Derek Carr is back on his own Trident Recordings imprint with a super solid 4 Track EP.

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4 Track 12" in Black and Limited Edition Red Vinyl

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Derek Carr returns with Part Two of Elektro Statik. Classy Detroit leaning electro tracks. TIP!

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Classy Detroit leaning four track electro EP by Derek Carr on his own label Trident Recordings.

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Warm Detroit schooled house tracks by Derek Carr on his own imprint Trident Recordings. First 200 copies in red and black marbled vinyl.

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Derek Carr returns with an acid laden three-tracker. Three top notch deep, driving and uplifting house tracks on his own label Trident Recordings. First 200 copies come on yellow vinyl.

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In the early 2000s Derek Carr's notoriety for producing high fidelity techno was understated and unbefitting to the quality of his musical output. In 2016 For Those That Knoe initiated an acclaimed series of EPs which showcased unheard material alongside some long lost vinyl only classics from Derek's archive. Cut to now and the imprint has put together something truly special: a raid on dusty record shelves have been traded for one into the binary world, For Those That Knoe has selected 17 recordings only previously available on the digital format or previously unreleased, now remastered and pressed onto physical form.

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Derek Carr is smoldering hot at the moment. His every release is being greeted as an instant classic by the Deep House community. So it seems well-timed, then, that he'd run headlong into Love Notes (from Brooklyn), who have been on a not unimpressive run themselves. Perhaps expectedly, this Detroit vibes abound on the record; from the rich strings of Sidewinder (the most dancefloor friendly track here), through the spaced out breakbeat of the title track, down to beautiful, UR-esque closing strains of Indigo. A well curated EP from an artist at the pinnacle of his game.

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The FireScope Records adventure goes from strength to strength with release number 8, and we are very proud to present on this label Mr Derek Carr. Established in Ireland in the early 90’s Derek has released many ground breaking and classic EPS for labels such as 'For Those That Knoe’, 'Revoke' & 'Why So Series'.



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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek's music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek's back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three EPs Part three in Derek's starts with Cuba, probably the most sought after track in his back catalogue. It's stunning simplicity and charming summer vibe puts it amongst Derek's greatest works and understandably so. Red then slots into the A2 position which was originally released under the radar on a Headspace compilation. As warm as Cuba but with an added touch of melancholy. Truly outstanding deep house. Iceberg takes things back more into techno territory with a funked up bass line, stepping rhythms, Detroit strings and those trademark twinkly leads. Finally Penthouse Apartment 3AM a lush electro breakbeat track from the very hard to find Trident release, rounds off the EP with aplomb.


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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek’s music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek’s back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three EPs Part two of three in Derek’s series kicks off with a Destiny, a driving deep techno funk filled jam, originally released on Derek’s label Trident. Bob is a spacey and sparse melodic electro gem taken from the unreleased archives. L’Equipe on the flip was one of the standout cuts on Derek’s solo EP on Headspace Recordings, pure unadulterated deep house. Museum Piece is a groovy ambient electro jam ripped from DAT and slotted into the B2.


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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek's music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek's back catalogue, with some unreleased gems dotted amongst the classic must-haves.

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To celebrate the label's 25 year anniversary Ferox brings you this three-tracker from label boss Russ Gabriel. The A side is Russ's classic "Peace For Thought" from 1993. Long overdue for a repress and one of his most treasured works, this track is a mesmerising journey of warm pads and strings. On the flip there are two brand new recordings from Russ. This release is available in grey marbled vinyl and is not available digitally.

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It's taken over two-decades - legendary UK Techno label Ferox enter their 24th year with a 4 trackerAfrom fellow Brit KIRK DEGIORGIO. Beholden looks both to the future with influences from Kirk's seminal MACHINE events which he hosts with Ben Sims, and the illustrious past of deep melodic UK Techno which he shares with Ferox owner Russ Gabriel. It continues a resurgence of lush, harmonic techno that once dominated the electronic music scene and which is now findingAa fresh, young audience. Expansive chords, delicate melodies and intricate grooves are once again on the cutting edge agenda.


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After the success of his release on Versatile and a string of top productions on his own Ruff Draft label, Ferox is proud to welcome Cottam to the roster with this two tracker. 180g vinyl only release.


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Ferox brings you four of the UK and Ireland's finest on this 4 tracker.

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Following up from a beautiful EP on Fanzine, 4 tracks of atmospheric techno texture from Spain's Hoax Believers including a remix by Russ Gabriel. 180g vinyl only release.


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"Abyssopelagic" is the third release on Tresor Berlin resident Marcel Heeses label Finitude Music. This time he teamed up with d_func. aka legendary Berlin producer Alexander Kowalski who has been around for almost 20 years and surely needs no further introduction. The title track is a slow piece of nautical Techno aiming at the bigger floors. As the title suggests the B-Side includes a stripped-down version of "Abyssopelagic" for the deeper moments on the floor.


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180g vinyl 4 track EP. Ferox is very proud to welcome a new artist to the roster for this release. Dublin-based Lerosa has a raw style very much his own and is well-known for his releases on Uzuri, Real Soon and Ireland's own D1 Recordings.


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The original Adventures in Techno Soul compilation was released back in 1996 with remixes of Ferox tracks from the likes of Derrick Carter, Carl Craig and Kenny Dixon Jr. A full 16 year's after its follow up "Further Adventures in Techno Soul" comes this 8 track album of new and unreleased material on double vinyl from 8 different and exciting artists. Ferox is proud to welcome established and respected producers such as Fred P and Germany's Move D to the roster, as well as a welcome return from Affie Yusuf, Nebraska and Bush Funk (Steve O'Sullivan and Winlord X) who were last seen on Soma Records back in 1996. The label is also proud to introduce two new artists, Darren Harris and Spain's Hoax Believers who alongside label boss Russ Gabriel round off this package of soulful electronica. This album is not available as a digital release

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This return of Ferox records sees an enthusiastic response from all. The label has forthcoming releases from many original Ferox artists and some new recruits and collaborations along the way. This, the first release in 5 years, sees label head-honcho Russ Gabriel in action under his Too Funk guise. From the first 'Return Of Too Funk EP' to the later 'Hotel Ibis' and Derrick Carter's remix of 'Venus Fly Trap', Russ's Too Funk grooves have been jacking dance floors on both sides of the Atlantic since 1995. This latest offering, 'Phase 3', is a 45 rpm two tracker of House goodness only available on vinyl. No clear favourite has emerged from the two sides, among the selective few that have heard it. Like much of the wealthy Ferox catalogue before it, this is proper House Music with an electric twinge.


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I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.

These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.

In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.

Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.

I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.

Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."

The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.

It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!


Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music

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Repress!

Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).

Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.

The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.

The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.

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After the big reaction about the "Legacy of Attack Records" 5x12" boxset, we're glad to move forward with 4 more classic tunes from Emmanuel Top legacy, now released in a double 12" package.

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(white vinyl, incl. Chris Liebing remix) A defining electroclash anthem returns to wax. Tiga & Zyntherius's cult classic Sunglasses at Night gets the deluxe vinyl treatment, featuring the iconic original 12" mix that set dancefloors ablaze in the early 2000s-plus a thunderous rework by techno titan Chris Liebing, who injects it with deep, industrial muscle for the modern floor.

Whether you're chasing nostalgia or sonic intensity, this is a must-have release for collectors, selectors, and nocturnal creatures alike.

Tracklist
A. Tiga & Zyntherius - Sunglasses At Night (12" Version)
B. Tiga & Zyntherius & Chris Liebing - Sunglasses At Night (Chris Liebing Remix)




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King Street Sounds is on a mission to reintroduce timeless house classics to the dancefloor with another iconic release. Their aim, to educate a new generation about the sounds of the old school while also offering fresh remixes for everyone to enjoy.

Kerri Chandler's 'Bar A Thym' is back on 12-inch vinyl, featuring the full original 7:24 mix. This track builds, keeping listeners at the brink of euphoria and inviting them to dance. It’s THE perfect groove.

The original track is accompanied by a new version via South African producer Themba who adds his signature afro sound to the mix, infusing the song with swing, extra percussion, and heightened anticipation around the various drops.

Then the classic Foremost Poet's version, which was a great alternative to the timeless bomb. If you’re a house head, you need this in your life.

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The second reissue from Sam Robson’s, Pacific Coast House Recordings. This time round it’s Lance DeSardi with the Jazz Salad EP. A Deep House classic from the West Coast going for upwards of £100 on Discogs.

A1 – Lance DeSardi - Jazz Salad
B1 – Lance Desardi - Boing
B2 – Lance DeSardi - Boing Boom Shox

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