Tracklisting
A1 Third Son - If You Remember The 90's You Weren't There
A2 Third Son - Don't Be A Pedant
A3 Third Son - Logical Sequences Of Grunt
A4 Third Son - Wisdom Of The Crowd
B1 Third Son - Posing For Pictures When It's A Video
B2 Third Son - Your Face As Art
B3 Third Son - Descartes Before The Horse
B4 Third Son - Lesson In Stoicism

Sales Note
Third Son returns to Shall Not Fade sister label Lost Palms with 8 dancefloor cuts!

If you remember the 90's you weren't there EP drops Friday December 1st.

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Third Son is back for his third EP on 17 Steps ‘Faint Harmonics’. Four tracks filled with his usual gritty percussion and pulsating electro basslines.

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Third Son returns to 17 Steps for his diverse 'Avril' EP. Bringing Electronica and Acid soundscapes alike, the 4 tracks highlight the endless benefits to his vulnerable, raw and unconstrained production technique.

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Fresh from releases on his own Polymath Records, as well as Natura Sonoris and Sodai, that have seen support from the likes of Maceo Plex, Bicep, and ANNA; UK producer Third Son debuts on Dusky’s 17 Steps imprint with the ‘Machine Love’ EP. The synth laden 4 tracker utilises electro, acid, techno and breakbeat influences to provide a rugged and bold reflection of the current clubbing landscape; one that is set to melt underground dance-floors this autumn. ’Machine Love’s squelchy synths and gritty percussion build towards a chopped and skewed finale, that has proved a ferocious piece of club artillery in Dusky’s sets this summer. Next up is ‘Bloodsport’, a dance floor primed roller that consists of dusty breaks, squealing atmospherics and a meandering baseline. ‘I Hear Laurel’ follows, a cosmic alliance of ghostly vocals and hard hitting distorted synths that feels like meditative ode to rave music of the past. Closing the EP is ‘Ambiturner’, stacked with syncopated drums and twisting synths that scatter across the stereo stacks.

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Lithuanian based label Sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. Owned by artist Gardens Of God, who started the label to create his own ‘no limits’ platform for his experimental sounds and projects. While at the same time a platform to give other artists the chance to also have freedom with art and music. With releases from Raxon, Few Nolder and Alex Krell under their belt, they can announce the exciting debut from UK producer Third Son this April. “I’ve been an admirer of Gardens Of Gods’ music for a long time, when he asked me if I could do something for his imprint, I was more than thrilled!” adds Joseph.
Syncope’s’ synths spread far and wide, making this a journey of a track, modulating and panning in and out, pushing and pulling along a percussive drive. His broad musical range can be felt in this mix, with its slightly hypnotic tones. ‘Irony’ has a punctuated low end, which creates a deep and dark groove. The synthetic elements in this track gain in attitude, on top of ambient pads, leading nicely into ‘Bach’ to close out the release. It’s driving and determined bass makes the backbone of the track, with a modulating hook line, along building and expanding frequency ranges.

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10 years since the last installment, Herbert returns to the seminal Parts series synonymous with his trailblazing work in leftfield house music that began with Part One nearly 30 years ago.



It features the first of a series of pieces written with, and sung by artist, producer and drummer Momoko Gill (fka Metta Shiba and performer with Tirzah, Coby Sey, Alabaster de Plume amongst others).



Part 9is the first in a planned resurgence of forthcoming Herbert releases, withPart 10lined up for later in 2024 and his seventh album under this moniker slated for early next year.

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One of Matthew Herbert's more demented, concrète-technoid aliases, Wishmountain gives up its first album in a decade - think Pierre Bastien meets Thomas Brinkmann at a DIY store. Back in the late '90s Wishmountain 'fessed to the tuffer side of Herbert's concrète house principles and was a key part of the movement toward minimal techno that endured for many years after. 'Stonework: 1000 metres down' pits Herbert back in the minimal techno mines to hammer out 10 hypnotic, jiggly rhythmelodic workouts full of barebones but colourful percussion and mechanically recalled electronics that patently manifest Herbert's innovative ear for intriguing sounds and knack for drivingly playful, club-ready arrangements. Made for close listening as well as harder working DJs who like to get busy with long blends and the EQ's, a familiar palette of foley-like tones subtly shift permutations of tempo and pattern in the album's cyclical carousel. The panel-beating canter of 'Tap' and clipped tattoo of 'Tool' hail why Wishmountain's work has long been name-checked by everyone form Ancient Methods to Pangaea, while the offbeat swang and grind of 'Headrush' and experimental trample of 'Dig' or the lo-slung swang of 'Deep' join dots between Brinkmann and likes of Kirk Barkey's Bambooman. The best, however, is saved for last with the nine minute 'Walk' evoking analogs to Muslimgauze's more locked-in, tripped-out, unyielding loop-based tekkerz in its Arabic-toned drums and atmospheric workshop noise.

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Following his debut on the label with last year’s ‘The Pob Routine’, Jerome Hill returns to AccidentalJnr with another absolute stonker of a release which we’ll let him describe in his own words...

“After my last EP for Jnr I spoke with label boss Matthew Herbert and he challenged me to write a track for the next EP, containing only sounds I'd recorded 'in the wild'. I was about to spend a little time on an organic Vegetable farming co-op just outside Munich, 'Kartoffel Kombinat' which I'd previously nicknamed Potato Land, so I brought my recorder and during my stay made lots of recordings, carrots being bitten and snapped, various gardening tools clattering around, voices and even the big tombola-like machine that cleans the freshly picked vegetables. The resulting track was Potatoland and the only non-organic noise in it is the kick. Various 'Potatoland’ elements also make guest appearances in the other tracks, although they are less easy to spot.

'Quibble’, was also written specifically for the label and was influenced by Herbert who I've been a huge fan of for decades... I wanted to make something suitably wobbly and humorous that shuffles along but then really slams when the kick comes in. Add in the Dance Mania influenced ‘Chicken’ and the final track ‘Bleeper’ and that's the EP... Very happy to be back!!”

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The Accidental label pushes on in it’s 21st anniversary year with ‘Thanet House EP’, a no nonsense, no pretention house 12” from renowned sound artist and designer Yuri Suzuki. Born in Tokyo in 1980, Suzuki studied in Tokyo and London, exploring the relationship between music and technology. His design and sound work is widely lauded, with examples of his practice being found in, among others, Tate Britain, MoMA and Mudan. In 2016 he was recognized by Design Miami, receiving their Designer of the Future award and in 2018 became a partner at the world’s largest independently owned design studio, Pentagram.

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Stalwart German producer Jackmate signs to Herbert’s Accidental Jnr for his new EP 'Werk' out on July 3.

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The Accidental Jnr label has just passed it’s second birthday mark… so at 2 years and 15 releases in it only seems appropriate for the next 12” release to come from the artist that kicked the label off and has made it his home for the past 2 years… Bambooman, with a remix from label boss Matthew Herbert himself on the b-side. The track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play...

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Gerry Read launches his new campaign to look at Preventing Violence Against Ears in all of its forms. In partnership with the Accidental Jnr corporation, Gerry hopes that this campaign will not just raise awareness but will actively work to prevent these alarming new practices. We urge you to take notice and to assist us by making sure that your peers, foes and family alike listen closely to this important movement. Relevant recordings have been produced and are available now via both 12” vinyl and digital mediums.

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