LP
'UNIEQAV' is the ninth solo studio album by German electronic artist Alva Noto. The record was released in 2018 as part of the Uni series - an outlet for his more rhythmic and dancefloor-oriented work. The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.
'UNIEQAV' is a continuation and development of the concept of Alva Noto's 'Unitxt' and 'Univrs' albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each, which when combined form a triptych spelling 'Uni'. Described by Carsten as "sonically representing an underwater dive", the gleaming 'UNIEQAV' brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.
As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on 'Uni Dna'. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.
Regarding Carsten's interest in 3D sound design and building sonic spaces, 'UNIEQAV' transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there's a stealthy bassline, frenetic drum pattern and colossal low-end thump.
A1 Uni Sub 5:50
A2 Uni Mia 5:52
A3 Uni Version 4:48
B1 Uni Clip 1:51
B2 Uni Normal 4:25
B3 Uni Mic A 3:37
C1 Uni Blue 5:52
C2 Uni Mic B 5:03
C3 Uni DNA Lyrics By, Voice – Anne-James Chaton 5:50
D1 Uni Edit 1:42
D2 Uni Tra 4:19
D3 Uni Chord 5:33
Further readings:
Review by Onda Rock (IT) (2018)
https://www.ondarock.it/recensioni/2018-alvanoto-unieqav.htm
Review by Resident Advisor's Andrew Ryce (2018)
https://www.residentadvisor.net/reviews/22363
Review by Headphone Commute (2018)
https://headphonecommute.com/2018/04/13/alva-noto-unieqav-noton/
Review by Tiny Mix Tapes (2018)
https://www.tinymixtapes.com/music-review/alva-noto-unieqav
More
'UNIEQAV' is the ninth solo studio album by German electronic artist Alva Noto. The record was released in 2018 as part of the Uni series - an outlet for his more rhythmic and dancefloor-oriented work. The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.
'UNIEQAV' is a continuation and development of the concept of Alva Noto's 'Unitxt' and 'Univrs' albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each, which when combined form a triptych spelling 'Uni'. Described by Carsten as "sonically representing an underwater dive", the gleaming 'UNIEQAV' brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.
As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on 'Uni Dna'. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.
Regarding Carsten's interest in 3D sound design and building sonic spaces, 'UNIEQAV' transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there's a stealthy bassline, frenetic drum pattern and colossal low-end thump.
A1 Uni Sub 5:50
A2 Uni Mia 5:52
A3 Uni Version 4:48
B1 Uni Clip 1:51
B2 Uni Normal 4:25
B3 Uni Mic A 3:37
C1 Uni Blue 5:52
C2 Uni Mic B 5:03
C3 Uni DNA Lyrics By, Voice – Anne-James Chaton 5:50
D1 Uni Edit 1:42
D2 Uni Tra 4:19
D3 Uni Chord 5:33
Further readings:
Review by Onda Rock (IT) (2018)
https://www.ondarock.it/recensioni/2018-alvanoto-unieqav.htm
Review by Resident Advisor's Andrew Ryce (2018)
https://www.residentadvisor.net/reviews/22363
Review by Headphone Commute (2018)
https://headphonecommute.com/2018/04/13/alva-noto-unieqav-noton/
Review by Tiny Mix Tapes (2018)
https://www.tinymixtapes.com/music-review/alva-noto-unieqav
More
More records from NOTON
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
Limited Vinyl, Box Set with Twelve 10" individually coloured vinyl records
Each featuring 20 unique locked grooves by Carsten Nicolai
Sleeved in twelve custom made archive folders
Housed in a silk covered hand made box with debossed artwork
Including 16-page booklet with exclusive installation photography
Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory
- All Box sets are individual packed in a protective outer box -
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.
This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.
Product info
Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855
210 Tracks (00:01:55 each)
Total Length: 06:42:30
Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz
B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz
C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log
D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16
E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove
F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop
G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern
H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern
I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar
J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping
K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface
L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal
M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard
N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop
O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure
P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure
Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone
R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure
S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise
T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire
U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct
V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual
W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise
X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti
Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz
Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%
More
Each featuring 20 unique locked grooves by Carsten Nicolai
Sleeved in twelve custom made archive folders
Housed in a silk covered hand made box with debossed artwork
Including 16-page booklet with exclusive installation photography
Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory
- All Box sets are individual packed in a protective outer box -
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.
This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.
Product info
Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855
210 Tracks (00:01:55 each)
Total Length: 06:42:30
Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz
B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz
C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log
D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16
E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove
F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop
G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern
H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern
I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar
J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping
K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface
L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal
M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard
N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop
O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure
P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure
Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone
R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure
S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise
T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire
U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct
V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual
W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise
X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti
Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz
Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%
More
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
1
Alva Noto - HYbr:ID Noh Talk
2
Alva Noto - HYbr:ID Sync Dark
3
Alva Noto - HYbr:ID Noh Human
4
Alva Noto - HYbr:ID Sync Inte
5
Alva Noto - HYbr:ID Collective Open
6
Alva Noto - HYbr:ID Obsessive Behaviour Day
7
Alva Noto - HYbr:ID Obsessive Behaviour Night
8
Alva Noto - HYbr:ID Para Contamination
9
Alva Noto - HYbr:ID Script Solitude
10
Alva Noto - HYbr:ID Script Sacre Drone
11
Alva Noto - HYbr:ID Script Broken Conversation
12
Alva Noto - HYbr:ID Rehuman
13
Alva Noto - HYbr:ID Épilogue
CD
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
10", Double Sided Picture Disc, Gatefold, 8 Page Booklet
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
More
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
2LP, limited edition vinyl + booklet
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
More
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
CD:
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx More
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx More
1
Alva Noto - Ritual (04:39:00)
2
Alva Noto - Confrontation 1 (00:06:50)
3
Alva Noto - Village 1 (00:05:14)
4
Alva Noto - Confidential Information 1 (00:03:33)
5
Alva Noto - Confidential Information 2 (00:01:40)
6
Alva Noto - Confrontation 2 (00:05:01)
7
Alva Noto - Death Laguna (00:05:05)
8
Alva Noto - Information Policia (00:03:29)
9
Alva Noto - Sarayaku Hidding (00:07:52)
10
Alva Noto - Information (00:02:19)
11
Alva Noto - Demonstration (00:03:44)
12
Alva Noto - Info Resistance (00:02:55)
13
Alva Noto - Sicario (00:03:50)
14
Alva Noto - Village 2 (00:01:50)
15
Alva Noto - Storming Camp (00:03:10)
16
Alva Noto - Legal Process (00:02:10)
17
Alva Noto - Trail (00:03:55)
18
Alva Noto - Swat (00:01:40)
19
Alva Noto - Ritual Reprise (00:06:40)
2LP:
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)
B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)
C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)
D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
More
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)
B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)
C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)
D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
More
1
Alva Noto - Ritual
2
Alva Noto - Confrontation 1
3
Alva Noto - Village 1
4
Alva Noto - Confidential Information 1
5
Alva Noto - Confidential Information 2
6
Alva Noto - Confrontation 2
7
Alva Noto - Death Laguna
8
Alva Noto - Information Policia
9
Alva Noto - Sarayaku Hidding
10
Alva Noto - Information
11
Alva Noto - Demonstration
12
Alva Noto - Info Resistance
13
Alva Noto - Sicario
14
Alva Noto - Village 2
15
Alva Noto - Storming Camp
16
Alva Noto - Legal Process
17
Alva Noto - Trail
18
Alva Noto - Swat
19
Alva Noto - Ritual Reprise
CD:
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
More
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
More
1
Alva Noto - Kinder der Sonne - Intro (00:04:01)
2
Alva Noto - Verlauf (00:03:42)
3
Alva Noto - Die Untergründigen (00:08:17)
4
Alva Noto - Sehnsuchtsvoll (00:07:32)
5
Alva Noto - Ungewissheit im Sinus (00:06:10)
6
Alva Noto - Kinder der Sonne - Reprise (00:06:30)
7
Alva Noto - Unwohl (00:03:01)
8
Alva Noto - Sehnsuchtsvoll - Reverso (00:06:51)
9
Alva Noto - Ungewiss (00:06:40)
10
Alva Noto - Aufstand (00:05:25)
11
Alva Noto - Die Undergründigen - Redux (00:04:55)
12
Alva Noto - Virus (00:05:01)
13
Alva Noto - Son (00:01:09)
14
Alva Noto - Nie anhaltender Strom (00:05:52)
Tracklist:
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.
More
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.
More
1
Alva Noto - Kinder der Sonne - Intro (00:04:01)
2
Alva Noto - Verlauf (00:03:42)
3
Alva Noto - Die Untergründigen (00:08:17)
4
Alva Noto - Sehnsuchtsvoll (00:07:32)
5
Alva Noto - Ungewissheit im Sinus (00:06:10)
6
Alva Noto - Kinder der Sonne - Reprise (00:06:30)
7
Alva Noto - Unwohl (00:03:01)
8
Alva Noto - Sehnsuchtsvoll - Reverso (00:06:51)
9
Alva Noto - Ungewiss (00:06:40)
10
Alva Noto - Aufstand (00:05:25)
11
Alva Noto - Virus (00:05:01)
12
Alva Noto - Son (00:01:09)
13
Alva Noto - Nie anhaltender Strom (00:05:52)
Tracklist:
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)
B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)
C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)
D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical More
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)
B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)
C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)
D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical More
Limited CD Slipcase for 5 CD´s .
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!
NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
More
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!
NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
More
Limited Vinyl Slipcase for 5 LP/DOLP´s .
DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!
NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
More
DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!
NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
More
1
Alva Noto feat. Martin L. Gore & Willian - Subterraneans
2
Alva Noto feat. Martin L. Gore & Willian - Subterraneans (Instrumental)
12"/EP - Limited
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
More
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
More
1
Ryoji Ikeda - 00
2
Ryoji Ikeda - 01
3
Ryoji Ikeda - 02
4
Ryoji Ikeda - 03
5
Ryoji Ikeda - 04
6
Ryoji Ikeda - 05
7
Ryoji Ikeda - 06
8
Ryoji Ikeda - 07
9
Ryoji Ikeda - 08
10
Ryoji Ikeda - 09
11
Ryoji Ikeda - 10
12
Ryoji Ikeda - 11
13
Ryoji Ikeda - 12
14
Ryoji Ikeda - 13
15
Ryoji Ikeda - 14
16
Ryoji Ikeda - 15
17
Ryoji Ikeda - 16
CD , Territory: WW - Japan.
A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.
about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4
Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5
Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6
Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7
Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8
Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9
Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10
Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11
Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12
Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13
Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14
Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15
Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16
Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17
Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------
More
A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.
about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4
Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5
Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6
Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7
Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8
Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9
Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10
Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11
Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12
Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13
Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14
Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15
Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16
Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17
Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------
More
1
Alva Noto + Ryuichi Sakamoto - A1.Aurora
2
Alva Noto + Ryuichi Sakamoto - A2. Morning
3
Alva Noto + Ryuichi Sakamoto - B1. Logic Moon
4
Alva Noto + Ryuichi Sakamoto - B2. Moon
5
Alva Noto + Ryuichi Sakamoto - C1.Berlin
6
Alva Noto + Ryuichi Sakamoto - C2.Iano
7
Alva Noto + Ryuichi Sakamoto - D1.Avaol
8
Alva Noto + Ryuichi Sakamoto - D2.Barco
REPRESS
2LP - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.
Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
TRACKLIST:
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
More
2LP - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.
Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
TRACKLIST:
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
More
1
Alva Noto + Ryuichi Sakamoto - A1. Uoon I
2
Alva Noto + Ryuichi Sakamoto - A2. Uoon II
3
Alva Noto + Ryuichi Sakamoto - B1. Duoon
4
Alva Noto + Ryuichi Sakamoto - B2. Noon
5
Alva Noto + Ryuichi Sakamoto - C1. Trioon I
6
Alva Noto + Ryuichi Sakamoto - C2.Trioon II
7
Alva Noto + Ryuichi Sakamoto - D1. Landscape Skizze
REPRESS
CD - RE MASTER - Part of the V.I.R.U.S series
2. GENRE/S: Ambient/ Electronic
3. Info
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, NOTON reissues all the five albums between June and October 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
4. TRACKLISTS:
CD Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: // Track: 4
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 1 // Side: // Track: 5
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 1 // Side: // Track: 6
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 1 // Side: // Track: 7
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
---------------------------------------------------------
Ò LP Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
Composer: Carsten Nicolai, Ryuichi Sakamoto
All tracks: Composer: Carsten Nicolai, Ryuichi Sakamoto
More
CD - RE MASTER - Part of the V.I.R.U.S series
2. GENRE/S: Ambient/ Electronic
3. Info
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, NOTON reissues all the five albums between June and October 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
4. TRACKLISTS:
CD Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: // Track: 4
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 1 // Side: // Track: 5
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 1 // Side: // Track: 6
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 1 // Side: // Track: 7
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
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Ò LP Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
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Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
Composer: Carsten Nicolai, Ryuichi Sakamoto
All tracks: Composer: Carsten Nicolai, Ryuichi Sakamoto
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Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
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Tristwch y Fenywod - 3. Y Trawsnewidiad
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Tristwch y Fenywod - 4. Llwydwyrdd
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Tristwch y Fenywod - 5. Byd Mewn Cysgod
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Tristwch y Fenywod - 6. Gelain Görs
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Tristwch y Fenywod - 7. Awen
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Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART
The two sides of 1973's Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there's a killer cameo each from Alan Hawkshaw and David Snell to help deliver "a thematic suite, diverse in mood, applicable to dramatic and environmental situations". A Be With favourite and truly one for the heads.
The Big Business of side A is all the work of Keith Mansfield. It's heavy on the suspense and features the vital "Hot Property", an insistent groove so good that Madlib sampled it to lace the ace "Long Awaited" by Lootpack with Dilated Peoples.
"Sleeping Giant 1" is a more fleshed out version of the equally-dazzling "Fatal Error", evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.
The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of "Whistle Stop Tour" and its sister groove "Clean Air."
Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain't no filler. Snell's shuffling "International Flight" sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw's "Road And Rail" is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.
Not to be outdone, if Mansfield's "Balance Of Power" doesn't make you feel like king of the world then you must be playing it wrong. Oh, and did we mention "World In Action"?!
As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.
TRACKLISTING
Tycoon
Hot Property
Whistle Stop Tour
Power Complex
Research Establishment
Clean Air
Fatal Error
Sleeping Giant 1
Sleeping Giant 2
World In Action
World In Action (Composite)
Balance Of Power
Motorail Express
Road And Rail
International Flight
Quality Fair
Summer Location
More
The two sides of 1973's Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there's a killer cameo each from Alan Hawkshaw and David Snell to help deliver "a thematic suite, diverse in mood, applicable to dramatic and environmental situations". A Be With favourite and truly one for the heads.
The Big Business of side A is all the work of Keith Mansfield. It's heavy on the suspense and features the vital "Hot Property", an insistent groove so good that Madlib sampled it to lace the ace "Long Awaited" by Lootpack with Dilated Peoples.
"Sleeping Giant 1" is a more fleshed out version of the equally-dazzling "Fatal Error", evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.
The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of "Whistle Stop Tour" and its sister groove "Clean Air."
Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain't no filler. Snell's shuffling "International Flight" sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw's "Road And Rail" is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.
Not to be outdone, if Mansfield's "Balance Of Power" doesn't make you feel like king of the world then you must be playing it wrong. Oh, and did we mention "World In Action"?!
As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.
TRACKLISTING
Tycoon
Hot Property
Whistle Stop Tour
Power Complex
Research Establishment
Clean Air
Fatal Error
Sleeping Giant 1
Sleeping Giant 2
World In Action
World In Action (Composite)
Balance Of Power
Motorail Express
Road And Rail
International Flight
Quality Fair
Summer Location
More
1
Axiom Funk - Order Within The Universe
2
Axiom Funk - Under The Influence (Jes Grew)
3
Axiom Funk - If 6 Was 9
4
Axiom Funk - Orbitron Attack
5
Axiom Funk - Cosmic Slop
6
Axiom Funk - Free-Bass (Godzillatron Cush)
7
Axiom Funk - Tell The World
8
Axiom Funk - Pray My Soul
9
Axiom Funk - Hideous Mutant Freekz
10
Axiom Funk - Sax Machine
11
Axiom Funk - Animal Behavior
12
Axiom Funk - Trumpets And Violins, Violins
13
Axiom Funk - Telling Time
14
Axiom Funk - Jungle Free-Bass
15
Axiom Funk - Blackout
16
Axiom Funk - Sacred To The Pain
* 3 x LP
* Deluxe Trifold Sleeve
* Analogue Remastered
Versions: 300 x Black Vinyl Edition
Tracklist:
Side A
A1. Order Within The Universe
A2. Under The Influence (Jes Grew)
A3. If 6 Was 9
Side B
B1. Orbitron Attack
B2. Cosmic Slop
Side C
C1. Free-Bass (Godzillatron Cush)
C2. Tell The World
C3. Pray My Soul
Side D
D1. Hideous Mutant Freekz
D2. Sax Machine
Side E
E1. Animal Behavior
E2. Trumpets And Violins, Violins
E3. Telling Time
Side F
F1. Jungle Free-Bass
F2. Blackout
F3. Sacred To The Pain
Release Notes:
Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk. At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and
Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred
Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others. Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.
Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue! More
* Deluxe Trifold Sleeve
* Analogue Remastered
Versions: 300 x Black Vinyl Edition
Tracklist:
Side A
A1. Order Within The Universe
A2. Under The Influence (Jes Grew)
A3. If 6 Was 9
Side B
B1. Orbitron Attack
B2. Cosmic Slop
Side C
C1. Free-Bass (Godzillatron Cush)
C2. Tell The World
C3. Pray My Soul
Side D
D1. Hideous Mutant Freekz
D2. Sax Machine
Side E
E1. Animal Behavior
E2. Trumpets And Violins, Violins
E3. Telling Time
Side F
F1. Jungle Free-Bass
F2. Blackout
F3. Sacred To The Pain
Release Notes:
Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk. At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and
Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred
Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others. Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.
Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue! More
1
Sass - A1 : Much Too Much (5:52)
2
Sass - B1 : Much Too Much - Instrumental (6:15)
Format Notes: 2020 re-issue, 140g vinyl, 45 RPM, audio from the original tapes, plain sleeve
Track List:
A1 : Much Too Much (5:52)
B1 : Much Too Much - Instrumental (6:15)
Release Notes:
Be With hereby presents aural perfection.
Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982.
In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.
Produced by the band’s vocalist Mic Murphy, who also wrote the track along with fellow band member LaForrest Cope, the band needed just one session to capture “Much Too Much”. The recording studio just so happened to be run by Silvio Tancredi and when the tracks were finished he offered to put them out on his 25 West record label. The vocal version and an instrumental mix were released as a 12" the following year. Mic tells us this meant Sass “were one of the few bands to have a record release while still playing on the club circuit. So the reaction exceeded our expectations at the time”.
According to Mic “Much Too Much” was something a little different from the band’s live sound at the time, “it was more R&B smoothed out than the more funk rock we usually leaned into”. Indeed, the track glides with grace, poise and patience. The elegant, easy tempo, combined with the magnificent melody and Mic’s signature sublime vocal conjures magic. The blend of deep boogie-funk power and heavenly sweetness is both infectious and goosebump-inducing.
Over on the flip-side, the instrumental slaps harder. Without Mic’s vocal it’s just pure groove, with nothing to stop you vibing all night - the bassline, the drums and the melody still connect. Hard. Pick your side, you won’t lose.
Working directly with Mic Murphy means that the audio for this re-issue of the classic 12" comes from the original tapes. Cut at 45 RPM and released in a plain sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Mic told us just how much it means to him to have “Much To Much” re-issued: “It’s an amazing feeling to have something you created almost 40 years ago still have relevance and even more amazing to be considered among the Northern Soul boogie anthems. And it’s especially important to me that we’re available again on vinyl”.
More
Track List:
A1 : Much Too Much (5:52)
B1 : Much Too Much - Instrumental (6:15)
Release Notes:
Be With hereby presents aural perfection.
Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982.
In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.
Produced by the band’s vocalist Mic Murphy, who also wrote the track along with fellow band member LaForrest Cope, the band needed just one session to capture “Much Too Much”. The recording studio just so happened to be run by Silvio Tancredi and when the tracks were finished he offered to put them out on his 25 West record label. The vocal version and an instrumental mix were released as a 12" the following year. Mic tells us this meant Sass “were one of the few bands to have a record release while still playing on the club circuit. So the reaction exceeded our expectations at the time”.
According to Mic “Much Too Much” was something a little different from the band’s live sound at the time, “it was more R&B smoothed out than the more funk rock we usually leaned into”. Indeed, the track glides with grace, poise and patience. The elegant, easy tempo, combined with the magnificent melody and Mic’s signature sublime vocal conjures magic. The blend of deep boogie-funk power and heavenly sweetness is both infectious and goosebump-inducing.
Over on the flip-side, the instrumental slaps harder. Without Mic’s vocal it’s just pure groove, with nothing to stop you vibing all night - the bassline, the drums and the melody still connect. Hard. Pick your side, you won’t lose.
Working directly with Mic Murphy means that the audio for this re-issue of the classic 12" comes from the original tapes. Cut at 45 RPM and released in a plain sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Mic told us just how much it means to him to have “Much To Much” re-issued: “It’s an amazing feeling to have something you created almost 40 years ago still have relevance and even more amazing to be considered among the Northern Soul boogie anthems. And it’s especially important to me that we’re available again on vinyl”.
More
1
Dinosaur - Kiss Me Again
2
Dinosaur - Kiss Me Again (Version)
Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from scratch.
Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.
Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo. More
Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.
Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo. More
1
Smart Alex - Specially Hot
2
Smart Alex - Specially Hot (Version)
3
Smart Alex - Blow Your Mind
4
Smart Alex - Blow Your Mind (Version)
Smart Alex, the brainchild of Laurant Webb and Dave Coker from the iconic Housey Doingz, has unveiled a standout reissue single on Sushitech. Specially Hot is a massive house sound system track that has been a secret weapon for Fabric residents for many years. The A side also includes a groove-laden chugger, never before released remix. Blow Your mind on the flip side is an original massive dub tracks. This heavyweight release seamlessly blending the original London house sound with Sushitech's distinctive dub-based style.
More
1
Alva Noto - A1. HYbr:ID oval hadron I (0:02:40)
2
Alva Noto - A2. HYbr:ID oval hadron II (0:04:48)
3
Alva Noto - A3. HYbr:ID oval blackhole (0:07:29)
4
Alva Noto - A4. HYbr:ID oval random (0:02:59)
5
Alva Noto - A5. HYbr:ID oval spin (0:07:08)
6
Alva Noto - B1. HYbr:ID oval asimoo (0:05:26)
7
Alva Noto - B2. HYbr:ID oval collider (0:06:19)
8
Alva Noto - B3. HYbr:ID oval p-dance (0:04:16)
9
Alva Noto - B4. HYbr:ID oval noise (0:04:00)
Track list LP:
A1. HYbr:ID oval hadron I (0:02:40)
A2. HYbr:ID oval hadron II (0:04:48)
A3. HYbr:ID oval blackhole (0:07:29)
A4. HYbr:ID oval random (0:02:59)
A5. HYbr:ID oval spin (0:07:08)
B1. HYbr:ID oval asimoo (0:05:26)
B2. HYbr:ID oval collider (0:06:19)
B3. HYbr:ID oval p-dance (0:04:16)
B4. HYbr:ID oval noise (0:04:00)
Release Info:
HYbr:ID Vol. 1 is the first installment of a new series of Alva Noto’s works bringing together heterogeneous composition methods.
HYbr:ID Vol. 1 captures the music commissioned for the score of ‘Oval’, the choreographic piece directed by Richard Siegal and performed by the Staatsballett Berlin at the Berlin State Opera in 2019.
The process of creating HYbr:ID Vol. 1 was defined by the search for a form to bind astrophysics phenomena, fiction, and performance movements.
Its narrative is inspired by cinematic visual techniques and static images portraying scientific events which also inspired the titles of the nine compositions.
The music possesses a dilated rhythmic base contributing to the images of gravity and spatiality. At points static is used with an ornate, delicate intricacy. The album’s sonic spectrum builds with deep sub-bass, gloomy sonics, spacious sound design, and inorganic ambiance that is gently coerced with artistic finesse.
The nine compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
HYbr:ID Vol. 1 will be released digitally as well as a limited edition vinyl and CD.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
More
A1. HYbr:ID oval hadron I (0:02:40)
A2. HYbr:ID oval hadron II (0:04:48)
A3. HYbr:ID oval blackhole (0:07:29)
A4. HYbr:ID oval random (0:02:59)
A5. HYbr:ID oval spin (0:07:08)
B1. HYbr:ID oval asimoo (0:05:26)
B2. HYbr:ID oval collider (0:06:19)
B3. HYbr:ID oval p-dance (0:04:16)
B4. HYbr:ID oval noise (0:04:00)
Release Info:
HYbr:ID Vol. 1 is the first installment of a new series of Alva Noto’s works bringing together heterogeneous composition methods.
HYbr:ID Vol. 1 captures the music commissioned for the score of ‘Oval’, the choreographic piece directed by Richard Siegal and performed by the Staatsballett Berlin at the Berlin State Opera in 2019.
The process of creating HYbr:ID Vol. 1 was defined by the search for a form to bind astrophysics phenomena, fiction, and performance movements.
Its narrative is inspired by cinematic visual techniques and static images portraying scientific events which also inspired the titles of the nine compositions.
The music possesses a dilated rhythmic base contributing to the images of gravity and spatiality. At points static is used with an ornate, delicate intricacy. The album’s sonic spectrum builds with deep sub-bass, gloomy sonics, spacious sound design, and inorganic ambiance that is gently coerced with artistic finesse.
The nine compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
HYbr:ID Vol. 1 will be released digitally as well as a limited edition vinyl and CD.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
More
1
Alva Noto + Ryuichi Sakamoto - Uoon I
2
Alva Noto + Ryuichi Sakamoto - Uoon II
3
Alva Noto + Ryuichi Sakamoto - Duoon
4
Alva Noto + Ryuichi Sakamoto - Noon
5
Alva Noto + Ryuichi Sakamoto - Trioon I
6
Alva Noto + Ryuichi Sakamoto - Trioon II
7
Alva Noto + Ryuichi Sakamoto - Landscape Skizze
CD - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, NOTON reissues all the five albums between June and October 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
CD Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: // Track: 4
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 1 // Side: // Track: 5
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 1 // Side: // Track: 6
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 1 // Side: // Track: 7
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
---------------------------------------------------------
Ò LP Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
Composer: Carsten Nicolai, Ryuichi Sakamoto
All tracks: Composer: Carsten Nicolai, Ryuichi Sakamoto
More
GENRE/S: Ambient/ Electronic
Info
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, NOTON reissues all the five albums between June and October 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
CD Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: // Track: 4
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 1 // Side: // Track: 5
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 1 // Side: // Track: 6
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 1 // Side: // Track: 7
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
---------------------------------------------------------
Ò LP Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
Composer: Carsten Nicolai, Ryuichi Sakamoto
All tracks: Composer: Carsten Nicolai, Ryuichi Sakamoto
More
1
Porter Ricks - Anguilla Electrica
2
Porter Ricks - Shoal Beat
3
Porter Ricks - Prismatic Error
4
Porter Ricks - Scuba Rondo
5
Porter Ricks - Port Of Tangency
6
Porter Ricks - Sandy Ground
FIRST FULL-LENGTH IN SEVENTEEN YEARS FROM CHAIN REACTION /FORCE INC. LEGENDS.
TRACKLIST (respective for CD): A. Anguilla Electrica B1. Shoal Beat B2. Prismatic Error C. Scuba Rondo D1. Port Of Tangency D2. Sandy Ground
Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique.
Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the 'soundmarks' of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration.
For proof of Porter Ricks' enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of PR's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique 'aquatic' techniques to be applied to a variety of different musical contexts.
Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them.
This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.
More
TRACKLIST (respective for CD): A. Anguilla Electrica B1. Shoal Beat B2. Prismatic Error C. Scuba Rondo D1. Port Of Tangency D2. Sandy Ground
Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique.
Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the 'soundmarks' of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration.
For proof of Porter Ricks' enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of PR's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique 'aquatic' techniques to be applied to a variety of different musical contexts.
Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them.
This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.
More
10", Double Sided Picture Disc, Gatefold, 8 Page Booklet
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
More
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
More
Track list 2LP:
Xerrox Atmosphere 1:23
Xerrox Helm Transphaser 6:45
Xerrox 2ndevol 3:44
Xerrox Radieuse 6:00
Xerrox 2ndevol2nd 5:05
Xerrox Isola 8:07
Xerrox Solphaer 6:09
Xerrox Mesosphere 5:55
Xerrox Spark 6:10
Xerrox Spiegel 3:33
Xerrox Exosphere 3:48
N-041
Alva Noto - Xerrox Vol. 3
Xerrox Vol.3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 and as part of the ongoing Xerrox pentalogy started with Xerrox Vol.1 (2007) and Xerrox Vol.2 (2009). Inspired by private, formative influences such as Andrei Tarkovsky's 1971 film Solaris, "La isla misteriosa y el capitán Nemo" by Juan Antonio Bardem and Henri Colpi, Alva Noto beautifully exchanges austerity for cinematographic lushness with the remarkably widescreen 3rd volume in his 'Xerrox' series.
He uses the self-designed Xerrox software to transpose early, ingenuous feelings of awe and wonder into innovative, intimate atmospheres and dynamic soundscapes.
In line with the series' focus on "using the process of copying as a basis", and the manner in which the inherent fallacies of copies manifest as originals in their own right, these eleven pieces could be heard as copies of memories, exploring the waves of emotional data patterns that are consequently reflected as melodic vectors and unquenchable noise.
"I see Xerrox vol. 3 as my most personal album so far. I have to admit that this emotional output is a surprise even for myself. it remains exciting how the last two albums of this series will sound like." It's really rather special." - Carsten Nicolai
Further readings:
Review by A Strangely Isolated Place (2015)
https://www.astrangelyisolatedplace.com/blog/2015/4/10/alva-noto-xerrox-vol3
Review by Headphone Commute's Peter van Cooten (2015)
https://headphonecommute.com/2015/06/08/alva-noto-xerrox-vol-3-raster-noton/
Review by Brainwashed's Anthony D'Amico (2015)
http://brainwashed.com/index.php?option=com_content&view=article&id=10467:alva-noto-qxerrox-vol-3q&catid=13:albums-and-singles&Itemid=133
More
Xerrox Atmosphere 1:23
Xerrox Helm Transphaser 6:45
Xerrox 2ndevol 3:44
Xerrox Radieuse 6:00
Xerrox 2ndevol2nd 5:05
Xerrox Isola 8:07
Xerrox Solphaer 6:09
Xerrox Mesosphere 5:55
Xerrox Spark 6:10
Xerrox Spiegel 3:33
Xerrox Exosphere 3:48
N-041
Alva Noto - Xerrox Vol. 3
Xerrox Vol.3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 and as part of the ongoing Xerrox pentalogy started with Xerrox Vol.1 (2007) and Xerrox Vol.2 (2009). Inspired by private, formative influences such as Andrei Tarkovsky's 1971 film Solaris, "La isla misteriosa y el capitán Nemo" by Juan Antonio Bardem and Henri Colpi, Alva Noto beautifully exchanges austerity for cinematographic lushness with the remarkably widescreen 3rd volume in his 'Xerrox' series.
He uses the self-designed Xerrox software to transpose early, ingenuous feelings of awe and wonder into innovative, intimate atmospheres and dynamic soundscapes.
In line with the series' focus on "using the process of copying as a basis", and the manner in which the inherent fallacies of copies manifest as originals in their own right, these eleven pieces could be heard as copies of memories, exploring the waves of emotional data patterns that are consequently reflected as melodic vectors and unquenchable noise.
"I see Xerrox vol. 3 as my most personal album so far. I have to admit that this emotional output is a surprise even for myself. it remains exciting how the last two albums of this series will sound like." It's really rather special." - Carsten Nicolai
Further readings:
Review by A Strangely Isolated Place (2015)
https://www.astrangelyisolatedplace.com/blog/2015/4/10/alva-noto-xerrox-vol3
Review by Headphone Commute's Peter van Cooten (2015)
https://headphonecommute.com/2015/06/08/alva-noto-xerrox-vol-3-raster-noton/
Review by Brainwashed's Anthony D'Amico (2015)
http://brainwashed.com/index.php?option=com_content&view=article&id=10467:alva-noto-qxerrox-vol-3q&catid=13:albums-and-singles&Itemid=133
More