Borusiade lands on Dark Entries with their triumphant third LP, THE FALL: A Series of Documented Experiences. The Romanian producer and DJ Miruna Boruzescu aka Borusiade has a track record of genre-bending releases on tastemaking outlets like Cómeme, Pinkman, Cititrax, and of course Dark Entries, who unleashed their stunning 2020 sophomore album Fortunate Isolation. THE FALL builds on Borusiade’s mythos with its 9 brooding and sophisticated tracks investigating the contours of memory and embodiment - the “fragile bridge between body and mind” in Borusiade’s words. Moody basslines and melancholy synths wrestle with muscular rhythms; this is electronic body music for the heart and head. This is their most diaristic work to date, as well, chronicling love and loss through the gauze of reflection. Tracks like “Save Me”, “Recovery and Redemption”, and “The Fall” sprung from painful breakups, periods which Borusiade identifies as some of their most creatively fruitful, finding themselves “making the best music when I was brokenhearted.” There are odes to musical titans we’ve lost: the minimal electro producer Porn Darsteller is comemorated on “Darsteller”, while industrial legends Genesis P-Orrige and Lady Jaye are honored on “Pandrogyne.” THE FALL comes housed in a sleeve using Gautier D'Agoty’s “Essai d'Anatomie,” an anatomical work from 1745, and also includes a lyric sheet. Trauma, from lost love to pandemic isolation, informs THE FALL, situating itself as a gap that can only be accessed through sound and the creation of art. “What can I add? When life gives you drama, make music.”

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Known for a series of beautiful records released on some of the best labels of the past years (Comeme, Dark Entries, Cititrax, Pinkman), Romanian producer and DJ Miruna Boruzescu aka Borusiade knows how to create ethereal tracks, somewhere between post-wave, techno and industrial vibes.

"Purge", the new EP for Tripalium Corp, is about heart-break in forced isolation, when the only way to stay sane is purging through music and lyrics. From the 80s synth of "Let Go" to the experimental ten-minutes-trip "Haunted Evolution", these five tracks are talking about of one's coping systems in extreme emotional situations, hope and power to move on and last but not least, learned lessons and empowerment.

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We are proud to release ‘Fortunate Isolation’ the sophomore album from Borusiade. Born and raised in Bucharest, Romania, Borusiade aka Miruna Boruzescu started DJ-ing in 2002 as one of the very few female DJs in the city’s emerging alternative clubbing scene. Influenced by a classical musical education, a bachelor in film direction and fascinated by raw electronic sounds, Borusiade first combined these universes in the construction of her DJ sets and starting 2005 also in her music production. A sound of her own has slowly crystallized, often dark with poignant bass lines, obsessive themes and by all means melodic. She has released EPs on labels like Pinkman, Unterton, Cititrax, Correspondant and Cómeme, who released her debut album ‘A Body’ in 2018.
‘Fortunate Isolation’ is perhaps Borusiade’s most personal release to date. Eight songs that capture a bystander witnessing the world as it undergoes drastic changes. We have disconnected ourselves from ecology, humanity, preservation, care for what surrounds us, for what is still alive. Borusiade adds, “| know that this place, our home has went through so many other extinctions, but | believe things will find their own way on this planet only once we are gone. Entropy creates a time-line but also a transformation - a new beginning.” The album’s sound is gloomy and powerful mixing sonic film sequences, rhythmic excursions and soothing yet obsessive vocals that touch one’s deepest senses. Lyrically the songs tackle themes of forgotten memories, spirituality, mortality, and destruction. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. Each copy is housed in a jacket designed by Eloise Leigh with decaying daguerreotypes against a rust color palette and includes an insert with lyrics.


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On her Unterton debut, Their Specters, Borusiade offers four different takes on atmospheric, industrial electronics and chopped rhythms, composed around the themes of ecological and human self-destruction. 2018 has already been an active year for the Romanian-born, Berlin-based electronic musician, who released her debut LP A Body on Co´meme in March and has since toured her live set throughout Europe. Known for a hybrid sound between noisy electronics, techno, post-punk, and dark disco, she has also released EPs and 12“s on labels such as Minimal Wave sublabel Cititrax and Jennifer Cardini’s Correspondant. EP opener “Forewarned Is Forearmed” sets the tone as a massive drum march, stomping forward between rolling snares, clanging metal percussion and guttural drones, while evolution-themed ”Common Ancestor” is a tribal head-nodder, with booming sustained kicks offset by overdriven snare brushes and fluttering synths. New forms from a primordial sonic pool. On “Doublethink” wailing synths and stuttering rhythms vie for dominance in a storm of off-kilter techno, while the mammoth, slow melodic closer “Atlas” moves to the pace of waves crashing and hypnotic, detuned, interwoven melodies. Big sounds for the end of days.

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Silent is the new single by Miruna Boruzescu aka Borusiade from Bucharest. Silent is a suffocated cry. Silent as in silence that is hard to take. Sitting and waiting in silence, while exploding on the inside. Silent as in silence before the storm. An intense track that recalls industrial spaces, hedonism, sweat, sex and disconnection from the outside world. The rattling sound of ghost train passing by, or big reverberated factory machines unleashed. Body music 2017. The B side features a remix by the project Khidja , also hailing from Bucharest, and is driven by the track’s bass synth, a neurotic now school electro rapture take on the original. Silent will be part of Borusiade’s debut album that will be unleashed next year via Co´meme.

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Romanian born, and Berlin Based, Borusiade (aka Miruna Boruzescu) makes her Correspondant debut in dazzlingly bleak fashion. Over a four track EP the artist manages to channel a wealth of disparate sounds, referencing Giallo disco, New Wave longing and Pitched-down ghetto techno amongst other dark and otherworldly tropes. All of the music on offer here possesses a slow and dark drive that purposes it for the dance floor, but also contain such a wealth of loss despair, and a perverse pathos that elevates them from simple dance music and move them in to a more artistic realm.

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Welcome to a nocturnal show of climbing creatures and warm moving bodies, strangely familiar voices on lonely nightrides, and hair-raising déjà-vus of forgotten dreams. Welcome to her first EP: Jeopardy. Welcome to the world of Borusiade. Miruna Boruzescu, DJ and producer from Bucharest, descended from Saturn's sphere through various channels of transmission such as: the mesmerising show "Dreamcatcher" on Radio Cómeme, Gudrun Gut's "Expartriarch Generations", Berlin's gay classic "SchwuZ", and in living colour at night from Milano to Mars. 2016 will see her visions coagulated into black vinyl, not only on Cómeme but also on Jennifer Cardini's Correspondant; obviously choosing labels opposed to the genre-abiding underground neocons. The soundtrack to her Saturn return - a period of loss, transformation and empowerment, soaks us in during the very first bars of Spellbound (Surrender), opening a velvet drape to a hallucinogenic dramatic play of sensualities, sexualities, emotional and physical bondage. Could a film score in a parallel world when doppelgangers of Bela Tarr and John Carpenter team up with Bela Lugosi sound like this? How would these melodies work underlying the imagery of Tarkovsky's Solaris or Stalker? They not only evoke visions but sweetly poison our bodies on non-documented dance floors. It is here where the queer souls abandon their precarious conditions in society to turn into blooming night shades. The trip continues with the energy driven Haunted By Flashlights, an electronic body trance of exciting anxiety where lampposts passing by at high velocity turn into strobe: A real nightlife flip book of self forgotten corporal mannerisms

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PINKMAN's resurrection of its Broken Dreams series is marked by a release of Dolphins - Benedikt Frey's project with Markus Woernle and Nadia D'Alo. 40G evokes landscapes of doom, disorienting pleasure, and the surreal visions that occupy a sleepless night; the soundtrack to a Lynchian fantasy about the creatures that haunt the murky waters of the modern mind. It's an album for finding yourself on a stranger's couch, tearing at the fraying edges of another endless night, wrapped beneath a blanket of drugged-out kraut. "I am here to guide you through the night," the trio sing on 'Alright'; we believe they're up to the task.

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Repress!

A contemporary rendition of punk, fused with dubbed out, and slowed down industrial electronics, courtesy of Identified Patient and RLR's Hugo van Heijningen. Together they go by the name Stallion's Stud and come crashing down like a cavalry, leaving nothing but a dusty trail of destruction in its wake.

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From underground Russia comes LVRIN's second release on Pinkman Broken Dreams. 6 jams for the freaks - stripped to the bone, with minimum fuss and maximum attitude.

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The second release of Black Merlin's SFORMATOR series on Pinkman. Three cuts of hypno-beat electronics, created through ritualistic embodiment of sound by the machine doctor to expand minds.

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December returns to Pinkman Broken Dreams with 4 hybrids of arranged chaos where rugged rhythms and breaks wrestle with dystopian melodies and occult vocals. A complete meltdown which viciously takes you into a delirious state. The future is near...

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Years of Denial joins Pinkman Broken Dreams and deliver an EP with four devilish and cataclysmic electronic body tracks. The duo's sound combines influences of deranged experimental music with vocals surrounding themes of isolationism and dark romanticism. The outcome is stunning in its very own way, as the music creates a deeply immersive atmosphere, and is abundantly vigorous to keep dancers on their toes and moving from the night's darkest corners to the dawn of day.

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One of the most diverse artists in contemporary electronic music is back on Pinkman, with more than just another 12". To give him the freedom to experiment and roam between different sounds, textures and influences, Black Merlin will be doing a trilogy of releases for Broken Dreams. The first one - Sformator1, is a ghastly and infuriating techno EP. Dance floor obliteration assured and more is to follow.

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The newest offering on Pinkman Broken Dreams: Rough, noisy and cataclysmic machine music, seasoned with industrial and EBM influences, by Frenchman December. Every single bit as uncompromising and assertive as his previous output on Mannequin or Jealous God. Download code included.

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Straight out of underground Paris and right onto Pinkman's Broken Dreams arrives Myn. The Public Systems label boss follows up a debut track on his own label with a poem about gloom, desolation and anger written in native machine language for the Rotterdam imprint. The A stanza describes a 'Mental Outburst' with punchy lines written in raw percussion and disconcerting 303 work. Following a line break, the B stanza changes the meter from 4/4 to pummelling broken beat in a piece about power and dominance titled 'Black Rose'. The Violent Poetry concludes with yet more deathly rhythms and spine-chilling verses in 'Core Collapse'.



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Being closely connected to the label, it was only a matter of time before Daniele Cosmo was released on Pinkman. At long last, he makes his debut appearance with co-conspirator CCO as Savage Grounds. What they came up with is a tight two tracker presenting full speed, minimalistic punk electro workouts. Both tracks, while boasting with furiosity and dread, as is often the case in the Broken Dreams releases, carry an infectious groove that is guaranteed to get bodies moving in the highest gear and right into the abyss. Pressed on a single 7" this concise release is far from falling short in completeness, expertise and potential to break dreams.

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Alessandro Adriani weaves a nightmarish scenario as the Mannequin man returns to Pinkman's Broken Dreams with four hardened works. Beats are shaven into rigid points as EBM echoes are speared with contemporary contempt. Throughout the quartet are moments of exotic abstraction, psychological stresses and visceral disorders. Music for sleepless nights and addled minds.

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Pinkman's Broken Dreams welcome a new midnight malcontent into the fold, Ernestas Sadau debuts with his first 12": Gonzo on Tour. Sirens blare, samples hiss in a haze of static before a grizzled snare introduces "Riots in Jail Near Kaunas." Grubby basslines curl into shards of acid, full figured thump sweetened by fragile bars. "Crackheads from Lyon" is steeped in the traditions of garage bands and D.I.Y. punk. Strings snarl and sneer at crashing drum beats, lonesome notes floating in the surge. The foul tempered "Hiroshima (Acid Breaks Your Body Mix)" demands the flip. Beats break and buckle under the leer of lewd 303 lines, a finale bubbling over with violent intent.



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Having already debuted on the Pinkman main label, Identified Patient now steps up for the Pinkman "Broken Dreams" series for your stripped back content. The whole EP is furnished with the sinister and commanding vocals of Sophie du Palais, also known as 'Vrouwe Fataal,' creating an infectious vortex of panic and scare to abort your dreams. Throughout the release, hazy percussion is carefully seasoned with the bitter synth lines and guitar riffs from Lasznkioff. The first track, 'Peaceful Panic' is in full seduction and fetish mode, setting the scene for the better corners. 'Sleep Without Rest' violently tightens up the leather and gives you your kicks for thrills. The EP ends with frenzy: messed up intermezzos with Lasznikoff, mixing up an 808 with his destructive guitar rig and, as he states, 'everything is done.' Throughout the release, hazy percussion is carefully seasoned with the bitter synth lines and guitar riffs from Lasznkioff. The first track, "Peaceful Panic" is in full seduction and fetish mode, setting the scene for the better corners. "Sleep Without Rest" violently tightens up the leather and gives you your kicks for thrills. The EP ends with frenzy: messed up intermezzos with Lasznikoff, mixing up an 808 with his destructive guitar rig and, as he states, 'everything is done.'



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