1
Siegmar Fricke - A1 Discolamb 4:15
2
Siegmar Fricke - A2 Investing In The Future 6:10
3
Siegmar Fricke - A3 Turn Up The Bees 3:26
4
Siegmar Fricke - B1 Skip Static 7:42
5
Siegmar Fricke - B2 Time Compression 7:31
TRACKLIST
A1 Discolamb 4:15
A2 Investing In The Future 6:10
A3 Turn Up The Bees 3:26
B1 Skip Static 7:42
B2 Time Compression 7:31
RELEASE INFO
Siegmar Fricke has made a name for himself in the tape culture since 1981 - with a mixture of Musique-Concrète
and Post-Industrial. As a former label owner of "Bestattungsinstitut" he released numerous works that went
beyond EBM, Electro, Techno and Ambient. In the heyday of the netlabels he focused mainly on his own
productions, which he then made available as free downloads. Since 2002 Siegmar has been active with clinical
sound experiments under the pseudonym "Pharmakustik". In 2005 he started his collaboration with Maurizio
Bianchi from Milan, who has dedicated himself to "industrial decomposition" since 1979. For his Time
Compression EP on Infoline, Siegmar Fricke has unearthed compositions from the period 1992-1994 and curated
them anew. A phase in which he listened to the radio day and night and connected his sampler to the stereo to
record material around the clock. He listened to many radio shows from England or Holland, which often
broadcasted techno, trance and acid. At that time those sounds were new territory for him. He recorded inspiring
sequences at first go, edited them and then let them flow into his own productions. The result was "future-pop
collages mixed with sequencer-controlled trance and sampled voices", to put it in the words of Siegmar Fricke.
More
A1 Discolamb 4:15
A2 Investing In The Future 6:10
A3 Turn Up The Bees 3:26
B1 Skip Static 7:42
B2 Time Compression 7:31
RELEASE INFO
Siegmar Fricke has made a name for himself in the tape culture since 1981 - with a mixture of Musique-Concrète
and Post-Industrial. As a former label owner of "Bestattungsinstitut" he released numerous works that went
beyond EBM, Electro, Techno and Ambient. In the heyday of the netlabels he focused mainly on his own
productions, which he then made available as free downloads. Since 2002 Siegmar has been active with clinical
sound experiments under the pseudonym "Pharmakustik". In 2005 he started his collaboration with Maurizio
Bianchi from Milan, who has dedicated himself to "industrial decomposition" since 1979. For his Time
Compression EP on Infoline, Siegmar Fricke has unearthed compositions from the period 1992-1994 and curated
them anew. A phase in which he listened to the radio day and night and connected his sampler to the stereo to
record material around the clock. He listened to many radio shows from England or Holland, which often
broadcasted techno, trance and acid. At that time those sounds were new territory for him. He recorded inspiring
sequences at first go, edited them and then let them flow into his own productions. The result was "future-pop
collages mixed with sequencer-controlled trance and sampled voices", to put it in the words of Siegmar Fricke.
More
More records from Siegmar Fricke
1
Siegmar Fricke - Commercial Breakdown
2
Siegmar Fricke - Turn On The Tap
3
Siegmar Fricke - Geriatrics
4
Siegmar Fricke - Interfax
From home recorded tapes in the 90s to a newly released vinyl record in 2024, The Comfort is happy to present our third release, Siegmar Fricke’s Commercial Breakdown.
Back in the year 1990, the working method of Siegmar Fricke and his contemporaries was one best described as a DIY recording process. With spare tapes, glue, scissors, and sheer determination, Siegmar sought to share his music with an audience hungry for adventurous electronic music. In an era of limited access to labels and platforms, those not conforming to commercial trends had little choice. Thus, tapes like this one, dubbed simply as “home-recordings,” circulated among DJs and friends, embodying the playful experimentation of musicians exploring unconventional sounds and even dabbling with mainstream pop sounds.
Yet what makes this record so special? Beyond its long confinement to obscurity? Quite a lot, actually. It stands as a crazy discovery that is nearly impossible to come by.
The record kicks off with “Commercial Breakdown”, an extremely layered acid house track that fills the soul with more emotion than we know how to describe. Traversing through gentle piano chords, intimate and eerie synths and the type of groove that just doesn’t stop, it’s beautiful, affective and most importantly: highly experimental in a lot of ways. A track that you simply can’t crack, place to a certain time or vibe, it’s truly a singular piece of music, one that we are so happy to release.
On the B side, the first track “Turn on the tap”, words fall short as it’s the type of true hypnotic dance music created during a time, when there was nothing to reference, nothing to copy. You either had something to say or you didn’t, and this track says a lot.
B2, Geriatrics, takes more influence from the motherland of Siegmar, more wave’y, more in line with the zeitgeist of the time, yet still retains a unique edge that is hard to find. Pitched vocals, an extremely consistent rhythm that is layered with spaced out sounds and just turns into a piece of bliss in the half-way with soft pads and angelic vocals.
Finally, “Interfax” closes the EP with a punchy house groove reminiscent of UK and US sounds, infused with the essence of German experimentation. It’s a fitting conclusion that leaves a lingering vibe long after the music fades. More
Back in the year 1990, the working method of Siegmar Fricke and his contemporaries was one best described as a DIY recording process. With spare tapes, glue, scissors, and sheer determination, Siegmar sought to share his music with an audience hungry for adventurous electronic music. In an era of limited access to labels and platforms, those not conforming to commercial trends had little choice. Thus, tapes like this one, dubbed simply as “home-recordings,” circulated among DJs and friends, embodying the playful experimentation of musicians exploring unconventional sounds and even dabbling with mainstream pop sounds.
Yet what makes this record so special? Beyond its long confinement to obscurity? Quite a lot, actually. It stands as a crazy discovery that is nearly impossible to come by.
The record kicks off with “Commercial Breakdown”, an extremely layered acid house track that fills the soul with more emotion than we know how to describe. Traversing through gentle piano chords, intimate and eerie synths and the type of groove that just doesn’t stop, it’s beautiful, affective and most importantly: highly experimental in a lot of ways. A track that you simply can’t crack, place to a certain time or vibe, it’s truly a singular piece of music, one that we are so happy to release.
On the B side, the first track “Turn on the tap”, words fall short as it’s the type of true hypnotic dance music created during a time, when there was nothing to reference, nothing to copy. You either had something to say or you didn’t, and this track says a lot.
B2, Geriatrics, takes more influence from the motherland of Siegmar, more wave’y, more in line with the zeitgeist of the time, yet still retains a unique edge that is hard to find. Pitched vocals, an extremely consistent rhythm that is layered with spaced out sounds and just turns into a piece of bliss in the half-way with soft pads and angelic vocals.
Finally, “Interfax” closes the EP with a punchy house groove reminiscent of UK and US sounds, infused with the essence of German experimentation. It’s a fitting conclusion that leaves a lingering vibe long after the music fades. More
More records from Infoline
1
LA LUNA SOTTO IL PONTE - A1. Celeste Sensibile
2
LA LUNA SOTTO IL PONTE - A2 Futurismo Luminescente
3
LA LUNA SOTTO IL PONTE - B1 Selvatico
4
LA LUNA SOTTO IL PONTE - B2 Teoria Della Metá
5
LA LUNA SOTTO IL PONTE - B3 Baco Elettrico
6
LA LUNA SOTTO IL PONTE - C1 Leggere Nell Animo
7
LA LUNA SOTTO IL PONTE - C2 Allosauro
8
LA LUNA SOTTO IL PONTE - D1 Strada Feller
9
LA LUNA SOTTO IL PONTE - D2 Canale Dei Misteri
10
LA LUNA SOTTO IL PONTE - D3 Tra Due Onde
11
LA LUNA SOTTO IL PONTE - D4 Viaggiare A Vuoto
12
LA LUNA SOTTO IL PONTE - D5 Opera Abbuiata
13
LA LUNA SOTTO IL PONTE - Bonus 12 : A Side: E-Bear (R.Epee / Grauzone)
14
LA LUNA SOTTO IL PONTE - Bonus 12 : B Side: R.Epee - Eleventh Movement 1989
2022 REPRESS
For its 3. release Infoline showcases never heard compositions of Marco Repetto (former Grauzone).
Special remarks : 2x12" LP Gatefold + 1x12" Bonus
includes:
1x12" Maxi (ILG003X)
2x12" LP (ILG003)
Genre: Acid House, Experimental, Industrial, Techno
LA LUNA SOTTO IL PONTE - L`Alchimia Dell Svanimento (ILG003)
A1 Celeste Sensibile
A2 Futurismo Luminescente
B1 Selvatico
B2 Teoria Della Meta?
B3 Baco Elettrico
C1 Leggere Nell Animo
C2 Allosauro
D1 Strada Feller
D2 Canale Dei Misteri
D3 Tra Due Onde
D4 Viaggiare A Vuoto
D5 Opera Abbuiata
#########################################
R.EPEE - QQX-7 (ILG003X)
A. E-Bear (R.Epee / Grauzone)
B. Eleventh Movement (R.Epee)
Short Info:
For its 3. release Infoline showcases never heard compositions of Marco Repetto (former Grauzone). La Luna Sotto Il Ponte is a 2x12' compilation and a never used alias of Marco Repetto. The compilation features tracks written between 1983 - 1989. Some years after his break up with Grauzone (1981), Marco went on a darker and more industrial path, which was a common route for experimental composers at that time. Expect a solid mixture of unreleased Industrial/EBM cuts. The bonus EP replaces La Luna Sotto Il Pontes grim and dark compositions for a much more utopian mind-set and movement in its heyday. It's 1988/1989 - Acid House is everywhere.
More
For its 3. release Infoline showcases never heard compositions of Marco Repetto (former Grauzone).
Special remarks : 2x12" LP Gatefold + 1x12" Bonus
includes:
1x12" Maxi (ILG003X)
2x12" LP (ILG003)
Genre: Acid House, Experimental, Industrial, Techno
LA LUNA SOTTO IL PONTE - L`Alchimia Dell Svanimento (ILG003)
A1 Celeste Sensibile
A2 Futurismo Luminescente
B1 Selvatico
B2 Teoria Della Meta?
B3 Baco Elettrico
C1 Leggere Nell Animo
C2 Allosauro
D1 Strada Feller
D2 Canale Dei Misteri
D3 Tra Due Onde
D4 Viaggiare A Vuoto
D5 Opera Abbuiata
#########################################
R.EPEE - QQX-7 (ILG003X)
A. E-Bear (R.Epee / Grauzone)
B. Eleventh Movement (R.Epee)
Short Info:
For its 3. release Infoline showcases never heard compositions of Marco Repetto (former Grauzone). La Luna Sotto Il Ponte is a 2x12' compilation and a never used alias of Marco Repetto. The compilation features tracks written between 1983 - 1989. Some years after his break up with Grauzone (1981), Marco went on a darker and more industrial path, which was a common route for experimental composers at that time. Expect a solid mixture of unreleased Industrial/EBM cuts. The bonus EP replaces La Luna Sotto Il Pontes grim and dark compositions for a much more utopian mind-set and movement in its heyday. It's 1988/1989 - Acid House is everywhere.
More
1
SOROG - No Pares El Sonido! (Onda Sónica Valencia) 5:32
2
SOROG - Prigioniero Notturno 3:08
3
SOROG - No Fear 4:42
4
SOROG - Patto Di Sangue 2:42
5
SOROG - Do You Know The Devil [?] 3:35
6
SOROG - Preserve Traditions (Tekno World 1996, Happy Acid Flash) 3:10
TRACKLIST
A1 No Pares El Sonido! (Onda Sónica Valencia) 5:32
A2 Prigioniero Notturno 3:08
A3 No Fear 4:42
B1 Patto Di Sangue 2:42
B2 Do You Know The Devil [?] 3:35
B3 Preserve Traditions (Tekno World 1996, Happy Acid Flash) 3:10
More
A1 No Pares El Sonido! (Onda Sónica Valencia) 5:32
A2 Prigioniero Notturno 3:08
A3 No Fear 4:42
B1 Patto Di Sangue 2:42
B2 Do You Know The Devil [?] 3:35
B3 Preserve Traditions (Tekno World 1996, Happy Acid Flash) 3:10
More
1
Savage Grounds - A1 - Tortured Love
2
Savage Grounds - A2 - Vestito Di Nero
3
Savage Grounds - A3 - Front Line
4
Savage Grounds - B1 - Masse Und Macht
5
Savage Grounds - B2 - Un Cuore Invincibile
6
Savage Grounds - B3 - Schmerzfabrik
Special remarks : Comes with a patch
Tracklist 12":
A1 - Tortured Love
A2 - Vestito Di Nero
A3 - Front Line
B1 - Masse Und Macht
B2 - Un Cuore Invincibile
B3 - Schmerzfabrik
Savage Grounds return to the never ending warpath with their new EP "Body Weight Compressor". After a one-year break, which was used to collect ideas, machines and material, they are releasing six titles with brooding melodies, sounds from the factory, diystopian texts and authoritative marches. An unnaturally restrained chaos. Being released by Infoline Global it provides a reflection of the city they live in.
Vital Sales Points:
We live in the dark. We have nothing to say. We are the void inside you that devours everything.
More
Tracklist 12":
A1 - Tortured Love
A2 - Vestito Di Nero
A3 - Front Line
B1 - Masse Und Macht
B2 - Un Cuore Invincibile
B3 - Schmerzfabrik
Savage Grounds return to the never ending warpath with their new EP "Body Weight Compressor". After a one-year break, which was used to collect ideas, machines and material, they are releasing six titles with brooding melodies, sounds from the factory, diystopian texts and authoritative marches. An unnaturally restrained chaos. Being released by Infoline Global it provides a reflection of the city they live in.
Vital Sales Points:
We live in the dark. We have nothing to say. We are the void inside you that devours everything.
More
1
Neu Verboten - Arsenic Wish
2
Neu Verboten - CET+666
3
Neu Verboten - Early Bab (Original Acid Version)
4
Neu Verboten - We Trance Fair
Special remarks : Comes with Slipmat designed by Jan Vorisek, Rel-Info Sheet
Tracklist 12":
A1 - Arsenic Wish
A2 - CET +666
B1 - Early Bab (Original Acid Version)
B2 - We Trance Fair
This (Certified Euro Terror) EP is the aftermath of present worldwide necropolitics. It's Neu Verbotens advice to a faster apocalypse, an arsenic wish. His message in the voicemail of Infoline which will burn your ears with liquid acid. This artefact of a neo digital brain modification sends its first bio message to the doomed dancefloors of gore.
Neu Verboten is transmitting sonic metadata from the interzone between the secret Lustpoderosa headquarter and the decentralized battlefields of todays resistance. While receiving information about political malware and forgotten messages of peace on earth it trys to involve new members to the resistance for the new forbidden ways of anarchist diy-life. Taking its cues from old synthmachines & rusty surveillance tools to fight for a radical open rave society.
Vital Sales Points:
First Solo EP by Neu Verboten
More
Tracklist 12":
A1 - Arsenic Wish
A2 - CET +666
B1 - Early Bab (Original Acid Version)
B2 - We Trance Fair
This (Certified Euro Terror) EP is the aftermath of present worldwide necropolitics. It's Neu Verbotens advice to a faster apocalypse, an arsenic wish. His message in the voicemail of Infoline which will burn your ears with liquid acid. This artefact of a neo digital brain modification sends its first bio message to the doomed dancefloors of gore.
Neu Verboten is transmitting sonic metadata from the interzone between the secret Lustpoderosa headquarter and the decentralized battlefields of todays resistance. While receiving information about political malware and forgotten messages of peace on earth it trys to involve new members to the resistance for the new forbidden ways of anarchist diy-life. Taking its cues from old synthmachines & rusty surveillance tools to fight for a radical open rave society.
Vital Sales Points:
First Solo EP by Neu Verboten
More
12+ Poster , A SIDE PROVIDED BY LUCA DIGILIO AS AUDIOGUIDE
AND B SIDE BY FLAVIO AUDINO & WALID EL BARBIR AS MEMBERS OF INFOLINE
Tracklist 12":
A1 audioguide 3
A2 audioguide 6
A3 audioguide 5
A4 audioguide 2
B1 Holographic recording of fictional experiences
B2 Physical Layer
B3 Stereoscopic VR
What is Infoline?
Infoline indicates new content components via an intuitive union of several media forms.
We see the medium record/cover as a placeholder that does not contain enough information or limits itself only to the audio (music). The goal is to break open that standard by collaborating with designers, artists and musicians to find the improbable (formula) within the limit (format). The label Infoline is built on that collaboration because via that connection the network of possibilities grows and the intensification becomes more complex.
POSTER & BLOTTER ART BY MARC JAUSLIN
A SIDE PROVIDED BY LUCA DIGILIO AS AUDIOGUIDE
AND B SIDE BY FLAVIO AUDINO & WALID EL BARBIR AS MEMBERS OF INFOLINE
More
AND B SIDE BY FLAVIO AUDINO & WALID EL BARBIR AS MEMBERS OF INFOLINE
Tracklist 12":
A1 audioguide 3
A2 audioguide 6
A3 audioguide 5
A4 audioguide 2
B1 Holographic recording of fictional experiences
B2 Physical Layer
B3 Stereoscopic VR
What is Infoline?
Infoline indicates new content components via an intuitive union of several media forms.
We see the medium record/cover as a placeholder that does not contain enough information or limits itself only to the audio (music). The goal is to break open that standard by collaborating with designers, artists and musicians to find the improbable (formula) within the limit (format). The label Infoline is built on that collaboration because via that connection the network of possibilities grows and the intensification becomes more complex.
POSTER & BLOTTER ART BY MARC JAUSLIN
A SIDE PROVIDED BY LUCA DIGILIO AS AUDIOGUIDE
AND B SIDE BY FLAVIO AUDINO & WALID EL BARBIR AS MEMBERS OF INFOLINE
More
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Ajate - Kopi Lakanka
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Ajate - Roghinaware
Tokyo based band and Afrobayashi pioneers Ajate are back with their third album: experience the explosive encounter of Afro groove and Japanese traditional Ohayashi music!
During a stay in West Africa in the late 2000's, Japanese musician Junichiro "John" Imaeda was taken aback by the similarities he felt between the Afrobeat that resonated in the streets of Accra, and the sounds of the "Ohayashi", the music played during ancestral Japanese festivals, in which John had participated since his childhood.
On his return to the archipelago in 2009, Imaeda created Ajate, a collective of ten passionate musicians. Together they started crafting music that moves from one world to another, with intertwined roots. The drums, flutes and bells are joined by curious instruments handmade by John himself with the essential material of the Japanese countryside: bamboo. The "Jaate", an amplified xylophone-balafon equipped with piezoelectric sensors on each of its keys, or the "Piechiku", a bamboo version of the Malian "Ngoni" or the Gnawa "Guembri", equipped with shamisen strings and connected to an arsenal of guitar pedals, give Ajate an absolutely unique sound. Powerful and catchy Japanese female and male vocals bring the final touch to an incredible groove where Afrobeat and Ohayashi music are woven together so seamlessly that Ajate has managed to capture a truly distinct fusion. The band sings about the power of human connections, the force of being and living all together, the joy of sharing, and the beauty of life. Ajate's music is a magnificent example of the way sounds are able to migrate in contemporary music.
The band's explosive live performances have taken Ajate to the most prestigious stages in Japan, such as the Sukiyaki Meets The World and Fuji & Sun festivals. The release on French label 180g of their "Abrada" and "Alo" albums, in 2017 and 2020 respectively, opened the doors to Europe, with memorable shows at the Transmusicales de Rennes festival - followed by a session on KEXP (Seattle, USA) - at Jazz a Vienne, and at WOMAD UK, among many others. With their brand new album "Dala Toni", Ajate prove once again that they are at the forefront of global music "made in Japan". More
During a stay in West Africa in the late 2000's, Japanese musician Junichiro "John" Imaeda was taken aback by the similarities he felt between the Afrobeat that resonated in the streets of Accra, and the sounds of the "Ohayashi", the music played during ancestral Japanese festivals, in which John had participated since his childhood.
On his return to the archipelago in 2009, Imaeda created Ajate, a collective of ten passionate musicians. Together they started crafting music that moves from one world to another, with intertwined roots. The drums, flutes and bells are joined by curious instruments handmade by John himself with the essential material of the Japanese countryside: bamboo. The "Jaate", an amplified xylophone-balafon equipped with piezoelectric sensors on each of its keys, or the "Piechiku", a bamboo version of the Malian "Ngoni" or the Gnawa "Guembri", equipped with shamisen strings and connected to an arsenal of guitar pedals, give Ajate an absolutely unique sound. Powerful and catchy Japanese female and male vocals bring the final touch to an incredible groove where Afrobeat and Ohayashi music are woven together so seamlessly that Ajate has managed to capture a truly distinct fusion. The band sings about the power of human connections, the force of being and living all together, the joy of sharing, and the beauty of life. Ajate's music is a magnificent example of the way sounds are able to migrate in contemporary music.
The band's explosive live performances have taken Ajate to the most prestigious stages in Japan, such as the Sukiyaki Meets The World and Fuji & Sun festivals. The release on French label 180g of their "Abrada" and "Alo" albums, in 2017 and 2020 respectively, opened the doors to Europe, with memorable shows at the Transmusicales de Rennes festival - followed by a session on KEXP (Seattle, USA) - at Jazz a Vienne, and at WOMAD UK, among many others. With their brand new album "Dala Toni", Ajate prove once again that they are at the forefront of global music "made in Japan". More
Label:Dirt Crew Recordings
Cat-No:DIRT151
Release-Date:10.05.2024
Genre:Deephouse
Configuration:12" Excl
Label:Dirt Crew Recordings
Cat-No:DIRT151
Release-Date:10.05.2024
Genre:Deephouse
Configuration:12" Excl
1
Ben La Desh - Heel Goed
2
Ben La Desh - Lift Adrift
3
Ben La Desh - Fine Rise
4
Ben La Desh - Asanti
5
Ben La Desh - Expanding Signal
Genre: Deep House
Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal
Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.
The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!
On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.
Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
More
Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal
Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.
The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!
On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.
Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
More
1
David Versace - Heart To Heart
2
David Versace - Full Moon Sprint
3
David Versace - With Time
4
David Versace - You Really Mean It
5
David Versace - Same Signals
6
David Versace - Red Dirt
7
David Versace - New Day
8
David Versace - Capricorn
David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.
Supported by Gilles Peterson on his WWFM show and Jamie Cullum on BBC Radio 2. More
Supported by Gilles Peterson on his WWFM show and Jamie Cullum on BBC Radio 2. More
Label:Spaced Repetitions
Cat-No:SRP05
Release-Date:05.07.2024
Genre:House / Techno
Configuration:12" Excl
Label:Spaced Repetitions
Cat-No:SRP05
Release-Date:05.07.2024
Genre:House / Techno
Configuration:12" Excl
1
Manuel Tur - Omina (DJ Counselling Remix)
2
Manuel Tur - Flakon (All Is Well Remix)
3
Manuel Tur - Slow White (Yuu Udagawa Remix)
4
Manuel Tur - Shadowgraph (Yuu Udagawa Remix)
GENRE/S: House / Techno, Trip-Hop/Headz
TRACKLISTS:
A1: Omina (DJ Counselling Remix)
A2: Flakon (All Is Well Remix)
B1: Slow White (Yuu Udagawa Remix)
B2: Shadowgraph (Yuu Udagawa Remix)
SHORT INFO:
Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.
London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.
More
TRACKLISTS:
A1: Omina (DJ Counselling Remix)
A2: Flakon (All Is Well Remix)
B1: Slow White (Yuu Udagawa Remix)
B2: Shadowgraph (Yuu Udagawa Remix)
SHORT INFO:
Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.
London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.
More
Label:Glossy Mistakes
Cat-No:GLOSSY019
Release-Date:10.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Glossy Mistakes
Cat-No:GLOSSY019
Release-Date:10.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
1
funcionário - A1. Esperança
2
funcionário - A2. Retrato
3
funcionário - A3. Momento Claro
4
funcionário - B1. Retiro Guerreiro
5
funcionário - B2. Excerto Só Loser
6
funcionário - B3. Sol Nascente
7
funcionário - B4. Tempo
8
funcionário - B5. Batalha Real
LP
- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences
GENRE/S: Ambient, Fourth World, New Age, Minimal
TRACKLIST:
Side A:
Esperança
Retrato
Momento Claro
Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real
SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works
Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.
Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.
At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.
Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".
Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.
Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.
More
- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences
GENRE/S: Ambient, Fourth World, New Age, Minimal
TRACKLIST:
Side A:
Esperança
Retrato
Momento Claro
Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real
SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works
Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.
Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.
At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.
Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".
Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.
Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.
More
1
Siegmar Fricke - Commercial Breakdown
2
Siegmar Fricke - Turn On The Tap
3
Siegmar Fricke - Geriatrics
4
Siegmar Fricke - Interfax
From home recorded tapes in the 90s to a newly released vinyl record in 2024, The Comfort is happy to present our third release, Siegmar Fricke’s Commercial Breakdown.
Back in the year 1990, the working method of Siegmar Fricke and his contemporaries was one best described as a DIY recording process. With spare tapes, glue, scissors, and sheer determination, Siegmar sought to share his music with an audience hungry for adventurous electronic music. In an era of limited access to labels and platforms, those not conforming to commercial trends had little choice. Thus, tapes like this one, dubbed simply as “home-recordings,” circulated among DJs and friends, embodying the playful experimentation of musicians exploring unconventional sounds and even dabbling with mainstream pop sounds.
Yet what makes this record so special? Beyond its long confinement to obscurity? Quite a lot, actually. It stands as a crazy discovery that is nearly impossible to come by.
The record kicks off with “Commercial Breakdown”, an extremely layered acid house track that fills the soul with more emotion than we know how to describe. Traversing through gentle piano chords, intimate and eerie synths and the type of groove that just doesn’t stop, it’s beautiful, affective and most importantly: highly experimental in a lot of ways. A track that you simply can’t crack, place to a certain time or vibe, it’s truly a singular piece of music, one that we are so happy to release.
On the B side, the first track “Turn on the tap”, words fall short as it’s the type of true hypnotic dance music created during a time, when there was nothing to reference, nothing to copy. You either had something to say or you didn’t, and this track says a lot.
B2, Geriatrics, takes more influence from the motherland of Siegmar, more wave’y, more in line with the zeitgeist of the time, yet still retains a unique edge that is hard to find. Pitched vocals, an extremely consistent rhythm that is layered with spaced out sounds and just turns into a piece of bliss in the half-way with soft pads and angelic vocals.
Finally, “Interfax” closes the EP with a punchy house groove reminiscent of UK and US sounds, infused with the essence of German experimentation. It’s a fitting conclusion that leaves a lingering vibe long after the music fades. More
Back in the year 1990, the working method of Siegmar Fricke and his contemporaries was one best described as a DIY recording process. With spare tapes, glue, scissors, and sheer determination, Siegmar sought to share his music with an audience hungry for adventurous electronic music. In an era of limited access to labels and platforms, those not conforming to commercial trends had little choice. Thus, tapes like this one, dubbed simply as “home-recordings,” circulated among DJs and friends, embodying the playful experimentation of musicians exploring unconventional sounds and even dabbling with mainstream pop sounds.
Yet what makes this record so special? Beyond its long confinement to obscurity? Quite a lot, actually. It stands as a crazy discovery that is nearly impossible to come by.
The record kicks off with “Commercial Breakdown”, an extremely layered acid house track that fills the soul with more emotion than we know how to describe. Traversing through gentle piano chords, intimate and eerie synths and the type of groove that just doesn’t stop, it’s beautiful, affective and most importantly: highly experimental in a lot of ways. A track that you simply can’t crack, place to a certain time or vibe, it’s truly a singular piece of music, one that we are so happy to release.
On the B side, the first track “Turn on the tap”, words fall short as it’s the type of true hypnotic dance music created during a time, when there was nothing to reference, nothing to copy. You either had something to say or you didn’t, and this track says a lot.
B2, Geriatrics, takes more influence from the motherland of Siegmar, more wave’y, more in line with the zeitgeist of the time, yet still retains a unique edge that is hard to find. Pitched vocals, an extremely consistent rhythm that is layered with spaced out sounds and just turns into a piece of bliss in the half-way with soft pads and angelic vocals.
Finally, “Interfax” closes the EP with a punchy house groove reminiscent of UK and US sounds, infused with the essence of German experimentation. It’s a fitting conclusion that leaves a lingering vibe long after the music fades. More
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
1
Extrawelt - Riverrun
2
Extrawelt - Midi Waters
12“ Vinyl
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
1
DJ Babatr - A1 The Journey
2
DJ Babatr - A2 In the Groove
3
DJ Babatr - B1 Xpansion Move
4
DJ Babatr - B2 In the Jungle
12"
GENRE/S:
House, Raptor House, Bass, Techno, Tribal
TRACKLISTS:
A1 The Journey
A2 In the Groove
B1 Xpansion Move
B2 In the Jungle
DJ Babatr, an influential figure in Caracas' miniteca scene, pioneered the city's distinctive raptor house sound,
also known as changa tuki. Breaking free from established norms, DJ Babatr explores genres, creating a sonic
universe that defies easy classification. Born from the rich tapestry of Venezuelan sound, DJ Babatr boldly
reimagines electronic music within the nation's unique context, shaping and redefining the global landscape with
Raptor House. His recent resurgence in the electronic music scene, catalysed by his contribution to Nick León's
breakout track "Xtasis," has rightfully brought attention to his innovative work. This vinyl release on Paryìa, the
next chapter in the ongoing narrative of electronic music, captures the essence of Venezuela's electronic
evolution. It serves as a testament to a cultural movement originating in vibrant Venezuelan neighbourhoods,
inviting listeners on a transcendent journey through innovative electronic landscapes. As electronic music
continues to evolve, DJ Babatr's story underscores the importance of diverse voices and Latin rhythms in
shaping the genre's global roots and influences. To seal off this special release, NYC’s Ayesha's percussive
remix of DJ Babatr's track brings a fresh, dynamic energy to the raptor house sound, infusing it with pulsating
rhythms and vibrant textures.
VITAL SALES POINTS:
- Collaborations with Nick León (Resident Advisor's Best Track of 2022)
- Second EP on Vinyl
- Profile in Shawn Reynaldo's "First Floor" newsletter
More
GENRE/S:
House, Raptor House, Bass, Techno, Tribal
TRACKLISTS:
A1 The Journey
A2 In the Groove
B1 Xpansion Move
B2 In the Jungle
DJ Babatr, an influential figure in Caracas' miniteca scene, pioneered the city's distinctive raptor house sound,
also known as changa tuki. Breaking free from established norms, DJ Babatr explores genres, creating a sonic
universe that defies easy classification. Born from the rich tapestry of Venezuelan sound, DJ Babatr boldly
reimagines electronic music within the nation's unique context, shaping and redefining the global landscape with
Raptor House. His recent resurgence in the electronic music scene, catalysed by his contribution to Nick León's
breakout track "Xtasis," has rightfully brought attention to his innovative work. This vinyl release on Paryìa, the
next chapter in the ongoing narrative of electronic music, captures the essence of Venezuela's electronic
evolution. It serves as a testament to a cultural movement originating in vibrant Venezuelan neighbourhoods,
inviting listeners on a transcendent journey through innovative electronic landscapes. As electronic music
continues to evolve, DJ Babatr's story underscores the importance of diverse voices and Latin rhythms in
shaping the genre's global roots and influences. To seal off this special release, NYC’s Ayesha's percussive
remix of DJ Babatr's track brings a fresh, dynamic energy to the raptor house sound, infusing it with pulsating
rhythms and vibrant textures.
VITAL SALES POINTS:
- Collaborations with Nick León (Resident Advisor's Best Track of 2022)
- Second EP on Vinyl
- Profile in Shawn Reynaldo's "First Floor" newsletter
More
1
Tour-Maubourg - La Révolte du Coeur
2
Tour-Maubourg - Diffraction Rythmique
3
Tour-Maubourg - Saint Thé à la Menthe
4
Tour-Maubourg - L'invitation au Voyage
5
Tour-Maubourg - Ode To Love
6
Tour-Maubourg - Le Vol du Corbeau
7
Tour-Maubourg - Inaptitude
8
Tour-Maubourg - Les Mots
Repress!
Tour-Maubourg presents his debut studio album ‘Paradis Artificiels’. This touching piece of music shows the talented artist’s beautiful exploration which is a mixture between house rhythms and jazz sonorities with a pinch of pop influences. More
Tour-Maubourg presents his debut studio album ‘Paradis Artificiels’. This touching piece of music shows the talented artist’s beautiful exploration which is a mixture between house rhythms and jazz sonorities with a pinch of pop influences. More
1
Braulio Lam - A1 Prologue
2
Braulio Lam - A2 CineStill
3
Braulio Lam - A3 Buena Vista Social Dub
4
Braulio Lam - A4 Monika
5
Braulio Lam - B1 Mirror
6
Braulio Lam - B2 Eastman
7
Braulio Lam - B3 Winter Light
8
Braulio Lam - B4 Tiffen
LP
GENRE/S: Electronica, Trip Hop, Dub Techno, Ambient
TRACKLIST:
A1 Prologue
A2 CineStill
A3 Buena Vista Social Dub
A4 Monika
B1 Mirror
B2 Eastman
B3 Winter Light
B4 Tiffen
SHORT INFO:
Braulio Lam's Close-Up is a captivating soundscape that blurs the lines between music and photography. Hailing from the border region between San Diego and Tijuana, Lam's inspiration stems from the vibrant cultural exchange and diverse musical traditions of the area. His creativity as a music producer and photographer converges seamlessly into this album, where he manipulates images and sounds, using light as a catalyst for his sonic experiments.
The album's eight tracks showcase Lam's eclectic sonic palette, ranging from electronica and dub techno to ambient and trip hop. The opening track, "Prologue," sets the stage with a haunting guitar echo and a spacious, downtempo beat. Angelic vocals float ethereal over the sonic backdrop, creating a sense of scenic grandeur. "Cinestill" immerses listeners in a sub-aquatic realm with its slow-pulsing beat and cavernous ambiance. "Buena Vista Social Dub" captivates with its sensual vocals, echoing drums, and hypnotic melody. "Monika" evokes a sense of beachy tranquility with its electric guitar and ambient soundscapes, while "Mirror" transports listeners into an atmospheric swirl of broken beats and ambient textures. "Eastman" delves into the depths of dub techno, its hypnotic chords and airy soundscapes creating an otherworldly atmosphere. "Winter Light," showcases Lam's mastery of minimalism. Field recordings of natural sounds, sparse guitar plucks, and evocative imagery paint a stark but beautiful soundscape that lingers long after the
music has faded. "Tiffen" closes the album on a serene note, its gentle island rhythms and floaty textures inviting listeners to relax and unwind.
Overall, Close-Up is a testament to Braulio Lam's boundless creativity and artistry. Its unique fusion of musical styles, experimental sonic textures, and evocative imagery makes it an immersive and captivating listening experience that transports listeners to a realm where the senses intertwine. More
GENRE/S: Electronica, Trip Hop, Dub Techno, Ambient
TRACKLIST:
A1 Prologue
A2 CineStill
A3 Buena Vista Social Dub
A4 Monika
B1 Mirror
B2 Eastman
B3 Winter Light
B4 Tiffen
SHORT INFO:
Braulio Lam's Close-Up is a captivating soundscape that blurs the lines between music and photography. Hailing from the border region between San Diego and Tijuana, Lam's inspiration stems from the vibrant cultural exchange and diverse musical traditions of the area. His creativity as a music producer and photographer converges seamlessly into this album, where he manipulates images and sounds, using light as a catalyst for his sonic experiments.
The album's eight tracks showcase Lam's eclectic sonic palette, ranging from electronica and dub techno to ambient and trip hop. The opening track, "Prologue," sets the stage with a haunting guitar echo and a spacious, downtempo beat. Angelic vocals float ethereal over the sonic backdrop, creating a sense of scenic grandeur. "Cinestill" immerses listeners in a sub-aquatic realm with its slow-pulsing beat and cavernous ambiance. "Buena Vista Social Dub" captivates with its sensual vocals, echoing drums, and hypnotic melody. "Monika" evokes a sense of beachy tranquility with its electric guitar and ambient soundscapes, while "Mirror" transports listeners into an atmospheric swirl of broken beats and ambient textures. "Eastman" delves into the depths of dub techno, its hypnotic chords and airy soundscapes creating an otherworldly atmosphere. "Winter Light," showcases Lam's mastery of minimalism. Field recordings of natural sounds, sparse guitar plucks, and evocative imagery paint a stark but beautiful soundscape that lingers long after the
music has faded. "Tiffen" closes the album on a serene note, its gentle island rhythms and floaty textures inviting listeners to relax and unwind.
Overall, Close-Up is a testament to Braulio Lam's boundless creativity and artistry. Its unique fusion of musical styles, experimental sonic textures, and evocative imagery makes it an immersive and captivating listening experience that transports listeners to a realm where the senses intertwine. More
1
FINIS AFRICAE - Radio Tarifa
2
FINIS AFRICAE - El Secreto de las 12
3
FINIS AFRICAE - Luna
4
FINIS AFRICAE - Zoo Zulu
5
FINIS AFRICAE - Juana y Rosalía
6
FINIS AFRICAE - Hybla
7
FINIS AFRICAE - Managua
8
FINIS AFRICAE - Bahía de los Genoveses
9
FINIS AFRICAE - El Viento que Mece los Juncos
10
FINIS AFRICAE - Costa de la Muerte
11
FINIS AFRICAE - Petróleo, Petróleo
12
FINIS AFRICAE - Las Reglas de la Regata
13
FINIS AFRICAE - El Viaje de Iradier
14
FINIS AFRICAE - Alma Ata
15
FINIS AFRICAE - Los Restos del Naufragio
16
FINIS AFRICAE - El Pulso de la Madera
17
FINIS AFRICAE - Geosinclal
2 LP
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family. More
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family. More