:02.05.2025
Genre:Techno
Configuration:12" Excl
Barcode:
1
Volpe & Elias. - A1 - Process
2
Volpe & Elias. - A2 - Exploration
3
Volpe & Elias. - B1 - Knowledge
4
Volpe & Elias. - B2 - Discernment
12" non retournable! Repress Edition
Genre: Techno, Dub Techno, Deep Techno
Tracklist 12":
A1 - Process
A2 - Exploration
B1 - Knowledge
B2 - Discernment
Short Info:
Strength in numbers ... after the well received collaboration release of Session Restore and Bernhard Hudalla, we welcome another joined musical adventure by up and coming talents Volpe and Elias. On Mojuba sublabel a.r.t.less. This release speaks stripped back basement-dance-floor Dub Techno through and through! Deep diving reverberating Techno at its best. Turn the music on, float and let go. As usual let the tunes do the talking, enjoy!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Techno, Dub Techno, Deep Techno
Tracklist 12":
A1 - Process
A2 - Exploration
B1 - Knowledge
B2 - Discernment
Short Info:
Strength in numbers ... after the well received collaboration release of Session Restore and Bernhard Hudalla, we welcome another joined musical adventure by up and coming talents Volpe and Elias. On Mojuba sublabel a.r.t.less. This release speaks stripped back basement-dance-floor Dub Techno through and through! Deep diving reverberating Techno at its best. Turn the music on, float and let go. As usual let the tunes do the talking, enjoy!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:The Outer Edge
Cat-No:EDGE-031
Release-Date:30.05.2025
Configuration:LP Excl
Barcode:4251804185806
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:The Outer Edge
Cat-No:EDGE-031
Release-Date:30.05.2025
Configuration:LP Excl
Barcode:4251804185806
1
Jo Tongo - Sa Discossa
2
Jo Tongo - Stand Up Now
3
Jo Tongo - What A Lovely Day
4
Jo Tongo - Get Down And Freak
5
Jo Tongo - Bunya Tengue
6
Jo Tongo - Sona Sita
A pioneering force in African music, Jo Tongo has always been on top of the game. Since the late 60s he has been recording music under his early Jojo L'Explosif moniker. His debut album "Jo Tongo" was released 1976 on Fiesta/Decca and features classic tracks like Jangolo and Piani. Now, after decades of underground influence and global recognition, his second album Sa Discossa (1980) is re-released for the first time. Being an electrifying fusion of African rhythms, disco, makossa, reggae and funk it is reflecting his lifelong journey of musical exploration and cultural storytelling and claims its place as an essential recording in the Afro-disco movement.
Jo Tongo's music is inseparable from his life's story-a journey that spans continents, struggles, and victories. From his early years as a leading African musician before the global rise of Afrobeat, to his deep roots in classical training, and his time performing in France and Germany, his sound is shaped by a rich blend of influences. Having played in bands across Europe, from American military bases in Germany to the jazz and soul circuits of Paris, he absorbed the pulse of multiple musical worlds, creating a sound uniquely his own.
"My music is my life. I never saw it as a way to become a star-I am a simple man," Tongo explains. "I came into music to say something, to tell about life, to share my experiences with the world." His perspective on fame and artistry is deeply rooted in his Cameroonian background. "I wasn't interested in business. I wanted to build something with music, to create a sound that was mine."
But Jo Tongo's music has always carried a deeper message. His work reflects his strong political stance against colonialism, social injustice, and oppression. "I cannot stay silent while my people suffer," he says. "Music is a way to resist, to stand strong, and to remind people of their dignity and their power." Throughout his career, Tongo has used his platform to advocate for African identity and independence. His songs, layered with messages of social consciousness, have continued to resonate with younger generations who recognize the relevance of his words even today.
Sa Discossa is more than just a disco record. It embodies Jo Tongo's philosophy of resistance, identity, and celebration. The title itself is a blend of "disco" and "makossa," reflecting the seamless fusion of African groove and the dancefloor energy that defined the era. Tracks like Bunya, sung in his native language, carry messages of love, gratitude, and resilience-sentiments that remain as relevant today as they were nearly 50 years ago. As Tongo describes it, "Every day, give thanks and praise to your Lord. Every day, show me your love. Every day, let me show you my tender love."
Tongo's musical journey also took him through the world of reggae, inspired by his exposure to American and Caribbean artists. "At first, I didn't like reggae-it was too slow for me," he admits. "But then I heard Bob Marley, and I realized the power in its simplicity. The rhythm, the
message-it was all connected to something bigger." He later found himself embracing reggae as an essential part of his musical DNA. "I realized that my music and reggae shared the same roots. We are all connected, all telling the same story in different ways."
Having spent much of his career performing across Europe, Jo Tongo reflects on his connection with international audiences. "I've played everywhere-from Africa to Germany, from Paris to other cities in France and what I've learned is that music speaks a universal language. You don't need to know the words to feel the message."
Despite taking a step back from the stage in recent years, he remains open to new possibilities. "Music is like a fire-it never truly dies. I have a lot to say, and music is the best way to say it."
For Jo Tongo, music is more than entertainment-it's a language of truth, a testament to history, and a bridge between cultures. The rhythm of Sa Discossa lives on, stronger than ever. With Sa Discossa returning under the African Edge series on The Outer Edge label, Jo Tongo's legacy continues to resonate, proving that real music never fades.
VITAL SALES POINTS:
- First ever reissue of extremely sought after Afro-Disco LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Quality lacquer cut by SST
- Mastered by Frederic Stader
Side A
A1 Sa Discossa
A2 Stand Up Now
A3 What A Lovely Day
Side B
B1 Get Down And Freak
B2 Bunya Tengue
B3 Sona Sita
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Jo Tongo's music is inseparable from his life's story-a journey that spans continents, struggles, and victories. From his early years as a leading African musician before the global rise of Afrobeat, to his deep roots in classical training, and his time performing in France and Germany, his sound is shaped by a rich blend of influences. Having played in bands across Europe, from American military bases in Germany to the jazz and soul circuits of Paris, he absorbed the pulse of multiple musical worlds, creating a sound uniquely his own.
"My music is my life. I never saw it as a way to become a star-I am a simple man," Tongo explains. "I came into music to say something, to tell about life, to share my experiences with the world." His perspective on fame and artistry is deeply rooted in his Cameroonian background. "I wasn't interested in business. I wanted to build something with music, to create a sound that was mine."
But Jo Tongo's music has always carried a deeper message. His work reflects his strong political stance against colonialism, social injustice, and oppression. "I cannot stay silent while my people suffer," he says. "Music is a way to resist, to stand strong, and to remind people of their dignity and their power." Throughout his career, Tongo has used his platform to advocate for African identity and independence. His songs, layered with messages of social consciousness, have continued to resonate with younger generations who recognize the relevance of his words even today.
Sa Discossa is more than just a disco record. It embodies Jo Tongo's philosophy of resistance, identity, and celebration. The title itself is a blend of "disco" and "makossa," reflecting the seamless fusion of African groove and the dancefloor energy that defined the era. Tracks like Bunya, sung in his native language, carry messages of love, gratitude, and resilience-sentiments that remain as relevant today as they were nearly 50 years ago. As Tongo describes it, "Every day, give thanks and praise to your Lord. Every day, show me your love. Every day, let me show you my tender love."
Tongo's musical journey also took him through the world of reggae, inspired by his exposure to American and Caribbean artists. "At first, I didn't like reggae-it was too slow for me," he admits. "But then I heard Bob Marley, and I realized the power in its simplicity. The rhythm, the
message-it was all connected to something bigger." He later found himself embracing reggae as an essential part of his musical DNA. "I realized that my music and reggae shared the same roots. We are all connected, all telling the same story in different ways."
Having spent much of his career performing across Europe, Jo Tongo reflects on his connection with international audiences. "I've played everywhere-from Africa to Germany, from Paris to other cities in France and what I've learned is that music speaks a universal language. You don't need to know the words to feel the message."
Despite taking a step back from the stage in recent years, he remains open to new possibilities. "Music is like a fire-it never truly dies. I have a lot to say, and music is the best way to say it."
For Jo Tongo, music is more than entertainment-it's a language of truth, a testament to history, and a bridge between cultures. The rhythm of Sa Discossa lives on, stronger than ever. With Sa Discossa returning under the African Edge series on The Outer Edge label, Jo Tongo's legacy continues to resonate, proving that real music never fades.
VITAL SALES POINTS:
- First ever reissue of extremely sought after Afro-Disco LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Quality lacquer cut by SST
- Mastered by Frederic Stader
Side A
A1 Sa Discossa
A2 Stand Up Now
A3 What A Lovely Day
Side B
B1 Get Down And Freak
B2 Bunya Tengue
B3 Sona Sita
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
backorder
Label:pont neuf records
Cat-No:PN035
Release-Date:04.04.2025
Genre:House
Configuration:12"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:pont neuf records
Cat-No:PN035
Release-Date:04.04.2025
Genre:House
Configuration:12"
Barcode:
1
Tour-Maubourg Ensemble - Floating on Silence (Panorama Version)
2
Tour-Maubourg Ensemble - I Wanna (Panorama Version)
3
Tour-Maubourg Ensemble - Just Believe (Panorama Version)
4
Tour-Maubourg Ensemble - Stay
5
Tour-Maubourg Ensemble - Stay (Tour-Maubourg’s Extended Dub)
6
Tour-Maubourg Ensemble - I Wanna (Electronic Version)
The Panorama Sessions Vol. 2 revisits the key tracks of Tour-Maubourg, offering a journey through house, jazz, and live performance energy. Recorded in 2024 at Panorama Studio in Brussels, this EP gives a second life to his music, blending the organic richness of jazz with studio precision. More introspective and organic than its predecessors, the project unfolds as a series of reimagined tracks and new creations: the acid jazztrip-hop energy of Floating on Silence, the intimate vulnerability of I Wanna carried by Tour-Maubourg’s vocals, and the spiritual jazz mysticism of Just Believe. The EP concludes with Stay, a free-jazz inspired homage to St Germain and North American house, driven by explosive rhythms and melancholic textures.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Transmigration
Cat-No:TM027
Release-Date:18.04.2025
Genre:Electronic, Electronica
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Transmigration
Cat-No:TM027
Release-Date:18.04.2025
Genre:Electronic, Electronica
Configuration:12"
Barcode:
1
System Beat - Vicious Rumours
2
System Beat - Vicious Rumours (Konsudd Remix)
3
System Beat - Vicious Rumours (Eternal
Rare Progressive Trance produced by Chris Organic and originally released as a B Side on his Organic Records label in 2001.
The 2025 version has been remastered and cut loud at 45 RPM with a chugging downtempo remix from Konsudd (Konduku & Aa Sudd) and a minimal acid techno version from Eternal Injection (Sunju Hargun)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The 2025 version has been remastered and cut loud at 45 RPM with a chugging downtempo remix from Konsudd (Konduku & Aa Sudd) and a minimal acid techno version from Eternal Injection (Sunju Hargun)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:A.r.t.less
Cat-No:A.R.T.LESS2169R
Release-Date:02.05.2025
Genre:Techno
Configuration:12" Excl
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:A.r.t.less
Cat-No:A.R.T.LESS2169R
Release-Date:02.05.2025
Genre:Techno
Configuration:12" Excl
Barcode:
1
Paul Mac - A1 - Retro Melody Lines
2
Paul Mac - A2 - Different Beats For Now
3
Paul Mac - B1 - Strings For Effect
4
Paul Mac - B2 - Standart Plot
12" non retournable! REPRESS EDITION
Tracklist 12":
A1 - Retro Melody Lines
A2 - Different Beats For Now
B1 - Strings For Effect
B2 - Standart Plot
Short Info:
One for the heads as they say ... this deep Detroit Techno inspired 12" by UK Techno veteran Paul Mac was supposed to be released on Ben Sims' infamous Theory sub label Navite in 2003, but apart from 5 test pressings with the catalogue number NTV 04 it never made it to a proper release. When asking Paul about this 12" we were very happy that he agreed to release it on Mojuba sub label a.r.t.less. Some of his most soulful and deeper organic Techno EPs finally available and remastered by Redshape to current standards.
For illustration duties we are super grateful to have the one and only Kilian Eng on board for the next releases, showcasing some of his sketch work in a new context, some of you might remember his stunning artwork from the Sam McQueen album "Dreams In Sepia" for a.r.t.less. Enjoy! Limited edition in hand-pulled screen-printed cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 12":
A1 - Retro Melody Lines
A2 - Different Beats For Now
B1 - Strings For Effect
B2 - Standart Plot
Short Info:
One for the heads as they say ... this deep Detroit Techno inspired 12" by UK Techno veteran Paul Mac was supposed to be released on Ben Sims' infamous Theory sub label Navite in 2003, but apart from 5 test pressings with the catalogue number NTV 04 it never made it to a proper release. When asking Paul about this 12" we were very happy that he agreed to release it on Mojuba sub label a.r.t.less. Some of his most soulful and deeper organic Techno EPs finally available and remastered by Redshape to current standards.
For illustration duties we are super grateful to have the one and only Kilian Eng on board for the next releases, showcasing some of his sketch work in a new context, some of you might remember his stunning artwork from the Sam McQueen album "Dreams In Sepia" for a.r.t.less. Enjoy! Limited edition in hand-pulled screen-printed cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore