Presales Week -1294

Imagine you're hit by a freight train and at the very same moment you're tickled with a feather. That's exactly how the groove of Dole & Kom feels like, and the track Phara Oh is another prime example. Bouncy beats and booming bass proclaim an unmistakable message: It's all about the dance floor! A melodic torrent accumulates with each and every bar before it finally erupts and cascades through the arrangement in shiny streams. Then exotic singing starts and the track takes off, leaving the grey world of everyday life a thousand miles behind. The Remix by The Glitz is just as compelling, yet completely different: Based on an extremely heavyweight bass line their version merges the organic warmth of the original into explosive Funk. Away is the name of the second strike on this record, and it is just as uncompromising in terms of push and pressure. Weightless delays, drifting sounds and subliminal siren singing remind us that the outbreak of spring is just around the corner. This again means that Kombinat100 may not be missing! The remix of the legendary combo from Mecklenburg draws its hypnotic power from lively percussions and a distinct feeling of deepness, creating their signature vibe.

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With most DJ's barely getting their teeth in to 2014 yet, Rotterdam based composer and producer Eelke Kleijn is already back teasing more huge tracks. 'Lovely Sweet Divine' is a slice of space disco heaven.


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Butane teams up with Andras Toth for the ‘Elements Of Truth’ EP this March, set to be released via Butane’s very own Alphahouse imprint. Andrew Rasse aka Butane, launched the Alphahouse imprint back in 2005 amidst the minimal explosion, working with the likes of Troy Pierce and Quenum in the early stages. Now, looking back on how things have progressed and seeing the imprint reach a thirty-release milestone here, the label has made quite the standing in its time, releasing cuts from luminaries such as Skudge, Ricardo Villalobos and Ion Ludwig to name a few. Here we see Andras Toth return to the label with the duo’s second collaborative EP following ‘Futures’ back in 2011. The single opens with the original mix of ‘Truth’, a raw, stripped-back record built around an evolving bass hook, jangling percussion, splashy hats and trippy vocal murmurs. The pair subtly tweak the envelope of the bass throughout the tracks entire duration to generate a blooming dynamic while the bumpy rhythm fuels the groove. Following we have the ‘Soul Of Beauty Edit’ of ‘Truth’, which as the name would suggest embraces a more heartfelt, melancholic vibe. Bringing a weighty kick, throbbing subs and stunning jazzy Rhodes and guitar lines to the forefront, shimmering with chorus to add a further warmth and elegance to the record. Last up to close the single we have ‘Elements’, taking on a more rugged and upfront feel this time the duo tip the focus towards busy percussion, a rolling tom-driven bass line and swinging snares to create a heady drum led groove. Soft chords, bass licks and resonant, psychedelic synth sweeps then gracefully meander around the groove to add an underlying and tension-building atmosphere in the depths of the background


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The Bunker 4000 series with its 3rd release! The Hague's new young talent debut for crazy acid house and retarded acidic techno, with the same sort of 'gospel feeling' as '90's' Chicago's early 'Green Velvet. Comes in a small edition, so dont sleep

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2 x raw, ecstatic face-melting guitar solos recorded in one take in the Ambarchi 'Stacte tradition'. This time around Ambarchi is backed up by a badass rhythm section from Texas, and together they ride the endless riff into the goddam sunset.

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Maricopa returns to Back To The Balearics to complete his stunning opus, Pastel Love. And he continues where he left off building deeply textured songs packed full of simple melodies that really shine. His music opts for subtle feelings and passing vibes over the more obvious structures of 'dance music'. The release of Part One led to a number of comparisons with the early work of Aphex Twin as well as more contemporary producers such as Four Tet. Such comparisons don't come lightly, but Pastel Love demonstrates that a rare musical talent has arrived. The release again has beautiful printed covers and looks as good as it sounds. Viva Maricopa!

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One of the best ever house records. Yes that is a big word...best house record ever. But for us this is defenitly one of the best house releases ever. Originally released on Underground Records from Chicago, we managed to get the rights for this classic. 4 tracks of vocal acid house, with such power and energy and totally rocking... Can you imagine what happened when we heard these tracks for the first time 15 years ago?? We couldn't stop jumping around. This was completly from another world... Acid was music from another planet and Mike Dunn was an Alien who came with irresistable beats and basslines. Mike Dunn and Tyree Cooper also wrote the lyrics which are still relevant for everybody who has some hassle with relationships now and then (isn't that all of us . This is all about the basics of good innovative music. Essential!

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The Cryovac machine is held together by the strength and character of like-minded artists and craftsmen. These artists have the knack for expressing and imprinting their identity through and on sound. Their unique principles have held course over time in an ever changing game. Cryovac is a grass roots collective that makes music to twist the soul of music. Nothing shows the creativity of personal style like a remix. The subject of Cryovac #11 is a remix of Jason Garcia’s track “I Got People” originally on Cryovac #8. The first duo to take on the task is Prosthetic Hands (Keith Kemp & Joshua Harrison) they set the pace with a warped out mental bender drilling over smooth synth. Next is Kero who delivers a myopically Spartan cut that glitches and breaks through-out its’ evolution. Next in the rotation is Jefferson & Woodward (Jason Garcia & Derrick Thompson) banging out a funky rocker that moves and shakes with minimal gusto. Last but not least is A. Garcia turning in a drunkin’ foray into wayward synth and moving bass. Each version of “I Got People” is a look into the mind of its’ creator, it is the manifestation of their reality to yours.


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we're proud to welcome Matt back on Curle for his second full EP. Don't forget your scuba glasses, it's deep!


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Dim's classic edit skills are back on wax! Including 2 exclusive unreleased tracks. All tracks are on vinyl for the first time.

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The DeepLabs imprint releases it's fourth record with a killer collaboration between label CEO Luke Hess & FXHE label boss Omar S. made specifically for the dance-floor! Automatic Night brings you a classic analog excursion - a perfect blend of Detroit Techno & Detroit House. Outerspace Drive reaches for space - sure to be played by all future space travelers who wish to boldly go where no man has gone before. Let's Ride!!!

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Rough acidic and grainy Techno from the Details Sound crew. Strictly limited copies, vinyl only, NO RE-PRESS

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several months of "silence", Downbeat is here again. The 3 chairs member, Marcellus Pittman is the man responsible for "Do You Like Music EP". "Our time is now" and "Extra credit", are two detroit-flavoured house tracks with sequences coming from Mars and melancholic keys with the unmistakable Marcellus Pittman mood. The release is closed by "Happy to be here", a gloomy downbeat-Hip hop track made with MPC. There won´t be too many copies pressed, so don´t sleep on this.


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Fifty Fathoms Deep proudly present the stunning debut long player from Frederick. The mysterious rising star first released in 2013 with Ewan Pearson & Sasse on spin-off label Miseredits with 'Episode of Love' which also features here on Disruptive Pattern Material. For someone so relatively new to the game this debut is all the more remarkable given the maturity of sound and quality of production. There's a real narrative to this collection of music that draws the listener in from the very first note, to the very last. This isn't just a random collection of dance tracks or some singles with fillers; this is music with substance that transcends genres. No gimmicks just real lasting quality. 'Disruptive Pattern Material' is a truly cinematic experience, an epic journey through sound, space and time, a revolutionary approach to deep house and an exemplary take on music production in general.

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Completely unique music in it's own cosmos, the first long player from the sibylline Panoram. Experiments in evocative soundscapes, minimal rhythms and mood. Hand printed sleeves.


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Is the Hyenah from Joburg or from Berlin? It could be both, or maybe neither. We don't know. And we don't really care because the music has hit us in a huge way and we're just happy to be bringing you this serious club pressure with the debut Hyenah release here on Freerange. On lead track The Wish (Dub) we're treated to a percussion fueled, bass-heavy monster of a track which balances the dextrous, fluid grooves of the Motherland with immaculate teutonic sonics just perfectly. Slowly moving strings create a wonderful tension as the rhythm builds in intensity with rattling drums taking centre stage and jumping out of the mix like firecrackers. Next up we have King Kobra which goes straight for the jugular with a stripped-back, bare-bones groove, a beautifully simple percussion rhythm becoming all you need for the main hook. Dubbed out deep house minimalism is the name of the game here, with the hypnotic beats drawing you in and the fat Hyenah production engulfing you like a sandstorm. Flip over for a brilliant remix from our favorite French DJ and producer Manoo. This man has been responsible for some of the finest soul-tinged and afro-infused house music over the last 10 years with releases on Deeply Rooted House, Buzzin' Fly and Real Tone. His remixes for everyone from Maya Jane Coles and Louis Vega to Osunlade and Terrence Parker are testament to the skills possessed. Once again Manoo delivers in spades with this remix of The Wish, keeping the overall vibe intact but adding a rolling bassline, extra vocal hits and extending the arrangement into a most glorious ten minute workout.

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Odd Frequencies is a brand new label coming straight from Paris. This split EP brings two young producers together (the irish man Lumigraph and the parisian rising star D.K.) and is the first of a series of releases confronting a local french producer to an international artist. 1 track on each side, 2 mutant bombs pushing the drum machines to their limits, as if Steve Poindexter was making punk music in 2014. A promising introduction for this label who will edit these hybrid jams on 10 inches vinyls, the unique format for a perfect balance between experimentation and dancefloor expectations.



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The Bitter End returns with another jaw dropping selection of sonic delights ! Keen eyed aficionado's may spot the homage to Mel Cheron's classic US label West End Records here But while their motto may have been 'Where The Sun Sets & The Stars Rise' Bitter End Records embarks on a distinctly more 21st century path to dancefloor salvation... Taking cover behind that fluorescent pink sleeve are a loose collective of artists offering up an empowering glimpse of decadent, strobe-lit abandon in the face of our corporate dominated existence. 'Turn Around' picks up where 'Take It All Away' left off on EP 1, championing the return of the song, except we're riding an altogether more hypnotic and stripped back groove, like Maurizio jamming with Bootsy Collins, a relentless and absorbing mantra for moments of sweat soaked abandon 'Mazy Laws (Inst)' on the flip deploys a precision rhythm section, some heavyweight voodoo low end machine frequencies, and an irresistible treated vocal hook In it's vocal form the track defies categorisation, a loosely flung, but tightly sprung workout, riding a dislocated bass line and stretching the song structure to its disorientating, but invigorating ends The Bitter End clearly mean business !

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Seminal Detroit techno re issue from 1987 on KMS. Containing 'The Sound' plus 2 mixes of 'How To Play Our Music'. Containing all 3 tracks from the original pressing - fully re mastered for 2014. If you do not own this 12" in your collection now is the time! Pressed in original 1987 artwork.

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With an artist roster as prolific and well-established as Kompakt's, you won't find much downtime that could be used for new entries to the catalogue. That's why we are especially happy to not only present the inaugurating full-length of VERMONT, but also introduce two distinguished producers to the fold that have built their impressive careers in our immediate vicinity, albeit appearing on the label for the very first time: Innervisions' MARCUS WORGULL and DANILO PLESSOW (of MOTOR CITY DRUM ENSEMBLE fame), two floor familiars praised for their gripping club tunes that showcase a surprisingly unwound and novel side to their respective artist personas. With VERMONT, MARCUS WORGULL and DANILO PLESSOW submit a noticeably mature work that seems to come from a well attuned production duo, effectively concealing the fact that this is their first collaborative effort... and a decidedly informal one at that: these cuts were not conceived with specific aesthetic goals in mind, but emerged from a series of loose jam sessions disclosing the trespassing spirit of the sonic adventurer. It's in the sanctum of Danilo's former Cologne studio, surrounded by an armada of vintage analogue synthesizers, that the two music buffs somewhat inadvertently tapped into the city's collective subconsciousness and minted fourteen sleek soundscapes of almost krautrockish proportions. Exhibiting high amounts of arpeggiated curiosity and following a factual no-sampling policy, tracks like wonderstruck opener YAIZA, undulating bleepfest DYNAMIK, the cinematic


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the inaugurating full-length of VERMONT: Innervisions' MARCUS WORGULL and DANILO PLESSOW (of MOTOR CITY DRUM ENSEMBLE fame), two floor familiars praised for their gripping club tunes that showcase a surprisingly unwound and novel side to their respective artist personas. With VERMONT, MARCUS WORGULL and DANILO PLESSOW submit a noticeably mature work that seems to come from a well attuned production duo, effectively concealing the fact that this is their first collaborative effort... and a decidedly informal one at that: these cuts were not conceived with specific aesthetic goals in mind, but emerged from a series of loose jam sessions disclosing the trespassing spirit of the sonic adventurer. It's in the sanctum of Danilo's former Cologne studio, surrounded by an armada of vintage analogue synthesizers, that the two music buffs somewhat inadvertently tapped into the city's collective subconsciousness and minted fourteen sleek soundscapes of almost krautrockish proportions. Exhibiting high amounts of arpeggiated curiosity and following a factual no-sampling policy, tracks like wonderstruck opener YAIZA, undulating bleepfest DYNAMIK, the cinematic the cinematic ELEKTRON or ambient ballad MAJESTÄT are immersed in the enticing allure of freeform sequencing, even deciding to forego the full-blown percussion kits we've come to love in the two producers' main bodies of work. With this kind of sonic DNA running in their systems, it should come as no surprise that Marcus and Danilo enlisted the help of luminaries DOMINIK VON SENGER (guitar on SHARAV, COCOS and MONTAG) and JAKI LIEBEZEIT (drums/percussion on COCOS and MACCHINA), two key figures of Cologne's krautrock scene

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For the fourth opus on his self-titled label, Kool Vibe calls on the service of talented Washerman, Sunny Galaxy & Inner Sense to deliver 4 tracks with deep, garage & groovy overtones which are definitely meant for the dance floor . One aim ever: paying tribute to Jersey, NYC & Chicago vibes of the 90's. Special mention: the collaboration of Aaron Smith, the legendary remixer/producer and former member of UBQ Project duet alongside Terry Hunter, with a groovy keyboard solo on Inner Sense's "4 Aaron & Terry" track

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The second remix 12" from the 2013's Livity Sound compilation features two remixes of Asusu's 'Velez' by A Made Up Sound

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CAMP INC. are Cologne-based DJs, producers and acclaimed crazies Roland Kaiser Wilhelm and Sebastian Ingenhoff, founders of infamous tape label Camp Magnetics. Revered by local crowds, but feared by club technicians, the duo's live sets consists exclusively of hand-cranked hardware equipment spitting out wild Acid basslines, kicking synths and mad love. Their very first EP does not stray far away from that highly successful formula, featuring three delectable cuts that jump at the floor from all angles and raise even the laziest punter. An impressively idiosyncratic remix hails from fellow Cologne iconoclasts VON SPAR who create an alternate universe where the common laws of physics don't seem to apply - kosmische noise disco is where it's at. For a first time applicant, this release bears witness to the assured confidence of premiering label outfit LOW HANGING FRUIT, a venture of long time DJs Shumi and Marc Lansley aka Truffle Shuffle. No filler, all killer!

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The Manchester-based label, Music Is Love, has made some serious headway in their debut year with a flurry of impressive releases from a pool of highly talented up-and-coming artists. Moving into 2014 and the MIL crew continue to unearth fresh talent with the creation a new sister label, a label devised on bringing together a broad range of musical aspects and inspired by a desire to nurture a sound with more sonic craft. For their inaugural first release they welcome Colman Buckley for his first full EP. With 4 tracks of uniquely differing styles, the EP is branded by percussive rhythms and slick grooves, with acid-fused textures and deep house melodies piecing together a strong collection of tracks.


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Jaymo & Andy George's Moda Black present Futurists, a double vinyl collection of forward thinking, underground artists including Sidney Charles, REbEL & Twon, Dudley Strangeways, Fauvrelle, Elias Tzikas, Roberto Palmero, Javi Bora & Le Vinyl and Lrusse & Bleecker. Fuelled by Jay and Andy's unquenchable thirst for new music, Futurists is, in their words, "a chance to shine the spotlight on some really creative new school producers who are making music for all the right reasons - they're doing things their own way and they're doing it with passion and soul". Sidney Charles sets the tone with the bass heavy groove of "Vibe", whilst this release also sees the newly formed duo REbEL & Twon shine with "Itchy Fingaz". Long term Moda affiliate Dudley Strangeways has previously impressed with releases on Klasse, Holic Trax and Albion Records and does so once more with the robust UK House stylings of "Call Girl". Be sure to check "Hats And Nuts" from Lrusse & Bleecker, the recently formed alias of Behling & Simpson which caps off this fine collection!


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Passageway is the debut solo EP by Aurora Halal, producer, video artist and creator of Brooklyn's Mutual Dreaming party series. Four shadowy and intimate dance landscapes of shifting subterranean textures, backed with a hallucinatory remix by Detroit Techno legend Terrence Dixon. Minimal, metallic and pulsing with hazy sensuality, these tracks offer an exciting first glimpse into a unique emotional world.


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Coming Soon! A new Alleviated Records from Larry Heard protege Ben Jenkins. This young producer hailing from Memphis, Tennessee brings you four selections in the best Chicago tradition. Tip!!!



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Following up the first release on his new Monclova label, David Alvarado (Ovum, Peacefrog, Plastic City) returns with the second instalment “Battle” hitting on his signature deep, dark techno sound. This 2 track release continues to explore around the edges of techno and deep house, not just crossing genre borders but erasing them completely.



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"The sophomore release on Moss Co. takes a more club-oriented approach. Ferro's 'Adult Fishing' has been tearing up dancefloors over the last few months, with regular play from Rhadoo and Onur Ozer among others. Its a straight-up, broken beat club tool full of interesting analogue weirdness - a guaranteed people mover! He has also treated us to a locked-groove soundscape in 76 Seconds; a little extra dimension to add to your DJ sets. On the flip, we have a more introspective effort from AM - a new project from Romania's Arapu. Dropsul Cu Sare is based around a groovy bassline and uses dubby stabs and looming tones to build a suspense-filled mood."


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Esoteric, Kraut-inspired Electronic Pop from Hamburg based duo, with an extended club remix from label co-founder Ed Davenport in electronic disco mode... Originating from the gloriously inter-tangled scene between Hamburg and Berlin, Circuit Diagram are a live act and production duo fusing hypnotic psychedelic and krautrock tendencies with live drums and electronics. The three original tracks featured here are some of the first tracks to be recorded from the coupling of Nicolas (Drums / Vibes) and Chris (Samples / Programming). 'Motown' features fellow Berlin-based originator Touchy Mob on vocals, telling a touching, foreboding and spaced-out tale of modern melancholy. The sparkling electronics of 'Liebknecht' and 'Evi' then follow, only scratching the surface of what these guys can do in a more energetic, nocturnal situation. On the B side we find an extended, freeform version of 'Motown', inspired by a long night at the Kraniche Klub, Hamburg, where label co-founder Ed Davenport was invited by the band to DJ. A 6 hour eclectic 4/4 jam ensued, complete with a mid-March snow storm gently raging outside, and thus the blueprint for this record was complete.

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Nightdrivers finally launch their label with some seriously bassline-heavy, rollin' & pumpin' jams. Swirling pads glaze a buzz-stuttered synth bass on the A, while hot phone chat and police call-ins ramble over a high velocity drive-time drum tool.

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GRAZE minerals possess a superlative lustre, which is most notably seen in diamond. Such frequencies are transparent or translucent in nature, and have a high refractive index . Tones with a true adamantine lustre are uncommon, with examples being cerussite and zircon. MWeapon minerals display luminous bass bands, which appear to move as the specimen is rotated. Such frequencies are composed of parallel fibers, which reflect sound into a direction perpendicular to their orientation, thus forming narrow bands of light. The most famous examples are FM and subtractive, but the effect may also occur in other sound banding - such aquamarine, moonstone and tourmaline. Scrap minerals consist of thin transparent co-planar sheets. Light reflecting from these layers give them a lustre reminiscent of pearls. Such minerals possess perfect cleavage, with examples including muscovite and moss opal.


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TorreBros (Numoment Recordings / Komplex De Deep) is a french duo delivering in Melted Faces a subtle collage of samples and original floating textures.Melted Faces original mix reminds, by its driving beats and low-slung bass, the early nineties Detroit moisture.Borrowed Identity (Mistress Recordings / Quintessentials), a German-Romanian producer, which last productions has been released on DVS1's new imprint 'Mistress', gives here his layback and "savoureuse" interpretation by rearranging the original sample groove.Dj Steef (Retrofit / Gomma / Numoment Recordings), the mysterious french producer, finalized the EP with 2 more deep and downtempo remixes with a catchy and seductive rolling bass perfectly seated on a powerfull drum loop pattern.




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Phonica unveil the second in a series of three 12" samplers featuring a selection of tracks from their new compilation 'Ten Years Of Phonica'. Phonica favourite Lo Shea kicks off Sampler number 2 with the ominous 'Home', a bassline-heavy house cut that continues on from his streak of high quality and inventive 12" releases on Seaghdha. Medlar and Red Rack'em join forces for the submerged 'Morning Light'. It's deep house in its truest form and here's hoping they continue to collaborate, because on the basis of this, they're onto something very special. Moiré is another producer Phonica have been hugely impressed with, his highly original 12"s for Werk Discs and Rush Hour blew us away and his contribution 'Solar Signs' doesn't disappoint. Cult producer STL rounds out the 12" with 'Freaky Fingers'. His distinctively twisted take on house and techno is in full effect on this one, whistles and all. As STL releases on labels other than Something or Smallville are a rarity, it's yet another coup for Phonica. Phonica Records was established in September 2003 and set up shop in Soho, London, adding to the high concentration of independent records stores that inhabited the area. Founders; Simon Rigg, Heidi Vanden Amstel and Tom Relleen joined The Vinyl Factory with the aim of creating an exciting outlet for innovative dance music, traversing all sub-genres and cultures. Over the past decade the emporium has developed into a well-respected destination for DJs and enthusiasts, and has subsequently become a bustling hive of conversation and inspiration as part of a wider community of music lovers. While trends and movements in music have grown and faded over these years, Phonica has always remained in a state of evolution. It is this openness to change alongside a commitment to it's original ethos and an enduring ardour for quality, cutting-edge sounds that has fuelled the shop's staying power. To celebrate reaching this milestone, Phonica Records have invited some of their favourite artists to produce a track for an eclectic yet cohesive compilation, which will hopefully go some way towards sonically unfolding the 'Ten Years of Phonica.'

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Simon/off steps up to the plate with his second EP for Phuture Shock Musik entitled ‘Molecules’ EP - a fitting sequel to 2011’s similarly themed 'Planetary Communication' EP. Since dropping that last 12” on the Bristol-based imprint, the Austrian bass don has kept himself busy honing the sound of his intelligent take on bass music, most recently demonstrated via remixes for upcoming Mexican producers Mama Testa and Thark, as well as taking time to offer up fresh material on his co-owned Disko404 label; including the warmly received 'Take It Back' EP and introducing the junglist-laden footwork experiments of new side project - Sun People. ‘Molecules’ EP finds Simon/off continuing his current dalliance with 4/4 tempos and versatile broken rhythms, whilst furtherpushing the envelope within the far-reaching ‘Bass music’ sub-genre,absorbing inspiration from the future-minded output of legendary D&B institutions such as Reinforced and Metalheadz, right through to 90’s Detroit en route the fertile grounds of Bristol.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sequencias number 10 should give anyone unfamiliar with the label a good idea of what we're about. Three very different artists have given us three very different tracks—collectively forming a sort of manifesto. Experimentation, rhythm and reflection are all given equal weight on this record. As with everything we present, it is all in the service of expressing the flawed and the human. Nick Lapien returns once again as Metropolis, starting off the EP with the miniature epic "Balefire". Just shy of ten minutes, the beatless undulating cypher flows and fluctuates, its tangle of vibrating arpeggiated melodies whip about gaining momentum, falling into the ether. Brooklyn's Shawn O'Sullivan comes through with "Corypha", a straight up club track showcasing some well-crafted modular treacle over a tough brokenbeat. Mathematics affiliates Echo 106 close out the compilation with the meandering Chicago-facing "Withered Leaves". Tried and true box work merely sets the stage here with haunting melodies at the forefront, floating towards a swell of doleful synths as an emotional coda.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Bushwick venue Bossa Nova Civic Club is one of Brooklyn's more recent additions, yet has become a focal point for some of NYC's key figures with events featuring representatives from L.I.E.S. and The Bunker complementing guests like Jacques Renault and Anthony Naples. Emboldened by this prospering creative vibe, Bossa Nova Civic Club have teamed up with Sisterjam, a local consultation, management and event promotion collective for a series of 12" EPs under the banner Bushwick Is Melting. This first volume features four tracks from Brooklyn-based producers, each reflecting a different side to the area's musical underground. L.I.E.S. artist Marcos Cabral contributes, as does his Runaway partner Jacques Renault who teams up with NYC techno veteran Mark Verbos, whilst there is also music from Mannequin Records act Dusk, and Aurora Halal, the person behind the Mutual Dreaming parties who makes her solo production debut with "Hazy G".


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DE - 22113 Hamburg
Germany
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Following on from his debut album last year, Sleep. Medlar follows up with extended 12" versions of Tides, the stand out track from the album and Tap Spring. Boston crate digger Kon is on remix duty who turns out a straight up house version of Tides. While WOLF Music resident Greymatter takes on album track Listen, turning the jazz shuflling house track into a rumbling big room rework .

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DE - 22113 Hamburg
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Its dark, its deep...its techno! Lokiboi's take on dance music is pretty unique. Growing up in Moscow and now living in London, his style can vary almost as much as his location. From deep 808 filled 2-step to the steady grooves of old school house. On his debut 12" for Telefonplan Lokiboi delivers his unique take on electronic music and slots neatly between underground house and techno. Fans of Lokiboi won't be disappointed, this is some of his finest work to date.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Tief present a very special split EP from Marco Bernadi and Johannes Volke. Synth-led dancefloor bombs from the London clubnight-turned-label continuing an immense start to the label!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Bonar Bradberry and Tom Thorpe make up the boogie boat that is PBR Streetgang. One of the most interesting and evolving partnerships to form through the infamous circus of Leeds nightlife. A collaboration that has earned them respect across the musical spectrum. PBR counts fans among luminaries such as Lindstrom and Greg Wilson to Clive Henry and Pete Tong. Their unique musical approach threads Paradise Garage disco to deep groovy house and tracky beats seamlessly, never failing to connect with the crowd. Over the last five years, their DJ partnership has evolved into audience enthralling sets which flow effortlessly from Ableton live to the turntables and back again. The duo have landed a much sought after and prestigious residency at the famed WeLove…party playing on the terrace at Space, Ibiza as well as playing all over the world, from The Garden Festival to the Warehouse Project and Renate. Building on from critically acclaimed releases on labels such as 2020 Vision, Future Boogie, Hot Creations, Hypercolour and Southern Fried Records, PBR have come to Throne of Blood with three quirky and emotive house jams. The Achilles EP is an eclectic trip through deep house, moving from the piano-heavy "Achilles" to the narcotic vibe of "Name It Later" and the discoid "Trap Door." Completing the package, Bradberry and Thorpe asked the Montreal-based producer Iron Galaxy (Turbo Recordings, Audio Culture, Born Electric) to turn in a remix of "Achilles." Pairing the deep low end of the original with a whole new atmosphere and heavily psychedelic layers of synths, the Iron Galaxy remix is as invinsible as it's namesake Greek demi-god.

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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2nd installement in the Tape Sampler Series. Again only local artists!



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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It's time to celebrate! At catalogue number 20 Uncanny Valley extends its compilation-concept to 12 tracks spread over three records (or as a bundle if you prefer digital). With new music by label-regulars like Jacob Korn, Cuthead and Credit 00, friends like RVDS & K'Alexi or Filburt and fresh talents like Goetterkreis & Steve Kasper it is an exciting ride along the winding roads through the Uncanny Valley. The three records are visually linked with distinctive artwork by the ever-reliable Paul Waak. Part 3 starts with a bang and ''In der Weltraumdiskothek'' by mysterious Dresden based producer DC Production. If you've ever wondered what music would be played at the night club of the Ewoks this tune might be the answer. ''Nuthin Wrong Here'' is Scherbe to the bone with his stumbling beats, dirty synths and heartbreaking samples. We also have a big heart for Disco here at the valley and this is proven by Sandrow M & K_Chico who put a smile on our face with catchy guitar licks, bouncy bass lines and cheesy vocals. ''Space Dancer'', what more could you desire? Finally, Filburt from Leipzig brings things down to a peaceful end with his slightly melancholic ''My Time''. Free download included.



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WAS - Word and Sound Medien GmbH
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Germany
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VENT loves raw and unpretentious techno. The second love dose comes from no other than Miss Sunshine, who has distilled her intimate knowledge of techno dance floors worldwide for us into two driving tracks - one of which is remixed by Zadig. In this instalment, Miss Sunshine plays with the dichotomy between the feelings of entrapment and revelation, and does so in the language that VENT prefers to communicate with: no-nonsense, stripped down techno. “Trapped” is filled to the brim, curled tightly into position ready to burst with kinetic energy. Like a compressed spring, it waits to be released and yield to its essence, free of containment. “Revealed” on the other hand is an amalgamation between relaxedness and vital energy, as its cool pads contrast with the tireless percussive rhythm. To reveal does not mean that it shows, it means that it lets one see. Zadig's remix takes “Trapped” to another place, high and deep at the same time, where he binds the listener to the state that only techno can bring to mind and body. Some call it Detroit, some call it transdimensional beingness. Come with us and enjoy a stay in the quantum state between trapped and revealed.



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Debukas follows up his critically acclaimed album with this excellent remix compilation. His music is a dream to remix, full of analogue synth parts and soulful vocals so it's not difficult to find people who want to remix him. The fact that all the mixes are top quality is testament to this and also the skills of some producers on top of their games. With the likes of Tuff City Kids, Optimo, DJ Nature and Acid Mondays on board this is a serious remix collection.

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"Valcrond Video presents the next work by sound and image artist Luke Wyatt, ""Songs From Bad Kid School"". On a high desert plain, inside a cinder block compound, a prank squad is incarcerated. Between fiddling with ninja stars and leafing through back issues of Fangoria, they find time to scrape out the soundtrack of their escape. On the first track, heatsick guitars and steel wool beats suggest a landscape strewn with abandoned car carcasses, old Camaros left for dead in the sun, used for shotgun practice. The B-side leads off with the beat-less, articulated sprawl of ""Saline Flats"". Here is the story of a desert search for water: figures warping mirage-like on the horizon as they make a confused journey over dunes, ending with a cathartic drone that suggests the mirages resolving into a real oasis. Though it is just as likely that the bad kids have expired from thirst, and ascended to the sublime."


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Following his highly rated "Vapor City" album Travis Stewart returns to Ninja Tune with a new single containing "Back Seat Ho", a remix by Rustie (Warp) and the two exclusives "On My Mind" and "Neujacks".

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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