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Cat-No:macrom68cd
Release-Date:04.11.2022
Configuration:CD Excl
Barcode:4251804138314
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Last in:30.08.2022
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in stock
Last in:30.08.2022
Cat-No:macrom68cd
Release-Date:04.11.2022
Configuration:CD Excl
Barcode:4251804138314
1
LOOM & THREAD - Island Grammar
2
LOOM & THREAD - Copy & Praise
3
LOOM & THREAD - Entropie
4
LOOM & THREAD - O**ne*
5
LOOM & THREAD - New&&&
6
LOOM & THREAD - Thistles
7
LOOM & THREAD - Fureur et Capitel
8
LOOM & THREAD - P#
9
LOOM & THREAD - M(((
10
LOOM & THREAD - Causal Ambiguity
11
LOOM & THREAD - Structure et Repetition
Tracklist CD: 1. Island Grammar, 2. Copy & Praise, 3. Entropie, 4. O**ne*, 5. New&&&, 6. Thistles, 7.
Fureur et Capitel, 8. P#, 9. M(((, 10. Causal Ambiguity, 11. Structure et Repetition

info text:
Loom & Thread appear to present a take on this most classical of springboards of improvised music:
the piano trio. Indeed, Daniel Klein on drums and Tobias Fröhlich on double bass forge that highly
engaging, interlocking framework, set in complex juxtaposition to what emanates from the corner of
Tom Schneider on keys. This would be a superbly satisfying triangle of planar relational wonder on its
own. Imaginative re-adaptation of unexpected shifts, re-grouped into coherent streams of musical
thought. Superb clarity despite the pressurised density of form, the emergence of intricate order from
spontaneous play.
And yet this would be an utterly incomplete description. Because a dozen directions and dimensions
and interdependent layers open like trap doors all around, shattering any first impression of a familiar
context within just a few seconds of listening. What appears to be piano improvisation in the post-bop
tradition soon exhibits abrupt disruptions, impossible shifts, improbable repetitions, movements in
frequency and dynamics beyond the physical capabilities of a fixed-pitch instrument deemed so
familiar.
How so? Tom Schneider samples his own playing and continuously feeds it back into the ongoing
collective stream of the trio. Assigning starting points to the sampled phrases, these are then treated
as independent musical events just like the individual tones they contain: a second order of access is
created. Signifier and signified in the hands of the same musician, thus driving a two-pronged plane of
immanence.
This meta-improvisation is thrown at the other two players who now find themselves embroiled in
some kind of three dimensional chess game: fending off simulacra and responding to both,
idiosyncratic primary phrases of tones and a vibrant multitude of sampled variants. Reflexivity: the
piano/sampler continuum with its multi-layered access points to improvisational mapping is then
attacking and soothing and further teasing the appropriately angular rhythm section. A wondrous
dissolution of the divide between experiencing now and accessing memory. More