A.O.A. encompasses an aquatic theme experimenting with a variation of ambient, aquatic sounds and electronic based production. This album was produced to feel like a soundtrack or score to a movie. His childhood love of fish and aquariums, the aquatic theme and sound of the album inspired Drummer B to use the Belle Isle Aquarium as a visual backdrop. “I loved fish and aquariums as a kid. I’m also an Aquarius born February 6. Aquarius is an air sign and astrological symbol is the water barrier. This inspired the album and stream title “A.O.A” Age of Aquarius,” Drummer B pays homage to legendary Detroit techno group Drexciya by accompanying artwork from Abu Qadim Haqq illustrator of The Book Of Drexciya Vol 1. More

Twelve months after their last outing on Transmat, Trackmaster Lou reconvenes with Mr Hooper for another EP that masterfully blurs the lines between religion, science fiction and house music joy. Opener 'Chuuch' takes you direct to the altar, with a euphoric gospel singer swelling your heart as raw beats and infectious hand claps add to the whole uplifting experience. 'No Enemy No Table' takes a more direct approach to your soul, with tightly coiled bass overlaid by organ chords that burst with spirituality. Quickened beats and a frenzied preacher make this an urgent call to arms that sweeps you off your feet time and time again. This most unforgettable sermon concludes with the deeper, hip swinging claps and piano stabs of 'Here To There', a rich, soul infused number that allows you time to meditate on the groove and give yourself over to the unrivalled emotional beauty of this pure- hearted house track. More

Biz's Set Me Free EP is an adventurous and personal exploration of techno which is composed for the dance floor but also sparks the heart. The grinding grooves of opener 'Set Me Free' immediately shows a pairing of a tough mentality with a supreme sense of soul. The exquisite 'Don't Stop' builds with an enthralling techno tension that finally lets up and will immerse the listener in liberation. Last but not least 'Autumn Blues', a perfectly melancholic journey through deeper techno that lifts the spirits with optimistic synths. More

Breakthrough release for young South African artist Mbulelo. The EP contains 4 fresh cuts merging techno with African coded rhythms. The title track Robotic People is a banger. More

Hiroshi Watanabe does not hold back on Threshold of Eternity EP. The Leonids Strings is a deeply emotional and delicate string arrangement that leaves the listener beauty struck and in awe. Into the Memory is a dance floor banger which holds true to Watanabe's exquisite skill as a techno producer. The release contains a beautiful balance between groove and beauty which is rarely present in a techno record. The cover photography is a photo by Watanabe himself of his hometown Tokyo. More

Repress of the highly sought after Transmat Classic by K. Alexi Shelby* More

For the 2nd release in their 30th year aniversary trilogy Transmat presents one of the most promising talents emerging from the electronic scene from Tel Aviv. Deep‘a & Biri try to fully introduce their sound from atmospheric hypnotic beats to banging acid dancefloor killers. Deep‘a & Biri‘s connection with Derrick May started 7 years ago, when Deep‘a worked as an A&R for Club Barzilay, one of the important underground clubs in Israel at that time. They invited May to play in Tel Aviv and gave him a demo track at the dinner before the party, which was played by May only a few hours later at the club. Since then May keeps supporting Deep'a & Biri‘s project by frequently playing their music on his sets. On 2014 the boys, who grew up listening to early Detroit Techno music, manage to close the circuit and joined Transmat artists agency and played on their label nights around the world. The tracks on the EP has being slowly cooked for the past 3 years and been tested on multiple dancefloors and soundsystems. On their 4-track EP Echoic Memories Deep‘a & Biri try to to fully introduce their sound from atmospheric hypnotic beats to banging acid dancefloor killers. The tracks stand out with their dark and mashing beats, that make their way without compromise and with never ending dynamism through the dubby sound spaces or relentlessly push forward sharp acid lines. From these perspectives, the tracks‘ bass lines and also to some extent, the implemented superposed, endless synthesizer landscapes, both remind us of the early years of the Detroit Techno. More

one four new 12"s coming on Derrick May's prestigious imprint... More

New Transmat! Out of nowhere...this Greg Gow white label drops! More