12" Excl
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Label:Macro Recordings
Cat-No:macrom52
Release-Date:11.11.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314722
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Last in:20.03.2020
Label:Macro Recordings
Cat-No:macrom52
Release-Date:11.11.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314722
Tracklist:
A1: Please Don't Tell Me That
A2: Serious Attack
B1: She Put Me Under A Light Trance
B2: Overland Trip
Release info:
Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures.
Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release.
Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world.
The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1: Please Don't Tell Me That
A2: Serious Attack
B1: She Put Me Under A Light Trance
B2: Overland Trip
Release info:
Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures.
Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release.
Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world.
The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Vladimir Dubyshkin
2x12"
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Last in:13.01.2025
Label:Trip
Cat-No:TRP048
Release-Date:17.05.2024
Genre:Techno
Configuration:2x12"
Barcode:
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1
Vladimir Dubyshkin - the rothschild party
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2
Vladimir Dubyshkin - pixel hunting
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3
Vladimir Dubyshkin - adrenochrome breakfast
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Vladimir Dubyshkin - sinking horse
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Vladimir Dubyshkin - glucose guardian
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Vladimir Dubyshkin - just a happy song
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Vladimir Dubyshkin - birthday cake
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Vladimir Dubyshkin - nothingburger
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Vladimir Dubyshkin - we're not in the wonderland anymore, alice
Tracklisting
A1 Vladimir Dubyshkin - the rothschild party
A2 Vladimir Dubyshkin - pixel hunting
B1 Vladimir Dubyshkin - adrenochrome breakfast
B2 Vladimir Dubyshkin - sinking horse
C1 Vladimir Dubyshkin - glucose guardian
C2 Vladimir Dubyshkin - just a happy song
D1 Vladimir Dubyshkin - birthday cake
D2 Vladimir Dubyshkin - nothingburger
D3 Vladimir Dubyshkin - we're not in the wonderland anymore, alice
Sales Note
not many artists are able to develop a distinct sonic identity releasing just 5 solo records. through his selective output in the course of 5 years on nina kraviz's Trip, vladimir dubyshkin gained not only an army of loyal fans analysing his live sets for new music, he also inspired many who followed and continued to develop his unique sound.
his tracks, many of which became underground hits like "lady of the night", "ticket to childhood" or "russian porn magazine", always stand out and are immediately recognisable. be it weird syncopated euro dance reminiscent bangers with crazy vocal snaps or haunting hypnotic beauties on a techno side. his music always has that genius dubyshkin groove, a pinch of irony and the ability to make just anyone dance, from a small underground club to a huge festival dancefloor. this universal appeal ensures his tracks resonate across sound systems of all sizes, embedding themselves in the listener's consciousness long after the music stops.
on "ivanovo night luxe", his first double ep on Trip, vladimir sounds as amazingly unhinged as ever embarking on a surreal journey, from the eerie echoes of a haunted funfair ride to the core of a peak-time set.
"ivanovo night luxe" continues to captivate and intrigue, solidifying dubyshkin's standing as an artist of unwavering integrity and reminding us that sometimes 'less is more'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Vladimir Dubyshkin - the rothschild party
A2 Vladimir Dubyshkin - pixel hunting
B1 Vladimir Dubyshkin - adrenochrome breakfast
B2 Vladimir Dubyshkin - sinking horse
C1 Vladimir Dubyshkin - glucose guardian
C2 Vladimir Dubyshkin - just a happy song
D1 Vladimir Dubyshkin - birthday cake
D2 Vladimir Dubyshkin - nothingburger
D3 Vladimir Dubyshkin - we're not in the wonderland anymore, alice
Sales Note
not many artists are able to develop a distinct sonic identity releasing just 5 solo records. through his selective output in the course of 5 years on nina kraviz's Trip, vladimir dubyshkin gained not only an army of loyal fans analysing his live sets for new music, he also inspired many who followed and continued to develop his unique sound.
his tracks, many of which became underground hits like "lady of the night", "ticket to childhood" or "russian porn magazine", always stand out and are immediately recognisable. be it weird syncopated euro dance reminiscent bangers with crazy vocal snaps or haunting hypnotic beauties on a techno side. his music always has that genius dubyshkin groove, a pinch of irony and the ability to make just anyone dance, from a small underground club to a huge festival dancefloor. this universal appeal ensures his tracks resonate across sound systems of all sizes, embedding themselves in the listener's consciousness long after the music stops.
on "ivanovo night luxe", his first double ep on Trip, vladimir sounds as amazingly unhinged as ever embarking on a surreal journey, from the eerie echoes of a haunted funfair ride to the core of a peak-time set.
"ivanovo night luxe" continues to captivate and intrigue, solidifying dubyshkin's standing as an artist of unwavering integrity and reminding us that sometimes 'less is more'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:15.03.2024
Label:trip
Cat-No:TRP030
Release-Date:19.05.2023
Genre:Techno
Configuration:12"
Barcode:
Repress
Tracklisting:
A1 Vladimir Dubyshkin - Rural Woman
A2 Vladimir Dubyshkin - Grasshopper's Opinion
B1 Vladimir Dubyshkin - Customs & Traditions
B2 Vladimir Dubyshkin - Elvis Has Left The Building
Sales Note
Returning to TRIP after last year's fantastic 'cheerful pessimist' EP, Vladimir Dubyshkin presents 'budni nashego kolhoza', an abstract portrait of the 'everyday life of a collective farm'. On these driving, iridescent tracks Dubyshkin is as self-assured as he is unhinged.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
A1 Vladimir Dubyshkin - Rural Woman
A2 Vladimir Dubyshkin - Grasshopper's Opinion
B1 Vladimir Dubyshkin - Customs & Traditions
B2 Vladimir Dubyshkin - Elvis Has Left The Building
Sales Note
Returning to TRIP after last year's fantastic 'cheerful pessimist' EP, Vladimir Dubyshkin presents 'budni nashego kolhoza', an abstract portrait of the 'everyday life of a collective farm'. On these driving, iridescent tracks Dubyshkin is as self-assured as he is unhinged.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:31.07.2024
Label:Trip
Cat-No:TRP022
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
Barcode:
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1
Vladimir Dubyshkin - Belissimo
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2
Vladimir Dubyshkin - I Decided To Fly
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Vladimir Dubyshkin - Machines Behave Badly
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Vladimir Dubyshkin - Pigeon Epilepsy
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Vladimir Dubyshkin - Rooyggbiv
Tracklisting:
A1 Vladimir Dubyshkin - Belissimo
A2 Vladimir Dubyshkin - I Decided To Fly
B1 Vladimir Dubyshkin - Machines Behave Badly
B2 Vladimir Dubyshkin - Pigeon Epilepsy
B3 Vladimir Dubyshkin - Rooyggbiv
Sales Note
- 2023 repress -
Hailing from the ancient Russian city of Tambov, on the banks of the Tsna River, the youngest member of the Trip family Vladimir Dubyshkin emerges for a potent debut solo EP. cheerful pessimist is an engaging package of highly anticipated deep, swirling techno tracks that many will recognise from label head Nina Kraviz's DJ sets. Diving straight into the core of a peak time set, Vladimir unleashes five formidable doses of unrestrained energy. Swollen sub bass and thumping percussion forge an unmistakable sense of physicality, whilst spiralling, a melodic leads run circles around the listener. Cheerful pessimist wastes no time warming up, plunging head first into the belly of the beast. A thrilling debut and an essential release for lovers of vibrant techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Vladimir Dubyshkin - Belissimo
A2 Vladimir Dubyshkin - I Decided To Fly
B1 Vladimir Dubyshkin - Machines Behave Badly
B2 Vladimir Dubyshkin - Pigeon Epilepsy
B3 Vladimir Dubyshkin - Rooyggbiv
Sales Note
- 2023 repress -
Hailing from the ancient Russian city of Tambov, on the banks of the Tsna River, the youngest member of the Trip family Vladimir Dubyshkin emerges for a potent debut solo EP. cheerful pessimist is an engaging package of highly anticipated deep, swirling techno tracks that many will recognise from label head Nina Kraviz's DJ sets. Diving straight into the core of a peak time set, Vladimir unleashes five formidable doses of unrestrained energy. Swollen sub bass and thumping percussion forge an unmistakable sense of physicality, whilst spiralling, a melodic leads run circles around the listener. Cheerful pessimist wastes no time warming up, plunging head first into the belly of the beast. A thrilling debut and an essential release for lovers of vibrant techno.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:13.01.2025
Label:trip
Cat-No:TRP032
Release-Date:14.10.2022
Genre:Techno
Configuration:12"
Barcode:
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1
Vladimir Dubyshkin - Russian Porn Magazine
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2
Vladimir Dubyshkin - The Return of the Drunken Son
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Vladimir Dubyshkin - Driving the Bus
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Vladimir Dubyshkin - Deaf Artist
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Vladimir Dubyshkin - Company of 302s
- 2022 repress -
Tracklisting:
A1 Vladimir Dubyshkin - Russian Porn Magazine
A2 Vladimir Dubyshkin - The Return of the Drunken Son
B1 Vladimir Dubyshkin - Driving the Bus
B2 Vladimir Dubyshkin - Deaf Artist
B3 Vladimir Dubyshkin - Company of 302s
Sales Note
Tambov's Vladimir Dubyshkin returns to Trip with his "pornographic novel" EP, dedicated to the 90's Russian porn phenomenon. Russian lullabies inspired by absurd dialogues, comic plots and stupid acting from 90s adult films... thank u for your attention!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
A1 Vladimir Dubyshkin - Russian Porn Magazine
A2 Vladimir Dubyshkin - The Return of the Drunken Son
B1 Vladimir Dubyshkin - Driving the Bus
B2 Vladimir Dubyshkin - Deaf Artist
B3 Vladimir Dubyshkin - Company of 302s
Sales Note
Tambov's Vladimir Dubyshkin returns to Trip with his "pornographic novel" EP, dedicated to the 90's Russian porn phenomenon. Russian lullabies inspired by absurd dialogues, comic plots and stupid acting from 90s adult films... thank u for your attention!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:09.09.2024
Label:Trip
Cat-No:TRP039
Release-Date:29.04.2022
Genre:Techno
Configuration:12"
Barcode:
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1
Vladimir Dubyshkin - Ticket To Childhood
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2
Vladimir Dubyshkin - Paranoid Thoughts
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Vladimir Dubyshkin - No Tell Motel
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Vladimir Dubyshkin - Noodle Soup
Tracklisting:
A1 Vladimir Dubyshkin - Ticket To Childhood
A2 Vladimir Dubyshkin - Paranoid Thoughts
B1 Vladimir Dubyshkin - No Tell Motel
B2 Vladimir Dubyshkin - Noodle Soup
Release Note:
Vladimir Dubyshkin's long awaited hits are finally out.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Vladimir Dubyshkin - Ticket To Childhood
A2 Vladimir Dubyshkin - Paranoid Thoughts
B1 Vladimir Dubyshkin - No Tell Motel
B2 Vladimir Dubyshkin - Noodle Soup
Release Note:
Vladimir Dubyshkin's long awaited hits are finally out.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:Macro Recordings
Cat-No:macrom51
Release-Date:28.10.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314715
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Last in:20.03.2020
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Last in:20.03.2020
Label:Macro Recordings
Cat-No:macrom51
Release-Date:28.10.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314715
Tracklist:
A1: Uhod
A2: Who's Your Daddy
B1: Treatment
B2: Symphony No.9
Release info:
Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures.
Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release.
Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world.
The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1: Uhod
A2: Who's Your Daddy
B1: Treatment
B2: Symphony No.9
Release info:
Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures.
Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release.
Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world.
The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Macro Recordings
CD Excl
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Label:Macro Recordings
Cat-No:macrom81cd
Release-Date:10.10.2025
Genre:Electronic, Electronica
Configuration:CD Excl
Barcode:4251804186810
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Last in:30.07.2025
Label:Macro Recordings
Cat-No:macrom81cd
Release-Date:10.10.2025
Genre:Electronic, Electronica
Configuration:CD Excl
Barcode:4251804186810
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1
Stefan Goldmann / Ensemble 180° - Chimera
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2
Stefan Goldmann / Ensemble 180° - Big Drop
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3
Stefan Goldmann / Ensemble 180° - Gnomon A
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4
Stefan Goldmann / Ensemble 180° - Extension 1
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5
Stefan Goldmann / Ensemble 180° - Études Spectrales I
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6
Stefan Goldmann / Ensemble 180° - Études Spectrales II
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7
Stefan Goldmann / Ensemble 180° - Études Spectrales III
Track list CD:
1.Chimera, 2. Big Drop, 3. Gnomon A, 4. Extension 1, 5. Études Spectrales I, 6. Études Spectrales II,
7. Études Spectrales III
Info:
Stefan Goldmann’s 'Input' translates electronic music into performance formats for human players of acoustic instruments. The standard remix process is thus inverted, by providing the electronics first. Then composers backwards-engineer what they hear into scores for ensemble. The original, synthesized version isn’t available for the audience: Its hidden shape can only be guessed at through its acoustic translations.
By collaborating with multiple composers, the process of direct auditory comparison allows for multidimensional insights. It reveals common traits in unlikely places and highlights differences
between individual approaches. Ambiguities of sound/score relations, emergent parallelisms and unexpected congruencies become part of the sensory and cognitive experience.
The three versions in this release – by Daniel Chernov, Adrian Pavlov and Lukas Tobiassen – were recorded at Sofia's 180 Degrees Festival and performed by the stellar group of musicians from
Bulgaria, France and Switzerland which came together in Ensemble 180°. The live recordings were further processed by Stefan Goldmann and now represent a stunning sonic hall of mirrors, with
multiple vectors of transformation embedded in this dialogue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1.Chimera, 2. Big Drop, 3. Gnomon A, 4. Extension 1, 5. Études Spectrales I, 6. Études Spectrales II,
7. Études Spectrales III
Info:
Stefan Goldmann’s 'Input' translates electronic music into performance formats for human players of acoustic instruments. The standard remix process is thus inverted, by providing the electronics first. Then composers backwards-engineer what they hear into scores for ensemble. The original, synthesized version isn’t available for the audience: Its hidden shape can only be guessed at through its acoustic translations.
By collaborating with multiple composers, the process of direct auditory comparison allows for multidimensional insights. It reveals common traits in unlikely places and highlights differences
between individual approaches. Ambiguities of sound/score relations, emergent parallelisms and unexpected congruencies become part of the sensory and cognitive experience.
The three versions in this release – by Daniel Chernov, Adrian Pavlov and Lukas Tobiassen – were recorded at Sofia's 180 Degrees Festival and performed by the stellar group of musicians from
Bulgaria, France and Switzerland which came together in Ensemble 180°. The live recordings were further processed by Stefan Goldmann and now represent a stunning sonic hall of mirrors, with
multiple vectors of transformation embedded in this dialogue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CD Excl
in stock
Label:Macro Recordings
Cat-No:macrom80cd
Release-Date:02.05.2025
Genre:Electronic, Electronica
Configuration:CD Excl
Barcode:4251804184267
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Last in:01.04.2025
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Last in:01.04.2025
Label:Macro Recordings
Cat-No:macrom80cd
Release-Date:02.05.2025
Genre:Electronic, Electronica
Configuration:CD Excl
Barcode:4251804184267
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1
Stefan Goldmann - Onset Trajectory
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2
Stefan Goldmann - Qanath
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3
Stefan Goldmann - Vilayet
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4
Stefan Goldmann - Tefter
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5
Stefan Goldmann - Hard Palate
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6
Stefan Goldmann - Anaphora
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7
Stefan Goldmann - Builders
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8
Stefan Goldmann - Arda
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9
Stefan Goldmann - Healer
Track list CD:
1. Onset Trajectory, 2. Qanath, 3. Vilayet, 4. Tefter, 5. Hard Palate, 6. Anaphora, 7. Builders, 8. Arda, 9. Healer
Info:
"Live at Borusan" follows in the tradition of Stefan Goldmann's recordings of concerts at the Philharmonie Berlin and the Honen-in Temple in Kyoto, with a music program that is just as tailored to the location and its characteristics as his other site-specific formats, such as for the LACMA in Los
Angeles or the CCK of Buenos Aires.
The Borusan Music House is located in the densely built-up Pera district, the old Christian quarter of Istanbul. It is a 19th century brownstone that has been carefully converted into a minimalist, multistorey exhibition and concert venue. While Goldmann was a fellow at the Tarabya Cultural Academy
for an extended summer in 2023, the idea for this concert was born and scheduled to be part of the Noise Istanbul festival organized by Borusan in November 2024.
The palimpsest-like character of the city with its multiple cultural layers is reflected in the structure of this concert and expressed in the language of electroacoustic composition. Accordingly, what should be a collision-ridden, restlessly advancing sequence through a multitude of references to earlier works and projects such as Veiki, Alluvium, Sfera and Furnace, instead leads us on a surprisingly relatable sonic arc.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Onset Trajectory, 2. Qanath, 3. Vilayet, 4. Tefter, 5. Hard Palate, 6. Anaphora, 7. Builders, 8. Arda, 9. Healer
Info:
"Live at Borusan" follows in the tradition of Stefan Goldmann's recordings of concerts at the Philharmonie Berlin and the Honen-in Temple in Kyoto, with a music program that is just as tailored to the location and its characteristics as his other site-specific formats, such as for the LACMA in Los
Angeles or the CCK of Buenos Aires.
The Borusan Music House is located in the densely built-up Pera district, the old Christian quarter of Istanbul. It is a 19th century brownstone that has been carefully converted into a minimalist, multistorey exhibition and concert venue. While Goldmann was a fellow at the Tarabya Cultural Academy
for an extended summer in 2023, the idea for this concert was born and scheduled to be part of the Noise Istanbul festival organized by Borusan in November 2024.
The palimpsest-like character of the city with its multiple cultural layers is reflected in the structure of this concert and expressed in the language of electroacoustic composition. Accordingly, what should be a collision-ridden, restlessly advancing sequence through a multitude of references to earlier works and projects such as Veiki, Alluvium, Sfera and Furnace, instead leads us on a surprisingly relatable sonic arc.
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Label:Macro Recordings
Cat-No:macrom79cd
Release-Date:14.03.2025
Genre:Electronic, Electronica
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Label:Macro Recordings
Cat-No:macrom79cd
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Genre:Electronic, Electronica
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1
Impérieux - Fo Pio
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2
Impérieux - Objectify
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3
Impérieux - Deliro
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4
Impérieux - Gider
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5
Impérieux - Sword Fight
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6
Impérieux - Rezil
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7
Impérieux - Imana
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8
Impérieux - Almost Had It
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9
Impérieux - Phase Rotation
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Impérieux - Young
Track list CD:
1. Fo Pio, 2. Objectify, 3. Deliro, 4. Gider, 5. Sword Fight, 6. Rezil, 7. Imana, 8. Almost Had It, 9. Phase Rotation, 10. Young
Info:
Impérieux (aka Alper Durmush) is a beatmaker extraordinaire hailing from Kircaali / Kardjali: since antiquity a hub of mythical music, located at the crossroads of Bulgaria, Turkey and Greece.
Rezil is his stunning debut album, built on the ground cleared by his head-turning earlier releases for KiNK's Sofia Records and DJ Koze's Pampa. Its effortlessly mesmerizing 10 tracks consolidate the outlines of forward-leaning club music.
Experimentation is a well-established facet of Impérieux’ approach to the adventurous techno (left)field, but more than ever on Rezil he seizes the opportunity
to thrill with holistically captivating hooks, bass lines and rolling rhythms: A culmination of several years of exploration and refinement. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint.
From the warped wobble of Sword Fight to the unhinged dairé excess of Imana, from the drunken Casio bliss of Rezil to the hopeful euphoria of Young: a triumph.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Fo Pio, 2. Objectify, 3. Deliro, 4. Gider, 5. Sword Fight, 6. Rezil, 7. Imana, 8. Almost Had It, 9. Phase Rotation, 10. Young
Info:
Impérieux (aka Alper Durmush) is a beatmaker extraordinaire hailing from Kircaali / Kardjali: since antiquity a hub of mythical music, located at the crossroads of Bulgaria, Turkey and Greece.
Rezil is his stunning debut album, built on the ground cleared by his head-turning earlier releases for KiNK's Sofia Records and DJ Koze's Pampa. Its effortlessly mesmerizing 10 tracks consolidate the outlines of forward-leaning club music.
Experimentation is a well-established facet of Impérieux’ approach to the adventurous techno (left)field, but more than ever on Rezil he seizes the opportunity
to thrill with holistically captivating hooks, bass lines and rolling rhythms: A culmination of several years of exploration and refinement. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint.
From the warped wobble of Sword Fight to the unhinged dairé excess of Imana, from the drunken Casio bliss of Rezil to the hopeful euphoria of Young: a triumph.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:Macro Recordings
Cat-No:macrom78
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John McLaughlin - Marbles
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John McLaughlin - Marbles (Stefan Goldmann Version)
Track list 12“:
A: Marbles
B: Marbles (Stefan Goldmann Version)
Info:
Marbles is the legendary 1970 proto punk / dance classic from John McLaughlin’s US debut album 'De?otion', recorded at the time in which he played on Miles Davis' Bitches Brew and taped the Record Plant session with Jimi Hendrix.
Marbles didn't just deliver jazz rock's most danceable 4/4 beat, played by Band of Gypsies / Electric Flag drummer Buddy Miles. It is also centered with a once-in-ageneration bass line performed by Billy Rich. Larry Young's otherworldly Hammond textures predate a lot of what synthesizers were about to do much later, and the blowtorch energy emanating from John McLaughlin's cranked amp went beyond what most would had dared during the defining era of heavy rock guitar. An apex achievement at the intersection of jazz rock, guitar rock and dance music without parallel, before or since.
Background: John McLaughlin arrived in New York in 1969 to join Tony Williams' new group Lifetime which also featured Larry Young and eventually Jack Bruce (of Cream). On the second day in town he found himself in the studio with Miles Davis, recording 'In a Silent Way.' His playing would also take center stage in Bitches Brew, Jack Johnson, On The Corner and several other Davis key works of his much beloved first electric era. In between a busy schedule with Lifetime and Davis, McLaughlin also recorded two solo albums in 1970, 'De?otion' with an all-electric group and ‚'My Goa|’s B?y?nd' as its acoustic counterpart. By the time he formed his group Mahavishnu Orchestra in 1972, John McLaughlin was firmly established as the most important practitioner of his instrument of his generation within and well beyond the emerging jazz rock / fusion genre, and he has continued to evolve and surprise until today.
Here, a thorough remaster is supplemented by a new and throbbing techno version by Stefan Goldmann.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A: Marbles
B: Marbles (Stefan Goldmann Version)
Info:
Marbles is the legendary 1970 proto punk / dance classic from John McLaughlin’s US debut album 'De?otion', recorded at the time in which he played on Miles Davis' Bitches Brew and taped the Record Plant session with Jimi Hendrix.
Marbles didn't just deliver jazz rock's most danceable 4/4 beat, played by Band of Gypsies / Electric Flag drummer Buddy Miles. It is also centered with a once-in-ageneration bass line performed by Billy Rich. Larry Young's otherworldly Hammond textures predate a lot of what synthesizers were about to do much later, and the blowtorch energy emanating from John McLaughlin's cranked amp went beyond what most would had dared during the defining era of heavy rock guitar. An apex achievement at the intersection of jazz rock, guitar rock and dance music without parallel, before or since.
Background: John McLaughlin arrived in New York in 1969 to join Tony Williams' new group Lifetime which also featured Larry Young and eventually Jack Bruce (of Cream). On the second day in town he found himself in the studio with Miles Davis, recording 'In a Silent Way.' His playing would also take center stage in Bitches Brew, Jack Johnson, On The Corner and several other Davis key works of his much beloved first electric era. In between a busy schedule with Lifetime and Davis, McLaughlin also recorded two solo albums in 1970, 'De?otion' with an all-electric group and ‚'My Goa|’s B?y?nd' as its acoustic counterpart. By the time he formed his group Mahavishnu Orchestra in 1972, John McLaughlin was firmly established as the most important practitioner of his instrument of his generation within and well beyond the emerging jazz rock / fusion genre, and he has continued to evolve and surprise until today.
Here, a thorough remaster is supplemented by a new and throbbing techno version by Stefan Goldmann.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom77cd
Release-Date:12.04.2024
Genre:Alternative/Electronic
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Genre:Alternative/Electronic
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1
Stefan Goldmann - Axios
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2
Stefan Goldmann - Helicon
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3
Stefan Goldmann - Yantra
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Stefan Goldmann - Scylax
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Stefan Goldmann - Drilon
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Stefan Goldmann - Magoras
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7
Stefan Goldmann - Tyros
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8
Stefan Goldmann - Struma
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9
Stefan Goldmann - Arda
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10
Stefan Goldmann - Hebros
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11
Stefan Goldmann - Ropotamo
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12
Stefan Goldmann - Scamander
Tracklist CD: 1. Axios, 2. Helicon, 3. Yantra, 4. Scylax, 5. Drilon, 6. Magoras, 7. Tyros, 8. Struma, 9.
Arda, 10. Hebros, 11. Ropotamo, 12. Scamander
Info:
Layered asymmetry: With Alluvium, Stefan Goldmann explores new structural paths for machine
rhythm in irregular metres. Throughout the album, different non-binary patterns run simultaneously,
interlocking into twelve offerings of jagged polyrhythmic magic. Such a framework may juxtapose 11
on one axis, against 7 on another and 5 on a third – building stunningly iridescent edifices of
multidimensional time.
This is the third album in a series of "first principles" research of metric asymmetry. Veiki (2019) laid
the foundation for "real broken beat". Then, Vector Rituals (2022) explored the bending of grids in
order to yield idiosyncratic forms of organising time. Alluvium takes these two approaches and
expands them beyond their initial reach: Irregular patterns moving along parallel timelines within one
unifying grid.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Arda, 10. Hebros, 11. Ropotamo, 12. Scamander
Info:
Layered asymmetry: With Alluvium, Stefan Goldmann explores new structural paths for machine
rhythm in irregular metres. Throughout the album, different non-binary patterns run simultaneously,
interlocking into twelve offerings of jagged polyrhythmic magic. Such a framework may juxtapose 11
on one axis, against 7 on another and 5 on a third – building stunningly iridescent edifices of
multidimensional time.
This is the third album in a series of "first principles" research of metric asymmetry. Veiki (2019) laid
the foundation for "real broken beat". Then, Vector Rituals (2022) explored the bending of grids in
order to yield idiosyncratic forms of organising time. Alluvium takes these two approaches and
expands them beyond their initial reach: Irregular patterns moving along parallel timelines within one
unifying grid.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom74cd
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4251804143684
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Genre:Alternative/Electronic
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1
Stefan Goldmann - Acustica (Part 1)
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2
Stefan Goldmann - Acustica (Part 2)
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Stefan Goldmann - Acustica (Part 3)
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Stefan Goldmann - Acustica (Part 4)
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Stefan Goldmann - Acustica (Part 5)
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Stefan Goldmann - Acustica (Part 6)
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Stefan Goldmann - Acustica (Part 7)
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Stefan Goldmann - Acustica (Part 8)
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Stefan Goldmann - Acustica (Part 9)
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Stefan Goldmann - Acustica (Part 10)
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11
Stefan Goldmann - Acustica (Part 11)
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Stefan Goldmann - Acustica (Part 12)
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Stefan Goldmann - Acustica (Part 13)
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14
Stefan Goldmann - Acustica (Part 14)
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Stefan Goldmann - Acustica (Part 15)
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16
Stefan Goldmann - Acustica (Part 16)
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17
Stefan Goldmann - Acustica (Part 17)
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18
Stefan Goldmann - Acustica (Part 18)
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19
Stefan Goldmann - Acustica (Part 19)
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20
Stefan Goldmann - Acustica (Part 20)
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21
Stefan Goldmann - Acustica (Part 21)
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22
Stefan Goldmann - Acustica (Part 22)
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Stefan Goldmann - Acustica (Part 23)
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Stefan Goldmann - Acustica (Part 24)
Tracklist CD - Mix CD:
01. Acustica (Part 1)
02. Acustica (Part 2)
03. Acustica (Part 3)
04. Acustica (Part 4)
05. Acustica (Part 5)
06. Acustica (Part 6)
07. Acustica (Part 7)
08. Acustica (Part 8)
09. Acustica (Part 9)
10. Acustica (Part 10)
11. Acustica (Part 11)
12. Acustica (Part 12)
13. Acustica (Part 13)
14. Acustica (Part 14)
15. Acustica (Part 15)
16. Acustica (Part 16)
17. Acustica (Part 17)
18. Acustica (Part 18)
19. Acustica (Part 19)
20. Acustica (Part 20)
21. Acustica (Part 21)
22. Acustica (Part 22)
23. Acustica (Part 23)
24. Acustica (Part 14)
Info:
Acustica: For this acoustic sources-only mix, Stefan Goldmann cut up a vast library of recorded
interpretations of 20th century avant-garde compositions. Layered segments of individual instrumental
and chamber performances form emergent orchestral opulence – just to spill over into actual
orchestral segments. Goldmann has tackled acoustic archives before with his edit of multiple
recordings of Igor Stravinsky's 'Le Sacre du Printemps'. However, this mix traverses the disparities
and convergences of seven decades of score-based music with impressively results. A meta-level
polystylistic work that explores vast potentials of integration, interaction and interference. An antidote
to the prevailing practice of sounding compositions in scattered, sterile isolation. Here, opposing
concepts of music are channeled into one continuous flow, with a coherent DJ performance as the
vehicle.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
01. Acustica (Part 1)
02. Acustica (Part 2)
03. Acustica (Part 3)
04. Acustica (Part 4)
05. Acustica (Part 5)
06. Acustica (Part 6)
07. Acustica (Part 7)
08. Acustica (Part 8)
09. Acustica (Part 9)
10. Acustica (Part 10)
11. Acustica (Part 11)
12. Acustica (Part 12)
13. Acustica (Part 13)
14. Acustica (Part 14)
15. Acustica (Part 15)
16. Acustica (Part 16)
17. Acustica (Part 17)
18. Acustica (Part 18)
19. Acustica (Part 19)
20. Acustica (Part 20)
21. Acustica (Part 21)
22. Acustica (Part 22)
23. Acustica (Part 23)
24. Acustica (Part 14)
Info:
Acustica: For this acoustic sources-only mix, Stefan Goldmann cut up a vast library of recorded
interpretations of 20th century avant-garde compositions. Layered segments of individual instrumental
and chamber performances form emergent orchestral opulence – just to spill over into actual
orchestral segments. Goldmann has tackled acoustic archives before with his edit of multiple
recordings of Igor Stravinsky's 'Le Sacre du Printemps'. However, this mix traverses the disparities
and convergences of seven decades of score-based music with impressively results. A meta-level
polystylistic work that explores vast potentials of integration, interaction and interference. An antidote
to the prevailing practice of sounding compositions in scattered, sterile isolation. Here, opposing
concepts of music are channeled into one continuous flow, with a coherent DJ performance as the
vehicle.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom73cd
Release-Date:13.10.2023
Configuration:CD Excl
Barcode:4251804143196
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Last in:09.08.2023
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Label:Macro Recordings
Cat-No:macrom73cd
Release-Date:13.10.2023
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Barcode:4251804143196
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1
Arthur Clees - Stay
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2
Arthur Clees - Of Silence
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3
Arthur Clees - Memoir
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4
Arthur Clees - Solemn
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5
Arthur Clees - Don't Go Away So Easily
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Arthur Clees - Temporary
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7
Arthur Clees - Show Me
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8
Arthur Clees - Everyday
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9
Arthur Clees - Afterdance
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10
Arthur Clees - Home
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11
Arthur Clees - Taking My Breath
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Arthur Clees - I'll Hold You
Track list CD:
1. Stay, 2. Of Silence, 3. Memoir, 4. Solemn, 5. Don't Go Away So Easily, 6. Temporary, 7. Show Me,
8. Everyday, 9. Afterdance, 10. Home, 11. Taking My Breath, 12. I'll Hold You
Info:
Less is more – the motto applies to Luxembourg's most intriguing newcomer Arthur Clees, whose
approach is minimalist, rich, hypnotic. Clees is a young prodigy drummer / percussionist / vocalist with
a multitude of performances and sessions under his belt. The 21-year-old musician manages to inspire
very different people with his tracks. No Wonder: There's both depth and a tremendous upward pull at
the same time.
In his debut album, "Stay, Temporary Home" influences from techno to electronica to the avant-garde
are paired with a distinctive feeling for melodies and a signature treatment of percussion. Soul and
R&B songs often appear as sonically distant yet emotionally close mirages. In addition, slightly altered
vocals, hearty yet reductionist beats and a detuned piano reminiscent of your favourite aunt's Sunday
cookies come in – a mixture that an incredible number of people can agree on at the moment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Stay, 2. Of Silence, 3. Memoir, 4. Solemn, 5. Don't Go Away So Easily, 6. Temporary, 7. Show Me,
8. Everyday, 9. Afterdance, 10. Home, 11. Taking My Breath, 12. I'll Hold You
Info:
Less is more – the motto applies to Luxembourg's most intriguing newcomer Arthur Clees, whose
approach is minimalist, rich, hypnotic. Clees is a young prodigy drummer / percussionist / vocalist with
a multitude of performances and sessions under his belt. The 21-year-old musician manages to inspire
very different people with his tracks. No Wonder: There's both depth and a tremendous upward pull at
the same time.
In his debut album, "Stay, Temporary Home" influences from techno to electronica to the avant-garde
are paired with a distinctive feeling for melodies and a signature treatment of percussion. Soul and
R&B songs often appear as sonically distant yet emotionally close mirages. In addition, slightly altered
vocals, hearty yet reductionist beats and a detuned piano reminiscent of your favourite aunt's Sunday
cookies come in – a mixture that an incredible number of people can agree on at the moment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom72cd
Release-Date:23.06.2023
Configuration:CD Excl
Barcode:4251804141598
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Label:Macro Recordings
Cat-No:macrom72cd
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Configuration:CD Excl
Barcode:4251804141598
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1
Tom Schneider - Jagged
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2
Tom Schneider - Chalk
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3
Tom Schneider - Overlaps
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4
Tom Schneider - Freeze
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5
Tom Schneider - Serpentines
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Tom Schneider - Isotopes
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Tom Schneider - Brash
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Tom Schneider - Pending
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9
Tom Schneider - Absence
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10
Tom Schneider - Diffraction
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11
Tom Schneider - Particular Interest
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Tom Schneider - Speculation
Track list CD: 1. Jagged, 2. Chalk, 3. Overlaps, 4. Freeze, 5. Serpentines, 6. Isotopes, 7. Brash, 8.
Pending, 9. Absence, 10. Diffraction, 11. Particular Interest, 12. Speculation
Info:
Insight Piano: Within just a few years Tom Schneider moved the scope of the sampler as an
instrument into entirely unexpected zones of expression. On keyboards with pioneering cut-up pop
band KUF he developed a key-triggered vocal style that features no singers on stage. With trio Loom
& Thread he devised a new wave of digital improv where the sampler amplified the piano and
engaged the acoustic musicians in some sort of multidimensional musical chess.
'Isotopes' is Schneider's first solo album and witnesses him being an astonishingly sensitive and
imaginative pianist. The album's material was developed and recorded in an intimate session at Bauer
Studios of Ludwigsburg – a site laden with the history of some of the most significant recordings of
contemporary jazz. Yet things don't stop at bringing just another piano solo effort.
Schneider's approaches to the instrument, which range from tender hesitance to eruptive, clustered
attacks, merely set the starting point. These utterances are sampled and mirrored back, ultimately
rendering a unified performance which combines the depth of intricately executed composition with the
urgent immediacy of free improvisation.
Over the past decade we have witnessed a resurgence of apparently opposed trends: repetitive,
minimalistic sensitivity and dashing, complex virtuosity. The linear thinking that defines these
approaches as polar opposites turns out to be entirely useless when facing 'Isotopes.' Both, the
uninhibited speed of granular clouds of tones and the dense texture of multiple layered phrases fired
off all at once, require a complete reconceptualisation of the meaning of complexity in music. Yet
Schneider offers less of a tongue in cheek critique of the pretense usually inherent in virtuosic display
– instead, the playing field is being thoroughly leveled: Now, and really for the first time, a singular
tone potentially carries exactly as much weight as the peaks of physiological sophistication.
This is not at all what the axe-wielding avant-gardes of the past were after. What we are witnessing
here is a thorough de-ideologisation of the instrument: Neither traditions need to be shattered nor
innovation kept at the gates. In a world of zero-sum thinking (‘if you get to eat I must go hungry’), here
we find an integrative approach that shows that we can indeed lift up without simultaneously pulling
down.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Pending, 9. Absence, 10. Diffraction, 11. Particular Interest, 12. Speculation
Info:
Insight Piano: Within just a few years Tom Schneider moved the scope of the sampler as an
instrument into entirely unexpected zones of expression. On keyboards with pioneering cut-up pop
band KUF he developed a key-triggered vocal style that features no singers on stage. With trio Loom
& Thread he devised a new wave of digital improv where the sampler amplified the piano and
engaged the acoustic musicians in some sort of multidimensional musical chess.
'Isotopes' is Schneider's first solo album and witnesses him being an astonishingly sensitive and
imaginative pianist. The album's material was developed and recorded in an intimate session at Bauer
Studios of Ludwigsburg – a site laden with the history of some of the most significant recordings of
contemporary jazz. Yet things don't stop at bringing just another piano solo effort.
Schneider's approaches to the instrument, which range from tender hesitance to eruptive, clustered
attacks, merely set the starting point. These utterances are sampled and mirrored back, ultimately
rendering a unified performance which combines the depth of intricately executed composition with the
urgent immediacy of free improvisation.
Over the past decade we have witnessed a resurgence of apparently opposed trends: repetitive,
minimalistic sensitivity and dashing, complex virtuosity. The linear thinking that defines these
approaches as polar opposites turns out to be entirely useless when facing 'Isotopes.' Both, the
uninhibited speed of granular clouds of tones and the dense texture of multiple layered phrases fired
off all at once, require a complete reconceptualisation of the meaning of complexity in music. Yet
Schneider offers less of a tongue in cheek critique of the pretense usually inherent in virtuosic display
– instead, the playing field is being thoroughly leveled: Now, and really for the first time, a singular
tone potentially carries exactly as much weight as the peaks of physiological sophistication.
This is not at all what the axe-wielding avant-gardes of the past were after. What we are witnessing
here is a thorough de-ideologisation of the instrument: Neither traditions need to be shattered nor
innovation kept at the gates. In a world of zero-sum thinking (‘if you get to eat I must go hungry’), here
we find an integrative approach that shows that we can indeed lift up without simultaneously pulling
down.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom70cd
Release-Date:21.04.2023
Configuration:CD Excl
Barcode:4251804140843
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1
Lucaslavia - Mazoron
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2
Lucaslavia - Raphalut
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3
Lucaslavia - Calax
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Lucaslavia - Taminon
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Lucaslavia - Qanath
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Lucaslavia - Piron
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Lucaslavia - Margaleth
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Lucaslavia - Ignis
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9
Lucaslavia - Alboreus
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Lucaslavia - Dameth
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Lucaslavia - Belgalic
Tracklist CD: 1. Mazoron, 2. Raphalut, 3. Calax, 4. Taminon, 5. Qanath, 6. Piron, 7. Margaleth, 8.Ignis, 9. Alboreus, 10. Dameth, 11. Belgalic
release info:
Death Ambient: Lucaslavia operates on the outer rings of metal, melting its constituent elements into
vicious torrents of fury. 'Furnace' resembles a field recording from the sixth circle of hell. Despite its
deceptively calm initial form, ancient hatreds seem to rage in violent currents just below the leaden
surface. Disembodied voices range from whispered malediction to screams of utmost anger, stretched
into purgatorial eternities. Gargantuan sonic fortification walls composed of drums, ripping sheets of
distorted guitar, hissing residue of steel and stone blasted apart build threatening levels of intensity.
The only deceptive respite comes from what appears to be the faint mechanical creaking emanating
from the inexorable and towering installations found in the engine rooms of boundless pain.
about Stefan Goldmann:
Lucaslavia was written and produced by Stefan Goldmann and mastered by Rashad Becker.
Stefan Goldmann has performed electronic music in 45 countries across six continents, with formats
ranging from DJ sets to a four-hour opera with ensemble and a room-spanning installation. He has
developed special formats for Berghain in Berlin, LACMA in Los Angeles and Kyoto's Honen-in
Temple and is currently artistic director of the Berlin Philharmonic's Strom Festival.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
release info:
Death Ambient: Lucaslavia operates on the outer rings of metal, melting its constituent elements into
vicious torrents of fury. 'Furnace' resembles a field recording from the sixth circle of hell. Despite its
deceptively calm initial form, ancient hatreds seem to rage in violent currents just below the leaden
surface. Disembodied voices range from whispered malediction to screams of utmost anger, stretched
into purgatorial eternities. Gargantuan sonic fortification walls composed of drums, ripping sheets of
distorted guitar, hissing residue of steel and stone blasted apart build threatening levels of intensity.
The only deceptive respite comes from what appears to be the faint mechanical creaking emanating
from the inexorable and towering installations found in the engine rooms of boundless pain.
about Stefan Goldmann:
Lucaslavia was written and produced by Stefan Goldmann and mastered by Rashad Becker.
Stefan Goldmann has performed electronic music in 45 countries across six continents, with formats
ranging from DJ sets to a four-hour opera with ensemble and a room-spanning installation. He has
developed special formats for Berghain in Berlin, LACMA in Los Angeles and Kyoto's Honen-in
Temple and is currently artistic director of the Berlin Philharmonic's Strom Festival.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom71
Release-Date:31.03.2023
Genre:Techno
Configuration:10" Excl
Barcode:4251804138536
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Release-Date:31.03.2023
Genre:Techno
Configuration:10" Excl
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STEFAN GOLDMANN - In Aggregate
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STEFAN GOLDMANN - Carob
Tracklist:
A. In Aggregate
B. Carob
about:
One of techno's most joyous experimentators delivers two intriguing uptempo tracks. Instead of hitting
hard and heavy 'In Aggregate' and 'Carob' float delicately, with explosive detail blooming freely and
high above what feels rather like a bass-ladden undercurrent than a persistent kick drum foundation.
Both tracks expand on Stefan Goldmann's extensive polyrhythmic research and integrate tonal and
metric functions within the same units of sound. Somewhat radically, the central sound of 'Carob' is all
in one: beat, bassline and single-note melody. By contrast, 'In Aggregate' unfolds lush layers of
exuberant percussion, countered by rounded drops of bass and an occasional vocal snippet
ricocheting off of claustrophobia-inducing walls of glass.
As future-forward as they are organic, these offerings come with appropriately idiosyncratic artwork by
Jorinde Voigt. Printed on inside-out heavy paper cover + a printed inner sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A. In Aggregate
B. Carob
about:
One of techno's most joyous experimentators delivers two intriguing uptempo tracks. Instead of hitting
hard and heavy 'In Aggregate' and 'Carob' float delicately, with explosive detail blooming freely and
high above what feels rather like a bass-ladden undercurrent than a persistent kick drum foundation.
Both tracks expand on Stefan Goldmann's extensive polyrhythmic research and integrate tonal and
metric functions within the same units of sound. Somewhat radically, the central sound of 'Carob' is all
in one: beat, bassline and single-note melody. By contrast, 'In Aggregate' unfolds lush layers of
exuberant percussion, countered by rounded drops of bass and an occasional vocal snippet
ricocheting off of claustrophobia-inducing walls of glass.
As future-forward as they are organic, these offerings come with appropriately idiosyncratic artwork by
Jorinde Voigt. Printed on inside-out heavy paper cover + a printed inner sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom69
Release-Date:24.03.2023
Genre:Techno
Configuration:2LP Excl
Barcode:4251804137997
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Label:Macro Recordings
Cat-No:macrom69
Release-Date:24.03.2023
Genre:Techno
Configuration:2LP Excl
Barcode:4251804137997
Track list Vinyl:
A1. Patterns, A2. Seem To Take, A3. Ah Oh, B1. Oho Oho, B2. Pears, B3. Swim, C1. Aaa, C2.
Glucose, C3. Unless It Rains, D1. 0%, D2. 9, D3. Long Before
Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. With three
albums the Berlin trio pioneered an astonishing inversion of the typical electronic band set up, by
pairing a plethora of disembodied, sampled voices with acoustic real-time interaction on bass, drums
and keys.
'Yield', their fourth album, presents a shift in focus. Less weight on the vocal core – lots of new
integrations of sampling, synthesis and band action in different constellations. This diversification of
sources pulls the conceptual stops out and yields a dazzling array of magical instrumentalism. Bold.
Catchy. Flourishing.
From 'Gold' to 'Universe', KUF solidified an irresistible marriage of android vocal cords and highly
energetic beats. Their third album 'Re:Re:Re' applied the concept to remix/cover version hybrids of
classics from Macro's stellar back catalog, tackling originals by the likes of rRoxymore, KiNK, Patrick
Cowley, Santiago Salazar and Stefan Goldmann. With proof that the concept could be applied with
supremely gratifying results to such diverse contexts, time was ripe to go back to the drawing board
and reimagine the perimeter.
Now 'Yield' breathes the freedom of playful reassembly of the main ingredients. A sampler's cut-up
capabilities triggered by frisky fingers. Persistent bass. Adamant drums. Rough soul, intertwined by
improvised outbursts and shaped with the aesthetics of raw MPC-based chunky techno. Twelve slices
of hyper-integrated realtime magic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Patterns, A2. Seem To Take, A3. Ah Oh, B1. Oho Oho, B2. Pears, B3. Swim, C1. Aaa, C2.
Glucose, C3. Unless It Rains, D1. 0%, D2. 9, D3. Long Before
Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. With three
albums the Berlin trio pioneered an astonishing inversion of the typical electronic band set up, by
pairing a plethora of disembodied, sampled voices with acoustic real-time interaction on bass, drums
and keys.
'Yield', their fourth album, presents a shift in focus. Less weight on the vocal core – lots of new
integrations of sampling, synthesis and band action in different constellations. This diversification of
sources pulls the conceptual stops out and yields a dazzling array of magical instrumentalism. Bold.
Catchy. Flourishing.
From 'Gold' to 'Universe', KUF solidified an irresistible marriage of android vocal cords and highly
energetic beats. Their third album 'Re:Re:Re' applied the concept to remix/cover version hybrids of
classics from Macro's stellar back catalog, tackling originals by the likes of rRoxymore, KiNK, Patrick
Cowley, Santiago Salazar and Stefan Goldmann. With proof that the concept could be applied with
supremely gratifying results to such diverse contexts, time was ripe to go back to the drawing board
and reimagine the perimeter.
Now 'Yield' breathes the freedom of playful reassembly of the main ingredients. A sampler's cut-up
capabilities triggered by frisky fingers. Persistent bass. Adamant drums. Rough soul, intertwined by
improvised outbursts and shaped with the aesthetics of raw MPC-based chunky techno. Twelve slices
of hyper-integrated realtime magic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom68cd
Release-Date:04.11.2022
Configuration:CD Excl
Barcode:4251804138314
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Label:Macro Recordings
Cat-No:macrom68cd
Release-Date:04.11.2022
Configuration:CD Excl
Barcode:4251804138314
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1
LOOM & THREAD - Island Grammar
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2
LOOM & THREAD - Copy & Praise
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3
LOOM & THREAD - Entropie
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4
LOOM & THREAD - O**ne*
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5
LOOM & THREAD - New&&&
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6
LOOM & THREAD - Thistles
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7
LOOM & THREAD - Fureur et Capitel
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8
LOOM & THREAD - P#
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9
LOOM & THREAD - M(((
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10
LOOM & THREAD - Causal Ambiguity
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11
LOOM & THREAD - Structure et Repetition
Tracklist CD: 1. Island Grammar, 2. Copy & Praise, 3. Entropie, 4. O**ne*, 5. New&&&, 6. Thistles, 7.
Fureur et Capitel, 8. P#, 9. M(((, 10. Causal Ambiguity, 11. Structure et Repetition
info text:
Loom & Thread appear to present a take on this most classical of springboards of improvised music:
the piano trio. Indeed, Daniel Klein on drums and Tobias Fröhlich on double bass forge that highly
engaging, interlocking framework, set in complex juxtaposition to what emanates from the corner of
Tom Schneider on keys. This would be a superbly satisfying triangle of planar relational wonder on its
own. Imaginative re-adaptation of unexpected shifts, re-grouped into coherent streams of musical
thought. Superb clarity despite the pressurised density of form, the emergence of intricate order from
spontaneous play.
And yet this would be an utterly incomplete description. Because a dozen directions and dimensions
and interdependent layers open like trap doors all around, shattering any first impression of a familiar
context within just a few seconds of listening. What appears to be piano improvisation in the post-bop
tradition soon exhibits abrupt disruptions, impossible shifts, improbable repetitions, movements in
frequency and dynamics beyond the physical capabilities of a fixed-pitch instrument deemed so
familiar.
How so? Tom Schneider samples his own playing and continuously feeds it back into the ongoing
collective stream of the trio. Assigning starting points to the sampled phrases, these are then treated
as independent musical events just like the individual tones they contain: a second order of access is
created. Signifier and signified in the hands of the same musician, thus driving a two-pronged plane of
immanence.
This meta-improvisation is thrown at the other two players who now find themselves embroiled in
some kind of three dimensional chess game: fending off simulacra and responding to both,
idiosyncratic primary phrases of tones and a vibrant multitude of sampled variants. Reflexivity: the
piano/sampler continuum with its multi-layered access points to improvisational mapping is then
attacking and soothing and further teasing the appropriately angular rhythm section. A wondrous
dissolution of the divide between experiencing now and accessing memory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Fureur et Capitel, 8. P#, 9. M(((, 10. Causal Ambiguity, 11. Structure et Repetition
info text:
Loom & Thread appear to present a take on this most classical of springboards of improvised music:
the piano trio. Indeed, Daniel Klein on drums and Tobias Fröhlich on double bass forge that highly
engaging, interlocking framework, set in complex juxtaposition to what emanates from the corner of
Tom Schneider on keys. This would be a superbly satisfying triangle of planar relational wonder on its
own. Imaginative re-adaptation of unexpected shifts, re-grouped into coherent streams of musical
thought. Superb clarity despite the pressurised density of form, the emergence of intricate order from
spontaneous play.
And yet this would be an utterly incomplete description. Because a dozen directions and dimensions
and interdependent layers open like trap doors all around, shattering any first impression of a familiar
context within just a few seconds of listening. What appears to be piano improvisation in the post-bop
tradition soon exhibits abrupt disruptions, impossible shifts, improbable repetitions, movements in
frequency and dynamics beyond the physical capabilities of a fixed-pitch instrument deemed so
familiar.
How so? Tom Schneider samples his own playing and continuously feeds it back into the ongoing
collective stream of the trio. Assigning starting points to the sampled phrases, these are then treated
as independent musical events just like the individual tones they contain: a second order of access is
created. Signifier and signified in the hands of the same musician, thus driving a two-pronged plane of
immanence.
This meta-improvisation is thrown at the other two players who now find themselves embroiled in
some kind of three dimensional chess game: fending off simulacra and responding to both,
idiosyncratic primary phrases of tones and a vibrant multitude of sampled variants. Reflexivity: the
piano/sampler continuum with its multi-layered access points to improvisational mapping is then
attacking and soothing and further teasing the appropriately angular rhythm section. A wondrous
dissolution of the divide between experiencing now and accessing memory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
in stock
Label:Macro Recordings
Cat-No:macrom65
Release-Date:06.05.2022
Genre:Techno
Configuration:LP Excl
Barcode:4251804127431
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Label:Macro Recordings
Cat-No:macrom65
Release-Date:06.05.2022
Genre:Techno
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Barcode:4251804127431
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1
STEFAN GOLDMANN - Nayba
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2
STEFAN GOLDMANN - Oyotung
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3
STEFAN GOLDMANN - Lorino
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4
STEFAN GOLDMANN - Yukagir
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STEFAN GOLDMANN - Tiksi
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STEFAN GOLDMANN - Ayon
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STEFAN GOLDMANN - Valkumey
LP plus Free Digital Download included
Tracklist:
A1. Nayba
A2. Oyotung
A3. Lorino
A4. Yukagir
B1. Tiksi
B2. Ayon
B3. Valkumey
The Album:
Proprietary rhythm: Vector Rituals sees techno polymath Stefan Goldmann constructing polymetric rites of percussion. Synthesized from the ground up, timbral characteristics, metric properties, dynamic
expression and microrhythmic phrasing are shaped by the interactions of layered control voltage functions. The result is an assembly of abstract dances ranging from the intricate to the powerful.
Near-humanoid behaviour emerges from liquid patterns, laid out and brought to life by the freewheeling encounter of modular waveforms and snappy envelopes. Sounds evoke metallic textures
– ringing, scraping – and group into virtual shapes from tiny spikes to vast surfaces.
Some of the parametric relationships employed are as loose as to imply chance drifts. Others lock in with strict regularity as found in the 13 vs. 17 polymeter pattern of opening track 'Nayba'. By contrast,
in the strictly repetitive yet highly asymmetrical sequence of 'Yukagir' each metric step has its own uniquely irregular duration. The center piece of this collection is 'Ayon' with multiple autonomous and
highly agile timelines. Its constituent layers break away in radial fashion and fall back together at widely spaced points of congregation.
All compositions herein present powerful proof of the unlimited capacity of electronic music to yield new principles of organisation and to solidify their expression into clear-cut gestalt.
The Record:
Vector Rituals comes on 180g vinyl with artwork by highly acclaimed visual artist Jorinde Voigt, printed onto the inside-out cover sleeve and continued on the inner jacket.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. Nayba
A2. Oyotung
A3. Lorino
A4. Yukagir
B1. Tiksi
B2. Ayon
B3. Valkumey
The Album:
Proprietary rhythm: Vector Rituals sees techno polymath Stefan Goldmann constructing polymetric rites of percussion. Synthesized from the ground up, timbral characteristics, metric properties, dynamic
expression and microrhythmic phrasing are shaped by the interactions of layered control voltage functions. The result is an assembly of abstract dances ranging from the intricate to the powerful.
Near-humanoid behaviour emerges from liquid patterns, laid out and brought to life by the freewheeling encounter of modular waveforms and snappy envelopes. Sounds evoke metallic textures
– ringing, scraping – and group into virtual shapes from tiny spikes to vast surfaces.
Some of the parametric relationships employed are as loose as to imply chance drifts. Others lock in with strict regularity as found in the 13 vs. 17 polymeter pattern of opening track 'Nayba'. By contrast,
in the strictly repetitive yet highly asymmetrical sequence of 'Yukagir' each metric step has its own uniquely irregular duration. The center piece of this collection is 'Ayon' with multiple autonomous and
highly agile timelines. Its constituent layers break away in radial fashion and fall back together at widely spaced points of congregation.
All compositions herein present powerful proof of the unlimited capacity of electronic music to yield new principles of organisation and to solidify their expression into clear-cut gestalt.
The Record:
Vector Rituals comes on 180g vinyl with artwork by highly acclaimed visual artist Jorinde Voigt, printed onto the inside-out cover sleeve and continued on the inner jacket.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom66e
Release-Date:18.02.2022
Genre:Techno
Configuration:7" Excl
Barcode:4251804127783
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Label:Macro Recordings
Cat-No:macrom66e
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Genre:Techno
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1
STEFAN GOLDMANN - Singing Wire
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STEFAN GOLDMANN - Geared
Format: 7”
Tracklist:
E. Singing Wire
F. Geared
About:
This is the fnal chapter in a series of three 7" records which see Stefan Goldmann probing the upper
temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals for a
collective return to highly energised club experiences. 'Singing Wire' is playfully swinging and feels
surprisingly natural and decelerated for what it is – while taking you decisively and rapidly to its farend destination. 'Geared' is raw voltage with all the sparks fying. More bouncy than harsh, these
tracks show impressively how diferent tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and refective-lacquer details, with individual colour-coded inner sleeves. Comes with download card.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
E. Singing Wire
F. Geared
About:
This is the fnal chapter in a series of three 7" records which see Stefan Goldmann probing the upper
temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals for a
collective return to highly energised club experiences. 'Singing Wire' is playfully swinging and feels
surprisingly natural and decelerated for what it is – while taking you decisively and rapidly to its farend destination. 'Geared' is raw voltage with all the sparks fying. More bouncy than harsh, these
tracks show impressively how diferent tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and refective-lacquer details, with individual colour-coded inner sleeves. Comes with download card.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CD Excl
in stock
Label:Macro Recordings
Cat-No:macrom64cd
Release-Date:28.01.2022
Genre:Techno
Configuration:CD Excl
Barcode:4251804128391
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Release-Date:28.01.2022
Genre:Techno
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1
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 1. Instauratio
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2
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 2. Maknongan
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3
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 3. Cepstrum
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4
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 4. Tre Pezzi (I)
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5
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 5. Tre Pezzi (II)
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6
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 6. Tre Pezzi (III)
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7
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 7. Sfera
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8
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 8. Ave Maria
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9
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 9. Alleluja
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10
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 10. Baïr
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11
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 11. Anaphora
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12
G. SCELSI • S. GOLDMANN • J. SCHWARZER - 12. Mantram
GIACINTO SCELSI • STEFAN GOLDMANN • JEREMIAS SCHWARZER:
“SFERA”
Tracklist CD:
1. Instauratio, 2. Maknongan, 3. Cepstrum, 4.-6. Tre Pezzi (I-III), 7. Sfera, 8. Ave Maria,
9. Alleluja,10. Baïr, 11. Anaphora, 12. Mantram
Info Text:
Giacinto Scelsi (1905-1988) was an Italian composer and rather unusual pioneer of electronic music.
His works are neither based on traditional techniques nor do they resemble concepts of the 'new
music' avant-garde. He recorded improvisations on the ondiola (an early electronic instrument) to
magnetic tape, often in multiple layers. These recordings were then transcribed into scores by his
assistants – constituting the first attempt at sounding electronic music through acoustic instruments
and their players instead of loudspeakers.
SFERA is a dialogue between Jeremias Schwarzer's performances of some of Scelsi's most focused
and striking pieces for solo instruments and new electronic works by Stefan Goldmann. The two
groups of works exhibit polar opposition and unusual metaphorical proximity at the same time.
Goldmann's multi-faceted music exhibits shape-shifting capabilities as liquid as Scelsi's pieces for
ensembles or orchestra (such as Anahit or Uaxuctum). However, they make full use of the morphing
capabilities of contemporary synthesis, constructing multidimensional movements across a vast
parametric space.
Jeremias Schwarzer adapted most of Scelsi's works in this album for different kinds of recorder for the
first time. They form a baseline for Stefan Goldmann's overflowing electronics, which seem to grow out
of and fold back into it as if breathing. Thus a conceptual full circle is formed whose two tangents are
mirroring each other.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
“SFERA”
Tracklist CD:
1. Instauratio, 2. Maknongan, 3. Cepstrum, 4.-6. Tre Pezzi (I-III), 7. Sfera, 8. Ave Maria,
9. Alleluja,10. Baïr, 11. Anaphora, 12. Mantram
Info Text:
Giacinto Scelsi (1905-1988) was an Italian composer and rather unusual pioneer of electronic music.
His works are neither based on traditional techniques nor do they resemble concepts of the 'new
music' avant-garde. He recorded improvisations on the ondiola (an early electronic instrument) to
magnetic tape, often in multiple layers. These recordings were then transcribed into scores by his
assistants – constituting the first attempt at sounding electronic music through acoustic instruments
and their players instead of loudspeakers.
SFERA is a dialogue between Jeremias Schwarzer's performances of some of Scelsi's most focused
and striking pieces for solo instruments and new electronic works by Stefan Goldmann. The two
groups of works exhibit polar opposition and unusual metaphorical proximity at the same time.
Goldmann's multi-faceted music exhibits shape-shifting capabilities as liquid as Scelsi's pieces for
ensembles or orchestra (such as Anahit or Uaxuctum). However, they make full use of the morphing
capabilities of contemporary synthesis, constructing multidimensional movements across a vast
parametric space.
Jeremias Schwarzer adapted most of Scelsi's works in this album for different kinds of recorder for the
first time. They form a baseline for Stefan Goldmann's overflowing electronics, which seem to grow out
of and fold back into it as if breathing. Thus a conceptual full circle is formed whose two tangents are
mirroring each other.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom66c
Release-Date:21.01.2022
Genre:Techno
Configuration:7" Excl
Barcode:4251804127776
in stock
Last in:26.11.2021
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in stock
Last in:26.11.2021
Label:Macro Recordings
Cat-No:macrom66c
Release-Date:21.01.2022
Genre:Techno
Configuration:7" Excl
Barcode:4251804127776
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1
STEFAN GOLDMANN - C. Danke Dingo
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2
STEFAN GOLDMANN - D. Iron Hive
Format: 7”
Tracklist:
C. Danke Dingo
D. Iron Hive
About:
This is the second instalment in a series of three 7" records which see Stefan Goldmann probing the
upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals
for a collective return to highly energised club experiences. 'Danke Dingo' pierces through a
stroboscopic grid of chords – 'Iron Hive' is one assertive rhythmic manifestation of menacingly
metallic swarms. More bouncy than harsh, these tracks show impressively how different tempos allow
for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. A card with a download code
is included. Round three of the trilogy will be released in February 2022. Happy New Year!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
C. Danke Dingo
D. Iron Hive
About:
This is the second instalment in a series of three 7" records which see Stefan Goldmann probing the
upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals
for a collective return to highly energised club experiences. 'Danke Dingo' pierces through a
stroboscopic grid of chords – 'Iron Hive' is one assertive rhythmic manifestation of menacingly
metallic swarms. More bouncy than harsh, these tracks show impressively how different tempos allow
for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. A card with a download code
is included. Round three of the trilogy will be released in February 2022. Happy New Year!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Macro Recordings
Cat-No:macrom66a
Release-Date:10.12.2021
Genre:Techno
Configuration:7" Excl
Barcode:4251804127769
in stock
Last in:26.11.2021
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in stock
Last in:26.11.2021
Label:Macro Recordings
Cat-No:macrom66a
Release-Date:10.12.2021
Genre:Techno
Configuration:7" Excl
Barcode:4251804127769
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1
STEFAN GOLDMANN - A. Badger
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2
STEFAN GOLDMANN - B. Sawhorse
Format: 7”
Tracklist:
A. Badger
B. Sawhorse
About:
This is the first instalment in a series of three 7" records in luxurious packaging which see Stefan
Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are
bold and blazing signals for a collective return to highly energised club experiences. 'Badger' is a
breaks-infused peak time weapon while 'Sawhorse' morphs more subtly through hypnotic and
seesawing synth patches. More bouncy than harsh, this material shows impressively how different
tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. Rounds two and three of the
trilogy will be released in January and February 2022.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A. Badger
B. Sawhorse
About:
This is the first instalment in a series of three 7" records in luxurious packaging which see Stefan
Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are
bold and blazing signals for a collective return to highly energised club experiences. 'Badger' is a
breaks-infused peak time weapon while 'Sawhorse' morphs more subtly through hypnotic and
seesawing synth patches. More bouncy than harsh, this material shows impressively how different
tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. Rounds two and three of the
trilogy will be released in January and February 2022.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
CD Excl
in stock
Label:Macro Recordings
Cat-No:macrom63cd
Release-Date:20.11.2020
Genre:Techno
Configuration:CD Excl
Barcode:4251804123020
in stock
Last in:28.10.2020
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in stock
Last in:28.10.2020
Label:Macro Recordings
Cat-No:macrom63cd
Release-Date:20.11.2020
Genre:Techno
Configuration:CD Excl
Barcode:4251804123020
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1
STEFAN GOLDMANN - 1. Onset Trajectory
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2
STEFAN GOLDMANN - 2. Flood
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3
STEFAN GOLDMANN - 3. Merge
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4
STEFAN GOLDMANN - 4. Blind Deconvolution
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5
STEFAN GOLDMANN - 5. Neodym
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6
STEFAN GOLDMANN - 6. The Hearth
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7
STEFAN GOLDMANN - 7. Fission
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8
STEFAN GOLDMANN - 8. Caesium-133
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9
STEFAN GOLDMANN - 9. Surface Boundary
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10
STEFAN GOLDMANN - 10. Viscosity
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11
STEFAN GOLDMANN - 11. Builders
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12
STEFAN GOLDMANN - 12. Polymer
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13
STEFAN GOLDMANN - 13. Shift Invariant
Track list CD:
1. Onset Trajectory, 2. Flood, 3. Merge, 4. Blind Deconvolution, 5. Neodym, 6. The Hearth, 7. Fission, 8. Caesium-133, 9. Surface Boundary, 10. Viscosity, 11. Builders, 12. Polymer, 13. Shift Invariant
Info:
In February 2020, the Philharmonie Berlin opened its gates for the first time in its history for a fully
blown electronic music program. Strom Festival continued for two days across three of the Berlin
landmark's jagged spaces. Stefan Goldmann had been invited to serve as the festival's artist-curator
and also performed its inaugural concert in the building's pentagonal Grand Hall. As much as this
event was without precedent for one of the world's leading classical music institutions, it is also an
uncannily typical match for Goldmann's rather unusual career path.
Though nominally techno, his music is distinguished by an ever-imaginative take on the form. From
exploring asymmetric rhythms to designing novel tuning systems to re-imagining the technological
base of electronic music – few have looked further beyond the genre's functional foundations.
Respectively, his music keeps appearing in contexts far removed from techno's club institutions –
featuring work with ensembles, dance companies, film makers and his own opera, as well as sitespecific performances at venues such as Kyoto's Honen-In Temple and LA's LACMA museum.
'Live At Philharmonie Berlin' is closely tailored to the Grand Hall, featuring a wealth of material
specifically developed to engage its architecture and acoustics. Apart from being a document that
brilliantly captures the Philharmonie's aural footprint with clear-cut synthetic probes, it also comes
close to being a retrospective of Goldmann's most striking formal ideas. Harking back to his early use
of wavetable synthesis for highly liquid units of pitch, timbre and dynamics, his recent
recontextualisations of industrial preset sounds and gradual shades of distortion fuse to shape the
soundscape of the one hour performance. These sounds then swirl through shifting microtonal grids
and freewheeling polyrhythms, solidifying into alien melodies, spiky transients and blocks of coloured
noise.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Onset Trajectory, 2. Flood, 3. Merge, 4. Blind Deconvolution, 5. Neodym, 6. The Hearth, 7. Fission, 8. Caesium-133, 9. Surface Boundary, 10. Viscosity, 11. Builders, 12. Polymer, 13. Shift Invariant
Info:
In February 2020, the Philharmonie Berlin opened its gates for the first time in its history for a fully
blown electronic music program. Strom Festival continued for two days across three of the Berlin
landmark's jagged spaces. Stefan Goldmann had been invited to serve as the festival's artist-curator
and also performed its inaugural concert in the building's pentagonal Grand Hall. As much as this
event was without precedent for one of the world's leading classical music institutions, it is also an
uncannily typical match for Goldmann's rather unusual career path.
Though nominally techno, his music is distinguished by an ever-imaginative take on the form. From
exploring asymmetric rhythms to designing novel tuning systems to re-imagining the technological
base of electronic music – few have looked further beyond the genre's functional foundations.
Respectively, his music keeps appearing in contexts far removed from techno's club institutions –
featuring work with ensembles, dance companies, film makers and his own opera, as well as sitespecific performances at venues such as Kyoto's Honen-In Temple and LA's LACMA museum.
'Live At Philharmonie Berlin' is closely tailored to the Grand Hall, featuring a wealth of material
specifically developed to engage its architecture and acoustics. Apart from being a document that
brilliantly captures the Philharmonie's aural footprint with clear-cut synthetic probes, it also comes
close to being a retrospective of Goldmann's most striking formal ideas. Harking back to his early use
of wavetable synthesis for highly liquid units of pitch, timbre and dynamics, his recent
recontextualisations of industrial preset sounds and gradual shades of distortion fuse to shape the
soundscape of the one hour performance. These sounds then swirl through shifting microtonal grids
and freewheeling polyrhythms, solidifying into alien melodies, spiky transients and blocks of coloured
noise.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore