Fluxion continues to carve his own musical path, taking us all together to a personal journey in his inner world, moods and moments, showcasing the importance of being influenced by none other than real life moments, people, expectations, joy, dreams and disappointments. Expressing what comes from the inside, instead of the outside, creating a more intimate work, is at the main focus of the artist since his previous album Perspectives that came out on May 2020.
Artistic development happens from within, not from repeating formulas of the past, but embracing and mixing life events, alongside different styles of music culture, and creating personal stories, outside of trends, that's what keeps the music interesting.
On Parallel Moves Fluxion flows through various emotional states, and through blending of styles and expanding the borders, he manages to create variety listening to the album which is essential on an LP. But even with the variety the music bears the Fluxion sound aesthetic making it it an enjoyable listening experience, that requires more listens.


Tracklist CD
1. Never in the same place
2. Sol
3. Parallel moves
4. Orange sky
5. You are
6. Correlation
7. Spreads
8. In limbo
9. The pieces
10. Passage
11. Settling dust
12. Blue and yellow
13. Duet



More

Fluxion continues to carve his own musical path, taking us all together to a personal journey in his inner world, moods and moments, showcasing the importance of being influenced by none other than real life moments, people, expectations, joy, dreams and disappointments. Expressing what comes from the inside, instead of the outside, creating a more intimate work, is at the main focus of the artist since his previous album Perspectives that came out on May 2020.
Artistic development happens from within, not from repeating formulas of the past, but embracing and mixing life events, alongside different styles of music culture, and creating personal stories, outside of trends, that's what keeps the music interesting.
On Parallel Moves Fluxion flows through various emotional states, and through blending of styles and expanding the borders, he manages to create variety listening to the album which is essential on an LP. But even with the variety the music bears the Fluxion sound aesthetic making it it an enjoyable listening experience, that requires more listens.


Tracklist 2LP

1. Sol
2. Parallel moves
3. Orange sky
4. You are
5. Correlation
6. Spreads
7. In limbo
8. The pieces
9. Passage
10. Settling dust
11. Blue and yellow
12. Duet


More

CD

Fluxion is an artist with a long standing contribution to the electronic music scene. "Perspectives" is the artist's 9th full length album under this moniker.
His collaborations over the years with top boutique labels, such as Chain Reaction and Echocord records, and his total volume of albums and eps, place him at the forefront of the electronic music scene, for more than 20 years.From avant guard electronic dance music to techno with ambient textures, Fluxion has managed to stay at the forefront producing music that helped shape up a whole scene.
"Perspectives" is a more personal album expressing the artist's state of mind at a specific point in time where the need for change was a necessity..
There are moments in every artistic path, where instead of following a concept, an instinct, a theorem, music becomes the tool that allows you to see and reflect more clearly on your own feelings.
Music has this unique ability to talk straight to your inner world, and doesn't necessarily request the process and the complexities of an analytical mind in order to be understood..It can just be felt.
That is at the core of "Perspectives", which sees a release on the artist's imprint Vibrant Music.
This album reflects on moments and moods, but in the process of doing so it manages to balance between listening environments, making it a fine full LP listening experience, and at the same time offering some great club choices, with tracks like "Formation","Glimpses". "Dawn","Glimpses II" and "Cliff" a version of which has been released by XLR8R last year.
With "Perspective" Fluxion has no intention to impress, but rather express in a more honest way, and share a moment in time, full of intimate moods, and take us on a journey..
One where feeling the music, is at the center.


Tracklist CD
1. Schism 4:00
2. Formation 6:41
3. Within 6:07
4. Glimpses 12:53
5. Dawn 6:20
6. Glimpses II 9:15
7. Down The Line 6:13
8. Distance 6:28
9. Cliff 6:09
10. Promise 4:03
More

Ripple Effect (2LP,ltd) , no sales to UK

Tracklist:

A1. Train Incident
A2. The Meeting
B1. Momentum
B2. The Idea
B3. Another Side
C1. Tipping Point
D1. Fortitude
D2. Valley
D3. Moving On


Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.
More

CD

Tracklist CD: 1. Train Incident - 2. The Meeting - 3. Momentum - 4. The Idea - 5. Another Side - 6. Tipping Point - 7. Fortitude - 8. Valley - 9. Moving On

Release Info:
Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.


More

Ripple Effect (2LP,ltd) , no sales to UK

Tracklist:

A1. Train Incident
A2. The Meeting
B1. Momentum
B2. The Idea
B3. Another Side
C1. Tipping Point
D1. Fortitude
D2. Valley
D3. Moving On


Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.
More

Fluxion continues to carve his own musical path, taking us all together to a personal journey in his inner world, moods and moments, showcasing the importance of being influenced by none other than real life moments, people, expectations, joy, dreams and disappointments. Expressing what comes from the inside, instead of the outside, creating a more intimate work, is at the main focus of the artist since his previous album Perspectives that came out on May 2020.
Artistic development happens from within, not from repeating formulas of the past, but embracing and mixing life events, alongside different styles of music culture, and creating personal stories, outside of trends, that's what keeps the music interesting.
On Parallel Moves Fluxion flows through various emotional states, and through blending of styles and expanding the borders, he manages to create variety listening to the album which is essential on an LP. But even with the variety the music bears the Fluxion sound aesthetic making it it an enjoyable listening experience, that requires more listens.


Tracklist 2LP

1. Sol
2. Parallel moves
3. Orange sky
4. You are
5. Correlation
6. Spreads
7. In limbo
8. The pieces
9. Passage
10. Settling dust
11. Blue and yellow
12. Duet


More

Fluxion continues to carve his own musical path, taking us all together to a personal journey in his inner world, moods and moments, showcasing the importance of being influenced by none other than real life moments, people, expectations, joy, dreams and disappointments. Expressing what comes from the inside, instead of the outside, creating a more intimate work, is at the main focus of the artist since his previous album Perspectives that came out on May 2020.
Artistic development happens from within, not from repeating formulas of the past, but embracing and mixing life events, alongside different styles of music culture, and creating personal stories, outside of trends, that's what keeps the music interesting.
On Parallel Moves Fluxion flows through various emotional states, and through blending of styles and expanding the borders, he manages to create variety listening to the album which is essential on an LP. But even with the variety the music bears the Fluxion sound aesthetic making it it an enjoyable listening experience, that requires more listens.


Tracklist CD
1. Never in the same place
2. Sol
3. Parallel moves
4. Orange sky
5. You are
6. Correlation
7. Spreads
8. In limbo
9. The pieces
10. Passage
11. Settling dust
12. Blue and yellow
13. Duet



More

CD

Fluxion is an artist with a long standing contribution to the electronic music scene. "Perspectives" is the artist's 9th full length album under this moniker.
His collaborations over the years with top boutique labels, such as Chain Reaction and Echocord records, and his total volume of albums and eps, place him at the forefront of the electronic music scene, for more than 20 years.From avant guard electronic dance music to techno with ambient textures, Fluxion has managed to stay at the forefront producing music that helped shape up a whole scene.
"Perspectives" is a more personal album expressing the artist's state of mind at a specific point in time where the need for change was a necessity..
There are moments in every artistic path, where instead of following a concept, an instinct, a theorem, music becomes the tool that allows you to see and reflect more clearly on your own feelings.
Music has this unique ability to talk straight to your inner world, and doesn't necessarily request the process and the complexities of an analytical mind in order to be understood..It can just be felt.
That is at the core of "Perspectives", which sees a release on the artist's imprint Vibrant Music.
This album reflects on moments and moods, but in the process of doing so it manages to balance between listening environments, making it a fine full LP listening experience, and at the same time offering some great club choices, with tracks like "Formation","Glimpses". "Dawn","Glimpses II" and "Cliff" a version of which has been released by XLR8R last year.
With "Perspective" Fluxion has no intention to impress, but rather express in a more honest way, and share a moment in time, full of intimate moods, and take us on a journey..
One where feeling the music, is at the center.


Tracklist CD
1. Schism 4:00
2. Formation 6:41
3. Within 6:07
4. Glimpses 12:53
5. Dawn 6:20
6. Glimpses II 9:15
7. Down The Line 6:13
8. Distance 6:28
9. Cliff 6:09
10. Promise 4:03
More

LP,Album
Brendon Moeller is an artist that needs no introduction. The South African born living in the US, like few of his generation constantly challenges himself with new concepts and ideas, has incorporated techno, dub, jazz, ambient, sound design, to his works throughout the years. Never chased the limelight, but instead the work, one idea after the next, one project after the other, restless. He has collaborated with labels like Echocord, Third Ear, Electric Deluxe, Prologue, Mord to name some. "Materialize" is his first work for Vibrant Music.
From his early days in various bands in the 80's and 90's, Brendon liked indie, shoegaze, ambient, moody, cinematic scapes.
With Materialize he came full circle, reaching out to his early influences, but with the knowledge and experience of many years of exploration of modular synths, to create a concept space that feels intimate, and at the same time vivid evoking visual imaging.
It explores the time space through a minimalist, stoic approach.
It tells the story of how we are all linked into this tree of music we call electronic music, wherever each one is coming from.
A celebration of life through the mind of one of today's scholars of electronic music.
A liberation from the strictness of tempo and metronomes, to reach to a more creative state.
Vibrant Music continuous the quest, to bring to you unique collaborations and sides of artists that we like.


Tracklist:
A1. materialize
A2. ghost strand
A3. there can be no true beauty without decay
A4. circles guaranteed
A5. summon
B1. staying in
B2. dusk
B3. dunes
B4. colorful donation



More

Ripple Effect (2LP,ltd) , no sales to UK

Tracklist:

A1. Train Incident
A2. The Meeting
B1. Momentum
B2. The Idea
B3. Another Side
C1. Tipping Point
D1. Fortitude
D2. Valley
D3. Moving On


Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.
More

CD

Tracklist CD: 1. Train Incident - 2. The Meeting - 3. Momentum - 4. The Idea - 5. Another Side - 6. Tipping Point - 7. Fortitude - 8. Valley - 9. Moving On

Release Info:
Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.


More

Ripple Effect (2LP,ltd) , no sales to UK

Tracklist:

A1. Train Incident
A2. The Meeting
B1. Momentum
B2. The Idea
B3. Another Side
C1. Tipping Point
D1. Fortitude
D2. Valley
D3. Moving On


Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.
More

Territories: WORLD EXCL DE, AT, Scandinavia

CD Digipac

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More

Territories: WORLD EXCL DE, AT, Scandinavia

LP transparent crystal clear vinyl, leaflet, sticker, download code

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More

Rights : World excluding FR & UK

CD: 1 x CD Jewelcase, 1 x Transparent Tray, 12 page 4/4 Booklet gloss finish, 1 x Inlay front and back. No sticker

TRACKLIST

CD

1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love & Money
6. Smalltown Boy
7. Heatwave So
8. Junk
9. Need A Man Blues
10. I Feel Love/Johnny Remember Me
BONUS TRACK
11. Why? (12” VERSION)
12. Smalltown Boy (12” VERSION)
13. It Ain’t Necessarily So (12” VERSION)
14. I Feel Love/Johnny Remember Me (12” VERSION)

SHORT INFORMATION/ SHORT BIOG

Bronski Beat ‘s 1984 cult debut album “The Age of Consent” - remastered edititons celebrating the band’s 35th anniversary – is back on Vinyl & CD

- 1 x CD : The original album+ 4 Bonus Tracks (12’’ versions of the singles)


More

The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More

NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More

Format:CD / Territory: WW-US,UK,CA,BENELUX,AU



Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata


- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.

- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year

The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.

In the band’s words All Hell is an album about…

Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///

Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.

Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).

Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More

RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection. More

CD, RE Edition 2019,Sticker

Carefully Re Edited Legendary 1977 Studio Recording for RIAS Berlin -Includes Bonus Track: "Despair"
"Largely unnoticed by the mainstream public, some West-Berlin musicians developed a world of sound
that would later become labeled Electronic Music."
Olaf Leitner (RIAS Berlin)


Tracklist:
1. DREAM .................. 30:14
2. DESIRE .................. 22:56
3. DESPAIR .................. 8:29


DREAM & DESIRE
Notes to a friend…

The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers;
the first Achtundsechziger ('68 protestors) are actually
planning to march through the institutions; rock and roll is getting heavier;
and hardly noticed by the mainstream public, some West-Berlin musicians
develop a world of sound, which later eventually became labelled as
“Electronic Music”.

Indeed, there was nothing electronically generated initially,
let alone even digital. In the beginning they simply named these
sound-mixtures "electro-acoustic". These compositions of slowly evolving
soundscapes relating to the Minimal Music concept created a meditative
mood. This was new. This was the Berliner Schule (Berlin school).

Being responsible for popular music at a radio station in the 1970s
was an absolute dream job. At least that’s what it was like at RIAS Berlin
(Radio In the American Sector). There was no quota, no pressure,
no hit-terror, and we just invited the artists, bands and musicians we liked
to the studio. The artists from next door. That’s how I got to know Manuel.

He was living right on the Ku-Damm (Kurfürstendamm), right in the city
centre, but in the rear building, shielded from the noise.
Manu didn’t have a sequencer. Everything that sounded like a sequencer
was his highly focused guitar work. The slowly changing tone sequences
for example. This was a physical accomplishment in itself.

His minimalistic play is still part of his signature style.

The musicians from Berlin, who worked in the same genre, were either
friends, periodically played in Manuel’s ASH RA TEMPEL, or built up their
own careers.

The scene was small, but equipped with illustrious celebrities
- Klaus Schulze, Tangerine Dream, Harald Grosskopf, Agitation Free.

And my RIAS colleague Walter Bachauer. He had called the Metamusik

Festival into life and brought the international avant-garde to Berlin.

The festival opened up new aesthetic continents to us when we were grateful to listen to chants of Tibetanian
monks or the Steve Reich Ensemble play “Drumming”.

Manuel was able to start his international career pretty quickly, focusing on England, France and Japan.

For the German middle-of-the-road-consciousness, these countries were as exotic as the winds on Jupiter,
especially Japan, where Göttsching still enjoys superstar status. Today it is not only these countries, which
consider him a cult figure. He has also made his mark as a film composer and has added his music to numerous
events and art happenings.

In November 1975 I had initiated a concert at the RIAS Studio 10, entitled “Futurum 3”, with ASH RA TEMPEL
performing. Apart from the guitars there was also an EMS Synthi A on stage. And an old Farfisa Compact Organ
that Manuel played and of which I was especially proud:

I was able to buy this instrument in 1964 after a summer job at a steel drill factory. This Farfisa was on stage
when I performed with my band the Team Beats Berlin, as support act for the Rolling Stones at their legendary
concert in September 1965 at the Berliner Waldbühne.

Somehow this instrument had survived the riot, and ten years later Manuel bought this organ from me. He had
played this Farfisa in many concerts and recordings in the following years, and it can be heard also prominently
here on “Dream and Desire”.

Originally, the two tracks “Dream” and “Desire” had been conceived for my one-hour radio feature at RIAS Berlin
in summer 1977. Then, although being broadcast only once in Berlin and Belgium, they soon became cult
amongst listeners, who taped, multiplied and distributed the tracks throughout Manuel's fan base.

But it was only in 1991, after 14 years, when Manuel decided to make it an “official” release on CD.

Something like that is unusual at times when only the new things count - until it is dismissed by the new and gets
dumped.

The revival of Dream & Desire is not nostalgia but an indication that the present will only be appreciated after
acknowledging the past. Applies also to art.

The bonus track “Despair” was not part of the original radio-feature, but was composed and recorded around the
same time in 1977, and the track fits perfectly in style and sound.

Manuel's music has been with me for now almost 50 years.

I own a superb LP and CD collection of him.

Dream & Desire is beautiful - what more can I say ...

Olaf Leitner, March 2019

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Format:2 LP / Territory: WW-US,UK,CA,BENELUX,AU



Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata



- Double LP pressed at 45pm for best audio quality

- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.

- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year

The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.

In the band’s words All Hell is an album about…

Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///

Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.

Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).

Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
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Exclusive Wholesale Product . 2LP Gatefold Vinyl + Extensive Spot Varnish + Sticker

- Second album from Âme, first album since 2004;
- Featured guests: Matthew Herbert, Gudrun Gut, Planningtorock, Jens Kuross (ex Drummer RyX), Roedelius

Tracklist

A1 The Line ft. Matthew Herbert
A2 Queen Of Toys
A3 Gerne ft. Gudrun Gut

B1 Deadlocked ft. Roedelius
B2 Blind Eye ft. Planningtorock
B3 Positivland

C1 Helliconia
C2 Futuro Antico

D1 No War
D2 Give Me Your Ghost ft. Jens Kuross
D3 Oldorado


Short Info:

In the world of electronic dance music, Âme stand apart. Since 2003, the duo of Frank Wiedemann and Kristian Beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. But 2018 reveals their finest achievement yet, their debut full-length album Dream House. It both sounds unmistakably like Âme and unlike anything you've ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons. More

Release : 08.03.2013
Tracklist 01. Hold your horses (Original Mix) 02. Let's keep this quiet (Original Mix) 03. Jack (All work and no play makes Jack a dull boy) (Original Mix) 04. Fog Machine (Original Mix) 05. Always like this (Original Mix) 06. Dogs (Original Mix) 07. Moon (Original Mix) 08. Pay as you go mobile phone (Original Mix) 09. Heavy Seas (Original Mix) 10. Reason (Original Mix) 11. The last song ever written (Original Mix) 12. Ocean bed (Original Mix)
It's the culmination of what has been a roller coaster debut year: the eponymous debut album by the phenomenal Vienna duo HVOB is a lesson in how versatile, intelligent and creative electronic music can be. It's been just twelve months since the first snippets appeared on Soundcloud, during which time the young electronic duo HVOB (short for Her Voice over Boys) have been causing a real stir throughout Europe: "… this is what deep house sound should sound like. Pure love …" (hmwl.org, Sweden), "… sure to be spoken about …" (delicieuse-musique.com, France), "More please, and soon!" (thegap.at, Austria), "… sleek and beautifully crafted beats …" (electronicbeats.net, Germany). HVOB have been a hit with the most influential music blogs and with the public: acclaimed appearances at the likes of Germany's MELT! Festival, number 4 in the Beatport Deep House charts with their debut EP "Dogs", number 10 in the Top Live Acts of the Year and number 11 in the Best Singles of 2012 in DE:BUG's readers' poll. At the end of 2012, leading Lebanese fashion designer Elie Saab used HVOB's music for the soundtrack of his collection video. Vienna-born Anna Müller (composition, production, vocals) and Paul Wallner (composition and final production) are kicking off the second year of their collaborative project with another release, only this time with more than just tantalising snippets: their eagerly anticipated debut LP, "HVOB", released March 8, contains twelve tracks that showcase the duo's distinctive sound - intelligent and sophisticated, emotive and melodic. The opening track "Hold Your Horses" could be a signature tune for HVOB: organic beats, soft piano sounds and Anna Müller's stunning voice give way to compelling deep house. Further highlights of the album: scheduled for release in February, the single "Jack" with its emotive beats, the complex electronic ballad "Fog Machine", and "Always Like This", HVOB's interpretation of the track by British indie rock band Bombay Bicycle Club. HVOB, who on stage perform live and with a drummer, are planning a European tour after the album's release. Venues will include: Paris (as part of Paris Fashion Week), Berlin, Zurich; further information: www.hvob-music.com
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WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)

Special remarks : 4p Digipack

Genre: Electronic/Indie Dance

TRACKLIST:

CD:

01. Hollow
02. Generation
03. Seagull Nun
04. Choices & Robot Koch
05. Hansaplast
06. Stranger
07. Kilda
08. Endless Youth
09. Hey Little Precious
10. Don´t Turn Me Out feat. Other Lives

SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
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