SolarOneMusic is proud to announce this special record. Andreas left us suddenly at june 20th in 2016 after long health problems. Around that time we finished with him "The Worst Of Gehm" release. He was so happy about this project!!! Even one week later we got the terrible message that he died. We put alot of love and effort in this project to give him his last big monument! Special thanks to all his friends and labels like Mathematics Recordings, Abstract Acid, Creme Organization, Psycho Thrill and of course Bunker. RIP in Andreas! We will never forget you! More

SolarOneMusic is proud to announce this special record. Andreas left us suddenly at june 20th in 2016 after long health problems. Around that time we finished with him "The Worst Of Gehm" release. He was so happy about this project!!! Even one week later we got the terrible message that he died. We put alot of love and effort in this project to give him his last big monument! Special thanks to all his friends and labels like Mathematics Recordings, Abstract Acid, Creme Organization, Psycho Thrill and of course Bunker. RIP in Andreas! We will never forget you! More

Cologne based acid maverick Andreas Gehm dons his Elec Pt1 guise for his debut 12" on Bristol's Happy Skull. Following a string of releases for acclaimed labels such as Jamal Moss's Mathematics Recordings, Creme Jak, Chiwax, Bunker and Solar One, Gehm is fast emerging as one of the most prolific and distinctive producers bubbling up from the European underground... More

KHT 008 is coming from no less than the man who is called The Prince of Techno' by his peers. And that is for a reason: Blake was part of the first wave of Detroit techno artists and dis and contributed to the techno movement from the mid 80s. Tracks like When a dream becomes U' or Our love' are milestones of electronic music, his style, which he calls Poetry and Rhythm' is distinctive. For Killekill House Trax he delivers the Acid Life EP which comes along with two strong, acid driven tracks, the A-side darker and more chicago-oriented with its rhythmical focus and the punchy kick, the B-side more Detroit-ish with its uplifting chords.
Timeless! More

HITSAFE are a duo of established producers operating under an enigmatic moniker. Nothing new, you might say, and that is true. The music is so outstanding and unusual though, that in this case this approach really does make sense. SERIOUS JAW-WORK is funk in its purest form. And we mean real funk! Wonder how many djs will have the guts and abilities to play this one out… To round this release up, we asked LOPAZZ AND CASIO CASINO for a remix and these guys came up with two! Both are so good, we couldn’t make a choice. So here we go with both of them on this release. The JACK REMIX on A2 is a functional tech housy Überhit, suitable for all peaktime house floors, the JANE REMIX on the B-side is a moodymanesque version with a strong ludicruous tendency, that has all necessary qualities to become a timeless epic. MASSIVE!
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Here comes the first release lf the outstanding super disco stars HARD TON on our label! With A-side track RISE UP we have the first track with chart potential on our label we’d say. We love it anyway! : ) B1 track WORK THAT BODY shows off the heavier jacking side of HARD TON and B2 MONOTONE rounds up the EP with its uplifting house chords. Not our average cup of tea, but we fckng love it. Instead of boring you to death with just another info text, we copy these words from I-D Magazine about HARD TON: HARD TON are the Italian duo with the larger than life disco sound and a surprising love of met- al. Fused together in 2008 from the musical loins of DJ Wawashi and heavy metal singer Max. Sylvester-styled falsettos conjure up memories of smoky dancefloors during the heady days of HI-NRG, which combined with a contemporary sound of accelerated beats and screaming acid basslines, shows a nod to the past can result in a slap across the face for the present. Using analogue and vintage gear, from the 303, 606, 707, Oberheim DMX, Korg Monopoly, MS20, Prophet V5, the music is as organic as synthetic music can be, their equipment living and dying by its own unpredictable rules. (i-D Magazine) More

The two brothers of GEBRÜDER TEICHMANN have been regular guests at the early KILLEKILL events. That’s because they have a very similar approach to electronic music as we do. First of all they are deeply in love with the music itself and not the fame, the money or whatever one might expect to get when making music, and second they have a wide musical horizon and interesting perspectives on it, because they are active on several levels, as djs, musicians, promoters etc. First of all though they got class and taste, and so we are happy to present their cooperation with one of our personla heroes and one of the very big names in early house music: JOHNNY DAN- GEROUS aka FOREMOST POETS. With many Chicago greats, Johnny is One of the inventors of The Deep House Sound through his own blend of future funk & spoken word. In 1990, he released his first underground hit single “Reasons To Be Dismal?” on Nu Groove/SBK Records. A few years later, Johnny dropped the atomic bomb “Problem 13 (I Beat That *itch With A Bat)” in 1993 and orbited into the Dance Music Hall of Fame. Since then, the name carries great respect in the underground throughout the entire world. When Johnny’s striking voice appeared on his release “Moonraker”, he set a new standard for DJs around the world. Together with Johnny the TEICHMANNs have produced “TIME’S ALMOST UP!”, an acid house anthem that transports well the energy of Johnnys early works: funky, trippy and positive, a dance- floor with a consciousness that’s rare nowadays. LOSOUL, one of Germany’s finest house producers, delivers a reduced and even more tripped out version of the original.
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KHT 002 comes from AFFIE YUSUF, a longtime legendary producer from London, who has released tons of tracks solo and in groups on labels such as Ferox, Force inc and many more. Meeting AFFIE YUSUF for the first time via internet was like meeting an old friend. A sympathy for the devil was our common sense and after hearing some of his unreleased music it was obvious we needed to get closer. For his first release on KILLEKILL he has sent us so many good tracks it was not easy for us to compile the first release. But here we go now with the I’m Free EP, a 12” full of house as we like it. Raw as shit and full of fun, funk and energy!
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KILLEKILL herewith announces the start of a sub label focussing the housier side of what we like. KILLEKILL HOUSE TRAX starts with the release of a great track by ALEX CORTEX. Quite uptempo but groovy as hell “Oh Yeah” comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. TYREE COOPER added a simple but well working piano and packed the original into an even more classic outfit.
Oh Yeah!
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