1
Aphelion - Volatile Radiance
2
Aphelion - Cosmic Vibrations
3
Aphelion - What You Want" (Silicon Scally remix)
4
Aphelion - What You Want
BLIQ unveil a debut release by Greek producer Aphelion aka George Konstantoulakis (member of Equations Collective). "Volatile Radiance" sets the pace with otherworldly futurism, while "Cosmic Vibrations" completes the A-side with addictive bass notes & crystallised melodics. On the flip, legendary electro producer Silicon Scally (Carl Finlow) follows a menacing cyberfunk route, while Aphelion's original, concludes the release with an interplanetary rhythm track interpretation.
More
More records from Bliq
1
Ike Release - 111118
2
Ike Release - Wmpwmp
3
Ike Release - Leisure Devices (Iron Curtis Signal 2 Signal Remix)
4
Ike Release - Leisure Devices
BLIQ's latest instalment is by prolific Chicago artist Ike Release & long-standing label friend Iron Curtis on the remix duties. "111118 & Wmpwmp" are hardware driven, pitched-down jungle juxtapositions, instilled with soul. On the flip, Signal 2 Signal Remix by Iron Curtis on "Leisure Devices" triggers an electrified excursion into the old school, with the original score laying an immersive experience with emotions powered by the machines.
More
1
V.A. ( Conforce...) - No Title
2
V.A. ( Conforce...) - No Title
3
V.A. ( Conforce...) - No Title
4
V.A. ( Conforce...) - No Title
Tracklisting
A1 Iakovos ? 10PM4AM
A2 Ehohroma ? For People Feeling Behind In Life
B1 Conforce ? Prelude Europa
B2 Kon001 ? Iridescent coast
More
A1 Iakovos ? 10PM4AM
A2 Ehohroma ? For People Feeling Behind In Life
B1 Conforce ? Prelude Europa
B2 Kon001 ? Iridescent coast
More
DJ Loser kicks off his vinyl debut with "Your eyes were telling me that you really cared", a soothing and sun-bleached late night downbeat driver, which gives way to A2's "Untitled" menacing and jacking tone that is sure to bang the dingiest of darkrooms. B1's "I've got dis (but I can't do it)" is a bona fide slammer made to liquify whatever is left of one's mind way past the midnight hour, while Seixlack's rendition of the latter brings more paranoid and percussive-led assaults to the table.
More