Label:Loop d'loop
Cat-No:ldlz103
Release-Date:27.04.2017
Genre:House
Configuration:12"
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Label:Loop d'loop
Cat-No:ldlz103
Release-Date:27.04.2017
Genre:House
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1
pal joey - Spend The Night
2
pal joey - Flight 801
More records from pal joey
Label:Pal Joey Music
Cat-No:PJM2024
Release-Date:03.05.2024
Genre:House
Configuration:LP
Barcode:506020597413
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Cat-No:PJM2024
Release-Date:03.05.2024
Genre:House
Configuration:LP
Barcode:506020597413
1
Pal Joey - Brand
2
Pal Joey - Lets Go
3
Pal Joey - Breakin Necks (Papastomp Remix)
4
Pal Joey - Spend The Night (Fredo Revisited)
5
Pal Joey - We Show Off
6
Pal Joey - Dance (Beats Mix)
7
Pal Joey - Exotic (Deni Shain Touchup)
8
Pal Joey - Pulling A Cat Out Of A Hat
9
Pal Joey - Reach Up To Mars (808 Bonus Mix)
10
Pal Joey - Jump And Prance (Version Mix)
11
Pal Joey - Toi Et Moi
12
Pal Joey - Perfectionist
NYC dance music legend Joey Longo has been a part of the dance music soundscape for those in the know from way back when, his first records surfacing in 1989 under a variety of monikers and on a slew of labels out of NYC. Some (Cabaret, Loop d'Loop, Foot Stompin') were his own, others (Underworld, Maxi, Minimal) not, but the they always came bearing the credit 'produced by Pal Joey'. Joey hit the heights early on, as one of his earliest records, Dance (as Earth People), went big in dance music terms. If you were raving in the early '90s chances are you will be getting flashbacks from 'Dance', as it was played across a number of scenes. A deeper 'beats' mix features on this gem of an album, his first in over 10 years, along with a perfectly selected blend of classic cuts, new versions and remixes and unreleased wonders. Mastered to perfection, but keeping his raw New York style.
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Label:Ornaments
Cat-No:orn048
Release-Date:27.09.2019
Genre:House
Configuration:12" Excl
Barcode:4251648410799
1
Pal Joey - Hot Music (retouched by Takeshi Fukushima)
2
Pal Joey - Freaky (retouched by Takeshi Fukushima)
3
Pal Joey - Mood7
4
Pal Joey - Bounce (retouched by Takeshi Fukushima)
5
Pal Joey - When I Get Kindness
6
Pal Joey - Close The Lid
7
Pal Joey - What Is This Thing Called Boogie
8
Pal Joey - Nostalgic Memory
Special Remarks: clear marbled vinyl
Tracklist:
SIDE A (16:01 min)
A1 - Pal Joey: "Hot Music" (retouched by Takeshi Fukushima) [06:05]
A2 - Pal Joey: "Freaky" (retouched by Takeshi Fukushima) [04:09]
A3 - Takeshi Fukushima: "Mood7" [02:45]
A4 - Pal Joey: "Bounce" (retouched by Takeshi Fukushima) [03:02]
SIDE B (15:56 min)
B1 - Takeshi Fukushima: "When I Get Kindness" [05:15]
B2 - Takeshi Fukushima: "Close The Lid" [04:08]
B3 - Takeshi Fukushima: "What Is This Thing Called Boogie" [03:45]
B4 - Takeshi Fukushima: "Nostalgic Memory" [02:48]
Short info:
The new ORNAMENTS presents 2 legends from New York and Tokyo. Pal Joey Music was created by Joseph Longo III (aka Pal Joey / Earth People / French Touch) and it is one of the most important genre defining house labels from New York. Takeshi Fukushima took some of his favourites from the catalog, retouched it and did his own interpretations. You can expect a well balanced excursion into deep & soulful house, downbeats and electronica.
More
Tracklist:
SIDE A (16:01 min)
A1 - Pal Joey: "Hot Music" (retouched by Takeshi Fukushima) [06:05]
A2 - Pal Joey: "Freaky" (retouched by Takeshi Fukushima) [04:09]
A3 - Takeshi Fukushima: "Mood7" [02:45]
A4 - Pal Joey: "Bounce" (retouched by Takeshi Fukushima) [03:02]
SIDE B (15:56 min)
B1 - Takeshi Fukushima: "When I Get Kindness" [05:15]
B2 - Takeshi Fukushima: "Close The Lid" [04:08]
B3 - Takeshi Fukushima: "What Is This Thing Called Boogie" [03:45]
B4 - Takeshi Fukushima: "Nostalgic Memory" [02:48]
Short info:
The new ORNAMENTS presents 2 legends from New York and Tokyo. Pal Joey Music was created by Joseph Longo III (aka Pal Joey / Earth People / French Touch) and it is one of the most important genre defining house labels from New York. Takeshi Fukushima took some of his favourites from the catalog, retouched it and did his own interpretations. You can expect a well balanced excursion into deep & soulful house, downbeats and electronica.
More
Label:loop d loop
Cat-No:ldl025
Release-Date:24.05.2018
Genre:House
Configuration:12"
Barcode:
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Label:loop d loop
Cat-No:ldl025
Release-Date:24.05.2018
Genre:House
Configuration:12"
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1
pal joey - No Title
2
pal joey - No Title
3
pal joey - No Title
4
pal joey - No Title
Pal Joey (aka Joseph Longo) came up in the heady days of New York street culture, amidst B-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. Beginning with crude "pause tapes," he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. Working at Vinylmania, where Larry Levan might be found shopping for records in his pajamas, helped Joey's entrance into the city's nascent house music scene, and he was soon working with everyone from KRS-One to Sade to the Orb, whose "Little Fluffy Clouds" he tweaked for stateside tastes. True to his city's inclusive spirit, Pal Joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. Joey's records (under his principal moniker and also aliases like Earth People and Soho) have appeared on Jive, Epic, Talkin' Loud, Wave and Coco Machete. He also has run three labels of his own - Loop D'Loop, Cabaret and Footstompin' Records.
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Label:pal joey music
Cat-No:pjm1080
Release-Date:23.07.2015
Genre:House
Configuration:12"
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Cat-No:pjm1080
Release-Date:23.07.2015
Genre:House
Configuration:12"
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12 inch 6 track EP, Hand Stamped spined sleeve
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Cat-No:MG.ART611
Release-Date:29.09.2023
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1
Ash Ra Tempel - Amboss_Excerpt01
2
Ash Ra Tempel - Amboss_Excerpt02
3
Ash Ra Tempel - Traummachine_Excerpt01
4
Ash Ra Tempel - Traummachine_Excerpt02
LP, 180G Black Vinyl, Sticker, 50th Anniversary RE-Edition, f irst-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching
Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970)
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
More
Re-Cut carefully overseen by Manuel Göttsching
Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970)
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
More
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Label:WRWTFWW
Cat-No:wrwtfww072
Release-Date:24.02.2023
Configuration:2LP Excl
Barcode:4251804139366
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1
Takashi Kokubo & Andrea Esperti - Travelling Through The Stars To Gaia
2
Takashi Kokubo & Andrea Esperti - Whales Of Sirius
3
Takashi Kokubo & Andrea Esperti - Cassiopeia's Lady
4
Takashi Kokubo & Andrea Esperti - A Calm & Elegant Utopia
5
Takashi Kokubo & Andrea Esperti - Gaia's Love Theme
6
Takashi Kokubo & Andrea Esperti - Valley Of Wind In A Cosmic Garden
7
Takashi Kokubo & Andrea Esperti - Melting Clocks
8
Takashi Kokubo & Andrea Esperti - Lights Of Alpha Centauri
Worldwide
Genre: Ambient, Environmental, Electronic, Experimental
Tracklisting DLP
A1. Travelling Through The Stars To Gaia
A2. Whales Of Sirius
B1. Cassiopeia's Lady
B2. A Calm & Elegant Utopia
C1. Gaia's Love Theme
C2. Valley Of Wind In A Cosmic Garden
D1. Melting Clocks
D2. Lights Of Alpha Centauri
Info
WRWTFWW Records is very excited to present a new full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti (Esperti Project): Music for a Cosmic Garden.
Recorded during the heights of the pandemic and completed in February 2021, the majestic 8-track ethereal/botanical soundscape created by Kokubo and Esperti is available as a limited edition double LP, a digipack CD, as well as in digital format.
Takashi KOKUBO, environmental music figure, celebrated sound designer, and founder of Studio Ion, has released over 20 albums, including the genre-defining and highly sought-after Ion Series. He's also played a major role in the sonic identity of Japan, creating the country’s mobile phone earthquake alert sound, credit card payment validation jingles, and much more. In 2020, Takashi Kokubo received a Grammy nomination for his track "A Dream Sails Out to Sea, Scene 3" off Light in the Attic’s Kankyo Ongaku compilation. He is known for recording “sound scenes from nature” around the world using a binaural CyberPhonic microphone of his own invention and for his very unique brand of healing music.
Andrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) with a globe-trotting approach: encounters with peers, rhythmic exchanges, and unplanned music projects; this is where lies the foundation of his work.
Music for a Cosmic Garden is an ode to celestial botanics, a contemporary and hallucinogenic take on the soothing ambient genre immortalized by artists such as Midori Takada and Satoshi Ashikawa, a beautiful pairing of synthesizers and the mighty trombone, taking you to a meditative galaxy far, far away, where other-worldly is just another word for cozy.
Recommended track for maximum pleasure: "Gaia’s Love Theme".
Points of interests
- For fans of environmental, chill-out, ambient, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, the Ion Series, parallel universes, music for space traveling but also music for gardening, and music for gardening in space.
- New full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti.
More
Genre: Ambient, Environmental, Electronic, Experimental
Tracklisting DLP
A1. Travelling Through The Stars To Gaia
A2. Whales Of Sirius
B1. Cassiopeia's Lady
B2. A Calm & Elegant Utopia
C1. Gaia's Love Theme
C2. Valley Of Wind In A Cosmic Garden
D1. Melting Clocks
D2. Lights Of Alpha Centauri
Info
WRWTFWW Records is very excited to present a new full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti (Esperti Project): Music for a Cosmic Garden.
Recorded during the heights of the pandemic and completed in February 2021, the majestic 8-track ethereal/botanical soundscape created by Kokubo and Esperti is available as a limited edition double LP, a digipack CD, as well as in digital format.
Takashi KOKUBO, environmental music figure, celebrated sound designer, and founder of Studio Ion, has released over 20 albums, including the genre-defining and highly sought-after Ion Series. He's also played a major role in the sonic identity of Japan, creating the country’s mobile phone earthquake alert sound, credit card payment validation jingles, and much more. In 2020, Takashi Kokubo received a Grammy nomination for his track "A Dream Sails Out to Sea, Scene 3" off Light in the Attic’s Kankyo Ongaku compilation. He is known for recording “sound scenes from nature” around the world using a binaural CyberPhonic microphone of his own invention and for his very unique brand of healing music.
Andrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) with a globe-trotting approach: encounters with peers, rhythmic exchanges, and unplanned music projects; this is where lies the foundation of his work.
Music for a Cosmic Garden is an ode to celestial botanics, a contemporary and hallucinogenic take on the soothing ambient genre immortalized by artists such as Midori Takada and Satoshi Ashikawa, a beautiful pairing of synthesizers and the mighty trombone, taking you to a meditative galaxy far, far away, where other-worldly is just another word for cozy.
Recommended track for maximum pleasure: "Gaia’s Love Theme".
Points of interests
- For fans of environmental, chill-out, ambient, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, the Ion Series, parallel universes, music for space traveling but also music for gardening, and music for gardening in space.
- New full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti.
More
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Cat-No:LPS243
Release-Date:27.05.2022
Configuration:LP Excl
Barcode:4040824090623
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1
BIZARRE Ko Ko Ko - Metamorphosis Of The Element
2
BIZARRE Ko Ko Ko - Retracting The Reflected Consciousness Of All Having Come To Into Being
3
BIZARRE Ko Ko Ko - Forced Mutations
4
BIZARRE Ko Ko Ko - Burning Bog Brain
NON EXCL-LP + ORGINAL SLEEVE ARTWORK LIMITED TO 500COPIES
Released on Karl Kronfeld's Synoptik Records, it was the label's only release, thus becoming a rare, sought after, private pressing.
Weird, intriguing atmospheres and a plethora of synthesized sounds, sequencers, cold sounding keyboards and even mellotron parts make this a darker offering than Aphorisms Insane.
Venturing into stark, spooky post-industrial territories it manages to combine the primitive cosmicism of early Tangerine Dream with the dystopic sound-scapes of Asmus Tietchens, 80's Conrad Schnitzler or the synthetic gothicisms of Peter Frohmader.
An album that should appeal not only to fans of cosmic synthetic music, but also those interested in the more experimental strains of cold wave & minimal synth (Robert Rental, Dome, a.o.)
The Wah Wah edition is the first ever reissue of this rare sought after collector's item.
100% analogue lacquer cut direct from the original master tape by Moritz illner @ Duophonic Gmbh and reproducing the original Dalí-esque sleeve artwork in a strictly limited edition of 500 copies only.
Tracklisting:
A1 Metamorphosis Of The Element
A2 Retracting The Reflected Consciousness Of All Having Come To Into Being
B1 Forced Mutations
B2a Seeming Disintegration
B2b Burning Bog Brain More
Released on Karl Kronfeld's Synoptik Records, it was the label's only release, thus becoming a rare, sought after, private pressing.
Weird, intriguing atmospheres and a plethora of synthesized sounds, sequencers, cold sounding keyboards and even mellotron parts make this a darker offering than Aphorisms Insane.
Venturing into stark, spooky post-industrial territories it manages to combine the primitive cosmicism of early Tangerine Dream with the dystopic sound-scapes of Asmus Tietchens, 80's Conrad Schnitzler or the synthetic gothicisms of Peter Frohmader.
An album that should appeal not only to fans of cosmic synthetic music, but also those interested in the more experimental strains of cold wave & minimal synth (Robert Rental, Dome, a.o.)
The Wah Wah edition is the first ever reissue of this rare sought after collector's item.
100% analogue lacquer cut direct from the original master tape by Moritz illner @ Duophonic Gmbh and reproducing the original Dalí-esque sleeve artwork in a strictly limited edition of 500 copies only.
Tracklisting:
A1 Metamorphosis Of The Element
A2 Retracting The Reflected Consciousness Of All Having Come To Into Being
B1 Forced Mutations
B2a Seeming Disintegration
B2b Burning Bog Brain More
Label:Gondwana Records
Cat-No:GONDLP070
Release-Date:03.05.2024
Configuration:LP
Barcode:4062548080124
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Cat-No:GONDLP070
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Barcode:4062548080124
Elevating, uplifting and beautifully arranged. Jasmine Myra's sophomore album Rising builds on the success of her breakthrough album Horizons to deliver a major statement from one of UK Jazz's rising stars. Produced by Matthew Halsall and mixed by Greg Freeman (Hania Rani, Matthew Halsall, Portico Quartet)
Track Listing:
A1. Rising
A2. Still Waters
A3. Knowingness
B1. Glimmers
B2. From Embers
B3. How Tall the Mountains
Listen: https://on.soundcloud.com/1iUyy More
Track Listing:
A1. Rising
A2. Still Waters
A3. Knowingness
B1. Glimmers
B2. From Embers
B3. How Tall the Mountains
Listen: https://on.soundcloud.com/1iUyy More