Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business - the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism.
Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best - an ethereal colossus of sub-bass weight and morphing geometry.
TRACKLIST: A1. Triangulation 02:58 A2. Reiki 05:18 B1. ITO 05:55 B2. Riga 05:38 B3. Jade 06:12 C1. Tracer 06:19 C2. Scrawler 05:32 D1. Qurra 05:44 D2. Air-Port 07:41
CD BONUS TRACKS 10 - Jade (DAL Remix) 06.43 11 - Sukra 04.37 12 - Kuu 05:06
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business - the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism.
Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best - an ethereal colossus of sub-bass weight and morphing geometry.
TRACKLIST: A1. Triangulation 02:58 A2. Reiki 05:18 B1. ITO 05:55 B2. Riga 05:38 B3. Jade 06:12 C1. Tracer 06:19 C2. Scrawler 05:32 D1. Qurra 05:44 D2. Air-Port 07:41
CD BONUS TRACKS 10 - Jade (DAL Remix) 06.43 11 - Sukra 04.37 12 - Kuu 05:06
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Rod Modell
1
Rod Modell - Snowstorm In Au Train Bay
2
Rod Modell - Snowstorm In Naubinway
3
Rod Modell - Snowstorm In Blaney Park
4
Rod Modell - Snowstorm In Copper Harbor
5
Rod Modell - Snowstorm In Epoufette
6
Rod Modell - Snowstorm In Gwinn
7
Rod Modell - Snowstorm In Brevort
8
Rod Modell - Munising
"Northern Michigan Snowstorms" is an auditory journey that captures the serene beauty and introspective magic of stormy winters nights in the countryside. Each track transports listeneres to cozy cottages nesteld in tall pines. Music that mirrors the serene solitude of a snowy evening, where time slows, allowing the listener to be enveloped in a cocoon of sonic wonder. Ambient layers mimic the gentle wishpering of the wind through snow covered branches. Eight tracks of blurry loops, soft pads, and recordings of snowfall in the forest. An immersive experience designed to transport you to the hear of nature's winter wonderland, all white nesteld in the confort of your favorite retreat. Another "monumental" work by Rod Modell.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rod Modell - B
2
Rod Modell - S
ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS BS (Part 2/2)
MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rod Modell - M
2
Rod Modell - F
ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS MF Part 1/2
MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rod Modell - Side A
2
Rod Modell - Side B
3
Rod Modell - Side C
4
Rod Modell - Side D
Repress!
2x 12” 180g black vinyl
gatefold cover
mastered by Noel Summerville
original artwork by Theo Ellsworth.
A year on since the collaborative Mystic AM project in 2022, Rod Modell returns solo to Astral Industries with AI-35. The album - entitled 'Ghost Lights' - comes as a gatefold 2x vinyl LP, showcasing the latest epoch of Modell's signature soundscapes. Spread across four parts, 'Ghost Lights' draws out a wide, cinematic sound - with long arching contours, rippling textures and cavernous sound design.
Woven with layer upon layer of hidden fragments and supernal transmissions, each chapter takes the listener successively deeper into the twilight zone. Harking to dramatic off-world topographies and interstellar spaces, the work glistens with opulent sound treatment and monumental grandeur. Dense pulsations move with oceanic force, marked by washes of celestial light and subterranean drones. Exercising another side to Rod Modell's typically atmospheric productions, this album comes with an ambitious framework and a more assertive sound. Featuring some of Modell's most epic storytelling to date, 'Ghost Lights' delivers a powerful immersive experience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2x 12” 180g black vinyl
gatefold cover
mastered by Noel Summerville
original artwork by Theo Ellsworth.
A year on since the collaborative Mystic AM project in 2022, Rod Modell returns solo to Astral Industries with AI-35. The album - entitled 'Ghost Lights' - comes as a gatefold 2x vinyl LP, showcasing the latest epoch of Modell's signature soundscapes. Spread across four parts, 'Ghost Lights' draws out a wide, cinematic sound - with long arching contours, rippling textures and cavernous sound design.
Woven with layer upon layer of hidden fragments and supernal transmissions, each chapter takes the listener successively deeper into the twilight zone. Harking to dramatic off-world topographies and interstellar spaces, the work glistens with opulent sound treatment and monumental grandeur. Dense pulsations move with oceanic force, marked by washes of celestial light and subterranean drones. Exercising another side to Rod Modell's typically atmospheric productions, this album comes with an ambitious framework and a more assertive sound. Featuring some of Modell's most epic storytelling to date, 'Ghost Lights' delivers a powerful immersive experience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rod Modell - Triangulation 02:58
2
Rod Modell - Reiki 05:18
3
Rod Modell - ITO 05:55
4
Rod Modell - Riga 05:38
5
Rod Modell - Jade 06:12
6
Rod Modell - Tracer 06:19
7
Rod Modell - Scrawler 05:32
8
Rod Modell - Qurra 05:44
9
Rod Modell - Air-Port 07:41
Territories: World excl. UK + North America
FORMAT 180g. 2LP vinyl w/ download code / Special pantone printed sleeve
2023 repress
TRACKLIST:
A1. Triangulation 02:58
A2. Reiki 05:18
B1. ITO 05:55
B2. Riga 05:38
B3. Jade 06:12
C1. Tracer 06:19
C2. Scrawler 05:32
D1. Qurra 05:44
D2. Air-Port 07:41
Release Info:
Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album
Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely
noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where
ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex,
radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, “Triangulation” recalls flickering harmonies and grains, a
tectonic swipe. Fast-paced dub techno emerges in “Reiki”, the disorienting clangs suggesting a step away
from his recent ambient excursions. “Ito” crunches the pulse further with insistent noise, into soaring
epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his
beats, a provocation of rhythm and noise. Unceasing in its fast tempo, “Jade” is trademark Tresor business -
the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped,
dancing materials. “Scrawler” is upfront and direct, a slamming groove and swaying chords di using
ethereality. Enter vast chambers of smeared minimalism.
Where Modell’s recent releases had indicated a priority for ambient sounds, this new album extends Modell’s
essential vision within techno. Closing track “Air-Port” shows Modell at his most crucial best - an ethereal
colossus of sub-bass weight and morphing geometry.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 180g. 2LP vinyl w/ download code / Special pantone printed sleeve
2023 repress
TRACKLIST:
A1. Triangulation 02:58
A2. Reiki 05:18
B1. ITO 05:55
B2. Riga 05:38
B3. Jade 06:12
C1. Tracer 06:19
C2. Scrawler 05:32
D1. Qurra 05:44
D2. Air-Port 07:41
Release Info:
Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album
Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely
noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where
ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex,
radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, “Triangulation” recalls flickering harmonies and grains, a
tectonic swipe. Fast-paced dub techno emerges in “Reiki”, the disorienting clangs suggesting a step away
from his recent ambient excursions. “Ito” crunches the pulse further with insistent noise, into soaring
epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his
beats, a provocation of rhythm and noise. Unceasing in its fast tempo, “Jade” is trademark Tresor business -
the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped,
dancing materials. “Scrawler” is upfront and direct, a slamming groove and swaying chords di using
ethereality. Enter vast chambers of smeared minimalism.
Where Modell’s recent releases had indicated a priority for ambient sounds, this new album extends Modell’s
essential vision within techno. Closing track “Air-Port” shows Modell at his most crucial best - an ethereal
colossus of sub-bass weight and morphing geometry.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 side: Lama Temple -Full Version- B1 side:Lama Temple -2007 Version- B2 side: Lama Temple -Original Version- !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Tresor Records
Label:Tresor Records
Cat-No:TRESOR002X
Release-Date:30.01.2026
Genre:House / Techno
Configuration:12" Excl
Label:Tresor Records
Cat-No:TRESOR002X
Release-Date:30.01.2026
Genre:House / Techno
Configuration:12" Excl
1
Blake Baxter - The Warning (Remastered)
2
Blake Baxter - Ghost (Remastered)
3
Blake Baxter - Ex- (Remastered)
4
Blake Baxter - Dark Bässe (Remastered)
5
Blake Baxter - Luv Is Blind (Remastered)
Repress
Territories: WORLD EXCLUDING UK
TRACKLIST
1. / A1 The Warning (Remastered) 04:22
2. / A2 Ghost (Remastered) 05:57
3. / B1 Ex- (Remastered) 04:55
4. / B2 Dark Bässe (Remastered) 04:58
5. / B3 Luv Is Blind (Remastered) 02:06
Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992’s Dream Sequence, closely followed by his 1995 album, Endless Reflection. To inaugurate and celebrate this retrospective of one the genre’s true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12” release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.
Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners’ introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.
1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club’s new-fledged label beginning with Mills', Banks' & Hood’s X-101 and Baxter’s Dream Sequence, from which the first four tracks on the new 12” come.
Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record. All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.
In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: WORLD EXCLUDING UK
TRACKLIST
1. / A1 The Warning (Remastered) 04:22
2. / A2 Ghost (Remastered) 05:57
3. / B1 Ex- (Remastered) 04:55
4. / B2 Dark Bässe (Remastered) 04:58
5. / B3 Luv Is Blind (Remastered) 02:06
Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992’s Dream Sequence, closely followed by his 1995 album, Endless Reflection. To inaugurate and celebrate this retrospective of one the genre’s true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12” release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.
Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners’ introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.
1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club’s new-fledged label beginning with Mills', Banks' & Hood’s X-101 and Baxter’s Dream Sequence, from which the first four tracks on the new 12” come.
Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record. All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.
In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Scan 7 - Planet Energy 05:56
2
Scan 7 - Black Highway 06:18
3
Scan 7 - Dark Universe 06:00
4
Scan 7 - Unusual Channel 06:41
5
Scan 7 - Beyond Sound 06:29
6
Scan 7 - Dark Corridor 07:05
7
Scan 7 - VII 07:47
8
Scan 7 - Dark Territory 07:24
Territory: WORLD minus UK
2026 Repress Edition
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2026 Repress Edition
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dopplereffekt - Time Modulation-Graviton Pulse
2
Dopplereffekt - Multiverse Wavefunction
3
Dopplereffekt - Collapse of Simultaneity
4
Dopplereffekt - Olbers Paradox
Territories: World excl. UK
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
a mirror reflecting in a mirror
harmony within a system
identities in perfect balance
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
a mirror reflecting in a mirror
harmony within a system
identities in perfect balance
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK
2025 Repress
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2025 Repress
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Digital Tsunami 06:20
2
Drexciya - Soul Of The Sea 04:30
3
Drexciya - Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
4
Drexciya - Song Of The Green Whale 04:56
5
Drexciya - Lake Haze 05:16
6
Drexciya - Mission To Ociya Syndor And Back 05:12
7
Drexciya - Under Sea Disturbances 08:06
2025 Repress
Territories: World excl. UK
FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish
Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish
Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Quantum Hydrodynamics 01:16
2
Drexciya - Polymono Plexusgel 03:08
3
Drexciya - Lost Vessel 05:52
4
Drexciya - Species Of The Pod 03:53
5
Drexciya - Drifting Into A Time Of No Future 03:33
6
Drexciya - Devil Ray Cove 02:49
2025 Repress
Territories: World excl. UK
FORMAT 12" 180g vinyl
TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT 12" 180g vinyl
TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Digital Tsunami 06:19
2
Drexciya - Aquatic Cataclysm 05:17
3
Drexciya - The Plankton Organization 06:06
4
Drexciya - Birth Of New Life 06:17
2025 Repress
Territories: World excl. UK
FORMAT 12" 180g vinyl
TRACKLIST
A1. Digital Tsunami 06:19
A2. Aquatic Cataclysm 05:17
B1. The Plankton Organization 06:06
B2. Birth Of New Life 06:17
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT 12" 180g vinyl
TRACKLIST
A1. Digital Tsunami 06:19
A2. Aquatic Cataclysm 05:17
B1. The Plankton Organization 06:06
B2. Birth Of New Life 06:17
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Intro: Temple Of Dos De Agua 01:00
2
Drexciya - Andreaen Sand Dunes 06:15
3
Drexciya - Running Out Of Space 01:54
4
Drexciya - Universal Element 01:55
5
Drexciya - Habitat 'O' Negative 05:16
6
Drexciya - Funk Release Valve 03:06
7
Drexciya - Organic Hydropoly Spores 02:07
8
Drexciya - Draining Of The Tanks 02:43
9
Drexciya - Surface Terrestrial Colonization 06:56
10
Drexciya - Oxyplasmic Gyration Beam 04:17
11
Drexciya - Triangular Hydrogen Strain 03:55
12
Drexciya - Bottom Feeders 03:25
13
Drexciya - C To The Power Of X + C To The Power Of X=MM=Unknown 02:35
2025 Repress
Territories: World excl. UK
FORMAT FORMAT 2LP, 180g vinyl, silverpantone printed sleeve w/ UV spot varnish, incl. download code with digital bonus tracks
Tracklist 2LP:
A1 Intro: Temple Of Dos De Agua 01:00
A2 Andreaen Sand Dunes 06:15
A3 Running Out Of Space 01:54
A4 Universal Element 01:55
B1 Habitat 'O' Negative 05:16
B2 Funk Release Valve 03:06
B3 Organic Hydropoly Spores 02:07
B4 Draining Of The Tanks 02:43
C1 Surface Terrestrial Colonization 06:56
C2 Oxyplasmic Gyration Beam 04:17
D1 Triangular Hydrogen Strain 03:55
D2 Bottom Feeders 03:25
D3 C To The Power Of X + C To The Power Of X=MM=Unknown 02:35
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World excl. UK
FORMAT FORMAT 2LP, 180g vinyl, silverpantone printed sleeve w/ UV spot varnish, incl. download code with digital bonus tracks
Tracklist 2LP:
A1 Intro: Temple Of Dos De Agua 01:00
A2 Andreaen Sand Dunes 06:15
A3 Running Out Of Space 01:54
A4 Universal Element 01:55
B1 Habitat 'O' Negative 05:16
B2 Funk Release Valve 03:06
B3 Organic Hydropoly Spores 02:07
B4 Draining Of The Tanks 02:43
C1 Surface Terrestrial Colonization 06:56
C2 Oxyplasmic Gyration Beam 04:17
D1 Triangular Hydrogen Strain 03:55
D2 Bottom Feeders 03:25
D3 C To The Power Of X + C To The Power Of X=MM=Unknown 02:35
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drexciya - Fusion Flats (Octave One Remix)
2
Drexciya - Fusion Flats (Original)
3
Drexciya - Fusion Flats (Kaotic Spacial Rhythms Remix)
4
Drexciya - Fusion Flats (043 Chaos Remix)
Territories: WORLD EXCLUDING UK
TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09
Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09
Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kerrie - System Awakens
2
Kerrie - Live Wire (Zirp Zirp)
3
Kerrie - Echoes Of
4
Kerrie - Together In A Rural Place
5
Kerrie - Moment To Memory
6
Kerrie - Recircuit (Digital Bonus)
7
Kerrie - Reclaim (Digital Bonus)
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 System Awakens 04:43
2. / A2 Live Wire (Zirp Zirp) 05:38
3. / B1 Echoes Of 04:48
4. / B2 Together In A Rural Place 04:49
5. / B3 Moment To Memory 04:44
6. / DX1 Recircuit (Digital Bonus) 04:43
7. / DX2 Reclaim (Digital Bonus) 05:10
Irish techno producer, Kerrie, returns to Tresor Records on the 24th of October 2025 with her second EP for the label. Entitled Echoes Of The Live Wire, this collection captures the beauty and essence of live performance; a moment in time never to be repeated.
This fixing of time is also given a different meaning as the EP explores the ways in which intense moments in our lives, both joyful and painful, are crystallised into memory, both beautiful and haunting, lingering long after they've passed.
Layered meanings are employed throughout as Kerrie explores this idea: Live Wire draws connections between circuit boards and the human nervous system, whilst also toying with multiple meanings of the word “live”.
Echoes Of channels classic Detroit techno influences, resonating with the distant hum of memories that refuse to fade, while Moment To Memory is a beatless, floating piece which slowly builds to an ecstatic crescendo.
Digital bonus tracks Recircuit and Reclaim add further depth to the core metaphor: the former a driving, minimal yet building techno work-out, and the latter a cathartic and emotionally open track that delivers intensity with vulnerability.
Echoes Of The Live Wire reflects on memory as a complex, dual-sided force where joy and pain coexist with equal weight. Her creative process becomes a form of meditation and emotional processing, using machines to process, reflect, and let go. The result is a body of work that loops back on itself, telling a story of fleeting moments and their lasting emotional imprints.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 System Awakens 04:43
2. / A2 Live Wire (Zirp Zirp) 05:38
3. / B1 Echoes Of 04:48
4. / B2 Together In A Rural Place 04:49
5. / B3 Moment To Memory 04:44
6. / DX1 Recircuit (Digital Bonus) 04:43
7. / DX2 Reclaim (Digital Bonus) 05:10
Irish techno producer, Kerrie, returns to Tresor Records on the 24th of October 2025 with her second EP for the label. Entitled Echoes Of The Live Wire, this collection captures the beauty and essence of live performance; a moment in time never to be repeated.
This fixing of time is also given a different meaning as the EP explores the ways in which intense moments in our lives, both joyful and painful, are crystallised into memory, both beautiful and haunting, lingering long after they've passed.
Layered meanings are employed throughout as Kerrie explores this idea: Live Wire draws connections between circuit boards and the human nervous system, whilst also toying with multiple meanings of the word “live”.
Echoes Of channels classic Detroit techno influences, resonating with the distant hum of memories that refuse to fade, while Moment To Memory is a beatless, floating piece which slowly builds to an ecstatic crescendo.
Digital bonus tracks Recircuit and Reclaim add further depth to the core metaphor: the former a driving, minimal yet building techno work-out, and the latter a cathartic and emotionally open track that delivers intensity with vulnerability.
Echoes Of The Live Wire reflects on memory as a complex, dual-sided force where joy and pain coexist with equal weight. Her creative process becomes a form of meditation and emotional processing, using machines to process, reflect, and let go. The result is a body of work that loops back on itself, telling a story of fleeting moments and their lasting emotional imprints.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Exos - Dark Light 05:09
2
Exos - Fire Chant 04:30
3
Exos - Grátt Silfur 04:41
4
Exos - Green Light 05:11
5
Exos - Ráðabrugg 05:31
6
Exos - Ruff Cut (Digi Bonus) 05:41
7
Exos - Only One Way (Digi Bonus) 05:02
8
Exos - Everyday (Digi Bonus) 04:59
Territories: World excl. UK
FORMAT 2025 repress, 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2025 repress, 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Surgeon - Intro 00:58
2
Surgeon - First 04:46
3
Surgeon - Krautrock 04:33
4
Surgeon - Movement 04:33
5
Surgeon - 9 Hours Into The Future 04:32
6
Surgeon - Depart 04:11
7
Surgeon - Rotunda 04:29
8
Surgeon - Waiting 02:39
9
Surgeon - Scorn 04:55
10
Surgeon - Return 04:35
Territories: World minus UK
2025 repress
2LP, 140g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. Three of the finest in this collection were contributed by Surgeon; “Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided that its high time to give these seminal albums another airing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2025 repress
2LP, 140g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. Three of the finest in this collection were contributed by Surgeon; “Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided that its high time to give these seminal albums another airing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Black Sites - C4
2
Black Sites - BOXX
3
Black Sites - BLOKK
4
Black Sites - FLIKK
5
Black Sites - 3D
6
Black Sites - 707
7
Black Sites - II
8
Black Sites - SKKETCH
9
Black Sites - UURWERK
10
Black Sites - MOTHERJAM
TERRITORIES: WORLD minus UK
FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card
TRACKLIST:
01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card
TRACKLIST:
01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Tresor Records
Cat-No:TRESOR375
Release-Date:06.06.2025
Genre:House / Techno
Configuration:12" Excl
Label:Tresor Records
Cat-No:TRESOR375
Release-Date:06.06.2025
Genre:House / Techno
Configuration:12" Excl
1
LNS & DJ Sotofett - ClickClickClick 05:34
2
LNS & DJ Sotofett - Gearbox 05:45
3
LNS & DJ Sotofett - Destination 909 05:59
4
LNS & DJ Sotofett - Reach Out 06:03
Territories: WORLD EXCLUDING UK
TRACKLIST
1. / A1 ClickClickClick 05:34
2. / A2 Gearbox 05:45
3. / B1 Destination 909 05:59
4. / B2 Reach Out 06:03
Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club‘s Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play.
Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals.
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub -infused UK garage house track anyone in the world can easily describe in the course of a second.
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk.
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo’s sets in the club.
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to “The Prince of Techno” Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
The 12” was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12” format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 ClickClickClick 05:34
2. / A2 Gearbox 05:45
3. / B1 Destination 909 05:59
4. / B2 Reach Out 06:03
Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club‘s Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play.
Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals.
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub -infused UK garage house track anyone in the world can easily describe in the course of a second.
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk.
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo’s sets in the club.
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to “The Prince of Techno” Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
The 12” was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12” format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Surgeon - Serpent Void 05:42
2
Surgeon - Soul Fire 06:06
3
Surgeon - Divine Shadow 05:36
4
Surgeon - Forgotten Gods 06:12
5
Surgeon - Dying 03:05
6
Surgeon - Infinite Eye 06:26
7
Surgeon - Triple Threat 06:35
8
Surgeon - Empty Cloud 04:29
9
Surgeon - Fall 04:57
TERRITORIES: WORLD minus UK
FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included
TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57
RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included
TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57
RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
LDS - pow 05:16
2
LDS - diff, block mix 03:51
3
LDS - zipp prompt 04:27
4
LDS - stadion progg 06:12
5
LDS - stadion progg, jean redondo remix 04:12
6
LDS - pow2, epilog 01:47
7
LDS - mud zu (digital bonus) 06:03
FORMAT 12" vinyl, generic sleeve, postcard download card 10x15cm
TRACKLIST
1. / A1 pow 05:16
2. / A2 diff, block mix 03:51
3. / A3 zipp prompt 04:27
4. / B1 stadion progg 06:12
5. / B2 stadion progg, jean redondo remix 04:12
6. / B3 pow2, epilog 01:47
7. / DX mud zu (digital bonus) 06:03
To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences
that have fills and accents that would make anyone who’s picked up a set of drumsticks envious. Yet this ecosystem of noise is deceptive; Schwarz’s process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability-based music tools for manoeuvring sounds and sequencing.
Manipulating those probabilities takes a skilful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the
moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows,
following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine. And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in ‘zipp
prompt’; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of ‘diff, blockmix’ and ‘pow’ adding texture that brings vitality all-too-easily missed out when complex mathematical
processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023’s ‘yet’
compilation on Tresor.
The balance between technology and a sense of fun might also come from the maker; it’s not easy to overstate Schwarz’s passion for what is now his favourite way to make music, “it never gets boring. There’s always a moment
of anticipation to see what actually emerges.” And the true “power of 2” comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 pow 05:16
2. / A2 diff, block mix 03:51
3. / A3 zipp prompt 04:27
4. / B1 stadion progg 06:12
5. / B2 stadion progg, jean redondo remix 04:12
6. / B3 pow2, epilog 01:47
7. / DX mud zu (digital bonus) 06:03
To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences
that have fills and accents that would make anyone who’s picked up a set of drumsticks envious. Yet this ecosystem of noise is deceptive; Schwarz’s process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability-based music tools for manoeuvring sounds and sequencing.
Manipulating those probabilities takes a skilful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the
moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows,
following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine. And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in ‘zipp
prompt’; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of ‘diff, blockmix’ and ‘pow’ adding texture that brings vitality all-too-easily missed out when complex mathematical
processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023’s ‘yet’
compilation on Tresor.
The balance between technology and a sense of fun might also come from the maker; it’s not easy to overstate Schwarz’s passion for what is now his favourite way to make music, “it never gets boring. There’s always a moment
of anticipation to see what actually emerges.” And the true “power of 2” comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Robert Hood - Internal Empire 03:23
2
Robert Hood - Minus 05:22
3
Robert Hood - Within 03:10
4
Robert Hood - Home 07:32
5
Robert Hood - Rek 03:46
6
Robert Hood - Chase 05:59
7
Robert Hood - Spirit Levels 05:05
2025 Repress
FORMAT 2LP black vinyl, full printed sleeve, download code
TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05
Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2LP black vinyl, full printed sleeve, download code
TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05
Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Plant Texture - Ripetitivo (Stretch Mix) 05:38
2
DJ Plant Texture - Seq21 05:00
3
DJ Plant Texture - Cycles 03:47
4
DJ Plant Texture - WTT (Dub Mix) 03:28
5
DJ Plant Texture - Life 07:30
6
DJ Plant Texture - Sogno (Digital Bonus) 04:48
7
DJ Plant Texture - Miramare (Digital Bonus) 06:27
8
DJ Plant Texture - The EXP Days (Digital Bonus) 05:30
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Ripetitivo (Stretch Mix) 05:38
2. / A2 Seq21 05:00
3. / A3 Cycles 03:47
4. / B1 WTT (Dub Mix) 03:28
5. / B2 Life 07:30
6. / DX1 Sogno (Digital Bonus) 04:48
7. / DX2 Miramare (Digital Bonus) 06:27
8. / DX3 The EXP Days (Digital Bonus) 05:30
Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 Ripetitivo (Stretch Mix) 05:38
2. / A2 Seq21 05:00
3. / A3 Cycles 03:47
4. / B1 WTT (Dub Mix) 03:28
5. / B2 Life 07:30
6. / DX1 Sogno (Digital Bonus) 04:48
7. / DX2 Miramare (Digital Bonus) 06:27
8. / DX3 The EXP Days (Digital Bonus) 05:30
Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Rights: World excl. France & UK, EAN: 5060555212766
- 3CD edition in 3-panel digisleeve with 8-page booklet, Complete 2019 Remaster of all the original Tracks, Incl. NEW remixes from Demonz [Gremlinz & Jesta Remix] Demonz [Martyn's Full Circle Mix] Crystal Clear [DjRUM Remix] Crystal Clear [HLZ Remix] , Dragonfly [Dengue Dengue Dengue Remix] as well as 2019 Remastered RMX´s by Grooverider, Optical, DJ Muggs, MJ Cole, VIP, Belief System and more!
Tracklist CD:
CD1: 1. Mother (2019 Remaster) / 2. Truth (2019 Remaster) / 3. The Dream Within (2019 Remaster)
CD2: 1. Temper Temper (2019 Remaster) / 2. Digital (2019 Remaster) / 3. I'll Be There For You (2019 Remaster) / 4. Believe (2019 Remaster) / 5. Dragonfly (2019 Remaster) / 6. Chico - Death Of A Rockstar (2019 Remaster) / 7. Letter Of Fate (2019 Remaster) / 8. Fury - The Origin (2019 Remaster) /
9. Crystal Clear (2019 Remaster) / 10. Demonz (2019 Remaster)
CD 3 - new remixes and rarities:
1. 'Demonz' (Gremlinz & Jesta Remix)
2. 'Crystal Clear' (HLZ Remix)
3. 'Demonz' (Martyn's Full Circle Mix)
4. 'Crystal Clear' (DjRUM Remix)
5. 'Dragonfly' (Dengue Dengue Dengue Remix)
6. 'Mother' (Strings)
7. 'What You Won't Do For Love' (Instrumental)
8. 'Believe' (Grooverider Remix)
9. 'Digital' (Boymerang Remix)
10. 'Temper Temper' (Optical Mix)
Tracks 1-5 are brand new remixes.
Tracks 6-7 are alternate versions discovered in Goldie's personal archive.
Tracks 8-10 are newly remastered versions of original remixes from the London Records archive - all previously unreleased on digital or CD formats.
Short info:
"Timeless", Goldie's first album in 1995, changed the face of the musical culture in England by democratizing the drum & bass scene, conscripting Goldie as a local star. But not only: with the
enthusiastic support from artists such as David Bowie, he crossed the Channel and the Atlantic.
However, while everyone was waiting impatiently the following of "Timeless", Goldie had other plans: with "Saturnz Return" (1998) he came back with a concept album of 150 minutes (in its CD version), innovative, experimental and cleavable.
21 years later, his radical and innovative vision was taken up and adapted by many artists, from Carl Craig to Pete Tong. For the first time, thanks to London Music Stream label, "Saturnz Return" is finally ready to receive the critical reception it should have received when it was released. The avant-garde has become a reference.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 3CD edition in 3-panel digisleeve with 8-page booklet, Complete 2019 Remaster of all the original Tracks, Incl. NEW remixes from Demonz [Gremlinz & Jesta Remix] Demonz [Martyn's Full Circle Mix] Crystal Clear [DjRUM Remix] Crystal Clear [HLZ Remix] , Dragonfly [Dengue Dengue Dengue Remix] as well as 2019 Remastered RMX´s by Grooverider, Optical, DJ Muggs, MJ Cole, VIP, Belief System and more!
Tracklist CD:
CD1: 1. Mother (2019 Remaster) / 2. Truth (2019 Remaster) / 3. The Dream Within (2019 Remaster)
CD2: 1. Temper Temper (2019 Remaster) / 2. Digital (2019 Remaster) / 3. I'll Be There For You (2019 Remaster) / 4. Believe (2019 Remaster) / 5. Dragonfly (2019 Remaster) / 6. Chico - Death Of A Rockstar (2019 Remaster) / 7. Letter Of Fate (2019 Remaster) / 8. Fury - The Origin (2019 Remaster) /
9. Crystal Clear (2019 Remaster) / 10. Demonz (2019 Remaster)
CD 3 - new remixes and rarities:
1. 'Demonz' (Gremlinz & Jesta Remix)
2. 'Crystal Clear' (HLZ Remix)
3. 'Demonz' (Martyn's Full Circle Mix)
4. 'Crystal Clear' (DjRUM Remix)
5. 'Dragonfly' (Dengue Dengue Dengue Remix)
6. 'Mother' (Strings)
7. 'What You Won't Do For Love' (Instrumental)
8. 'Believe' (Grooverider Remix)
9. 'Digital' (Boymerang Remix)
10. 'Temper Temper' (Optical Mix)
Tracks 1-5 are brand new remixes.
Tracks 6-7 are alternate versions discovered in Goldie's personal archive.
Tracks 8-10 are newly remastered versions of original remixes from the London Records archive - all previously unreleased on digital or CD formats.
Short info:
"Timeless", Goldie's first album in 1995, changed the face of the musical culture in England by democratizing the drum & bass scene, conscripting Goldie as a local star. But not only: with the
enthusiastic support from artists such as David Bowie, he crossed the Channel and the Atlantic.
However, while everyone was waiting impatiently the following of "Timeless", Goldie had other plans: with "Saturnz Return" (1998) he came back with a concept album of 150 minutes (in its CD version), innovative, experimental and cleavable.
21 years later, his radical and innovative vision was taken up and adapted by many artists, from Carl Craig to Pete Tong. For the first time, thanks to London Music Stream label, "Saturnz Return" is finally ready to receive the critical reception it should have received when it was released. The avant-garde has become a reference.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:LMS5521861
Release-Date:17.02.2023
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:London Records
Cat-No:LMS5521861
Release-Date:17.02.2023
Genre:Electronic, Electronica
Configuration:2LP Excl
Rights: World excluding Fr & UK
2 x Solid White LP, 5mm spine Sleeve UV Gloss Finish, 2x Heavy Weight Printed Inner Sleeve UV Gloss finish, marketing sticker.
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2 x Solid White LP, 5mm spine Sleeve UV Gloss Finish, 2x Heavy Weight Printed Inner Sleeve UV Gloss finish, marketing sticker.
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Extrawelt - Dark Side Of My Room
2
Extrawelt - Wippsteert
3
Extrawelt - Trümmerfeld
4
Extrawelt - Must Attack
5
Extrawelt - Wolkenbruch
6
Extrawelt - Added Planet
7
Extrawelt - Daten Raten
8
Extrawelt - Lost In Willaura
9
Extrawelt - Kurt Curtain (Skit)
10
Extrawelt - One Tree Hill
11
Extrawelt - Messy Machinery (Rough Mix)
12
Extrawelt - Homing
13
Extrawelt - Bright Side Of My Room
3x12" Gatefold White Vinyl (Download Code Inside)
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryo Fukui - 01. Sonora
2
Ryo Fukui - 02. Stella by Starlight
3
Ryo Fukui - 03. Speak Low
4
Ryo Fukui - 04. Nobody Knows The Trouble I’ve Seen
5
Ryo Fukui - 05. Old Country
6
Ryo Fukui - 06. Soultrane
7
Ryo Fukui - 07. Chasin’ The Bird
8
Ryo Fukui - 08. Be My Love
-NO SALES TO JAPAN-
CD
Tracklisting CD
01. Sonora
02. Stella by Starlight
03. Speak Low
04. Nobody Knows The Trouble I’ve Seen
05. Old Country
06. Soultrane
07. Chasin’ The Bird
08. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD
Tracklisting CD
01. Sonora
02. Stella by Starlight
03. Speak Low
04. Nobody Knows The Trouble I’ve Seen
05. Old Country
06. Soultrane
07. Chasin’ The Bird
08. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 2 x CD, harcover sleeve (like a book) with textured card , dimensions 14,7 cm x 19,6 cm, 48 page booklet , marketing sticker.
OVERVIEW
Alongside Joy Division, The Durutti Column were amongst the first artists to be released by Factory Records. Their debut album, produced by Martin Hannett, showcased the filigree guitar work of Vini Reilly, awash with reverb and early experiments with synthesisers. It would be a first album of a five-decade career, in which The Durutti Column would quietly emerge as one of the most influential acts from the Manchester scene and beyond.
"Essential." The Quietus
"..the most distinctive LP in the Factory canon" Record Collector ?????
"..a perfect meeting of the minds" BBC
".. a quietly stunning debut" All Music ????1/2
To celebrate the album's 45th anniversary, London Records revisits the album with new editions, with audio sourced and remastered from the original tapes, with vinyl cut at ½ speed.
DELUXE DOUBLE CD SET
- 33 tracks
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- 2 Discs including original album, bonus tracks, home and studio demos, and early live tracks. Features two home demos exclusive to this format.
- Housed in a special hardback tall storybook edition (dimensions 147mm (w) x 196mm (h)). 48p page booklet.
- Restored 1985 "cassette edition" artwork with textured "tall book" sleeve
- The exact textured card for the outer sleeve has been accurately sourced.
- 3 essays by The Durutti Column / Factory Records expert James Nice, Primal Scream's Bobby Gillespie and MOJO editor Ian Harrison.
TRACKLISTING:
DOUBLE CD EDITION
CD1
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
5. Untitled
6. Beginning
7. Jazz
8. Sketch for Winter
9. Collette
10. In 'D'
11. Lips That Would Kiss
12. Madeleine
CD2
1. No Communication
2. Thin Ice
3. Won't Look Out (Gammer and His Familiars ft. Vini Reilly)
4. Intervals (Home Recording -1978)
5. Katharine (Home Recording -1978)
6. Untitled (Home Recording -1978)
7. Conduct (Home Recording -1978)
8. I'm a Face (Studio Demo - 1980)
9. Sketch for Summer (Studio Demo - 1980)
10. Requiem for a Father ((Studio Demo - 1980)
11. Madeleine (Studio Demo - 1980)
12. Katharine (Studio Demo - 1980)
13. Lindsay (Studio Demo - 1980)
14. For Belgian Friends (Studio Demo - 1980)
15. Detail for Annik (Live - Leeds Polytechnic 1980)
16. Sketch for Summer (Live - Leeds Polytechnic 1980)
17. Requiem for a Father (Live - Leeds Polytechnic 1980)
18. Conduct (Live - Brussels 1981)
19. Self Portrait (Live - Brussels 1981)
20. For Belgian Friends (Live - Brussels 1981)
21. Sketch for Summer (Live - Brussels 1981)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x CD, harcover sleeve (like a book) with textured card , dimensions 14,7 cm x 19,6 cm, 48 page booklet , marketing sticker.
OVERVIEW
Alongside Joy Division, The Durutti Column were amongst the first artists to be released by Factory Records. Their debut album, produced by Martin Hannett, showcased the filigree guitar work of Vini Reilly, awash with reverb and early experiments with synthesisers. It would be a first album of a five-decade career, in which The Durutti Column would quietly emerge as one of the most influential acts from the Manchester scene and beyond.
"Essential." The Quietus
"..the most distinctive LP in the Factory canon" Record Collector ?????
"..a perfect meeting of the minds" BBC
".. a quietly stunning debut" All Music ????1/2
To celebrate the album's 45th anniversary, London Records revisits the album with new editions, with audio sourced and remastered from the original tapes, with vinyl cut at ½ speed.
DELUXE DOUBLE CD SET
- 33 tracks
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- 2 Discs including original album, bonus tracks, home and studio demos, and early live tracks. Features two home demos exclusive to this format.
- Housed in a special hardback tall storybook edition (dimensions 147mm (w) x 196mm (h)). 48p page booklet.
- Restored 1985 "cassette edition" artwork with textured "tall book" sleeve
- The exact textured card for the outer sleeve has been accurately sourced.
- 3 essays by The Durutti Column / Factory Records expert James Nice, Primal Scream's Bobby Gillespie and MOJO editor Ian Harrison.
TRACKLISTING:
DOUBLE CD EDITION
CD1
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
5. Untitled
6. Beginning
7. Jazz
8. Sketch for Winter
9. Collette
10. In 'D'
11. Lips That Would Kiss
12. Madeleine
CD2
1. No Communication
2. Thin Ice
3. Won't Look Out (Gammer and His Familiars ft. Vini Reilly)
4. Intervals (Home Recording -1978)
5. Katharine (Home Recording -1978)
6. Untitled (Home Recording -1978)
7. Conduct (Home Recording -1978)
8. I'm a Face (Studio Demo - 1980)
9. Sketch for Summer (Studio Demo - 1980)
10. Requiem for a Father ((Studio Demo - 1980)
11. Madeleine (Studio Demo - 1980)
12. Katharine (Studio Demo - 1980)
13. Lindsay (Studio Demo - 1980)
14. For Belgian Friends (Studio Demo - 1980)
15. Detail for Annik (Live - Leeds Polytechnic 1980)
16. Sketch for Summer (Live - Leeds Polytechnic 1980)
17. Requiem for a Father (Live - Leeds Polytechnic 1980)
18. Conduct (Live - Brussels 1981)
19. Self Portrait (Live - Brussels 1981)
20. For Belgian Friends (Live - Brussels 1981)
21. Sketch for Summer (Live - Brussels 1981)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Takashi Kokubo & Andrea Esperti - Travelling Through The Stars To Gaia
2
Takashi Kokubo & Andrea Esperti - Whales Of Sirius
3
Takashi Kokubo & Andrea Esperti - Cassiopeia's Lady
4
Takashi Kokubo & Andrea Esperti - A Calm & Elegant Utopia
5
Takashi Kokubo & Andrea Esperti - Gaia's Love Theme
6
Takashi Kokubo & Andrea Esperti - Valley Of Wind In A Cosmic Garden
7
Takashi Kokubo & Andrea Esperti - Melting Clocks
8
Takashi Kokubo & Andrea Esperti - Lights Of Alpha Centauri
Worldwide
Genre: Ambient, Environmental, Electronic, Experimental
Tracklisting DLP
A1. Travelling Through The Stars To Gaia
A2. Whales Of Sirius
B1. Cassiopeia's Lady
B2. A Calm & Elegant Utopia
C1. Gaia's Love Theme
C2. Valley Of Wind In A Cosmic Garden
D1. Melting Clocks
D2. Lights Of Alpha Centauri
Info
WRWTFWW Records is very excited to present a new full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti (Esperti Project): Music for a Cosmic Garden.
Recorded during the heights of the pandemic and completed in February 2021, the majestic 8-track ethereal/botanical soundscape created by Kokubo and Esperti is available as a limited edition double LP, a digipack CD, as well as in digital format.
Takashi KOKUBO, environmental music figure, celebrated sound designer, and founder of Studio Ion, has released over 20 albums, including the genre-defining and highly sought-after Ion Series. He's also played a major role in the sonic identity of Japan, creating the country’s mobile phone earthquake alert sound, credit card payment validation jingles, and much more. In 2020, Takashi Kokubo received a Grammy nomination for his track "A Dream Sails Out to Sea, Scene 3" off Light in the Attic’s Kankyo Ongaku compilation. He is known for recording “sound scenes from nature” around the world using a binaural CyberPhonic microphone of his own invention and for his very unique brand of healing music.
Andrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) with a globe-trotting approach: encounters with peers, rhythmic exchanges, and unplanned music projects; this is where lies the foundation of his work.
Music for a Cosmic Garden is an ode to celestial botanics, a contemporary and hallucinogenic take on the soothing ambient genre immortalized by artists such as Midori Takada and Satoshi Ashikawa, a beautiful pairing of synthesizers and the mighty trombone, taking you to a meditative galaxy far, far away, where other-worldly is just another word for cozy.
Recommended track for maximum pleasure: "Gaia’s Love Theme".
Points of interests
- For fans of environmental, chill-out, ambient, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, the Ion Series, parallel universes, music for space traveling but also music for gardening, and music for gardening in space.
- New full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Ambient, Environmental, Electronic, Experimental
Tracklisting DLP
A1. Travelling Through The Stars To Gaia
A2. Whales Of Sirius
B1. Cassiopeia's Lady
B2. A Calm & Elegant Utopia
C1. Gaia's Love Theme
C2. Valley Of Wind In A Cosmic Garden
D1. Melting Clocks
D2. Lights Of Alpha Centauri
Info
WRWTFWW Records is very excited to present a new full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti (Esperti Project): Music for a Cosmic Garden.
Recorded during the heights of the pandemic and completed in February 2021, the majestic 8-track ethereal/botanical soundscape created by Kokubo and Esperti is available as a limited edition double LP, a digipack CD, as well as in digital format.
Takashi KOKUBO, environmental music figure, celebrated sound designer, and founder of Studio Ion, has released over 20 albums, including the genre-defining and highly sought-after Ion Series. He's also played a major role in the sonic identity of Japan, creating the country’s mobile phone earthquake alert sound, credit card payment validation jingles, and much more. In 2020, Takashi Kokubo received a Grammy nomination for his track "A Dream Sails Out to Sea, Scene 3" off Light in the Attic’s Kankyo Ongaku compilation. He is known for recording “sound scenes from nature” around the world using a binaural CyberPhonic microphone of his own invention and for his very unique brand of healing music.
Andrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) with a globe-trotting approach: encounters with peers, rhythmic exchanges, and unplanned music projects; this is where lies the foundation of his work.
Music for a Cosmic Garden is an ode to celestial botanics, a contemporary and hallucinogenic take on the soothing ambient genre immortalized by artists such as Midori Takada and Satoshi Ashikawa, a beautiful pairing of synthesizers and the mighty trombone, taking you to a meditative galaxy far, far away, where other-worldly is just another word for cozy.
Recommended track for maximum pleasure: "Gaia’s Love Theme".
Points of interests
- For fans of environmental, chill-out, ambient, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, the Ion Series, parallel universes, music for space traveling but also music for gardening, and music for gardening in space.
- New full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Move D & Pete Namlook - Der Strahlende Verlierer
2
Move D & Pete Namlook - Hardwired Tangent
3
Move D & Pete Namlook - Hardwired Hypotenuse + Asymptote
black vinyl
Tracklist
1. Der Strahlende Verlierer
2. Hardwired Tangent
3. Hardwired Hypotenuse + Asymptote
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The third installment "Reissued 3", which follows the series' first two EPs from previous years, features again some exceptional pieces that were previously only available on CD. Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music. First up on the A side, “Der Strahlender Verlierer”, from the 2006 Album “Let the Circle Not Be Broken”, begins atmospherically before pushing subtly into open filter and undulating synth territory. Introspective and accepting, the piece gradually lets the sum of its parts coalesce into a peaceful whole with sustained chords and the flicker of played steel strings.
“Hardwired Tangent” from the 2001 Album “Wired” rounds out the first side with edgier and more ominous tones. Brooding and bubbling its way through artificial textures absorbed by carefully weighted rhythmic tension. Shuffling jazz electronics. The moody low-mid hum providing buoyancy throughout. Also from the 2001 album, the B side’s “Hardwired Hypotenuse + Asymptote” is a synthetic journey. Textural, pseudo-organic, pulsating with urgency. The motoric percussion imparting structure to the sonic alchemy. Tactile yet integrated components offer the listener (or dancer) multiple entry points into the music. This is both artful and kaleidoscopic — a treatise on contemplative and psychoactive house music.
"Reissued 3" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1. Der Strahlende Verlierer
2. Hardwired Tangent
3. Hardwired Hypotenuse + Asymptote
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The third installment "Reissued 3", which follows the series' first two EPs from previous years, features again some exceptional pieces that were previously only available on CD. Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music. First up on the A side, “Der Strahlender Verlierer”, from the 2006 Album “Let the Circle Not Be Broken”, begins atmospherically before pushing subtly into open filter and undulating synth territory. Introspective and accepting, the piece gradually lets the sum of its parts coalesce into a peaceful whole with sustained chords and the flicker of played steel strings.
“Hardwired Tangent” from the 2001 Album “Wired” rounds out the first side with edgier and more ominous tones. Brooding and bubbling its way through artificial textures absorbed by carefully weighted rhythmic tension. Shuffling jazz electronics. The moody low-mid hum providing buoyancy throughout. Also from the 2001 album, the B side’s “Hardwired Hypotenuse + Asymptote” is a synthetic journey. Textural, pseudo-organic, pulsating with urgency. The motoric percussion imparting structure to the sonic alchemy. Tactile yet integrated components offer the listener (or dancer) multiple entry points into the music. This is both artful and kaleidoscopic — a treatise on contemplative and psychoactive house music.
"Reissued 3" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ned Doheny - A1 : Get It Up For Love (4:42)
2
Ned Doheny - A2 : If You Should Fall (3:36)
3
Ned Doheny - A3 : Each Time You Pray (3:39)
4
Ned Doheny - A4 : When Love Hangs In The Balance (5:12)
5
Ned Doheny - B1 : A Love Of Your Own (3:46)
6
Ned Doheny - B2 : I’ve Got Your Number (3:15)
7
Ned Doheny - B3 : On The Swingshift (3:03)
8
Ned Doheny - B4 : Sing To Me (3:37)
9
Ned Doheny - B5 : Valentine (I Was Wrong About You) (5:07)
Territories: Worldwide no restrictions
Format: LP
Format Notes: 2024 re-press, 180g vinyl
Track List:
A1 : Get It Up For Love (4:42)
A2 : If You Should Fall (3:36)
A3 : Each Time You Pray (3:39)
A4 : When Love Hangs In The Balance (5:12)
B1 : A Love Of Your Own (3:46)
B2 : I’ve Got Your Number (3:15)
B3 : On The Swingshift (3:03)
B4 : Sing To Me (3:37)
B5 : Valentine (I Was Wrong About You) (5:07)
Release Notes:
Ned Doheny’s Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years.
Be With Records continues apace by marking its third release with the first officially licensed reissue of Doheny’s nautical classic. Perhaps most famously, this impeccably smooth set features the timeless “Get It Up For Love”, a wonderful example of mid-70s mid-tempo white-(hot)-funk.
Produced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since.
Pressed on audiophile 180g vinyl and featuring the original artwork for both jacket and full colour inner sleeve, this limited reissue is one not to be missed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: LP
Format Notes: 2024 re-press, 180g vinyl
Track List:
A1 : Get It Up For Love (4:42)
A2 : If You Should Fall (3:36)
A3 : Each Time You Pray (3:39)
A4 : When Love Hangs In The Balance (5:12)
B1 : A Love Of Your Own (3:46)
B2 : I’ve Got Your Number (3:15)
B3 : On The Swingshift (3:03)
B4 : Sing To Me (3:37)
B5 : Valentine (I Was Wrong About You) (5:07)
Release Notes:
Ned Doheny’s Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years.
Be With Records continues apace by marking its third release with the first officially licensed reissue of Doheny’s nautical classic. Perhaps most famously, this impeccably smooth set features the timeless “Get It Up For Love”, a wonderful example of mid-70s mid-tempo white-(hot)-funk.
Produced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since.
Pressed on audiophile 180g vinyl and featuring the original artwork for both jacket and full colour inner sleeve, this limited reissue is one not to be missed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ø & Mika Vainio - Spiraalit
2
Ø & Mika Vainio - Sukeltava
3
Ø & Mika Vainio - Pakkasherra
4
Ø & Mika Vainio - Kolmas
5
Ø & Mika Vainio - Ionos
6
Ø & Mika Vainio - Aaltovaihe
7
Ø & Mika Vainio - Maan Valossa
8
Ø & Mika Vainio - Siimes
Mika Vainio's recordings from 1991-1992, mostly his blueprint tehno style but also some ambient tracks. This release was originally issued in 2006.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bo Harwood & John Cassavetes - No One Around To Hear It
2
Chen Ming Chang - Rainwater
3
Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4
The King Of Luxembourg - Poptones
5
Slapp Happy - Is It You
6
O.G. Jigg - Jesus Is My Jam
7
Klang - As It Is
8
Scala - Fuser
9
Soft Location - Let The Moon Get Into It
10
Gyeongsu - YZOBEL (feat. CROCHE)
11
Omertà - Moments In Love
12
Kasumi Trio - Cabbage Butterfly
13
Un - Fast Money Blues
14
Delphine Dora - V
15
Harry Plunket-Greene - The Hurdy-Gurdy Man
CD
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Pierre - What Is House Muzik (30th Anniv. C.Clear Viny,RMl) (Original RM,RV-Emanuel Satie Edit, Jazzuelle,Acc)
2
DJ Pierre - A2 DJ Pierre - What Is House Muzik (Acapella Tool)
3
DJ Pierre - B1 DJ Pierre - What Is House Music (Ricardo Villalobos What Is Dub - Emanuel Sat
4
DJ Pierre - B2 DJ Pierre - What Is House Music (Jazzuelle's Deeper Acid Mix)
12" EP, 2024 Remaster, Limited 30th Anniversary Edition in Crystal Clear Vinyl
GENRE/S:
House, Deep House, Minimal House
TRACKLIST:
A1 DJ Pierre - What Is House Muzik (Original Remaster)
A2 DJ Pierre - What Is House Muzik (Acapella Tool)
B1 DJ Pierre - What Is House Music (Ricardo Villalobos What Is Dub - Emanuel Satie Edit)
B2 DJ Pierre - What Is House Music (Jazzuelle's Deeper Acid Mix)
SHORT INFO:
This is another vital instalment of Get Physical Music's classic reissue series, which is now scheduled for a vinyl release. It features a track first released in 1994 and was also part of DJ Pierre's Wild Pitch: The Story album back in 2017. It comes with an Emmanuel Satie edit of the Ricardo Villalobos Dub and a stellar remix from South Africa's Jazzuelle, first released in 2017.
DJ Pierre's name is forever synonymous with house music, particularly the acid sound he pioneered in the' 80s. Staying true to the underground since then, he's consistently released vital tracks, innovated with his Wild Pitch style and now his Afro Acid label. Pierre continues to push boundaries with each new outing while this reissue proves that his earliest works are still some of house music's best ever.
'What is House Muzik' is an almost 10-minute masterpiece that's perfectly designed for gritty warehouse spaces and comes complete with an anthemic vocal monologue. It's dark and distorted with monstrous kicks and oversized hi-hats, a frazzled lead synth line and a marching groove that is lit up with strobe-lit details to get hands in the air. The original also comes alongside an acapella version.
Next up, we have an edit from melodic master Emmanuel Satie, who takes Fellow Ricardo Villalobos's epic 36-minute 'What Is Dub' version and splices it into a floor-friendly and perfectly paced 7-and-a-half-minute edit. Originally dropping in 2015, it now sees its way onto vinyl for the first time. Finally, South Africa electronic production don Jazzuelle drops a remix that lives up to its name with a dive into the deeper realms of acid.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
House, Deep House, Minimal House
TRACKLIST:
A1 DJ Pierre - What Is House Muzik (Original Remaster)
A2 DJ Pierre - What Is House Muzik (Acapella Tool)
B1 DJ Pierre - What Is House Music (Ricardo Villalobos What Is Dub - Emanuel Satie Edit)
B2 DJ Pierre - What Is House Music (Jazzuelle's Deeper Acid Mix)
SHORT INFO:
This is another vital instalment of Get Physical Music's classic reissue series, which is now scheduled for a vinyl release. It features a track first released in 1994 and was also part of DJ Pierre's Wild Pitch: The Story album back in 2017. It comes with an Emmanuel Satie edit of the Ricardo Villalobos Dub and a stellar remix from South Africa's Jazzuelle, first released in 2017.
DJ Pierre's name is forever synonymous with house music, particularly the acid sound he pioneered in the' 80s. Staying true to the underground since then, he's consistently released vital tracks, innovated with his Wild Pitch style and now his Afro Acid label. Pierre continues to push boundaries with each new outing while this reissue proves that his earliest works are still some of house music's best ever.
'What is House Muzik' is an almost 10-minute masterpiece that's perfectly designed for gritty warehouse spaces and comes complete with an anthemic vocal monologue. It's dark and distorted with monstrous kicks and oversized hi-hats, a frazzled lead synth line and a marching groove that is lit up with strobe-lit details to get hands in the air. The original also comes alongside an acapella version.
Next up, we have an edit from melodic master Emmanuel Satie, who takes Fellow Ricardo Villalobos's epic 36-minute 'What Is Dub' version and splices it into a floor-friendly and perfectly paced 7-and-a-half-minute edit. Originally dropping in 2015, it now sees its way onto vinyl for the first time. Finally, South Africa electronic production don Jazzuelle drops a remix that lives up to its name with a dive into the deeper realms of acid.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More