EAN barcode: 4250382416067 release date: 10.12.2012
Poker Flat Recordings explode back on to the scene with yet another essential release – this time it’s the turn of house music legend Boris Dlugosch and his wonderfully titled EP 'Knalldrang'. Sure to be welded to the turntables of the top tastemakers and party starters, the release kicks off with the speaker-troubling sounds of the enormous lead track. Boris’s vast experience behind the decks and the mixing board shine through – this is the man who’s releases with Mousse T in the 90s – as well as his much in demand remix work for the likes of Moloko – shaped the scene we know and love today. 'Knalldrang' is an insistent, acid-bubbling, floor-slayer of the highest order – this one will set fire to your sets. 'Sweet Talk' keeps up the pressure, cut up vocal layers, insanely funky drums, and a vibe that pays respectful homage to the 90s. Rounding off the release is Show-B’s remix of 'Knalldrang' – a straight up deep and dirty groover with a filthy snare designed to work the floor to the max.
Tracklist: A1: Knalldrang B1: Sweet Talk B2: Knalldrang (Show-B Remix) More

Tracklist:

A1. Dance Of Enjoyment
A2. Let The Music Take Control
A3. Let The Music Take Control (DJ Tool)
B1. Change Of Heart
B2. Digital Illusion
B3. Digital Illusion (Bonus Beats)




Finally, it‘s happening: the „other“ Gerd appears on Running Back. Not counting in his remix for Losoul‘s Open Door and not to be confused with the label owner Gerd Janson. Based in the Netherlands and strongly associated with the Clone complex, Gerd has been releasing countless tracks and records since the dawn of the nineties. A true child of the „techno“ Zeitgeist back then, he is keeper of a dozen monikers, project names and joint ventures that tend to connect the dots between house and techno, functionality and avantgarde electronics. Gerd‘s frame of mind is second to none, when it comes to sound research, inspiration and imagination.
For Running Back he decided to put his own spin on some of the label’s signature dishes.
The opener Dance of Enjoyment is exactly that. Based on a cleared sample from Shakira by Quinton Madlala and imported by early South African kwaito and house, it is exactly that. Life-affirming dance-floor fun or pogo time for piano people.

Let the Music Take Control dials the peak time slightly back to being a party starter with its retrofuturistic speak and spell command and some evergreen breakbeats. An additional DJ tool allows to spread the gospel elsewhere, too.

Speaking of which, the flipside deals with that in the realm of an Italian influenced theme park. Sitting neatly between the disco and the house appendix of “italo“, Change Of Heart and Digital Illusion are sugar frosted and masterful produced versions of a style that might never go out of fashion. Earnest characters might be happy with the included bonus beats on their own. All’s well that ends well: Gerd and Running Back are here to save a party near you!






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2024 Repress

Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling

Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.

How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.

Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.

Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
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12"
Tracklist

A1. Crane Song (HnH Mix)
A2. Deranged Self Therapy
B1. Crane Song (Dopanin Mix)
B2. Centro Di Gravita
B3. Any Plan(t)s This Weekend



Johann Wolfgang von Goethe is always a reliable source for a good quote: "We must always change, renew, rejuvenate ourselves; otherwise, we harden." Sure as death, there is an excerpt of his that states the opposite. In the case of Robert Dietz, it holds true. Since his first appearance on Running Back in 2009 (Forward Snipping), he did a marvelous job staying on his toes as a producer and DJ.
Rejuve-Nation showcases his talent in various alleys of electronic (dance) music with Crane Song being the prime cut here. You will get exposed to proggy house with an intelligent brush in two slightly different mixes. Imagine if Euro dance went to get a college degree or a bumper car floor and you are almost there: an almost irresistible sing a long without lyrics.
If you need help afterwards, Deranged Self Therapy is exactly what you need. IDM meets new wave drums, poignant synths mix with an upbeat hook to create a ballet piece for lovesick robots.
Centro Di Gravita reconnects those qualities with the aforementioned Crane Song ones, while giving it an acid spin, before the ambient salts of Any Plan(t)s This Weekend closes the EP off like a confident sketch for the end of a beautiful summer. A bouquet of bangers for different needs.

Short: One Rejuve-Nation EP under a groove with Robert Dietz' return on Running Back. Proggy meets acid house, IDM leanings mix with stylistic devices of new wave and extra special ambient aerobatics round out the EP. Special attention goes to Crane Song and its peak time perfection. A bouquet of bangers for different needs.





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Tracklist
A1. Entity
A2. Typhoon
B1. Love Is All I Need
B2. Rampage

New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:

“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).

These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.

Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.

Short:

New Running Back by the ever-reliable Krystal Klear.

Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music! Love is all we need.






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mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?







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Tracklist

A1. Reality
A2. Fantasy
B1. Puzzle
B2. Halle Weissensee

Halle Weissensee (or Weißensee if you wish) starts where Sascha Funke’s last Ep for Running Back stopped. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind.
The Halle was a former engine plant in Berlin that got converted into a rave areal for the now legendary Mayday raves and one of the birthplaces and leading spots of the nineties. Coincidentally and unknowingly, 1993’s winter edition was attended by Funke and Gerd Janson and a conversation about it spawned this record. Don’t be mislead: this is not a retro rave fest, but an ode to the esprit of the times, the possibilities if an envisioned future and maybe most of all an afterglow. While Reality (sounding like a Relief record if the label would have been a topic at Bauhaus university) and the warped bleepiness of Halle Weissensee itself come closest to the actual sound aesthetic of that very night, Fantasy invokes the language of contemplative deep house from vintage New York, while Puzzle evokes a notion of what the same thing could be with the prefix progressive instead. Reality often falls short behind fantasy, but once in a while both complement each other very well.


Short: Halle Weissensee is Sascha Funke’s second Ep for Running Back. Named after the legendary rave warehouse, its four tracks far from being a retro rave. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind. An ode to the jackin’ Relief sound meets bleep tracks, contemplative deep house and progressive hypnotism.





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Tracklist

A1. Playin’
A2. Bodies
B1. Feel This
B2. Call Of The Void

Partiboi69 strikes poses, chords and hot irons. Australia’s spiciest export since INXS’s front man is a sensation on many (meta-)levels. Musically, aesthetically and hedonistically exhilarating, the man’s man shows his sensitive side on Running Back. Four tracks answer the Call of the Void with a showcase of sounds and moods that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void): surprisingly serious and simultaneously not-so-serious. Composed and executed with serious songwriting skills and an uncanny feel for the aural world of Running Back Records. A mutual pleasure, indeed.

Short: Partiboi69 strikes poses, chords and hot irons. Showing his sensitive side for Running Back with four tracks that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void). A sensation on many meta-)levels and a mutual pleasure, indeed.




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Tracklist

A1. Ocha (Re-Edit)*
A2. Never (Re-Edit)*

B1. Direct Cut (Re-Edit)*
B2. Bensono (Re-Edit)*


Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent.
Conceived by the rather elusive Mute, the Direct Cuts are a master class in heartfelt and understated timeless deep house. Influenced in equal parts by the still towering Prescription Underground and the New York singularity that was a young Bobby Konders, Mute managed to create a sound of his own. Marked by live arrangements, bedroom studio aesthetics, a love for dub music and a tempo that was more boogie than techno, it has not lost an inch of its charm. A proposition that probably led Leon Vynehall to pick the hypnotic Never for his Fabric mix. Along with Ocha, Direct Cut and Bensono, Mute proves that iteration does not necessarily mates with deadly dullness.


Short: Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. A master class in heartfelt and understated timeless deep house




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Tracklist

A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix

Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.

Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.

Immer works its magic in every way for everyone and now on almost any dance floor.





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Tracklist

A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid

Re-Dial 303.

The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.

Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.











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Tracklist

A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia


Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.





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Tracklist

A1. Llewellyn – For The Weekend
A2. Stereocalypse – Mad Theory
A3. Zillas On Acid – Pleatherhead
B1. Storken & Hammer – Marabou
B2. Ede – Radius
B3. Señor Chugger & Count Van Delicious - Mickeys Vegan Fillet

Numbers hold the key to unlock the universe. So, a six-pack can either consist of six bottles of beer, very well developed stomach muscles or in our case: a string of smash hits. To take it even further, it’s exactly six tracks for the sixth part of the VA-series that is One Swallow Doesn’t Make A Summer.
Hit men include friends new and old: Llewellyn, Stereocalypse, Zillas On Acid, Storken & Hammer, Ede, Señor Chugger & Count Van Delicious. The pace is cool and hot at the same time. Rave signals by Ede foil the nouveau disco by Stereocalypse or Storken & Hammer, Llewellyn does a classic house piano hop, Zilles On Acid deliver, well. mid-tempo acid, and last, but not least, Señor Chugger & Count Van Delicious strike a delicious pose.
One for almost everyone! And if not, let your body go with the flow!

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Tracklist

A1. Wildfire
A2. Tea Cake
B1. High
B2. Hawthorn

Swapping BPM for GPM (Goosebumps per minute), Dusky’s Life Signs Vol.3 is made from the heart to nourish the soul. to a long-overdue journey to the uncharted territories of Planet Dusky. Completing their triptych for Running Back with four tracks, one of the UK’s most dependable duos shows once again how to connect fun with functionality and funk with efficiency. From the jacking rhythms of early Chicago to the emotive qualities of Detroit and the fever pitch aesthetics of the UK sounds of the 90s or the studies of the contemporary scene, it includes the right choice for each taste and need. Dusky, but not rusty.




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Tracklist

A1. Seasonal
A2. Linea Rossa
B1. Winter
B2. Marathon


Jordon Alexander (pen name Mall Grab) brilliantly carved out his very own niche in dance music. Influenced by hardcore punk skateboarding and high fashion (Linea Rossa!) in equal parts the young Australian delivers precise studies in house and techno. As entertaining as they are excitatory there hasn’t been a bump on his road so far. Alexander’s debut for Running Back proves this point. How The Dogs Chill Vol.2 delivers four high octane tracks whose DNA contains traces of deep house and a penchant for atmospheric and dulcet melodies. But they are also muscle-bound soaring and cater to the aptitude of shaking legs. Written in 2022 while he was around the flora and fauna of Australia these tracks are also supposed to sound somewhat botanical – or at least evoke the sensory experience of a visit to a greenhouse. Carefully sequenced and crafted one is left with an appetite as soon as the playtime is over. Proper nutriment for party people and serious music pendants alike.



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Tracklist

A1. Immer – Club Version
B1. Immer - Instrumental

Release Info:
The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.













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Tracklist

A1. Get To Know You
A2. Marsu (The Cat)
A3. Alone In Paris
B1. Time Machine
B2. Cats Of Yavorov
B3. Rain In Her Eyes

File under: Singer-songwriter house, outsider or campfire dance. Katerina’s full-blown debut EP for Running Back melds cultural images of both places she calls home. Alternatively hailing from Helsinki or Sofia, she serves ethereal vocals, heartbreaking melodies and the chilly melancholic strains of the north to meet an optimistic and at times cheerful mood, paired with pop music themes, heavy bass lines and an upbeat drum section. Six tracks of idiosyncratic and independent dance motifs (including two ambient takes) that all go against the grain of the fast pace of life today, cheap thrills and unnecessary kills. All symbolized in the lyrics of the lead song Get To Know You or the instrumental love ballad Rain In Her Eyes and bound together by Marsu The Cat or Time Machine. An EP with the depth of an LP, lots of weight and even more character. Powerful, wonderful and more durable than the remains of one day.












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Tracklist

A1. Lucky Charm - Main Mix
A2. Lucky Charm - Dub Mix
A3. Lucky Charm - Perc Mix
B1. Luv Armour
B2. Whatever This Is
B3. Film 4

Magically delicious: Lucky Charm completes Roman Flügel's personal -feel-good-tetralogy on Running Back. Joining Garden Party, D.I.S.C.O. and Mega for a quadrophony of fun, it is piano house at the core of the matter. Of course, Roman Flügel wouldn't be himself, if he would work carelessly. Imagine it prepared through the disciplines of molecular gastronomy. In a dystopian world on the edge of information overkill, this is exactly what one needs to relish temporary relaxation and the joys of life again. Simply put: arps, bass lines, tribal drums, brief melodies and pizzicato illuminate the topic from different sides and in different versions.

Its correspondent Luv Armour is a piece of jewelry that's doing the splits: house, new wave, synth pop and some melancholy for the finishing touches.

If you are looking for less action Whatever That Is offers you a slow dance. Looking for unheard and unconscionable connections, it twists and turns between Can-like sequences, what Underground Resistance dubbed Afrogermanic and some unexpected tunnel, before it ends where it started out

Finally, Film 4 is the final dish of this lush meal. Referring to the other Film tracks on the Mega 12" and created during the hard and dark times of closed amusement party parks, it is full of yearning. Music for your inner cinema.


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Rights: World excluding FR, UK, US, Belgium & Netherlands

2 x 140 G Black Vinyl, 5mm spine printed Sleeve, 2 x Black Dust Inner Sleeve, 2 page 30cmx30cm printed insert, sticker

BIOG
“sweet, moreish and deliciously unpredictable” - The Guardian
“striking, playful electro pop with a sly sense of humor” - Pitchfork
“Delightfully (Deliberately) Absurd” - Vogue
“A deeply sardonic salvo that, in a better world, would annihilate mansplaining once and for all." - The New York Times on Thank You

Today sees Belgian-Caribbean provocateur Charlotte Adigéry and her long-term musical partner, Bolis Pupul announce their debut album Topical Dancer, due for release on March 4 2022 via Soulwax’s iconic label DEEWEE.
Cultural appropriation. Misogyny and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte Adigéry and Bolis Pupul are ripping up the rulebook with their debut album Topical Dancer. The Ghent-based duo, who broke out with their 2019 Zandoli EP, are rare storytellers in electronic music: they take the temperature of the time and funnel them into their playful synth concoctions – never didactic and always with a knowing wink.

Their debut studio record – which cements them as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.” It captures Charlotte and Bolis’s essence as musical collaborators and the conversations they’ve had over the past two years on tour, as well as their perspectives as Belgians with an immigrant background, Charlotte with Guadeloupean and French-Martinique ancestry and Bolis being of Chinese descent.

Beyond the album’s thematic heft, Topical Dancer reflects Charlotte and Bolis’s idiosyncratic sound: it’s thoughtful but it bangs. Their take on familiar genres is always off-kilter; songs sound undone or a little wonky; but these are nocturnal heaters to make the club throb. “We like to fuck things up a bit,” laughs Bolis. “We cringe when we feel like we're making something that already exists, so we're always looking for things to combine to make it sound not like a pop song, not like an R&B song, not a techno song. We’re always putting different worlds together. Charlotte and I get bored when things get too predictable.”

Topical Dancer is fizzing with ideas – there’s certainly no filler among its 13 tracks. But above all, perhaps, it has a restlessness, a desire not to be boxed in and to escape others’ narrow perceptions of who they are. It’s summarised by the refrain of their new single, ‘Blenda’: “Don’t sound like what I look like / Don’t look like what I sound like.” “One thing that always comes up,” says Bolis, “is that people perceive me as the producer, and Charlotte as just a singer. Or that being a Black artist means you should be making ‘urban’ music. Those kinds of boxes don’t feel good to us.”

‘Blenda’ in particular references how “I am a product of colonialism,” says Charlotte, “and I feel guilty for taking up space in a white country.” The song was inspired in part by Reni Eddo-Lodge’s book Why I’m Not Longer Talking To White People About Race. “It talks about the colonial past and post-colonial present in the UK,” Charlotte continues, “but that isn’t merely a British or American problem, Belgium is part of that as well.” She says that her home country is likewise “oblivious to a big part of its history” which “results in general ignorance and a lack of understanding and empathy towards Belgian inhabitants of immigrant descent.”

On Topical Dancer, it’s less about finger pointing or being dogmatic about all the things they speak about. It’s about emancipation through humour. “I don’t want to feel this heaviness on me,” says Charlotte. “These aren’t my crosses to bear. Topical Dancer is my way of freeing myself of these issues. And of having fun.”

TRACKLIST

LP
VINYLE 1
FACE A
1. BEL DEEWEE 2. ESPERANTO 3. BLENDA 4. HEY
FACE B
1. IT HIT ME 2. ICH MWEN (WITH CHRISTIANE ADIGERY 3. REAPPROPRIATE

VINYL 2
FACE C
1. CECI N’EST PAS UN CLICHE 2. HUILE SMISSE 3. MANTRA
FACE D
1. MAKING SENSE STOP 2. HAHA 3. THANK YOU













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2022 Repress

Touched by the hand of Todd...Drumroll, please…New 12-Inch with original productions since…Ragysh, Bonysh and Snooze 4 Love...First edition comes in super nice recycling sleeves, second edition in not so nice sleeves... Trans dance from the Norwegian Chief inspector that is Todd Terje…Greatysh hypnotism, properysh beats and a lovelysh Terjerine dream to round it all off…Vinyl contains some hidden tracks and extra elements… Cannot stop listening to it… …Touched by the hand of Todd…

Tracklisting:
A: Ragysh
B1: Snooze 4 Love
B2: Bonysh
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Limited Deluxe Double coloured 2LP+ 1CD Initial Release Edition - Ed Banger EDLP2016-1
(Disc 1 is translucent red, disc 2 is translucent blue) in gatefold with printed inner-sleeves and printred Inides of all 4 Sleeves)

Tracklist LP:

A1. Back For More / A2. Arrested / A3. The Sweetest Romance
B1. 2Good4Me / B2. My Toy / B3. Get Lost
C1. Turning Around / C2. Man Without Shadow / C3. All It Takes
D1. Wet Dream / D2. Too Soon / D3. In Return / D4. Still Waters

Short info:

In 2016, the new Breakbot version "one plus one" (Breakbot + Irfane) will release a second album, Still Waters, a new assortment of southern sunrays, with swinging images of dancefloors filled with guys in flowing trousers and bare-shouldered young girls. For this occasion, Breakbot and Irfane followed a well-oiled formula. They each cook-up outlines of rhythms and melodies that the two boys then modify, complete and prolong to reach a final draft. For Still Waters, which also contains 13 tracks, Breakbot have nonetheless tried out a few new moves: unlike the previous album, this one is more of a matrix with intricate workmanship, carved out with the help of old analogue machines rather than softwares. Some of these tracks were also happy accidents from improvisation sessions, ricochets of voices and chords born of old-school jamming sessions. Thirteen bouncy acts with Stevie Wonder and the Motown crowd in the background, spouts of funk and disco on a well-trodden dancefloor. Crafty ideas whipped-up in a vintage outfit with techno vibes and futuristic accelerations creating a perfectly current soundtrack. Tomorrow's retro.
With Still Waters, Breakbot introduces its new head along with a new uniform. With the help of art director Philippe Jarrigeon, the guy wearing short shorts and knee-high socks has become a character in a cocktail coloured costume, like a Florida prince. Image on music.
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"I have such vivid memories of the early 90s when everyone in our community couldn't stop talking about that
incredible movement called "La Ruta del Bacalao" or simply "La Ruta." My brother was a regular on the Ruta,
and I can still feel the excitement when he brought home those tapes after a wild "destroy" weekend. Those
AC/TV, Spook Factory, and Spiral cassettes became my ultimate soundtrack back then, and they were probably
my first taste of electronic music."
Words by Dj Katah aka Moon & Mann born and raised in Alicante.
Now, for our next release, we wanted to pay homage to the dance music of those magical early 90s, particularly
that bustling and influential scene that inspired DJs all around the world.
We've got Jaisiel, Tech Support, Trepanado, and Clap Kent taking charge, delivering 4 amazing edits that will
transport us right back to that golden era of electronic music in Spain "Lar Ruta del Bacalao". Get ready to
dance and let the nostalgia wash over you!

A1) Jaisiel - Timeless
A2) Trepanado - Abrir Fogo
B1) Tech Support - Dream Space
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Tracklist

A1. Life
B1. Nation

Release Info:
Turkish-Italian multi-instrumentalist and rising music icon Carlita joins forces with German DJ and production duo Andhim to release their debut EP ‘Life’.



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Tracklist: 12" Vinyl only:

A1) Shujumi ( Original Mix) 5:51
A2) Balearic Balsam 8:04
B1) Shujumi ( Anatolian Weapons Remix) 5:29
B2) Vedic Space Vehicle 5:59

Vinyl Only / lim to 300 Copies

Russian Producer Volta Cab presents himself i n MM Discos with Balearic Balsam EP,
a record that explores the borders of the sound that was born i n the white i sland,
blending i t with a “new-wave” oriented vibe.
On the A side, Saint Petersburg based producer, shows us what he l ikes the most
partying obscure rhythms with summery-soothing atmospheres. “Shujumi'' plays
along with more ethnic and oriental sounds while “Balearic Balsam” gets highly
influenced by t he 80’s new wave.
On the B side, the talented Greek producer “Anatolian Weapons” takes over the
control by remixing Shujumi, he twists the original track and adds different acid
elements building a perfect 4x4 killer straight to your brain. Volta Cab finishes the
EP with “Vedic Space Vehicle”, getting a l ittle darker than the previous tracks on the
A side but without changing the vibe, delivering an excellent new-age-elektro rooted
anthem.

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UPC: 827170565364 Release : 01.12.2014
Tracklist 12”: A1 Hey A2 Dance B1 Arkansas City B2 Real Talk
Release Info:
Our label residents Tigerskin and Till von Sein are back with their annual attack on your Dance Floor. As you know from their previous releases we can expect raw and uncompromised House music here. The street credibility and DJ experience of Till von Sein combined with the studio and engineering skills of Tigerskin have once again resulted in 4 pumping dance floor tracks. Reduced to the bare essentials with bouncing 909 drums and analogue synths these four tracks range from old school funky House to banging monsters like “Dance” that takes us back to good old jackin’ “Dance Mania” style tracks. Overall these are once again quality club tracks without boundaries and we are sure they will find their way in many sets ranging from techno to house jocks. More

limited to 500 copies

Tracklist:
A1 - Magic Rhythm Machine
A2 - JFK Disco Dub
B1 - Real To Real
B2 - Gotta Serve Somebody

Release Info:
New York flavoured edits by Jacques Renault in NeighbourSoul Rhythms’ third reference
Top house tunes and a lot of funk. This is how NeighbourSoul Rhythms’ third instalment of edits sound. This time under the stamp of Jacques Renault -currently resident in New York- NBS003 follows in the wake of its predecessor: 4 cuts direct to the dance floor, now cooked with special Brooklyn ingredients.
In NeighborSoul Edits Vol. 2, Renault, old acquaintance and emblem of the North American house scene, dusts off his art of sampling in 4 tracks that take a look back at a time in the America of discotheques, guitar riffs of funk and most importantly, dance.
4 edits from the late 70s and early 80s that confirm the label’s taste towards the oldfashioned sound born in the American continent. The EP begins with 'Magic Rhythm Machine', a true 70s disco banger and a prelude to what precedes it on the same side, 'JFK Disco Dub': a megafunk cut to be played at late
night hours. The B-side wanders between softer and more elegant sounds. Like ‘Real To Real’ (B1), with that fine and subtle touch of elegance of the North American master; or the B2, ‘Gotta Serve Somebody’, a slow closure, Groovy as hell and a fine line of acid cooked at low revs.


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12"

A1. Rocks (Robert Dietz Bling Bling Mix) – A2. Purple Skies (D. Tiff's Plush Vocal)
– B1. Marathon (Paradise Alley Version) – B2. Baltzar (Butch Remix)

Dance floor ready remixes of selected tracks from Kornél Kovács' Stockholm Marathon album.
Robert Dietz sending Rocks on a trance trip, D. Tiffany getting all deep & bubbbly with Purple
Skies. Paradise Alley perform their sing-along cover version of Marathon, Butch butchers Baltzar More

UPC: 5060281618450 Release:26.05.2014

Special Remarks: 12'' EP (artwork by Leslie David) + download card included
Tracklist EP: A. Reservoir B. Reservoir (Jacques Lu Cont Remix)

:
Second Release Single of the new album "Love Letters" incl. remix by (Jacques Lu Cont Remix.

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WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA) , AUSTRALIA, NEW ZEALAND

Special remarks :

Lenticular-Cover
2x12" 180g black
Gatefold
2x printed Innersleeves
Dl-Card
D1 "Running" exclusive track - only available via album vinyl

Genre: Electronica/Dance

Tracklist 12":
A Side
1. Laura
2. The Prey
3. We Don´t Sleep
4. Harlem River

B Side
1. Into The Glow
2. Otherside
3. Don´t Hold Back

C Side
1. Falling
2. Under Dark
3. Reflections

D Side
1. Running
2. Regen (Interlude)
3. Take Me Away



Short Info:
Released in 2018, Monolink's debut album, Amniotic, has collected over 100 million combined streams to date. The project was largely supported through remixes from the titans of the modern house and techno scenes such as Patrice Bäumel, Tale Of Us, Rodriguez Jr, Ben Bohmer, Artbat, Adam Beyer and Nicole Moudaber. These remixes all went on to achieve Beatport Top 10 placings, with Artbat's remix of 'Return to Oz' reaching a staggering 43 million combined streams.
"Under Darkening Skies" will pick up where "Amniotic" ended.
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