1
detroits filthiest - Handprint
2
detroits filthiest - Handprint (Instrumental)
3
detroits filthiest - Handprint (Accapella)
4
detroits filthiest - Handprint (Aeroplane Remix)
5
detroits filthiest - Handprint (Aeroplane Instrumental)
One of the most diligent underground DJs from the ranks of Detroit’s finest, whose bodacious style has bubbled up from the underground to become highly in demand by the house scene’s tastemakers, Detroit’s Filthiest stays true to name with his debut for Defected. Since he was sampled by Disclosure on ‘Bang That’, Detroit’s Filthiest’s genre-hopping abilities have really resonated. The pounding 4/4 beat is infectious and the sass-laden vocal hook is hard to forget after being blasted out relentlessly throughout the year. Defected draft in the skills of Belgian nu disco king Aeroplane for this special 12” vinyl package, delivering as always with a melodic electro-influenced banger, shining a whole new light on Amina Ya Heard’s vocal attitude. The 12” comes equipped with instrumental versions of the original and Aeroplane’s remix, plus the Accapella, making this the most complete DJ-friendly package available.
More
Customers who bought this also bought this
"When Amadeezy sent me this track Bass Boss it was like a missing link. I had been digging ATL and southern electro heavy, even tho there was not much out there in a current context, bangers from ppl like Kilo Ali, Raheem the Dream, and A-town Players were in heavy rotation, as well as southern rap and gospel music. This ep encapsulates all those things together."
-Dustin Evans More
-Dustin Evans More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
Detroit's Filthiest - Fatal Attraction
2
Detroit's Filthiest - Sweet And Sticky
3
Detroit's Filthiest - Blessing In Disguise
4
Detroit's Filthiest - Mo Olla Than Zilla
Master Detroit’s Filthiest is back on House Of Underground records with a massive 4 tracks EP between House, fast groove and killer beats as always. A definitely needed record that will be available on September 4th.
More
1
Principles Of Geometry - Glower
2
Principles Of Geometry - Radiants
3
Principles Of Geometry - Oregon
4
Principles Of Geometry - Today 6
5
Principles Of Geometry - Kidsangls
Tracklist
A1. Glower
A2. Radiants
A3. Oregon
B1. Today 6
B2. Kidsangls
Highlight:
Soon after the release in 2022 of a triple album dedicated to electronic language, Principles of Geometry continues their orbiting journey that began exactly 20 years ago with "Penta," a Maxi composed of five electro-geometric vignettes that confirm what we already knew: the discreet French duo pilots one of the most underestimated projects in European IDM.
By returning just one year after a massive fifth album (26 tracks), Principles of Geometry makes a clear artistic move: shifting from electronic language unfolded on ABCDEFGHIJKLMNOPQRSTUVWXYZ to gesture, as one would associate intellect with manual, actions with words. On "Penta," to be visualized as the five fingers of a hand sketching the immediate and spontaneous pleasure of a hand pressing a chord, Guillaume Grosso and Jeremy Duval thus combine two essential concepts of their electronic music: the need to make the listener dance with their brains, and to touch with their mental images.
With nods to the godfathers of the genre (Autechre and Boards of Canada) or crossing paths with Aphex Twin in a Michael Mann film, "Penta" is therefore a beauty of gesture first conceived with the fingers, and without the need for words to evoke either the romance or the violence of a chord on a Roland Juno 60.
Mastered by the legend Noel Summerville (Boards of Canada, Kraftwerk, My Bloody Valentine) and designed by Ian Anderson of The Designers Republic (responsible for the graphics of the cult WipEout and many collaborations with the Warp label), this Maxi is therefore listened to as much as a recreational return to the future of the 90s as it is a concise summary of the equilateral career of Principles of Geometry; equally distant between pure emotion and the need to ponder the notes played in this very special ship.
More
A1. Glower
A2. Radiants
A3. Oregon
B1. Today 6
B2. Kidsangls
Highlight:
Soon after the release in 2022 of a triple album dedicated to electronic language, Principles of Geometry continues their orbiting journey that began exactly 20 years ago with "Penta," a Maxi composed of five electro-geometric vignettes that confirm what we already knew: the discreet French duo pilots one of the most underestimated projects in European IDM.
By returning just one year after a massive fifth album (26 tracks), Principles of Geometry makes a clear artistic move: shifting from electronic language unfolded on ABCDEFGHIJKLMNOPQRSTUVWXYZ to gesture, as one would associate intellect with manual, actions with words. On "Penta," to be visualized as the five fingers of a hand sketching the immediate and spontaneous pleasure of a hand pressing a chord, Guillaume Grosso and Jeremy Duval thus combine two essential concepts of their electronic music: the need to make the listener dance with their brains, and to touch with their mental images.
With nods to the godfathers of the genre (Autechre and Boards of Canada) or crossing paths with Aphex Twin in a Michael Mann film, "Penta" is therefore a beauty of gesture first conceived with the fingers, and without the need for words to evoke either the romance or the violence of a chord on a Roland Juno 60.
Mastered by the legend Noel Summerville (Boards of Canada, Kraftwerk, My Bloody Valentine) and designed by Ian Anderson of The Designers Republic (responsible for the graphics of the cult WipEout and many collaborations with the Warp label), this Maxi is therefore listened to as much as a recreational return to the future of the 90s as it is a concise summary of the equilateral career of Principles of Geometry; equally distant between pure emotion and the need to ponder the notes played in this very special ship.
More
1
U.R - Hi-Tech Dreams
2
U.R - Hold My Own
3
U.R - Lo-Tech Reality
Repress!
Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More
Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More
1
DMX Krew - Trigger Warning
2
DMX Krew - Local Off
3
DMX Krew - Software User Guide
4
DMX Krew - Distress Signal On Mars
5
DMX Krew - Time Holes
6
DMX Krew - 2 More 606es
New label Operation Madness records curated by french young blood DVDE has just dropped his first release with legendary producer DMX Krew! A BOMB EP composed by 6 hot tracks between funky synths, groovy bass lines and crazy beats ! A definitely needed record as it is pure madness…!
Operation Madness Records is a brand new label from France curated by young blood DVDE, based in Paris and defending real underground music in gender as electro break-beat, electro-funk, acid, IDM, Rave 90 etc. First release will come out on 10th of April 2023 with legendary producer DMX KREW and a lot of others are already scheduled with artists such as Matt Whitehead, the obscure band Tache Noire or Wedding Acid Group! More
Operation Madness Records is a brand new label from France curated by young blood DVDE, based in Paris and defending real underground music in gender as electro break-beat, electro-funk, acid, IDM, Rave 90 etc. First release will come out on 10th of April 2023 with legendary producer DMX KREW and a lot of others are already scheduled with artists such as Matt Whitehead, the obscure band Tache Noire or Wedding Acid Group! More
1
Not A Headliner, DJ HANDIKAP - A1. Not A Headliner - We are not the same
2
Not A Headliner, DJ HANDIKAP - A2. DJ HANDIKAP - Prayer 007 (Remake)
3
Not A Headliner, DJ HANDIKAP - B1. DJ HANDIKAP - Overdrive
4
Not A Headliner, DJ HANDIKAP - B2. Not A Headliner - Emotional Boys
12"
GENRE/S: Techno, Breaks.
TRACKLISTS:
12''
A1) Not A Headliner - We are not the same
A2) DJ HANDIKAP - Prayer 007 (Remake)
B1) DJ HANDIKAP - Overdrive
B2) Not A Headliner - Emotional Boys
Digital
Not A Headliner - We are not the same
DJ Handikap - Prayer 007 (Remake)
DJ Handikap - Overdrive
Not A Headliner - Emotional Boys
SHORT INFO:
First release of the new label "Label Battle Series" a collaboration between Global Offensive Corporation (Globoffcorp) and Unsolved Label. Split EP by Not A Headliner and DJ HANDIKAP
More
GENRE/S: Techno, Breaks.
TRACKLISTS:
12''
A1) Not A Headliner - We are not the same
A2) DJ HANDIKAP - Prayer 007 (Remake)
B1) DJ HANDIKAP - Overdrive
B2) Not A Headliner - Emotional Boys
Digital
Not A Headliner - We are not the same
DJ Handikap - Prayer 007 (Remake)
DJ Handikap - Overdrive
Not A Headliner - Emotional Boys
SHORT INFO:
First release of the new label "Label Battle Series" a collaboration between Global Offensive Corporation (Globoffcorp) and Unsolved Label. Split EP by Not A Headliner and DJ HANDIKAP
More
1
Oscar Mulero, Adriana Lopez, Zadig and - A1. Oscar Mulero - Figures of Light
2
Oscar Mulero, Adriana Lopez, Zadig and - A2. Adriana Lopez - Espacio Infinito
3
Oscar Mulero, Adriana Lopez, Zadig and - B1. Zadig - Crystal Boy
4
Oscar Mulero, Adriana Lopez, Zadig and - B2. Ricardo Garduno - Trust in Dirt
12" Marbled Purple Color Vinyl, full colour jacket
Volume number 8 of 8 Vinyls, for the 16 Years of Illegal Alien Records
GENRE/S: Techno
TRACKLISTS:
A1. Oscar Mulero - Figures of Light
A2. Adriana Lopez - Espacio Infinito
B1. Zadig - Crystal Boy
B2. Ricardo Garduno - Trust in Dirt
4. SHORT INFO:
We are extremely happy and proud to present you Volume number 8 of our 16-year anniversary project which will
be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a total
of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all the
artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and contributing
with their music to make this release even more special, it's a true honor to count with all of you, thank you for
being part of our history.
More
Volume number 8 of 8 Vinyls, for the 16 Years of Illegal Alien Records
GENRE/S: Techno
TRACKLISTS:
A1. Oscar Mulero - Figures of Light
A2. Adriana Lopez - Espacio Infinito
B1. Zadig - Crystal Boy
B2. Ricardo Garduno - Trust in Dirt
4. SHORT INFO:
We are extremely happy and proud to present you Volume number 8 of our 16-year anniversary project which will
be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a total
of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all the
artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and contributing
with their music to make this release even more special, it's a true honor to count with all of you, thank you for
being part of our history.
More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
1
Viers - The Club Is My House (Hardspace Mix)
2
Resist 101 - Impulse 101 (Hardspace Mix)
3
Viers - Some Weird Drum Shit (Hardspace Mix)
4
Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)
5
Helena Hauff - Rupture (Hardspace Mix)
6
Ectomorph - The Haunting (Hardspace Mix)
2x 12" colored vinyl with full cover print - transparent pink vinyl
TRACKLIST:
A1 Viers - The Club Is My House (Hardspace Mix)
B1 Resist 101 - Impulse 101 (Hardspace Mix)
B2 Viers - Some Weird Drum Shit (Hardspace Mix)
C1 Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)
D1 Helena Hauff - Rupture (Hardspace Mix)
D2 Ectomorph - The Haunting (Hardspace Mix)
INFO:
Len Faki recently put out his mammoth LP Fusion, but his new moniker Hardspace finds him harking back to his signature style of specifically editing tracks for his personal club usage.
Working on the album may have helped open him up creatively, but this new project has him investing countless hours and a lot of passion into building the most efficient club tracks imaginable.
Long-time fans of Faki know that he's always edited all of his sets' tracks to uniquely suit his personal mixing style, making his sets sound as tight and cohesive in a way that stands out from the rest. Decades of experience as a producer and DJ for the dancefloor have gone into these edits, re-arranging and re-mixing sometimes forgotten tracks for a new audience. Incorporating his singular understanding of frequencies and floor dynamics, Hardspace is meant to express this side of his musical personality, while Len Faki will continue to explore a more varied approach to producing.
Swapping a lot of weekends away busily touring for much more studio time, the result marks both a technical and also personal achievement for Faki. Improved production skills, tears and emotions all have been poured into Hardspace, which will see a slew of releases in the forthcoming months.
The first volume includes a total of six reworks, both previously unreleased tools of colleague Viers or Helena Hauff's modern acid chug, as well as some 90's classics from Perry & Rhodan, Resist 101 and Ectomorph. All of these tunes have been meticulously pieced together to keep the originals' flavor and ideas, but infuse them with the undeniable power and presence that all Faki produtions have come to hold.
More
TRACKLIST:
A1 Viers - The Club Is My House (Hardspace Mix)
B1 Resist 101 - Impulse 101 (Hardspace Mix)
B2 Viers - Some Weird Drum Shit (Hardspace Mix)
C1 Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)
D1 Helena Hauff - Rupture (Hardspace Mix)
D2 Ectomorph - The Haunting (Hardspace Mix)
INFO:
Len Faki recently put out his mammoth LP Fusion, but his new moniker Hardspace finds him harking back to his signature style of specifically editing tracks for his personal club usage.
Working on the album may have helped open him up creatively, but this new project has him investing countless hours and a lot of passion into building the most efficient club tracks imaginable.
Long-time fans of Faki know that he's always edited all of his sets' tracks to uniquely suit his personal mixing style, making his sets sound as tight and cohesive in a way that stands out from the rest. Decades of experience as a producer and DJ for the dancefloor have gone into these edits, re-arranging and re-mixing sometimes forgotten tracks for a new audience. Incorporating his singular understanding of frequencies and floor dynamics, Hardspace is meant to express this side of his musical personality, while Len Faki will continue to explore a more varied approach to producing.
Swapping a lot of weekends away busily touring for much more studio time, the result marks both a technical and also personal achievement for Faki. Improved production skills, tears and emotions all have been poured into Hardspace, which will see a slew of releases in the forthcoming months.
The first volume includes a total of six reworks, both previously unreleased tools of colleague Viers or Helena Hauff's modern acid chug, as well as some 90's classics from Perry & Rhodan, Resist 101 and Ectomorph. All of these tunes have been meticulously pieced together to keep the originals' flavor and ideas, but infuse them with the undeniable power and presence that all Faki produtions have come to hold.
More
1
Drexciya - Quantum Hydrodynamics 01:16
2
Drexciya - Polymono Plexusgel 03:08
3
Drexciya - Lost Vessel 05:52
4
Drexciya - Species Of The Pod 03:53
5
Drexciya - Drifting Into A Time Of No Future 03:33
6
Drexciya - Devil Ray Cove 02:49
Territories: World excl. UK + North America
FORMAT 12" 180g vinyl
TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related
projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion
and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary
artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These
editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be
second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming,
followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of
'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label
history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
More
FORMAT 12" 180g vinyl
TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49
RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related
projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion
and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary
artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These
editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be
second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming,
followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of
'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label
history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
More