4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by Shan & Gerd Janson’s edit which amplifies the Armand’s remix even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.

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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.

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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Now in its fifth edition, the series continues to raise the bar. The A-Side features two mixes of the mid-nineties Mood II Swing production ‘Living In Ecstasy’ by Fonda Rae. The R&B singer who was responsible for cult hits like ‘Touch Me’ delivers silky-smooth vocals that remain the focus in the opening Groove Mix, whereas JC’s Ecstasy Dub follows up with a rumbling bassline to deliver a club-focussed version. On the flip we’re greeted by a slice of 2001 goodness with the Original Distant Music Mix of Jon Cutler featuring E-Man ‘It’s Yours’, a seminal house classic. Closing out the release is The Return’s ‘New Day’, originally released on Fourth Floor Records in 1999, twenty years later this sublime and emotive piece of house music history sounds fresh as ever. Classics Volume 5 is another record box essential delivered to you by 4 To The Floor.

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4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilises energetic drums and techy synths to up the ante.

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4 To The Floor continues to champion heritage tracks with Volume 7 of the Classics 12” series, ‘The MK EP’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s early career. Opening the A-Side with vocal house masterpiece ‘Burning’, on the flip are two of MK’s most loved collaborations with Alana, first the deep and piano-lined ‘Always’ (Club Mix), before the soulful club anthem ‘Love Changes’. This release highlights the timeless quality of MK’s catalogue, with three cuts that truly stand the test of time.

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4 To The Floor continues to champion heritage tracks with Volume 6 of the Classics 12” series, ‘The MK Mixes’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s impressive catalogue of remixes. Kicking off the A-Side MK remixes 4th Measure Men’s ‘4 You’, as his signature 90s-era bumping bassline, sax accents and vocal chop come into play, features typical of all his very best work. Up next the trademark MK sounds continue, as his deep and grooving mix of ‘Free Your Mind’ by Geoffrey Williams powers through the speakers. On the flip MK’s Club Mix of ‘I Never Knew Love’ by house legend Chez Damier rounds off the release, as this 12” package offers a masterclass in remixing from one of dance music’s most loved artists.

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Fourth Floor was a major US player in supporting the London garage scene in the late Nineties. Responsible for very early releases from Todd Terry (known as Masters at Work at the time) the imprint also released seminal classics from Fallout, ‘The Morning After’ and Arnold Jarvis, ‘Take Some Time Out’, both of which made the cut for this double 12” release. Included on this 8-track package are some contemporary edits from Luke Solomon of Rhythm Faktor ‘Dream On’ (Organ Grinder Mix) and Love Root ‘Funky Emotions’ (Another Mix), plus outstanding records from Royal Orchestra, M.O.D.E., Bamboo and The Break Boys. 4 To The Floor presents Fourth Floor Records is part of the 4 To The Floor series and will be followed by a full digital release. Lovingly selected and compiled by Luke Solomon, the 4 To The Floor series also delves into the Movin’ Records, Sub-Urban, Faya Combo, Soulfuric and Slip ‘n’ Slide catalogues, digging for those lightbulb moments of musical discovery. Fulfilling his role as your friendly record shop assistant, Luke’s 4 To The Floor series comes correct with brand new vinyl LP collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.

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The brainchild of the so-called “fairy godmother of house” Abigail Adams, during the mid-80s and early 90s Movin’ Records defined the New Jersey sound. A regular at the iconic Roxy roller disco in New York, Adams’ skate-shop-turned-record-store was instrumental in supplying club resident Tony Humphries with the hottest records that everybody wanted to dance to. Danny Krivit, Larry Levan and Timmy Regisford were also Adams’ friends and regulars at the store.
Taking the natural step into releasing records, Movin’s first output was ‘I’ve Got The Music’ by Boyd Jarvis in 1987, followed by music from game changers like Phase II, 3 A.M. and Cassio The Cassmaster; straight up “Jersey jams” that producers are still attempting to replicate to this day. All those standout records and more appear on this double 12” package, lovingly selected and compiled by Luke Solomon as part of the 4 To The Floor series. In the series, which will also delve into Fourth Floor, Sub-Urban and Slip ‘n’ Slide, Luke digs for those lightbulb moments of musical discovery. Once again fulfilling the role of your friendly record shop assistant, Luke’s 4 To The Floor series comes correct with official label merch to accompany all of the releases, for that full rack-raiding experience.
“Movin’ was very much a part of my youth,” says Luke of his connection to the seminal label, “more than I actually realised whilst working my way through the catalogue. 4 To The Floor is very much about selecting music that has stood the test of time from each and every one of the labels. It will be a celebration of house music history.”

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Yet another solid gold modern reimagining of the mighty Loleatta Holloway, this time her infamous 1977 smash 'Hit & Run' goes under the knife and is tweaked to devastating effect by 2 of Chicago's finest modern day editors - Jamie 326 & Cratebug. Anyone with even a passing interest in Disco or House will be more than familiar with these 2 guys names. Having edited and remixed numerous cuts in their own original ways, they take this all-time Salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. This edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the Windy City and naturally it was one of the cuts that stood out, finding favour with a wide variety of DJ's across the board from Motor City Drum Ensemble, Todd Terry, Jeremy Underground Paris, Theo Parrish and more. Drawing comparisons with Paperclip People's anthemic 'Throw' from 1994 in the way it snatches a killer loop from 'Hit & Run's' bassline, 'Hit It & Quit It' is a monster, a record you'll literally play over and over and over again, a relentless Disco juggernaut that oozes power. It made perfect sense for this legit single-sided reissue 12" to come out on Salsoul Records, the home of Loleatta Holloway's finest material and all of her classics. This limited reissue has been made in conjunction with Jamie 3:26 & Cratebug and Salsoul Records, 100% sanctioned and lovingly re-presented for your dancing pleasure. This one is HOT. Sleep at your peril!

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Well. Where do we start with 'Deep Inside'? Originally released in the golden NYC House era of 1993, this 5 tracker literally smashed everything in sight. And still does now! The epitome of an evergreen, all-time classic release. Masters At Work Louie Vega and Kenny Dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. They are joined on this EP by a roll-call of names and collaborators, Erick Morillo engineering the title track? Check. Maurice Joshua on co-production duties? You got it. Vocals by Ms. Barbara tucker? They're there. Killer, rock hard drums? Stacks of Soul? Masterfully chopped up Disco samples? All present. Serious stuff. Sometimes a record just manages to capture and distill the true essence of what this is all about and 'Deep Inside' is one such record, it bears all the hallmarks of golden era MAW, all the signposts of what was happening in NYC's clubs in the early to mid 90's were there within it's grooves. You know a record is good when it's still being, quite literally, hammered nearly 25 years later! Now, remastered, and reissued with the full involvement of Strictly Rhythm this seminal piece of NYC House history is made available again with all original, full sleeve artwork intact as per the 1993 original. This one's a straight up essential for any self-respecting dance aficionado. You know what to do!

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Following on from his stellar record store day 2017 double-pack, Dimitri is back with another clutch of indispensable Disco edits from his impressive archive for the legendary Salsoul label. Any self-respecting DJ or Disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by Disco-Dim. Salsoul Orchestra's 'Ooh I Love It (Love Break)' kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. Following up is Skyy's total anthem 'First Time Around', a classic Garage groove and Dimitri's version is near perfect, again, re-touched by someone who truly understands what Disco all about! Essential stuff. On the flipside The Jammers - 'Be Mine Tonight', is another massive Garage smasher, here Dimitri almost edges Shep Pettibone's OG mix into the Boogie stratosphere, just incredible! It makes perfect sense that this amazing double-pack should finish on one of Dimitri's most sought after edits - Love Committee's 'Just As Long As I Got You', an epic slab of soulful, almost dark, Disco. Absolutely huge. I

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the legendary and trend-setting chicago label re-releasing two of their biggest classics by Cajmere and Derrick Carter.

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West Grand has been set up to mine the Motown tape vaults.Their second release - under licence from Universal / Motown - captures two previously unreleased mixes of a classic. Brenda Holloway’s “Think It Over (Before You Break My Heart)” was recorded in the 1960’s - the same decade she was selected by The Beatles to open their last ever live show - but not issued by Motown in that decade. It took until the 1990's for an acetate copy to turn up and start getting plays on the UK Northern Soul circuit. It became clear what a very special recording had been ignored. As befits the strange world of Northern Soul a lack of info on the much prized acetate meant the track was credited as “Reconsider” - the phrase Brenda uses mostly during her magnificent vocal virtuoso performance - which turned out to be incorrect. Nevertheless bootlegs were produced as “Reconsider” and it took a while before the correct info to emerge. Legimate copies have since been released and slowly but surely this gem of a Soul record that firstly nobody knew about and then got given the wrong name has become an iconic Northern Soul and Motown anthem. Demand has proved insatiable and West Grand add to the mystique by coming up with two previously unknown mixes releases for the first time ever worldwdide. the a side vocal highlights Brenda’s vocals as even more breathtaking than everyone first thought, while the fip shows just how amazing Earl Van Dyke and pals - Motown’s legendary Funk Brothers - really were.

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The brand new WEST GRAND label has been set up to lovingly mine the tape vaults of Motown. And their debut single - under licence from Universal/ Motown - is simply superlative. It’s hard to imagine a better flrst release than MARVIN GAYE & TAMMI TERRELL’S much demand TEARS AT THE END OF A LOVE AFFAIR. Up until now the track has only been available via a limited download some years ago done by Universal to retain the right to the copyright in the master recording. It has eluded compilers of Motown CD compilation albums, and this is its’ worldwide debut release on vinyl. Tammi Terrell originally recorded her much loved solo version which was released on her only album. It became a must have for Motown and Northern Soul aficionados and the emergence of the duet with Marvin caused consternation. Nobody knew if it’s’ existence! It was even better than Tammi’s solo!! IT’S MARVIN GAYE AND TAMMI TERRELL!!! Why it did was not released when recorded is a question only Motown’s famed Quality Control department can answer. They certainly slipped up. Worldwide interest from the Soul community in this track is huge and the single is guaranteed to be an instant prized collectors item. The flip by Marvin Gaye and Kim Weston was unreleased for decades and is very much a “lost and found” gem. Normally it would be good enough to make it as an A side but the mighty “Tears At The End Of A Love Affair” inevitably claims that honour.

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Every once in a while a record comes along which is a little bit special, a record which stands the test of time, bringing the same reaction to the dancefloor now as it did all those years ago, and ‘Don’t You Want My Love’ is one of those records. Almost four decades after its original release in 1979, the record has become a favourite with the Glitterbox crowds, creating a seminal moment at Ministry of Sound when David Morales dropped it at the party in March 2017. Now Debbie Jacob’s timeless classic lands on Glitterbox Recordings for a special vinyl package including a re-edit courtesy of disco veteran Dimitri From Paris. The spirit of disco lives on.

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The Legion of Boogie Down return for their second album inventively titled Powerdance II. It’s been 8 years since the critically acclaimed “The Lost Art of Getting Down,” was heralded by the Guardian of one of the albums of the year. This time the band of misfits add additional wonk to their future vision of music for night clubs and basements. Formed as a collective by Luke Solomon back in 2017, the music was a reaction to the continuing evolution of genre. The latest album is a continuation on a theme. This time joined by musical partner Chris Penny, rising star Josh Ludlow and original band members Alinka, Lance Desardi amongst others, the live hybrid of fusing wild synths, drums and percussion from the legendary Holly Madge, the band take you in outer space with their trippy spin on disco, funk and house music. Long Live the Legion of Boogie Down.

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During the 35 years of making music, Dave Lee has constantly been searching for new singers and writers to work with. A search that’s ended up with many fantastic collaborations and releases with the likes of Thelma Houston, Taka Boom, Dianne Charlemagne and Seal. More recently this quest led him to Maurissa Rose and the creation of their album ‘London / Detroit’. After hearing Maurissa's voice on a Theo Parrish record Dave reached out to her and after a few long phone conversations and mp3 swaps they both agreed a visit to London would be much more fun than trying to work together remotely. Maurissa made the journey from her home in Detroit to write and record an album with Dave at his studio in March 2022 - as they both feel that creating music together in the same room is always better. The fruits of their labour yielded 11 brand new songs (and 1 cover) tapping into their collective love of Soul, Disco and R&B, with a sprinkle of Soulful House. This album is a special one for Dave Lee as it’s the first time in his career he’s recorded an entire album with same singer on every track. In the album’s liner notes Dave talks of how Maurissa is a naturally creative person, full of ideas, warm & unpretentious which is reflected in her vocal performances throughout ‘London / Detroit’. Dave’s expertly crafted music is backed up with a deeply passionate yet effortless delivery from the Detroiter, a marker of someone who has honed and perfected their art. When it comes to the music side of this LP, Dave Lee is once again proving he’s still at the top of his game and shows no sign of relenting. Drawing from his encyclopaedic knowledge of all things Soul/Funk/Disco, we are treated to a range of styles, BPMs and influences from 95bpm street soul to more uptempo disco and boogie flavours. Be it the rippling synth voyage opener of ‘You Decide’, taking the Johnnie Taylor classic ‘What About My Love’ into a modern Boogie realm, upping the tempo on the soulful houser ‘I Feel the Sun” or bringing the tempo back down to the bassy acidic chug of ‘You’re Giving Me Life’. Mr Lee is truly adept at creating a modern disco soul sound without the usage of samples. London and Detroit might be two very different cities on opposite sides of the Atlantic but this album is proof that creative synergy knows no distance.

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Part one of a new Salsoul Re-edits series launches with four reworks from disco aficionado DimitrI From Paris. Available on vinyl for the very first time, Dimitri adds his deft remix touch to Salsoul favourites from Loleatta Holloway, Inner Life, Love Comitte and Skyy.
A. Loleatta Holloway - Love Sensation (Dimitri From Paris DJ Friendly Classic Re-Edit)
B. Inner Life - Moment Of My Life (Dimitri From Paris DJ Friendly Classic Re-Edit)
C. Love Committee - Law & Order (Dimitri From Paris DJ Friendly Classic Re-Edit)
D. Skyy - Here's To You (Dimitri From Paris New DJ Friendly Classic Re-Edit)

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fabric bring together Pangaea and Leonce for a pair of UKG influenced / US club tracks. “With both of us playing each other’s tracks, it felt natural to collaborate in the studio on original music. Both ‘Dusted’ and ‘Stuck’ bridge the UK and US scenes, and are the result of multiple studio sessions in London when Leonce was touring in Europe” ~ Pangaea. ‘Dusted’ is UKG influenced with out-of-this-world textures, fast paced drums, expertly-chopped vocals that build on the styles Pangaea and Leonce are known for whilst 'Stuck' takes a more restrained approach, taking influence from classic 90s US club tracks. Pangaea co-runs cult UK label Hessle Audio, widely regarded as one of the finest electronic music producers of a generation whilst Leonce has been honing his US underground Club styles with the RA Recommends critically acclaimed 2024 album, System Of Objects.

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