1
Moondog - Für Fritz (Chaconne in A minor)
2
Emilie Levienaise-Farrouch - Louella
3
Bryce Dessner - Ornament 2
4
Bryce Dessner - Ornament 3
5
Philip Glass - Etude n°9
6
William Susman - Quiet Rhythms: Prologue and Action n°9
7
Meredith Monk - Railroad (Travel Song)
8
Michael Nyman - The Heart Asks Pleasure First
9
Hans Otte - Das Buch der Klänge, part 2
10
Nico Muhly - A Hudson Cycle
11
Gavin Bryars - Ramble On Cortona
12
Moondog - Elf Dance
13
Wim Mertens - Struggle for Pleasure
14
Vanessa Wagner - Balta ainava
Territories : World excl. GER - FRA - BEN - UK
Tracklist LP:
1_ Für Fritz (Chaconne in A minor) - Moondog (1:43) - FR T09 19 000 20
2_ Louella - Emilie Levienaise-Farrouch (1:40) - FR T09 19 000 21
3_ Ornament 2 - Bryce Dessner (1:52) - FR T09 19 000 22
4_ Ornament 3 - Bryce Dessner (6:32) - FR T09 19 000 23
5_ Etude n°9 - Philip Glass (2:21) - FR T09 19 000 24
6_ Quiet Rhythms: Prologue and Action n°9 - William Susman (4:47) - FR T09 19 000 25
7_ Railroad (Travel Song) - Meredith Monk (2:15) - FR T09 19 000 27
8_ The Heart Asks Pleasure First - Michael Nyman (3:54) - FR T09 19 000 26
9_ Das Buch der Klänge, part 2 - Hans Otte (7:25) - FR T09 19 000 28
10_ A Hudson Cycle - Nico Muhly (3:03) - FR T09 19 000 29
11_ Ramble On Cortona - Gavin Bryars (8:28) - FR T09 19 000 30
12_ Elf Dance - Moondog (1:36) - FR T09 19 000 31
13_ Struggle for Pleasure - Wim Mertens (6:18) - FR T09 19 000 32
14_ Balta ainava - Peteris Vasks (9:10) - FR T09 19 000 33
Short Info:
The title of this new album by Vanessa Wagner refers to John Cage's Imaginary Landscape (1939), one of the first works to use electronic devices. After all, when Cage wrote his manifesto The Future of Music in the late 1930s, he already knew that the merging of written and electronic music would bear exquisite fruits.
The album is the lone protuberance from 2016 album Statea, on which Wagner, alongside producer Murcof (she on the piano, him manning the machines), reinterpreted pieces from the fathers of minimalism: Arvo Pärt, Philip Glass, Morton Feldman, Erik Satie, or John Cage.
The same secret conversation between the artist, the piano, and contemporary music is now continuing on Inland. Making more with less, the album turns long harmonies into multicolored prisms, miniature detailed embroidery, sighs and breaths, syncopated or restrained chants. In this brave new world, sounds exist for themselves, and silence comes to life. While the repertoire remains in the minimalistic vein, it gives priority to living composers, of which almost all are still active.
The repertoire's cartography has been extended: its (male or female) composers can be American, of course, but also French, Belgian, German or Latvian.
The choice of works and their sequencing was dreamed up as a sort of storytelling. Between familiar melodies and unknown rarities, the pianist dug deep to find previously unreleased pieces.
Within the cornucopia of Wagner's career, Inland stands as a hitherto unknown intimate and dream-like space. The album is both the fruit of her maturity and a new temporality that she is now exploring - a secret conversation between her spirituality and the deep connection she maintains with nature, the elements, and living matter.
The Inland journey begins with the vision of iconoclastic Moondog, who claudicates over a modest ritornello, and continues with French composer Emilie Levienaise-Farrouch's Louella, like a volatile caress. On the way, we come across familiar figures like Philip Glass, and rediscover Michael Nyman's The Heart Asks Pleasure First, as Wagner's fingers transfigure the cult piece, rendering it with delicate sensuality.
At the origin of the source, German composer Han Otte plays entrancing magic tricks with the fluids that spring henceforth; on the horizon, the inescapable Meredith Monk draws us into his hypnotic circles; elsewhere, Bryce Dessner is takes us on an odyssey; a dream filled with characters who guide us to boundless territories, and William Susman breaks down boundaries under the harmonic mists and mute rhythms of Quiet Rhythms.
At the end of our travels, we find a blank canvas of quiet nature, a clearing in which Latvian composer Peteris Vasks invites us to listen to the suspended silences.
When the album is over, the spirit of Inland continues to stir inside the listener's mind, in hazy reverie, clouds of nostalgia emanate from Vanessa Wagner's piano.
More
Tracklist LP:
1_ Für Fritz (Chaconne in A minor) - Moondog (1:43) - FR T09 19 000 20
2_ Louella - Emilie Levienaise-Farrouch (1:40) - FR T09 19 000 21
3_ Ornament 2 - Bryce Dessner (1:52) - FR T09 19 000 22
4_ Ornament 3 - Bryce Dessner (6:32) - FR T09 19 000 23
5_ Etude n°9 - Philip Glass (2:21) - FR T09 19 000 24
6_ Quiet Rhythms: Prologue and Action n°9 - William Susman (4:47) - FR T09 19 000 25
7_ Railroad (Travel Song) - Meredith Monk (2:15) - FR T09 19 000 27
8_ The Heart Asks Pleasure First - Michael Nyman (3:54) - FR T09 19 000 26
9_ Das Buch der Klänge, part 2 - Hans Otte (7:25) - FR T09 19 000 28
10_ A Hudson Cycle - Nico Muhly (3:03) - FR T09 19 000 29
11_ Ramble On Cortona - Gavin Bryars (8:28) - FR T09 19 000 30
12_ Elf Dance - Moondog (1:36) - FR T09 19 000 31
13_ Struggle for Pleasure - Wim Mertens (6:18) - FR T09 19 000 32
14_ Balta ainava - Peteris Vasks (9:10) - FR T09 19 000 33
Short Info:
The title of this new album by Vanessa Wagner refers to John Cage's Imaginary Landscape (1939), one of the first works to use electronic devices. After all, when Cage wrote his manifesto The Future of Music in the late 1930s, he already knew that the merging of written and electronic music would bear exquisite fruits.
The album is the lone protuberance from 2016 album Statea, on which Wagner, alongside producer Murcof (she on the piano, him manning the machines), reinterpreted pieces from the fathers of minimalism: Arvo Pärt, Philip Glass, Morton Feldman, Erik Satie, or John Cage.
The same secret conversation between the artist, the piano, and contemporary music is now continuing on Inland. Making more with less, the album turns long harmonies into multicolored prisms, miniature detailed embroidery, sighs and breaths, syncopated or restrained chants. In this brave new world, sounds exist for themselves, and silence comes to life. While the repertoire remains in the minimalistic vein, it gives priority to living composers, of which almost all are still active.
The repertoire's cartography has been extended: its (male or female) composers can be American, of course, but also French, Belgian, German or Latvian.
The choice of works and their sequencing was dreamed up as a sort of storytelling. Between familiar melodies and unknown rarities, the pianist dug deep to find previously unreleased pieces.
Within the cornucopia of Wagner's career, Inland stands as a hitherto unknown intimate and dream-like space. The album is both the fruit of her maturity and a new temporality that she is now exploring - a secret conversation between her spirituality and the deep connection she maintains with nature, the elements, and living matter.
The Inland journey begins with the vision of iconoclastic Moondog, who claudicates over a modest ritornello, and continues with French composer Emilie Levienaise-Farrouch's Louella, like a volatile caress. On the way, we come across familiar figures like Philip Glass, and rediscover Michael Nyman's The Heart Asks Pleasure First, as Wagner's fingers transfigure the cult piece, rendering it with delicate sensuality.
At the origin of the source, German composer Han Otte plays entrancing magic tricks with the fluids that spring henceforth; on the horizon, the inescapable Meredith Monk draws us into his hypnotic circles; elsewhere, Bryce Dessner is takes us on an odyssey; a dream filled with characters who guide us to boundless territories, and William Susman breaks down boundaries under the harmonic mists and mute rhythms of Quiet Rhythms.
At the end of our travels, we find a blank canvas of quiet nature, a clearing in which Latvian composer Peteris Vasks invites us to listen to the suspended silences.
When the album is over, the spirit of Inland continues to stir inside the listener's mind, in hazy reverie, clouds of nostalgia emanate from Vanessa Wagner's piano.
More
More records from InFiné
1
Basile3 - Wire Rise Feat. Lloydfears
2
Basile3 - Air Quality
3
Basile3 - Grateful, After All
4
Basile3 - U Stole The Summer
5
Basile3 - Secret Gathering
6
Basile3 - Love Machine Feat. Daisy Ray
7
Basile3 - 4Friends
8
Basile3 - My Window Feat. Lucy Sissy Miller
9
Basile3 - In The Clouds
10
Basile3 - Sirens Feat. Thelma Cappello
11
Basile3 - …And Tuning (Stereo Mix)
LP - Territory: WORLD EX France,UK,BENELUX
Tracklist LP :
A1. Wire Rise Feat. Lloydfears
A2. Air Quality
A3. Grateful, After All
A4. U Stole The Summer
A5. Secret Gathering
A6. Love Machine Feat. Daisy Ray
B1. 4Friends
B2. My Window Feat. Lucy Sissy Miller
B3. In The Clouds
B4. Sirens Feat. Thelma Cappello
B5. …And Tuning (Stereo Mix)
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.
In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.
Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.
More
Tracklist LP :
A1. Wire Rise Feat. Lloydfears
A2. Air Quality
A3. Grateful, After All
A4. U Stole The Summer
A5. Secret Gathering
A6. Love Machine Feat. Daisy Ray
B1. 4Friends
B2. My Window Feat. Lucy Sissy Miller
B3. In The Clouds
B4. Sirens Feat. Thelma Cappello
B5. …And Tuning (Stereo Mix)
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.
In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.
Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.
More
Release Title: When all you want to do is be the fire part of fire
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Release Title: When all you want to do is be the fire part of fire
Territories: ww -fr -uk -benelux
LP, LTD, orange vinyl
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Territories: ww -fr -uk -benelux
LP, LTD, orange vinyl
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Release Title: When all you want to do is be the fire part of fire
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
Territories: ww -fr -uk -benelux
LP
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
SIDE A (18’27’’)
A1_Art&Life - 03:17
A2_Plumbing - 02:56
A3_2MOONS - 04:26
A4_Unshape - 04:12
A5_Zombie - 03:36
SIDE B (12’30’’)
B1_Midway - 02:45
B2_Napkin - 04:08
B3_Lyrics - 02:32
B4_Bredouille Feat. HSRS - 03:03
More
1
Rone - A1 - Tikkoun
2
Rone - A2 - Tikkoun, Piano 1
3
Rone - A3 - Power
4
Rone - A4 - Tikkoun, Piano 2
5
Rone - A5 - Tikkoun, Electronic Variation 1
6
Rone - A6 - Tikkoun, Piano & Synth
7
Rone - A7 - Tikkoun, Quintet 2
8
Rone - A8 - Tikkoun, Piano 3
9
Rone - A9 - D'argent et de sang
10
Rone - B1 - Tikkoun, Electronic Variation 2
11
Rone - B2 - Tikkoun, Quintet 3
12
Rone - B3 - J'en veux...
13
Rone - B4 - Carbon
14
Rone - B5 - Madness
15
Rone - B6 - Stress
16
Rone - B7 - Jackpot
17
Rone - B8 - Prayer
Territories: ww -fr -uk -benelux
Tracklist LP:
VINYL
A1 - Tikkoun
A2 - Tikkoun, Piano 1
A3 - Power
A4 - Tikkoun, Piano 2
A5 - Tikkoun, Electronic Variation 1
A6 - Tikkoun, Piano & Synth
A7 - Tikkoun, Quintet 2
A8 - Tikkoun, Piano 3
A9 - D'argent et de sang
B1 - Tikkoun, Electronic Variation 2
B2 - Tikkoun, Quintet 3
B3 - J'en veux...
B4 - Carbon
B5 - Madness
B6 - Stress
B7 - Jackpot
B8 - Prayer
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
Tracklist LP:
VINYL
A1 - Tikkoun
A2 - Tikkoun, Piano 1
A3 - Power
A4 - Tikkoun, Piano 2
A5 - Tikkoun, Electronic Variation 1
A6 - Tikkoun, Piano & Synth
A7 - Tikkoun, Quintet 2
A8 - Tikkoun, Piano 3
A9 - D'argent et de sang
B1 - Tikkoun, Electronic Variation 2
B2 - Tikkoun, Quintet 3
B3 - J'en veux...
B4 - Carbon
B5 - Madness
B6 - Stress
B7 - Jackpot
B8 - Prayer
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
Territories: ww -fr -uk -benelux
Tracklist CD:
1. Tikkoun
2. Tikkoun, Piano 1 02:11
3. Power 02:06
4. Tikkoun, Piano 2
5. Tikkoun, Electronic Variation 1
6. Tikkoun, Piano & Synth
7. Tikkoun, Quintet 2
8. Tikkoun, Piano 3
9. D'argent et de sang
10. Tikkoun, Electronic Variation 2
11. Tikkoun, Piano 4
12. Tikkoun, Quintet 3
13. J'en veux...
14. Carbon
15. Madness
16. Stress
17. SNDJ
18. dRONE03
19. Jackpot
20. Prayer
21. Tikkoun, Quintet 4
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
Tracklist CD:
1. Tikkoun
2. Tikkoun, Piano 1 02:11
3. Power 02:06
4. Tikkoun, Piano 2
5. Tikkoun, Electronic Variation 1
6. Tikkoun, Piano & Synth
7. Tikkoun, Quintet 2
8. Tikkoun, Piano 3
9. D'argent et de sang
10. Tikkoun, Electronic Variation 2
11. Tikkoun, Piano 4
12. Tikkoun, Quintet 3
13. J'en veux...
14. Carbon
15. Madness
16. Stress
17. SNDJ
18. dRONE03
19. Jackpot
20. Prayer
21. Tikkoun, Quintet 4
Short Info:
A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.
More
1
Bruce Brubaker - Music for Airports, 1/1 - 17:12
2
Bruce Brubaker - By This River - 03:31
3
Bruce Brubaker - The Chill Air - 01:55
4
Bruce Brubaker - Music for Airports, 2/1 - 08:32
5
Bruce Brubaker - Music for Airports, 2/2 - 06:07
6
Bruce Brubaker - Emerald and Stone - 02:30
LP - Territory: WORLD EX France
Tracklist LP :
A SIDE (23 minutes)
A1_Music for Airports, 1/1 - 17:12
A2_By This River - 03:31
A3_The Chill Air - 01:55
B SIDE (21.30 minutes)
B1_Music for Airports, 2/1 - 08:32
B2_Music for Airports, 2/2 - 06:07
B3_Emerald and Stone - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
Tracklist LP :
A SIDE (23 minutes)
A1_Music for Airports, 1/1 - 17:12
A2_By This River - 03:31
A3_The Chill Air - 01:55
B SIDE (21.30 minutes)
B1_Music for Airports, 2/1 - 08:32
B2_Music for Airports, 2/2 - 06:07
B3_Emerald and Stone - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
1
Bruce Brubaker - Music for Airports, 1/1 - 17:12
2
Bruce Brubaker - Music for Airports, 2/1 - 08:32
3
Bruce Brubaker - The Chill Air - 01:55
4
Bruce Brubaker - By This River - 03:31
5
Bruce Brubaker - Music for Airports, 2/2 - 06:07
6
Bruce Brubaker - Emerald and Stone - - 02:30
LP - Territory: WORLD EX France
Tracklist CD :
1_Music for Airports, 1/1 - 17:12
2_Music for Airports, 2/1 - 08:32
3_The Chill Air - 01:55
4_By This River - 03:31
5_Music for Airports, 2/2 - 06:07
6_Emerald and Stone - - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
Tracklist CD :
1_Music for Airports, 1/1 - 17:12
2_Music for Airports, 2/1 - 08:32
3_The Chill Air - 01:55
4_By This River - 03:31
5_Music for Airports, 2/2 - 06:07
6_Emerald and Stone - - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
1
Labelle - Le fil vers Feat. Hasawa
2
Labelle - L’homme félin - 04:36
3
Labelle - Danse chamane - 04:08
4
Labelle - Voir le point - 04:18
5
Labelle - Entre-allée - 04:32
6
Labelle - Ciel - 04:10
7
Labelle - Futurity - 04:25
8
Labelle - Instant Clair Temporel - 03:17
9
Labelle - Temple océan univers - 02:19
10
Labelle - Turn - 04:48
11
Labelle - Apporter l’amour - 03:29
LP - Territory: WORLD EX France
Tracklist LP:
A SIDE - 21:25
A1_Le fil vers Feat. Hasawa
A2_L’homme félin - 04:36
A3_Danse chamane - 04:08
A4_Voir le point - 04:18
A5_Entre-allée - 04:32
B SIDE - 22:31
B1_Ciel - 04:10
B2_Futurity - 04:25
B3_Instant Clair Temporel - 03:17
B4_Temple océan univers - 02:19
B5_Turn - 04:48
B6_Apporter l’amour - 03:29
Short Info:
Since his first album, Labelle has been dovetailing the techno that so captivated his imagination as a teenager, with traditional Maloya music - native to the French overseas department where he grew up and still lives.
His new album submerges itself in the darker recesses of the psyche. NOIR ANIMA is a reflective portrait of a soul enshrouded by the darkness of night, inching towards a euphoric morning.
Over the last decade, the Réunion Island-based composer has made a name for himself exploring syncretic religion and philosophy throughout his work and, for his fifth studio album, his search for truth has turned inwards. On NOIR ANIMA, we are offered a glimpse into the emotional state of the artist making this extraordinary and dynamic music.
More
Tracklist LP:
A SIDE - 21:25
A1_Le fil vers Feat. Hasawa
A2_L’homme félin - 04:36
A3_Danse chamane - 04:08
A4_Voir le point - 04:18
A5_Entre-allée - 04:32
B SIDE - 22:31
B1_Ciel - 04:10
B2_Futurity - 04:25
B3_Instant Clair Temporel - 03:17
B4_Temple océan univers - 02:19
B5_Turn - 04:48
B6_Apporter l’amour - 03:29
Short Info:
Since his first album, Labelle has been dovetailing the techno that so captivated his imagination as a teenager, with traditional Maloya music - native to the French overseas department where he grew up and still lives.
His new album submerges itself in the darker recesses of the psyche. NOIR ANIMA is a reflective portrait of a soul enshrouded by the darkness of night, inching towards a euphoric morning.
Over the last decade, the Réunion Island-based composer has made a name for himself exploring syncretic religion and philosophy throughout his work and, for his fifth studio album, his search for truth has turned inwards. On NOIR ANIMA, we are offered a glimpse into the emotional state of the artist making this extraordinary and dynamic music.
More
1
Cindy Pooch - Issemou (short) - 04:49
2
Cindy Pooch - Redondant d’amour - 05:09
3
Cindy Pooch - Poulileu - 03:34
4
Cindy Pooch - Secret précieux - 03:04
5
Cindy Pooch - Tout ou rien - 03:54
6
Cindy Pooch - Enlève ton coeur - 03:45
7
Cindy Pooch - Délicatesse - 03:56
8
Cindy Pooch - Le Feu - 04:14
9
Cindy Pooch - Le goût de ça - 03:23
10
Cindy Pooch - Nyanga - 03:36
11
Cindy Pooch - Je saute - 05:36
12
Cindy Pooch - Rien de mal - 03:54
LP - Territory: WORLD EX France
Tracklist LP:
SIDE A - 24:15 min
A1_Issemou (short) - 04:49
A2_Redondant d’amour - 05:09
A3_Poulileu - 03:34
A4_Secret précieux - 03:04
A5_Tout ou rien - 03:54
A6_Enlève ton coeur - 03:45
SIDE B - 24:40 min
B1_Délicatesse - 03:56
B2_Le Feu - 04:14
B3_Le goût de ça - 03:23
B4_Nyanga - 03:36
B5_Je saute - 05:36
B6_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
Tracklist LP:
SIDE A - 24:15 min
A1_Issemou (short) - 04:49
A2_Redondant d’amour - 05:09
A3_Poulileu - 03:34
A4_Secret précieux - 03:04
A5_Tout ou rien - 03:54
A6_Enlève ton coeur - 03:45
SIDE B - 24:40 min
B1_Délicatesse - 03:56
B2_Le Feu - 04:14
B3_Le goût de ça - 03:23
B4_Nyanga - 03:36
B5_Je saute - 05:36
B6_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
1
Cindy Pooch - Issemou (short) - 04:49
2
Cindy Pooch - Redondant d’amour - 05:09
3
Cindy Pooch - Poulileu - 03:34
4
Cindy Pooch - Secret précieux - 03:04
5
Cindy Pooch - Tout ou rien - 03:54
6
Cindy Pooch - Enlève ton coeur - 03:45
7
Cindy Pooch - Délicatesse - 03:56
8
Cindy Pooch - Le Feu - 04:14
9
Cindy Pooch - Le goût de ça - 03:23
10
Cindy Pooch - Nyanga - 03:36
11
Cindy Pooch - Je saute - 05:36
12
Cindy Pooch - Rien de mal - 03:54
LP - Territory: WORLD EX France
Tracklist CD :
1_Issemou (short) - 04:49
2_Redondant d’amour - 05:09
3_Poulileu - 03:34
4_Secret précieux - 03:04
5_Tout ou rien - 03:54
6_Enlève ton coeur - 03:45
7_Délicatesse - 03:56
8_Le Feu - 04:14
9_Le goût de ça - 03:23
10_Nyanga - 03:36
11_Je saute - 05:36
12_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
Tracklist CD :
1_Issemou (short) - 04:49
2_Redondant d’amour - 05:09
3_Poulileu - 03:34
4_Secret précieux - 03:04
5_Tout ou rien - 03:54
6_Enlève ton coeur - 03:45
7_Délicatesse - 03:56
8_Le Feu - 04:14
9_Le goût de ça - 03:23
10_Nyanga - 03:36
11_Je saute - 05:36
12_Rien de mal - 03:54
Short Info:
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage.
She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions.
The twelve tracks that make up the album were written around specific moments in the Cindy’s life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti’Kaniki.
In Nomine Corpus is a debut album that showcases Cindy’s maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with Guitar player and producer Seb Martel (Camille, Femi Kuti, -M-…) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
More
1
Deena Abdelwahed - 01- Saratan - 03:42
2
Deena Abdelwahed - 02- Ababab - 05:40
3
Deena Abdelwahed - 03- Tawa - 03:53
4
Deena Abdelwahed - 04- Fdhiha - 05:51
5
Deena Abdelwahed - 05- Ken Skett… - 05:12
6
Deena Abdelwahed - 06- Al Hobb Al Mouharreb - 05:37
7
Deena Abdelwahed - 07- 5/5 - 04:40
8
Deena Abdelwahed - 08- A Scream In The Consciousness - 07:01
9
Deena Abdelwahed - 09- Rabbouni - 02:45
2023 Re Issue
Territories : World excl. FR
TRACKLISTING LP
01- Saratan - 03:42
02- Ababab - 05:40
03- Tawa - 03:53
04- Fdhiha - 05:51
05- Ken Skett… - 05:12
06- Al Hobb Al Mouharreb - 05:37
07- 5/5 - 04:40
08- A Scream In The Consciousness - 07:01
09- Rabbouni - 02:45
Deena Abdelwahed's first album is shifting the epicenter of contemporary electronic music south: "Khonnar" will be released on November 16, 2018 by InFiné.
Pronounced "Ronnar" (an essential detail so as to avoid facile misinterpretation by French-speakers) it is a term that makes the most of Tunisia's cultural and linguistic spectrum. It evokes the dark, shameful and disturbing side of things, the one we usually seek to hide, but which Deena instead sticks our noses in with her debut. It is a testament to Deena's coming into her own as a world citizen, and as an artist. A self-construction made of frustrations and constraints, borne of retrograde mindsets, which are not the prerogative of either the East or the West, and which she tirelessly strives to expose and break.
Throughout the 45 minutes of "Khonnar", Deena breaks down the codes of bass, techno and experimental music, and writes the manifesto for a generation that does not seek to please or to conform, taking back control of its identity - with all the attendant losses and chaos. A new creative world order is taking shape, a new tilting point between north and south, the response of a connected and liberated youth who takes the control of the new decolonization.
About Deena Abdelwahed
A Tunisian producer and DJ, Deena Abdelwahed arrived in France at the age of 26 after earning her stripes on the Tunis scene and as part of the Arabstazy collective. Her hybridized DJ sets, on the outer reaches of sub-cultures, and especially the one she performed at Sonar 2017 (one of the edition's Top 10 according to the New York Times), propelled the young artist into the clubbing universe's most demanding spheres (Boiler Room, Concrete, Room for Resistance, Säule/Berghain…). As a producer, she was the creator of an acclaimed performance at the CTM Berlin Festival ("All Hail Mother Internet"). Her first EP "Klabb", released in early 2017 on InFiné, was met with critical acclaim from the blogosphere and electronic media. That same year, she collaborated on the tracks "Plunge" and "An Itch" from Fever Ray's second album.
Mask and photography by London based artist Judas Companion, whose work is about transformation of human identity. She makes masks and masked portraits to create different layers of the human being.
More
Territories : World excl. FR
TRACKLISTING LP
01- Saratan - 03:42
02- Ababab - 05:40
03- Tawa - 03:53
04- Fdhiha - 05:51
05- Ken Skett… - 05:12
06- Al Hobb Al Mouharreb - 05:37
07- 5/5 - 04:40
08- A Scream In The Consciousness - 07:01
09- Rabbouni - 02:45
Deena Abdelwahed's first album is shifting the epicenter of contemporary electronic music south: "Khonnar" will be released on November 16, 2018 by InFiné.
Pronounced "Ronnar" (an essential detail so as to avoid facile misinterpretation by French-speakers) it is a term that makes the most of Tunisia's cultural and linguistic spectrum. It evokes the dark, shameful and disturbing side of things, the one we usually seek to hide, but which Deena instead sticks our noses in with her debut. It is a testament to Deena's coming into her own as a world citizen, and as an artist. A self-construction made of frustrations and constraints, borne of retrograde mindsets, which are not the prerogative of either the East or the West, and which she tirelessly strives to expose and break.
Throughout the 45 minutes of "Khonnar", Deena breaks down the codes of bass, techno and experimental music, and writes the manifesto for a generation that does not seek to please or to conform, taking back control of its identity - with all the attendant losses and chaos. A new creative world order is taking shape, a new tilting point between north and south, the response of a connected and liberated youth who takes the control of the new decolonization.
About Deena Abdelwahed
A Tunisian producer and DJ, Deena Abdelwahed arrived in France at the age of 26 after earning her stripes on the Tunis scene and as part of the Arabstazy collective. Her hybridized DJ sets, on the outer reaches of sub-cultures, and especially the one she performed at Sonar 2017 (one of the edition's Top 10 according to the New York Times), propelled the young artist into the clubbing universe's most demanding spheres (Boiler Room, Concrete, Room for Resistance, Säule/Berghain…). As a producer, she was the creator of an acclaimed performance at the CTM Berlin Festival ("All Hail Mother Internet"). Her first EP "Klabb", released in early 2017 on InFiné, was met with critical acclaim from the blogosphere and electronic media. That same year, she collaborated on the tracks "Plunge" and "An Itch" from Fever Ray's second album.
Mask and photography by London based artist Judas Companion, whose work is about transformation of human identity. She makes masks and masked portraits to create different layers of the human being.
More
1
RONE with Orchestre National de Lyon - No Title
2
RONE with Orchestre National de Lyon - No Title
3
RONE with Orchestre National de Lyon - No Title
4
RONE with Orchestre National de Lyon - No Title
5
RONE with Orchestre National de Lyon - No Title
6
RONE with Orchestre National de Lyon - No Title
7
RONE with Orchestre National de Lyon - No Title
8
RONE with Orchestre National de Lyon - No Title
9
RONE with Orchestre National de Lyon - No Title
10
RONE with Orchestre National de Lyon - No Title
11
RONE with Orchestre National de Lyon - No Title
LP - Territory: WORLD EX France
Tracklist LP:
A SIDE - 24:03
A1_ (OO) (L(oo)ping Version) - 04:43
A2_ Ghosts (L(oo)ping Version) - 05:12
A3_ Room With A View (L(oo)ping Version) - 05:44
A4_ Tikkoun (L(oo)ping Version) - 03:57
A5_ Vood(oo) (L(oo)ping Version) - 04:27
B SIDE - 21:45
B1_Les Olympiades - Opening (L(oo)ping Version) - 03:36
B2_Les Olympiades - Emilie Dance (L(oo)ping Version) - 03:12
B3_Bora Vocal (L(oo)ping Version) - 03:27
B4_Motion (L(oo)ping Version) - 11:36
Short Info:
L(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. Even for Rone, who's used to making bold moves, the orchestra had always seemed a step too far.
'Motion' laid the groundwork for L(oo)ping, a journey in which Romain Allender (who worked The Grand Budapest Hotel by Wes Anderson and The Shape of Water by Guillermo del Toro amongst others) acted as a creative translator for Rone. Leafing through Rone's repertoire he selected the tracks that would better lend themselves for symphonic reinterpretations.
The eleven pieces chosen each mark a different stage in Rone's trajectory, from one of his first-ever productions, 'Bora', born in a studio flat in Paris in 2008 when he was still a student, all the way to the soundtrack composed for the 2022 short-film, 'Ghosts', written by Spike Jonze, directed and performed by (LA)HORDE. L(oo)ping isn't just an orchestral re-telling of Rone's work, however. New life has been breathed into the music through Allender's arrangements as well as Rone's own interaction with the Orchestre National de Lyon and conductor Dirk Brossé.
There's a rich dramaturgy to the music, but not once does the acoustic trample on the electronic nor vice-versa. Rather, L(oo)ping manages to achieve an elegant and playful tight-rope balance between both voices that keeps listeners hooked on suspense and surprise.
Vital Sales Points:
- International PR team on board : Le Tigre Noir/Germany - UK ( Christian Loeffler, Sarah Neufeld/Arcade Fire, Gondswanna Records, Deutsch Gramophone, Warner Classic…), Terrorbird (USA) …
- 2 sold shows in Paris at Philharmonie Paris followed by more shows in 2024 - Liege Philharmonie - 13 and 14/04/2023
- A collaboration with the Orchestre National de Lyon of the best symphonic orchestra in Europe (800 000 monthly Listeners on Spotify splited all over the world - +200K Listeners in the USA / +45K in UK / 33K in Germany … )
More
Tracklist LP:
A SIDE - 24:03
A1_ (OO) (L(oo)ping Version) - 04:43
A2_ Ghosts (L(oo)ping Version) - 05:12
A3_ Room With A View (L(oo)ping Version) - 05:44
A4_ Tikkoun (L(oo)ping Version) - 03:57
A5_ Vood(oo) (L(oo)ping Version) - 04:27
B SIDE - 21:45
B1_Les Olympiades - Opening (L(oo)ping Version) - 03:36
B2_Les Olympiades - Emilie Dance (L(oo)ping Version) - 03:12
B3_Bora Vocal (L(oo)ping Version) - 03:27
B4_Motion (L(oo)ping Version) - 11:36
Short Info:
L(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. Even for Rone, who's used to making bold moves, the orchestra had always seemed a step too far.
'Motion' laid the groundwork for L(oo)ping, a journey in which Romain Allender (who worked The Grand Budapest Hotel by Wes Anderson and The Shape of Water by Guillermo del Toro amongst others) acted as a creative translator for Rone. Leafing through Rone's repertoire he selected the tracks that would better lend themselves for symphonic reinterpretations.
The eleven pieces chosen each mark a different stage in Rone's trajectory, from one of his first-ever productions, 'Bora', born in a studio flat in Paris in 2008 when he was still a student, all the way to the soundtrack composed for the 2022 short-film, 'Ghosts', written by Spike Jonze, directed and performed by (LA)HORDE. L(oo)ping isn't just an orchestral re-telling of Rone's work, however. New life has been breathed into the music through Allender's arrangements as well as Rone's own interaction with the Orchestre National de Lyon and conductor Dirk Brossé.
There's a rich dramaturgy to the music, but not once does the acoustic trample on the electronic nor vice-versa. Rather, L(oo)ping manages to achieve an elegant and playful tight-rope balance between both voices that keeps listeners hooked on suspense and surprise.
Vital Sales Points:
- International PR team on board : Le Tigre Noir/Germany - UK ( Christian Loeffler, Sarah Neufeld/Arcade Fire, Gondswanna Records, Deutsch Gramophone, Warner Classic…), Terrorbird (USA) …
- 2 sold shows in Paris at Philharmonie Paris followed by more shows in 2024 - Liege Philharmonie - 13 and 14/04/2023
- A collaboration with the Orchestre National de Lyon of the best symphonic orchestra in Europe (800 000 monthly Listeners on Spotify splited all over the world - +200K Listeners in the USA / +45K in UK / 33K in Germany … )
More
1
RONE with Orchestre National de Lyon - No Title
2
RONE with Orchestre National de Lyon - No Title
3
RONE with Orchestre National de Lyon - No Title
4
RONE with Orchestre National de Lyon - No Title
5
RONE with Orchestre National de Lyon - No Title
6
RONE with Orchestre National de Lyon - No Title
7
RONE with Orchestre National de Lyon - No Title
8
RONE with Orchestre National de Lyon - No Title
9
RONE with Orchestre National de Lyon - No Title
10
RONE with Orchestre National de Lyon - No Title
11
RONE with Orchestre National de Lyon - No Title
CD - Territory: WORLD EX France
Tracklist CD:
1_ (OO) (L(oo)ping Version)
2_ Room With A View (L(oo)ping Version)
3_ Ghosts (L(oo)ping Version)
4_ Bora Vocal (L(oo)ping Version)
5_ Tikkoun (L(oo)ping Version)
6_ Motion (L(oo)ping Version)
7_ Opening (Les Olympiades) (L(oo)ping Version)
8_ Emilie Dance (Les Olympiades) (L(oo)ping Version)
9_ Babel (L(oo)ping Version)
10_ Lou (L(oo)ping Version)
11_ Human (L(oo)ping Version)
Short Info:
L(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. Even for Rone, who's used to making bold moves, the orchestra had always seemed a step too far.
'Motion' laid the groundwork for L(oo)ping, a journey in which Romain Allender (who worked The Grand Budapest Hotel by Wes Anderson and The Shape of Water by Guillermo del Toro amongst others) acted as a creative translator for Rone. Leafing through Rone's repertoire he selected the tracks that would better lend themselves for symphonic reinterpretations.
The eleven pieces chosen each mark a different stage in Rone's trajectory, from one of his first-ever productions, 'Bora', born in a studio flat in Paris in 2008 when he was still a student, all the way to the soundtrack composed for the 2022 short-film, 'Ghosts', written by Spike Jonze, directed and performed by (LA)HORDE. L(oo)ping isn't just an orchestral re-telling of Rone's work, however. New life has been breathed into the music through Allender's arrangements as well as Rone's own interaction with the Orchestre National de Lyon and conductor Dirk Brossé.
There's a rich dramaturgy to the music, but not once does the acoustic trample on the electronic nor vice-versa. Rather, L(oo)ping manages to achieve an elegant and playful tight-rope balance between both voices that keeps listeners hooked on suspense and surprise.
Vital Sales Points:
- International PR team on board : Le Tigre Noir/Germany - UK ( Christian Loeffler, Sarah Neufeld/Arcade Fire, Gondswanna Records, Deutsch Gramophone, Warner Classic…), Terrorbird (USA) …
- 2 sold shows in Paris at Philharmonie Paris followed by more shows in 2024 - Liege Philharmonie - 13 and 14/04/2023
- A collaboration with the Orchestre National de Lyon of the best symphonic orchestra in Europe (800 000 monthly Listeners on Spotify splited all over the world - +200K Listeners in the USA / +45K in UK / 33K in Germany … )
More
Tracklist CD:
1_ (OO) (L(oo)ping Version)
2_ Room With A View (L(oo)ping Version)
3_ Ghosts (L(oo)ping Version)
4_ Bora Vocal (L(oo)ping Version)
5_ Tikkoun (L(oo)ping Version)
6_ Motion (L(oo)ping Version)
7_ Opening (Les Olympiades) (L(oo)ping Version)
8_ Emilie Dance (Les Olympiades) (L(oo)ping Version)
9_ Babel (L(oo)ping Version)
10_ Lou (L(oo)ping Version)
11_ Human (L(oo)ping Version)
Short Info:
L(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. Even for Rone, who's used to making bold moves, the orchestra had always seemed a step too far.
'Motion' laid the groundwork for L(oo)ping, a journey in which Romain Allender (who worked The Grand Budapest Hotel by Wes Anderson and The Shape of Water by Guillermo del Toro amongst others) acted as a creative translator for Rone. Leafing through Rone's repertoire he selected the tracks that would better lend themselves for symphonic reinterpretations.
The eleven pieces chosen each mark a different stage in Rone's trajectory, from one of his first-ever productions, 'Bora', born in a studio flat in Paris in 2008 when he was still a student, all the way to the soundtrack composed for the 2022 short-film, 'Ghosts', written by Spike Jonze, directed and performed by (LA)HORDE. L(oo)ping isn't just an orchestral re-telling of Rone's work, however. New life has been breathed into the music through Allender's arrangements as well as Rone's own interaction with the Orchestre National de Lyon and conductor Dirk Brossé.
There's a rich dramaturgy to the music, but not once does the acoustic trample on the electronic nor vice-versa. Rather, L(oo)ping manages to achieve an elegant and playful tight-rope balance between both voices that keeps listeners hooked on suspense and surprise.
Vital Sales Points:
- International PR team on board : Le Tigre Noir/Germany - UK ( Christian Loeffler, Sarah Neufeld/Arcade Fire, Gondswanna Records, Deutsch Gramophone, Warner Classic…), Terrorbird (USA) …
- 2 sold shows in Paris at Philharmonie Paris followed by more shows in 2024 - Liege Philharmonie - 13 and 14/04/2023
- A collaboration with the Orchestre National de Lyon of the best symphonic orchestra in Europe (800 000 monthly Listeners on Spotify splited all over the world - +200K Listeners in the USA / +45K in UK / 33K in Germany … )
More
1
Blick Bassy - A1_Bengue
2
Blick Bassy - A2_LoBa
3
Blick Bassy - No Title
Territories: WORLD EXCL FRANCE
Tracklist LP:
A_side
A1_Bengue
A2_LoBa
A3_Ndomè
A4_Li Yanga
A5_Wata
A6_Nop
B_side
B1_Hola Mè
B2_Séa
B3_Bissaï
B4_Touye
B5_Mètam
B6_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
More
Tracklist LP:
A_side
A1_Bengue
A2_LoBa
A3_Ndomè
A4_Li Yanga
A5_Wata
A6_Nop
B_side
B1_Hola Mè
B2_Séa
B3_Bissaï
B4_Touye
B5_Mètam
B6_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
More
1
Sabrina Bellaouel - TRUST
Territories: WORLD EXCL FRANCE
Tracklist LP:
VINYL
A SIDE (21’20’')
A1_ BODY
A2_ JAH
A3_ SHOP
A4_ PERIOD POINT BLANK
A5_ KESH
A6_ CLEMENCE
B SIDE (19’30’')
B1_ RAPTURE
B2_ LEGIT
B3_ ECLIPSE
B4_ TRUST
B5_ AL HADR
B6_ GOODBYE
Short Info:
On Al Hadr, Sabrina Bellaouel taps into myriad influences: from spirituality, astrology to club culture, romance, the body and self-love. Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
Following two solo EPs, also on InFiné — 2020’s We Don’t Need To Be Enemies and 2021’s Libra — the French-Algerian producer and vocalist’s unique style of electronic R&B blossoms with Al Hadr, a 13-track album featuring collaborations with dance producer Basile3, experimental club DJ and writer Crystallmess, jazz musician Monomite and pop singer Bonnie Banane, among others.
Born, raised and based in Bagneux, outside the southern périphérique of Paris, Bellaouel lives between worlds. At home, her Algerian heritage and Muslim faith have fused tight familial bonds and a keen sense of history and culture; as “Berbers”, she speaks French and Arabic. In her headphones, she finds comfort in the sparse experimentalism of Radiohead and romantic tales of Jill Scott. On the hot club dance floors of Paris, driving house beats connect her to her body.
In swirling these private and public passions together on Al Hadr — which translates from Arabic as “the present time” — Bellaouel is the most vulnerable she’s ever been on record. Classic neo-soul and silken R&B blend with club electronics. Tender harmonies are sung and rhymes are spoken in English, French and Arabic, exploring love, faith and identity. Samples of drum machines are the backbone for wisps of woodwind, strings, keys and environmental ‘found sounds’, including Bellaouel’s own live recordings.
Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
More
Tracklist LP:
VINYL
A SIDE (21’20’')
A1_ BODY
A2_ JAH
A3_ SHOP
A4_ PERIOD POINT BLANK
A5_ KESH
A6_ CLEMENCE
B SIDE (19’30’')
B1_ RAPTURE
B2_ LEGIT
B3_ ECLIPSE
B4_ TRUST
B5_ AL HADR
B6_ GOODBYE
Short Info:
On Al Hadr, Sabrina Bellaouel taps into myriad influences: from spirituality, astrology to club culture, romance, the body and self-love. Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
Following two solo EPs, also on InFiné — 2020’s We Don’t Need To Be Enemies and 2021’s Libra — the French-Algerian producer and vocalist’s unique style of electronic R&B blossoms with Al Hadr, a 13-track album featuring collaborations with dance producer Basile3, experimental club DJ and writer Crystallmess, jazz musician Monomite and pop singer Bonnie Banane, among others.
Born, raised and based in Bagneux, outside the southern périphérique of Paris, Bellaouel lives between worlds. At home, her Algerian heritage and Muslim faith have fused tight familial bonds and a keen sense of history and culture; as “Berbers”, she speaks French and Arabic. In her headphones, she finds comfort in the sparse experimentalism of Radiohead and romantic tales of Jill Scott. On the hot club dance floors of Paris, driving house beats connect her to her body.
In swirling these private and public passions together on Al Hadr — which translates from Arabic as “the present time” — Bellaouel is the most vulnerable she’s ever been on record. Classic neo-soul and silken R&B blend with club electronics. Tender harmonies are sung and rhymes are spoken in English, French and Arabic, exploring love, faith and identity. Samples of drum machines are the backbone for wisps of woodwind, strings, keys and environmental ‘found sounds’, including Bellaouel’s own live recordings.
Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.
More
Territories: WORLD EXCL FRANCE
Tracklist LP:
A1 Overture (Bonus LP)
A2 In D#1
A3 In D#5
A4 In D#10 (Normandoux Edit)
A5 In D#9
B1 In D#7
B2 In D#6 (In Muta Musica Version)
B3 In D#4
B4 In D#8
B5 Epilogue
Short Info:
In 2010, electronic composer Arandel quietly released his first album In D on the then young InFiné label. At the time, the artist was strictly anonymous, put in the forefront its strict methodology of composition, and unleashed to the world what was destined to eventually break ground as a classic debut. The original pressing of that record sold out more than 10 years ago, and at long last is finding new life on gold limited-edition vinyl (including an enamel pin of the doodle that adorns the album cover). The record covers immense ground despite the strict “sonic dogma” put in place (every song in the key of D, and no samples allowed beyond what Arandel played himself). With these limitations aside, the record traverses a wide sonic map that covers classic, pristine Leftfield house, ambient experimentalism, and even mind-expanding psychedelia. As stated by The Line of Best Fit in 2010, "In D is an exciting, occasionally intoxicating and spirited album that owes as much to the spirit of its influences as it does to the desired mystery of its creator."
More
Tracklist LP:
A1 Overture (Bonus LP)
A2 In D#1
A3 In D#5
A4 In D#10 (Normandoux Edit)
A5 In D#9
B1 In D#7
B2 In D#6 (In Muta Musica Version)
B3 In D#4
B4 In D#8
B5 Epilogue
Short Info:
In 2010, electronic composer Arandel quietly released his first album In D on the then young InFiné label. At the time, the artist was strictly anonymous, put in the forefront its strict methodology of composition, and unleashed to the world what was destined to eventually break ground as a classic debut. The original pressing of that record sold out more than 10 years ago, and at long last is finding new life on gold limited-edition vinyl (including an enamel pin of the doodle that adorns the album cover). The record covers immense ground despite the strict “sonic dogma” put in place (every song in the key of D, and no samples allowed beyond what Arandel played himself). With these limitations aside, the record traverses a wide sonic map that covers classic, pristine Leftfield house, ambient experimentalism, and even mind-expanding psychedelia. As stated by The Line of Best Fit in 2010, "In D is an exciting, occasionally intoxicating and spirited album that owes as much to the spirit of its influences as it does to the desired mystery of its creator."
More
1
Toh Imago - Précieux Atavisme
2
Toh Imago - Asile Sauvage
3
Toh Imago - Sylve Barbare
4
Toh Imago - Cité Peupleraie
5
Toh Imago - Avril Mormal
6
Toh Imago - Locus Neminis
7
Toh Imago - Cosmos Intra
8
Toh Imago - Komorebi
9
Toh Imago - Monde Intérieur
10
Toh Imago - Chiffchaff
Territories: WORLD EXCL FRANCE
Tracklist LP:
A1_Précieux Atavisme
A2_Asile Sauvage
A3_Sylve Barbare
A4_Cité Peupleraie
A5_Avril Mormal
B1_Locus Neminis
B2_Cosmos Intra
B3_Komorebi
B4_Monde Intérieur
B5_Chiffchaff
Short Info:
After spending his debut album exploring techno and mechanical sounds in the depths of the Pas-de-Calais mines, Toh Imago looks up to the sky, with an open breeze on his face, as tree branches and canopy filter out the sun’s rays on Refuge. All the machines used during the album recording are tuned at 432hz, carrying the mystical benefits of Earth’s resonance. Spending just seconds with the opening track, the listener is drawn into the safety that Refuge was intended to provide, and each subsequent piece pulls you deeper and deeper into the album’s forest.
Textextext - (add your write up)
‘Refuge’ was recorded on the edge of the Mormal forest, in the North of France. With nature as a setting and studio accomplice, the album features synthesizers, field-recordings, as well as the acoustic qualities of reverbs from the nearby forest. As the artist’s inner world and nature converge in moments of self-reflection, so the album’s 11 recordings harmoniously unfold in a cavalcade of machines and organic sonorities.
While the first LP 'Nord Noir’ explored his family’s mining past, ‘Refuge' is about being present and the desire to re-contextualize the relationship between nature and humans. It is a record of uplifting tones that is filled with optimism, imbued with the lightness of those who finally reconnect with nature, their roots, and the feeling of groundedness.
Like the steps taken on a walk in the woods, the 11 tracks sonically tell the story of an inner journey divided in three chapters. "Asile sauvage", "Sylve barbare" and “Avril Mormal" take the listener into a fast-paced progression of rhythms. When the heart of the forest is reached, the journey becomes intimate, revealing a sacred space where breathing becomes the leading tempo ("Locus Neminis") and the traveller becomes a spirit lost in space ("Cosmos Intra”). The journey's climax is reached with "Monde intérieur". The album closes with "Chiff Chaff" which accompanies the listener back to a reality, hopefully a more reassuring one.
Across the album, Toh Imago finds inventive ways of opening a dialogue between nature and machine, both literally and metaphorically, creating a soundscape that both feels like and was created by the natural world that surrounds him.
The album offers a shelter from a predetermined world. It’s a story told through ambience, racy and subtle electronics, and the memories of lichens clinging to shoes.
More
Tracklist LP:
A1_Précieux Atavisme
A2_Asile Sauvage
A3_Sylve Barbare
A4_Cité Peupleraie
A5_Avril Mormal
B1_Locus Neminis
B2_Cosmos Intra
B3_Komorebi
B4_Monde Intérieur
B5_Chiffchaff
Short Info:
After spending his debut album exploring techno and mechanical sounds in the depths of the Pas-de-Calais mines, Toh Imago looks up to the sky, with an open breeze on his face, as tree branches and canopy filter out the sun’s rays on Refuge. All the machines used during the album recording are tuned at 432hz, carrying the mystical benefits of Earth’s resonance. Spending just seconds with the opening track, the listener is drawn into the safety that Refuge was intended to provide, and each subsequent piece pulls you deeper and deeper into the album’s forest.
Textextext - (add your write up)
‘Refuge’ was recorded on the edge of the Mormal forest, in the North of France. With nature as a setting and studio accomplice, the album features synthesizers, field-recordings, as well as the acoustic qualities of reverbs from the nearby forest. As the artist’s inner world and nature converge in moments of self-reflection, so the album’s 11 recordings harmoniously unfold in a cavalcade of machines and organic sonorities.
While the first LP 'Nord Noir’ explored his family’s mining past, ‘Refuge' is about being present and the desire to re-contextualize the relationship between nature and humans. It is a record of uplifting tones that is filled with optimism, imbued with the lightness of those who finally reconnect with nature, their roots, and the feeling of groundedness.
Like the steps taken on a walk in the woods, the 11 tracks sonically tell the story of an inner journey divided in three chapters. "Asile sauvage", "Sylve barbare" and “Avril Mormal" take the listener into a fast-paced progression of rhythms. When the heart of the forest is reached, the journey becomes intimate, revealing a sacred space where breathing becomes the leading tempo ("Locus Neminis") and the traveller becomes a spirit lost in space ("Cosmos Intra”). The journey's climax is reached with "Monde intérieur". The album closes with "Chiff Chaff" which accompanies the listener back to a reality, hopefully a more reassuring one.
Across the album, Toh Imago finds inventive ways of opening a dialogue between nature and machine, both literally and metaphorically, creating a soundscape that both feels like and was created by the natural world that surrounds him.
The album offers a shelter from a predetermined world. It’s a story told through ambience, racy and subtle electronics, and the memories of lichens clinging to shoes.
More
Customers who bought this also bought this
Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433573
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2001
Tracklisting:
A1. Syl Johnson – I Hear The Love Chimes
A2. Ann Peebles – I’m Gonna Tear Your Playhouse Down
A3. Baby Huey & The Baby Sitters – Hard Times
A4. The Emotions – I Like It
A5. Black Ivory – I keep Asking Your Questions
B1. Jackson 5 – Maybe Tomorrow
B2. Syl Johnson – I Hate I Walked Away
B3. Al Green – Something
B4. Eddie Holman – It’s Over
B5. Montana – Warp Factor II
C1. Detroit Emeralds – You’re Getting Too Smart
C2. Labi Siffre – I Got The (Blues)
C3. Southside Movement – I’ve Been Watching You
C4. The Sweet Inspirations – Why Marry?
D1. Mad Lads – Gone! The Promise Of Yesterday
D2. George Jackson – Aretha, Sing One For Me
D3. Teddy Pendergrass – Come Go With Me
D4. Syl Johnson – That’s Just My Luck
D5. Al Green – Simply Beautiful
Short Info:
Legendary Deep Soul French compilation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2001
Tracklisting:
A1. Syl Johnson – I Hear The Love Chimes
A2. Ann Peebles – I’m Gonna Tear Your Playhouse Down
A3. Baby Huey & The Baby Sitters – Hard Times
A4. The Emotions – I Like It
A5. Black Ivory – I keep Asking Your Questions
B1. Jackson 5 – Maybe Tomorrow
B2. Syl Johnson – I Hate I Walked Away
B3. Al Green – Something
B4. Eddie Holman – It’s Over
B5. Montana – Warp Factor II
C1. Detroit Emeralds – You’re Getting Too Smart
C2. Labi Siffre – I Got The (Blues)
C3. Southside Movement – I’ve Been Watching You
C4. The Sweet Inspirations – Why Marry?
D1. Mad Lads – Gone! The Promise Of Yesterday
D2. George Jackson – Aretha, Sing One For Me
D3. Teddy Pendergrass – Come Go With Me
D4. Syl Johnson – That’s Just My Luck
D5. Al Green – Simply Beautiful
Short Info:
Legendary Deep Soul French compilation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
More
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
More
Nonexclusive Release - Exportrights Only, 2LP + CD vinyl edition in 5mm standard sleeve. CD included.
Tracklist:
A1. Esther Phillips – That’s All Right With Me / A2. Al Green – I Wish You Were Here
A3. Eddie Kendricks – Intimate Friends / A4. Sylvia – Sweet Stuff
A5. Betty Wright – Girls Can’t Do What The Guys Do
A6. The Ambassadors – Ain’t Got The Love Of One Girl (On My Mind)
B1. The Dynamics – Get Myself High / B2. Carolyn Sullivan – Dead ! / B3. Brenton Wood – Trouble
B4. The Floaters – Float On / B5. Faze-O – Riding High
C1. Ernie Hines – Our Generation / C2. Jerry Butler – I’m Your Mechanical Man
C3. J.J. Johnson – Keep On Movin’ (Vocals by Martha Reeves & The Sweet Things)
C4. Monk Higgins & Alex Brown – A Good Man Is Gone (Vocals by Barbara Mason)
C5. The East St. Louis Gospelettes – Have Mercy On Me
D1. Jean Plum – Here I Go Again / D2. The Staple Singers – Let’s Do It Again / D3. The Sylvers – Only One Can Win D4. Della Humphrey – Don’t Make The Good Girls Go Bad / D5. Freda Payne – I Get High (On Your Memory)
D6. Carla Thomas – What The World Needs Now
CD features the same tracklist in the same order.
Short info:
Duke Ellington once said that there are 2 kinds of music: the good one and the bad one. With the compilation series “Shaolin Soul” we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by RZA and the Wu-Tang Clan. Following a second episode in 2001 and a third one in 2014, the famous curator Uncle O is back to celebrate the 20th anniversary of the Shaolin Soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because “everybody’s talking about the good ol’ days !”.
More
Tracklist:
A1. Esther Phillips – That’s All Right With Me / A2. Al Green – I Wish You Were Here
A3. Eddie Kendricks – Intimate Friends / A4. Sylvia – Sweet Stuff
A5. Betty Wright – Girls Can’t Do What The Guys Do
A6. The Ambassadors – Ain’t Got The Love Of One Girl (On My Mind)
B1. The Dynamics – Get Myself High / B2. Carolyn Sullivan – Dead ! / B3. Brenton Wood – Trouble
B4. The Floaters – Float On / B5. Faze-O – Riding High
C1. Ernie Hines – Our Generation / C2. Jerry Butler – I’m Your Mechanical Man
C3. J.J. Johnson – Keep On Movin’ (Vocals by Martha Reeves & The Sweet Things)
C4. Monk Higgins & Alex Brown – A Good Man Is Gone (Vocals by Barbara Mason)
C5. The East St. Louis Gospelettes – Have Mercy On Me
D1. Jean Plum – Here I Go Again / D2. The Staple Singers – Let’s Do It Again / D3. The Sylvers – Only One Can Win D4. Della Humphrey – Don’t Make The Good Girls Go Bad / D5. Freda Payne – I Get High (On Your Memory)
D6. Carla Thomas – What The World Needs Now
CD features the same tracklist in the same order.
Short info:
Duke Ellington once said that there are 2 kinds of music: the good one and the bad one. With the compilation series “Shaolin Soul” we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by RZA and the Wu-Tang Clan. Following a second episode in 2001 and a third one in 2014, the famous curator Uncle O is back to celebrate the 20th anniversary of the Shaolin Soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because “everybody’s talking about the good ol’ days !”.
More
1LP, Spalax Label. Distributed through MG.ART.
Correlations is the first studio album by Manuel Göttsching´s band Ashra, released in 1979. It is the first Ashra album to feature a full band of 3 musicians including founder Manuel Göttsching; the (first) two albums before (NEW AGE OF EARTH and BLACKOUTS) released under the name had actually been Manuel Göttsching solo albums.
Tracklist: 1. "Ice Train" 7:40, 2. "Club Cannibal" 5:24, 3. "Oasis" 3:46, 4."Bamboo Sands" 5:40, 5. "Morgana da Capo" 5:29, 6. "Pas de Trois" 8:58,
7. "Phantasus" 5:11
Performed by:
Manuel Göttsching (guitar, synthesizer, sequencer), Lutz Ulbrich (guitar, synthesizer, piano, mellotron) , Harald Grosskopf (drums, percussion, synthesizer)
Denote: The album was reissued as a limited 5-CD box set in 2008 which is also available here under the title "Correlations Complete". This release includes the original album, the previously released 3-CD set The Making Of and the previously unreleased original mix, titled "Phantasus".
More
Correlations is the first studio album by Manuel Göttsching´s band Ashra, released in 1979. It is the first Ashra album to feature a full band of 3 musicians including founder Manuel Göttsching; the (first) two albums before (NEW AGE OF EARTH and BLACKOUTS) released under the name had actually been Manuel Göttsching solo albums.
Tracklist: 1. "Ice Train" 7:40, 2. "Club Cannibal" 5:24, 3. "Oasis" 3:46, 4."Bamboo Sands" 5:40, 5. "Morgana da Capo" 5:29, 6. "Pas de Trois" 8:58,
7. "Phantasus" 5:11
Performed by:
Manuel Göttsching (guitar, synthesizer, sequencer), Lutz Ulbrich (guitar, synthesizer, piano, mellotron) , Harald Grosskopf (drums, percussion, synthesizer)
Denote: The album was reissued as a limited 5-CD box set in 2008 which is also available here under the title "Correlations Complete". This release includes the original album, the previously released 3-CD set The Making Of and the previously unreleased original mix, titled "Phantasus".
More
Special Remarks: LP 180 G Vinyl
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
1
The Jimmy Castor Bunch - - Creation (Epilogue)
2
Ann Peebles - The Handwriting Is On The Wall
3
The Dells vs. The Dramatics - Tune Up
4
Sydney Joe Qualls - How Can You Say Goodbye
5
Jackie Moore - If
6
The Supremes - It's Time To Breakdown
7
Judy Clay - It Ain't Long Enough
8
Barbara & The Browns - In My Heart
9
Willie Mitchell - Mercy Mercy Mercy
10
Joe Tex - I'll Never Do You Wrong
11
The Sweet Inspirations - You Roam When You Don't Get It At Home
12
Bobby Bland - Ain't No Love In The Heart Of The City
13
B.B. King - Chains And Things
14
Rufus Thomas - The Breakdown Part 2
15
Freddie Waters - Groovin' On My Baby's Love
16
David Porter - Hang On Sloopy (Single Version)
17
Dionne Warwick - You're Gonna Need Me
18
Ann Sexton - I'm His Wife (You're Just His Frien
19
The Rimshots - Takin' It
20
The Persuasions - Gypsy Woman
Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433580
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
1
GAS - Rausch 1
2
GAS - Rausch 2
3
GAS - Rausch 3
4
GAS - Rausch 4
5
GAS - Rausch 5
6
GAS - Rausch 6
7
GAS - Rausch 7
Repress!
GAS – RAUSCH
Rausch with no name / My beautiful shine / You are the sun / This is where I want to be / Rausch with no morning / This is where we burn / The Stars sparkle / In a sea of flames / Horns and fanfares / Fanfares of joy / Fanfares of fear / The wine we drink through the eyes / The moon pours down at night in waves / Careful with that axe Eugene / Personal Jesus / No beginning no end / Eighteenth of Oktember / The night falls / The king comes / The hunt starts / Freude schöner Götterfunken / The long march through the underwood / Trust me there’s nothing / Once upon a time there was a bandit / Who loved a prince / That was long ago / Spring Summer Fall and Gas / There is a train heading to Nowhere / Drums and Trumpets / Future without mankind / Warm snow / Alles ist gut / The bells toll / You are not alone / The murmur in the forest / The murmur in the head / Light as mist / Heavy as lead / Music happens / To flow like gas / A clearing / Heavy baggage / Debut in the afterlife / Death has seven cats / World heritage Rausch / Finally infinite
Wolfgang Voigt 2018 More
GAS – RAUSCH
Rausch with no name / My beautiful shine / You are the sun / This is where I want to be / Rausch with no morning / This is where we burn / The Stars sparkle / In a sea of flames / Horns and fanfares / Fanfares of joy / Fanfares of fear / The wine we drink through the eyes / The moon pours down at night in waves / Careful with that axe Eugene / Personal Jesus / No beginning no end / Eighteenth of Oktember / The night falls / The king comes / The hunt starts / Freude schöner Götterfunken / The long march through the underwood / Trust me there’s nothing / Once upon a time there was a bandit / Who loved a prince / That was long ago / Spring Summer Fall and Gas / There is a train heading to Nowhere / Drums and Trumpets / Future without mankind / Warm snow / Alles ist gut / The bells toll / You are not alone / The murmur in the forest / The murmur in the head / Light as mist / Heavy as lead / Music happens / To flow like gas / A clearing / Heavy baggage / Debut in the afterlife / Death has seven cats / World heritage Rausch / Finally infinite
Wolfgang Voigt 2018 More
1
Tosca - Export Import
2
Tosca - Hausner
3
Tosca - Wo-Tan
4
Tosca - Friday
5
Tosca - Chinabar
6
Tosca - Loveboat
7
Tosca - Tommy
8
Tosca - Supersunday
9
Tosca - Amber November
10
Tosca - Dr Dings
11
Tosca - Olympia
12
Tosca - Shoulder Angel
REpress!
Tracklist
1.1Export Import
1.2Hausner
1.3Wo-Tan
1.4Friday
1.5China Bar
1.6Loveboat
2.1Tommy
2.2Supersunday
2.3Amber November
2.4Dr. Dings
2.5Olympia
2.6Shoulder Angel More
Tracklist
1.1Export Import
1.2Hausner
1.3Wo-Tan
1.4Friday
1.5China Bar
1.6Loveboat
2.1Tommy
2.2Supersunday
2.3Amber November
2.4Dr. Dings
2.5Olympia
2.6Shoulder Angel More
1
Tosca - Suzuki
2
Tosca - Annanas
3
Tosca - Orozco
4
Tosca - Busenfreund
5
Tosca - Honey
6
Tosca - Boss On The Boat
7
Tosca - John Tomes
8
Tosca - The Key
9
Tosca - Doris Dub
REpress!
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub More
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub More
1
Tosca - Harry Dean
2
Tosca - Outta Here
3
Tosca - Crazy Love
4
Tosca - Have Some Fun
5
Tosca - HDA
6
Tosca - Prysock
7
Tosca - My Sweet Monday
8
Tosca - Swimswimswim
9
Tosca - Schopsca
10
Tosca - Put It Down
11
Tosca - Kickin It Down
12
Tosca - Lone Ranger
13
Tosca - Open Sky
14
Tosca - Happy Hour
REpress!
Trackliste
1.1Harry Dean
1.2Outta Here
1.3Crazy Love
1.4Have Some Fun
1.5H.D.A.
1.6Prysock
1.7My Sweet Monday
2.1Swimswimswim
2.2Schopsca
2.3Put It On
2.4Kickin It Down
2.5Lone Ranger
2.6Open Sky
2.7Happy Hour More
Trackliste
1.1Harry Dean
1.2Outta Here
1.3Crazy Love
1.4Have Some Fun
1.5H.D.A.
1.6Prysock
1.7My Sweet Monday
2.1Swimswimswim
2.2Schopsca
2.3Put It On
2.4Kickin It Down
2.5Lone Ranger
2.6Open Sky
2.7Happy Hour More
1
Tosca - Zur Guten Ambience
2
Tosca - What If
3
Tosca - Heatwave
4
Tosca - Jayjay
5
Tosca - Soda
6
Tosca - Meixner
7
Tosca - Stuttgart
8
Tosca - In My Brain Prinz Eugen
9
Tosca - Cavallo
10
Tosca - Bonjour
BACK IN STOCK! Tosca is Richard Dorfmeister (of Kruder & Dorfmeister fame) and Rupert Huber, who have been crafting trip-hop and downtempo together for nearly two decades. Odeon, their sixth proper full-length album, should be darker and more subdued than previous material. Dorfmeister explains: "We"ve always had a darker, ambient side, but we really wanted to emphasize that aspect of music with this record. That"s where our hearts are at the moment, just keeping the whole vibe low and understated." The album promises to be an intimate listen as well, due in part to Tosca"s face-to-face work with a "creative inner circle" of guest vocalists.
Tracklist
1.1Zur Guten Ambience
1.2What If
1.3Heatwave
1.4Jayjay
1.5Soda
1.6Meixner
2.1Stuttgart
2.2In My Brain Prinz Eugen
2.3Cavallo
2.4Bonjour More
Tracklist
1.1Zur Guten Ambience
1.2What If
1.3Heatwave
1.4Jayjay
1.5Soda
1.6Meixner
2.1Stuttgart
2.2In My Brain Prinz Eugen
2.3Cavallo
2.4Bonjour More