Galaxy Sound CO crew back at it!!
New Fall release for 2018.
SIde A.
Hailing from Detroit Heavy Funk, Drum Beak Monster of a cut.
This record is a killer. Banginí drums, horns, a sweet bass line, Jake Wade and the Soul Searchers knew how to lay it down. Their DIY attitude was a great indication of just how much music that was under the radar at that time.
Toured with Blue-eyed Motown artist Stoney Murphy, even played in venues such as Detroit's famous Grande Ballroom.
Seaching for Soul, This 1968 Funk Bomb was even sampled in Beyonce song "Suga Mama"
Side B.
Show Stopper- Edits
Black Cash & Theo decied to give it Drum Edit Work out!!
This 45 from Iron Knowledge (from Youngstown, Ohio!) released in 1972 is an undeniable face melter! ìShow-Stopperî boasts one of the heaviest, gnarliest sounds ever put to wax!!!!!
In the distorted guitar riffs aggressive psychedelic funk "Show-Stopper" heavy drum break down. More

More smart edits: Can's "Vitamin C" blends eerie pop hooks w/some psych vox + epic drum breaks. Silver Apples' "Lovefingers" f/ their famous homemade synth + stripped down drums & psych-era vox.

More

Soul Food starts innocently til the heaviest drums in all of creation, arrive. "Take Me With You" is a moody, dreamy jam sampled by LL Cool J, Havoc feat Raekwon & Styles P, The Game, etc. More

Lafayette Afro Rock Band's alter ego Captain Dax jumps it w/"Dr. Beezar", right from the start. As freaky as it is funky. Then Harry Mosco's "I feel Funky" get's it tight, a Nigerian funk jammer. All edited for supreme usability & party-sized action.
More

Lafayette Afro Rock Band's alter ego Captain Dax jumps it w/"Dr. Beezar", right from the start. As freaky as it is funky. Then Harry Mosco's "I feel Funky" get's it tight, a Nigerian funk jammer. All edited for supreme usability & party-sized action.
More

Frank Cunimondo Trio still hits it w/"Feeling Good" on the A, jazz, house & hip hop heads all dig it. Etta James "In The Basement" will always start the party, pure soul, the funky smell, and the sweaty groove.
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Wood, Brass & Steel "Always There" is a party jam; a secret weapon that had every deep house DJ & crate digger bugging out. Seaquence "Disco Thing" is a lost private modern boogie/soul record from San Diego. Nice & tight for the floor.

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Ronnie Keaton "Going Down for the Last Time Part 1" Heavyweight funk been on everybody's want list for years. Maggie Thrett "Soupy" Funk-soul classic, sampled by Prince Paul, Da La Soul.
More

TRACK LIST:
SIde A.The Vulture ( Drum Break Edits )
Side B Get Together (Gospel Time Edit )


File under Funk Edits / Soul Edits
Black Cash & Theo Edits More

Galaxy Sound CO crew back at it!! New Year Winter release for 2019.
SIde A.
Free Soul 1969 The groove is heavy too ñ and a popular hip hop sample ñ but really itís all about Klemmerís blisteringly intense, stream of consciousness freak-out.
Been sampled over 16x from INI to Ed O G & Da Bulldogs to Kurious, Akinyele, Dred Scott to name a few. Klemmer just wyles out on the sax keep that Psychedelic funk moving!!
Side B.
Up Above the Rock Edit
1968
You wonít find too many jazz songs that start with a drum break, but then this is probably one of the better jazz/soul hybrids Iíve heard in some time. Produced by Richard Evans this song is a perfect display of acoustic jazz funk with Ron Carter & Grady Tate filling out the Rhythm section.
Dance Floor classic!!!
More

Galaxy Sound CO crew back at it!!
New Fall release for 2018.
SIde A.
Hailing from Detroit Heavy Funk, Drum Beak Monster of a cut.
This record is a killer. Banginí drums, horns, a sweet bass line, Jake Wade and the Soul Searchers knew how to lay it down. Their DIY attitude was a great indication of just how much music that was under the radar at that time.
Toured with Blue-eyed Motown artist Stoney Murphy, even played in venues such as Detroit's famous Grande Ballroom.
Seaching for Soul, This 1968 Funk Bomb was even sampled in Beyonce song "Suga Mama"
Side B.
Show Stopper- Edits
Black Cash & Theo decied to give it Drum Edit Work out!!
This 45 from Iron Knowledge (from Youngstown, Ohio!) released in 1972 is an undeniable face melter! ìShow-Stopperî boasts one of the heaviest, gnarliest sounds ever put to wax!!!!!
In the distorted guitar riffs aggressive psychedelic funk "Show-Stopper" heavy drum break down. More

Issac Hayes Hung up on my baby pt1 A. 4:39 KADENA MUTI TRACK EDITS
Issac Hayes Hung up on my babay pt2 B. 4:22 KADENA Multi TRACK EDITS
1974 Tough Guys OST -
Kadena - Multi track version Parts 1 and 2. Which are Un released stripped down versions .- Sampled by Ghetto Boys "Mind playing Tricks on me" Rap hip hop classic. stands out the most
What i love about this song, Guitars are the main hook, the horns sections stripped out, plus added guitar solo on part 2 breaks it down for that heavy soul , funk fuzz..
More

Produced by KADENA- AKA Todd Osborn.
Side A. Soul Liberation - Touch me again ( Deep Soul Edit) -time Side B. Yasuko Agawa - L.A. Nights ( KADENA INSTRUMENTAL ) Un Released Multi Track Mix (KADENA - is Highly respected Detroit/ Ann Arbor Techno / House Producer going by a secret identity. More

Side A. Soul Liberation - Touch me again ( Deep Soul Edit) -time Side B. Yasuko Agawa - L.A. Nights ( KADENA INSTRUMENTAL ) Un Released Multi Track Mix (KADENA - is Highly respected Detroit/ Ann Arbor Techno / House Producer going by a secret identity. More

BlackCash & Theo get back at it with the latest in this series of funk - soul - party edits. Pleasure "Bouncy Lady" is an amazing funk break track, produced by jazz legend Wayne Henderson of The Crusaders. The intro break has been extended, and is one of the all time classic hip hop funk breaks. Elements of this track were sampled on "Brand New Funk" by DJ Jazzy Jeff & the Fresh Prince, "Word to the Mother (Land)" by Big Daddy Kane, and "Church" by De La Soul. Whatnauts "Why Cant People Be Colors Too" is a soul / R&B jam with another heavy break, as sampled by Q-Tip, Pete Rock, Diamond D, Dilla, and "Oh My God" by A Tribe Called Quest featuring Busta Rhymes. More

More smart edits: Can's "Vitamin C" blends eerie pop hooks w/some psych vox + epic drum breaks. Silver Apples' "Lovefingers" f/ their famous homemade synth + stripped down drums & psych-era vox.

More

Soul Food starts innocently til the heaviest drums in all of creation, arrive. "Take Me With You" is a moody, dreamy jam sampled by LL Cool J, Havoc feat Raekwon & Styles P, The Game, etc. More

Lafayette Afro Rock Band's alter ego Captain Dax jumps it w/"Dr. Beezar", right from the start. As freaky as it is funky. Then Harry Mosco's "I feel Funky" get's it tight, a Nigerian funk jammer. All edited for supreme usability & party-sized action.
More

Frank Cunimondo Trio still hits it w/"Feeling Good" on the A, jazz, house & hip hop heads all dig it. Etta James "In The Basement" will always start the party, pure soul, the funky smell, and the sweaty groove.
More

Lafayette Afro Rock Band's alter ego Captain Dax jumps it w/"Dr. Beezar", right from the start. As freaky as it is funky. Then Harry Mosco's "I feel Funky" get's it tight, a Nigerian funk jammer. All edited for supreme usability & party-sized action.
More

Wood, Brass & Steel "Always There" is a party jam; a secret weapon that had every deep house DJ & crate digger bugging out. Seaquence "Disco Thing" is a lost private modern boogie/soul record from San Diego. Nice & tight for the floor.

More

Ronnie Keaton "Going Down for the Last Time Part 1" Heavyweight funk been on everybody's want list for years. Maggie Thrett "Soupy" Funk-soul classic, sampled by Prince Paul, Da La Soul.
More

1979 one-off 45 by Akron, Ohio-based funk duo edited by BlackCash & Theo. Sampled by Motor City Drum Ensemble, Madlib, others. More

Tracklisting
A1 Gary Beck - Upside Criminal
A2 Gary Beck - Sambana
B1 Gary Beck - Pepper Track
B2 Gary Beck - Rejected
B3 Gary Beck - Ghost

Sales Note
Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.



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Classy 1994 House gem carefully re-issued More

Rare Downtempo Italo, House reissue from 1989. Bomb ! ! ! ? Don’t sleep !
More

Reissue from 1991, Killer Egyptian cover version of Suzanne Vega - Toms Diner by Simone, Egyptian singer and actress. Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Including a bonus beat edit of "Rekka" by Castro.
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Thought is the essence of where you are now.

Composed in an era where people weren't concerned with music labels but just wanted to hear fresh new sounds and go out to clubs religiously, “Digital Imagination - The Essence of Thought” is a sci-fi inspired mixture of House, full- speed Trance and Trip Hop coming from a young Ted Heinz falling in love with electronic music in the thriving early 90s Boston rave scene. Originally release by Concept Records in 1993 and with original copies now hard to get ahold of, Sunny Crypt is happy to give this record a full reissue treatment with audio restored from the original DAT tape and a new graphic design. More

repress of this incredible disco classic by Arthur Russell. More

When the house music phenomenon was beginning, Chicago DJs like Ron Hardy and New Yorkers such as Frankie Knuckles and Larry Levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. Warehouse Classics Vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the Music Box and rarely heard anywhere else.
Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape before moving on to the next set of sounds.
Musically, it's as delightfully funky and uncomplicated as you'd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. Essential Item !

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Those who have been following the Cosmology series from its inception will no doubt be familiar with the ad hoc release schedule and will perhaps have grown accustomed to the diverse range of styles that their ep's encompass. Each one has trodden a different path in the pursuit of updating pivotal dancefloor memories and Cosmology volume four is the most ambitious reworking to date. The choice for this instalment's source material is a topical one as the influence here comes from Herman Sonny Blount, better known as the Free Jazz pioneer Sun Ra. The start point for this project was some snatched vocals and the saxophone from the 1972 opus, 'Space is the Place'. The sax riff was originally recorded in a Quintuple (an unusual 5/4 meter, which anyone familiar with Sun Ra will attest that his chaotic band leading makes the edit process nigh on impossible). Ever up for the challenge, Laurie somehow managed to cajole this into a more friendly 4/4 time signature, which forms the off kilter and strangely hypnotic bassline that underpins the track, leaving just the faintest whisper of the original intact. This mid tempo burner increases the intensity as it progresses, taking its time to wrap itself round you, into your mind and once this haunting melody gets you, you stay got. Left of field adventurers will have fun trying testing their crowd with this, and figuring out what to file it under. Flip it over and we return to more familiar soulful surroundings, albeit with a notably different sphere of influence and approach from the A side. This too retains that trademark Cosmologist other-world spaciness and crate diggers and modern soul aficionados will identify the lush, swirling disco gem from Flowers, a hard to come by rarity, entitled "For Real". Oozing soul from the opening bar, we have a track where very little reconstruction work was needed, so instead a nuanced yet restrained alteration is employed which retains all the class, and gives it a respectful re-calibration, opening it to a slightly wider range of DJ's to program. This was recorded during the Christmas break of 2013, but sat in the can for almost a year awaiting another track to pair it up with. Two wildly contrasting edits that will add something to the ongoing what is a remix/ edit debate, this double header will be the perfect storm to bring in the new-year and comes beautifully presented on 180g heavyweight vinyl, with black inner and a spined manila sleeve. Under the influence, and always under the radar… More