*Clear vinyl **

Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases.

Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative.

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2xLP 400 copies..Limited Edition.

Alessandro Adriani marks his comeback on his own Mannequin Records with an impressive body of work on this 2xLP 'Program & Rhythm', inspired by the Italian library music and soundtrack composers.

Italian composers from the 60s to the 80s seemed limitless in their experiments and endlessly colorful, despite being a hidden part in the history of music. Library music takes weird and fantastic detours, between garish drum machines, seedy guitars, synthesizers gone haywire, and fractious brass sections. The scene’s big names included Ennio Morricone, Piero Umiliani, Alessandro Alessandroni, Giampiero Boneschi, Egisto Macchi, A.R. Luciani and Bruno Nicolai, just to name a few.

After spending weeks on end in an improvised-by-covid home studio recording hours and hours of music every day, Alessandro was turning and shaping his analog machines into an experimental synth pop, psychedelic funky jazz and weird ambient fusion, making up six different releases called simply 'Program & Rhythm' from the Roland CR-78 programming buttons.

The final selection of 42 tracks out of the six releases - originally intended to be put out as tapes - would finally compose the tracklist of the double vinyl presented here, with the catalog number PR and roman numerals used for the track titles.

An exceptional document of music in Alessandro's discography, 'Program & Rhythm' enters into an ultimate unknown journey, creating music for films that do not yet exist, putting his steps deeper into a faceless obscure music.

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(2xLP gatefold cover) Throughout eleven cuts painstakingly executed but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity.

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Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes, unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.


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Brand new extended (almost 9 min!) version of 'Fuoco', probably the most acclaimed track out of 'Montagne Trasparenti' LP, freshly repressed on Mannequin Records. Silent Servant on the flip side delivers a killer 6 minutes EBM-Industrial remix. Graphic design by Alessandro Adriani. Mastering by Rude 66.

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Adriani's debut EP for the label, Enter the Fire, is the first evidence of a new mutation in the Stroboscopic DNA, as can be seen by a shift in Ignazio Mortellaro's design work for the label.


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3 tracks previously available only on cassette compilations, now re-mastered by Rude66, expect a load of dark electro / wave / acid madness.



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PINKMAN's resurrection of its Broken Dreams series is marked by a release of Dolphins - Benedikt Frey's project with Markus Woernle and Nadia D'Alo. 40G evokes landscapes of doom, disorienting pleasure, and the surreal visions that occupy a sleepless night; the soundtrack to a Lynchian fantasy about the creatures that haunt the murky waters of the modern mind. It's an album for finding yourself on a stranger's couch, tearing at the fraying edges of another endless night, wrapped beneath a blanket of drugged-out kraut. "I am here to guide you through the night," the trio sing on 'Alright'; we believe they're up to the task.

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Repress!

A contemporary rendition of punk, fused with dubbed out, and slowed down industrial electronics, courtesy of Identified Patient and RLR's Hugo van Heijningen. Together they go by the name Stallion's Stud and come crashing down like a cavalry, leaving nothing but a dusty trail of destruction in its wake.

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From underground Russia comes LVRIN's second release on Pinkman Broken Dreams. 6 jams for the freaks - stripped to the bone, with minimum fuss and maximum attitude.

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The second release of Black Merlin's SFORMATOR series on Pinkman. Three cuts of hypno-beat electronics, created through ritualistic embodiment of sound by the machine doctor to expand minds.

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December returns to Pinkman Broken Dreams with 4 hybrids of arranged chaos where rugged rhythms and breaks wrestle with dystopian melodies and occult vocals. A complete meltdown which viciously takes you into a delirious state. The future is near...

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Borusiade's Misfits of Broken Dreams puts a futuristic twist on industrial electronics, fusing it with spaced out drones and detached, yet bold spoken word by the artist herself. Rugged tribal rhythms and rumbling bass complete the picture, and you're left with an immersive ride leaving you somewhere inbetween fight-or-flight and gloomy despondency.

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Years of Denial joins Pinkman Broken Dreams and deliver an EP with four devilish and cataclysmic electronic body tracks. The duo's sound combines influences of deranged experimental music with vocals surrounding themes of isolationism and dark romanticism. The outcome is stunning in its very own way, as the music creates a deeply immersive atmosphere, and is abundantly vigorous to keep dancers on their toes and moving from the night's darkest corners to the dawn of day.

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One of the most diverse artists in contemporary electronic music is back on Pinkman, with more than just another 12". To give him the freedom to experiment and roam between different sounds, textures and influences, Black Merlin will be doing a trilogy of releases for Broken Dreams. The first one - Sformator1, is a ghastly and infuriating techno EP. Dance floor obliteration assured and more is to follow.

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The newest offering on Pinkman Broken Dreams: Rough, noisy and cataclysmic machine music, seasoned with industrial and EBM influences, by Frenchman December. Every single bit as uncompromising and assertive as his previous output on Mannequin or Jealous God. Download code included.

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Straight out of underground Paris and right onto Pinkman's Broken Dreams arrives Myn. The Public Systems label boss follows up a debut track on his own label with a poem about gloom, desolation and anger written in native machine language for the Rotterdam imprint. The A stanza describes a 'Mental Outburst' with punchy lines written in raw percussion and disconcerting 303 work. Following a line break, the B stanza changes the meter from 4/4 to pummelling broken beat in a piece about power and dominance titled 'Black Rose'. The Violent Poetry concludes with yet more deathly rhythms and spine-chilling verses in 'Core Collapse'.



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Being closely connected to the label, it was only a matter of time before Daniele Cosmo was released on Pinkman. At long last, he makes his debut appearance with co-conspirator CCO as Savage Grounds. What they came up with is a tight two tracker presenting full speed, minimalistic punk electro workouts. Both tracks, while boasting with furiosity and dread, as is often the case in the Broken Dreams releases, carry an infectious groove that is guaranteed to get bodies moving in the highest gear and right into the abyss. Pressed on a single 7" this concise release is far from falling short in completeness, expertise and potential to break dreams.

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Pinkman's Broken Dreams welcome a new midnight malcontent into the fold, Ernestas Sadau debuts with his first 12": Gonzo on Tour. Sirens blare, samples hiss in a haze of static before a grizzled snare introduces "Riots in Jail Near Kaunas." Grubby basslines curl into shards of acid, full figured thump sweetened by fragile bars. "Crackheads from Lyon" is steeped in the traditions of garage bands and D.I.Y. punk. Strings snarl and sneer at crashing drum beats, lonesome notes floating in the surge. The foul tempered "Hiroshima (Acid Breaks Your Body Mix)" demands the flip. Beats break and buckle under the leer of lewd 303 lines, a finale bubbling over with violent intent.



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Having already debuted on the Pinkman main label, Identified Patient now steps up for the Pinkman "Broken Dreams" series for your stripped back content. The whole EP is furnished with the sinister and commanding vocals of Sophie du Palais, also known as 'Vrouwe Fataal,' creating an infectious vortex of panic and scare to abort your dreams. Throughout the release, hazy percussion is carefully seasoned with the bitter synth lines and guitar riffs from Lasznkioff. The first track, 'Peaceful Panic' is in full seduction and fetish mode, setting the scene for the better corners. 'Sleep Without Rest' violently tightens up the leather and gives you your kicks for thrills. The EP ends with frenzy: messed up intermezzos with Lasznikoff, mixing up an 808 with his destructive guitar rig and, as he states, 'everything is done.' Throughout the release, hazy percussion is carefully seasoned with the bitter synth lines and guitar riffs from Lasznkioff. The first track, "Peaceful Panic" is in full seduction and fetish mode, setting the scene for the better corners. "Sleep Without Rest" violently tightens up the leather and gives you your kicks for thrills. The EP ends with frenzy: messed up intermezzos with Lasznikoff, mixing up an 808 with his destructive guitar rig and, as he states, 'everything is done.'



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