Tracklist:
A1 / New York Is Dead
A2 / Black Hole At The Disco
A3 / Last Song Before Sunrise
B1 / Break Your Back
B2 / Mind Control

Short Info
It’s always fun to let our audience peer through the party peephole with some hot behind-the-scenes info. For months, Black Light Smoke’s Control EP has supplied several of label head Tiga’s secret DJ weapons. In fact, he’s been sneaking out constantly after 9pm to play it out anywhere they’ll have him. And it’s little wonder to those who wonder why, as the Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.

Leadoff track "New York Is Dead” eulogizes the famous Big Apple Dance Party Scene in a way that will confuse the many who have embraced the city’s thriving “Groove With the Avengers” day rave series in Times Square. But the nihilism-liking doesn’t stop there, with the Friday-Til-I-Die attitude of “Black Hole at the Disco,” the pleather-dreaded post-cyberpunk of “Last Song Before Sunrise”, and the oxygen-deprived acid of “Break Your Back” culminating in the 11:45am-peak-time industrial trance of closer “Mind Control.”

Because we want this to be available to as many inhabitants of the blasted apocalyptic landscape we have pencilled in for 2034 or so, we have decided to make this release available both digitally and on vinyl. So whether you’ve managed to jack in illegally to a Spotify Wind Farm or you’re relegated to the hand-cranked misery of a Victrola while living in a barn or something, we’ve got you covered!

Key Selling Points
- Black Light Smoke drops his first EP on Tiga’s Turbo Recordings
- The Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.


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Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)

Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.

Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.


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GENRE/S: Techno

Tracklist:
A1 / Eternity Land
A2 / Tubular Funk
A3 / Rousing Rhythms
B1 / Steampunk
B2 / Vapours
B3 / Teenagers From Outer Space



Short Info
Years of simmering mutual admiration between Turbo and Architectural finally erupt with Good Night, Whatever That Is, the Asturian producer's first release on the label.

Nothing gets us hot and bothered like the prospect of featuring a true artist on Turbo. In fact, we are so f-ing jazzed to be working with techno genius Architectural that we even dropped scrappy “fun-house” producer Archie Textures from our roster to avoid confusion.

The Good Night, Whatever That Is EP imbues the timeless platonic forms of techno with an energy, craft and depth that will feel instantly familiar to anyone who has built a cathedral with their bare hands. And yet the unadulterated power of lead single “Steampunk” and the even-less-adulterated power of “Tubular Funk,” confirm that this release also has one foot squarely planted on the secular dance floor, coursing with the searing bio-fluids that drive and torment all sexual beings. Meanwhile, your deep human need for contrast will be sated by the IDM-ambient euphorics of “Eternity Land” and the highbrow breaks of “Rousing Rhythms”.

In the interest of exposing this work to as many thought-hungry minds as possible, we will be randomly hiding 10,000 copies of the EP on CD-R in bottles of Drakkar Noir energy drink at participating supermarkets throughout the Americas and Eurasia. Our hope is that this marks the moment many of you finally become teachable, fully accepting that getting razor-like shards of CD-R lodged in your throat is simply the price of admission to the Idea Man’s Ball.


Key Selling Points
- Architectural debuts on Turbo Recordings with a 6 pack of pure gems.
- Timeless dub techno, for the dancers.



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GENRE/S: Techno

Tracklist:
A1 / Grindmaster
A2 / Angry Elektro
B1 / Angry Halibut
B2 / Save City
B3 / Flunk

Short Info
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fibre of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward.

To this end, everyone at Turbo is grateful beyond words that venerable veteran’s veterans Extrawelt are bringing the full bore of their two decades’ experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of “Angry Elektro.” And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called “Angry Halibut” and sounds exactly what you’re terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger “Save City” and bottomless warehouse trip-soundtrack “Flunk.”

Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt’s own “Drop Outs in Heaven Remix” of “Flunk” is yours as a digital exclusive. We have no real problem with vinyl lovers but they should probably come to terms with the fact that digital music - and by extension, digital exclusives - is perhaps the defining trend of 2024. You probably know someone with a computer, so maybe they can help you out.


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Tracklist:
A1 / Jaulas En El Cielo
A2 / Baila
A3 / Salseros
B1 / Baila (Roza Terenzi Remix)
B2 / Baila (DNGDNGDNG Remix)

Short Info
Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.

We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.

Key Selling Points
- Ambien Baby is the collaborative alias of D Tiffany & NAP, who make their debut on Turbo with this project
- Canadian connection with both artists & the label all being from Montreal & Vancouver
- Remixes from Roza Terenzi and DNGDNGDNG

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Tracklist:
A1 / Feel The Rush
A2 / Feel The Rush (Honey Dijon Remix)
B1 / Feel The Rush (Mr G’s Love Mantra)
B2 / Feel The Rush (Johnny Aux Remix)

Short Info
Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.

Key Selling Points
- Turbo debuts for Honey Dijon, Mr. G, and Channel Tres
- The first set of remixes from Tiga & Hudson Mohawke’s debut collaborative album - L’Ecstasy
- Early nod for song of the summer 2024

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GENRE/S: Techno

Tracklist:
A1 / Flashback
B1 / I See You


Key Selling Points
- The legendary techno icon Sven Väth makes his debut on Montreal's titanic Turbo Recordings, alongside his longtime collaborator Gregor Tresher.

- When it comes to foundational figures of electronic music, few are more impactful than Sven. Through his label Cocoon, and his widely respected DJing and parties over the last 30+ years, Väth has tremendously influenced of the global techno scene.

- Sven Vath almost never releases on labels other than his own (Cocoon). This is a rare treat to have him on another imprint.

- Sven performs vocals on both tracks, which is also a rare & special occurrence.

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GENRE/S: Techno

TRACKLISTS:
A1 / I’d Love to Do It
B1 / Paradox & Puzzle
B2 / Moments of Inertia

SHORT INFO:
Turbo Recordings is proud to present the label debut of Anastasia Kristenen, with her Moments of Inertia EP. As we enter our 26th year of existence, Turbo is constantly and violently shocked that exciting techno music is still being made. After a certain point, you
expect yourself to look a genre square in the face and say “Enough!” But we consider ourselves the luckiest vanity imprint on the planet to be able to harness the talent of artists like Copenhagen-based DJ-producer Anastasia Kristensen and serve it up to you in
this - your darkest hour.
Escaping the massive shadow of Norway’s hip-hop scene, ‘Moments of Inertia’ captures a sound that evokes nothing but itself, as though Kristenen were recording sub-rosa dimensional machinery at oblique angles and arranging the best parts with the kind of
narrative grandeur most techno artists would never dare interrogate. It should also be noted that the track “Paradox & Puzzle" shares a name with Tiga’s moderately successful escape room gastropub.
The A1 ‘I’d Love To Do It’ leads with vivacious drum programming and Kristensen’s enigmatic vocals setting the stage for 'Paradox & Puzzle’ which shares a name with Tiga’s moderately successful escape room gastropub. The title track closes the show with
slamming industrial tones, summarizing Anastasia’s bespoke futuristic flow.
If you think Turbo might start slowing down in its mid-20s, we respectfully ask you to get real. And while you’re at it, get a clue. ‘Cause we know in our heart of hearts that music can and will save the day, even if it’s just for just one day.


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GENRE/S: Techno, House : Melodic, Dub, Minimal

TRACKLISTS:
A1 / Getting Into It
A2 / I Told You We’d Make It
B1 / Exhilaration
B2 / The Offering

SHORT INFO:
Martinou lands on Turbo for the very first time, as the Swedish producer connects with Tiga’s Montreal-based label following years of mutual admiration. His melancholic sound, dripping in masterfully balanced tones, continues to impact both heady at-home listeners & season club dancers. A pair of albums on Rotterdam’s Nous’Klaer Audio have both been on constant rotation throughout the Turbo community, thus adding to the widespread excitement for Martinou’s debut on the imprint.
The Sheltered Planet is a four-track record at the cross-section of Martinou’s bespoke sound & Turbo’s historic Techno influence. The aptly titled opener - Getting Into It - elevates senses through an exploitative and rising
soundscape, flowing right into the beat-driven house cut - I Told You We’d Make It; crisp drum programming opens way to soaring melodics, with a deeply analog feel to the A2 groover.
On the flip, Martinou effortlessly glides through another movement-laden melody, as Exhilaration turns the dial ever-so-slightly towards the Swede’s take on a peak-time selection - The Offering. Rounded yet punchy synth lines ebb & flow from the distance, oozing into the groove by the time the break lifts brings us to the EP’s crescendo; a masterful dance track for the finest of dance parties.


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Tracklist:
A1. Cold War (Nuclear War)
A2. Nuclear War (Part II)
A3. Nuclear Winter
A4. Human Clones
B1. Future Man
B2. The Elohim
B3. The Golden Age
B4. Star Gate

Release Info:
DMX Krew unearths the lost Cold War LP.
Created for 1983. Created in 2003. Released in 2023.
In mistrust and blindness mankind wages a COLD WAR, East against West in a spiraling
cycle of mindless escalation. For 40 years the madness continues until it reaches its
inevitable climax, NUCLEAR WAR. Armageddon is achieved at the push of a button, millions
of lives are destroyed. Those who are spared struggle for survival in the bleak conditions of
NUCLEAR WINTER. Acid rain destroys the landscape, darkness falls across the face of the
earth and hope is lost as the population falls prey to radiation sickness and cancer.
Deep underground, the last survivor works feverishly in his isolated laboratory. A lone
scientist attempting desperately to save mankind, he uses occult technology and
deep-frozen human tissue to create a group of 12 radiation-resistant HUMAN CLONES.
They set forth to rebuild and repopulate the planet, whilst the scientist continues his work to
improve and strengthen mankind. He develops a technique to fuse his own living flesh with
the transistorized mind of a supercomputer, transforming himself into FUTURE MAN.
Synergy of man and machine. Having transcended his mortal condition, he is now deemed
ready to meet THE ELOHIM, a race of super-evolved aliens who created mankind 40000
years ago and have been watching and waiting ever since for the day when man at last
becomes enlightened. They descend from the heavens in their storship telling Future Man to
rejoice, for the trials of mankind are over and they sing to him of their long wait and THE
GOLDEN AGE which is about to begin. Future Mom and the Clones are taken on board the
spacecraft whereupon the Elohim transport them through the STAR GATE to a planet
paradise where they are able to live in peace and happiness and once again become
prosperous and many.




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Format: 12” Vinyl (140g, Black)

Tracklist:
A1 / Variations
B1 / Selected Faces
B2 / Atmosphere

Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly
influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen
The Hacker and David Carretta, but it sounds like a fresh update rather than
pastiche, revitalized and refined down to a modern and versatile core. These tracks
work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are
equally at home in a more underground setting, e.g. Von Party's 5am warm-up
before Ivan Smagghe at a London warehouse party.
The title track has the most attitude, establishing a palette of dark staccato basslines,
crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces
and Atmosphere are arguably even more straightforward club weapons, their
breakdowns creating just enough 'insanity' without getting annoying, their grooves
dropping back in with a cool, restrained power that will win over hiss-weary DJs.
With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the
works... if you want an idea as to how big Gesaffelstein will get this year, just think of
him as 'Brodinkelstein.'



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Format: 12” Vinyl (140g, Black)

Tracklist:
A1 / Hatred
B1 / Aufstand
B2 / The Lack Of Hope

Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Gesaffelstein's 'Variations' EP set an all-time record for feedback at Turbo. For a new
artist to attract that kind of attention from such a broad cross-section of DJs is
extremely special and a clear sign that he's tapped into something very, very big. To
the younger generation of clubbers and DJs for whom the funtastic era of 2001-2003
revivalism was a missed experience, Gesaffelstein represents a double-breasted
jacket of nostalgia for everything from the power of Industrial and 80s New Wave to
the Gigolo-glam of early Kittin & the Hacker, Steril, Vitalic, Fixmer, and yes, Tiga.
We have no hesitation in declaring that he has single-handedly updated an entire
genre, sharpened the edges, and notably traded in the camp and pastiche that made
Electroclash a dirty word for a refined and stylish simplicity. The breakdowns are
massive and very French, but never out of order. These are futuristic party bombs
which skillfully draw from our favorite dance music of the last 30 years... and add
more cowbell!


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Format: 12” Vinyl (140g, Black)

Tracklist:
A1 / Viol
B1 / Opr
B2 / Conspiracy Origins

Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Supremely confident, Gesaffelstein drops the M way down on the lead tracks,
drawing out an even heavier sound than on his last records. The slower tempo brings
tougher beats and even meaner synth sounds. Incredibly, he's found a way to make
his now-familiar palette sound completely fresh again. More clearly than before, one
can trace the development of an artist with a very refined musical agenda.
Viol begins like the tuning of a modernist symphony, a brilliant aesthetic flourish
before the track kicks off. OPR breaks down into a beautiful, futuristic synth-a-pella
that recalls the best of Detroit techno, reminiscent of Dopplereffekt.
Finally, on Conspiracy Origins - the only track composed in standard club tempo -
tension builds and builds, waves of rising paranoia and driving rage run straight off a
cliff. This is an outro with major attitude, inflected with violence and even contempt.
He clearly knows exactly what the crowd wants, but has the good taste and restraint
to only give them what HE wants, which is, incidentally, what they need.

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Tracklist:
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)

Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."



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Tracklist:
A1 – Easy (Héctor Oaks Difficulty Adjusted Mix)
B1 – Easy (Der Zyklus - Quantum Matrix)
B2 – Easy (Decius Remix)


Release Info:
We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a
massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and
Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop
a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat
equity vacuumed up off the dance floor by corporate parasites when the real future’s
in decentralized skanking? But that’s why people in my position - the top one-percent
in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket
packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation
was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to
flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has
been described as “operating at the absolute vanguard of rave.” Please remember
that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the
epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought,
Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out
the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted
to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”



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Tracklist:
A1 Gesloten Cirkel - cryformechicago
A2 Gesloten Cirkel - pkbday
B1 GPU - didit (Turbo Mix)
B2 Gesloten Cirkel – detoon

Release Note:
We wanted Turbo’s 218th release to be special, so we’re proud to announce that we’ve harpooned and skinned one of our white whales, Gesloten Cirkel. Label boss Tiga pursued several leads, most of which went nowhere (the artist's real name is not, as it turns out, "Jesse Circle”), before cornering the elusive Cirkel in Berlin, where he promptly befriended the shit out of him.

With killer releases on legendary Dutch electro/acid imprint Murdercapital, Gesloten Cirkel’s banger credentials are unimpeachable. For his Turbo debut, he flooded our modest Metaverse offices with over 60 demos. If you guessed that the tracks on Detoon represent all the very best of that material, you just might have what it takes to run a label of your own one day. But you’d also be wrong, because there’s a second Turbo EP on the horizon. Never forget: with Turbo, you’re always here to learn.



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2022 Repress, Format: 140g 12” Black marbled Vinyl

Tracklist:

A1 Weltschmerz
A2 Damage Control
B1 Lonesome
B2 Relatives Of None
B3 Weltschmerz (Melodic Theme)

Release Info:
"Lead track ‘Weltschmerz’ is a Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of ‘progressive.’ It’s a killer track that perfectly sets the tone for the whole record.

‘Damage Control’ is a straightforward flex-a-thon, a housier rhythm that struts along confidently. The technical term is ‘floor-filler.’ ‘Lonesome’ brings the emotion back, with it’s super-tense, unresolved melodies, this is perfect for all your mega-club yearning & gurning needs. ‘Relatives of None’ is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, ’Weltschmerz (Melodic Theme)’ provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.”


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GENRE/S: Deep House, House

TRACKLISTS:
A1 Hiroyuki Kato – Ngoma
A2 Hiroyuki Kato – You
B1 Hiroyuki Kato – Next
B2 Hiroyuki Kato – Donny

SHORT INFO:
fellice founder effgee welcomes the first new family member: Hiroyuki Kato delivers a deep house EP that is organic and warm, characterised by jazzy chords, grooves, and distinctive sound design.

The EP, Potter, features emotive loops that at times carry a live, dreamy feel or a heavier, club-ready energy, and is a handcrafted piece—much like the pottery surrounding Hiroyuki Kato’s studio in Seto City, Japan.





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Genre: Downtempo / Electronica / Folktronica

The Magic Movement proudly presents Bosquemar's new EP "Manco"
The title track is a remarkable showcase of Bosquemar’s distinctive sound, combining field recordings as the main ingredient, acoustic instruments, electronic rhythms, and dub influences. Rodrigo Gallardo, a key figure in the South American downtempo scene and ex-member of the renowned band Matanza, adds his well known vocal presence to the track. His contribution infuses Manco with authenticity and depth, creating a rich, multi-layered listening experience.
On his new EP, Bosquemar invites listeners on a profound sonic journey, transcending typical boho aesthetics to explore deeper psychedelic territories. This single reflects his mastery of folktronica, blending traditional and electronic elements to craft a transformative sound that resonates deeply with the listener.
With Manco, The Magic Movement continues its tradition of curating innovative music that pushes the boundaries of organic and electronic fusion. By merging traditional instruments with modern production techniques, the label showcases the soulful depth and creative vision that define its releases.

Tracklist:

A1 MANCO (FEAT. RODRIGO GALLARDO)
A2 CHUCAO (FEAT. BLANCA AURORA)
B1 TORDO
B2 REFUGIO



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

1. LP - Territory: WW Minus UK/Eire,Usa, Canada

- First pressing (300 copies worldwide)
- Black Bio vinyl

- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK


2. GENRE/S: Alternative / Ambient

3. TRACKLISTS:


A

1. Duvet
2. Lisière
3. Feux fuyants
4. Reflets
5. Intérieurs
6. Carnets

B

1. Clessidra
2. Point-virgule
3. Correspondances
4. Golden t-shirts
5. Exit

4. SHORT INFO:


Laurie Torres is a Canadian musician and composer raised in Montréal, Québec by Haitian parents. Since 2008, she has been a trusted stage and studio performer for Julia Jacklin, Pomme, and Land of Talk, as well as being a founding member of Folly & The Hunter, with whom she recorded four studio albums and toured Canada, Europe and the UK.

In 2023, Laurie shifted focus to work on her own creations, a process of making time - the will and the need becoming omnipresent. Drawing creative inspiration from contemporary artists like Tirzah, Gia Margaret, Valentina Magaletti, Tara Clerkin Trio and ML Buch, 'Après coup' finds Torres intersecting at a pivotal moment where artists whose marginalized identities are at the forefront in creating a beautiful array of "other options".

"Being othered and tokenized as a woman who plays music, as well as a queer and black person, takes a toll, while also positively feeding a strong urge to push and be seen."

Centering around piano, drums and synthesizer with interweaving field recordings, 'Après coup' follows the precursor ep 'Correspondances' in the form of a sprawling 11-track album. Translating directly from French - afterwards, after the event - its title subliminally points at something deeper between the lines. Recorded in 2023 between tours in a small window of time where 'normal' life hadn't quite recommenced, Torres meticulously crafted her debut solo material in view of surrounding nature, all providing the perfect nourishment for long streams of improvisation. Built right up to the edge of a lake, Studio Wild in St-Zénon, Québec offered an unparalleled location and set up for her freeform creativity.

Instrumental music seemed like a natural response and evolution for Torres who had long basked in the world of "pop music" as she elaborates: "I had an urge to use creativity as a sort of resting place, a place where things can unfold slowly and take time to reveal themselves. In other worlds words, I felt the need to make something slower, more elusive"

The immediacy of Torres' recorded takes doubled with minimal overdubs create a fiercely direct, intimate and unpolished lo-fi beauty. 'Après coup' then is self-reflective, open and inclusive with Torres allowing herself to be fully seen. An album to be felt at close distance with unrivalled authenticity. This album stands as a testament to Laurie's artistic evolution and serves as a beacon, inspiring her to continue nurturing her own creative pursuits and finding exhilarating freedom.


Full Press Release here: Click here


5. VITAL SALES POINTS:

- PR + Radio campaign by Someonegreat PR (UK/USA) / Dense PR + Radio campaign (EU)



" NPR - New Music Friday:
The Best albums out Oct 24 (ep)

" Somewhere Soul - Best New Music out this week (900K followers)



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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2x 12" colored vinyl with full cover print - transparent pink vinyl

TRACKLIST:

A1 Viers - The Club Is My House (Hardspace Mix)

B1 Resist 101 - Impulse 101 (Hardspace Mix)
B2 Viers - Some Weird Drum Shit (Hardspace Mix)

C1 Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)

D1 Helena Hauff - Rupture (Hardspace Mix)
D2 Ectomorph - The Haunting (Hardspace Mix)


INFO:

Len Faki recently put out his mammoth LP Fusion, but his new moniker Hardspace finds him harking back to his signature style of specifically editing tracks for his personal club usage.
Working on the album may have helped open him up creatively, but this new project has him investing countless hours and a lot of passion into building the most efficient club tracks imaginable.

Long-time fans of Faki know that he's always edited all of his sets' tracks to uniquely suit his personal mixing style, making his sets sound as tight and cohesive in a way that stands out from the rest. Decades of experience as a producer and DJ for the dancefloor have gone into these edits, re-arranging and re-mixing sometimes forgotten tracks for a new audience. Incorporating his singular understanding of frequencies and floor dynamics, Hardspace is meant to express this side of his musical personality, while Len Faki will continue to explore a more varied approach to producing.

Swapping a lot of weekends away busily touring for much more studio time, the result marks both a technical and also personal achievement for Faki. Improved production skills, tears and emotions all have been poured into Hardspace, which will see a slew of releases in the forthcoming months.

The first volume includes a total of six reworks, both previously unreleased tools of colleague Viers or Helena Hauff's modern acid chug, as well as some 90's classics from Perry & Rhodan, Resist 101 and Ectomorph. All of these tunes have been meticulously pieced together to keep the originals' flavor and ideas, but infuse them with the undeniable power and presence that all Faki produtions have come to hold.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Territories: WORLD minus US

Format: 12” Transparent Grey Vinyl

TRACKLIST:

A1. DIG
A2. HIT
A3. CALL
A4. UNDERSTAND

B1. FORGOTTEN
B2. LUST
B3. RIGHTS
B4. SOME


SHORT INFO:

In their new project, DJ/producer Mayo and rock star CAH experiment with hard beats, melodic vocal lines, synthesizer improvisations, and found sounds. With A Spiral Walk, they blur the lines between pop and underground, between seduction and rejection, between darkness and light.





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WAS - Word and Sound Medien GmbH
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Germany
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Rights: World excluding France, UK & US

Packaging: 2 x 140 grs Black Vinyl, Gatefold with spot UV gloss, 2 x Black Dust inner sleeve, front sticker

DOUBLE VINYL
A1 - Spirale - The Limiñanas
A2 - Prisoner of Beauty - The Limiñanas & Bobby Gillespie
A3 - J'adore le monde - The Limiñanas & Bertrand Belin
B1 - Shout - The Limiñanas & Rover
B2 - Faded-The Limiñanas & Penny
B3 - Catherine - The Limiñanas & Anna Jean
B4 - The Dancer - The Limiñanas

C1 - Space Baby - The Limiñanas, Jon Spencer & Pascal Comelade
C2 - Tu viens Marie - The Limiñanas
C3 - Louie Louie - The Limiñanas
D1 - Autour de chez moi - The Limiñanas
D2 - Degenerate Star - The Limiñanas, Jon Spencer & Pascal Comelade
D3 - Où va la chance (Françoise Hardy Cover) - The Limiñanas

SHORT BIOG FOR ONLINE PREORDER
Following "Shadow People" (2018) and "De Pelicula" (2021) done with Laurent Garnier , The Limiñanas are making their big comeback with their new album entitled "Faded" , whose first single is "Prisoner of Beauty" featuring Bobby Gillespie (Primal Scream), supporter of the band for years. The French psychedelic - garage duo has also gathered on " Faded" for duets artists such as Jon Spencer, Bertrand Belin, Rover, Penny, Anna Jean & Pascal Comelade.

FIRST TOUR DATES

March 29th / BARCELONA – Razzmatazz

April 10th/ PARIS – Olympia

April 12th/ LONDON – Electric Ballroom

April 15th / BERLIN – Columbia Theater

April 16th / AMSTERDAM – Tolhuistin – Paradisio

April 17th / BRUSSELS – AB Ballroom

May 22th / LAUSANNE – Les Docks

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Modern Obscure Music is proud to present Pierre Bastien & DJ Low's "Swing Low", a work that fuses the poetic inventiveness of Pierre Bastien with the visionary legacy of the late DJ Low (Tom Deweerdt), a central figure in Belgian independent music and founder of the influential Lowlands label. This album, which interweaves memory and experimentation, represents Bastien's debut on the Barcelona label's catalog and a testament to the creative bond between the two artists.
The album, composed of seven pieces, stands out for its hybrid nature: five reinterpretations of Bastien's previous works, some of them coming from his influential Mecanoid (originally released by Rephlex), and two unreleased improvisations, A Pupa and Reviver, which seal the unique character of the project.
Pierre Bastien, recognized as a composer, inventor and builder of sound machines, has been a tireless explorer of the frontiers between the mechanical and the musical. From his contribution to the Belcanto Orchestra, his collaboration with the PRSNT project to his participation in Pedro Vian's Earth, Our Planet or his collaboration with Tomaga for the Other People label, his career illustrates a constant commitment to experimentation and the intersection of disciplines. Among the artists he has worked with are names such as Robert Wyatt, Jac Berrocal, Jaki Liebezeit and designer Issey Miyake. His works have found homes on iconic labels such as Marionette, Morphine and Discrepant to name a few.

The album is presented with a visual design by Koen Bruyneel, reinterpreted as a tribute to Tom Deweerdt, a decade after his departure.

Tracklist:

1 - Revel Ever / Deep Speed
2 - Revolt Lover
3 - Rev Over
4 - No Lemon, No Melon
5 - Vipers
6 - A Pupa
7 - Reviver

Genre: Folk / Electronica

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Rights: World excluding France, UK & US

Packaging: 2 x Clear Red Vinyl, Gatefold with spot UV gloss, 2 x Black Dust inner sleeve, front sticker

TRACKLISTING DOUBLE VINYL:

A1 - Spirale - The Limiñanas
A2 - Prisoner of Beauty - The Limiñanas & Bobby Gillespie
A3 - J'adore le monde - The Limiñanas & Bertrand Belin
B1 - Shout - The Limiñanas & Rover
B2 - Faded-The Limiñanas & Penny
B3 - Catherine - The Limiñanas & Anna Jean
B4 - The Dancer - The Limiñanas

C1 - Space Baby - The Limiñanas, Jon Spencer & Pascal Comelade
C2 - Tu viens Marie - The Limiñanas
C3 - Louie Louie - The Limiñanas
D1 - Autour de chez moi - The Limiñanas
D2 - Degenerate Star - The Limiñanas, Jon Spencer & Pascal Comelade
D3 - Où va la chance (Françoise Hardy Cover) - The Limiñanas

FIRST TOUR DATES

March 29th / BARCELONA – Razzmatazz

April 10th/ PARIS – Olympia

April 12th/ LONDON – Electric Ballroom

April 15th / BERLIN – Columbia Theater

April 16th / AMSTERDAM – Tolhuistin – Paradisio

April 17th / BRUSSELS – AB Ballroom

May 22th / LAUSANNE – Les Docks

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Special remarks: 2LP, 180g

Tracklist:

A1) The Book of Sounds - Part 1 07:34 min
A2) The Book of Sounds - Part 2 08:32 min
B1) The Book of Sounds - Part 3 05:05 min
B2) The Book of Sounds - Part 4 05:05min
B3) The Book of Sounds - Part 5 05:52 min
B4) The Book of Sounds - Part 6 03:26 min
C1) The Book of Sounds - Part 7 08:01 min
C2) The Book of Sounds - Part 8 05:09 min
C3) The Book of Sounds - Part 9 02:46 min
D1) The Book of Sounds - Part 10 11:49 min
D2) The Book of Sounds - Part 11 03:30 min
D3) The Book of Sounds - Part 12 04:33 min

Info:
The new recording of The Book of Sounds is an intimate exploration of the piano by pianist Carlos Cipa - a way of looking into the sound, of listening into the moment when Cipa's fingers press down on the piano keys. The Book of Sounds, composed between 1979 and 1982 by composer and pianist Hans Otte, is a musical pendulum movement of one hour in twelve 'pieces', as the composer himself describes them. Chords and melodies repeat themselves, sometimes quickly, sometimes slowly; they follow each other in harmonic cadences and yet never dissolve - a timeless back and forth.
The Book of Sounds is the European-German answer to the concert music of American minimalism. But it is also the essence of many questions about society and the human condition at that time. Inspired by Zen Buddhism, Otte was convinced that a return to simplicity, to the unagitated - a piano, harmonic cadences, a middle register - frees the listener to focus on what is really important in art: the human being. Introspection begins with listening. Seldom have simple chords and melodies been so selectively staged. It is a process of endless reduction - no wild sound dramaturgies, no climaxes, hardly any beginning or end. The interpreting pianist simply prepares a tableaux of perception for the listener. Cipa naturally sets accents; he recorded the 12 pieces on three different pianos - a Steinway grand piano, a Yamaha piano, and a Yamaha CP-70, an early electric piano - to help shape the tonal characteristics.
Carlos Cipa hits the nerve of the times with this new recording. What music can be as art is still up for debate today. The Book of Sounds is not 'art-proof' and in this it is still a provocation today; absolutely unspectacular and practising relaxation. It is a wonderful invitation to feel, experience, and perhaps even find oneself in the confrontation with the work - and for a moment not to fuel the discourse. Cipa, who otherwise appears as a composer himself, here carries out Otte's intended gesture of withdrawal in a double sense and steps into the background as creator but also interpreter, in order to bequeath The Book of Sounds to the loudspeakers and headphones at home in one step forward.



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Genre: Soundtrack, 80s, Cult, Horror, Score, Synth, Orchestral

LP: Limited Edition of 500, Heavyweight 350gsm Sleeve, Cut Out Sticker, Composer Notes

Tracklisting LP
A1. Main Title
A2. Stuck
A3. Teddy
A4. The House
A5. The Basement
A6. Judy And Dolls
A7. Mr. Punch
A8. Dark Hallways
A9. Gabriel’s Workroom
A10. Toys For Us Kids
A11. The Rooms
A12. Isabel And Judy
B1. The End Of Isabel
B2. The Dolls Attack
B3. So Long, Shortstuff
B4. Toys Are Loyal
B5. Trapped
B6. End Title

Info

WRWTFWW Records is very excited to announce the first ever release of the highly-sought after original soundtrack from 1987 cult horror movie Dolls by multi-instrumentalist, composer, producer, music man extraordinaire Fuzzbee Morse. The limited-edition LP is a miracle of lost-then-found VHS era film scores and is housed in a heavyweight 350gsm sleeve with a bloody cutout sticker and exclusive composer notes.

Directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) and released by Charles Band’s infamous Empire Pictures (which later morphed into Full Moon Productions), Dolls is 80s campy VHS horror in all its glory, a fan-favorite with all the attributes needed for a frightening popcorn night, including one hell of a soundtrack with a very welcomed heavy dose of menacing synths, thunderous orchestrations, and quirky interludes.

The haunting score comes from master Fuzzbee Morse who composed it in Richard Band’s garage with a Yamaha QX-1 sequencer, an arsenal of vintage synthesizers, and a wide array of instruments. The result is a must-have (and never released before!) soundtrack that blends horror tropes with influences ranging from Igor Stravinsky’s The Rite of Spring to Bernard Herrmann, Frank Zappa, Beethoven, Charles Ives and Eleanor Rigby!

Dolls follows the WRWTFWW release of Fuzzbee Morse’s Ghoulies II (1988) as well as 3 other soundtracks from the Empire Pictures vaults: Richard Band’s Ghoulies (1985), TerrorVision (1986), and Troll (1986). All still available – complete the collection now!

Points of interests

- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, Stuart Gordon, John Carpenter, b-movies, sci-fi, Gremlins, toys, evil toys, Toys R Us, the good old days, toys you can play with at 33rpm, Christmas presents.

- First ever release for the soundtrack of cult horror movie Dolls (1987), with cut out sticker and composer notes.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore