Massimiliano Pagliara’s Funnuvojere Records is thrilled to present a very special addition to its flourishing catalogue. This new release, ‘Hanging in The Stars Part 1’, comes from Voiski, aka Luc Kheradmand.

Voiski has been a prominent figure in the electronic scene for over a decade, with a discography that spans across labels such as Dekmantel, L.I.E.S, and Delsin Records. With ‘Hanging in the Stars Part 1’, he delivers a collection of tracks that showcases his mastery of sound design and emotive melodies.

‘Romance Mentale’ sets the tone for the EP with its deep, rolling bass line and soaring synth lines. The ambient ‘Harmonie Du Soir’ follows. It’s made of spacious pads creating a weightless atmosphere that provides a luxurious sonic experience.

‘Call It Madness’ has an infectious groove and propulsive tempo. With its layering of arpeggios that implode and scatter, the track creates a sense of euphoric energy that is driven by an unyielding beat.

The EP concludes with the ethereal pads and poignant melodies of its title track. With this unforgettable collection of tracks, anticipation for Part 2 is already building.

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Live recorded at Chapelle XIV.
Only 100 units.

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Delsin marks its milestone 150th release in a rainstorm of gorgeous arps with a full EP from Voiski. For Luc Kheradmand it's a return to the label which carried his 2020 collaboration with Wata Igarashi and where he issued early single Breaths Written Outside Gloom. For Delsin it's the perfect way to sum up different dimensions of the label's identity - richly melodic, machine-powered and yet distinct from any illusion of a typical 'Delsin sound'. The End Of Fiction EP marks a new chapter in Kheradmand's approach and intention. His prolific back catalogue reaches back across countless releases for labels like L.I.E.S., Dekmantel UFO, Bassiani and his own Super 95. Here his established overdriven snarl is tempered, but not at the expense of the energy and emotion readily associated with his music. There's a trace of trance and early Detroit about the powerful lead lines on 'Blazing Star' and 'Hazy Suns', while 'Unreality' basks in blissful acid and 'Ideodelika' charts a course through progressive, psychedelic techno. The End Of Fiction still bristles with the peak time energy Voiski is often known for, but it's the melodies which dominate the overall narrative as he sets out a renewed clarity in his sound.

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voiski already made his entry on the label with a track for the dolly deluxe series taken from steffi's fabric mix cd. the talented french producer returns in typical voiski style with 3 unique cosmic techno drifters and wraps up this quality release with a dark electro slammer!

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Voiski embarks on the third expedition into the cosmic lands .A collection of singular and utopian ambient, electronica and techno tracks illustrated by spectacular picture of Layla Kerley and Bruno Compagnet.Cosmic Adventure is an honest portrayal without fabrication or pretense. Too often electronic music is subjected to the damaging opinions of others and categorized in a movement or a trend, choking the freshness out of the sound. Cosmic Adventure provides a platform of creative energy, a unique platform for unique artists who search nothing except discovering new landscapes and inspiration.

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After two eps on L.I.E.S. Voiski heads East making his debut on the CCCP sub-label. We are treated to classic Voiski material here- all the elements he excelled at on his previous efforts all present-massive drum programming, huge basslines and epic builds carry the songs along. 100 percent guaranteed club approved and essential for any Voiski fan.

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November will find Delsin release a new EP from Voiski entitled Breaths Written Outside Gloom that features four cuts of the Frenchman's trademark techno. Before now he has released solo and with various others on labels such as LIES and Syncrophone and always manages to cook up gurgling grooves and textured tracks that take you deep down the rabbit hole. Opener 'Downhearted Holidays' is all about a menacing bassline that looms large below jostling metal percussion and frazzled synth lines. It's spare and absorbing, inhuman and bleak in the most inviting way. 'Galaxy Call' is a more energetic affair with squeaking, pixelated and high pitched melodies squealing over a gloomy and gloopy bass line. Militant snares are upright and driven and the result is a track that sounds like the machines are taking over. 'Mathematical Park' is about mid tempo drums, paranoid synth drones and desolate urban soundscapes all run through with a sense of dark futurism and finally 'Answer Silently' is the slowest and swampiest of the lot. A growing sense of darkness permeates slithering synths, icy hi hats and lazy drums and there is a real air of foreboding through this and all the cuts here that make it perfect night time music.

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Voiski (one of Polar Inertia) & ever seen on Contruct Re-Form is now on Syncrophone Recordings.

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For his first release, Antigone already imposes his identity with a very assertive sound, without any concession. Two tracks in the mechanical grooves and sounds for a techno honed sharp and refined. Finally, an energetic and powerful remix signed by the label owner, Zadig.



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2 years after his critically acclaimed “Ultrachroma” album, Kangding Ray returns to ARA with a decisively dance- floor LP named “ZERO”.

As the artwork suggests, his different explorations and influences converge into one point on this record, where sound becomes a raw vibration, precisely engineered to bring bodies into movement.

This record marks both a return to the source of his sound in its purest shape, with hints of his debuts on the experimental label raster-noton, as well as the hypnotic journeys he is now for with his DJsets.

As an artist who is constantly reshaping his own sound in search of new forms, Kangding Ray offers here a singular take on modern dance music, driven by a visceral and futuristic approach.

“When an audio signal crosses the X-axis, there is an infinitesimal moment of silence. ZERO is inspired by this quiet instant, a point of inversion where vibrations die and are reborn at the same time” . KR

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“ In search for unseen colours beyond the visible spectrum, Kangding Ray explored the outer fringe of club music and came back with a set of prismatic sonic crystals ”

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This music was composed for SKALAR, an audio-visual kinetic art installation by light artist Christopher Bauder & Kangding Ray SKALAR is a large-scale art installation that explores the complex impact of light and sound on human perception. Created by light artist Christopher Bauder and musician Kangding Ray, this monumental artwork is a reflection on the fundamental nature and essence of human emotions. By combining a vast array of kinetic mirrors and perfectly synchronized moving lights with a sophisticated multi-channel sound system, SKALAR offers an audio-visual narration of radiant light vector drawings and multi-dimensional sound in enormous pitch-dark spaces. SKALAR is an intense journey through the cycle of basic human emotions. Everchanging tonalities trigger the full spectrum of emotional experiences using light, sound, and motion. The feelings of awe, surprise, exhilaration, and anticipation of having one’s senses overwhelmed are created, explored, and repeated in cycles throughout the piece, providing a collective, yet highly individual emotional experience. Light and darkness as endless cycles of day and night define our perception of time and influence our emotions. SKALAR is a central piece within light artist Christopher Bauder’s body of work, reflecting his deep fascination with light. In this gigantic installation, light is treated as a solid material that can be dimensionally sculpted and shaped, evoking abstract emotional associations. Intertwined with the tireless exploration of textures, rhythm, and sound design by musician and composer Kangding Ray, the silence of darkness is filled with iridescent forms of spatial light and sound. The original composition is spatialised in 360° over a 12 channels sound system, this stereo version has been mixed and mastered to convey a similar sense of space.?As of the release of this record, SKALAR has been presented in Berlin (Kraftwerk) in 2018,?in Mexico City (Frontón) in 2019 & in Amsterdam (Gashouder) in 2020. Fore more information about the piece and its concept, please visit www.skalar.art

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