The top tier imprint that is Is It Balearic is back with more blissed-out and beach brilliance, this time with a trio of masterpieces from Das Complex. A whole world of influences are called up on here and then distilled into primo Complex sounds - opener 'Quest' brings a slick 80s new wave vibe with a ragged guitar riff and splashy hits over heavy drums and under well-treated vocals. It is awash with waves of dance floor warmth then 'Never Stop' is all shimmering vocals and Japanese house chords over 80s house beats. Emotive and uplifting for sure, then ' Dzis' closes out with chugging percussion and strummed acoustic guitars. It's a heart of the dance floor gem full of love and good-time vibes.

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Das Komplex joins up with the King Of Kong imprint to release four soul-infused tracks entitled ‘Reverse Hallucination’. After spending years as a bedroom musician and occasional DJ Marcin Lukaszewicz, modest producer from North-Western Poland known as Das Komplex debuted four years ago on local FASRAT label. Since then he became one of the most respected Polish producers, releasing an album on Catz’n’Dogz’ Step label, as well as singles for Young Adults, Love On The Rocks or People Must Jam. His very singular, hazy breed of sample- based house-derived music made its way to sets of numerous high-profile DJs (from the late Andrew Weatherall to Axel Boman), eventually making its way to no other than DJ Harvey who included one of his tunes on his recent ‘Mercury Rising’ compilation. Das Komplex comes to King Of Kong with a new package of mind-bending yet club-ready tunes, proving his skills as master of contemporary disco music with a romantic twist. ‘Maybe There’ starts slowly with a lazy, syncopated beat only to introduce a bass riff of mammoth proportions, which carries the track for its 8 minutes - by the end reaching a proper dancefloor momentum. ‘Stay’ starts with a piano melody and hazy synths to be transformed into an epic, 10-minute mid-tempo disco groove, with live instruments and angelic vocals, a neon-lit lullaby for early morning hours. ‘Lagos’ takes a slightly darker route, but even here a heavy, percussive groove is brightened by bursts of uplifting piano, while ‘Sounds’ keeps the hazy vibe going, with layers of unintelligible voices over a smoky groove.

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After his last year debut on FASRAT Das Komplex is on fire - after EPs for Young Adults and Pets Recordings here he is again with a brand new 12" showing his versatility and ability to seamlessly blend multiple genres. All tracks on "Pudding" show clearly his dub and reggae influences applied to a light as a feather deep house rhythm frame, subtly infused with cosmic stylings and some synthpop nostalgia. At the same time, solid grooves carry Das Komplex' trademark melodic hooks - resulting in proper heads music that would work perfectly on any dancefloor - and any radio alike. "Pudding" sounds like a perfect teaser for Polish producer's debut artist album - due later this year on FASRAT.



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Poland's Father And Son Records And Tapes presents another stellar release from the man Das Komplex. Side A brings us two remixes from his much sought-after debut EP "Nowadays": first one is dreamy "Like A Fish", here treated by Norwegian disco legend Rune Lindbaek together with his partner Helene Rickhard. They extend the ambient intro, which is followed by super-catchy bass and drums, slowly adding guitars for maximum uplifting effect, a true Balearic anthem. Next, the space-disco duo U-Ka turn "Siren" into a full-on slo-mo bass-heavy club hit, with shuffling rhythms and distorted vocal samples, definitely one for the dancefloor. Side B bring the title track, a new gem from Das Komplex, apparently designed to tear apart the clubs worldwide: a 16-minutes long monster of a tune, seamlessly melting deep house, disco and new wave into a completely new and original quality - not to mention a vocal sample taken from some obscure Polish record. Another sure shot for Das Komplex!



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One modest man known as Das Komplex has been steadily producing music for almost a decade now in his quiet hometown of Koszalin in Western Pomerania region of Poland. It could have stayed like this if not for Maciek Sienkiewicz (veteran DJ and promoter, one of the pioneers of Polish electronic music scene), who picked some tunes for his new label FASRAT. As the artist himself prefers to stay out of the spotlight, let the music speak for itself: from sun-drenched, guitar-driven "Like A Fish" (remixes coming from some key players in modern disco/Balearic scene), through futuristic disco of "Narkoleptyczni Troche" and hazy deepness of "Nowadays", towards epic, over 13 minutes long, jazzy, dreamy, but no less energetic "Siren". Elegant, original, infectious grooves for club play and home listening alike. Limited edition with cover art by acclaimed contemporary painter Aleksandra Waliszewska.


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After a three year hiatus Night Sweats Music artist System Status is back with his first outing for People Must Jam. The four-track Pale & Crazy EP sees a return to the experimental uptempo sounds of UK producer Dave Rendle. The mind behind System Status and The Detroit Urban Gardening Ensemble, Dave's music on Untracked, Out Here Audio, Horn Wax and Stupid Human has caught the attention of global tastemakers such as Gilles Peterson, Phil Asher, Ashley Beedle, Alex Nut and Ross Allen as well as receiving the remix treatment from another previous PMJ artist - Inkswel. The record kicks off with the title track which is a perfect representation of Dave's music style: loose rhythms, rising pads, little quirky vocal snatches, deep chords and fantastic funky squiggly synth work. Great vibes all round! Jiran Jaran - born out of a conversation that started on the dance floor at the Worldwide Festival, the question what would a half Iranian and half Japanese musical collaboration call themselves? Jiran Jaran was born! Henry Wu was highly influential on this one. Janice was a late addition to the record and it is probably our favourite. Using some of the musical teachings of a well known Antipodean musician, Dave uses everything he learnt to create a truly amazing track with just enough chord progressions and melodies to make the noodleiest of Jazz musicians smile. The warm tones of his Arp Axxe shining through. We are hoping Gilles Peterson and Floating Points may get on this one. Back of the Yards is another special cut - the oldest one on the ep. A Mr Fingers inspired bass sound with more Chicago and French/Canadian influences...interesting? Check it out! We are really excited to have been able to share this with everyone. Like all of our records - pressed on heavy duty 180gm vinyl.
We hope you like it.

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To keep people guessing, the fifth instalment from Australia's best selling People Must Jam label takes things in a house direction with Andy Ash at the controls. Andy has put through an immense EP of varying house flavours to satisfy an all tastes. The EP kicks of with the monster disco vibed 'Hurricane Fantasy' track. A beautiful summery looper that's sure to keep the floors burning hot! 'Move'is one of Andy's straight up house cuts - which he is becoming well known for, a deep sounding organ line carrying the track forward with stabs and a nice little vocal sample to boot. Mixing things up a little on the flip, our good friend - Ron Basejam has provided a sublime 'Adriatic Excursion' remix of 'Move'. Ron takes the track to a totally different place with uplifting piano lines and orchestral string stabs building to a lovely crescendo. This remix should be earmarked for Croatia 2015. Finally 'Dommah' takes the EP into almost techno territory with building pads and solid beats resulting in a monster track for when the strobelight pulses and the heads go down! 180g Vinyl - Strictly limited.

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People Must Jam just keep on bringing the heat ! One of New Zealand's best exports, apart from Lamb - a DJ and producer of considerable talents, whose musical output has graced a slew of respected outlets, from the uber cool Unthank to Rush Hour, Burek, Dopeness Galore & Boogie Bash, as well as his own fantastic Hot Shots imprint For his PMJ debut, we have a five track set of rough and ready workouts, the echoes of thirty odd years of Black US dance music held up with raw drum machine scaffolding. From smoked-out B Boy jams to lo-fi sample joints - loose and alive on the floor On the flip Lay Far stirs up some sonic trouble with a bottom heavy rewire of the title track, while Ugly Drums bring some serious shine to Linoleum Magnets, with a mix that's heavy on immersive mood and vibe 300 copies.

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