12” vinyl-only, limited run - 1st release from previously unknown alias of an established UK artist.
Tracklist 12":
a1. Phonogenes
a2. Eiger
b1. Manifesto
b2. Prizmic Oscillations
Short Info:
The label does not wish to go down the route of boring (yawn!) track explanations and nor do they want to say what other label this is part of, the artist Jeff Blank may also have put out a record or 2 in his time? Quite simply, enjoy the music. Be nice. Rave safely.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
a1. Phonogenes
a2. Eiger
b1. Manifesto
b2. Prizmic Oscillations
Short Info:
The label does not wish to go down the route of boring (yawn!) track explanations and nor do they want to say what other label this is part of, the artist Jeff Blank may also have put out a record or 2 in his time? Quite simply, enjoy the music. Be nice. Rave safely.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Omega Capricorni
1
DJ6000 - Burning (Original)
2
DJ6000 - Burning (Dub)
3
DJ6000 - Orbit94
12” Vinyl-only series, limited to 300 copies.
Tracklist:
a1 - Burning (Original)
a2 - Burning (Dub)
b - Orbit94
Short Info:
Another record by another alias of a well-known electronic artist - when they’re gone they’re gone.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
a1 - Burning (Original)
a2 - Burning (Dub)
b - Orbit94
Short Info:
Another record by another alias of a well-known electronic artist - when they’re gone they’re gone.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Tal Fussman - Freedom Defines House
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Tal Fussman - Even Rome Wasn't Built In A Day
Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.
On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tiptoes - In The Projects
2
Tiptoes - The Laughing Track
3
Tiptoes - Tech Woo 2
4
Tiptoes - Uptown
Tracklist:
A1 Tiptoes - In The Projects
A2 Tiptoes - The Laughing Track
B1 Tiptoes - Tech Woo 2
B2 Tiptoes - Uptown
Shortinfo:
Fresh off heavy-hitting releases on SlothBoogie and Refuge, Glasgow's very own Tiptoes finally makes his way to Footjob. Renowned for his uncompromising MPC-driven workflow, the Scotsman delivers a four-track EP that stays true to his reputation: raw, sample-heavy house bangers built for pure dancefloor energy. With Shuffle Service, Tiptoes serves up a masterclass in groove. Whether it's dusty breaks or filter-heavy workouts, every cut is engineered to keep the feet moving.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Tiptoes - In The Projects
A2 Tiptoes - The Laughing Track
B1 Tiptoes - Tech Woo 2
B2 Tiptoes - Uptown
Shortinfo:
Fresh off heavy-hitting releases on SlothBoogie and Refuge, Glasgow's very own Tiptoes finally makes his way to Footjob. Renowned for his uncompromising MPC-driven workflow, the Scotsman delivers a four-track EP that stays true to his reputation: raw, sample-heavy house bangers built for pure dancefloor energy. With Shuffle Service, Tiptoes serves up a masterclass in groove. Whether it's dusty breaks or filter-heavy workouts, every cut is engineered to keep the feet moving.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tarik Henson - Varp
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Tarik Henson - Malm
3
Tarik Henson - Forvandling - Luke Hess Remix
Luke Hess invites four artists to reimagine his latest ARKEO album on DeepLabs, each bringing their own unique perspective to the label’s sound.
Handpicked for their shared friendship, history, and the lasting impact of their music in his DJ sets, every contributor delivers a remix that resonates with authenticity and depth.
Together, these tracks form a cohesive body of work that captures the essence of DeepLabs and the timeless spirit of Detroit techno.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Handpicked for their shared friendship, history, and the lasting impact of their music in his DJ sets, every contributor delivers a remix that resonates with authenticity and depth.
Together, these tracks form a cohesive body of work that captures the essence of DeepLabs and the timeless spirit of Detroit techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
demuir - No Title
2
demuir - No Title
3
demuir - No Title
4
demuir - No Title
Demuir marks an inaugural release on Hot Creations with High. Alive. And Dirty., a diverse four track EP made up of all original records. The EP opens with Santa and The Elf. A penetrating bassline ratchets up and down, as horn like synths whir occasionally in the background, alongside tassel-like hi-hats. Up next, the title track High. Alive. And Dirty. provides stunning contrast. A happy, funk-fuelled number, the track incorporates disco elements with "positive and soulful vibes", before Rawness - Beat 3 features a "raw native structure", bongo sounding drums and tropical vocals to from a well- rounded, feel-good record. Eerbawdy Wants to Deeezsko rounds off the EP in fine form, with more disco elements and chiming, emotional keys. Canadian-based Demuir is a distinctive talent in the electronic music sphere. A prolific producer, Demuir has already made a home on labels including I'm A House Gangster as well as Cassy's Kwench Records, whilst he is soon set to release on Loco Dice's iconic Desolat imprint.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Extrawelt - Grand Départ
2
Extrawelt - Clapland (x Jimi Jules)
3
Extrawelt - Dystortion
4
Extrawelt - Surrounded By Miracles
5
Extrawelt - Der Agent
6
Extrawelt - Die Hatz
7
Extrawelt - Sir Stringalot
8
Extrawelt - ¡No Pasaran!
9
Extrawelt - No Song For The Dead
10
Extrawelt - Hope Sounds Good
11
Extrawelt - Hurt
12
Extrawelt - Dysto Disko
13
Extrawelt - Schöne Aussichten
14
Extrawelt - Reverse Curse
Tracklisting:
1. (A1) Extrawelt - Grand Départ (DE-Q20-25-00036)
2. (A2) Extrawelt - Clapland (x Jimi Jules) (DE-Q20-25-00037)
3. (B1) Extrawelt - Dystortion (DE-Q20-25-00038)
4. (B2) Extrawelt - Surrounded By Miracles (DE-Q20-25-00039)
5. (C1) Extrawelt - Der Agent (DE-Q20-25-00040)
6. (C2) Extrawelt - Die Hatz (DE-Q20-25-00041)
7. (C3) Extrawelt - Sir Stringalot (DE-Q20-25-00042)
8. (D1) Extrawelt - ¡No Pasaran! (DE-Q20-25-00043)
9. (D2) Extrawelt - No Song For The Dead (DE-Q20-25-00044)
10. (E1) Extrawelt - Hope Sounds Good (DE-Q20-25-00045)
11. (E2) Extrawelt - Hurt (DE-Q20-25-00046)
12. (F1) Extrawelt - Dysto Disko (DE-Q20-25-00047)
13. (F2) Extrawelt - Schöne Aussichten (DE-Q20-25-00048)
14. (F3) Extrawelt - Reverse Curse (DE-Q20-25-00049)
DYSTORTION
Extrawelt's Latest and Longest-Brewing Album Lands This December on Cocoon
In this beautiful world marked by rising chaos, sometimes the simplest way to escape its troubles is through sonic relief. Germany's renowned electronic duo Extrawelt will offer exactly that with their 5th full-length album, DYSTORTION, via Cocoon Recordings this December.
For over two decades, the humble duo behind Extrawelt, who shy away from making music for clicks, have been a steadfast presence in electronic music. Known as serious studio and tour-focused artists who craft timepiece albums, each a work of enduring craft, that go on to create atmospheric, out-of-the-box live acts, they've been shaping and redefining electronica since their first release.
DYSTORTION is their most diverse and evocative album to date. Imagined over six years and shaped by a world in flux through COVID, political upheavals, social media, and AI, it reflects the contrasts and twists we've all felt while offering surges of serenity and hope. From brooding tension to playful relief, it moves through different states in an evolved Extrawelt manner.
The album's opening credit, "Grand Départ," as if a cinematic prelude, invites us into a world of creeping bass, an explicitly Extrawelt sound that's synonymous with the "anti-genre genre" they work within. The album's second track, "Clapland," sees Extrawelt joining forces with Jimi Jules, a name synonymous with excellence in electronic music, creating a rare collaboration that is felt in every note. Soon, the mood shifts into softer melodies as heard in "Surrounded By Miracles," "Hope Sounds Good," and "Sir Stringalot," which bring bright euphorics to balance the darker moments in an album echoed by industrial influences. Later, as "Dystortion" (the album's title track) unfolds, we're drawn into something few electronic artists can create: raw emotion. This is a gritty landscape as reflective as it is pulsing, glitchy, intense, and richly textured.
DYSTORTION is a reflection of a complex, divided world, carried through dramatically with Extrawelt's signature techno tension. Like the world right now, it is full of contradictions, surprises, and moments of introspection, an essential listen for fans of mature electronic music that may or may not need a reminder of why, after 20 years, we're still listening.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. (A1) Extrawelt - Grand Départ (DE-Q20-25-00036)
2. (A2) Extrawelt - Clapland (x Jimi Jules) (DE-Q20-25-00037)
3. (B1) Extrawelt - Dystortion (DE-Q20-25-00038)
4. (B2) Extrawelt - Surrounded By Miracles (DE-Q20-25-00039)
5. (C1) Extrawelt - Der Agent (DE-Q20-25-00040)
6. (C2) Extrawelt - Die Hatz (DE-Q20-25-00041)
7. (C3) Extrawelt - Sir Stringalot (DE-Q20-25-00042)
8. (D1) Extrawelt - ¡No Pasaran! (DE-Q20-25-00043)
9. (D2) Extrawelt - No Song For The Dead (DE-Q20-25-00044)
10. (E1) Extrawelt - Hope Sounds Good (DE-Q20-25-00045)
11. (E2) Extrawelt - Hurt (DE-Q20-25-00046)
12. (F1) Extrawelt - Dysto Disko (DE-Q20-25-00047)
13. (F2) Extrawelt - Schöne Aussichten (DE-Q20-25-00048)
14. (F3) Extrawelt - Reverse Curse (DE-Q20-25-00049)
DYSTORTION
Extrawelt's Latest and Longest-Brewing Album Lands This December on Cocoon
In this beautiful world marked by rising chaos, sometimes the simplest way to escape its troubles is through sonic relief. Germany's renowned electronic duo Extrawelt will offer exactly that with their 5th full-length album, DYSTORTION, via Cocoon Recordings this December.
For over two decades, the humble duo behind Extrawelt, who shy away from making music for clicks, have been a steadfast presence in electronic music. Known as serious studio and tour-focused artists who craft timepiece albums, each a work of enduring craft, that go on to create atmospheric, out-of-the-box live acts, they've been shaping and redefining electronica since their first release.
DYSTORTION is their most diverse and evocative album to date. Imagined over six years and shaped by a world in flux through COVID, political upheavals, social media, and AI, it reflects the contrasts and twists we've all felt while offering surges of serenity and hope. From brooding tension to playful relief, it moves through different states in an evolved Extrawelt manner.
The album's opening credit, "Grand Départ," as if a cinematic prelude, invites us into a world of creeping bass, an explicitly Extrawelt sound that's synonymous with the "anti-genre genre" they work within. The album's second track, "Clapland," sees Extrawelt joining forces with Jimi Jules, a name synonymous with excellence in electronic music, creating a rare collaboration that is felt in every note. Soon, the mood shifts into softer melodies as heard in "Surrounded By Miracles," "Hope Sounds Good," and "Sir Stringalot," which bring bright euphorics to balance the darker moments in an album echoed by industrial influences. Later, as "Dystortion" (the album's title track) unfolds, we're drawn into something few electronic artists can create: raw emotion. This is a gritty landscape as reflective as it is pulsing, glitchy, intense, and richly textured.
DYSTORTION is a reflection of a complex, divided world, carried through dramatically with Extrawelt's signature techno tension. Like the world right now, it is full of contradictions, surprises, and moments of introspection, an essential listen for fans of mature electronic music that may or may not need a reminder of why, after 20 years, we're still listening.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Higher Intelligence Agency - Juju Love
2
Higher Intelligence Agency - Speedlearn - Frontal Lobe Mix
3
Higher Intelligence Agency - W.H.Y.
Juju Love, one of the earliest tracks created by HIA, receives it's first release on vinyl. Side A of the EP has been given over exclusively to JujuLove, cut at 45rpm for maximum bass, fidelity and dynamic range.Unearthed for HIA's celebrated live performance at Terraforma festival in 2022, Juju Love has become a favourite with audiences around the globe at HIA's extensive live shows in recent years.Previously only available as a live recording on a limited promo cassette tape 'HIA Live From The Back Of Beyond' (1993) and more recently on the digital only 'Preform' release on Headphone records.Combined with Speedlearn (Frontal Lobe) and W.H.Y on Side B, these three tracks together are taken from a particular moment in HIA's timeline.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biesmans & Johannes Albert - Tangerine Beam
Genre: House
Tracklist 12”:
A1 "Tangerine Beam" (06:17)
Short Info:
Knob twisters Biesmans & Johannes Albert are back at it with another sun-drenched late summer weapon. This time they shine a "Tangerine Beam" straight onto the dancefloor. Expect a cheeky disco spark that might remind you of something at the core, bouncing rhythms, and a melody so infectious you'll catch yourself humming along after the first round. Both playful and relentless, "Tangerine Beam" connects the dots between timeless disco heat and modern club thunder. One spin and you'll know: this beam is unstoppable. For the vinyl fan, there will be an orange 12" even. When life gives you tangerines...
Vital Sales Points:
- orange vinyl!
- orange jacket
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12”:
A1 "Tangerine Beam" (06:17)
Short Info:
Knob twisters Biesmans & Johannes Albert are back at it with another sun-drenched late summer weapon. This time they shine a "Tangerine Beam" straight onto the dancefloor. Expect a cheeky disco spark that might remind you of something at the core, bouncing rhythms, and a melody so infectious you'll catch yourself humming along after the first round. Both playful and relentless, "Tangerine Beam" connects the dots between timeless disco heat and modern club thunder. One spin and you'll know: this beam is unstoppable. For the vinyl fan, there will be an orange 12" even. When life gives you tangerines...
Vital Sales Points:
- orange vinyl!
- orange jacket
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Patrick Cowley - Zygote
2
Patrick Cowley - Mockingbird Dream
3
Patrick Cowley - Nightcrawler
4
Patrick Cowley - Pagan Rhythms
5
Patrick Cowley - Seven Sacred Pools
6
Patrick Cowley - School Daze
7
Patrick Cowley - He's Like You
8
Patrick Cowley - Journey Home
9
Patrick Cowley - Out Of Body
10
Patrick Cowley - Primordial Landscape
11
Patrick Cowley - Tides Of Man
Repress!
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Cocoon Recordings
Cat-No:COR12179_A_COL
Release-Date:01.08.2025
Genre:Techno
Configuration:12" Excl
Label:Cocoon Recordings
Cat-No:COR12179_A_COL
Release-Date:01.08.2025
Genre:Techno
Configuration:12" Excl
1
Jonathan Kaspar - Yah
2
Jonathan Kaspar - Silver Lines
*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***
Vinyl colours: Blue, Light Rosé, Neon Green
Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.
Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)
COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Vinyl colours: Blue, Light Rosé, Neon Green
Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.
Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)
COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Circus Company
Cat-No:ccs138
Release-Date:20.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Circus Company
Cat-No:ccs138
Release-Date:20.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
1
Rejoicer feat. Sam Wilkes & Tamir Barzil - A1. A traveling Light
2
Rejoicer feat. Sam Wilkes & Tamir Barzil - A2 - Ritual in G
3
Rejoicer feat. Sam Wilkes & Tamir Barzil - A3. Lion Water (feat. Avishai Cohen)
4
Rejoicer feat. Sam Wilkes & Tamir Barzil - A4. Grace Was Happy (I Found Nothing)
5
Rejoicer feat. Sam Wilkes & Tamir Barzil - A5. Further (with you) (feat. Nitai Hershkovits)
6
Rejoicer feat. Sam Wilkes & Tamir Barzil - B1. Handle with Care (Ice-Cream)
7
Rejoicer feat. Sam Wilkes & Tamir Barzil - B2. Southern Cross
8
Rejoicer feat. Sam Wilkes & Tamir Barzil - B3. Her Hair in the Air (Sahtain)
9
Rejoicer feat. Sam Wilkes & Tamir Barzil - B4. Early Porpoises
10
Rejoicer feat. Sam Wilkes & Tamir Barzil - B5. Oceanic Friends
LP
Genre : Electronic - Downtempo - Jazz
Tracklist :
A1. A traveling Light - A2 - Ritual in G# - A3. Lion Water (feat. Avishai Cohen) - A4. Grace Was
Happy (I Found Nothing) - A5. Further (with you) (feat. Nitai Hershkovits) - B1. Handle with Care
(Ice-Cream) - B2. Southern Cross - B3. Her Hair in the Air (Sahtain) - B4. Early Porpoises - B5.
Oceanic Friends
Short Info :
Yuvi Havkin aka Rejoicer returns with an exceptional collaborative album, California Space Craft. On
this aptly titled record, he joins forces with seasoned LA bass polymath Sam Wilkes — known for his
inspired studio work with Sam Gendel and his dynamic live performances alongside Louis Cole and
KNOWER — and drummer Tamir Barzilay, completing the LA-connected trifecta alongside a select
handful of key featured guests.
The idea for California Space Craft was born out of a series of inspired live sessions in Los Angeles
between 2019 and 2022, notably at Listen to Music Outside in the Daylight Under a Tree, where the
trio’s natural chemistry first began to bloom.
The resulting recordings encompass a wide variety of inspired sound stylings, as one would expect from
any of these accomplished artists on their own; however, the sum is truly greater than the parts here,
with the fluidity of their freeform improvisations over a dedicated three-day recording session feeling
remarkably focused as a cohesive whole.
Opening track “Traveling Light” sets the LP’s tone with equal parts Sly & Robbie-style, space echo–
drenched rhythms and the cozy kosmische, guitar-led feel of early-2000s genre-fluid explorers like
Tortoise. As we continue on to “Ritual in G#,” we are reminded that this is indeed a unique and timeless
sonic space the trio has created, as Havkin’s crisp Rhodes chords anchor an ever-evolving psychedelic
sound bed.
The soaring trumpet of Avishai Cohen adorns the Afrobeat-indebted “Lion Water,” with Barzilay laying
down a proper Allen-esque groove, while “Further (with you),” featuring Nitai Hershkovits on keys, offers
a defining look at the titular concept of the album — with pure Cali feels coalescing effortlessly into sciNew Release Information
fi narrative modes and a proper dose of Rejoicer futurism. Elsewhere, “Her Hair in the Air” shines with
fresh polyrhythmic intention, illustrating the balanced bond between the three collaborators at their
conversational peak, and the brisk synth strokes of “Early Porpoises,” alongside LP closer “Oceanic
Friends” — again ideally named — double as a grand, in-stereo ride into the blissful Pacific sunset
horizon.
California Space Craft embodies the power of open, collective intention and musical kinship, offering
memorable, uplifting moments and an aural glimpse of hope, warmth, and loving melodious calm in an
otherwise quite chaotic time for humanity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre : Electronic - Downtempo - Jazz
Tracklist :
A1. A traveling Light - A2 - Ritual in G# - A3. Lion Water (feat. Avishai Cohen) - A4. Grace Was
Happy (I Found Nothing) - A5. Further (with you) (feat. Nitai Hershkovits) - B1. Handle with Care
(Ice-Cream) - B2. Southern Cross - B3. Her Hair in the Air (Sahtain) - B4. Early Porpoises - B5.
Oceanic Friends
Short Info :
Yuvi Havkin aka Rejoicer returns with an exceptional collaborative album, California Space Craft. On
this aptly titled record, he joins forces with seasoned LA bass polymath Sam Wilkes — known for his
inspired studio work with Sam Gendel and his dynamic live performances alongside Louis Cole and
KNOWER — and drummer Tamir Barzilay, completing the LA-connected trifecta alongside a select
handful of key featured guests.
The idea for California Space Craft was born out of a series of inspired live sessions in Los Angeles
between 2019 and 2022, notably at Listen to Music Outside in the Daylight Under a Tree, where the
trio’s natural chemistry first began to bloom.
The resulting recordings encompass a wide variety of inspired sound stylings, as one would expect from
any of these accomplished artists on their own; however, the sum is truly greater than the parts here,
with the fluidity of their freeform improvisations over a dedicated three-day recording session feeling
remarkably focused as a cohesive whole.
Opening track “Traveling Light” sets the LP’s tone with equal parts Sly & Robbie-style, space echo–
drenched rhythms and the cozy kosmische, guitar-led feel of early-2000s genre-fluid explorers like
Tortoise. As we continue on to “Ritual in G#,” we are reminded that this is indeed a unique and timeless
sonic space the trio has created, as Havkin’s crisp Rhodes chords anchor an ever-evolving psychedelic
sound bed.
The soaring trumpet of Avishai Cohen adorns the Afrobeat-indebted “Lion Water,” with Barzilay laying
down a proper Allen-esque groove, while “Further (with you),” featuring Nitai Hershkovits on keys, offers
a defining look at the titular concept of the album — with pure Cali feels coalescing effortlessly into sciNew Release Information
fi narrative modes and a proper dose of Rejoicer futurism. Elsewhere, “Her Hair in the Air” shines with
fresh polyrhythmic intention, illustrating the balanced bond between the three collaborators at their
conversational peak, and the brisk synth strokes of “Early Porpoises,” alongside LP closer “Oceanic
Friends” — again ideally named — double as a grand, in-stereo ride into the blissful Pacific sunset
horizon.
California Space Craft embodies the power of open, collective intention and musical kinship, offering
memorable, uplifting moments and an aural glimpse of hope, warmth, and loving melodious calm in an
otherwise quite chaotic time for humanity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
R.M.K. - Edge Of Chaos
2
R.M.K. - Vessel
3
R.M.K. - Factory Streets
4
R.M.K. - Keys
Format: 180g 12” Vinyl heavy cardboard full colour print
Tracklist:
A1. Edge Of Chaos
A2. Vessel
B1. Factory Streets
B2. Keys
R.M.K returns to NECHTO with his latest release, ‘NECH028’, following his previous solo record ‘NECH021’, his features on the label's VAs and numerous label event appearances. Hailing from London, R.M.K, the alias of Fossil Archive label head Roberto, brings a unique, evolving take on his sound. With over 20 years of experience, he has performed at iconic venues like Berghain, Tresor, and fabric, and collaborated with artists such as Trevino, Jamie Anderson, and Goldie.
‘NECH028’ marks a new chapter in R.M.K’s artistic growth, with the EP taking over a year to complete. The release includes four vinyl tracks, plus an additional digital-only track. R.M.K notes that while each track has its own distinct style, they collectively tell a cohesive story. He also
acknowledges the role of Nastia in pushing him to deliver the best possible quality, and he takes great pride in the result.
This release reflects the evolution of R.M.K’s sound, demonstrating his dedication to refining his craft and offering a compelling narrative through techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Edge Of Chaos
A2. Vessel
B1. Factory Streets
B2. Keys
R.M.K returns to NECHTO with his latest release, ‘NECH028’, following his previous solo record ‘NECH021’, his features on the label's VAs and numerous label event appearances. Hailing from London, R.M.K, the alias of Fossil Archive label head Roberto, brings a unique, evolving take on his sound. With over 20 years of experience, he has performed at iconic venues like Berghain, Tresor, and fabric, and collaborated with artists such as Trevino, Jamie Anderson, and Goldie.
‘NECH028’ marks a new chapter in R.M.K’s artistic growth, with the EP taking over a year to complete. The release includes four vinyl tracks, plus an additional digital-only track. R.M.K notes that while each track has its own distinct style, they collectively tell a cohesive story. He also
acknowledges the role of Nastia in pushing him to deliver the best possible quality, and he takes great pride in the result.
This release reflects the evolution of R.M.K’s sound, demonstrating his dedication to refining his craft and offering a compelling narrative through techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More