2023 Repress edition

Tracklisting:

1. The Healer
2. Silence
3. Kuda
4. Song Of The Woods Nymphs

Charlotte de Witte continues to establish herself as a driving force on the contemporary techno scene with The Healer, her second EP on seminal British imprint NovaMute. The four-tracker comes after the Belgian has fully broken through with a dark, dense and driving sound that is proudly unrelenting. Her meteoric rise has come off the back of a series of huge productions, plus standout sets at key festivals and clubs all around the world.
Charlotte's fresh and innovative sound is immediately laid bare on opener 'The Healer', with eight minutes of spine-tingling, hypnotic techno. The sleek drums and icy hi-hats soon cast their spell, as well-crafted synths unfold up top to bring real emotion. 'Silence' is another slice of tunnel vision techno with perfectly designed drums rolling on and synths peeling off the groove. It is trance inducing and otherworldly, with eerie voices adding to the all-consuming atmosphere. Then comes 'Kuda', a track built on monstrous kicks that hit hard and drive forward with real force. Filtered vocals bring character, and sharp edged percussion grows ever louder to take the track, and the club, to the next level. Last of all, 'Song Of The Wood Nymphs' shows another side to the producer with three minutes of suspensory synths and expansive ambient sounds that are filled with drama and tension.



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2022 Repress, Format: 140g 12” Black marbled Vinyl

Tracklist:

A1 Weltschmerz
A2 Damage Control
B1 Lonesome
B2 Relatives Of None
B3 Weltschmerz (Melodic Theme)

Release Info:
"Lead track ‘Weltschmerz’ is a Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of ‘progressive.’ It’s a killer track that perfectly sets the tone for the whole record.

‘Damage Control’ is a straightforward flex-a-thon, a housier rhythm that struts along confidently. The technical term is ‘floor-filler.’ ‘Lonesome’ brings the emotion back, with it’s super-tense, unresolved melodies, this is perfect for all your mega-club yearning & gurning needs. ‘Relatives of None’ is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, ’Weltschmerz (Melodic Theme)’ provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.”


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2021 Repress, 140g 12” Grey marbled Vinyl


Tracklist:
A1 Sehnsucht
A2 My Feeling
B1 Enough
B2 Den Ganzen Abend

Release Info:
Turbo Recordings is proud to present this lovingly rendered repress of Charlotte de Witte’s second EP in grey marbled vinyl.





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Territory: WW-UK/EIRE & USA,Canada
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping

ABOUT

In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.

The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.

Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.

The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.

Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.

Available on limited edition double bio-vinyl from Mute and NovaMute.



TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak



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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



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2023 Repress edition

Tracklisting:

1. The Healer
2. Silence
3. Kuda
4. Song Of The Woods Nymphs

Charlotte de Witte continues to establish herself as a driving force on the contemporary techno scene with The Healer, her second EP on seminal British imprint NovaMute. The four-tracker comes after the Belgian has fully broken through with a dark, dense and driving sound that is proudly unrelenting. Her meteoric rise has come off the back of a series of huge productions, plus standout sets at key festivals and clubs all around the world.
Charlotte's fresh and innovative sound is immediately laid bare on opener 'The Healer', with eight minutes of spine-tingling, hypnotic techno. The sleek drums and icy hi-hats soon cast their spell, as well-crafted synths unfold up top to bring real emotion. 'Silence' is another slice of tunnel vision techno with perfectly designed drums rolling on and synths peeling off the groove. It is trance inducing and otherworldly, with eerie voices adding to the all-consuming atmosphere. Then comes 'Kuda', a track built on monstrous kicks that hit hard and drive forward with real force. Filtered vocals bring character, and sharp edged percussion grows ever louder to take the track, and the club, to the next level. Last of all, 'Song Of The Wood Nymphs' shows another side to the producer with three minutes of suspensory synths and expansive ambient sounds that are filled with drama and tension.



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Teritory: Avaible for the World Minus UK/EIRE
Nicolas Bougaïeff presents a new four track EP On The Grid. This is the final instalment in a series of EPs inspired by Greg Egan's sci-fi novel Permutation City (1994).
Tracklist:
Eden Configuration
Rip Tie Cut Toy Man
On The Grid
Skyscraper Model

Opening track 'Eden Configuration' combines a monolithic synth line with propulsive bass grooves. 'Rip Tie Cut Toy Man' introduces a furtive synth melody tucked beneath rhythmic rumbles. Bougaïeff's voice is featured for the first time on the stripped back title track 'On The Grid', a playful alternative to dark dystopia. The result is a fast and upbeat cut, reminiscent of 90s minimal yet delivered with punchy modern production. Closer 'Skyscraper Model' features a fluid acid line amidst reverberating warehouse beats, providing a sense of energetic resolution. First EP in the triptych, Dust, was released in 2018 on Max Cooper’s Mesh label and was followed by Permutation Djinn on NovaMute later that year.

Appeals to fans of Max Cooper, Lucy, Terence Fixmer, Regis, Marcel Dettmann, Recondite, Ben Klock, Chris Liebing, Planetary Assault Systems
300 copies 12” vinyl

Nova Mute, a subsidiary of Mute (Depeche Mode, Goldfrapp, New Order, Liars, Erasure, Moby), began in 1992 as a response to the growing demand for techno releases in the UK. Originally presenting white labels and
imports, NovaMute went on to release records by Plastikman, Speedy J, Juan Atkins, Luke Slater and Joey Beltram to name a few,this is Nova Mute’s first release since over ten years ago.

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300 copies 12” vinyl

Tracklisting

1. The Swarm
2. FRF2
3. No Dreams
4. The Dawn

Release Info:
Terence Fixmer returns to NovaMute with a new EP, The Swarm out on vinyl on 24 May 2019. 

Terence Fixmer’s career has spanned two decades with releases on many acclaimed labels, most recently releasing his sixth solo album Through The Cortex, on Ostgut Ton. His sound deftly avoids repetition by developing soundscapes which maintain musical depth and integrity and he above all preserves an original style, an increasingly experimental, simultaneously ruthless and instantly recognizable aesthetic.
  
“The title track ‘The Swarm’, I made with the full Roland System 100 [1970s’s vintage semi-modular analogue synth]. I had been collecting all the individual parts of the System 100 and was happy to finally find the sequencer System 100-104. This was the first full track I created with it.”



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300 copies 12” vinyl

Tracklisting

1. Daughter Of Darkness
2. The Huntress
3. Wolf Clan

Release Info
Darkly melancholic, driving and highly original; the tracks from ‘Daughter Of Darkness EP have been tested, tweaked and perfected at Sisyphos’ cavernous main room Hammahalle, where Fidelity spins monthly as one of the Berlin club’s leading residents. Tracks ‘Daughter Of Darkness’ and ‘The Huntress’ are intuitively inspired by the Sunday daytime vibe from the Berlin club scene, whereas ‘Wolf Clan’ builds and raises energy, written from the perspective of being behind the decks as the DJ.

Appeals to fans of ANNA, Charlotte de Witte, Marcel Dettmann, Ben Klock, Adam Beyer, Chris Liebing, Nina Kraviz

Upcoming Shows
Monthly residency at Sisyphos, Berlin

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Following the success of recent NovaMute releases by Charlotte de Witte
and ANNA, Nicolas has delivered a stellar techno EP. Will appeal to fans of Ricardo Villalobos, Len Faki, Ben Sims, Jay Lumen, Charlotte de Witte, ANNA, Chris Liebing
Limited Edition 12” Vinyl - Part 1 of a 2 EP series

Tracklisting
1. Woke Up As A Copy
2. Panic Time Tryout
3. Little Djinn
4. No Escape

Nicolas Bougaïeff returns to NovaMute with ‘Permutation Djinn’ inspired by Greg Egan’s sci-fi novel ‘Permutation City’. A follow up EP will be released
later this year.
Following the success of recent NovaMute releases by Charlotte de Witte and ANNA, Nicolas has delivered a stellar techno EP. Bougaïeff’s interpretation on ‘Permutation Djinn’ attempts to translate the stages of
Egan’s novel into music while respecting the constraints of making club friendly tracks. 
The opener ‘Woke Up As A Copy’ is an expansive track with Blade Runneresque metallic reverberations. ‘Panic Time Tryout’ is a peak time cut, fostering the futurist atmosphere with an unsettling melody. ‘Little Djinn’ is the most frenetic of the tracks whilst ‘No Escape’ takes it back to peak time with resounding drums and drills. 


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Tracklisting:

1. Razor
2. Dreamweaver
3. Escapism

Short Info:
NovaMute welcomes ANNA to it’s roster, the Brazilian producer has been a mainstay of the Beatport Techno chart over the last year. The first track on ANNA’s debut EP for NovaMute , Razor was born while playing with her Roland MKS-80, a synth from 1985 and one of ANNA’s favourites. You can hear the fat, juicy sound on the breakdown and ever evolving throughout. The track has already been getting a great reaction when played out in her sets. Escapism plays with trippy arpeggio’s that lay down the atmosphere for the whole track, it feels really dense and trippy but still powerful, making use of heavier drum sounds for the groove. The last track on the EP Dreamweaver, is a simple track that always works well on the dance floor. ANNA reworked this track many times before deciding to strip down the beat and focus on the final sequence, sometimes the simple ideas are the ones that work the best.


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Teritory: Avaible for the World Minus UK/EIRE

Tracklisting:
1.Dance Of The Comets, 2.Orion, 3.The Silence

In a career that spans two decades, Terence Fixmer reached worldwide recognition with the release of his debut album Muscle Machine on DJ Hell’s seminal International Deejay Gigolos imprint in 1999. The album opened a whole new genre by combining Electro, Industrial, EBM and Techno into a more dance floor-focused EBM style, simply called ‘Techno Body Music’. The French producer and live act has consistently explored and redefined the boundaries of modern Techno –and he is not slowing down.
Dance Of The Comets is the second release on the newly relaunched NovaMutelabel. NovaMuteis the seminal techno label that has been home to Plastikman, Speedy J, Juan Atkins, Luke Slater, Joey Beltramand more. NovaMute, born again, recently released Cognitive Resonance by Nicolas Bougaïeffand will release the forthcoming EP by Charlotte De Witte.
Terence Fixmer'ssound deftly avoids repetition by developing soundscapes which maintain musical depth and integrity. He above all preserves an original style, an increasingly experimental, simultaneously ruthless and instantly recognizable aesthetic.

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Teritory: Avaible for the World Minus UK/EIRE
Nova Mute, a subsidiary of Mute (Depeche Mode, Goldfrapp, New Order, Liars, Erasure, Moby), began in 1992 as a response to the growing demand for techno releases in the UK. Originally presenting white labels and
imports, NovaMute went on to release records by Plastikman, Speedy J, Juan Atkins, Luke Slater and Joey Beltram to name a few,
this is Nova Mute’s first release since over ten years ago:

Tracklist:
A1 Cognitive Resonance
B1 Truthful Hyperbole
B2 Fake News

Nicolas Bougaïeff presents his new EP on seminal British imprint NovaMute. As a producer he harbours a diverse musical background, having studied in a conservatoire setting whilst foraying into anti-authoritarian rave culture. He is also a respected lecturer, regularly teaching masterclasses in composition and speaking at global events such as Mutek and Ableton Loop - the results of which come to life in the inquisitive spirit of his productions.
Cognitive Resonance explores elements of psytrance, gabber and techno through a compositional lens, drawing on the artist’s love for avant-garde forms and long-standing relationship with the electronic music community.
The title track lays out long, expansive phrases and warped crescendos to create a disorienting structure, whilst distant harmonies, distorted kick drums and shattering effects merge into a hypnotic form on 'Truthful Hyperbole’. Lastly, ‘Fake News’ mangles our sense of rhythmic familiarity, disrupting the 4/4 beat with a complex metre and sinister melody.
This is NovaMute’s first release since MOTOR (Bryan Black and Oly Grasset) over ten years ago. T as well as forging invaluable links with labels such as Tresor and Probe, which allowed them to license rare tracks for a wider audience.
Forthcoming releases on NovaMute will include EP’s from Terence Fixmer and Charlotte de Witte.



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Rights: World excluding France

Packaging: 2 x 140 grs Black Vinyl, 5mm spine sleeve, 30c3x30cm 2 page insert (liner notes), marketing frontsticker

KEY POINTS / PRODUCT DESCRIPTION

"1999 DJ TOOL" : "Cassius 199", " La Mouche ", "Feeling For You" and other classics tracks as never heard before.
Unreleased double vinyl album featuring 8 exclusive extended versions of the most iconic tracks from the album 1999, and a short story-liner notes by Boombass.
"1999 DJ Tool" , never released before - only sent to some VIP 25 years ago as a promo vinyl boxset while the "1999 "album was released.


TRACKLISTING

Disc 1
A1 Cassius 1999 (DJ Tool) - 08:26
A2 Feeling For You (DJ Tool) - 07:11
B1 La Mouche (DJ Tool) - 10:20
B2 Supa Crush (DJ Tool) - 06:57

Disc 2
C1 Foxxy (DJ Tool) - 07:19
C2 Somebody (DJ Tool) - 08:18
D1 Hey Babe (DJ Tool) - 06:47
D2 Nulife(DJ Tool) - 09:06

LINER NOTES BY BOOM BASS
A FIRST ALBUM AFTER SIGNING THE CONTRACT TO RELEASE OUR DEBUT ALBUM, WE WERE SUDDENLY INUNDATED WITH AN OVERWHELMING NUMBER OF TASKS.

TOWARD THE END OF THE 20TH CENTURY,MUSIC PRODUCTION WAS STILL A HEAVILY INDUSTRIAL PROCESS. FACTORIES MANUFACTURED CDS, VINYL RECORDS, AND EVEN AUDIO CASSETTES, WHICH WERE THEN SHIPPED BY TRUCK TO WAREHOUSES BELONGING TO VARIOUS FRENCH MAJOR LABELS. DEDICATED TEAMS BRAINSTOR-MED IDEAS, DEVISED STRATEGIES, AND ORCHESTRATED PLANS TO DISTRIBUTE THESE RECORDS TO SPECIALIZED STORES. AT THE TIME, RADIO, TELEVISION, AND THE PRESS HELD THE KEYS TO SUCCESS.

WITHOUT THEIR SUPPORT, REACHING THE GENERAL PUBLIC, OR EVEN A NICHEA UDIENCE, WAS NEARLY IMPOSSIBLE.OUR FIRST ALBUM AS CASSIUS, SLATED FOR RELEASE IN JANUARY 1999, SPARKED GENUINE EXCITEMENT WITHIN THE VIRGIN RECORDS TEAM. AS A FORMER ARTISTIC DIRECTOR, I KNEW THIS LEVEL OF ENTHUSIASM WAS RARE. FOR PHILIPPE AND ME, STEPPING INTO THE SPOTLIGHT WAS A COMPLETELY NEW EXPERIENCE.

AFTER YEARS OF WORKING BEHIND THE SCENES FOR OTHERS,FOCUSED AND IMMERSED IN THE STUDIO, WE WERE NOW AT THE FOREFRONT, ENTIRELY INCONTROL. THIS SHIFT BROUGHT A WHIRLWIND OF EMOTIONS: AMBITION FUELED OUR FEARS,AND CREATIVE CHAOS OFTEN BLURRED OUR JUDGMENT ABOUT WHEN TO STOP REFINING OURWORK.NAVIGATING DECISIONS AS A DUO, WE QUICKLY DISCOVERED THE COMPLEXITIES OF PARTNERSHIP AND PRODUCTION. WITHOUT MANAGEMENT, WHOSE CRITICAL ROLE IS OFTEN TO SHIELD ARTISTS FROM THEIR OWN TENDENCIES, WE OCCASIONALLY STRUGGLED TO MAKE THE RIGHT CHOICES.

YET, EXCITEMENT AND SHEER JOY ULTIMATELY PREVAILED, AND WE THREW OURSELVES WHOLE HEARTEDLY INTO THE ADVENTURE. AS POSITIVE FEEDBACK ROLLED IN FROM SUBSIDIARIES, MARKETING BUDGETS EXPANDED, AND THE ALBUM'S RELEASE STRATEGY SKYROCKETED TO NEW HEIGHTS.

DAFT PUNK'S GROUNDBREAKING ALBUM HOMEWORK HAD JUST OPENED THE DOOR FOR FRENCH ELECTRONIC MUSIC TO REACH GLOBAL AUDIENCES. FOR ARTISTS ROOTED IN DJ CULTURE,THIS WAS A TURNING POINT. FRENCH ACTS WERE FINALLY BEING INVITED TO PLAY AT BURGEONING FESTIVALS AND ICONIC CLUBS. THE BRITISH AUDIENCE WAS THE FIRST TO EMBRACE US, AND WEEKEND AFTER WEEKEND, WE TOURED THE UK.

INSPIRED BY THOSE NIGHTS BEHIND THE DECKS, WE SUGGESTED RELEASING A VINYL FEATURING EXTENDED VERSIONS OF TRACKS FROM 1999. DESIGNED AS A PROMOTIONAL DJ TOOL, IT CELEBRATED EXPANSIVE, LONG-FORM TRACKS REMINISCENT OF THE ONES WE LOVED TO PLAY, AN HOMAGE TO OUR EARLY EXPERIMENTS WITH NDLESS LOOPS, LIKE DINAPOLY FROM 1996.

THE VINYL WAS PRESSED IN AN EXTREMELY PROMO LIMITED SERIES, ECHOING OUR EARLY MAXI-SINGLES AND THE RARE RECORDS WE USED TO HUNT FOR AS COLLECTORS. FOR FANS, IT WAS A CHANCE TO OWN SOMETHING TRULY UNIQUE; FOR US, IT WAS A FINAL OPPORTUNITY TO RE-EXPLORE THEA LBUM'S MUSIC.PRODUCED IN THE STYLE OF LA FUNK MOB'S EP, WITH THE TWO OF US IN A RECORDING BOOTH SURROUNDED BY FLOPPY-DISK MACHINES AND TWO OR THREE SYNTHS, THE ALBUM'S SONGS WERE STRUCTURED AND MIXED DIRECTLY IN STEREO ON A DAT (DIGITAL AUDIO TAPE).

MOST TRACKS, ORIGINALLY VERY LONG, WERE EDITED INTO A COHERENT, HOUR-LONG LISTENING EXPERIENCE. THE DJ TOOL WAS ASSEMBLED FROM THOSE ORIGINAL MIXES, AS A FINAL, FREE WHEELING VARIATION OF OUR THREE WEEKS OF FUN IN THE STUDIO.HOLDING THAT VINYL TODAY BRINGS BACK VIVID MEMORIES OF THOSE EARLY TRAVELS, THE NIGHTCLUBS AT THE CUSP OF TRANSFORMATION, THE CROWDS GETTING YOUNGER AT NEW PARTIES, AND THE VINYL RECORDS THAT WERE JUST STARTING TO FADE FROM DJ BOOTHS.

I ALSO RECALL BEING 32 YEARS OLD, NAVIGATING THIS EVOLVING WORLD. NOW, AS I PREPARE FOR THE UPCOMING CASSIUS CLUB TOUR, I'M STRUCK BY HOW CLOSELY IT MIRRORS THE ERA OF THE DJ TOOL RELEASE. TWENTY-FIVE YEARS LATER, I FEEL INCREDIBLY FORTUNATE TO STILL BE DOING THIS.

IN THE STUDIO, PHILIPPE ONCE SHOUTED, "CASSIUS IN THE HOUSE !" INTO MY EAR. TODAY, I FEEL LIKE TELLING HIM, "I'M GOING BACK TO OUR ROOTS."BOOMBASS.

'199 DJ TOOL", 2025 UNRELEASED ALBUM BY CASSIUS FEATURING 8 EXCLUSIVE EXTENDED VERSIONS OF THE MOST ICONIC TRACKS FROM THE ALBUM 1999 AND THIS EXCLUSIVE SHORT STORY BY BOOMBASS.


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2023 Repress edition

Tracklisting:

1. The Healer
2. Silence
3. Kuda
4. Song Of The Woods Nymphs

Charlotte de Witte continues to establish herself as a driving force on the contemporary techno scene with The Healer, her second EP on seminal British imprint NovaMute. The four-tracker comes after the Belgian has fully broken through with a dark, dense and driving sound that is proudly unrelenting. Her meteoric rise has come off the back of a series of huge productions, plus standout sets at key festivals and clubs all around the world.
Charlotte's fresh and innovative sound is immediately laid bare on opener 'The Healer', with eight minutes of spine-tingling, hypnotic techno. The sleek drums and icy hi-hats soon cast their spell, as well-crafted synths unfold up top to bring real emotion. 'Silence' is another slice of tunnel vision techno with perfectly designed drums rolling on and synths peeling off the groove. It is trance inducing and otherworldly, with eerie voices adding to the all-consuming atmosphere. Then comes 'Kuda', a track built on monstrous kicks that hit hard and drive forward with real force. Filtered vocals bring character, and sharp edged percussion grows ever louder to take the track, and the club, to the next level. Last of all, 'Song Of The Wood Nymphs' shows another side to the producer with three minutes of suspensory synths and expansive ambient sounds that are filled with drama and tension.



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Rights : GERMANY & AUSTRIA only

Packaging: 2 x 140 G Black Vinyl, 5mm spine sleeve, 2x Black Dust inner , 4 page 30cmx30cm booklet, marketing sticker


• “La Vie Est Belle” is more than a first timer ever career best of and features 3 new singles . 2 Physical editions wordwide all retailers for the release
• Double Black Vinyl – 18 tracks : ‘all Amadou & Mariam on 1 piece of vinyl’



VINYL TRACKLISTING – LA VIE EST BELLE (BEST OF)

FACE A
1.Sabali 2. Mogolu (New Song) 3. Beaux Dimanches 4. Ce N’est Pas Bon 5. Masiteladi (feat. M)
FACE B
1. La Vie est Belle (new song) 2. La Réalité 3. Bofou Safou 4. Sénégal Fast Food 5. MBife
FACE C
1. Dougou Badia (feat. Santigold) 2. Je Pense À Toi - Eclipse Version (1st time on physical) 3. Africa (feat. K’NAAN) 4. Wily Kataso (feat. TV On The Radio)
FACE D
1. C’est Chaud 2. Coulibaly (Akon remix) 3. Beaux Dimanches - Ever Mihigo Rework (unreleased) 4. Sete (1st time on physical)
COLLECTOR DOUBLE CD TRACKLISTING – LA VIE EST BELLE (BEST OF)

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2022 Repress, Format: 140g 12” Black marbled Vinyl

Tracklist:

A1 Weltschmerz
A2 Damage Control
B1 Lonesome
B2 Relatives Of None
B3 Weltschmerz (Melodic Theme)

Release Info:
"Lead track ‘Weltschmerz’ is a Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of ‘progressive.’ It’s a killer track that perfectly sets the tone for the whole record.

‘Damage Control’ is a straightforward flex-a-thon, a housier rhythm that struts along confidently. The technical term is ‘floor-filler.’ ‘Lonesome’ brings the emotion back, with it’s super-tense, unresolved melodies, this is perfect for all your mega-club yearning & gurning needs. ‘Relatives of None’ is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, ’Weltschmerz (Melodic Theme)’ provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.”


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Territories: WORLD EXCL DE, AT, Scandinavia

LP transparent crystal clear vinyl, leaflet, sticker, download code

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.


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2024 repress

Tracklist:
A1. Amsterdam
B1. Amsterdam - DJ Tennis Remix

Release Info:
Sicilian musician Luigi Orofino delivers his debut single Amsterdam for Life and Death records, due for release on 19th May. The song features regular Erlend Øye collaborators La Comitiva, and comes together with a dancefloor friendly remix by DJ Tennis.
Amsterdam might sound effortless, but the laid-back groove and easy atmosphere that Luigi has conjured up isn’t something you can just pluck out of thin air. It’s taken everyone involved several years of playing together to get just the right marinade of Brazilian rhythm and Mediterranean musicianship. It’s a flavor they’ve mastered while on the road with Erlend Øye as La Comitiva, and their touring schedule has become a way of life. When the travel ban was finally lifted, Luigi headed straight to his friends in Amsterdam, and that freedom to travel once more inspired this song. That trip put the color back into life, and the result was this timeless slice of sunny samba rock.
The song has many collaborators, all operating under the gentle guidance of Luigi. Players from La Comitiva and I Calafatari gelled in the studio, also accompanied by Lucio Aquilina (NuGenea) and Luigi Scialdone (Fitness Forever), while the lyrics were written together with Alberto Locatelli. A breezy piece of Brazilian-tinged funk and easy soul, Amsterdam is more than the sum of its parts - it’s the sound of friends playing together and simply enjoying life.
The single is topped off with a remix by Life and Death chief Manfredi Romano aka DJ Tennis, who boosts the kicks while keeping the loose samba magic. The pair met in Mexico, and the kindred spirits immediately hit it off. After bouncing versions back and forth between Siracusa and also a studio in Paris, the final version was realized, full of floaty Rhodes chords and cavaquinho thrills that will lighten any dance.
It’s a testament to Amsterdam’s catchiness that many of Luigi’s friends are involved - the song is reflected in the people it brings together, and in this sense, it’s as much about the art of encounters as it is about the city.





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12" - Cover Artwork by Stefan Marx

Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.

For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.

Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.

Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound

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Gatefold Cover, Double-12”

Tracklist:

A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)

Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.

For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.

Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.

It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.

Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling

Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore