Tracklist:
A - Troublermxshort
B1 - GTI
B2 - Bob in motion

Shortinfo:
We've waited really too long to release this ep. These tracks were given to Musique Risquée more than 10 years ago and waited since then on harddrive before they got rediscovered on a boozy night in Tokyo. They have not aged a bit, fresh as when they were given to us. Maybe we weren't ready then. But we are now and hopefully you are too.


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Tracklist
A1. Chili Dog (Full Version) A2. Chili Dog (Cacapella) B1. Chili Dog (Double Dog Dub)
Shortinfo:
Hailing from the rank depths of SF Bay Area back-alleys and only the grittiest of rundown nightclubs and dive bars, a taste of DJ Milanesa Especial's sleazy magic is finally here for the world to behold. Fellow Yay Area freak and veteran fan of all things slightly askew for the dance floor, Dave Aju, managed to get DJ Milanesa onboard in the studio for this nasty ass jam of the highest/lowest order. "Chili Dog" surely finds its inspiration in the classic Dance Mania cannon of raw shit-talking party-rocking house trax, but Aju's unique knob twists and turns here and there on co-production steers it clear into 2015 - the first wildly oversexed dance move anthem of the year is here, and hopefully only the first of many: "if you're hungry double up, everybody's ready!"


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UPC: 827170459366 Release : 19.11.2012
A1. Prologue - Passage a? l'Est A2: Mission Sous Marine
B1: Partie de chasse B2: Epilogue - De Bombay a? Calcutta
Destination Danger is the common project of Guillaume & The Coutu Dumonts and Oleg Poliakov. Together they create a force of lethal dancefloor explosion. Let them take you on their underwater mission or their fearful man hunt on this first ever collective EP on the always surprising and exciting Musique Risquée.



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Akufen is back in great shape with some new original material for his own label Musique Risquée, the only label where you can find these unidentified musical objects. Five tracks of swinging melodic madness like only Akufen can craft. If these songs don't brIng you a smile, well, too bad for you.

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Yoshihiro Hanno's project Radiq as beautifully evolved over the last years. From his more dubby chilled out experiments to his present housier sound one thing always remain: his music as natural feel of groove and rhythm. What all good funk and jazz is made of. And it can't be clearer than on this new ep for Musique Risquée who demonstrates is different personnality. The housy groove of Gun Street Shuffle to the soulful Pharaohe and the funky Stolen Moments, this ep as it all!

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For is 3rd release on Musique Risquée, after the well acclaimed Dirty Lipreading single and is first full lenght Foe Destroyer, Stephen Beaupré is back with a really solid record. That's all there is to say. Gl'amour as the distinctive signature of Stephen Beaupré, his subtle use of vocals, strings colored with warm echos layered on a big and chunky drum beat. You can easilly acknowledge is natural sens of storytelling unfold in a brillant way. On the flipside, When you have it, would be an excellent way to summarise Stephen electrifying live sets: funky, melodic hypnotic and sexy. We are very proud of this last one, hope you enjoy as much as we do.

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Pigeons aren't necessarily the first birds that come to mind when we think of funk, but that doesn't mean these rats of the street don't know a stone-cold groove when they hear one. San Francisco natives Sutekh (aka Seth Horvitz)and Kit Clayton (aka Joshua Kit Clayton) aren't the first producers that come to mind when we think of funk either, but as Pigeon Funk the veteran West Coast glitch kingpins have delivered an angular and crazed version of 23rd-century funk from an ultra-robotic future. Get ready for The Largest Bird in the History of the World… Ever! For those who are already familiar with the work of the two men involved, this second Pigeon Funk album should come as no surprise: the duo specialize in top-drawer, maximalist playfulness, angular funk with blocks of squirms, whistles, horns, Latino squabbles, and faux-lounge robotics tripping over each other in a sonic playground that reveals new dimensions with every listen. The Largest Bird in the History of the World… Ever! is a braindancer's delight, well within the label's tradition of surrealist mindbending for the dancefloor. This 12-track voyage through the wild imaginations of the West-Coast vanguard is a bible for serious beat manipulators hell bent on putting a smile on the listener's face. This is no ordinary techno album; the two producers at the helm here are godfathers of the San Francisco techno scene and, as a result, have an impeccable track record of frothing personality. Though many of you may remember Pigeon Funk being a trio on their 2004 Proptronix/Onitor co-release Proptronix presents: Pigeon Funk!, for their 2007 return on Montreal's Musique Risquée the Funksters return as a lean duo; however, they enlist a host of collaborators on various tracks, including vocalists, instrumentalists, and even a klezmer ensemble. But Pigeon Funk is all pedigree. Kit Clayton, who owns the Orthlorng Musork label, has four albums to his name, including the 1999 cult-classic Nek Sanalet on ~scape. He has recorded for Background, Mille Plateaux, Plug Research, and Carpark among others over his decade-long career in computer music. Sutekh, who has spent the last few years recording for the always-quality Soul Jazz and Leaf labels, is the producer behind full-length demented techno monsters like 2000's Periods.Make.Sense and 2002's Incest Live, two gems that appeared on Force Inc. at the height of the Frankfurt's label's heyday. And they aren't kidding when they claim this
album to be The Largest Bird in the World… Ever! Funk has yet to meet the talons of a pigeon this big, and the outcome is bound to be messy, loud, and unprecedented!

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After a being released a couple of years ago on an american indie rock label, it was time to bring this track back out again and release the funk one more time on the dancefloor with Akufen's remix of Supa Doopa from Les Georges Leningrad, a cult rock band from Montreal recently disbanded. For the first on Akufen's own label Musique Risquée, this almost unknown remix he's made in the last years is available again on 12” with a completely new and much improved mastering and a nice full side cut. This track brings us back to the funky swinging side of Akufen's music, with his usual crazy voice cut-ups, groovy piano stabs and solid driving drum programming, recalling Herbert'scraziest moments. Supa Doopa indeed! P.S. This is a vinyl only release.

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DEBUT ALBUM FROM THE CANADIAN ARTIST WHO PRESENTS "NEW" WORLD MUSIC BETWEEN JAZZ, HOUSE AND TECHNO. A GREAT ALBUM WITH REFERENCES TO AFRICAN SOUNDS BECAUSE HE SPENT QUITE A LONG TIME IN AFRICA. 3 TRACKS LESS THAN THE CD.

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UP-TO-DATE R N B IN A TECHNO REALISATION AND IN AN INSANE RAVE STYLE.

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Vicente Sanfuentes aka original hamster (tigerbeat) delivers his usual funky distroted sounds mixed with weird lyrics, noise house beats and catchy melodies.

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2025 Repress

Format: 12” blue transparent vinyl / limited 150 copies

Track list:

A1: Bicycle Love (Original Mix)
B1: Bicycle Love (Brad P’s Strings and Keys Mix)
B2: Bicycle Love (Damon Lamar’s Lower Wacker Drive Mix)

Release Info:

Limited Repress of a Deep House Classic. 12inch comes as blue transparent vinyl.

Andy Vaz has a giant passion for cycling, precisely for extensive trips from his Hometown Cologne to Düsseldorf and other destinations around the area on his old school flavoured VITUS 979 Duralinox racing bike. “Bicycle Love” is his personal homage to it.



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Tracklist 12":

A1) Mystery (Harvey Sutherland Remix)
A2) Mystery (Opolopo Remix)
B1) Mystery (Close Counters Remix)
B2) Berlin Boogie Town (Cassius Remix)

Info:
Big remix package for TOY TONICS'S boss KAPOTE. His song "Mystery" from the last album reworked by HARVEY SUTHERLAND, OPOLOPO, CLOSE COUNTERS with a bonus remix by french house master CASSIUS. Turning Kpaote's New school house anthem into super fresh jazz-funk disco, NYC 1990ies House hit and proto-dance bangers. There is no way there is not one version that every good DJ with an interesting fresh sound can't play.

It's 2025 and Toy Tonics one more time tries to define what are the perfect vibes for the "post-dark-electronic music age". Yes. After 10 years of explosion of hard techno, dark trance and fast race sounds Toy Tonics is trying every month to bring ideas for a more positive, high quality, forward-thinking dance music.

Opolopo: Opolopo brings his legendary touch to "Mystery." With a career spanning decades and a reputation for fusing boogie, funk, and broken beat, his remix promises a soulful journey. An artist who's famously remixed everyone from Gregory Porter to Stevie Wonder, Opolopo's version is pure, unadulterated groove.

Harvey Sutherland: Straight from the heart of Melbourne's electronic underground, Sutherland delivers his signature "Neurotic Funk." The celebrated synthesist and producer, known for his distinctive analog textures and a discography that's earned him ARIA Award nominations, is sure to inject his unique genre-bending energy into the track.

Close Counters: The duo from Melbourne, Close Counters, are set to turn "Mystery" into an electrifying fusion of house, soul, and jazz. Known for their dense synths and infectious energy, they have earned praise from tastemakers like Gilles Peterson and have wowed crowds at festivals like Splendour in the Grass.

Finally, the package features "Berlin Boogie Town" with a new interpretation from Parisian legend Cassius, adding some uplifting French Touch filter vibes.



















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Tracklist 12” :
A1: Reminisce
A2: Thee alarm
B1: Life’s running
B2: Osaka morning train


Short info:
2025 has been the comback year of Borrowed Identity! Nearly a decade ago, this super talented producer and DJ from the German Black Forest was omnipresent. Crafty beats, driving basslines and a deep raw feel was his tradmark then. And still is! After his collab EP with the Mechanical Soul Brother some months ago, it’s now time for a full solo EP called „Reminisce“. 4 tracks of powerful and raw House music, Borrowed Identity style! He’s back to stay!











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Tracklist
A1 – Drunken Clouds
A2 – I Wanted More
B1 – Midnight Shift
B2 – Last Day Last Dance

Release Info
Hermione FRANK aka rRoxymore has spent the past decade cherry picking the labels she works with whilst
building up a totally unique signature sound - DBA, Timedance and recently Ideophone. Hermione's Aus EP
sounds soft and intricate yet punchy and powerful. Beautiful synth licks and crunchy drums melded together with
plenty of UK attitude. A daydreamer’s delight, it offers restrained weight and it’s the perfect elixir for any morning
dance floor.







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territories : ww -fr -uk -benelux

Genre
• Electronic

Format
• LP, clear bio-vinyl

Tracklist

A1_Aiwa - 04:56
A2_Hypercube - 04:52
A3_Yucon - 02:49
04_Bialystok - 04:29
A5_The Ice House - 01:24
A6_Sunlight On Saturn - 03:13

B1_You’ll Find a Way - 03:18
B2_Baltasound Feat. Dextro - 04:37
B3_Orbiting Meadows Feat. Clark - 02:05
B4_Slow Yamaha - 09:00
B5_Black Drift (Outro) - 01:11


As Nathan Fake rises from the nocturnal subterranea and rave catharsis of his previous records, on Evaporator, he resurfaces into the domain of daylight, bringing a tangible sense of air rushing against your face, of big skies, and endless landscapes.



The idea of pop accessibility that trickled into 2023’s Crystal Vision is refracted here through the prism of sweeping ambient, deep electronica, and trance uplift. Evaporator is Fake’s idea of “airy daytime music”, with each track a different barometer reading across the album’s varying atmospheres, which range from vibrant sunbursts, bracing rainscapes, and fine mists of clement melodics. “It’s not overtly confrontational electronic club music,” states Fake. “It’s quite pleasant, it’s accessible. As I was progressing through making the tracklist, I called it a daytime album. It doesn’t feel like an afterparty album.” For the past decade Fake has been gingerly introducing collaborations with heroes and friends alike into his lone, idiosyncratic working process.



Border Community alumni Dextro AKA Ewan Mackenzie transmutes his ferocious drumming for Pigs Pigs Pigs Pigs Pigs Pigs Pigs into the blurred choral thump of ‘Baltasound’. ‘Orbiting Meadows’, meanwhile, is his second collaboration with Clark, an eerily idyllic duet where microtonal 18EDO piano clangs slowly twirl around wailing pads. Evaporator marks the junction point of old technology and ever fresh creativity for Nathan. The trusty “dinosaur” age software, particularly Cubase VST5, that has powered two decades of music is rarely updated. “I used to sort of feel a bit ashamed of using such old software, and then I kind of had an epiphany – that’s just how I work”, comments Fake. “That’s just how I play. I’m very fond of these old tools, and I get the most joy out of them, but now I’ve incorporated new technology too.” When an artist accumulates so much synergy with their instrument, music making becomes instinctual. By Fake’s account, much of Evaporator just fell into place. The album title arrived randomly in his head (“it felt completely perfect. Airy.”), ideas looped and developed until things locked into place and just felt right. ‘The Ice House’ is a fleeting glimpse of the sonic world he taps into in this creative state, its glassy FM synths built around a counterpoint between rough-hewn crystalline arpeggios and sparse yet gravitas-bearing bass. “That riff I just wrote out on the keyboard, I just played it forever and ever and ever.

The original track ended up being really short. Here you go, and it’s gone!” These unplanned channellings of sound call forth records from Fake’s past while he looks ahead, perhaps getting at the very essence of his musicianship. The opener ‘Aiwa’ (“the breeziest,” he muses) reminds of the introspection that characterised Providence, excited by the fire and grit of Steam Days’ textural experiments, its chunky slams and clatters surging into a flood of harmonic buzzing as they reach out for old wisdom. ‘Hypercube’ stampedes in a similar chronological confluence, infusing an incessant synth line reminiscent of the golden age of rave with the crackling, ecstatic energy of modern festival anthems. Like the vaporisation of liquid to particles, everything that Evaporator presents has a mutant desire to be amorphous. Sounds rarely settle; the irradiated garage beat of ‘Bialystok’ is pitched downwards to driving, rebounding effect, while ‘You’ll Find a Way’ warps static into shivering energy, cinematic synth strings building anticipation into a gradual gush of chords. This translates into a more expansive stereo field than Fake has explored before.



‘Slow Yamaha’ saves the wildest, most kinetic transformations for last with a cornucopia of crispy melodies and fried drums; a sibilance of cymbals on the left, a susurrus of shakers on the right, and kaleidoscopic lasers pulsing and fizzing all around. Evaporation culminating in pure excited atoms. In a world where music has increasingly become background content, making albums remains lifeblood for Fake: “It makes me realise how long; twenty years is ages! It’s weird to see how much the world has changed. Release day back then you did fuck all, now you spend all day on socials. When I grew up the people who made the electronic music I was into were quite mysterious, and the artwork was very abstract.

There was a massive distance between you and that music, and that was a key part of it, really. Now it helps to be an extrovert, and I'm just not, but the album marks the first time my face has graced the cover art. I’ve never wanted to do this before, I'm very shy, and generally I don’t like being seen,” he professes. “But, twenty years in, I supposed I could try something new. I'm very lucky that I'm somehow surviving in this world, where the media world favours extroverts and interesting looking people. It’s not my world but somehow I’m still in it.” Evaporator continues to prove Nathan’s necessary presence, with some of his most engaging, varied, and magical music yet.





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Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Lightlandscapes"
A2 - "Melody 4"
A3 - "Roden Crater Vision"
A4 - "Broken Sky"
A5 - "Lay Down"
B1 - "Curvature"
B2 - "Impact"
B3 - "Orange Rainrain"
B4 - "Melody 8"
B5 - "Polyblue"
Short info:
A collection of Tracks, skits and moods for James Turell´s visionary Roden Crater project by
The Analog Roland Orchestra.


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GENRE/S: House, Tech House, Deep House

TRACKLISTS:
A1 Green Ink - Local Warming
A2 Green Ink - Expensive Perfumes
B1Green Ink - Twist of Fate
B2 Green Ink - Angles Morts

SHORT INFO:
Green Ink is back with the fourth EP on Altered States - a deep and driving four-tracker. All tracks were created in closely related sessions, dipping into atmospheric, techy and dubby sounds while keeping sweaty dancefloors in mind.

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Genre: House


TRACKS
A1. Fractal Lunar Sweep
A2. Cerebionical Sweep
A3. Segmented Aether
B1. Thermoplastic Flush
B2. Hologram Fusion
B3. Internal Phaseshift
B4. Nuclear Stratum


Short Info:

8 years after DJ Sotofett's last visit to our label(FPST1) we received some tracks perfectly timed AND
perfectly primed for that elusive number 75 release.
This time teaming up with Rex Ronny, we're stoked to have him back and even more
stoked about the music engraved in these grooves.
DJ Sotofett and Rex Ronny embodies a solid 7 track EP for Full Pupp with a strong Sci-Fi pallet of Cosmic-Italo racers. "Epidermis" is not another conjectural Nu-Disco record but a strong Disco-Dub infused travel in rhythm and melody. The entirety of the EP is bound together by four Galactic synth tracks and three driving Disco cuts, all with an individual approach. It's a solid nod to the excellence producers of Italian Disco and UK left-of-center dance music has taught us since the late 70's. Rex Ronny (aka Ronny Nyheim from PsyPal fame) was challenged by DJ Sotofett to play all synth parts live in the studio, for Sotofett to mix the material in his new studio set up for ultimate Cosmic, Dance & Dub sonics. To perfect the rhythm suction, congas by Stiletti-Ana (from Jesse) was added in the mix, and LNS contributed with a harmony-bridge for maximum pathos.
Full Pupp HQ May 2021

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2025 Repress

Tracklist 12":

A1) Felipe Gordon – Wait On Me (5:44)
A2) Felipe Gordon – El Meloncito (4:38)
B1) Felipe Gordon – The Semimodular Bird Of Jazz (4:48)
B2) Felipe Gordon – Definitely and Completely Mayor (6:33)

Release date:
Felipe Gordon from Bogota is one of THE names right now in the jazz infected house & broken beat scene that is growing so much these days. This is his 2nd EP on Toy Tonics and its a step forward for him musically: he started to include more vocals and worked with colombian vocalist Paula Pedraza. Gordon’s music is special: with his background as a colombian (with that great heritage of musicianship that the country has) and as a indie rock musician (he used to play in bands for years) - he has a very own vibe. His tracks have much more groove than lot of the sample based stuff you get to hear currently.. and his production style is more variable and musically interesting than lots of other stuff outside. Check these 4 new tracks. Especially the 2nd tool, wich adds some freshness to the current disco vibe: Binging in a punkfunk bassline that could have been made in 2005 from Disco-Not-Disco artists like Chicken Lips, Headman or Playgroup. This is Post - 90ies - Revival music :)
Be ready for Felipe Gordons hottest year in 2020. With releases on Heist and Local Talk also to come after Toy Tonics.










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