Collecting orders for repress.

Kirk Degiorgio’s influence on electronic music cannot be overstated, having been responsible for producing some of the most emotive and soulful machine music dating right back to the early 90’s. As a leading figure in UK techno his As One, Elegy and Future/Past output on labels such as B12, R&S and his own Applied Rhythmic Technology (A.R.T.) have rightly become revered classics and helped shape ambient techno and what would come to be known as IDM/Future Electronica. His connection with Cyphon co-founder Jamie Odell also dates back to the turn of the millennium when Kirk invited Jamie to play keys on his 21st Century Soul LP released on Ubiquity and subsequently releasing an EP together under the name Super Aloof on Exceptional.

With Cyphon’s inspiration being indebted so heavily to the influence of Kirk’s music, the label is proud to present the follow up to last year’s Frayed Edge EP here on the Elate EP. Opening track Seven Minutes Of Funk sees Kirk in rolling, acidic house mode with a track which draws you into it’s hypnotic confines. Filtering pads, percussive groove and 303 line all combine to create a classic sound which will create just the right energy on a big system and help transition from deeper house to Detroit techno. Elate follows with a piano-led, euphoric house track with Kirk’s sonic explorations in synthesis shining through adding fizzing pads and rhythmic movement.

Flipping over we have Five Minutes Of Dub, a stripped back version of the A1 keeping the focus on the drum machine groove and rolling bassline. Echos of 303 bring a darker touch whilst the shimmering strings add some energy and intensity to the arrangement. Closing out the EP we have Lost which once again fuses deep, synth atmospherics with rasping white noise hats and chiming modular arps to create a late night city scape mood to get lost in.

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Kirk Degiorgio is back on Neroli with a follow up of his acclaimed 2023 ‘Robe Of Dreams’ album. In this new record, aptly entitled ‘The Statement’, Kirk widens the jazz/modern jazz palette and it almost feels like an extension of the previous one, but this time exploring more unbeaten paths. Free-jazz drums meet ambient pads, soaring vocal harmonies from Beauty Room vocalist Jinadu meet funky breakbeats, some channeling of classic Lonnie Liston Smith/Marcus Miller era jazz-funk all adds up to another feast of sonic delights from Degiorgio.

Artwork by Tommy Verità.

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Like a long-lost Holy Grail album from the mid-seventies, Kirk Degiorgio’s latest project explores both Modal Jazz and Seventies Jazz Fusion in the Library album format. Side One swings with a vengeance with its tight arrangements built around acoustic bass, electric piano and glorious analogue synth leads and side 2 takes us on a journey of funk fuelled, percussive workouts and heavy breaks. The contribution of renowned session drummer Chris Whitten adds to the authenticity of the album as does the use of vintage, analog synths.

The Library album was predominant in TV and film studios in Italy and France with composers creating background, incidental and scene music for use in TV and movie production. In recreating the sound library format Kirk Degiorgio has revelled in both the creative freedom and the test of melodic capability that the short form of the Library album allows. As Kirk says, ‘the skill with this kind of composing is to be able to express your ideas and thoughts in a maximum of two minutes at a time.’

Kirk Degiorgio is a DJ, composer and music lover whose influences, from family and then going out to clubs from under-18 discos to attending the Belvedere Arms and ‘Shoom’ and working in Reckless Records, cover all genres of Black music. From Soul, Jazz-Funk, Funk and then House and Detroit Techno Kirk has a love and an appreciation for how all these sounds work together and evolve from each other.

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British techno stalwart Kirk Degiorgio steps up for the next SUARA release with three heavy hitting originals alongside a stomping remix from Mark Broom.

‘Arc Mode’ is drenched in 303 acid lines, pounding kicks and resonating cymbals, it’s ready-made for big rooms and dark dancefloors as surges of synths pulse through. Another ‘90s powerhouse Mark Broom takes to remixing ‘Arc Mode’ dialling down the acid in place of full-frontal stabs, squelching bass synths and dizzying hats.

On the flip, Degiorgio unleashes ‘Redeemer’ an amalgamation of swirling, siren-like synthlines, rising percussion and the kind of urgency that will raise fists over heads wherever it’s heard. Closing out the EP ‘Astral Cell’ is a bleepy, space searching cut to get lost in that’s both immersive and stirring in equal measure.


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Two years after his 'Ripple Effect' release on Rush Hour, Kirk Degiorgio returns to the label with a new single, entitled 'Divine Logic'. The legendary UK techno producer Kirk Degiorgio is known as a purveyor of techno soul in its finest form. He was at the root of the UK techno movement in the early 90's, soon after the Detroit sound went global. He has recorded many now classic releases under guises as Future/Past, As One and Elegy for labels such as Planet E, R&S and Mo' Wax as well as his own ART label. With 'Divine Logic' he keeps true to his own tradition by delivering a timeless piece of techno music. A string-laden track that evolves around an arpeggiated synth line. A classy joint that shows that the heritage of Detroit techno still lives on.

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1990 was the decade Kirk established healthy roots with the network trio of Detroit producers: Derrick May, Juan Atkins and Kevin Saunderson. In preparation for Kirks most influential journey to the US, he collaborated demos with Ed Handley and Andy Turner under the collective The Black Dog. During his inspirational visit to Detroit Kirk took noticed of the affordable studio setups he observed at Transmat, Metroplex and KMS. Consequently Kirk sold his entire record collection upon his return to London and invested in an Atari, Akai S950 sampler, a broken TB303 and a Roland R8 drum machine. To complete his Detroit inspired studio the last pieces were actually loaned from Derrick - including a Kawai K3 and the infamous DX100. Fast forwarding to the more present time, Kirk has released purist techno EP's for an EMI subsidiary 'New Religion'. For the same label he has collaborated with Dan Keeling under the name 'Critical Phase' and together with Alex Bond has also co-ordinated the joint ART-New Religion compilation 'The Electric Institute'. On this compilation Kirk shocked purists with the techno breaks track 'Whatever Happened To the Cosmic Kid' which was co-written with Dan Keeling and Chris Martin of Coldplay. Kirk?s revolutionary pulse has been recognized and is credited with being the first known professional DJ to use Ableton Live alongside vinyl for his DJ sets. A tour of Japan 2002 saw him use Live exclusively which he has now done ever since in venues worldwide. Kirk paved the way for the current popularity of laptop DJing.

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To celebrate the label's 25 year anniversary Ferox brings you this three-tracker from label boss Russ Gabriel. The A side is Russ's classic "Peace For Thought" from 1993. Long overdue for a repress and one of his most treasured works, this track is a mesmerising journey of warm pads and strings. On the flip there are two brand new recordings from Russ. This release is available in grey marbled vinyl and is not available digitally.

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Mostly found mining his archives on For Those That Knoe and dropping a quality album on Subwax, comeback champ Derek Carr makes the logical move over to Russ Gabriel's Ferox label with four trips through sublime machine soul. If you've listened to previous Derek Carr releases then you know what to expect - the beats flutter with thoughtful programming and the synths cartwheel through expressive patterns that speak to the same sci-fi fantasies that made B12 so iconic in the early 90s. There's also space for a little subtle electro, as on the haunting "Time Out," bringing a touch of versatility to the record without breaking that shimmering vintage techno haze.

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After the success of his release on Versatile and a string of top productions on his own Ruff Draft label, Ferox is proud to welcome Cottam to the roster with this two tracker. 180g vinyl only release.


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Ferox brings you four of the UK and Ireland's finest on this 4 tracker.

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Following up from a beautiful EP on Fanzine, 4 tracks of atmospheric techno texture from Spain's Hoax Believers including a remix by Russ Gabriel. 180g vinyl only release.


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"Abyssopelagic" is the third release on Tresor Berlin resident Marcel Heeses label Finitude Music. This time he teamed up with d_func. aka legendary Berlin producer Alexander Kowalski who has been around for almost 20 years and surely needs no further introduction. The title track is a slow piece of nautical Techno aiming at the bigger floors. As the title suggests the B-Side includes a stripped-down version of "Abyssopelagic" for the deeper moments on the floor.


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180g vinyl 4 track EP. Ferox is very proud to welcome a new artist to the roster for this release. Dublin-based Lerosa has a raw style very much his own and is well-known for his releases on Uzuri, Real Soon and Ireland's own D1 Recordings.


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The original Adventures in Techno Soul compilation was released back in 1996 with remixes of Ferox tracks from the likes of Derrick Carter, Carl Craig and Kenny Dixon Jr. A full 16 year's after its follow up "Further Adventures in Techno Soul" comes this 8 track album of new and unreleased material on double vinyl from 8 different and exciting artists. Ferox is proud to welcome established and respected producers such as Fred P and Germany's Move D to the roster, as well as a welcome return from Affie Yusuf, Nebraska and Bush Funk (Steve O'Sullivan and Winlord X) who were last seen on Soma Records back in 1996. The label is also proud to introduce two new artists, Darren Harris and Spain's Hoax Believers who alongside label boss Russ Gabriel round off this package of soulful electronica. This album is not available as a digital release

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This return of Ferox records sees an enthusiastic response from all. The label has forthcoming releases from many original Ferox artists and some new recruits and collaborations along the way. This, the first release in 5 years, sees label head-honcho Russ Gabriel in action under his Too Funk guise. From the first 'Return Of Too Funk EP' to the later 'Hotel Ibis' and Derrick Carter's remix of 'Venus Fly Trap', Russ's Too Funk grooves have been jacking dance floors on both sides of the Atlantic since 1995. This latest offering, 'Phase 3', is a 45 rpm two tracker of House goodness only available on vinyl. No clear favourite has emerged from the two sides, among the selective few that have heard it. Like much of the wealthy Ferox catalogue before it, this is proper House Music with an electric twinge.


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Chez Damier and Ralph Lawson had a fruitful transatlantic hook-up decades ago in a famous farmhouse studio in West Yorkshire. The fruits of that session gave rise to some timeless jams - most notably on 2015's full length collaborative album Lost In Time - including the ones appearing here, though two have come in all-new forms. 'A Dedication to Jos', named in honour of Lawson's friend and late Back to Basics resident, is a mid-tempo sound with phased vocals pacing about the mix and a classic bassline that gets a slight Wulf Lost Tape edit. 'Thank You' then comes as a Ralph Lawson dub and has a darker energy rising from the moody bassline. Closer 'The Moment' then brings some soul with warm chord injections, supple spoken words and a cool as you like groove. An evergreen EP for sure.

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I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.

These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.

In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.

Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.

I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.

Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."

The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.

It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!


Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music

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Repress!

Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).

Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.

The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.

The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.

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King Street Sounds is on a mission to reintroduce timeless house classics to the dancefloor with another iconic release. Their aim, to educate a new generation about the sounds of the old school while also offering fresh remixes for everyone to enjoy.

Kerri Chandler's 'Bar A Thym' is back on 12-inch vinyl, featuring the full original 7:24 mix. This track builds, keeping listeners at the brink of euphoria and inviting them to dance. It’s THE perfect groove.

The original track is accompanied by a new version via South African producer Themba who adds his signature afro sound to the mix, infusing the song with swing, extra percussion, and heightened anticipation around the various drops.

Then the classic Foremost Poet's version, which was a great alternative to the timeless bomb. If you’re a house head, you need this in your life.

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The second reissue from Sam Robson’s, Pacific Coast House Recordings. This time round it’s Lance DeSardi with the Jazz Salad EP. A Deep House classic from the West Coast going for upwards of £100 on Discogs.

A1 – Lance DeSardi - Jazz Salad
B1 – Lance Desardi - Boing
B2 – Lance DeSardi - Boing Boom Shox

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Repress!

Grammy Award winner Louie Vega has the unique ability to spotlight and highlight the most essential elements of classic dance tracks and remix and recreate them to create something just as powerful for today’s audiences. Currently in the midst of putting the finishing touches on his forthcoming album, Expansions In The NYC, Louie took some extra time to gather together the original members of the seminal New York – based disco funk band Unlimited Touch and collaborate with them at Log Cabin Studio in Manhattan and his own Daddy’s Workshop Studio in New Jersey to produce the 2020 edition of “I Hear Music In The Streets.”

Unlimited Touch consists of Audrey Wheeler (lead singer), Phil Hamilton, Tony Cintron, Sandy Anderson (RIP), Stephanie James and Lenny Underwood. “I Hear Music In The Streets” was originally released on legendary imprint Prelude Records in 1981.

Growing up in the Bronx, from an early age Louie had an affinity and love for all the various musical genres that were bubbling up in New York during that era defining creative period. It is that passion that has stayed with him during a career that has brought him Grammy’s, several worldwide hit records, and a status as one of the world’s most sought after DJs. It was especially fulfilling for Louie to work with the original members of Unlimited Touch, He quickly realized that their talents were still as strong as ever as they performed musical and vocal elements from the original song, and that they had the vision to see how the song could be re-energized by having Louie add his unique production elements to this seminal tune.

Louie is in the midst of an especially prolific and productive period. In 2016 he released the Grammy nominated Louie Vega Starring….XXVIII full length album; 2018 saw the release of the widely acclaimed and chart topping NYC Disco 2 X CD and 4 X vinyl album on Nervous Records. Known universally as “The Maestro” due to the standards of excellence he maintains in his productions, DJ Performances and live appearances with his Elements of Life Band, Louie Vega is now ready to unleash another gem to add to one of the music industry’s most remarkable body of work.

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