Release Info:

A1 / Colibri
A2 / Variation sur 3 bancs (ft The Limiñanas)
A3 / Tokoyo No Kuni (ft Vega Voga)
A4 / La Boite Noire (ft Funboys)
A5 / La Goutte d’Eau
B1 / Fata Morgana
B2 / Nid de Guêpes
B3 / Bring the light (ft Pajaro Sunrise)
B4 / Kotodama (ft Vega Voga)
B5 / Le Chant des Sirènes (ft Tim Glass)

Release Info:
With 'Piscolabis', Golden Bug delivers a new UFO sound oscillating between electronica, robotic vibrations and psychedelic dub. Piscolabis embraces all the styles important to Antoine Harispuru and emerges as an astonishing opening onto new worlds. And he invited an impressive number of guests to his 4th studio album:
The French from The Liminañas or Tim Glass, the Japanese Vega Voga, the Australians from Funboys, Spanish singer Pajaro Sunrise, it is because this project was born out of the turmoil caused by opposition.
'Colibri' is a psychedelic labyrinth, a sentimental and hypnotic ascent that radiates on the dancefloor. 'Variation Sur 3 Bancs' featuring The Liminañas, immerses us in the world of acid western and psychedelic pop and makes you want to hitchhike on the road. On 'Tokoyo No Kuni', Golden Bug invites Japanese singer Vega Voga to create a musical epic worthy of an imaginary soundtrack by Toshiya Fujita. With its slow rhythm and spellbinding melodies, 'La Boite Noire' explores Berlin electronica immersed in chloroform. 'La Goutte D’Eau' takes off, dark and throbbing. The fluid rhythm is left behind by hypnotic patterns that push the listener into their sofa, which will not come out until the very end of the interlude.
'Fata Morgana' excites with its dirty rhythm, hypnotic arpeggiator and cosmic sound effects. 'Nid de Guêpes' interstellar flute wraps around slowed dub effects, like a 7" in speed 12", and evokes emotion by repeating its heady loop, an obsessive and mutant vision of music. 'Bring The Light' with the support of Spanish singer Pajaro Sunrise is an ideal springboard to touch the stars and explores the clear face of Golden Bug by merging choppy oriental guitars, solar vocals and dub rhythm. Without interruption, 'Kotodama' continues the journey on an unknown planet, on which Vega Voga comes to pose her suave voice on dark electronic arrangements, transforming itself into indescribable and harmoniously eccentric binary code. To end this journey, 'Le Chant Des Sirènes', carried by the voice of Frenchman Tim Glass, plays along the lines of scintillating and nebulous pop.
Vocal textures with robotic vibrations, complex and indescribable psychedelic music are Ariane's thread of this new sensory and universal album. Music to listen to, see and feel.
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Born from my meeting with japanese artist Vega Voga, 'Toyoko No Kuni' builds a bridge between our two cultures by creating a musical epic sounding like an imaginary, acid-drenched Toshiya Fujita movie.
By homaging the 70's Avant-garde scene and by channelling Akiko Yano and Midori Takada's music, Tokoyo No Kuni combines a western approach to japanese traditional instruments in which lyrical vocal samples, synth lines, supersonic percussions and razor-sharp guitars drench the country of Chrysanthemums in an unsolved mystery.

Remixed by Nicola Cruz, Michael Mayer and Wolf Müller, 'Tokoyo No Kuni' acts as the opening act of my new album Piscolabis.

Tracklist

A1 / Tokoyo No Kuni (Original)
A2 / Tokoyo No Kuni (Nicola Cruz Remix)

B1 / Tokoyo No Kuni (Wolf Müller Remix)
B2 / Tokoyo No Kuni (Michael Mayer Remix)




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Non Exclusive/German Exclusive 2LP

TRACKLISTING:

01 Monsters , 02 Feel So Good , 03 Don't Be Mad , 04 Rainy Monday , 05 Easy Walk & Talk , 06 The Tick , 07 The Darkness In The Middle, 08 The Light , 09 What Are We Looking At , 10 The Light (Extended Version)

The music world waits a decade for more music from Marc Nguyen Tan AKA Colder - and then along come two albums at once.
As Colder, Marc released two acclaimed, cult darkwave, post-punk albums on Trevor Jackson's taste-making Output Recordings in the mid 00s ('Again' in '03 and 'Heat' in '05). After the closure of Output, Marc spent the last few years playing and recording improvised jazz in the mountains of Spain and working at his creative agency Le Cabinet. Paris.
Then in 2015 he released the third Colder album 'Many Colours', after a decade of musical silence. His new musical vehicle is SAVE! and their record 'Monsters and Fairies'. On this one he steps aside as vocalist and collaborates with American poet and singer Craig Louis Higgins Jr. Last year Craig contributed his unsettling spoken word to the acclaimed dub-acid trax by Paranoid London (recording under his Mutado Pintado moniker).
The world they have created together, with Craig recording in London and Marc in Spain, exists in a dream, suspended between the two locations. A creeping, creepy Lynchian-world, where acid-dub work-outs combine with stream-of-consciousness monologues to make one of the strangest records this side of Serge Gainsbourg's reggae albums like 'Aux Armes et cætera'. The record warps and shimmers as if seen through a heat haze, a confused existential daydream or a dark wave mirage.
Released on Parisian DJ Ivan Smagghe (It's A Fine Line / Kill The DJ) Les Disques De La Mort label, SAVE! finds Marc operating in the experimental shadows, against the grain, much as Colder's post-punk sound originally appeared in the context of the other dance music in 2003
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