UPC: 5200105301094 Rel date 14.7.2014
Tracklist:
01. Die Therapie (Lake People Remix) 02. Breath (Lake People Remix) 03. One (Lake People Remix) 04. Jimmy’s Laughing (Lake People Remix) Lee Burton – Busy Days For Fools Lake People Remixes
When one of the most brilliant remixers gets his hands on four tracks from a unique and highly reviewed album, the result is Lee Burton ‘s “Busy Days For Fools, Lake People Remixes” and in one word……..amazing. Deepness in all it’s forms, hypnotic vocals, a surprise in every second, the Lake People way. “Breath” already been charted by a great number of legends out there. Can’t miss with something like this…..


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''An absolutely stunning album. Its like an electronic emotional version of people like Fink or Piers Faccini. This album is simply Superb. Vitall" Laurent Garnier ''Very smooth, lush and
deep. Excellent, really!'' Michael Mayer ''After Nicolas Jaar and Pantha du Prince, Lee Burton has brought the romance back into electronic music. A powerful album'' Raveline ''
A wonderful album with sophisticated arrangements, which turns out to be a little gem of melancholy and attract not only fans of smart Elektronikexkurse, but also connoisseurs of
elegant, unique and timeless pop music.'' Partysan.net “Une pop avant-gardiste et douce a decouvrir” Sciences et avenir.That’s part of the reviews Lee Burton received within the
last three months from the press around the globe for his latest album release Busy Days For Fools on Klik records. Being really ingenious Lee Burton managed to create a
unique output that combines the sound of the “German” electronica with the Greek temperament and the South American laid back feeling. “Busy Days For Fools” is the
stoner side of electronica.
On july the 16th Klik records present on a limited edition vinyl, Pt. 01 of the Remix Series on original Lee Burton tracks from the likes of Skinnerbox , Mr Statik, Scsi -9 and finally on
vinyl, Nhar’s Firelfy remix that reached on youtube more than 1.000.000 views so far.
Tracklisting:
a side
1.You 've got me (Skinnerbox Remix)
2. Recover (Mr Statik's rediscover mix)
b side
1. Die Therapie (SCSI-9 Epic Remix)
2.You 've got me (Nhar Firefly Remix)

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It's been almost six years since Liberto released his debut album "Lullaby" for Klik Records. His warm deep and tech house sound received at once the best comments of the Greek and the international music press alongside the interest of some of the most important names in the electronic music scene. As a result to this, the next years were at most productive for Liberto with releases, remixes and collaborations with labels such as Trapez, Plastic City, Material, Playmobil, Syndikaat and the co foundation of the record label "Material" with Michael Safras. 2009 was the year of his new project under the name Lee Burton and recordings for labels such as Orpheas, Material and Plastic City in addition to several features and appearances in festivals and clubs.
In January 2012 Lee Burton returns with his second album project, Busy Days For Fools. Being really ingenious Lee Burton manages to escape from the sound of Lullaby creating a unique output that combines the sound of the "German" electronica with the Greek temperament and the South American laid back feeling. "Busy Days For Fools" is the stoner side of electronica.
Lee Burton did everything himself regarding the production of his new album. He spent a whole year in his personal studio using new techniques of production and recordings such as various kinds of microphones ranging from the classic condenser microphone to the microphone of a cell phone even a VHS camera one. Electronic sounds were created with vintage analogue equipment but also with live recordings of noises using various objects as well as music instruments. That was in need of providing the warmest, natural and analogue possible result, to create his own sound. ?With his influences coming from the electronic scene but also from lo-fi productions rock, blues, folk and jazz, Lee Burton's whole idea for this album came though his feelings created by his everyday life, the people around him, their moods and way they think. Going back to 2006 when he recorded his debut album under the alias Liberto he says: "As a human being I feel like it's been a long period with brand new experiences leading to a new different view of life, but as an artist I keep on living, feeling and looking for the real life influences that made me create something from the very beginning".
In other words this is the essence of "?usy Days For Fools". It's the talent of an artist who transforms the images of his mind into sounds. A concept album project written for no other purpose than the will of the artist to invite us to his own music world.
Tracklisting:
1. ONE
2. BREATH
3. YOU VE GOT ME
4. CRASH
5. RECOVER
6. ANALISE THIS
7. THE FOOL'S OPEN UP
8. BOYMAN
9. DIE THERAPIE
10. JIMMY'S LAUGHING
11. ELEVEN

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It's been almost six years since Liberto released his debut album "Lullaby" for Klik Records. His warm deep and tech house sound received at once the best comments of the Greek and the international music press alongside the interest of some of the most important names in the electronic music scene. As a result to this, the next years were at most productive for Liberto with releases, remixes and collaborations with labels such as Trapez, Plastic City, Material, Playmobil, Syndikaat and the co foundation of the record label "Material" with Michael Safras. 2009 was the year of his new project under the name Lee Burton and recordings for labels such as Orpheas, Material and Plastic City in addition to several features and appearances in festivals and clubs.
In January 2012 Lee Burton returns with his second album project, Busy Days For Fools. Being really ingenious Lee Burton manages to escape from the sound of Lullaby creating a unique output that combines the sound of the "German" electronica with the Greek temperament and the South American laid back feeling. "Busy Days For Fools" is the stoner side of electronica.
Lee Burton did everything himself regarding the production of his new album. He spent a whole year in his personal studio using new techniques of production and recordings such as various kinds of microphones ranging from the classic condenser microphone to the microphone of a cell phone even a VHS camera one. Electronic sounds were created with vintage analogue equipment but also with live recordings of noises using various objects as well as music instruments. That was in need of providing the warmest, natural and analogue possible result, to create his own sound.
With his influences coming from the electronic scene but also from lo-fi productions rock, blues, folk and jazz, Lee Burton's whole idea for this album came though his feelings created by his everyday life, the people around him, their moods and way they think. Going back to 2006 when he recorded his debut album under the alias Liberto he says: "As a human being I feel like it's been a long period with brand new experiences leading to a new different view of life, but as an artist I keep on living, feeling and looking for the real life influences that made me create something from the very beginning". In other words this is the essence of "?usy Days For Fools". It's the talent of an artist who transforms the images of his mind into sounds. A concept album project written for no other purpose than the will of the artist to invite us to his own music world.
Tracklisting Vinyl:
1.You' ve got me
2. Die Therapie
3. Breath
4. Jimmy's Laughing
5. Boyman
6. Crash



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Vinyl Only EP!

Timeless minimalistic house with a jazzy twist coming from Finest Hour's co-founder Pablo Tarno. 'Interpolarity' lives up to its name!

Tracklist 12":
A1 Odyssey 07:33 min
A2 Interpolarity 06:29 min
B1 Gunkan (Take II) 07:22 min
B2 G.S.H. 06:37 min





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Vinyl Only EP!
Tracklist 12":
A1 Atopos 07:46 min
A2 Latika 06:55 min
B1 Atopos (Ed Herbst ‘Kind of Blue’ Dub) 06:41 min
B2 Ulises 07:10 min

Info:
Ulises is the debut EP of Maik Yells on TT, pulling off three original cuts and a smooth Dub rework
from Ed Herbst. Timeless house music as usual on Taverna Tracks!

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Special Remarks: Vinyl Only EP!

Tracklist 12":
A1 Area 22 06:34 min , A2 Foundation 06:19 min
B1 Slack Joint 06:10 min , B2 Airdrop 07:13 min

Nick Beringer is back on Taverna Tracks with another bangin’ EP, dishing out four trippy, dreamy jams with a classic House attitude. The Foundation is set!


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Special Remarks: Vinyl Only EP!
Paolo Rocco joins Taverna Tracks showcasing his dubbed out house infused side with 4 rough cuts, one of which is a collaboration with his Montreal hometown co-pilot Lessi S. Another one is lent to Nick Beringer for a classy grooved out rolling remix.


Tracklist 12":
A1 Missed My Step 06:08 min , A2 Missed My Step (Nick Beringer Remix) 06:15 min
B1 Metro 514 05:37 min , B2 Booby Trap 07:41 min


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Special Remarks: Vinyl Only EP!
John Dimas is back on Taverna Tracks for the 6th release of the label, dropping a versatile package of four sophisticated Cuts: Run Time!

Tracklist 12":
A1 Airwaves 07:00 min , A2 Cloud City 07:07 min , B1 Purple Park 06:43 min , B2 Run Time 06:44 min


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No.5 on Taverna Tracks comes from young and talented Nick Beringer droppin’ four classy housejams. Don’t sleep on Nocturnal!
Tracklist 12":
A1 Night Vision 06:35 min , A2 Robyn Banks 06:40 min
B1 Grey 06:00 min , B2 Shades 06:04 min

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Vinyl Only EP!
No.4 on Taverna Tracks comes from NYC's own Alix Alvarez delivering four boogie down house cuts!
Tracklist 12":
A1 Juju 05:42 min
A2 Simple 05:40 min
B1 Zero II None 06:44 min
B2 Odyssey 06:18 min




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VINYL ONLY RELEASE
Tracklist 12":
A1 Misterio (Original Mix) 6:59 min A2 Misterio (Brothers Vibe Remix) 6:46 min B1 Adrienne 07:01 min B2 Canarias 1998 06:47 min
Info:
For the 3rd release on Taverna Tracks, Hanfry Martinez delivers 3 timeless House cuts.
US Legend Brothers Vibe on Remix duties, adds some New Jersey flava to Misterio.
Taste it while it's hot!


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UPC: 827170572966 Release: 03.11.2014
Tracklist 12": A1 Life On Mars (Original Mix) 6:45min A2 High Motions 7:16min B High Motions (Point G Remix) 11:24min
Info:
Taverna Tracks have tapped rising star John Dimas (One Records, La Vie En Rose) for their second release.
The first cut "Life on Mars" kicks off with some dirty swinging snares and hi hats, borrowing some influence from the late 90's.
On "High Motions" rolling beats break and dreamy pads peak in and out while the bass rolls nicely over the bottom end of the track.
As if this package wasn't complete the new label has saved the best for last. As a special treat they have enlisted the legendary Point G to lend his talents to remix "High Motions", which takes the package to the next level. The mix is a deep, rolling trippy peak hour track, perfect for adding action to the dancefloor.


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UPC: 827170557963 Presales: 07.04.2014 Release: 28.07.2014
Tracklist 12": A1 My People (Original Mix) 6:58min A2 Face Off 4:15min B1 My People (Alix Alvarez Remix - Phase I) 6:11min B2 My People (Alix Alvarez Remix - Phase II) 5:55min
Info:
All it takes to distinguish a deep house release from all the others these days is the people involved behind it. In this case, And.id who has proven to be as comfortable as making techno for Mobilee, VIVa music and 2020vision, as he is to produce elaborate jazz arrangements, covering electronic music songs with his jazz trio, is the man behind the first two original tracks for the Taverna Tracks imprint. The EP kick starts with "My People" and in complete New York fashion, with strings, bassline and vocal stabs that could have jumped straight out of a Jovonn production. The next track, "Face Off", is a more obscure basement techno affair, for the late night afterhours and for those who like to zone and lose themselves in the trippy stabs and tension building strings. The first Taverna Tracks EP rounds up beautifully with a superbly produced Alix Alvarez Remix, which makes use of the original hooks but elevates the whole song with his unique production skills and sublime sense for arrangement. A beautiful example of old-school themed while at the same time contemporary pieces of house music with nostalgia and soulfulness bursting out of them in every single bar.



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12" - Cover Artwork by Stefan Marx

Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.

For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.

Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.

Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound

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Tracklist:

A1. Tones On Tail
A2. Sonic Dreams
A3. Transmuted

B1. Haze
B2. Metavoid
B3. Hydra


Press release:
One of the founding figures of Amsterdam's underground Techno culture Dimi Angelis has been shaping the scene in the late 90s, throwing warehouse raves living up to the underground standards. Until today his approach remains unchanged: uncompromising, opinionated, and never aimed at easy pleasing.
Drawing from decades of crate-digging and an encyclopedic knowledge of Techno's evolution, Dimi crafts sets that feel familiar a reveal unexpected depths on closer listening.
These tracks follow that same philosophy as they are straightforward and honest on the surface, but wrapped in something appropriately unexpected.

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Acid Test continues their journey with the return of Achterbahn D'Amour. On their first proper release in three years, Jool & Iron Curtis patiently craft an intricate sound world - with the opening track, major-key pads hearken towards a bright future, hi-hats rustle like leaves and on "Dehaveland," percussive elements fall into beautiful, random unison like factory machines staging an after hours dance. Samuel Van Dijk's vaunted VC-118A project steps up for a remix, turning in a taut techno version that unfurls smoke pillars of ghostly ambience. The duo wraps up the four-tracker with an unexpected dreamy electro turn, "Don't Talk To Me." Throughout Acid Test 13, they remain in lockstep with the label's ethos - to bend, hammer and flatten acid lines into new, imaginative shapes.

Track list:

A1 - Balustrade
A2 - Dehaveland
B1 - Dehaveland - VC-118a remix
B2 - Don't Talk To Me







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Format: Cassette

Tracklist

1. Identified Patient – The Female Medical College Of Pennsylvania (Marcel Dettmann Pitched High Version)
2. Tocotronic – Bis uns das Licht vertreibt (Marcel Dettman Version 2 Remix)
3. Cristian Vogel – Untitled (Marcel Dettmann Cut)
4. John Bender – Victims Of Victimless Crimes (Marcel Dettmann Cut)
5. Clark – Dirty Pixie (Marcel Dettmann Edit)
6. Junior Boys – Work (Marcel Dettmann Remix)
7. Mutant Beat Dance - The Human Factor ft. Naughty Wood (Marcel Dettmann Edit)
8. Experimental Products – Who Is Kip Jones (Marcel Dettmann Cut)
9. Marcel Dettmann – Water feat. Ryan Elliott (My Own Shadow Remix)
10. Severed Heads – We Come To Bless The House (Marcel Dettmann Edit)
11. Albert Kuningas - Astraaliprojektio (Marcel Dettmann Edit)
12. K.Alexi Shelby – Season Of The Real (Marcel Dettmann Edit)
13. Ian North – Sex Lust You (Marcel Dettmann Edit)
14. Ford Proco – Expansión Naranja (feat. COIL) (Marcel Dettmann Edit)
15. Nitzer Ebb – Shame (Marcel Dettmann Edit)
16. Frank Duval – Ogon (Marcel Dettmann Edit)
17. Yello – Limbo (Marcel Dettman Version 2 Remix)
18. Conrad Schnitzler – Das Tier (Marcel Dettmann Edit)

Info:

A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back’s ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann’s curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. Alongside a continuous mix, this release arrives as a 3LP gatefold, and as a limited edition cassette.

Closely associated with Berlin’s techno landscape, Dettmann was born and raised in the former GDR, then later immersed in the bleary-eyed counter cultural landscape of post-unification Berlin. Initially oriented by post-punk, industrial and new-wave music, Dettmann has been DJing since 1993, always expanding and perfecting his repertoire. He later began working behind the counter at the city’s tastemaking rave boutique Hard Wax, and a decade after he first dropped a needle, became (and remains) resident at notable local nightspot Berghain/Panorama Bar, where his instincts have helped sculpt the signature sound of both main dancefloors.

Of course, you’re probably not asking, “Who is Marcel Dettmann?” More importantly, you might want to know; just what treats has he gifted us here? The trip begins with a simple pitch-shift skywards, transforming Identified Patient’s creeping ‘The Female Medical College of Pennsylvania’ into a peak-time freakout, before an alternate take on Toctronic’s ‘Bis uns das Licht vertreibt’ emerges from the vaults for the first time. Dating from 1995, and one of Dettmann’s all-time favourites, Cristian Vogel’s ‘Untitled’ clambers back into the box with respectable cuts, while John Bender’s ‘Victims of A Victimless Crime’ kicks off the flip sporting a new arrangement, transporting us back to the foundations of a confident, stripped-back sound.

A few subtle edits to Clark’s perilously funky ‘Dirty Pixie’ takes us to Dettmann’s remix of Junior Boys. Produced in 2010, it transposes the Canadian duo’s sophisticated pop with our curator in his minimal prime, and has since become an irresistible prize for high-minded diggers. The same can be said for Experimental Products’ explosive proto-electro anthem ‘Who Is Kip Jones?’, empowered from pricey Discogs purgatory with just the slightest of tweaks. It’s deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance’s raw ‘The Human Factor’ and a shimmering new version of previous solo production ‘Water’, featuring close friend and Ostgut Ton ally, Ryan Elliot.

The second half of the Mastermix seamlessly connects the mechanical past and digital present of EBM and industrial in the dance, with Dettmann’s instincts as a guiding hand. Severed Heads’ iconic ‘We Have Come To Bless This House’ emerges with mere nips and tucks, while Nitzer Ebb’s ‘Shame’ is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of ‘Limbo’ from Swiss synth heroes, Yello.

Core musical memories are shaken and stirred with a context-shifting take on Frank Duval’s emotional classic ‘Ogon’, while Ian North’s ‘Sex Lust You’ and Ford Proco’s notable Coil collaboration ‘Expansion Naranja’ effectively throb with only minor adjustments, respectfully imagined as “shadow versions”. Meanwhile, a simple breakbeat lifts Albert Kuningas’s ‘Astraalprojektio’ in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby’s ‘Season of The Real’ inexplicably emerges somehow even funkier than before.

The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann, but only as he puts it, “in conversation with the original.” Concluding three discs and thirty years of commitment to the dancefloor, this Mastermix not only offers us the opportunity to eavesdrop on this endless exchange, but to gain some sought-after material for our own record collections.




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Territories: World excl. UK

FORMAT: 12" vinyl, generic sleeve, dl card

TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59


Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:

a mirror reflecting in a mirror
harmony within a system
identities in perfect balance


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RE Edition, Orignal Pressing 2020!

Tracklist 12":

A1 Fabrizio Lapiana - Weaving
A2 Akmê - Inner Islands
B Samuli Kemppi - Queen To Bishop Six

Agenda 2020 ://about blank-style.



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RE Edition, Orignal Pressing 2020!

Tracklist 12":
A Iron Curtis - Relaxer
B1 Daniele La Luz - Unhappen It
B2 Christian S. - Column 241



Agenda 2020 ://about blank-style.



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TERRITORIES: WORLD minus UK

FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included

TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57

RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2024 Repress

TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30

The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

RE Edition, Orignal Pressing 2020!

Tracklist 12":

A1 Yuka - Red Star Is White
A2 Blazej Malinowski - Transmigration
B Milena Glowacka - Cold Blue


Agenda 2020 ://about blank-style.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More