CD - 6 pages digipack including a 36 pages booklet with extensive liner notes and pictures.

Released for the Musée d'ethnographie de Genève (MEG) exhibition Afrosonica - Soundscapes, open from May 16th 2025 to January 4th 2026.

TRACKLISTS:
Séam ko mè 5'43
Soré ga mo 3'09
Bondè ko bé hoyo 1 3'52
Bondè ko bé hoyo 2 4'08
Naa-woro 4'00
Naa-koro 1 6'43
Naa-koro 2 4'31
Ndio 1 5'57
Ndio 2 4'02

3. SHORT INFO:
A long-time best-seller of the MEG-AIMP collection and long out of print, this album of sanza music recorded among the Gbaya people of the Central African Republic by ethnomusicologist Vincent Dehoux was originally released on CD in 1993. It is now being reissued on vinyl and CD to coincide with the exhibition Afrosonica - Soundscapes. It features a selection of 'songs for thought': an intimate repertoire conducive to introspection, accompanied by the repetitive, meditative sound of lamellaphones.



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LP - Including a six pages insert with extensive liner notes and pictures.

Released for the Musée d'ethnographie de Genève (MEG) exhibition Afrosonica - Soundscapes, open from May 16th 2025 to January 4th 2026.

TRACKLISTS:
Séam ko mè 5'43
Soré ga mo 3'09
Bondè ko bé hoyo 1 3'52
Bondè ko bé hoyo 2 4'08
Naa-woro 4'00
Naa-koro 1 6'43
Naa-koro 2 4'31
Ndio 1 5'57
Ndio 2 4'02

3. SHORT INFO:
A long-time best-seller of the MEG-AIMP collection and long out of print, this album of sanza music recorded among the Gbaya people of the Central African Republic by ethnomusicologist Vincent Dehoux was originally released on CD in 1993. It is now being reissued on vinyl and CD to coincide with the exhibition Afrosonica - Soundscapes. It features a selection of 'songs for thought': an intimate repertoire conducive to introspection, accompanied by the repetitive, meditative sound of lamellaphones.



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-Genre : Africa, traditional music, world music, sound archives, griots
Digipack, notes and booklet in french and english
Recordings by Bernard Mondet (1978) and Vincent Zanetti (2019).

Tracklisting
Side A
01 Sanuge Jimba (5'27)
02 Kulanjan, "The great eagle" (9'30)
03 Baala kononi fin, "The small black bird of the river" (7'12)

Side B
04 Deniya, "Childhood" (5'34)
05 Jata (7'06)
06 Sanaba Musa (9'17)


Info
About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a "studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe


Points of interests
- For the fans of the traditional repertoires of Mali's famous griot musicians.

- For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.

- Recordings made 40 years apart in the same "studio": a dwelling located in the village of Kela (Mali), from where famous lineages of griots originate.

- The text of the booklet presents many testimonies of griots, the "masters of the speech" who evoke key elements of their universe.

- Original sound archive on magnetic tapes, digitised and restored in 2019.

- Fourteen colour photographs, taken in 1978 and 2019 at the same time as the sound recordings.

Soon available as LP




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-Genre : Africa, traditional music, world music, sound archives, griots
Digipack, notes and booklet in french and english
Recordings by Bernard Mondet (1978) and Vincent Zanetti (2019).

Tracklisting
01 Sanuge Jimba (5'27)
02 Kulanjan, "The great eagle" (9'30)
03 Baala kononi fin, "The small black bird of the river" (7'12)
04 Deniya, "Childhood" (5'34)
05 Jata (7'06)
06 Sanaba Musa (9'17)

Total duration : 44'06

Info
About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a "studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe


Points of interests
- For the fans of the traditional repertoires of Mali's famous griot musicians.

- For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.

- Recordings made 40 years apart in the same "studio": a dwelling located in the village of Kela (Mali), from where famous lineages of griots originate.

- The text of the booklet presents many testimonies of griots, the "masters of the speech" who evoke key elements of their universe.

- Original sound archive on magnetic tapes, digitised and restored in 2019.

- Fourteen colour photographs, taken in 1978 and 2019 at the same time as the sound recordings.

Soon available as LP




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- For fans of labels like Ocora, Smithsonian Folkways Records, Buda Music, Nonesuch and traditional forms of music, ambient, (ethno)musicology, and children !

An important inter-cultural and commercial crossroads in the centre of the Ivory Coast, the town of Bouake prospered during the 20th century around one of the richest and most colourful markets of West Africa.

Tracklisting
01 Suba ni mansaya ("Magic and royal power")
02 Wedding music
03 Vocals, fiddle and percussion calabash
04 Balafons
05 Flute Duo
06 Flute solo
07 Musical bow
08 Sunjata faasa

Info
An important inter-cultural and commercial crossroads in the centre of the Ivory Coast, the town of Bouake prospered during the 20th century around one of the richest and most colourful markets of West Africa.
Working in this town in the mid 1970s, the biologist Bernard Mondet was fascinated by the Ivorian, Ghanaian, Malian, Guinean or Voltaic musical traditions he encountered there. Armed with his Nagra tape recorder and a pair of microphones, he collected a vast number of sound documents in which Senufo and Bobo balafons, lute harps kora of the Manding, Peul and Mossi flutes and Birifor musical bows are mingled skilfully.


Points of interests
- For fans of the traditional repertoires of African griots and their main instruments: the kora and the balafon.

- A glimpse of musical life in the 1970s in Bouake, the second most populated city in Ivory Coast.

- A collection of traditional music recorded with Peul, Bobo, Mandingue and Birifor musicians from various regions of Ivory Coast, Burkina Faso, Guinea and Mali.

- Original sound archives on magnetic tapes, digitized and restored in 2019.

- Twelve black and white and colour photographs, taken at the same time as the sound recordings

- The very first CD to be released in the "Archives" series on the new MEG-AIMP label, which continues the collection founded in 1984 by Laurent Aubert and directed by Madeleine Leclair since 2012.



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- For fans of labels like Ocora, Smithsonian Folkways Records, Buda Music, Nonesuch and traditional forms of music, ambient, (ethno)musicology, and children !

Gabriel Scotti (Composition) (2019)
Rewriting of the tales according to vernacular versions : Fabrice Melquiot
Tales performed by : Olivier Chiacchiari, David Jakobowicz, Julie Henoch, Cyril Kaiser, Isis Lengo, Camille Mermet, Pauline Robert, Jean Vigny
Guest musician : Raphael Daniel, bass clarinet

Tracklisting
01 The Moon and the She-wolf
02 The Devil's Trousers
03 The Spindle, the Shuttle and the Needle
04 Mary's Bread
05 The Bear in Love
06 The Fisherman, his Wife and the Golden Fish
07 Vines and Wine
08 Godmother Death
09 Round Jupiter
10 CD335
11 The second way
12 Megavolution
13 Arpèges
14 Resonator
15 Guit loops
16 La mort


Info

Info
This CD, released on the occasion of "The Fairy Tale Factory" exhibition, contains the eight tales at the heart of the scenography imagined for the exhibition. These stories from traditional repertoires have been handed down orally over several generations and travelled across Europe, from the Mediterranean to Scandinavia and the Celtic countries to the Balkans.
Rewritten in a contemporary version by the writer Fabrice Melquiot, these stories, performed by eight men and women storytellers aged from ten to ninety-nine, are presented in a sound setting composed by Gabriel Scotti who drew his inspiration from recordings conserved in the MEG's Archives internationales de musique populaire. The tales in music are followed by the eight musical tracks of G. Scotti's compositions.
The booklet presents the texts of the tales accompanied by drawings, paintings and photographs of dioramas in paper cut-outs, done by Carll Cneut, Camille Garoche, Kalonji and Lorenzo Mattotti, the four illustrators invited to bring these tales to life for the exhibition.



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12" - Cover Artwork by Stefan Marx

Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.

For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.

Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.

Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound

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Tracklist 12":

A1 Credit Jive (07:02)
B1 Linn Dreams (06:42)


Short Info:

Somewhere between the lines of Italo Disco, House Music and a little bit of Cosmic Trance you will find "Credit Jive", another feel-good measurement created by the guy who obviously fell into the fountain of youth last year. Your endorphines will shine straightaway while being sober altogether. On the flip we honour the drum machine that is Linn Drum. Yes, it's that Prince machine. Never stop dreaming!

Vital Sales Points:

- DHA premiere
- news via ransom note & mixmag



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Format Notes: 2022 re-press, 180g vinyl

Territories: Worldwide no restrictions

Track List:

A1 : Season For Love (3:06)
A2 : The Twelfth Of Never (2:25)
A3 : Trying To Understand A Woman (2:27)
A4 : When A Boy Falls In Love (2:38)
A5 : The Shortest Distance (0:36)

B1 : Hurt So Bad (3:16)
B2 : Walking On My Love (3:02)
B3 : Wichita Lineman (3:21)
B4 : Let's Try It Over Again (2:09)
B5 : The Magic Of Love (2:47)

Release Notes:

Mr Thing: "I've pretty much given up trying to find Season For Love. I'm glad you're doing these."

A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today.

Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.

With flawless originals presented alongside a few well-chosen classics (his stunning cover of "Wichita Lineman" arguably bests the original's splendour), it's easy to see why sample-based musicians have been falling over themselves to plunder from this album. Witness the sweeping strings that grace "The Magic Of Love" and the heartbreaking "Walking On My Love"; the mellifluous guitar work on the contemplative instrumental "The Shortest Distance" and gorgeous single "When A Boy Falls In Love".

Whilst the arrangements and playing are subtly jaw-dropping throughout, Hutch's uncontrived voice has a certain warmth to match a Nat “King” Cole and a purity of tone that even recalls the great Sam Cooke. Indeed, a few numbers are almost in a jazz vocal territory reminiscent of artists Lou Rawls. That's not to say that others lack the righteous energy and undeniable groove of Willie's later sound.

Remarkably consistent throughout – a rare commodity for many 70s soul albums – the lack of one signature song likely hindered its progress. Regardless, it deserved to make more of an impact and now, paired with the majestic debut, Soul Portrait, these recordings shine a new light on the early work of a soul legend.

Original vinyl copies of this album are extremely rare – and correspondingly expensive – so we’re thrilled to present the first ever vinyl reissue of a true lost classic. Mastered for vinyl by our esteemed engineer Simon Francis. It has been pressed on 180g vinyl for the first time and features the original, rarely seen artwork.


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Tracks:
A1 Inception (Intro) | 2:53 B1 Momentum II (124 bpm) | 7:14
A2 Momentum I (120 bpm) | 7:07 B2 Diurnal (122 bpm) | 8:17
A3 Nocturne (125 bpm) | 6:14

AND so the spotlight pans to Quantec. Having launched Neighbour Recordings with the
Life Is Rhythm EP from Base Pilot, the studio collaboration between label owners Birke
TM and Quantec, the imprint now turns to the latter for a solo follow-up with the muchexperienced
artist turning in the tasty Moments EP. A self-confessed lover of old-school
synths and their lo-fi beauty and emotion, this child of the Eighties naturally gravitates
towards deep, dubby, Detroit-esque vibes and much more besides. You can hear it again
in his latest work. The dramatic mesmerising synths of Inception are the most apposite
aural appetiser, setting the scene perfectly for the main event and dovetailing snuggly
with the dub-flecked deepness of Momentum I and the irresistible drive of the truly dope
Nocturne. The pulsating, near-menacing throb of Momentum II explores different
territory – that of techno – whilst the spacey, chilled groove of Diurnal is the perfect
comedown from the EP’s more heady business.
Artwork: Marko Meth Mastering: Sam Irl
Words: Tim Gibney

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Special remarks: handstamped vinyl, cover sticker

Tracklist 12":

A1. Lee Stevens – Theme For Disco Biscuits
A2. Endrik Schroeder - Infinity
B1. Jakobin & Domino – One Of A Kind
B2. Golden Boogie Connection – Dull Grey


Short Info:

Hungry for biscuits? Look no further, as the third batch of Disco Biscuits is fresh out of the oven at Luv Shack headquarters! On the A side we have Lee Stevens “Theme forDisco Biscuits” , a modern Italo stomper with heavy synth work and delicious sprinkles of breakbeat, sitting alongside Endrik Schröders „Infinity“, an ecstatic, upbeat Synth-Disco hybrid that is generously coated in syrup made from 80s Hi-Energy and earlynineties scandinavian Disco. The B Side opens with “One Of A Kind”, a slowly baked house chugger by Jakobin & Domino, taking its time to rise and develop a rich and deep flavour before the Golden Boogie Connection hit us with “Dull Grey”, a laid back Disco affair that is topped with a slab of Acid, which is neither dull nor grey!



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Tracklist 12":
A) Judge Not (Ray Mang Special Mix) 7:57
B1) Judge Not (Ray Mang Instrumental Mix) 7:18
B2) Judge Not (Ray Mang Reprise) 5:18

Gospelhouse from heaven! Yes - this is a very special record: NYC‘s Phenomenal Handclap Band meets London’s Ray Mang - the psychedelic soul disciples meet the disco champ by way of remix.
Ray Mang is a hero to fans of underground disco: remixer, collector, producer, DJ - he is part of that magic circle of London DJ connoisseurs around DJ Harvey. He has the magic disco touch, and has applied it to great effect to PHB’s "Judge Not". He did a fresh, new take on house-heavy gospel disco that is sure to fill any dancefloor. Try it!

For those who don't know New York's almost legendary band: The Phenomenal Handclap Band is led by producer Daniel Collás, and consists of some of New York's finest new soul & disco musicians. Some of them used to play in the Amy Winehouse band and others can be heard on some of Mark Ronson's productions. Their biggest moment was when they released their single "15 to 20" some years ago (on Gomma Records) and Paul McCartney wrote them a letter about how much he loved that song when he heard it on BBC Radio 1.

On "Judge Not" they come up with dazzling piano lines, a deep rare funk rhythm section, and a street corner gospel choir that brings you to your feet.

Ray Mang heard the original version of this song and was hyped to become involved in the remix, and the pairing is complementary to say the least.
Many of you know PHB from their collaborations with such luminaries as Peaches or Marcos Valle or Bryan Ferry, a prime appearance at the Glastonbury Festival, and direct support on Bryan Ferry’s US tour.
The group is currently finishing a new album.



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CD , Territory: WW - Japan.

A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.

about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3

Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4

Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5

Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6

Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7

Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8

Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9

Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10

Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11

Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12

Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13

Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14

Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15

Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16

Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17

Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------



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Tracklist 12":

A1) Danza Organica (Musumeci Remix) (5:33)
A2) Perfetta Cosi (Gome Remix) (4:45)

B1) Es Buena (Extended Mix) (5:44)
B2) Perfetta Cosi (Extended Mix) (4:58)

Release Info:
It’s Italian time! Sam Ruffillo is back. Sicilian producer doing smooth Balearic disco with Italian vocals. The direction is clear: Sam Ruffillo's music brings us back into the Italian riviera and the hippy days of Ibiza in the late 1970ies. Even his way of production is similar to how the early days disco producers in Italia used to work: No samples needed. Instead a few guest musicians come to jam over Sam's beats in his Italian studio space. Guitar, bass, percussions. Sam later makes the production and added keyboard solos and put together the vibes into what is this new EP.

The girl voice comes from NINFA. It’s the classic studio story: Ninfa is a singer and DJ and friend of Sam. She was hanging at the studio while Sam was finishing these tracks. She stated to sing along... the words came up spontaneously… so they decided to record her and finally decided to keep them. The vibe was too good. Why talk English if u can do it better: in Italian! :)

This is second for Toy Tonics after his Sport House EP from last year. Sam also appeared on the solo record of Joel Holmes on Toy Tonics. Together with Kapote Modica he co-produced and made the beats on that record. Now Sam is back with this pure Italian EP. Inclusive remixes by new German artists Gome and Italian Musemeci - known to many from his fabulous Italo-trance releases on Diynamic records.




















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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist 12":

A1) Higher
A2) Bump Into You
B1) Work 2 It
B2) The Rock

Release Info:

Toy Tonics presents a new producer team: Sound Support consists of two enthusiastic synth and house aficionados that everybody knows (in the scene): Lars Dales from Dam Swindle and Lorenz Rhode (keyboard wizard and producer genius).
Together they are doing extremely groovy, jazz infected dance music that connects the good things of 1990ies house with the indie disco of the 2000s.

Lars Dales & Lorenz Rhode connected through their mutual love for all things musically unusual. After years of having worked together on several projects, such as the Dam Swindle live show, they finally got around to making music together. The result has been nothing less than an avalanche of tracks, mostly made in 4 day coffee fueled studio sessions in Lorenz’ studio in Cologne. All reminding the big funk house tracks of the early 2000s. Yes a lot of Daft Punk is here, A lot of NYC disco influences. Larry Levan and Laurent Garnier, DJ Harvey and Masters at Work.. all influences on this record.

After their first two Sound Support EP’s on Prins Thomas’ label, Internasjonal, they’ve ventured out to House of Disco and other labels with a wide array of immensely enjoyable synth heavy tracks. 2023 sees these two venture more into house territory with releases on AUS music and Toy Tonics, two labels that have cemented themselves deeply into the underground scene. In any case, it’s clear that Sound Support have found its signature sound and there is much more of that to look forward to. Toy Tonics is the key label for the wildstyle house scene and Sound Support fit perfectly. Welcome!























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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Format: 12” vinyl, printed labels, printed inner sleeve, dl code

Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist 2LP:

A1 Better Times
A2 On The Dancefloor
B1 Ne Travaillez Jamais (Still Working Mix)
B2 Shibboleth
C1 Burning Snake
C2 Thank You feat. Taiko Saito
D1 IGFT
D2 Evin


Smallville purveyor of the deep Christopher Rau with his third longplayer for the label, „Better Times“. Timeless crispy house music to stay forever.

All tracks written, produced and mixed by Christopher Rau
Vibraphone on C2 by Taiko Saito
Mastering by Helmut Erler, Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More