When it comes to deep and jackin' Techno with a touch of funk, Jackmate aka Michel Baumann was in a league of his own. As a producer, working in the house-techno spectrum he was able to keep a level of high quality, always trying to push himself and never afraid to try out new ideas. You never new what he would do next and that was probably why so many of us kept following him, checking out a new release and playing his music.

One of the many projects he was working on before he sadly passed away was collecting and preparing a compilation of Jackmate music from his vast archives. The idea was to present tunes from back in the day, or as Michel called them 'Jackmate classics'.

The compilation would also include some of Michel's favourites which he reworked and of course new music, there was always a new Jackmate track waiting to be finished. This vinyl sampler contains all new Jackmate music plus a Jackmate rework of the Soulphiction classic "Masai Mara"

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New label 18437 lands with a bang as JACKMATE (aka SOULPHICTION) serves up a no nonsense 3-way of effortlessly effervescent emissions.

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10 years since the last installment, Herbert returns to the seminal Parts series synonymous with his trailblazing work in leftfield house music that began with Part One nearly 30 years ago.



It features the first of a series of pieces written with, and sung by artist, producer and drummer Momoko Gill (fka Metta Shiba and performer with Tirzah, Coby Sey, Alabaster de Plume amongst others).



Part 9is the first in a planned resurgence of forthcoming Herbert releases, withPart 10lined up for later in 2024 and his seventh album under this moniker slated for early next year.

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One of Matthew Herbert's more demented, concrète-technoid aliases, Wishmountain gives up its first album in a decade - think Pierre Bastien meets Thomas Brinkmann at a DIY store. Back in the late '90s Wishmountain 'fessed to the tuffer side of Herbert's concrète house principles and was a key part of the movement toward minimal techno that endured for many years after. 'Stonework: 1000 metres down' pits Herbert back in the minimal techno mines to hammer out 10 hypnotic, jiggly rhythmelodic workouts full of barebones but colourful percussion and mechanically recalled electronics that patently manifest Herbert's innovative ear for intriguing sounds and knack for drivingly playful, club-ready arrangements. Made for close listening as well as harder working DJs who like to get busy with long blends and the EQ's, a familiar palette of foley-like tones subtly shift permutations of tempo and pattern in the album's cyclical carousel. The panel-beating canter of 'Tap' and clipped tattoo of 'Tool' hail why Wishmountain's work has long been name-checked by everyone form Ancient Methods to Pangaea, while the offbeat swang and grind of 'Headrush' and experimental trample of 'Dig' or the lo-slung swang of 'Deep' join dots between Brinkmann and likes of Kirk Barkey's Bambooman. The best, however, is saved for last with the nine minute 'Walk' evoking analogs to Muslimgauze's more locked-in, tripped-out, unyielding loop-based tekkerz in its Arabic-toned drums and atmospheric workshop noise.

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Following his debut on the label with last year’s ‘The Pob Routine’, Jerome Hill returns to AccidentalJnr with another absolute stonker of a release which we’ll let him describe in his own words...

“After my last EP for Jnr I spoke with label boss Matthew Herbert and he challenged me to write a track for the next EP, containing only sounds I'd recorded 'in the wild'. I was about to spend a little time on an organic Vegetable farming co-op just outside Munich, 'Kartoffel Kombinat' which I'd previously nicknamed Potato Land, so I brought my recorder and during my stay made lots of recordings, carrots being bitten and snapped, various gardening tools clattering around, voices and even the big tombola-like machine that cleans the freshly picked vegetables. The resulting track was Potatoland and the only non-organic noise in it is the kick. Various 'Potatoland’ elements also make guest appearances in the other tracks, although they are less easy to spot.

'Quibble’, was also written specifically for the label and was influenced by Herbert who I've been a huge fan of for decades... I wanted to make something suitably wobbly and humorous that shuffles along but then really slams when the kick comes in. Add in the Dance Mania influenced ‘Chicken’ and the final track ‘Bleeper’ and that's the EP... Very happy to be back!!”

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The Accidental label pushes on in it’s 21st anniversary year with ‘Thanet House EP’, a no nonsense, no pretention house 12” from renowned sound artist and designer Yuri Suzuki. Born in Tokyo in 1980, Suzuki studied in Tokyo and London, exploring the relationship between music and technology. His design and sound work is widely lauded, with examples of his practice being found in, among others, Tate Britain, MoMA and Mudan. In 2016 he was recognized by Design Miami, receiving their Designer of the Future award and in 2018 became a partner at the world’s largest independently owned design studio, Pentagram.

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Matthew Herbert’s Accidental Jnr imprint are back with their second release of the year, this time inviting rising London based star Third Son into the fold. The Polymath label boss has been causing quite a stir in the house music scene with releases for 17 Steps, Skint and Sincopat as well as clocking up remix credits for among others Marc Romboy and Maya Jane Coles (under her Nocturnal Sunshine alias).

‘Bag O’ Bones’ opens up proceedings with its clattering toybox percussion, throbbing kick drums and dissonant lead stabs. The track has a brittle, dry quality to it, but Third Son’s ear for the dance floor is clear as the arrangement smoothly rolls along at firm a pace. More of the same is served up in ‘Chime Salad’, with layers upon layers of wonky, shifting percussion, building up into a tower of sound that feels as though it should come crumbling down, but somehow always stands firm.

The B1 ‘Phase Of Going Through Life’ brings the energy back down to earth with its slightly sparser arrangement and clips of bird songs, while still maintaining the off kilter pace of the previous pieces. The record then closes with the feel-good club work out, ‘The Brain Named Itself’, where we find Third Son administering a last-minute, sharp injection of groove. The dissonant synths that opened the record are replaced by brilliant, euphoric chord sweeps and pounding drums that are sure to move any dancefloor.

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The Accidental Jnr label has just passed it’s second birthday mark… so at 2 years and 15 releases in it only seems appropriate for the next 12” release to come from the artist that kicked the label off and has made it his home for the past 2 years… Bambooman, with a remix from label boss Matthew Herbert himself on the b-side. The track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play...

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Gerry Read launches his new campaign to look at Preventing Violence Against Ears in all of its forms. In partnership with the Accidental Jnr corporation, Gerry hopes that this campaign will not just raise awareness but will actively work to prevent these alarming new practices. We urge you to take notice and to assist us by making sure that your peers, foes and family alike listen closely to this important movement. Relevant recordings have been produced and are available now via both 12” vinyl and digital mediums.

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