Tracklist EP:

A1. LOUH - junotrancyfancy
A2. LOUH - effectiveradiatepower
A3. LOUH - LOCKED303
B1. LOUH - 808JAMRAW222bleepchaos_ttt
B2. LOUH - deberntchunntjamachtung
B3. LOUH - the excaliburs999




Short info:

Die Gattung Psilocybe (Kahlköpfe)
Psilocybe argentipes
Psilocybe atrobrunnea
Psilocybe aucklandii
Psilocybe australiana
Psilocybe aztecorum var. aztecorum
Psilocybe aztecorum var. bonetii
Psilocybe azurescens [Indigofarbener Kahlkopf]
Psilocybe beaocystis
Psilocybe bohemica
Psilocybe caerulescens [Psilocybe mazatecorum]
Psilocybe caerulescens var. ombrophila
Psilocybe caerulipes [Blue-foot Psilocybe]
Psilocybe caeruloannulata
Psilocybe callosa
Psilocybe collybiodes
Psilocybe coprinifacies
Psilocybe coprophila
Psilocybe cordispora
Psilocybe cubensis [mexikanischer Kahlkopf, San Isidro]
Psilocybe cubensis, B+ strain
Psilocybe cubensis, Gulf coast strain
Psilocybe cubensis, PF strain
Psilocybe cyanescens wakefield [Blaufärbender Kahlkopf]
Psilocybe cyanofibrillosa
Psilocybe eucalypta
Psilocybe fagicola var. fagicola
Psilocybe fimetaria
Psilocybe hoogshagenii var. convexa
Psilocybe hoogshagenii [Heim sensu lato]
Psilocybe kumaenorum
Psilocybe liniformans var. americana
Psilocybe liniformans var. liniformans
Psilocybe mairei
Psilocybe mexicana
Psilocybe natalensis
Psilocybe pelliculosa [The Elf's Stool]
Psilocybe pseudobullacea
Psilocybe quebecensis
Psilocybe samuiensis
Psilocybe semilanceata [Spitzkegliger Kahlkopf, Liberty Cap]
Psilocybe serbica
Psilocybe silvatica
Psilocybe stuntzii
Psilocybe subaeruginascens var. subaeruginascens
Psilocybe subaeruginosa
Psilocybe subcaerulipes
Psilocybe subcubensis
Psilocybe subyungensis
Psilocybe tampanensis
Psilocybe uruguayensis
Psilocybe venenata
Psilocybe wassonii
Psilocybe weilii
Psilocybe yungensis
Psilocybe zapotecorum
Die Gattung Panaeolus (Dunkelsporige Düngerlinge)
Panaeolus africanus
Panaeolus antillarum
Panaeolus ater
Panaeolus cambodginiesis
Panaeolus campanulatus [warai-take, "laughing mushroom"] (nicht psychoaktiv)
Panaeolus cyanescens [Blauender Düngerling]
Panaeolus fimicola
Panaeolus microsporus
Panaeolus olivaceus
Panaeolus retirugis
Panaeolus sphinctrinus (nicht psychoaktiv)
Panaeolus subbalteatus [Gezonter oder Dunkelrandiger Düngerling]
Panaeolus tropicalis [Ola'h]
Die Nebengattungen der Psilocybinpilze
Die Gattung Conocybe (Samthäubchen)
Conocybe cyanopus
Conocybe kuehneriana
Conocybe siligineoides
Conocybe smithii
Die Gattung Gymnopilus (Flämmlinge)
Gymnopilus aeruginosus
Gymnopilus liquiritiae
Gymnopilus luteus
Gymnopilus purpuratus
Gymnopilus spectabilis ("Big Laughing Gyms")
Gymnopilus validipes
Gymnopilus viridans
Die Gattung Inocybe (Risspilze)
Inocybe aeruginescens
Inocybe calamistrata
Inocybe coelestium
Inocybe cordyalina var. cordyalina
Inocybe cordyalina var. erinaceomorpha
Inocybe haemacta
Inocybe tricolor
Die Gattung Pluteus (Dachpilze)
Pluteus atricapillus
Pluteus cyanopus
Pluteus glaucus
Pluteus nigroviridis
Pluteus salicinus [Grauer Drachenpilz]
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12" EP incl. Galaxian Remix + Poster

Tracklist EP (Vinyl + Digital):

a1 - Metalwork
a2 – Metal-Traffic (Galaxian Geno Quantum Remix)
b1 – Top Traffic

Short Info:

As the void stares back at me, I am consumed by the waves of this new sonic transmission. ESP's Goblin Synth reigns supreme, guiding me into the darkest corners of my mind, as the Galaxian remix shatters my being into a thousand pieces. This release is a frenzied piece of IDM, braindance, and DnB, fueled by a chemical fury that leaves my mind in a state of pure ecstasy. The relentless pace and shifting soundscapes of the A-side are the perfect conduit for the raw power of the Galaxian remix, taking me beyond the limits of what I thought was possible.
On the B-side, I am treated to a liquid dnb homage that is no less relentless in its pursuit of sonic intensity. Here, the rhythms are more organic, more fluid, but no less potent in their ability. This is music that demands a total surrender of the self.
The insidious rhythms of ESP's Goblin Synth seize my consciousness like a viral agent, rendering my being porous and open to the twitching, glitching transmissions emanating from the depths of the machine. With each stuttering break and howling, modulated synth line, I am hurled headlong into a world of ravenous, cybernetic abandon - a blackened, dystopian horizon of shattered glass and flickering neon.
As my mind is hijacked by the rushing currents of amphetamine psychosis, I realize that this is no mere exercise in genre or form, but an all-out assault on the very fabric of reality itself. The sonic textures here are hyper-real, beyond the grasp of normal human perception - this is the sound of the post-human, the sound of the inhuman, the sound of a future that is rapidly bearing down upon me, whether I am ready or not.
And yet, amidst the chaos and decay, there is a kind of perverse beauty at work - a beauty that can only be glimpsed through the shattered glass of my own shattered subjectivity. With each burst of static and each crunching bassline, I am hurled deeper into a vortex of metallic, crystalline wonder, a realm of pure, unadulterated sound that is as terrifying as it is sublime.
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LP+7"

Tracklist LP (Vinyl + Digital):

a1 - Never (A Perpetual Transhumanist Curse)
a2 - Demons (Conditioned Noosphere)
a3 - Necropolitics (Loose Remembrance)
a4 - Alucard and Alive Again (Melancholic Rage)
b1 - Sacrificing Your Heart (It Could Be Bloody Marvellous)
b2 – Crossed Conflicts (Drained Vectoralisation)
b3 - Demons II (Wardrums And Noises Of An Attention Crisis)
b4 - Silent Together (Somewhere Alone)
b5 - Necrorose for the illdisciplined Void (Dark Euphoria)

Nicola Kazimir - 9 Eternities In Doom EP (7inch)

c1- Midnight Fury (9 Eternities In Doom)
d1- Maniac (Resentment Of The Alienated)


In Post-Heretic Dracula X Chronicles II the Dracula figure functions as a part fictive and part autobiographical metaphor. Dracula mirrors certain systematic (therefore also internal) conditionings and attributes in its whole ambivalent fluctuations. This character represents the complex relationships of a loving/living person in a neo-liberal capitalist system while oscillating between melancholia & rage, facing the preservation or loss of his love and standing in an alienated position towards the ruling order. The eleven featured compositions and their respective song names (both of them are riddled with references) playfully touch on conflicts between love, life and system-critique, without being too upfront about the subject-matter.

Nicola Kazimir (*28.05.1990 in Zürich, Schweiz)

A DJ, producer, musician, artist, space-owner, record label owner and party organizer, Nicola Kazimir works freely across platforms and communities. For Kazimir, these numerous positions are not static, and they can actfluidly and reciprocally as a whole, or as separate entities. His artistic and acoustic productions are mostly based on topics that include the institutionalization of techno, copyright, dividualism and the human perception of repetitive rhythm patterns mixed with aesthetic codes of b-movie horror movies or occultism. He is one of the founders and still part of the labels Les Points/ Gentrified Underground / Infoline and the offspace Mikro Zürich. Other projects include a supporting role in the organization of Zentralwäscherei Zürich and being part of the Clubbüro-team at Rote Fabrik.

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Tracklist EP Vinyl :

A1 The Heart Of A Man, The Desire Of A Monster
A2 Pjacedelic Power
B1 X20000 (Open Source)
B2 The Dominance Of Blood Worship

Short Info:


Elektronische Sequenz Proleten is the new project of Nicola Kazimir and Walid El Barbir -both are integral members of the Les Points collective based in Zürich. The Heart Of A Man, The Desire Of A Monster EP is their debut release under this moniker and balances somewhere between genre bending Acid-Techno and EBM. E.S.P. has no particular genre specialization in mind - but wants to explore a diverse, wide and mature range of sonic compositions in the next couple of years. Also watch out for E.S.P.'s track "Accumulation City" on LUX Records (Schwarze Schweiz Compilation).

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Special Priced Album/LP

Les Points pay a twisted homage to the early foundations of electronic music where hard to get tapes, dystopia and the sound of the wretched worker where present in genres like post-punk, industrial, minimal synth, new beat and wave.

Tracklist LP:

Tracklist:
A1 It's changing
A2 Worker lost in the woods
A3 Applaud the proletariat
A4 Imagined congregation
A5 Hexachain filtered screaming
B1 Identified as counter-commodity
B2 I loved you Richard
B3 Algorhythmic fights
B4 Tool for post-djs feat. Jack Pryce

It's changing, the worker searched for post-leftist solutions and got lost.
Nine circles applauded the proletariat and imagined how a community
could be congregated, while screams of violence would be filtered by boiling blood.
Exploiters of labor either find themselves rotting away in a never ending icy rain or are dragging their selfish accumulations on their chests for eternity - while the worker slowly identifies himself as a counter-commodity. Algorhythms (fraud) always mislead - once the worker gets past them only Dis will be awaiting her/him.


Circle I: Limbo
Circle II: Lust
Circle III: Gluttony
Circle IV: Greed
Circle V: Anger
Circle VI: Heresy
Circle VII: Violence
Circle VIII: Fraud

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Tracklist:
A1_ PsyloNation (Human Synchronizing)
A2_ Luciferian Apotheca (The Magus)
A3_ Rave Fundamentals (Zootopia)
B1_ Deathbird Stories (Cut The Beat)
B2_ Wire Parasitism (EX. Goth Mix)
B3_ Force Majeure (Acid Flash)

Short Info:
Wire Parasitism EP is inspired by the electronic music which was produced during the end of the 80's and beginning of the 90s by the likes of Richard H. Kirk, Psychic TV, Coil, Dave Campbell or Lagowski (to name a few). Walid El Barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or Emax sound-libraries.

Walid El Barbir is a part of the collective Les Points based in Zürich, Switzerland.
His art/music draws from 90's rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace Mikro -
a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

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Special Priced Album/LP+Insert!

Post-Heretic Dracula X Chronicles LP draws from contemporary and past cultural references evolving around institutional-critique, occultism and dividualism and manifests those via metatags or sonic compositions. It is Nicola Kazimir's debut solo album and features 30min full of diverse, rough, evil, melancholic electronic music pressed on to one record.

Tracklist LP:

Tracklist:
A1_The Witches You Weren't Able To Burn A2_X6 (Dividual Walkthrough) A3_Continuously Growling Underground-Myths
A4_Vampire (Capitalist-Accumulation) Killer Theme
A5_666 luoS = 1 Btc (Pump Dump Trade Burn) B1_X Chants B2_Dungeon Of Shadows B3_ Angel Of Light Saturday Appropriation Acid Mix B4_The Well Of Post-Terminology
B5_Super Sad But True Labour-Story


Studio Gear Used: Yamaha DX7IIFD Roland TR-909 Roland TR-808 Roland TR-606 Drumatix Roland Juno-60 Roland System 100 Model 101 Roland TB-303 Bass Line Roland SBF-323 Stereo Flanger Mackie 32/08/02 Mixing Console Universal Audio - Apollo 16 2x E-RM Multiclock Logic Pro X Sugarbytes Looperator VST Sugarbytes Thesys VST Valhalla Freq Echo VST Univeral Audio Oxide Tape VST

Samples Used: A1_The Occult Experience A2_Kazuhiko Uehara - Character Select (TMNT) A4_Tomoya Tomita, Masanari Iwata, Harumi Ueko, Masahiko Kimura - Vampire Killer B1_The Occult Experience B2_Konji Kondo - Dungeons Of Shadows B4_Konji Kondo - Ancient Ruins, The Occult Experience


Nicola Kazimir is a part of the collective Les Points based in Zürich, Switzerland.
His art/music draws from 90's rave utopias, dividualism, institutional-critique and occultism. These progressive & accessible frameworks are showcased at the collectives offspace Mikro -
a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.
His record labels "Les Points" and the newly founded "Gentrified Underground" appropriate those ideas and transfer them to the distribution channels of electronic music.
Nicola refuses genre-stigmas and explores a vast number of genres in his DJ-sets and productions - his newest LP "Post-Heretic Dracula X Chronicles" being an example of that diversity.


All tracks arranged, mixed, sampled or written by Nicola Kazimir


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Tracklist EP:

A1_LOUH - MISTIFICATION OF BEING HC
A2_Nicola Kazimir - }{{{
A3_Walid - Posterior Spinneret
A4_Audino - Venus Flytrap


Short info:

X written & arranged by Luca Digilio
E written & arranged by Nicola Kazimir
N written & arranged by Walid El Barbir
O written & arranged by Flavio Audino
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Tracklist LP + Digital:

A1_Les Points - If the devil lives anywhere feat. Simon Javed
A2_Les Points - Music is the bouncer
A3_Les Points - The institutional club Morphology Begins
A4_Les Points - ?? IDS
B1_Les Points - Inquinamento Neoliberale
B2_Les Points - Overpromoted cyber-acids
B3_Les Points - Equinox of club culture


Short info:
LESPOINTS010 - Occult Anti-Neo-Liberal Acid Squad Vol.1 EP
All Songs written by Flavio Audino, Luca Digi lio, Nicola Kazimir and Walid El Barbir
Arranged by Flavio Audino, Nicola Kazimir and Walid El Barbir
Engineered by Nicola Kazimir and Walid El Barbir
Recorded at Association Les Points, Sihlquai 131, 8005 Zürich, Switzerland
Mixed at Association Les Points, Sihlquai 131, 8005 Zürich, Switzerland
Mastered at Analogcuts Mastering, Elsenstrasse 52, 12059 Berlin, Germany
Distributed by Wordandsound. Behringstraße 28A, 22765 Hamburg, Germany
Photos by Naum Hirsl
Camera Videoclip: Raphael Wanner
Light Assistant: Andreas Warren Matti
Storyboard by Nicola Kazimir
Actors: Flavio Audino, Luca Digilio, Nicola Kazimir and Walid El Barbir
Costumes: Angela Thurnherr
More

Tracklist EP:

A1. LOUH - junotrancyfancy
A2. LOUH - effectiveradiatepower
A3. LOUH - LOCKED303
B1. LOUH - 808JAMRAW222bleepchaos_ttt
B2. LOUH - deberntchunntjamachtung
B3. LOUH - the excaliburs999




Short info:

Die Gattung Psilocybe (Kahlköpfe)
Psilocybe argentipes
Psilocybe atrobrunnea
Psilocybe aucklandii
Psilocybe australiana
Psilocybe aztecorum var. aztecorum
Psilocybe aztecorum var. bonetii
Psilocybe azurescens [Indigofarbener Kahlkopf]
Psilocybe beaocystis
Psilocybe bohemica
Psilocybe caerulescens [Psilocybe mazatecorum]
Psilocybe caerulescens var. ombrophila
Psilocybe caerulipes [Blue-foot Psilocybe]
Psilocybe caeruloannulata
Psilocybe callosa
Psilocybe collybiodes
Psilocybe coprinifacies
Psilocybe coprophila
Psilocybe cordispora
Psilocybe cubensis [mexikanischer Kahlkopf, San Isidro]
Psilocybe cubensis, B+ strain
Psilocybe cubensis, Gulf coast strain
Psilocybe cubensis, PF strain
Psilocybe cyanescens wakefield [Blaufärbender Kahlkopf]
Psilocybe cyanofibrillosa
Psilocybe eucalypta
Psilocybe fagicola var. fagicola
Psilocybe fimetaria
Psilocybe hoogshagenii var. convexa
Psilocybe hoogshagenii [Heim sensu lato]
Psilocybe kumaenorum
Psilocybe liniformans var. americana
Psilocybe liniformans var. liniformans
Psilocybe mairei
Psilocybe mexicana
Psilocybe natalensis
Psilocybe pelliculosa [The Elf's Stool]
Psilocybe pseudobullacea
Psilocybe quebecensis
Psilocybe samuiensis
Psilocybe semilanceata [Spitzkegliger Kahlkopf, Liberty Cap]
Psilocybe serbica
Psilocybe silvatica
Psilocybe stuntzii
Psilocybe subaeruginascens var. subaeruginascens
Psilocybe subaeruginosa
Psilocybe subcaerulipes
Psilocybe subcubensis
Psilocybe subyungensis
Psilocybe tampanensis
Psilocybe uruguayensis
Psilocybe venenata
Psilocybe wassonii
Psilocybe weilii
Psilocybe yungensis
Psilocybe zapotecorum
Die Gattung Panaeolus (Dunkelsporige Düngerlinge)
Panaeolus africanus
Panaeolus antillarum
Panaeolus ater
Panaeolus cambodginiesis
Panaeolus campanulatus [warai-take, "laughing mushroom"] (nicht psychoaktiv)
Panaeolus cyanescens [Blauender Düngerling]
Panaeolus fimicola
Panaeolus microsporus
Panaeolus olivaceus
Panaeolus retirugis
Panaeolus sphinctrinus (nicht psychoaktiv)
Panaeolus subbalteatus [Gezonter oder Dunkelrandiger Düngerling]
Panaeolus tropicalis [Ola'h]
Die Nebengattungen der Psilocybinpilze
Die Gattung Conocybe (Samthäubchen)
Conocybe cyanopus
Conocybe kuehneriana
Conocybe siligineoides
Conocybe smithii
Die Gattung Gymnopilus (Flämmlinge)
Gymnopilus aeruginosus
Gymnopilus liquiritiae
Gymnopilus luteus
Gymnopilus purpuratus
Gymnopilus spectabilis ("Big Laughing Gyms")
Gymnopilus validipes
Gymnopilus viridans
Die Gattung Inocybe (Risspilze)
Inocybe aeruginescens
Inocybe calamistrata
Inocybe coelestium
Inocybe cordyalina var. cordyalina
Inocybe cordyalina var. erinaceomorpha
Inocybe haemacta
Inocybe tricolor
Die Gattung Pluteus (Dachpilze)
Pluteus atricapillus
Pluteus cyanopus
Pluteus glaucus
Pluteus nigroviridis
Pluteus salicinus [Grauer Drachenpilz]
More

UPC: 827170563162 Rel date 29.9.2014
Tracklist 12"
A1. Rhodes Of Kunlun A2. The Holy Mountain (Rozzo Remix) B1. Cosmosinteruptus B2. Transform
Short info:
The fool (Le Mat) is an essential creature. The dog follows the fool and leans between his genitals and anus - the Muladhara Chakra, whence all energies spring. Should the dog run before the fool, the fool would be blind. The dog represents the human ego. Symbols are bound to be misunderstood. Hyperbole. The fundamental characteristic of symbolist art is that an idea must never be fixed conceptually or told directly. It is benevolent repetition which frees us from the clutches of dullness. Ownership: A human misery. The Aeon of Horus explores the certainty of becoming God or to merge with Him, thought the fool's dog. The Rosy Cross - the body is symbolised by the cross. The ego follows thee, it will not lead thee, but kill thou shalt it not also. Liber AL vel Legis, sub figura CCXX, as delivered by XCIII=418 to DCLXVI, To want, dare, can, keep quiet, obey. To become, thou shalt be at the same time nothing and yet anything. Thine original form - the state of Prima Materia.
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UPC 827170552166 Release : 16.07.2013
Tracklist: A1. Il N'ya Pas De Crocodiles À Codody A2. Il N'ya Pas De Crocodiles À Codody (Kalabrese Remix) B1. The Cocody Groove B2. No Voorwerpre
Short info:
In his seminal essay "The Work of Art in the Age of Automatic Reproducibility"("Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit", 1935/39), Walter Benjamin put forward the thesis that the work of art loses its aura due to the reproducibility. In the past, artists like Giorgio de Chirico or Andy Warhol have explored this thesis, be it with counterfeit versions of their own works or with multiple reproduction of a work (Andy Warhol's "Thirty Are Better Than One").
Il N'ya Pas De Crocodiles À Codody takes up this discussion by questioning the very concept of an aura. Does a work of art have an aura at all and why should copies not have it? To whom do we owe the aura term? Is it the work of art, the artist or, indeed, the recipient, who by his perception creates a subjective aura? Ultimately there are (no) crocodiles in Codody.
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UPC: 827170543768 Release : 28.04.2013
Tracklist LP: A1. Output.303 A2. Juracrackgroove B1. Lowoutput (San Proper's On Point Of A Sentence EP Remix) B2. Lowhouse
Barbir's low-output EP addresses the social constraint of the repetitive output. Whether creative or consumer, one will be seen as an eternal fountain, from which ideas (outputs) spring (Bruce Naumann Self-Portrait as a Fountain 1966). His 3 low-outputs impress with a dodgy monotony, which is disturbed by small escapes/outbreaks. Those outbreaks throw the monotony off the grooves (life). With this method the artist consolidates his position against the norm. While the whole EP deals playfully with the normative, San Proper did not resist from creating a small escape/outbreak himself: instead of remixing a track as usual, the whole EP was interpreted in one track.
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UPC: 827170140820 Release : 10.02.2013
Tracklist 12: A1.Fine Girl A2. Fine Girl (Mike Shannon's Diffused Vision Remix) B1. Surfin' With Girls On My Shoulders B2. Work.1337
Alexander Shulgin's theory says that man has produced endogenous hallucinogens in prehistoric times. In order to ensure his survival this had to regress. What remains in our generation are receptors, modern man has only receptors. With the EP "Only Receptors" Les Points debut with their eponymous label. Four tracks aligned to stimulate the receptors on the dance floor. Nicola Kazimir's EP "Only Receptors" consists of three originals - one of which enjoys vinyl exclusivity - and a remix. The remix is delivered by Mike Shannon (Cynosure) which excels in its marvellous straight wildness.
- Mike Shannon remix
- Surfin' With Girls On My Shoulder is vinyl only
- Jacques Le Point surrealism portrait cover
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2022 repress

Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)

Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More

Genre: Techno


Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki




Short Info:

Detroit flavored, raw and fast paced dub machines.

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin



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12"
Tracklist:
A1. Heartbreaks & XTC
A2. SH-09
A3. H3000
B1. Faith
B2. Time
B3. Sat Morning


The return of the mack. Chris Barratt aka Eagles & Butterflies possess the rare ability in his music to unite a larger-than-life peak time producer personality with the understated production method of underground records, techno pop and a modern Italo twist. Perfectly suited for Running Back, Heartbreaks & XTC is luckily exactly that. The mirror image of Eagles & Butterflies and how to find common ground between polar flairs. Chord happiness, Italo bass lines, arp art, filter magic and side chain stunts. Indispensable to life or any dance floor near you.





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WSNWG continues it's collaborative story with label head Rødhåd and upcoming Dj and producer Ignez.

With the label's love for nature and like-minded interests from Ignez, their mutual affinity laid the foundation for a profound collaboration in composing a novel sonic narrative. In febuary 2022 a marathon week of studio sessions yielded these driving yet emotive tracks. This EP initiates the first interoperation of a two-part series. More

Tracklist
A. SoulPhiction - Sky So High
B. Mike Dehnert - Zumwald

Shortinfo:
So kam die Postmoderne über uns und machte aus vormals ehrbaren Kulturschaffenden Werksarbeiter, denen alle Schrauben abhanden gekommen schienen, im besten Fall.
Mit minimaler Eigenleistung (nimmt man die unbeabsichtigten Fehler in der Produktion mal aus), aber bei maximaler Entgleisung entstand ein gänzlich neuer Berufszweig. Der grundsolide Werksarbeiter, mit Gema Anmeldung im Griff und guten Draht zu seinem Steuerberater. Um die quietschfidelen Arpeggio Terroristen soll es heute mal nicht gehen.
Unsere Protagonisten dieser Geschichte sind andere. Wahnwitzige, Soziophobiker, Menschen mit gebrochenen Lebensläufen statt Joghurt im Rucksack, emsig agierende Mitstreiter mit Tupperdose in der Tasche für die Frühstückspause, willens den Kampf der letzten Kulturoffensive zu Ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren Fetzen von Funk wieder zusammensetzen.
Ausgeglichen vom Duft der Natur ankommend den Fortschritt definieren wollen und den Strom in die Maschinen juckeln. Ästheten der Fehler waren geboren. Losgelöst vom Fließband.
Hart & tief wird geackert geschwitzt, gebimmelt, der Filter aufgedreht, der Schmutz schaufelweise rangekarrt, bis die Stufe der Erlösung erreicht wird oder eben halt auch nicht. Das Leben ist nun mal kein einziger Orgasmus und der Funk entsteht in den Pausen wie die Befriedigung der Gier und der Besitz des Moments, weil das Leben ist doch nur ein Wimpernschlag und wir immer nur einen Abgrund entfernt von Weltekel oder Erlösung.
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Digipak, 4C print
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse

Composed, mixed and produced by Robert Henke 2024.. More

We are excited to announce the next collaborative release on the WSNWG Label. LAVANDE is the result of a one week long jam session between french producer and live performer UFO95 and label head Rødhåd in January this year.
The EP will be released on vinyl and in digital formats on the 7th of June. A Special Edition limited to 100 copies will be available on the same date at 12.00pm CET via the WSNWG bandcamp site.

Written & Produced by UFO95 and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin.
Vinyl cut at Schnittstelle in Berlin.

A1 LAVENDE 01 [240107.2] - UFO95 & Rødhåd
A2 LAVENDE 02 [240107.1] - UFO95 & Rødhåd
B1 LAVENDE 03 [240106] - UFO95 & Rødhåd
B2 LAVENDE 04 [240110] - UFO95 & Rødhåd

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Format: 2x12“LP

Tracklist:

A1 CATCHING LISBON
A2 DO IT AT YOUR FUNERAL
B1 LOCAL VAMPIRES
B2 VERSION YOU
C1 WITH DAZE
C2 ISN’T MEASURED ISN’T MANAGED
D1 BEST BEFORE BENJ
D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
D3 SIMENON BRIEFLY

Info: New album by Bruno Pronsato / 2x12“ vinyl. More

2022 repress

UPC: 827170548664 12" release date : June 23rd, 2014
Tracklist: A. China Tree (feat. Piper Davis) B. Southern Sun (feat. Piper Davis)
Info
Hamburg's Martin Stimming has defined a unique shade of deepness through years of association with Diynamic Music; melodic and meditative, quietly compelling and possessing a delicate strength. Stimming now enters the Pampa Records fold with two tracks of dancefloor material that magnify the opposing sides of his studio psyche.
"China Tree" is a spiky affair that sacrifices melodic sweetness for primal bass and drums, with a raw edge and exaggerated percussion that intensifies into sharp angles. Whispers become ominous and arrive with a sense of foreboding, driving the track's inky sounds to the final dissolve of machine meltdown and mournful strings at its end.
"Southern Sun" is its opposing force, building on whispered phrases and melodic shadows that appear and disappear between each beat. Micro sounds are layered and woven into a rich, undulating fabric that shifts and gleams like a kaleidoscope. As sun-drenched and dreamy as it is, the track's unwavering tempo, eventual female vocal, and closing piano solo define its clear melodic purpose.


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