Though classically trained, Arthur Russell?s major contributions to the music world is in the dance genre. Despite the fact that his pioneering work in the late ?70s and on through the ?80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. Russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. His innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in New York?s downtown avant-garde music scene. He scored several hits at clubs like The Paradise Garage (Larry Levan was a huge supporter) and his biggest tunes, ?Go Bang!? and ?Is It All Over My Face?? are worldwide hits and still played to this day. His seminal work, the full length ?24-->24 Music? album, has now been expanded to a deluxe 4LP set in a hand silk-screened box. In addition to the music found on the original issue of the album, this collection includes rare 12? remixes and edits, such as the highly coveted Walter Gibbons mix of ?Go Bang!? and the infamously rare ?You Can?t Hold Me Down? (Test Pressing Version). Records 3 and 4 round out the rest of Russell?s audio credits with the Sleeping Bag label, with alias and collaborative tracks from Bonzo Goes To Washington, Felix, Sounds Of JHS 126 Brooklyn, and Indian Ocean. Needless to say, this limited edition set will only see a single production run, and is sure to be in high demand, so early pre-orders are advised.
TRACK LISTINGA1. Dinosaur L - #1 (You're Gonna Be Clean On Your Bean); A2. Dinosaur L - #5 (Go Bang!); A3. Dinosaur L - #2 (No, Thank You); B1. Dinosaur L - #7; B2. Dinosaur L - #3 (In The Corn Belt); B3. Dinosaur L - #6 (Get Set); C1. Dinosaur L - Clean On Your Bean #1; C2. Dinosaur L - #5 Go Bang! (Francois K Mix); D1. Dinosaur L - Go Bang! (Thank You Arthur Edit); D2. Dinosaur L - In The Corn Belt (Larry Levan Remix); E1. Dinosaur L - Go Bang! (Walter Gibbons Mix); F1. Bonzo Goes To Washington - 5 Minutes (B-b-b Bombing Mix); F2. Felix - Tiger Stripes (Extended Version); F3. The Sounds Of JHS 126 Brooklyn - Chill Pill (Underwater Mix); G1. Indian Ocean - School Bell / Treehouse; G2. You Can't Hold Me Down (Extended Version); H1. Indian Ocean - Treehouse / School Bell (Extended Bootleg Edit); H2. Bonzo Goes To Washington - 5 Minutes (R-r-r Radio Mix); H3. The Sounds Of JHS 126 Brooklyn Feat The Educational Crew - You Can't Hold Me Down (Test Pressing Version - Previously Unreleased)

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This astonishing box set compiles 100 releases from the mighty P&P Records and it’s affiliated record labels. All told there are 197 remastered songs, available as both high quality .wav files and 320 kbps .mp3 files. Containing over 19 1/2 hours of “Hits Hits Hits” from 88 different groups on 24 different labels, the three data DVDs feature almost 15gb worth of music. The .mp3 files come ready for your digital media player with both artist and title information, along with original label art, assigned in advance. Also included with this collection are a 32-page hardcover book (with full-color images for all 100 titles), an 18x24” Queen Constance Records “Promotional” poster and two 12” singles: Mistafide’s “Equidity Funk”
and Cloud One’s “Don’t Let My Rainbows Pass Me By,” both backed with an official Serato control tone, pressed on colored vinyl and housed in custom record jackets.
FEATURES:
100 Releases • 197 Remastered Songs
High Quality .WAV & .MP3 Files
88 Groups • 24 Labels
Over 191/2 hrs and almost 15GB Worth of Music
CONTAINS:
32-Page Hardcover Book • 18x24” Poster
Two Colored Vinyl 12” Singles
Both Backed with an Official Serato Control Tone
BROUGHT TO YOU BY:
PETER BROWN
The First Person To Ever Triple Park In Harlem
Includes 18x24” Queen Constance
Records Promo Poster

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repress of this incredible disco classic by Arthur Russell.

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Sleeping Bag was Arthur Russell's record label, set up in 1981 with Will Socolov and including Kurtis Mantronik amongst the labels A&R, with a roster that included Russell working under a plethora of pseudonyms alongside Mantronix, Cash Money & Marvelous, EPMD and Just-Ice among other seminal NYC acts during the mid-late 80's exploring the nascent genres of hiphop, disco and proto house, or basically put, dance music. This compilation looks at the work of Russell at the helm of the studio behind Sleeping bag, in various roles credited as Editor, Writer, Mixer, Remixer and Producer behind some of the labels finest moments and influencing decades of dance music to come. T

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Re-issue of this classic piece of bouncin' dance funk, mixed by Larry Levan

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Damian Lazarus and JOJO ABOT unleash mesmerising new single ‘Warrior Dance’ on Crosstown Rebels. The single builds on the release of the Crosstown founder’s fifth album ‘Magickal’, with remixes provided by Major League Djz and Raxon. Following the initial shock-drop release of his latest album ‘Magikal’ and the 2025 edition of his revered Day Zero Festival in Tulum, Crosstown Rebels founder Damian Lazarus unveils his next sonic o?ering, ‘Warrior Dance’, featuring Ghanaian interdisciplinary artist and healer JOJO ABOT. A dynamic and powerful composition, ‘Warrior Dance’ sees Lazarus and JOJO ABOT craft an entrancing fusion of pulsating beats, immersive textures, and commanding vocals, adding to the album’s diverse soundscapes and blending hypnotic rhythms with amapiano in?uences. Their synergy extends beyond this track, with the duo having already collaborated on ‘Force’, another standout moment from ‘Magikal’ that showcases JOJO ABOT’s evocative vocal prowess and the in?uence of her Ghanaian roots.

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Tal Fussman returns to Rekids with the ‘I Feel’ EP. Rekids welcomes back Tal Fussman with the ‘I Feel’ EP, following up his 2024 ‘De?nition’ EP on Radio Slave’s label, which won support from the likes of Honey Dijon, Orlando Voorn, Yu Su, Saoirse, Dave Clarke, and more. The Innvervisions, COD3QR artist and Survival Tactics label boss starts ‘I Feel’ with the title track and, in true Fussman fashion, infuses drummy club cuts with plenty of feeling via soulful synths and apt vocal sampling. The rolling organic percussion of ‘MAD’ continues, locking us in the groove while hard-hitting stabs ?y above before ‘Bongo Man’ channels the lush sounds of the rainforest alongside more expert drum work. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.

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Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’. Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic. Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise. Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

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Ahead of a full-length album coming on Glitterbox Recordings, the king of disco re-edits Dr Packer presents the second instalment of this 12” series. ‘Different Strokes Part 2’ features four Dr Packer versions of soulful house favourites, giving a flavour of what’s to come from the LP. Kicking off with a bonafide classic, Dr Packer’s take on Soulsearcher’s ‘Can’t Get Enough!’ maintains all its most iconic elements, the euphoric vocals and timeless groove given a fresh-sounding elasticity. Next up is Dr Packer’s remix of The Shapeshifter’s evergreen ‘Lola’s Theme Recut’ appearing for the first time on vinyl. An exclusive to this vinyl release, a remix of Johnny Corporate’s ‘Sunday Shoutin’’ picks up the pace with a funking bassline to suit any dynamic disco set. Rounding off this foursome of impeccable remixes is Cleptomaniacs featuring Bryan Chambers ‘All I Do’, a vocal house classic from the early noughties, reinterpreted masterfully for today’s Glitterbox dancefloor,r which was originally featured on the label’s A Disco Hï compilation. Dr Packer has done it again, breathing new life into your most beloved dance records so you can fall in love with them all over again.

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The infamous and elusive DEETROIT gives another view into the deep unknown with 6 untitled pieces of textured chords, swinging rhythms and dubbed out bliss reminiscent of a vibe somewhere between BASIC CHANNEL, MIKE HUCKABY & RICK WADE whilst staying true to the OG sound we love.

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Damian Lazarus uncovers ‘SPIRITS VII’, the seventh chapter of Crosstown Rebels’ visionary annual compilation series. The eight-track package sees the Crosstown Rebels founder curate another stellar lineup of emerging and established talent for the latest instalment of the ongoing highly acclaimed series.Since its debut in 2017, Damian Lazarus’ SPIRITS series has become a de?nitive platform for rising stars and established talent pushing cutting-edge sounds, consistently setting the tone for the year ahead. With the release of ‘SPIRITS VII’ this February, Crosstown Rebels continues its tradition of curating groundbreaking talent, delivering an impressive collection of tracks from both new and returning names. Building on the momentum of previous volumes, the eight-tracker o?ers an expertly crafted selection of deep grooves, hypnotic rhythms, and forward-thinking productions - providing a glimpse into the future of house and techno while staying true to the genre’s roots.Opening the release, US-based duo Lisbona Sisters present ‘OK GURL’, a trippy and warping track with their original vocals that sets an otherworldly tone. Next, Netherlands-based SHARE follows releases on Mobilee and Abracadabra with ‘Oh Please…’, an acid-led cut with hooky vocals from Def E? that leave a lasting impression. Next, Bona?que, part of the Maccabi House family, infuse ‘Desperadio’ with signature Middle Eastern in?uences and organic, rhythmic drums, while Dino Lenny delivers ‘I Have Sampled Father’, a playful yet o?-kilter cut loaded with a kaleidoscope of diverse elements balanced by captivating grooves. The journey continues with Upercent’s ‘Where Are You’, a dynamic composition characterised by soaring synths, sharp drums, and heavy bass licks. Collaborating on ‘Le Tourbillon’, Timo Maas & Inámo craft a hypnotic blend of grooves and sweeping melodies, perfect for late-hour moments. Recorded in his Ibiza studio, John Monkman energises the collection with ‘Colours’, a track brimming with intricate synth work, standout vocals, and dynamic sound design, before Enamour closes with ‘Jackpot’, a dreamy and hazy masterpiece featuring colourful sonics and enchanting soundscapes. With its distinct ability to uncover hidden gems and elevate them to global recognition, Crosstown Rebels remains a leading force, and this latest edition of SPIRITS proves precisely why it remains at the forefront of the global electronic scene as one of its most vital imprints.

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South Londons’ indomitable Medlar delivers an ambitious new album The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels. From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years. Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip. Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

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