Label:Casa Voyager
Cat-No:twr03
Release-Date:23.01.2020
Genre:Electro
Configuration:12"
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Last in:18.05.2020
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Label:Casa Voyager
Cat-No:twr03
Release-Date:23.01.2020
Genre:Electro
Configuration:12"
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Detroit's Filthiest closes his past (private stock) present (prime cuts) and future (premium content) trilogy, celebrating 20 years of Motor City Electro Company's excellence together with Casa Voyager presenting his outstanding electro funk works.
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Label:Syncrophone
Cat-No:SYNCRO44
Release-Date:08.03.2024
Genre:House
Configuration:12"
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Label:Syncrophone
Cat-No:SYNCRO44
Release-Date:08.03.2024
Genre:House
Configuration:12"
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1
Detroit's Filthiest - A1.Fear in Your Eyes
2
Detroit's Filthiest - A2.Up in Smoke
3
Detroit's Filthiest - B1. Check out The Technique
4
Detroit's Filthiest - B2.Nuttin But Chedda
Syncrophone Proudly Introduces Carl Finlow, an Artist Whose Craft Demands the Utmost Acclaim. Renowned for Pushing the Boundaries of Electro, Finlow's Musical Ingenuity Takes the Spotlight Once More. the Upcoming Ep, Featuring Tracks Like 'Heed,' 'Overlord,' and 'Expansion,' Perfectly Encapsulates His Signature Style—a Harmonious Blend of Pulsating Beats and Forward-Thinking Electronic Exploration. Limited Grey Vinyl Edition. Not to Be Missed....
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Last in:23.05.2023
Label:FU.ME
Cat-No:FU.ME024
Release-Date:12.05.2023
Genre:Electro
Configuration:12"
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1
Detroit's Filthiest - Carpet Muncher
2
Detroit's Filthiest - Round And Round
3
Detroit's Filthiest - Legendary
4
Detroit's Filthiest - All White Buffs
Detroit’s Filthiest presents Oddly Satisfying, a collection of ghettotech, electro, and techno tracks never released on vinyl before. This collection showcases why he is the king of kings in the underground scene. Imitated but never duplicated.
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2LP
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Label:Casa Voyager
Cat-No:TWR12
Release-Date:05.05.2023
Genre:Electro
Configuration:2LP
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Last in:19.10.2023
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Label:Casa Voyager
Cat-No:TWR12
Release-Date:05.05.2023
Genre:Electro
Configuration:2LP
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1
Detroit's Filthiest - Object Of Affection
2
Detroit's Filthiest - Element Of Suprise
3
Detroit's Filthiest - Hide And Seek
4
Detroit's Filthiest - Graveyard Shift
5
Detroit's Filthiest - Lying 2 Yourself
6
Detroit's Filthiest - Heavey In The Game
7
Detroit's Filthiest - Face Your Fate
8
Detroit's Filthiest - Quiet Storm
Detroit's Filthiest last record on Casa Voyager!!! You are in for soulful, partly vocal-heavy jungle; bouncy electro, fast-paced gold and that certain funk you can't find anywhere else. 100% Authenticity Guaranteed.
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Label:Casa Voyager
Cat-No:TWR10
Release-Date:21.03.2022
Genre:Breaks
Configuration:12"
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Last in:30.03.2022
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Label:Casa Voyager
Cat-No:TWR10
Release-Date:21.03.2022
Genre:Breaks
Configuration:12"
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1
Detroit's Filthiest - Perception Of Reality
2
Detroit's Filthiest - Hypnotized Music
3
Detroit's Filthiest - Under My Spell
4
Detroit's Filthiest - Song For Sultan
Probably the ultimate detroit's filthiest record on casa voyager. A1s Only.
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Label:Casa Voyager
Cat-No:TWR08
Release-Date:13.12.2021
Genre:Drum + Bass
Configuration:12"
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Last in:04.04.2023
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Label:Casa Voyager
Cat-No:TWR08
Release-Date:13.12.2021
Genre:Drum + Bass
Configuration:12"
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1
Detroit's Filthiest - Space Invaders
2
Detroit's Filthiest - Essence Of Darkness
3
Detroit's Filthiest - Pillow Talk
4
Detroit's Filthiest - Euphoria
Repress!
The king of beats DJ Nasty aka Detroit's Filthiest strikes again on casa voyager. More
The king of beats DJ Nasty aka Detroit's Filthiest strikes again on casa voyager. More
12"
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Label:Defrostatica Records
Cat-No:DICA018
Release-Date:22.11.2021
Genre:Electro
Configuration:12"
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Last in:11.04.2023
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Last in:11.04.2023
Label:Defrostatica Records
Cat-No:DICA018
Release-Date:22.11.2021
Genre:Electro
Configuration:12"
Barcode:
1
Detroit's Filthiest - Get The Strap
2
Detroit's Filthiest - Secure The Bag
3
Detroit's Filthiest - Failure 2 Launch
4
Detroit's Filthiest - Motor City Blues
Four no-frills uptempo tracks that fuse electro, ghettotech and jungle as only Detroit's Filthiest can.
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Label:Casa Voyager
Cat-No:TWR02
Release-Date:16.08.2021
Genre:Electro
Configuration:12"
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Label:Casa Voyager
Cat-No:TWR02
Release-Date:16.08.2021
Genre:Electro
Configuration:12"
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1
Detroit's Filthiest - Creme De La Creme
2
Detroit's Filthiest - Voodoo That You Do
3
Detroit's Filthiest - Soulilquy
4
Detroit's Filthiest - Babylon 313
Repress!
Detroit legend Dj nasty aka Detroit's Filthiest is back on Casa Voyager with his most emotional work to date. He delivers here 4 prime cuts full of detroit funk. More
Detroit legend Dj nasty aka Detroit's Filthiest is back on Casa Voyager with his most emotional work to date. He delivers here 4 prime cuts full of detroit funk. More
Label:Curtis Electronix
Cat-No:crtsx004
Release-Date:16.10.2020
Genre:Acid House
Configuration:LP
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Label:Curtis Electronix
Cat-No:crtsx004
Release-Date:16.10.2020
Genre:Acid House
Configuration:LP
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1
Detroit'S Filthiest - No Title
2
Detroit'S Filthiest - No Title
3
Detroit'S Filthiest - No Title
4
Detroit'S Filthiest - No Title
Curtis Electronix follows up on CEM3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you
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Label:Casa Voyager
Cat-No:twr05
Release-Date:12.09.2020
Genre:Electro
Configuration:2LP
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Last in:10.06.2021
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Label:Casa Voyager
Cat-No:twr05
Release-Date:12.09.2020
Genre:Electro
Configuration:2LP
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1
Detroit's Filthiest - No Title
2
Detroit's Filthiest - No Title
3
Detroit's Filthiest - No Title
4
Detroit's Filthiest - No Title
5
Detroit's Filthiest - No Title
6
Detroit's Filthiest - No Title
7
Detroit's Filthiest - No Title
8
Detroit's Filthiest - No Title
The king of beats strikes again...After his classic trilogy, Detroit's Filthiest strikes again in collaboration with casa voyager presenting a killer double pack that blends the artist's oldschool ghettotech influences with his recent electrofunk works. Tested and approved.
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12"
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Label:Bass Agenda Recordings
Cat-No:ba108
Release-Date:21.02.2020
Genre:Electro
Configuration:12"
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Last in:26.05.2023
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Last in:26.05.2023
Label:Bass Agenda Recordings
Cat-No:ba108
Release-Date:21.02.2020
Genre:Electro
Configuration:12"
Barcode:
1
Detroit's Filthiest - No Title
2
Detroit's Filthiest - No Title
3
Detroit's Filthiest - No Title
4
Detroit's Filthiest - No Title
Detroit's Filthiest returns for his 7th appearance on Bass Agenda Recordings with a new solo EP on vinyl and digital formats. With over 20 years in the game he is one of Detroit's most enduring, hardworking, and versatile artists and, as his previous outings have shown, he saves his darkest, hardest, most energetic electro material for Bass Agenda. Here he brings four new killer tracks that are immediately identifiable as being his sound; a powerful blend of punchy dancefloor machine funk, laced with darkness, that stand separate from the crowd in every sense.
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Label:Casa Voyager
Cat-No:POST02
Release-Date:09.02.2024
Genre:Alternative/Electronic
Configuration:LP
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Last in:27.09.2024
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Label:Casa Voyager
Cat-No:POST02
Release-Date:09.02.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Post Industrial Boys - 1971
2
Post Industrial Boys - Lilian
3
Post Industrial Boys - Becky
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Post Industrial Boys - The Cook
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Post Industrial Boys - Flowers
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Post Industrial Boys - Strange
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Post Industrial Boys - I See
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Post Industrial Boys - When You are
9
Post Industrial Boys - Dreams
After 8 years Georgian pioneer George Dzodzuashvili is back as Post Industrial Boys with a new album. It's his most personal record to date and opens up its own world: a world full of memories of a bygone time and observations so precise you almost feel like you are living and capturing them yourself with a Super8 camera.
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Label:Casa Voyager
Cat-No:CSV10
Release-Date:08.12.2023
Genre:House / Techno
Configuration:12"
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Last in:19.02.2024
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Label:Casa Voyager
Cat-No:CSV10
Release-Date:08.12.2023
Genre:House / Techno
Configuration:12"
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1
Kosh - Hurry Up
2
Kosh - Break It Until You Make It
3
Kosh - Get It Done
4
Kosh - Despair
The moroccan wizard is back once again with 4 efficient club cuts! Tested and approved!
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Label:Casa Voyager
Cat-No:TWR11
Release-Date:01.12.2023
Genre:House
Configuration:12"
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Last in:15.01.2024
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Label:Casa Voyager
Cat-No:TWR11
Release-Date:01.12.2023
Genre:House
Configuration:12"
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1
Yoofee - Lost Papers
2
Yoofee - I Know
3
Yoofee - One Is None
4
Yoofee - LGDS
Repress!
Soulful, jazz-infused broken beats from Berlin! Incredibly talented jazz pianist and producer Yoofee debuts on Casa Voyager! A must-have for both: sensitive souls and sophisticated groove lovers. Tested and approved. More
Soulful, jazz-infused broken beats from Berlin! Incredibly talented jazz pianist and producer Yoofee debuts on Casa Voyager! A must-have for both: sensitive souls and sophisticated groove lovers. Tested and approved. More
2LP
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Label:Casa Voyager
Cat-No:TWR12
Release-Date:05.05.2023
Genre:Electro
Configuration:2LP
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Last in:19.10.2023
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Label:Casa Voyager
Cat-No:TWR12
Release-Date:05.05.2023
Genre:Electro
Configuration:2LP
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1
Detroit's Filthiest - Object Of Affection
2
Detroit's Filthiest - Element Of Suprise
3
Detroit's Filthiest - Hide And Seek
4
Detroit's Filthiest - Graveyard Shift
5
Detroit's Filthiest - Lying 2 Yourself
6
Detroit's Filthiest - Heavey In The Game
7
Detroit's Filthiest - Face Your Fate
8
Detroit's Filthiest - Quiet Storm
Detroit's Filthiest last record on Casa Voyager!!! You are in for soulful, partly vocal-heavy jungle; bouncy electro, fast-paced gold and that certain funk you can't find anywhere else. 100% Authenticity Guaranteed.
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Label:Casa Voyager
Cat-No:POST01
Release-Date:10.10.2022
Genre:Alternative/Electronic
Configuration:LP
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Last in:14.11.2022
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Label:Casa Voyager
Cat-No:POST01
Release-Date:10.10.2022
Genre:Alternative/Electronic
Configuration:LP
Barcode:
1
Post Industrial Boys - Post Industrial Boys
2
Post Industrial Boys - Morning Light
3
Post Industrial Boys - Iced Sea
4
Post Industrial Boys - Stay Mute
5
Post Industrial Boys - Take A Walk On The Wild Side
6
Post Industrial Boys - In Slow Motion
7
Post Industrial Boys - Afternoon
8
Post Industrial Boys - Land Of Flowers
9
Post Industrial Boys - Think
10
Post Industrial Boys - Me Gamoval
11
Post Industrial Boys - Flowers On The Wall
12
Post Industrial Boys - Maka
this project gathers the incredible early 2000's works from georgian pioneer George Dzodzuashvili as post industrial boys.
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Label:Casa Voyager
Cat-No:CSV09
Release-Date:09.09.2022
Genre:Techno
Configuration:12"
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Last in:20.12.2022
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Label:Casa Voyager
Cat-No:CSV09
Release-Date:09.09.2022
Genre:Techno
Configuration:12"
Barcode:
1
OCB - Transhuman X-Press
2
OCB - Aquaquest Pt2.5 (THX)
3
OCB - The Magic Laugh (Trancehuman)
4
OCB - Transform
5
OCB - Mo'Phatt 97 (Ft. Slikk Tim)
6
OCB - Transport
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OCB - Faded Flowers (Ft. 95 Steps)
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OCB - The Betrayal
Driss Bennis is back in stores with his OCB project for another future classic. This massive 8 tracker pushes all boundaries of techno, break-beat and electro. A-side strictly for nervous DJs, B-side for sensitive souls! Tested and Approved. Catch the train.
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Label:Casa Voyager
Cat-No:CSV08
Release-Date:25.07.2022
Genre:House / Techno
Configuration:12"
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Label:Casa Voyager
Cat-No:CSV08
Release-Date:25.07.2022
Genre:House / Techno
Configuration:12"
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1
Various Artists - A1
2
Various Artists - A2
3
Various Artists - A3
4
Various Artists - B1
5
Various Artists - B2
The third volume of this modern classic, moroccan only compilation, blends peak-time heavy-hitters and more subtle moments. it gathers bergsonist kosh ocb malik jalil and viewtiful joe. OG soundtrack from the motion city, casablanca.
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Label:Casa Voyager
Cat-No:TWR10
Release-Date:21.03.2022
Genre:Breaks
Configuration:12"
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Last in:30.03.2022
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Label:Casa Voyager
Cat-No:TWR10
Release-Date:21.03.2022
Genre:Breaks
Configuration:12"
Barcode:
1
Detroit's Filthiest - Perception Of Reality
2
Detroit's Filthiest - Hypnotized Music
3
Detroit's Filthiest - Under My Spell
4
Detroit's Filthiest - Song For Sultan
Probably the ultimate detroit's filthiest record on casa voyager. A1s Only.
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Label:Casa Voyager
Cat-No:TWR08
Release-Date:13.12.2021
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Casa Voyager
Cat-No:TWR08
Release-Date:13.12.2021
Genre:Drum + Bass
Configuration:12"
Barcode:
1
Detroit's Filthiest - Space Invaders
2
Detroit's Filthiest - Essence Of Darkness
3
Detroit's Filthiest - Pillow Talk
4
Detroit's Filthiest - Euphoria
Repress!
The king of beats DJ Nasty aka Detroit's Filthiest strikes again on casa voyager. More
The king of beats DJ Nasty aka Detroit's Filthiest strikes again on casa voyager. More
12"
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Label:Casa Voyager
Cat-No:TWR09
Release-Date:29.11.2021
Genre:Electro
Configuration:12"
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Label:Casa Voyager
Cat-No:TWR09
Release-Date:29.11.2021
Genre:Electro
Configuration:12"
Barcode:
1
EDMX / Computor Rockers - SU141
2
EDMX / Computor Rockers - SU143
3
EDMX / Computor Rockers - Computor Mechanic
4
EDMX / Computor Rockers - Boin Blaster
Repress!
Ed DMX joins the casa voyager posse and for the first time, he is using his legendary computor rockers moniker on another label than his, bringing back the old-school electro flavors on CSV. Efficient, mechanic and computorized! More
Ed DMX joins the casa voyager posse and for the first time, he is using his legendary computor rockers moniker on another label than his, bringing back the old-school electro flavors on CSV. Efficient, mechanic and computorized! More
Label:Casa Voyager
Cat-No:TWR07
Release-Date:29.11.2021
Genre:Drum + Bass
Configuration:12"
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Last in:04.08.2021
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Label:Casa Voyager
Cat-No:TWR07
Release-Date:29.11.2021
Genre:Drum + Bass
Configuration:12"
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1
Prince Ozay - Oltemare
2
Prince Ozay - Tamra Maew
3
Prince Ozay - Sarmoung Pt.2
4
Prince Ozay - Toad Bread
5
Prince Ozay - Woodland Hills 1984
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Casa voyager lands in Napoli for the next chapter of the twr series. Prince Ozay unveils his "method" for surviving on the scam planet...machine language and microprocessor funk on this 5 tracker. Tested and Approved More
Casa voyager lands in Napoli for the next chapter of the twr series. Prince Ozay unveils his "method" for surviving on the scam planet...machine language and microprocessor funk on this 5 tracker. Tested and Approved More
Label:Casa Voyager
Cat-No:TWR02
Release-Date:16.08.2021
Genre:Electro
Configuration:12"
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Label:Casa Voyager
Cat-No:TWR02
Release-Date:16.08.2021
Genre:Electro
Configuration:12"
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1
Detroit's Filthiest - Creme De La Creme
2
Detroit's Filthiest - Voodoo That You Do
3
Detroit's Filthiest - Soulilquy
4
Detroit's Filthiest - Babylon 313
Repress!
Detroit legend Dj nasty aka Detroit's Filthiest is back on Casa Voyager with his most emotional work to date. He delivers here 4 prime cuts full of detroit funk. More
Detroit legend Dj nasty aka Detroit's Filthiest is back on Casa Voyager with his most emotional work to date. He delivers here 4 prime cuts full of detroit funk. More
Label:Casa Voyager
Cat-No:SP111
Release-Date:29.03.2021
Genre:Electro
Configuration:12"
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Last in:28.05.2021
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Label:Casa Voyager
Cat-No:SP111
Release-Date:29.03.2021
Genre:Electro
Configuration:12"
Barcode:
1
Driss Bennis & Swoze - Theme From The Scam Planet
2
Driss Bennis & Swoze - Offshore Counterforce
3
Driss Bennis & Swoze - Day Drive Thru Casablanca
4
Driss Bennis & Swoze - Networks
5
Driss Bennis & Swoze - Networks Prelude
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Original soundtrack from the Scam Planet story. More
Original soundtrack from the Scam Planet story. More
Label:Casa Voyager
Cat-No:CSV07
Release-Date:27.01.2021
Genre:Electro
Configuration:12"
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Label:Casa Voyager
Cat-No:CSV07
Release-Date:27.01.2021
Genre:Electro
Configuration:12"
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1
Viewtiful Joe - Sweet Fifths
2
Viewtiful Joe - Space Foonk
3
Viewtiful Joe - Wiped Out
4
Viewtiful Joe - Victorious Orianna
3 years after his first appearance on Casa Sports vol.1, Viewtiful Joe speeds the game up and delivers a tasteful blend of electro-funk inspired by the great times of classic video game music. Expect high jumps, fast heavy kicks and slow-mo punches!
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Label:Casa Voyager
Cat-No:TWR06
Release-Date:27.01.2021
Genre:Electro
Configuration:7"
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Label:Casa Voyager
Cat-No:TWR06
Release-Date:27.01.2021
Genre:Electro
Configuration:7"
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1
Cobert - Kiev Stollen Story
2
Cobert - Office Junk
Trans World Railways creates a new line between Casablanca and Tbilisi by welcoming Cobert - one of Georgia finest producers - for a special limited 7inch edition. The two tracks are eagerly awaited since they've been featured on Casa Voyager label of the month mix on Resident Advisor. Kiev Stollen Story is an energetic peak time track while Office Junk is a more playful electro party starting track. Tested and approved. Vinyl Only.
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Label:Casa Voyager
Cat-No:twr05
Release-Date:12.09.2020
Genre:Electro
Configuration:2LP
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Label:Casa Voyager
Cat-No:twr05
Release-Date:12.09.2020
Genre:Electro
Configuration:2LP
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1
Detroit's Filthiest - No Title
2
Detroit's Filthiest - No Title
3
Detroit's Filthiest - No Title
4
Detroit's Filthiest - No Title
5
Detroit's Filthiest - No Title
6
Detroit's Filthiest - No Title
7
Detroit's Filthiest - No Title
8
Detroit's Filthiest - No Title
The king of beats strikes again...After his classic trilogy, Detroit's Filthiest strikes again in collaboration with casa voyager presenting a killer double pack that blends the artist's oldschool ghettotech influences with his recent electrofunk works. Tested and approved.
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Label:Casa Voyager
Cat-No:csv06
Release-Date:28.08.2020
Genre:Electro
Configuration:12"
Barcode:
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Last in:02.11.2020
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Label:Casa Voyager
Cat-No:csv06
Release-Date:28.08.2020
Genre:Electro
Configuration:12"
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1
OCB - No Title
2
OCB - No Title
3
OCB - No Title
4
OCB - No Title
5
OCB - No Title
6
OCB - No Title
2 years after his remarkable EP The Anticlimax, Label Boss Driss Bennis is back in stores on Casa Voyager CSV06 with a massive 6 tracker under his now classic moniker OCB. The A-side opens with a smashing peak time track containing classic breakbeats and a vicious bassline, while A2 and A3 are neat electro beats, the label's trademark. On the flip side, the music dive in a more emotional landscape but still has a predominant club esthetic. Tested and Approved. Catch the train.
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Label:Casa Voyager
Cat-No:twr04
Release-Date:05.06.2020
Genre:Electro
Configuration:12"
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Label:Casa Voyager
Cat-No:twr04
Release-Date:05.06.2020
Genre:Electro
Configuration:12"
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1
Gary Gritness - No Title
2
Gary Gritness - No Title
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Gary Gritness - No Title
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Gary Gritness - No Title
5
Gary Gritness - No Title
TWR opens a new railway to France and welcomes the notorious Gary Gritness on board, that you might already know for his unmistakable cyberfunk. This record features a sun-drenched, high speed funk vibe with hot & heavy beats. A 2k20 update of the music that could have been played in the cassette player of a VW Golf mk4, the classic hatchback known in morocco as a "Zebra".
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Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Nu Jazz
Configuration:LP Excl
Barcode:4251804125499
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Last in:07.10.2024
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Nu Jazz
Configuration:LP Excl
Barcode:4251804125499
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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Label:M.A.D Records
Cat-No:MAD009X
Release-Date:24.05.2024
Genre:House
Configuration:12"
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Label:M.A.D Records
Cat-No:MAD009X
Release-Date:24.05.2024
Genre:House
Configuration:12"
Barcode:
1
North 90 - Euro Trash
2
North 90 - We Can Only Imagine
3
North 90 - Tap Track
4
North 90 - Isabell
Welcoming North 90 to the M.A.D family, the couple DJ / Production duo from Liverpool make music we want to play. Euro Trash is a hot contented for tune of the summer!
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Label:Time Is Now
Cat-No:TIN061
Release-Date:24.05.2024
Genre:2step/garage
Configuration:12"
Barcode:
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Label:Time Is Now
Cat-No:TIN061
Release-Date:24.05.2024
Genre:2step/garage
Configuration:12"
Barcode:
1
Xander - You Take Me (so far)
2
Xander - Feeling
3
Xander - The Underground
Tracklisting
A1 Xander - You Take Me (so far)
A2 Xander - Feeling
B1 Xander - The Underground
Sales Note
Xander makes his debut on Shall Not Fade sub-label Time Is Now with three 90s driven garage house anthems!
Feeling EP drops May 24th via Time Is Now. More
A1 Xander - You Take Me (so far)
A2 Xander - Feeling
B1 Xander - The Underground
Sales Note
Xander makes his debut on Shall Not Fade sub-label Time Is Now with three 90s driven garage house anthems!
Feeling EP drops May 24th via Time Is Now. More
2LP
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Label:Chicago Bee
Cat-No:CB1988-08
Release-Date:25.11.2022
Genre:Acid House
Configuration:2LP
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Label:Chicago Bee
Cat-No:CB1988-08
Release-Date:25.11.2022
Genre:Acid House
Configuration:2LP
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1
Postelektrik - SW1
2
Derek Carr - No Surrender
3
Type 303 - Stairway To Jupiter
4
Monofonix - Omega
5
Ivan Golac - Floated
6
Iron Blu - Valtra
7
Fear-E - Heaven't You Heard
8
Forgotten Corne - Maen Land
9
iNFO - Dreams Of Andromeda
10
A-Eno-Acid - Greek Town Casino
Being somewhat of a conceptual experiment. All the artists on this album were asked to imagine fusing Acid and House with the Virtualsex LP which was released on Buzz in 1993. A 303 sound would be welcomed but not essential with an emphasis on soulful emotion and melody.
Each record comes with a individual digital download code More
Each record comes with a individual digital download code More
Label:Sin Sistema
Cat-No:SINS001
Release-Date:15.03.2024
Genre:Techno
Configuration:12"
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Label:Sin Sistema
Cat-No:SINS001
Release-Date:15.03.2024
Genre:Techno
Configuration:12"
Barcode:
1
Sansibar - We Rise
2
Sansibar - Elastic
3
Sansibar & Denzel - Sonic Minds
4
Sansibar - 2K
There’s a time for everything. To fill in another piece of the puzzle. To make the matrix make sense. Trying not to hide it, trying not to fight it. Just trying to recognize it and keep on going.
This four-tracker, the first release on Sansibar’s 'Sin Sistema' imprint, borrows the best elements of formulas we love, and for a good reason.
‘We Rise’ a spiraling, mesmerizing infusion of yearning pads and a twisting acidic wormhole that leaves no room for doubt: this is Sans on form, and we have lift-off.
‘Elastic’ continues the lysergic theme, turning the dials towards a more sinister entity. Growing, realizing one’s power, and using it.
And on to the B-side, joining forces with Denzel, becoming ‘Sonic Minds’, getting into Techy territory. This is strictly festival business. Tried and tested throughout summer ’23 to devastating effect. Call an ambulance.
The final track ‘2k’ ups the Tech ante and sprinkles some murky UK Garage dust on top: skippy drums, a bouncy bass section, and dubby atmospheric More
This four-tracker, the first release on Sansibar’s 'Sin Sistema' imprint, borrows the best elements of formulas we love, and for a good reason.
‘We Rise’ a spiraling, mesmerizing infusion of yearning pads and a twisting acidic wormhole that leaves no room for doubt: this is Sans on form, and we have lift-off.
‘Elastic’ continues the lysergic theme, turning the dials towards a more sinister entity. Growing, realizing one’s power, and using it.
And on to the B-side, joining forces with Denzel, becoming ‘Sonic Minds’, getting into Techy territory. This is strictly festival business. Tried and tested throughout summer ’23 to devastating effect. Call an ambulance.
The final track ‘2k’ ups the Tech ante and sprinkles some murky UK Garage dust on top: skippy drums, a bouncy bass section, and dubby atmospheric More
Label:Active Life Worldwide
Cat-No:alife003
Release-Date:01.03.2024
Genre:House
Configuration:12"
Barcode:
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Label:Active Life Worldwide
Cat-No:alife003
Release-Date:01.03.2024
Genre:House
Configuration:12"
Barcode:
1
DJ Sommer - Darling I Pray
2
DJ Sommer - All My Love
3
DJ Sommer - Heartbeat
4
DJ Sommer - So Happy
Tracklisting
A1 DJ Sommer - Darling I Pray
A2 DJ Sommer - All My Love
B1 DJ Sommer - Heartbeat
B2 DJ Sommer - So Happy
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A1 DJ Sommer - Darling I Pray
A2 DJ Sommer - All My Love
B1 DJ Sommer - Heartbeat
B2 DJ Sommer - So Happy
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Label:Tresor Records
Cat-No:tresor365
Release-Date:14.06.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180801
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Label:Tresor Records
Cat-No:tresor365
Release-Date:14.06.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180801
1
Fireground - The Element 05:13
2
Fireground - Riva 05:26
3
Fireground - Love Letter 05:57
4
Fireground - Etereo 05:40
FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
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10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
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Label:Running Back
Cat-No:rbshan-03
Release-Date:24.08.2018
Genre:House
Configuration:12" Excl
Barcode:4260544824975
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Label:Running Back
Cat-No:rbshan-03
Release-Date:24.08.2018
Genre:House
Configuration:12" Excl
Barcode:4260544824975
1
Shan - Who Run Tings
2
Shan - English Summer
3
Shan - Awakenings (Club Mix)
4
Shan - Take Me To The Top
2022 Repress Edition
Tracklist
A1. Who Run Tings
A2. English Summer
B1. Awakenings (Club Mix)
B2. Take Me To The Top
Shortinfo:
Whistles out: Shan returns to Running Back. With his fourth EP for the imprint to date, he delivers his typical dance-floor-proof, peak-time ready and subtle rave signaling house sound. Informed and inspired by the playfulness of the smiley culture days, English Summer and Gerd Janson’s Boiler Room premiered favorite „Who Run Tings“, mark the „Raydon Airfield Side“, while Take Me To The Top and the Club Mix of Awakenings (the original appeared as a contribution to Rush Hour’s Musik for Autobahns series) take over the warehouse business. Simple, yet smart, effective and euphoric, this is music for DJs and strobe light honeys alike.
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Tracklist
A1. Who Run Tings
A2. English Summer
B1. Awakenings (Club Mix)
B2. Take Me To The Top
Shortinfo:
Whistles out: Shan returns to Running Back. With his fourth EP for the imprint to date, he delivers his typical dance-floor-proof, peak-time ready and subtle rave signaling house sound. Informed and inspired by the playfulness of the smiley culture days, English Summer and Gerd Janson’s Boiler Room premiered favorite „Who Run Tings“, mark the „Raydon Airfield Side“, while Take Me To The Top and the Club Mix of Awakenings (the original appeared as a contribution to Rush Hour’s Musik for Autobahns series) take over the warehouse business. Simple, yet smart, effective and euphoric, this is music for DJs and strobe light honeys alike.
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Label:Craigie Knowes
Cat-No:CKNOWEP42
Release-Date:19.08.2022
Genre:Electro
Configuration:12"
Barcode:
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Label:Craigie Knowes
Cat-No:CKNOWEP42
Release-Date:19.08.2022
Genre:Electro
Configuration:12"
Barcode:
A long awaited collaboration by Moroccan magician OCB and veteran Scottish imprint Craigie Knowes. Driss Bennis' relentless drive for originality continues as he distills all things OCB into the 4-track Crocodile Tears EP.
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12"
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Label:Planet Rhythm
Cat-No:prrukblk112
Release-Date:14.06.2024
Genre:Techno
Configuration:12"
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Label:Planet Rhythm
Cat-No:prrukblk112
Release-Date:14.06.2024
Genre:Techno
Configuration:12"
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1
Gunjack - Detroit Tango
2
Gunjack - Rocket Surgery
3
Gunjack - Pachinko 24h
4
Gunjack - The Drumz
5
Gunjack - The Walker
6
Gunjack - Atomic Aerobics
Tracklisting
A1 Gunjack - Detroit Tango
A2 Gunjack - Rocket Surgery
A3 Gunjack - Pachinko 24h
B1 Gunjack - The Drumz
B2 Gunjack - The Walker
B3 Gunjack - Atomic Aerobics More
A1 Gunjack - Detroit Tango
A2 Gunjack - Rocket Surgery
A3 Gunjack - Pachinko 24h
B1 Gunjack - The Drumz
B2 Gunjack - The Walker
B3 Gunjack - Atomic Aerobics More
Label:Born Bad Records
Cat-No:BB141LP
Release-Date:21.05.2021
Genre:Alternative/Electronic
Configuration:LP
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Label:Born Bad Records
Cat-No:BB141LP
Release-Date:21.05.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Henri Salvador - The`me Du Bateau
2
Henri Salvador - Siffler En Travaillant
3
Henri Salvador - Et Des Mandolines
4
Henri Salvador - L'amour, Va, Ça Va
5
Henri Salvador - Kissinger Le Duc Tho
6
Henri Salvador - J'aime Tes Genoux
7
Henri Salvador - Sex Man
8
Henri Salvador - On N'est Plus Chez Nous
9
Henri Salvador - Hello Mickey
10
Henri Salvador - Pauvre Jesus Christ
11
Henri Salvador - Le Bilan
12
Henri Salvador - Marjorie
13
Henri Salvador - Le Temps Des Cons
14
Henri Salvador - Rock Star
15
Henri Salvador - Un Jour Mon Prince Viendra
16
Henri Salvador - On L'a Dans L'baba
Wonderful and utterly nuts home studio genius...with artwork to boot (includes printed inner sleeve). A gem. BIG TIP!
" A pop star who turned his back to show business to become an independent
artist, steered by the revolutionary ideas of his wife Jacqueline in
1960's France; these are the outlines of Henri Salvador's unusual
musical career. It made him into a star then led him to entirely
dissociate from the record industry, preferring to make music in his
living room with his guitars. At 50, Salvador starts experimenting with
synths and drum machine, multi-track recorders and altered voice
collages. He takes up editing and mixing, and solitarily makes songs for
young and old from his home in Paris' Place Vendôme.
"Unfortunately, it's not beautiful songs that make an amazing
career. These are songs that will exist after I die." (1969)
How can one even begin to tell the story of Salvador? Seventy years of
music, a thousand of creations of all styles. He has known each and
every genre and trend, appropriated some and invented yet new ones.
Sometimes associated to ye-ye singers, he's also known to have brought
rock to France (in 1956, with Boris Vian). Yet he's 26 years older
than Johnny Hallyday. He's 47 when _Zorro est arrivé_ is released in
1964... and 83 at the release of _Jardin d'hiver_. Seen with today's
eyes it's all very dizzying. You never know whether he's young or
old, or under which label to file him: jazzman, crooner, entertainer,
composer, guitar player, children song singer...
As a kid he picks up the guitar without any theoretical basics and
becomes so talented he plays with Django Reinhardt. He learns to sing
and compose on his own. The 30s are the years of his training; the 40s
of his emancipation within musical ensembles which are to see his
talents flourish. He finds his public and perfects his tricks: laughter
and seduction. In the 50s he rediscovers the songs of the islands where
he grew up, revisits jazz, swing, blues and sings for children. It's
the years of his unforgettable "sweet song", and his voice changes.
His cheeky humour makes way for a multifaceted talent, he fills up
venues, surrounds himself with serious lyricists and accumulates
classics: _Le blues du dentiste, Dans mon île,_ _Syracuse._
"My wife has come to understand me so well that she can now think in
my place. When she has an idea it's, so to speak, my own idea!"
(Télé Magazine, 1972)
Jacqueline shapes and emancipates him. When they marry in 1950, she's
a quiet and cultivated young lady who's to progressively take charge
of his career. She enforces her views and frantic pace. A spectator in
the world of show business, Jacqueline realises that the artists, left
out of professional conversations, often get cheated. Henri undoes the
chains binding him to Philps, Vogue, Barclay, his editor, his manager
and his impresario, and becomes independent. The Salvadors get to know
the inner workings of production, edition, record pressing, distribution
and promotion. They always have material to record a demo at hand. Their
apartment is full of recorders: one at the bed end for the guitar, yet
another in Henri's office for the Steinway. He's on all fronts; he
accumulates hits, invents, mocks, adapts, and produces.
Place Vendôme sees the birth of the label Rigolo. Why Rigolo (French
for "funny")? "Because it's funny", he used to answer.
Homemade clips are broadcasted in TV shows they self-produce: Salves
d'Or (a play on words sounding like "Salvador" meaning "bursts
of gold") and Dimanche Salvador. Their approach turns out to be
profitable. The Salvador couple enters the 70s with confidence.
At times, Henri takes out the cabriolet along with his colporteurs on
record shop tours. Meanwhile Jacqueline is a formidable businesswoman.
Disney threatens to sue the singer over his use of the name Zorro: she
turns the situation to her advantage and cashes in on a Disney-Salvador
contract. The decade will see them release five records: _Les
Aristochats ("The Aristocats")_, _Blanche-Neige ("Snow White")_,
_Le petit Poucet ("Hop-o'-My-Thumb")_, _Robin des Bois ("Robin
Hood")_ and _Pinocchio_. Ever reinventing themselves, the Salvadors
intend to do without studios, engineers, producers and musicians
altogether.
"I started working with just a tiny recorder. Now I've gotten to
sixteen tracks. I have electronic drums and my instruments. I can give
the impression of a full orchestra. It's amazing, I have as many
musicians as I want at my disposal, at whichever time of day and
night" (1972)
They install a high-end recording studio in their living room they
nickname the PAM – referring to the name of their company, Productions
Artistiques et Musicales. Louis Chedid remembers, "there was a huge
mixer, custom made I believe, a 3M tape recorder. They must have had the
very first drum machines, the ones that accompanied organs for example,
inspired by the Ace Tone; they came with pre-recorded beats like 'samba'
or 'biguine' [pressing two keys simultaneously you could combine them].
Plus there were quite a few guitars. What I do remember very well is his
guitar playing. He was seen as an entertainer but, really, he was a
virtuoso."
Using his mixer and reels, Henri endlessly multiplies and harmonises his
voice. Everything is done hastily though with care. He plays around with
the offbeat sounds of the synths, has a blast with the drum machines. He
uses all of the pre-recorded beats, loops the "fillers" to generate
more beats, fiddles with the speeds, programs his own, sometimes goofy
rhythms. This creative shift changes his musical groove. Salvador
invented a mechanical jazz for himself, one that gathered its swing from
the guitars and its energy from the vocals. He worked around his
weakness on the bass with his strings and Moog keyboard. To get his
public used to this new style, the PAM first produces a few singles'
B-sides – _On n'est plus chez nous_, which recounts the story of two
scat-men interrupted by a passerby looking for Place de l'Opéra in
Paris. Then an A-side: _Ah ce qu'on est bien quand on est dans son
bain_, (which could be translated as "Oh how nice it feels to
bathe"), which was recorded straight from the bathroom and became
1970's Christmas hit. And finally the first self-released album: _Les
Aristochats_, rewarded by the Charles Cros Academy in 1971. Many things
are in Jacqueline's hands: the lead, the books, and even the keys of
the studio: at times Henri would get locked in to compose, let out only
to work on his TV shows.
Under his contract with Disney, he's required to produce
family-friendly records. Along with his authors he creates songs about
Uncle Scrooge, Sneezy and Mickey. He combines them to other, very
peculiar, pieces: _Les voisins_ ("The neighbours"), an old hater
complains about the noise; _Petit Lapin_ ("Little Bunny"), a city
man advises a rodent not to settle in town; _Voilactus_, (from "voie
lactée", French for the Milky Way) an alien mocks our banking system;
_J'ai envie de Lucie_, in which the narrator explains how he's
always longing for Lucie; _Maman Papa_, a spoiler for kids on how to
hate theirs parents later on in life; but also _Le temps des cons
_("The time of the jerks"), a harsh commentary on French society.
"I make kids laugh. I love to belong to this audience, the most
righteous and the most severe. If they like you, they tell you; if they
don't like you, they tell you, too." (Télé-Star, 1977)
These LPs are also full of tender songs, dance floor baits and
environmentalist vignettes - a hodgepodge less well regarded than his
sixties period. And yet it's a boisterous collection of gems, with a
peculiar signature and many fresh ideas. _Siffler en travaillant_
("Whistle While You Work") is a brilliant reinterpretation of one of
_Snow White_'s theme song, which a young Salvador had already
performed with Ray Ventura's Orchestra in the 40s; _Hello Mickey_, a
catchy, spirited ska_; J'aime tes g'noux_, a great cover of Shirly
and Co's _Shame shame shame_; on _Un jour mon prince viendra_, he
makes a beat borrowed from Suicide and a Les Paul solo collide.
Meanwhile Rigolo also releases less family-oriented singles. After all,
Salvador's in for a bit of fun. He takes up eroticism, the financial
crisis, and the negotiations between the US and Vietnam. He writes some
luminous ballads such as _Marjorie_ and catchy classics like _Pauvre
Jésus Christ_. Some tracks are the result of unbridled experimentation,
like _Sex Man_ – particularly innovative – or _Et des mandolines_,
an ode to cool eyeing on the side of Lucio Battisti. He makes the score
of a messy film, _L'explosion_. The soundtrack was only released in
Canada though it's full of wonderful material like _Thème du bateau_
or the depressing though dazzling _Le bilan_, written by his friend, the
drummer Moustache.
Should he have kept recording in his living room beyond 1975, where
would have Salvador ended up? Would he have been found to be one of the
pioneers of rap or techno? In 1975 Jacqueline is diagnosed with a
cancer. As she manages, decides and initiates everything, Rigolo starts
idling. The year's only release, _Pinocchio_, is finished in a rush
and poorly distributed. The Salvadors accumulate medical consultations
but the following year Jacqueline passes away. It's the end of an era,
the end of the home studio. Weary and beat, Henri doesn't feel like
playing in his empty house anymore. He lets all of their projects die
out: the TV show, the label, the musical editions, the PAM. It's a
free-for-all; the labels and editors scramble at his door. He's robbed
and pressed for more Disney albums. _Peter Pan_ is on the way, _Bernard
et Bianca_ ("The Rescuers") and _Mary Poppins_ should be next, but
nothing comes out. His old impresario Marouani helps him back on his
feet and takes him to the other side of the globe to drown his sorrows.
Henri had never gotten on a plane before.
"He's my man, my child, my baby and my islands' memories. I'm
his shadow and alter ego. I live for him." (Jacqueline Salvador, 1973)
Back in line, he records _Salvador 77_ with a handful of producers. He
slips in two oldies from his home-studio period: _Rock star_, a Johnny
Hallyday parody made for their TV show at the time and _L'amour, va,
ça va_, made in his crooner style. The latter is an outsider with its
sloppy arrangements. The synth is so saturated on the record it seems
the speakers might just blow up. In 1978, for RCA still, he records _On
l'a dans l'baba_ in the studio. It resembles a typical electronic
track with a Vocoder – the beat though doesn't emanate from a drum
machine but from a flesh-and-blood drummer. Here again however the irony
didn't bother Salvador. And neither us – we included the song as the
closing-track of our compilation.
In 1980, he handwrites _"Si vous ne l'aimez pas, allez vous faire
foutre"_ (literally, _"If you don't like it, go fuck
yourselves"_) on the sleeve of his latest album. We'll never know
whether it was meant for the journalists or his label. He records the
same hits again, releases dull singles. All the same, he remains a great
performer who can get the whole of Paris dancing, as well as a champion
for the youth (_Emilie Jolie, La petite sirène_). The 90s may prove to
be artistically poor, they are emotionally rich for Salvador: he meets
his last wife, Catherine. Lifted and lit up once again, he makes his
comeback in the 2000s with _Chambre avec vue_.
"In the 60s, the artists were getting ripped off with ridiculous
rates. In the 80s, the lawyers got involved. The economy changed and
non-recoverable advance payments emerged. Labels started financing
artists so they wouldn't end up doing like Salvador did." (Louis
Chedid)
Together with Jacqueline, Henri Salvador should've set an example for
other artists: one of independence against an unfair and unyielding
system. An inspiration not to end up enslaved by contracts signed too
early, or to feed a bunch of comatose owners clenching onto millions of
publishing rights. Be glad, music-consumer friends: tonight a pen-pusher
will offer himself an entrecote thanks to the money you kindly invested
in this compilation. Happy listening. More
" A pop star who turned his back to show business to become an independent
artist, steered by the revolutionary ideas of his wife Jacqueline in
1960's France; these are the outlines of Henri Salvador's unusual
musical career. It made him into a star then led him to entirely
dissociate from the record industry, preferring to make music in his
living room with his guitars. At 50, Salvador starts experimenting with
synths and drum machine, multi-track recorders and altered voice
collages. He takes up editing and mixing, and solitarily makes songs for
young and old from his home in Paris' Place Vendôme.
"Unfortunately, it's not beautiful songs that make an amazing
career. These are songs that will exist after I die." (1969)
How can one even begin to tell the story of Salvador? Seventy years of
music, a thousand of creations of all styles. He has known each and
every genre and trend, appropriated some and invented yet new ones.
Sometimes associated to ye-ye singers, he's also known to have brought
rock to France (in 1956, with Boris Vian). Yet he's 26 years older
than Johnny Hallyday. He's 47 when _Zorro est arrivé_ is released in
1964... and 83 at the release of _Jardin d'hiver_. Seen with today's
eyes it's all very dizzying. You never know whether he's young or
old, or under which label to file him: jazzman, crooner, entertainer,
composer, guitar player, children song singer...
As a kid he picks up the guitar without any theoretical basics and
becomes so talented he plays with Django Reinhardt. He learns to sing
and compose on his own. The 30s are the years of his training; the 40s
of his emancipation within musical ensembles which are to see his
talents flourish. He finds his public and perfects his tricks: laughter
and seduction. In the 50s he rediscovers the songs of the islands where
he grew up, revisits jazz, swing, blues and sings for children. It's
the years of his unforgettable "sweet song", and his voice changes.
His cheeky humour makes way for a multifaceted talent, he fills up
venues, surrounds himself with serious lyricists and accumulates
classics: _Le blues du dentiste, Dans mon île,_ _Syracuse._
"My wife has come to understand me so well that she can now think in
my place. When she has an idea it's, so to speak, my own idea!"
(Télé Magazine, 1972)
Jacqueline shapes and emancipates him. When they marry in 1950, she's
a quiet and cultivated young lady who's to progressively take charge
of his career. She enforces her views and frantic pace. A spectator in
the world of show business, Jacqueline realises that the artists, left
out of professional conversations, often get cheated. Henri undoes the
chains binding him to Philps, Vogue, Barclay, his editor, his manager
and his impresario, and becomes independent. The Salvadors get to know
the inner workings of production, edition, record pressing, distribution
and promotion. They always have material to record a demo at hand. Their
apartment is full of recorders: one at the bed end for the guitar, yet
another in Henri's office for the Steinway. He's on all fronts; he
accumulates hits, invents, mocks, adapts, and produces.
Place Vendôme sees the birth of the label Rigolo. Why Rigolo (French
for "funny")? "Because it's funny", he used to answer.
Homemade clips are broadcasted in TV shows they self-produce: Salves
d'Or (a play on words sounding like "Salvador" meaning "bursts
of gold") and Dimanche Salvador. Their approach turns out to be
profitable. The Salvador couple enters the 70s with confidence.
At times, Henri takes out the cabriolet along with his colporteurs on
record shop tours. Meanwhile Jacqueline is a formidable businesswoman.
Disney threatens to sue the singer over his use of the name Zorro: she
turns the situation to her advantage and cashes in on a Disney-Salvador
contract. The decade will see them release five records: _Les
Aristochats ("The Aristocats")_, _Blanche-Neige ("Snow White")_,
_Le petit Poucet ("Hop-o'-My-Thumb")_, _Robin des Bois ("Robin
Hood")_ and _Pinocchio_. Ever reinventing themselves, the Salvadors
intend to do without studios, engineers, producers and musicians
altogether.
"I started working with just a tiny recorder. Now I've gotten to
sixteen tracks. I have electronic drums and my instruments. I can give
the impression of a full orchestra. It's amazing, I have as many
musicians as I want at my disposal, at whichever time of day and
night" (1972)
They install a high-end recording studio in their living room they
nickname the PAM – referring to the name of their company, Productions
Artistiques et Musicales. Louis Chedid remembers, "there was a huge
mixer, custom made I believe, a 3M tape recorder. They must have had the
very first drum machines, the ones that accompanied organs for example,
inspired by the Ace Tone; they came with pre-recorded beats like 'samba'
or 'biguine' [pressing two keys simultaneously you could combine them].
Plus there were quite a few guitars. What I do remember very well is his
guitar playing. He was seen as an entertainer but, really, he was a
virtuoso."
Using his mixer and reels, Henri endlessly multiplies and harmonises his
voice. Everything is done hastily though with care. He plays around with
the offbeat sounds of the synths, has a blast with the drum machines. He
uses all of the pre-recorded beats, loops the "fillers" to generate
more beats, fiddles with the speeds, programs his own, sometimes goofy
rhythms. This creative shift changes his musical groove. Salvador
invented a mechanical jazz for himself, one that gathered its swing from
the guitars and its energy from the vocals. He worked around his
weakness on the bass with his strings and Moog keyboard. To get his
public used to this new style, the PAM first produces a few singles'
B-sides – _On n'est plus chez nous_, which recounts the story of two
scat-men interrupted by a passerby looking for Place de l'Opéra in
Paris. Then an A-side: _Ah ce qu'on est bien quand on est dans son
bain_, (which could be translated as "Oh how nice it feels to
bathe"), which was recorded straight from the bathroom and became
1970's Christmas hit. And finally the first self-released album: _Les
Aristochats_, rewarded by the Charles Cros Academy in 1971. Many things
are in Jacqueline's hands: the lead, the books, and even the keys of
the studio: at times Henri would get locked in to compose, let out only
to work on his TV shows.
Under his contract with Disney, he's required to produce
family-friendly records. Along with his authors he creates songs about
Uncle Scrooge, Sneezy and Mickey. He combines them to other, very
peculiar, pieces: _Les voisins_ ("The neighbours"), an old hater
complains about the noise; _Petit Lapin_ ("Little Bunny"), a city
man advises a rodent not to settle in town; _Voilactus_, (from "voie
lactée", French for the Milky Way) an alien mocks our banking system;
_J'ai envie de Lucie_, in which the narrator explains how he's
always longing for Lucie; _Maman Papa_, a spoiler for kids on how to
hate theirs parents later on in life; but also _Le temps des cons
_("The time of the jerks"), a harsh commentary on French society.
"I make kids laugh. I love to belong to this audience, the most
righteous and the most severe. If they like you, they tell you; if they
don't like you, they tell you, too." (Télé-Star, 1977)
These LPs are also full of tender songs, dance floor baits and
environmentalist vignettes - a hodgepodge less well regarded than his
sixties period. And yet it's a boisterous collection of gems, with a
peculiar signature and many fresh ideas. _Siffler en travaillant_
("Whistle While You Work") is a brilliant reinterpretation of one of
_Snow White_'s theme song, which a young Salvador had already
performed with Ray Ventura's Orchestra in the 40s; _Hello Mickey_, a
catchy, spirited ska_; J'aime tes g'noux_, a great cover of Shirly
and Co's _Shame shame shame_; on _Un jour mon prince viendra_, he
makes a beat borrowed from Suicide and a Les Paul solo collide.
Meanwhile Rigolo also releases less family-oriented singles. After all,
Salvador's in for a bit of fun. He takes up eroticism, the financial
crisis, and the negotiations between the US and Vietnam. He writes some
luminous ballads such as _Marjorie_ and catchy classics like _Pauvre
Jésus Christ_. Some tracks are the result of unbridled experimentation,
like _Sex Man_ – particularly innovative – or _Et des mandolines_,
an ode to cool eyeing on the side of Lucio Battisti. He makes the score
of a messy film, _L'explosion_. The soundtrack was only released in
Canada though it's full of wonderful material like _Thème du bateau_
or the depressing though dazzling _Le bilan_, written by his friend, the
drummer Moustache.
Should he have kept recording in his living room beyond 1975, where
would have Salvador ended up? Would he have been found to be one of the
pioneers of rap or techno? In 1975 Jacqueline is diagnosed with a
cancer. As she manages, decides and initiates everything, Rigolo starts
idling. The year's only release, _Pinocchio_, is finished in a rush
and poorly distributed. The Salvadors accumulate medical consultations
but the following year Jacqueline passes away. It's the end of an era,
the end of the home studio. Weary and beat, Henri doesn't feel like
playing in his empty house anymore. He lets all of their projects die
out: the TV show, the label, the musical editions, the PAM. It's a
free-for-all; the labels and editors scramble at his door. He's robbed
and pressed for more Disney albums. _Peter Pan_ is on the way, _Bernard
et Bianca_ ("The Rescuers") and _Mary Poppins_ should be next, but
nothing comes out. His old impresario Marouani helps him back on his
feet and takes him to the other side of the globe to drown his sorrows.
Henri had never gotten on a plane before.
"He's my man, my child, my baby and my islands' memories. I'm
his shadow and alter ego. I live for him." (Jacqueline Salvador, 1973)
Back in line, he records _Salvador 77_ with a handful of producers. He
slips in two oldies from his home-studio period: _Rock star_, a Johnny
Hallyday parody made for their TV show at the time and _L'amour, va,
ça va_, made in his crooner style. The latter is an outsider with its
sloppy arrangements. The synth is so saturated on the record it seems
the speakers might just blow up. In 1978, for RCA still, he records _On
l'a dans l'baba_ in the studio. It resembles a typical electronic
track with a Vocoder – the beat though doesn't emanate from a drum
machine but from a flesh-and-blood drummer. Here again however the irony
didn't bother Salvador. And neither us – we included the song as the
closing-track of our compilation.
In 1980, he handwrites _"Si vous ne l'aimez pas, allez vous faire
foutre"_ (literally, _"If you don't like it, go fuck
yourselves"_) on the sleeve of his latest album. We'll never know
whether it was meant for the journalists or his label. He records the
same hits again, releases dull singles. All the same, he remains a great
performer who can get the whole of Paris dancing, as well as a champion
for the youth (_Emilie Jolie, La petite sirène_). The 90s may prove to
be artistically poor, they are emotionally rich for Salvador: he meets
his last wife, Catherine. Lifted and lit up once again, he makes his
comeback in the 2000s with _Chambre avec vue_.
"In the 60s, the artists were getting ripped off with ridiculous
rates. In the 80s, the lawyers got involved. The economy changed and
non-recoverable advance payments emerged. Labels started financing
artists so they wouldn't end up doing like Salvador did." (Louis
Chedid)
Together with Jacqueline, Henri Salvador should've set an example for
other artists: one of independence against an unfair and unyielding
system. An inspiration not to end up enslaved by contracts signed too
early, or to feed a bunch of comatose owners clenching onto millions of
publishing rights. Be glad, music-consumer friends: tonight a pen-pusher
will offer himself an entrecote thanks to the money you kindly invested
in this compilation. Happy listening. More
Label:jack
Cat-No:mfas01
Release-Date:24.04.2008
Genre:Chicago House
Configuration:2x12"
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Label:jack
Cat-No:mfas01
Release-Date:24.04.2008
Genre:Chicago House
Configuration:2x12"
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3 classic and rare chicago cuts plus another recent, searched after house anthem.
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