2x12" - LP

Genre: Electronica, Leftfield, Dubstep


Tracklist 12":

A1 – 4U (5:17)
A2 – Slices Of Life (4:26)
B1 – Whereto (4:20)
B2 – Five Signs (5:03)
B3 – Heart Of Gold (4:45)
C1 – Questions (5:11)
C2 – High Hope (4:57)
C3 – Newton (4:34)
D1 – Dumb (5:22)
D2 – Everending (5:18)


Info:

Never say never! Because it's time for TURMOIL - a surprising landmark album comeback for RICO PUESTEL defining a musical and personal turning point with a completely new and re-invented artistry. About time!

4U opens the Pandora's Box of TURMOIL with inimitable meditative beauty, descending into the metaphorical and tonal SLICES OF LIFE that unleashes a complex chain of energy while WHERETO even overcomes this high voltage setup with a deadly infective loop and the only reminiscences of something to call Techno on this album in its fading conclusion.
Before HEART OF GOLD defines the probably most immersive peak on TURMOIL with its vast soundscape and mantra-like piano shuffle, QUESTIONS floats in Dubstep'ish ways to actually raise two questions to the listener while this train keeps on going.
FIVE SIGNS speeds up the pace on the album's second half, culminating in the mesmerizingly driven groove and words of HIGH HOPE and the powerful Upbeat drenched into ambient soundscapes on NEWTON.
Nearing the end of TURMOIL, DUMB delivers the longest vocal verses on this album and proceeds with the most pervasive and powerful layers of beats, violins and synth stabs.
Closing and re-starting all of it, EVERENDING grooves into infinity with its yoga-like theme and spreads some true love.

Without a doubt, TURMOIL happens to be the most accomplished work by RICO PUESTEL melting so many of his artistic worlds into one unique piece of art!


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2CD

Genre: Techno, Tech-House, Electro


Tracklist CDs:

1-01 Rico Puestel - Be
1-02 Rico Puestel - Lar
1-03 Rico Puestel - Ruse
1-04 Rico Puestel - The White Within The Eyes
1-05 Rico Puestel - Back
1-06 Rico Puestel - Impromptu Of Coming Through
1-07 Rico Puestel - Your Pure And Honest Smile
1-08 Rico Puestel - No. 28
1-09 Rico Puestel - Sokasc
1-10 Rico Puestel - Natural Synthetics
1-11 Rico Puestel - Encircle Into 16
1-12 Rico Puestel - U_G
1-13 Rico Puestel - 15 Steps, 2 Times
1-14 Rico Puestel - 1444,4
1-15 Rico Puestel - Your Eyes Held The Sun
2-01 Rico Puestel - YYZ
2-02 Rico Puestel - 12 Steps
2-03 Rico Puestel - It Used To Break Through
2-04 Rico Puestel - Quone-A
2-05 Rico Puestel - Vacate Alike Pt. 2
2-06 Rico Puestel - Qexon
2-07 Rico Puestel - Nothinbuttheghetto
2-08 Rico Puestel - Old School, New School
2-09 Rico Puestel - Longgone
2-10 Rico Puestel - Ordered, Remain Missing
2-11 Rico Puestel - A Nothing Full Of Something
2-12 Rico Puestel - Hume
2-13 Rico Puestel - K726
2-14 Rico Puestel - Lunau

Info:

29 (!) unreleased tracks by Rico Puestel in the mix on 2 exclusive CDs ("Sunrise Plateau" and "Bunker Dreams") showing his whole spectrum!


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Genre: Techno


Tracklist 12":

A1 – Caravelle
B1 – Esta


Info:

Rico Puestel calls these unreleased tracks from 2017 the "female counterparts to some well-known others from back then" and drops some serious fire!







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Genre: Techno


Tracklist 12":

A1 – WE ARE YOUNGER (10:48)


Info:

A truly unique genre-/mind-bending statement by Rico Puestel. Handstamped. 100 copies only!


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Genre: Techno, Tech-House, Trance


Tracklist 12":

A1 – Endless Summer (08:11)


Info:

A surprising, timeless summer anthem by Rico Puestel like it was born on Ibiza!



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Genre: Techno, Tech-House


Tracklist 12":

A1 – Volute (2024 Remaster)
AA1 – Remembering October 3rd (2024 Remaster)


Info:

Two undeniable classics from Rico Puestel are back! Remastered in their truest idea of sound and for the first time on vinyl (AA1)!



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180g 2xLP / Gatefold

Genre: Techno


Tracklist 12":

A1 - .
A2 - ..
AA1 - ...
AA2 - ….
AA3 - …..
AAA1 - …...
AAA2 - …....
AAAA1 - ….....
AAAA2 - …......


Info:

Rico Puestel always has a surprise in store: #technohasleftthebuilding ain't finished yet! We've come a long way baby... The original recording sessions has been more extensive than previously known of, based on the incentive question: If Techno has left the building, what is actually left of it?

In the aftermath of it all, Rico Puestel bounces back to the true-bred heart of Techno and its traits that really made him fall in love with it in the first place. He initially kept these additional and special tracks to himself throughout the first album part, but the time has come to deliver them subsequently now.

Literally point by point, Rico Puestel designes a mesmerizing trip into the greater depths of early club nights, thinking of a world without any trials and tribulations of smartphones or the internet - just dancing and loosing oneself in the magic of the the 4/4-impulse and a tapestry of sound woven around our being.

In times, when people felt as a unit-of-one movement on the dancefloor, with Techno being its undeniable soundtrack and moment of truth, diversity was no issue, so #technohasleftthebuilding's aftermath also dives into the realms of Trance and beyond, because way back: Techno was just Techno and it's all about the music in the end.

Starting with a warning from a dystopian point in time, this further album part is an admonition and a refined view back from outside the building...


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CD

Genre: Techno


Tracklist CD:

01 - .
02 - ..
03 - ...
04 - ….
05 - …..
06 - …...
07 - …....
08 - ….....
09 - …......


Info:

Rico Puestel always has a surprise in store: #technohasleftthebuilding ain't finished yet! We've come a long way baby... The original recording sessions has been more extensive than previously known of, based on the incentive question: If Techno has left the building, what is actually left of it?

In the aftermath of it all, Rico Puestel bounces back to the true-bred heart of Techno and its traits that really made him fall in love with it in the first place. He initially kept these additional and special tracks to himself throughout the first album part, but the time has come to deliver them subsequently now.

Literally point by point, Rico Puestel designes a mesmerizing trip into the greater depths of early club nights, thinking of a world without any trials and tribulations of smartphones or the internet - just dancing and loosing oneself in the magic of the the 4/4-impulse and a tapestry of sound woven around our being.

In times, when people felt as a unit-of-one movement on the dancefloor, with Techno being its undeniable soundtrack and moment of truth, diversity was no issue, so #technohasleftthebuilding's aftermath also dives into the realms of Trance and beyond, because way back: Techno was just Techno and it's all about the music in the end.

Starting with a warning from a dystopian point in time, this further album part is an admonition and a refined view back from outside the building...


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180g 2xLP / Gatefold

Genre: Techno


Tracklist 12":

A1 - dek
A2 - nau
AA1 - ok
AA2 - sep
AA3 - ses
AAA1 - kvin
AAA2 - kvar
AAA3 - tri
AAAA1 - du
AAAA2 - unu
AAAA3 - nulo


Info:

This is the last album from Rico Puestel. After somehow three decades, Rico misses the cultural impact of Techno music as it has been and declares its spirits gone – at least personally. There's nothing more to tell. The self-consuming scene has reached its grotesque climax and left an empty shell of something once filled with so much passion, warmth, strength, heart and hope. The times just haven't changed – they lost their self-fulfilling purpose and authenticity.

Heavily influenced by prehistoric, tribal rhythms and trance-inducing dances within redundant structures, Techno music once had a natively true and unadulterated essence. A free spirit on the run. Rico found the right spot in time to gather all of his origins in Techno music for a last act of connecting to it. Being on an all-time high as a producer, he crafted the whole album on a course of twelve hours and relived all those deeply rooted moments and memories with Techno in fast motion. While the track titles are counting down from ten to zero in Esperanto, Rico clears up in peace and balance...

What once was, is now without form and void.
I left.
Everybody left.
Techno has left the building.

Farewell!

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CD

Genre: Techno


Tracklist CD:

01 - dek
02 - nau
03 - ok
04 - sep
05 - ses
06 - kvin
07 - kvar
08 - tri
09 - du
10 - unu
11 - nulo


Info:

This is the last album from Rico Puestel. After somehow three decades, Rico misses the cultural impact of Techno music as it has been and declares its spirits gone – at least personally. There's nothing more to tell. The self-consuming scene has reached its grotesque climax and left an empty shell of something once filled with so much passion, warmth, strength, heart and hope. The times just haven't changed – they lost their self-fulfilling purpose and authenticity.

Heavily influenced by prehistoric, tribal rhythms and trance-inducing dances within redundant structures, Techno music once had a natively true and unadulterated essence. A free spirit on the run. Rico found the right spot in time to gather all of his origins in Techno music for a last act of connecting to it. Being on an all-time high as a producer, he crafted the whole album on a course of twelve hours and relived all those deeply rooted moments and memories with Techno in fast motion. While the track titles are counting down from ten to zero in Esperanto, Rico clears up in peace and balance...

What once was, is now without form and void.
I left.
Everybody left.
Techno has left the building.

Farewell!

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Genre: Techno, Tech-House


Tracklist 12":

A1 – Make A Way (For Women) (11:11)


Info:

"Stop Violence Against Women" has been the life-long credo from Rico Puestel and "Make A Way (For Women)" is a stomping protest of 11 minutes and 11 seconds that proclaims the fortitude of women! Playing this one out there is more of an solidary act than just "a track being played"...

What Rico himself has to say about it: "With my 2022 Friebe-projects 'Jenni' and 'Jenni II', I started to make a public appearance on this topic of violence against women musically. Back in childhood days, I already felt an intensely unjust manner and imbalance regarding women in society and an almost predetermined non-equality. The violence always seemed so ever-present, even in the smallest details of behaviour and the associated self-understanding of men within their deeper planted attitude towards. I always felt an honourable glory and profound importance in women that seems impeccable and unreachable for men. It's clear that men would just be memories and ghosts without women... Musically speaking, while grewing up with Gabba and Trance i. a. in the 1990s, I simply feel no charm to nowadays reflection on these times with productions and releases that somehow just sound insincere and scheming. I'm missing the real attitude, feel and groove that doesn't even care if it's Techno, House or whatever and I'm also missing some of the stylistic approaches as well as the spirit from the "Minimal"-era. Based on all those thoughts, "Make A Way (For Women)" became this clenched fist - raised for good!"


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Genre: Techno


Tracklist 12":

A1 - It Used To Hold A Mystery
A2 - It Used To Tell A Truth
B1 - It Used To Give Courage
B2 - It Used To Have Soul


Info:

Ladies and gentlemen, it's 2023 and Rico Puestel doesn't get Techno anymore. What happened? They might have grown apart... So he just did his thing and after twelve months of not producing anything electronic, he just wallowed in independence of doing what he always loved...


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Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)

Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.


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- Limited Vinyl Box Set including 6x purple 12” vinyl & download code

Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)

Cocoon Recordings presents: Cocoon Compilation U

Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.

New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.

DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.

Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!

Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.

Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.


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a pair of 2 cocoon slipmats black with neon orange print print (pair!)

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2x12"

Tracklist:
(A1) DeFeKT x Extrawelt – Halluzinelle (DE-Q20-22-00039)
(A2) SUDO – Daytona (DE-Q20-22-00040)
(B1) JA:CK – Solaris (DE-Q20-22-00041)
(B2) Avision – Groove Theory (DE-Q20-22-00042)
(C1) Zzino & Insider – Mindcrush (DE-Q20-22-00043)
(C2) Monaco, Povoa – Makeup Artist (DE-Q20-22-00044)
(D1) Defex, Tsodor – Sieg Der Liebe (DE-Q20-22-00045)
(D2) Christopher Ledger – X24 (DE-Q20-22-00046)

As ever, Cocoon Recordings celebrate the turn of the year with another mouth-watering collection of
electronic music. Dots And Pearls Volume 7 includes eight choice techno cuts of varying shapes and
sizes, that somehow manage to acknowledge both past and future, while staying forever rooted in the
‘here and now’.
The lush, beach bar vibes of ‘Halluzinelle’ get things rolling courtesy of DeFeKT x Extrawelt, and it’s
not long before we’re lost in the subsonic undertow as the warm acidic vibes ebb and flow. Sudo’s
‘Daytona’ then compliments a dark, low-slung groove with a soaring, nostalgic melody that reaches
skywards, melting hearts and minds in the process. ‘Solaris’ takes a more urgent turn as JA:CK
utilizes growling synths, stuttering arpeggios and an elongated breakdown, slowly raising the stakes
as the dance floor starts folding in on itself. Avision offers no respite on ‘Groove Theory’, maintaining
the intensity while surfing the frequencies through a dense forest of loops with a pounding 909 for
company. Zzino & Insider continue the 90s leaning retrospective with ‘Mind Crush’ and they’re
certainly true to their word, juxtaposing razor-sharp acid arpeggios with seductive chords and analog
washes in a cavernous, serotonin-soaked epiphany of sound. Monaco, Povoa then gets downright
dirty on ‘Makeup Artist’, raising the tempo with freaking metallic riffs, twisted vocals and a plethora of
disorientating filter action that’ll push even the most headstrong dancefloor to the brink of implosion.
Defex, Tsodor reels it in just in time on the epic ‘Sieg der Liebe’, unleashing thick swathes of
melancholy chords over a fat, rolling groove and the beats remain broken to the end, as Christopher
Ledger closes things out with a classic slice of sci-fi electro. ‘X24’ is all stuttering edits, intricate
sequences, squelching fx and metallic bleeps, adding yet another unexpected dimension to this
dynamic compilation series.

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- Limited Vinyl Box Set including 6x blue vinyl & download code

Tracklisting:
1. (A1) Stephen Brown – Level Steps (DE-Q20-22-00026)
2. (B1) Claude VonStroke – Moody Fuse (DE-Q20-22-00027)
3. (C1) Denis Horvat – Monomono (DE-Q20-22-00028)
4. (D1) Daniel Avery – Your Future Looks Different In The Light (DE-Q20-22-00029)
5. (E1) Jeroen Search – Subversive Elements (DE-Q20-22-00030)
6. (F1) Marco Bailey – Kanai (DE-Q20-22-00031)
7. (G1) Damiano Von Erckert – 500 People, 500 Hearts, 1 Love (DE-Q20-22-00032)
8. (H1) YOKTO – Vision99 (DE-Q20-22-00033)
9. (I1) Jonathan Kaspar – CCC (DE-Q20-22-00034)
10. (J1) The Emperor Machine – The Art Of Electronics (DE-Q20-22-00035)
11. (K1) Carl Finlow – Surface Control (DE-Q20-22-00036)
12. (L1) DeFeKT – Terraform (DE-Q20-22-00037)

Release Info:
Cocoon Recordings presents: Cocoon Compilation T
Another year, another expertly curated compilation touches down courtesy of Cocoon
Recordings. Somehow, the world keeps turning and with it the Cocoon universe keeps
expanding, causing subtle yet persuasive shifts in the sonic soundscape that continue to
capture and captivate the imagination. In time-honored tradition the old guard and the new
combine with devastating effect, to define the current state of play…
Veteran Techno producer Stephen Brown makes it clear the compilation series is back with a bang,
opening things up in epic fashion with the lucid dreamscape ‘Level Steps’ - a true work of art. Another
heavy-weight hitter steps straight up in the form of Claude von Stroke, who adds his own unique
swagger to proceedings with those trademark shuffling beats and freaky, hypnotic bleeps scuffling for
dominance on ‘Moody Fuse’. Denis Horvat then slows things down on ‘Monomono’, with post-raveNew Release Information
abstractions and disobedient synth-patches causing mayhem before the track finally unfolds in all its
terrifying beauty.
Motoring on, the collection wastes no time reaching that familiar tipping point as we enter the techno
phase of the journey. A very special appearance from Daniel Avery makes it all the more worthwhile
amid a dense forest of chiming melodies and blistering electrical surges on ‘Your Future Looks
Different In The Light’, before Jeroen Search’s aptly titled ‘Subversive Elements’ lead us deeper and
deeper, into the matrix.
Marco Bailey then kicks off a triptych of trance with some massive filtered piano action
on ‘Kanai’ that’s destined to trigger a serotonin smile with everyone it touches. Revisiting the huge,
ever-growing pulsating brain of planet Orb, Damiano van Erckert continues the loved-up vibe on the
gorgeously titled ‘500 People 500 Hearts 1 Love’, expertly complimenting the classic ambience with
some slick 909 snare and cymbal interplay. The melodic pull of ‘Vision99’ then signifies that the party
is peaking at just the right moment as YOKTO concocts a glistening, psychedelic groove. The
emotional resonance climbs ever higher with brittle melodies endlessly circling a lush, throbbing bass
drone to create the sense of something stirring out of reach.
Just when you think the acid sound is done and dusted, up pops a track like Jonathan Kaspar’s ‘CCC’
that somehow manages to offer an entirely new perspective. Riding in on a wave of expectant
arpeggios, the squelching bass and noise filter go toe to toe before Kaspar gets busy with a freaky
tempo excursion that’ll be destroying dance floors all year long. ‘The Art of Electronics’ is, as the title
suggests, another superlative example of pure analogue fire, served up by UK legend, Andrew
Meecham aka The Emperor Machine. The funk starts to flow as the bass drops, the machines cut
loose and a swarm of cascading bleeps ride the trans-europa express to oblivion.
Electro overlord Carl Finlow, has come to define the UK take on the genre over the last couple of
decades. Here, he makes his long overdue label debut, taking us into the closing straight with a
nervous sliver of dystopian futurism, complete with molten basslines and a fuzzy logic that underpins
the tight, laser-guided groove on ‘Surface Control’. DeFeKT then draws this great adventure to a close
with the deliciously dark robo-disco overtones of ‘Terraform’ creating a dusky landscape that skillfully
seduces the listener before the tension finally breaks in a wash of ecstatic chords.
All in all, it’s a supremely ambitious collection of tracks, generously featuring some of the most
inspirational and durable artists of their respective generations. In fact, is this perhaps the best Cocoon
Compilation to date

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3x12" Gatefold White Vinyl (Download Code Inside)


1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)



Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.

It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)

However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.

The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."

Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."





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2021 Repress, Black Doublehole Sleeve


Tracklisting:
A. Titelheld 8:09
B1. Titelheld (FSK 18) 5:26
B2. Stammgast 5:48

English:
With respect, my name is Minimal Rock! Extrawelt give us a good going over and bravely break new grounds with their "Titelheld" EP. Here, insane minimal sounds merge with Rock flair, Electro and Trance harmonies. The title track with the telling name "Titelheld" brings us an electro hymnus with hints to Anthony Rother or Codec&Flexor, paired with a juicy deal of pain in the heart. A guaranteed hit for next summer!
"Stammgast" is a perfect DJ tool, which has a strong recognition effect, still, and makes the crowd go wild in seconds. Minimal rock par excellence!
For all of you who don't know much about Extrawelt (yet): the human beings behind this project name are Arne Schaffhausen and Wayan Raabe, who have worked primarily under the akas Midimiliz and Spiralallianz. Until now, they have released more than thirty maxi singles and several albums (on Border Community among others!), and will record a new 12" for Traum Schallplatten this summer.




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- Limited edition 6x12“ vinyl deluxe boxset, with individual fluorescent color sleeves and paper insert
(700 copies only)

Tracklisting:
1. (A1) Rampa – 2000 (DE-Q20-20-00042)
2. (A2) Emanuel Satie – Departure (DE-Q20-20-00043)
3. (B1) Solomun – We’ll Never Have Today Again (DE-Q20-20-00044)
4. (C1) Gregor Tresher – Nostalgia (Is The Enemy) (DE-Q20-20-00045)
5. (D1) Joseph Ashworth – Eavesdrop (DE-Q20-20-00046)
6. (D2) Pig & Dan – Trauma (DE-Q20-20-00047)
7. (E1) Josh Wink – Nuclei (DE-Q20-20-00048)
8. (F1) Ricardo Tobar – El Eterna (DE-Q20-20-00049)
9. (G1) Tiga & Roman Flügel – Look To The Sky (DE-Q20-20-00050)
10. (G2) Planetary Assault Systems – Raww (DE-Q20-20-00051)
11. (H1) Jacek Sienkiewicz – Digitavi (DE-Q20-20-00052)
12. (I1) André Galluzzi & Daniel Stefanik – The Regulator (DE-Q20-20-00053)
13. (J1) Extrawelt – Murder Ballet (DE-Q20-20-00054)
14. (K1) Petar Dundov – Overtone (DE-Q20-20-00055)
15. (L1) Sebastian Mullaert – Kikaqu (DE-Q20-20-00056)

Release Info:
To celebrate 20 since inception, Sven Väth’s Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. Presented as a deluxe 6 x 12" box set with a silver foil cover and paper insert with individual sleeves and luminescent paint, this is a suitably spectacular collection that pays homage to one of techno's finest operations.
20 years is a long time in any facet of life, but in techno it is eons. The genre evolves so quickly that staying relevant for even half that time is some achievement, so to still be recognised as one of the genre's most iconic and influential labels after such an extended period is testament to the vision of its founder Sven Väth. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late eighties that he has steered into much broader realms ever since. Thanks to carefully A&Ring a mix of red hot new talents and plenty of his
original pioneering peers, Väth has ensured Cocoon has always covered all points of the spectrum:
there have been hundreds of thrilling dance floor 12"s, a treasure trove of full length albums that have brought plenty of detail and depth to techno and multiple mix series including the annual Sound of the Season which distills Ibiza's latest trends into two vital CDs, and the annual alphabet compilations
which showcase the label's finest moments.
Then, of course, there have been the parties, which have taken many forms over the years, from selfrun festivals like Green and Blue & Cocoon in the Park to carefully curated label nights at the world's foremost clubs via, most famously, their flagship and globally recognised Monday night parties in Ibiza at super clubs such as Amnesia. These very much introduced the White Isle to techno and in the 20 years since the first party have become family gatherings that have solidified the sound's presence on the island for ever more, thanks to the world class line ups, out of this world production, colourful characters and fantastical themes that have made each session so legendary.
Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of '2000' and Emanuel Satie keeps the melodic vibes alive with his wistful 'Departure' and then
Diynamic label boss Solomun serves up a rare new production 'We Will Never Have Today Again' which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with 'Nostalgia (is The Enemy) and Joseph
Ashworth's 'Eavesdrop' reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offer an intense cosmic workout with ‘Trauma', while US legend Josh Wink keeps it deep and heads down with his gritty roller
'Nuclei.' After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga & Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his Mind melting cosmic melodies and pounding
drum rhythms.
There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi & Daniel Stefanik link on 'The Regulator' and high grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to 'Overtone' and things come to
a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's ‘Kikaqu'.
Despite its rich history, this fantastic collection of new and exclusive music continues to look to the future and take techno in bold new directions, just as Cocoon always has.

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Includes: 4x12" LP + Download Code in Collectors Cardboard Box , Print with Hotfoiled Typo on Rough Carton.

To coincide with their 15-year anniversary, Extrawelt are quietly proud to release Extra Welt
Hits. A collectors box, which covers every album and period from their dominant yet enigmatic
history as one of Germany’s most highly regarded electronic acts. Etched into the 4-piece
vinyl box-set is a 15-track playlist which takes us back to the dawn of their beautiful “Extra
World”.

Tracklist:

1. (A1) Extrawelt – Fernweh
2. (A2) Extrawelt – Die Zitrone Der Schöpfung
3. (B1) Extrawelt – Titelheld
4. (B2) Extrawelt – Die Welt Ist Nicht Genug
5. (C1) Minilogue – The Leopard (Extrawelt Remix)
6. (C2) Extrawelt – Pink Panzer
7. (D1) Extrawelt – Soopertrack
8. (D2) Extrawelt – Herzstück (Live Version)
9. (E1) Extrawelt – Dark Side Of My Room (Live Version)
10. (E2) Extrawelt – 8000
11. (F1) Extrawelt – Doch Doch
12. (F2) Extrawelt – Gott Ist Schrott
13. (G1) Extrawelt – Drehfehler
14. (G2) Extrawelt – Neuland
15. (H1) Extrawelt – Zu Fuss (Live Version)


Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording
spills into the next with sonic precision. From the monumental masterpiece of the album’s opening
track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’,
the listener is left captivated. And, because it’s what they do best, the destruction and artful
reconstruction echoed through their shows are also present. These are beamed out in the exclusive
live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at
the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the
most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance
music—is both undefinable and strays well past the norm. Their chance to manipulate their creations
in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information
everywhere. The result is an experience focussed on purism with great care in presenting the deepest
core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it
rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene
where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is
something of a triumph). With that, Extrawelt invite those that were there from the start to join them in
getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear
their story up until now, like it’s never been told before. And yes, while the listener may have outlived
many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as
relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the new
ones to go totally nuts.

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Tracklist: (A1) Eduardo de la Calle feat. Romina Cohn – I’m Losing My Mind (DE-Q20-20-00001)
(A2) Fabe – Call Of Origin (DE-Q20-20-00002)
(B1) Adana Twins – Origo (DE-Q20-20-00003)
(B2) Juan Sanchez – Narcissus (DE-Q20-20-00004)
(C1) Michael Klein – Continuation (DE-Q20-20-00005)
(C2) Rico Puestel – Perpetua mobilia (DE-Q20-20-00006)
(D1) Radu Dracul – Spectrae (DE-Q20-20-00007)
(D2) Joe Metzenmacher, Borka & The Gang – Magic Talk (DE-Q20-20-00008)

Release Info:
January is the month for dreaming, or so the saying goes and there’s more than enough on 2020’s Dots and Pearls 6 to satisfy the wildest flights of fantasy, as Cocoon Recordings invites well known international artists to once again rub shoulders with some of the freshest new talents around.

First up, Eduardo de la Calle & Romina Cohn’s “I’m Losing My Mind“ does a decent job helping us lose ours. Taking the classic DBX template as a start point, Cohn‘s random, spaced out musings elevate things to another level as they filter through all manner of machinery, bathing the hypnotic percussion in a lysergic glow. Fabe’s “Call of Origin“ pulls no punches either, the energetic, bass driven intro bouncing its way centre stage before expanding into lush open spaces with occasional melodic scatters and washes of warm pads that radiate good vibes.

Over the last couple of years, Adana Twins have rightly consolidated there position at the top table, so it’s a pleasure to have them on board with “Origo“. Like snake charmers relentlessly teasing and twisting the infectious hook line in all manner of directions, they demonstrate complete control of their art, pushing all the right buttons to bring things nicely to the boil. As with all Cocoon compilations the deeper you dive, the stranger the vibe and Juan Sanchez delivers a dose of trance-inducing, minimal techno. Abiding by the same dogma as the track before, “Narcissus“ offsets a constantly morphing hypnotic hook line with raw, stripped 909 beats in a classic mid 90‘s style.

Michael Klein’s “Continuation“ maintains the intensity as Cocoon’s Techno Tardis transports the listener even further back to a sweaty early nineties warehouse. It could be London, it could be Berlin... wherever it is, it sure sounds like home. Rico Puestel then snuffs out the candle, plunging us back into darkness. With “Perpetua Mobilia“ he unleashes a deep, prowling beast of a track that reminds us that just when you think you‘ve got a handle on Cocoon, it sheds its skin again, revealing yet another mask behind the mask.

As we motor on towards morning, Radu Dracul adds some bite to proceedings with “Spectrae“, a slow burning psychedelic trip with gently percolating acid lines that smooth out the rough textures of the preceding tracks before giving way to a cavernous breakbeat inflected breakdown. And then finally, Joe Metzenmacher and Borka & The Gang close out the collection, paying homage to the melodic side of Detroit with the quirky, idiosyncratic yet ultimately beautiful “Magic Talk“. It surrounds the dance floor in a warm embrace as keys, strings and bass combine effortlessly to produce a priceless moment of collective euphoria that sees us safely home.




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DELUXE 2CD with HQ Lenticular Print Digpack
of the 20 th Anniversary Cocoon Ibiza Season!

By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd.

Tracklist CD1:

(01) New Jackson - The night mail
(02) Joseph Ashworth - Trooper
(03) Joe Metzenmacher - Whats the secret word for tonight (Arian 911 Remix)
(04) Dorisburg - Internet tension
(05) Amberoom - Jazire (Isolée Remix)
(06) Charlotte Bendiks - Pasco
(07) Stimming - The gift that never stops to give
(08) Ricardo Tobar - Nadivi
(09) Herzel - Glowworms
(10) Erol Alkan - Spectrum (Mano Le Tough Remix)
(11) Rüfüs du Sol - Underwater (Adam Port Remix)
(12) Zoo Brazil - Maxwell

Tracklist CD2:

(01) Innellea - Anailuj
(02) Rebuke - Jump Ship
(03) Patrice Bäumel - Roar (Adana Twins Remix)
(04) Joshua James - Coarse (Justin Cudmore Remix)
(05) Josh Wink - Aries in Mars
(06) Robert Hood - Reflector
(07) Pig & Dan - Reset your Bassline (Dub)
(08) Florian Hollerith - KURZVOR12
(09) ROD - Cambodia
(10) PSYK - A Moment before
(11) Daniel Avery - Diminuendo (Luke Slater Remix)
(12) Inigo Kennedy - 2C3D2
(13) Legowelt - Disco Rout (Younger Rebinds Remix 2)


By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd. As a resident of 'Dorian Gray' - the legendary club at Frankfurt Airport that was modelled on New York's 'Studio 54 - he shaped the image of the DJ like no one else in Germany at the time. Even more influential were his broadcasts on hr3 Clubnight. Without the radio shows that Väth produced there between 1990 and 2004, the seed of techno in Germany would never have been sown to such an extent. With his first club "Omen", Sven wrote techno history over 10 years. Soon after, the "Babba", as Väth has been lovingly and respectfully called in the scene for a long time, set new standards in international club culture with Frankfurt's 'CocoonClub', inspired by his 'Cocoon Ibiza' events. Pioneer, visionary, ambassador, identification figure, DJ, label operator, club owner, impresario... over a career spanning four decades, Väth has developed many facets and yet has always remained true to himself. The fact that all over the world Berlin music temples of this kind, from 'Tresor' to 'Watergate', are celebrated as the epitome of party culture, is in no small part due to Väth's influence. Like no other, Väth has given the landscape of electronic music a face - always evolving, yet unmistakable.

With "Sound of the 20th Season" he presents the culmination of his second decade on the "White Island". New Jackson's "Night Mail" immediately sucks you into the action - resistance is useless, precisely because you can hardly understand what the distorted voice is singing about, making the title song of David Kit's debut EP the perfect opener. Although there are eight years in between, Joseph Ashworth's "Trooper", released in spring 2019, fits seamlessly into the mix as an instrumental continuation of the tense, opening atmosphere. With the grandiose Arian 911 remix of Joe Metzenmacher's "What's the secret word for tonight", Väth picks up the vocal thread again, only to dive into more minimal realms via Dorisburg's "Internet Tension". It's impressive, how he manages to tick all the boxes - should there be a hit now? Do I still have to feature this or that? - effortlessly incorporating what's needed into the vibe. This time round, he drives the sinister mood deeper into the night with Isolée's remix of Amberoom's "Jazire". Then, like the gears of a mechanical clock, the percussive elements of Charlotte Bendik's "Pasco" exemplify the tremendously coherent arrangement. With Stimming's "The gift that never stops giving" Väth reverts to a production released by Cocoon for the first time - the airy sounding, short string snippets, paired with the delicate acoustic sounds, have just appeared on the "Cocoon S" compilation and allow for a moment's breath. Ricardo Tobar's "Nadivi" then brings back the looming tension with echoes of the Throbbing Gristle classic "Hot On The Heels Of Love". In "Glowworms" by Aleksandar Grozdanovski alias Herzel, Väth picks up on the sound aesthetics, which are marked by distorted effects and characterize the beginning of the mix. At the same time, the groove takes on an increasingly insistent attitude. With Mano Le Tough's remix of Erol Alkan's "Spectrum", a Moroder bass sequence and metallic bell tones come into play - a disco theme that Adam Port expands on in his adaptation of "Underwater" by Australian dancefloor band Rüfüs du Sol, with Port adding an electro twist to Tyrone Lindqvist's Sting-like voice. As a finale Väth drops Zoo Brazils "Maxwell", whose vocal loop he used to provide one of the lasting moments of the season in the garden of 'DC 10'.

With the oriental flair of Innellea's "Anailuj", Väth starts the second mix before the tribal drumming in Rebuke's "Jump Ship" signals cast off! The disco bassline from the Adana Twins remix of Patrice Bäumel's "Roar" provides the necessary momentum as the set continues to pick up speed. With Justin Cudmore's adaptation of Joshua James "Coarse" Väth then adds a deep, trippy twist, before he finally sets course for acid in the form of Josh Wink's "Aries in Mars". Another old hero then comes on board as Väth revives the best days of minimal techno with Robert Hood's "Reflector". Whiplashing metallic beats propel the speedy voyage onwards and the dub version of Pig & Dan's "Reset your Bassline" fills the sails. With Florian Hollerith's "KURZVOR12" the current "Cocoon S" compilation comes into its own again, while the nervous staccato sounds of ROD's "Cambodia" are very suggestive. With Psyk's "A Moment Before", Väth throws classic Tresor material into the mix and lets Luke Slater's remix of David Avery's "Diminuendo" reinforce the industrial techno atmosphere even further. With Inigo Kennedy's more restrained Detroit track "2C3D2", Väth initially lowers the core temperature a bit, but only to prepare the ground for Legowelt's "Disco Rout" - the timeless electro anthem of 2002 - in the amazing "Younger Rebinds 2" remix released on Cocoon back in spring, and another alias of Benny Rodrigues aka ROD.
Even at the beginning of the millennium it was Väth who championed this timeless tune, which not only marked the breakthrough for Danny Wolfers but was also voted track of the year 2002 by the readers of GROOVE making it a fully deserved high point and end point, to this outstanding mix.






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CD
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.

The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.

Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo

This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.






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Includes a set of 6x12" - Yellow Vinyl - CD - LTD to 500 (450 sales + artist)

- 6 Vinyl Box-Set limited to 500 copies (450 for sales) + includes the Compilation on CD -

Tracklisting:

CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk

- Limited Vinyl Box-Set including the "Compilation S" CD (500 copies only)


Cocoon Recordings presents: Cocoon Compilation S

It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.

Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.

Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.

Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.

As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.

Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.



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CD - Cocoon Recordings presents: Cocoon Compilation S

Tracklisting:

CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk


Cocoon Recordings presents: Cocoon Compilation S

It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.

Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.

Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.

Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.

As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.

Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.



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cocoon slipmates - Cocoon Slipmat "Flash" -Inverted Color Set (2 in a set)

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cocoon slipmates- Cocoon Slipmat "Dots" - Inverted Color Set - (2 in a set)

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To celebrate the turn of the year, Cocoon Recordings presents us with the fifth edition of the Dots And Pearls anthology, which has been offering us an exclusive glimpse into Cocoon's treasure trove of demos at irregular i
ntervals since 2011. Once again, the eight tracks on show represent a comprehensive snapshot of the current state of club music as 2018 fades into 2019, combining established stars of the scene with eye catching newcomers to create a harmonious overall package.

Tracklist: (A1) youANDme - Claret Loss
(A2) Florian Hollerith - Ohrenzirkus
(B1) Quenum - Blue Mountain
(B2) Petar Dundov - Pyroelectric
(C1) Marc Romboy - Sequential Error
(C2) Blackrachas - Paracasta
(D1) Emanuele Inglese - Rain
(D2) Bastian Bux -Inner You

First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the "Rotary Cocktail" label. Their epic floor filler "Claret Loss" kicks off the compilation with a refreshingly reduced yet deep Techhouse showpiece as the "ear circus" begins. In fact that's the name of the next track by promising debutant Florian Hollerith. "Ohrenzirkus" amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's "Sound of the 19th Season".
Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of "Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic "Pyroelectric". Next, Systematic label boss Marc Romboy scores with "Sequential Error", a perpetually growing ball of energy that lights the way to the dance floor. In the midst of the mayhem, Italian newcomer Blackrachas offers up a slice of Mediterranean serenity with his snare opus "Paracasta", while veteran DJ and producer Emanuele Inglese from Rome demonstrates his special expertise for dancefloor hedonism with a flurry of modulated sequential breaks on the track "Rain". Finally, Bastian Bux of Barcelona-based label Suara, who recently also featured on John Digweed's Bedrock imprint, offers a fitting finale to the compilation with the melodic techno hymn "Inner You".

Dots And Pearls V is set to be an indispensable part of this winter's clubland wonderland, which track you choose to dance in the new year is, of course, up to you!



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Deluxe 2 CD Digipack! Silver Hotfoil Outer and Embossed Print!

Tracklist CD 1 :
1. Nightmare on Wax - Deep Shadows (Dj E.A.S.E Club Mix )
2. Love Over Entropy – 9576
3. Adam Port - Do You Still Think of Me?
4. Emanuel Satie - Don't Forget To Go Home
5. Florian Hollerith - Ohrenzirkus
6. Talaboman - Brutal Chugga Chugga (L.B. Dub Corp Remix)
7. Levon Vincent - Arpeggiator
8. Vermont – Skorbut (I:Cube Mix)
9. Edward - Set U Free (Private Mix)
10. L.B. Dub Corp - See The Light
11. DJ Shufflemaster & Chester Beatty - Our House Music (DJ Shufflemaster Remix)
12. Patrice Bäumel - Serpent
13. Red Axes – Sami

Tracklist CD 2 :
1. Nicolas Masseyeff - Muse
2. Tom Pooks & Joy Kitikonti - Climb
3. Butch - Countach
4. Fabrice Lig - Dark Commodore
5. Robag Wruhme - Veddel Braav
6. Stimming - Frankfurt Main
7. Ejeca - Attack
8. Radio Slave – Reverse (DJ KOZE Edit)
9. Ilario Alicante – Cocoon
10. Anna - Hidden Beauties
11. Michael Mayer - Lout
12. Younger Rebinds - Tim 's Symphony
13. Krystal Klear - Neutron Dance


To this day, Sven Väth represents the electronic music scene like no other DJ. In the nineties he was
mentor and shaman, operating from Frankfurt/ Germany introducing us to the world of electronic
music. After this crazy, extroverted years Väth created the Cocoon family as a global platform for his
and his colleagues´ activities. Väth has always been for the scene "Baba", which means dad in
Hessian dialect. Today he is the “Baba” for a new generation of DJs: Music is not about strategizing
New Release Information
your niche potential. It does not matter if a tune is approved by the opinion makers. It's about what you
feel personally and what you can create with the music in your work as a DJ. To this day, Väth
manages to play tracks that you wouldn’t expect and puts them in a context you would not expect
either. Like no one else he succeeds in arranging the entire electronic music cosmos, from restrained
deephouse to euphoric techno into one, amazing narrative.
Besides Frankfurt, Ibiza is Väth's musical home. After 18 years at Club Amnesia, he and his Cocoon
crew moved to Pacha to start a new chapter on the seminal island. You don´t get a clue from "The
Sound of the 19th Season" if he had some trouble finding his way in the new location. Väth takes it
away with lighthearted downbeats by Nightmares On Wax, which emphasize their humorous mood
with a filtered brass track and cartoon-like vocals. Subtly he blends to the sovereign, dazzling Club
Soul of Love Over Entropy. With Adam Port he turns to more electronic and repetitive sounds, still
coming off quite relaxed with the frugal, jazzy piano notes, an artificial gurgling and gentle strings
melding the poetry of jazz and synthetic music. Emanuel Satie acts as a perfect counterpart to Adam
Port's stage-rich arrangement with a punctuated, looped organ sound relentlessly digging into our
synapses. Florian Hollerith breaks this minimalism with a playful, nimble, organic bass. Hollerith bursts
all boundaries having trumpets and voices wander through the acoustic space. Blending in the blaring
snare drum of Luke Slater´s remix of Talaboman into this spirited groove, Väth strikes a little more
serious chord. Slaters subtle bassline communicates with nuanced organ tones, reminiscent of the
milestones of house music introducing a modern twist with shimmering sounds. The leaping arpeggios
spread no nervousness, but a deep relaxation only this summer of the century was able to deliver.
This tranquility is swept away by the agile, unpredictable, three-dimensional funk of French-House-
Maverick I:Clube. With a monotonous pulsating bassline from Edward, Väth soothes the crowd again,
with a sensual, seductive vocal drawing us deeper into the magical sphere of electronic sounds.
Putting on another track by Luke Slater, he blends the house sound with an unexpected piano
improvisation. Its vivid dynamic is taken to an extreme by a timeless tune by Shufflemaster & Chester
Beatty a string loop sounding like the blink of the soundtrack of an old black & white film. With the
enraptured, trippy sounds of Patrice Bäumel Väth hints the mood of the second part of his mix before
he finishes Part 1 with Red Axes' ravishing African-style tribal drums.
In his second set Väth starts off on a different note. With the huge, dark, demanding bass of Nicolas
Masseyeff, meandering like an unpredictable lizard around the dancefloor, we are in the middle of the
night, Tom Pooks & Joy Kitikonti absorb this intensity and liveliness with spacey, expansive fusion
sounds. Little later, with Butch, they sound even more confident and edgy. Connecting sawing synths
with majestic strings Butch creates a techno epic. Fabrice Lig counters with a tongue-in-cheek acid
track bursting with a humorous laugh into this rather dramatic mood. Väth gets breathless with Robag
Wruhmes's down-cooked signature groove, the humorous note continuing in Wruhme´s voice
modulations. With a swinging, acoustic groove by Stimming Väth opens up the set. With Ejeca he
resumes the heavy Chicago house sound of part one, shifting to a more demanding tone. Koze
punctuates the groove with unexpected, surreal and funny radio moderation. Ilario Alicante takes on
this ball with a series of vocal samples that spread a ghostly and eerie atmosphere. With Alicante's
rumbling groove and aggressive, agile synths Väth sets the first climax. With Anna, Väth reduces the
tension, with a cool, distanced voice keeping repeating the word "Time". The second highlight of this
set is Michael Mayer's “Lout”. Its focused, straightforward techno groove is literally swallowed in an
instant by an unlikely, swirl-like break. With Benny Rodrigues, Väth manages to even top this
straightforwardness with an exuberant, thoroughly positive Italo-Disco feeling that culminates in
Krystal Klear's "Neutron Dance", one of the biggest tunes of the year. Väth says goodbye with the
Irishman´s charmingly naive melodies. The season of 2018 is over, but the man gives us no time for
wistful feelings. After the furious closing of Ibiza in October, he retreats to his Ayurveda ritual. Then he
sets off for the "Sound of the Season"-tour which will take him to South America among other
destinations. After New Year's Eve, he vacations in Asia like every year taking in inspirations. He will
let the season of 2018 pass in his inner mind's eye devising a plan how to celebrate the 20th
anniversary of Cocoon on Ibiza. We are definitely looking forward to the crazy that Sven will cook up!

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Artwork and Typography by Stefan Marx

Joe Davies aka DJ Assam makes a welcome return to Smallville following his ‘Shields In Full Sunlight’ LP with the ‘Pardon My Late Response’ EP.

The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Records sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond.

Last year he made his debut on Smallville appearing under his own name- Joe Davies with a long player project. Here he returns with more of his distinctive deep and hypnotic style on a new EP for Smallville.

Up first on the package is ‘Errol Dub’, a six minute journey traversing through bouncy bass tones, airy chords, crisp shuffled percussion and modulating synth lines before ‘Unknown’ dives deeper via a reduced rhythm section, acid synth bleeps, soft bell tones and subtly naunced atmospherics. Opening the flip-side ‘1234 Love’ captures a more raw aesthetic with saturated drums at its core while an amalgamation of modulating synth licks and ethereal pads ebb and flow throughout. The Frankfurt Mix of ‘Hi Life’, known from Joe's mesmerizing Smallville album, rounds out the release, journeying into dub territory courtesy of spiralling echoes and slowly unfurling chords underpinned by a bumpy off-kilter drum groove.

Tracklist:

A1 Errol Dub
A2 Unknown
B1 1234 Love
B2 Hi Life (Frankfurt Mix)


All tracks written, produced and mixed by Joe Davies, additional production on B2 by Ossia, Vocals on B2 by Ocker
Mastering by Helmut Erler, Vinyl Cut by Lathesville

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World excluding Japan

2024 repress

LP Format Notes:
First re-issue since its original release in Japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.


LP Track List:

A1 : Blue Beach - Welcome To Your Beach
A2 : Never Find A Girl (To Love Me Like You Do)
A3 : By The Pool
A4 : Roll Over, Beethoven - Out Of The Beach
A5 : In The Shade
A6 : Looking Across The Street
A7 : Long Distance Look

B1 : Hot Afternoon
B2 : Crying In The Sun
B3 : The Next Time
B4 : Miss B.B. Walks Away
B5 : Sleep Walk
B6 : Standing There

Release Notes:

For the first time since its inception 36 years ago, Steve Hiett’s elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.

A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.

In 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing.

Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan’s most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo & Johnny’s Sleep Walk and the 1967 Eddie Floyd soul hit Never Found A Girl.

Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones.


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2023 repress

We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes and includes one extremely excellent exclusive track Trentemoellers hymn against global warming: A1: The Blacksmoke Organisation: Danger Global Warming (Trentmøller Remix) * , A2: Trentemøller: The Forest , B1: Mathias Schaffhäuser: Coincidance (Trentemøller Remix) , B2: Jokke Ilsøe: Feeling Good (Trentemøller Remix Chronicles Edit)*, C1: Röyksopp: What Else Is There? (Trentemøller Remix), C2: Trentemøller: Gush , D1: The Knife: We Share Our Mother‘s Health (Trentemøller Remix), D2: Trentemøller: Kink

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Tracklist:
01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams


MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.





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Genres: Dub Techno, Romanian, Techno

Vinyl only

Tracklist
A1. ZentaSkai - Bob (6:16)
A2. ZentaSkai - Bob (6:52)
B1. ZentaSkai & Sebastian Klenk - Bob (11:41)

Release Date:
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.






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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist: (A1) Angora (Fairmont Remix) (B1) Invierno (John Tejada Remix)
Info:
Welcome 2016 and welcome back everybody to the second Cocoon Recordings roll out. We wonder what this year will bring if the kick-off is already on such a high level?
Ricardo Tobar's first remix 12" comes with two stunning re-arrangements by Fairmont and Tech-House grandmaster John Tejada. The canadian minimal techno hero Fairmont remixed Tobars "Angora" and gave it such a strong Border Community vibe. Dark but at the same time pushing and hedonistic. Fairmont starts off with a subtle percussion-beat-acid-combination and turns his remix into a proper and mad electronic masterpiece the longer it runs. Epic!

Californian tech-house pioneer John Tejada is on remix-duty for "Invierno" and he blasts us away with the result. Deeper than deep and kick-ass house with a pushing detroit and KMS vibe. This one almost appears like a lost & found alltime techno and house classic and it will hit the Zeitgeist in Berlin, London, New York and Tokyo like no other release on Cocoon Recordings lately. This is ingenious clubfood for all the innercity hipsters and musiclovers and it simply makes us wanna dance! This! Is! Tech-House! Baby!


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Format: 12"

TRACKLISTING:
A1. Solid as a Rock feat. Natty Campbell
A2. Blueprint feat. Raashan Ahmad
A3. Enough is Enough feat. Azeem
B1. Blueprint feat. Raashan Ahmad (Koralle Remix)
B2. Enough is Enough feat. Azeem (Deela Remix)
B3. Solid as a Rock feat. Natty Campbell (Paolo Baldini Dubfiles Remix)
B4. Enough is Enough feat. Azeem (Luke Beats Remix)
Description:
Did you know that if we go back 10 generations, we could count for each of us some 2,046
ancestors, going back 20 generations there would be 2.097.150 ancestors and going back 40
generations each of us would have more than a trillion ancestors, which is more than all the
people who have ever lived on earth?
This complicated paradox, known as the Pedigree Collapse, however, leads to the simple
conclusion that we all share at least one ancestor with each other.
Inspired by this reflection, "How many ancestors do we have?" is the latest EP by Woxow,
sound mixologist and mastermind of Little Beat More, translating the concept into aprofound journey in search of the roots of music, to find that ancestral vibration that has
resonated in every human being since the dawn of time.
Jazz atmospheres, refined hip hop beats, world music overtones, dub rhythms and reggae
reminiscences, all enriched by the dense and meaningful voices of London's Reggae Roast
MC Natty Campbell, the eclectic and electric Raashan Ahmad and the legendary rapper and
performance poet Azeem, bringing to light the infinite connections that unite all humanity.
The album is further enriched by the precious remixes of underground legend Koralle,
electronic shaman Deela, dub master Paolo Baldini Dubfiles, and gifted hip-hop head Luke
Beats, who hybridise Woxow's ancestral vision with their skillful artistry, giving a new
dimension to the tracks.
The artwork by visual artist and filmmaker Simone Brillarelli captures the essence of the
album in a vibrant bloom of colourful flowers sharing the same soil, and ultimately the same
planet, reiterating the message of shared family and unity that is celebrated in the music.
The EP is available both as a gatefold with two 7-inch vinyls and as a single 12-inch vinyl,
as well as digital.
Join the family now!
Edition of 300 copies
Made with Love by Little Beat More 2023

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More