Label:firecracker
Cat-No:firec012cd
Release-Date:12.03.2014
Genre:techhouse
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Completely unique music in it's own cosmos, the first long player from the sibylline Panoram. Experiments in evocative soundscapes, minimal rhythms and mood. Hand printed sleeves.
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More records from panoram
Label:Balmat
Cat-No:BALMAT10
Release-Date:21.06.2024
Genre:Electronic
Configuration:LP
Barcode:4062548086744
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1
Panoram - The Shapes We Are
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Panoram - Limbo
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Panoram - Pierre
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Panoram - Cameos
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Panoram - Obsolete Child
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Panoram - Born Today
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Panoram - It's Me Being You
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Panoram - The Parable
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Panoram - Dishappening
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Panoram - Mudding
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Panoram - Brutal Meditation
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Panoram - Smiles In A Row
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Panoram - Peachflame
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Panoram - Middle Class Love (Blood Tests)
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Panoram - Veroin
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Panoram - A Brick In Your Fantasy
Panoram makes soundtracks for daydreams gone sideways. Picture the scene: an afternoon nap with the television on, quietly, in the corner; snatches of conversation drift in through the open window. Wandering, half-formed thoughts take unexpected detours; before you know it, there’s a movie playing out against closed lids, the colors bright, the characters unfamiliar. Accidental rhythms, incidental melodies, imitations of life, messages in code.
Across 17 fragmentary, sketch-like tracks, Panoram carves a labyrinthine path in which nothing is what it seems: a fantasy world of breathy vox pads, faux guitar, detuned synths, bursts of flute and orchestral percussion, and even the occasional cheeky cartoon sample. It’s chillout music with a chilly edge, ambient with a darkly ironic undertone. (The briefest glance at your news outlet of choice should be enough to confirm that the title—Great Times—ought to be taken with a healthy dose of skepticism.)
Panoram has been making music under his principal alias for more than a decade now, releasing albums on labels like Firecracker, Running Back, and his own Wandering Eye. (He has also performed and recorded with Amen Dunes, and has co-production credits on Amen Dunes’ forthcoming Sub Pop album Death Jokes.) Panoram’s output has ranged widely, taking in abstract pop, classical composition, twisted takes on library music, and cyborg funk. One record of “bio-acoustic transmissions” came with a cannabis leaf pressed in clear wax; his 2021 album Pianosequenza Vol. 1 gathers his experiments on the Yamaha Disklavier. But Great Times offers the truest picture yet of a project that has never been easy to pin down.
Loath to overshare details about his personal life, Panoram instead lets the music do the talking, using his cryptic tracks to express the slipperiest sorts of ideas—the thoughts that take root where anxiety, distraction, and the most fleeting traces of grace commingle. Panoram’s approach flies in the face of contemporary ambient orthodoxy, with its emphasis on immersion and uplift. Great Times expresses something thornier, more difficult to translate, yet also more tantalizing to contend with. Its 17 tracks offer a chance to get lost—and an invitation to remain in the maze as long as you like. More
Across 17 fragmentary, sketch-like tracks, Panoram carves a labyrinthine path in which nothing is what it seems: a fantasy world of breathy vox pads, faux guitar, detuned synths, bursts of flute and orchestral percussion, and even the occasional cheeky cartoon sample. It’s chillout music with a chilly edge, ambient with a darkly ironic undertone. (The briefest glance at your news outlet of choice should be enough to confirm that the title—Great Times—ought to be taken with a healthy dose of skepticism.)
Panoram has been making music under his principal alias for more than a decade now, releasing albums on labels like Firecracker, Running Back, and his own Wandering Eye. (He has also performed and recorded with Amen Dunes, and has co-production credits on Amen Dunes’ forthcoming Sub Pop album Death Jokes.) Panoram’s output has ranged widely, taking in abstract pop, classical composition, twisted takes on library music, and cyborg funk. One record of “bio-acoustic transmissions” came with a cannabis leaf pressed in clear wax; his 2021 album Pianosequenza Vol. 1 gathers his experiments on the Yamaha Disklavier. But Great Times offers the truest picture yet of a project that has never been easy to pin down.
Loath to overshare details about his personal life, Panoram instead lets the music do the talking, using his cryptic tracks to express the slipperiest sorts of ideas—the thoughts that take root where anxiety, distraction, and the most fleeting traces of grace commingle. Panoram’s approach flies in the face of contemporary ambient orthodoxy, with its emphasis on immersion and uplift. Great Times expresses something thornier, more difficult to translate, yet also more tantalizing to contend with. Its 17 tracks offer a chance to get lost—and an invitation to remain in the maze as long as you like. More
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Release-Date:17.11.2023
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Panoram - Feathers
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Panoram - I Can Only Repeat Your Love
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Panoram - Flat Stones
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Panoram - Valovola
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Panoram - Ages
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Panoram - The Wide House
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Panoram - Dove Done Come
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Panoram - Blank Sheep
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Panoram - There Is A Hole Here
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Panoram - Squid For A Day
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Panoram - Bucolica
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Panoram - Izzy Rob
Format: LP
Tracklist
Feathers
I Can Only Repeat Your Love
Flat Stones
Valovola
Ages
The Wide House
Dove Done Come
Blank Sheep
There Is A Hole Here
Squid For A Day
Bucolica
Izzy Rob
Release info:
Following up last year’s Acrobatic Thoughts album, Panoram delves even deeper into his own musical universe with Keep Looking Where The Light Comes From. We find the producer in confident form, exploring the fuzzy fringes of beauty and chaos. The result is an album that sounds even more like himself and yet surprising at each turn.
Opening track Feathers sounds like only Panoram can, buzzy arpeggiated distortion takes flight somewhere in the direction of a distant multiverse where Animal Collective and Boards of Canada soundtracked Koyaanisqatsi. But the psychedelic drift is all Panoram’s own, conjuring a stark sense of the uncanny with the repeated phrases. The digital guitar and vocal loops of I Can Only Repeat Your Love are practically on the brink of collapsing in on themselves, to the point where the structure begins to shift like a collapsing monument. Flat Stones nods towards ASMR, as flute and woodwind tones caress the ears and a whispered voice teases out an altered state.
It’s this dreamlike mood that pervades the whole album, a maximal effect that’s wrung from minimalist compositions. The Wide House picks up the baton from Laurie Anderson to trip gently through different states of awareness, while the piano patterns of Blank Sheep float through the synth ambience like ideas entering an empty dream. There Is A Hole Here is another mutant loop that unravels as it proceeds - the rhythms turn into a pulse, and despite what the lyrics say, it does indeed mess around with your brain.
Panoram balances dance tropes, classical composition, ambient drones and a washed out, fuzzy twist on avant garde pop, and manages to transform it all into a uniform whole that fits all those puzzle pieces together. Yet such is the assuredness of Panoram’s production that it sounds effortless. At this point, the music is more like a midwife, manifesting your future self‘s enlightened consciousness with surreal effect.
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Tracklist
Feathers
I Can Only Repeat Your Love
Flat Stones
Valovola
Ages
The Wide House
Dove Done Come
Blank Sheep
There Is A Hole Here
Squid For A Day
Bucolica
Izzy Rob
Release info:
Following up last year’s Acrobatic Thoughts album, Panoram delves even deeper into his own musical universe with Keep Looking Where The Light Comes From. We find the producer in confident form, exploring the fuzzy fringes of beauty and chaos. The result is an album that sounds even more like himself and yet surprising at each turn.
Opening track Feathers sounds like only Panoram can, buzzy arpeggiated distortion takes flight somewhere in the direction of a distant multiverse where Animal Collective and Boards of Canada soundtracked Koyaanisqatsi. But the psychedelic drift is all Panoram’s own, conjuring a stark sense of the uncanny with the repeated phrases. The digital guitar and vocal loops of I Can Only Repeat Your Love are practically on the brink of collapsing in on themselves, to the point where the structure begins to shift like a collapsing monument. Flat Stones nods towards ASMR, as flute and woodwind tones caress the ears and a whispered voice teases out an altered state.
It’s this dreamlike mood that pervades the whole album, a maximal effect that’s wrung from minimalist compositions. The Wide House picks up the baton from Laurie Anderson to trip gently through different states of awareness, while the piano patterns of Blank Sheep float through the synth ambience like ideas entering an empty dream. There Is A Hole Here is another mutant loop that unravels as it proceeds - the rhythms turn into a pulse, and despite what the lyrics say, it does indeed mess around with your brain.
Panoram balances dance tropes, classical composition, ambient drones and a washed out, fuzzy twist on avant garde pop, and manages to transform it all into a uniform whole that fits all those puzzle pieces together. Yet such is the assuredness of Panoram’s production that it sounds effortless. At this point, the music is more like a midwife, manifesting your future self‘s enlightened consciousness with surreal effect.
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Cat-No:rbinc008rmx
Release-Date:01.04.2022
Genre:House
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Panoram - Seabrain – Quiet Village Remix
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Panoram - Wandering Frames – Luca Lozano Remix
Tracklist
A1 – Seabrain – Quiet Village Remix
B1 – Wandering Frames – Luca Lozano Remix
Release Info:
Panoram’s „vivid and eccentric new album“ (based on Philip Sherburne via Pitchfork) gets the remix treatment by Quiet Village and Luca Lozano. A cornucopia of possibilities, aural delicacies and pulsating sounds, Acrobatic Thoughts would be a rewarding task for any remixer and is a real gift for the relevant guests.
Matt Edwards’ and Joel Martin’s Quiet Village project can’t be beat when it comes to meandering, prolix and cinemascope-styled tracks and remixes (see their Allez Allez African Queen one for further notice). Thus, their version of „Seabrain“ is a 11 minute long interpretation. Propelled by ocean travel transmissions, deep sea fantasies, sonar tones and a bubbling bass line, it’s the finest piece of submarine house and feels like a long lost cousin to Link’s Amenity (we take a bow). Addictive and refreshing.
Wandering Frames follows a similar path on the desk of Luca Lozano. But instead of the abyssal-benthic zone, he takes it higher up in the air. Sitting comfortably on little fluffy clouds, reinforcing the UK bleep continuum and adding skippy beats, Lozanos remix appeals to hypno house collectors, slow-motion b-boys-girls and ecstatic dance fans alike. Peak time can have many hours.
More
A1 – Seabrain – Quiet Village Remix
B1 – Wandering Frames – Luca Lozano Remix
Release Info:
Panoram’s „vivid and eccentric new album“ (based on Philip Sherburne via Pitchfork) gets the remix treatment by Quiet Village and Luca Lozano. A cornucopia of possibilities, aural delicacies and pulsating sounds, Acrobatic Thoughts would be a rewarding task for any remixer and is a real gift for the relevant guests.
Matt Edwards’ and Joel Martin’s Quiet Village project can’t be beat when it comes to meandering, prolix and cinemascope-styled tracks and remixes (see their Allez Allez African Queen one for further notice). Thus, their version of „Seabrain“ is a 11 minute long interpretation. Propelled by ocean travel transmissions, deep sea fantasies, sonar tones and a bubbling bass line, it’s the finest piece of submarine house and feels like a long lost cousin to Link’s Amenity (we take a bow). Addictive and refreshing.
Wandering Frames follows a similar path on the desk of Luca Lozano. But instead of the abyssal-benthic zone, he takes it higher up in the air. Sitting comfortably on little fluffy clouds, reinforcing the UK bleep continuum and adding skippy beats, Lozanos remix appeals to hypno house collectors, slow-motion b-boys-girls and ecstatic dance fans alike. Peak time can have many hours.
More
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Cat-No:rbinc008lp
Release-Date:14.01.2022
Genre:House
Configuration:LP Excl
Barcode:4251804126496
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Release-Date:14.01.2022
Genre:House
Configuration:LP Excl
Barcode:4251804126496
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Panoram - Healing Codes
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Panoram - Pseudolove
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Panoram - Wandering Frames
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Panoram - Z Miles
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Panoram - Beautiful Engines
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Panoram - Storme
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Panoram - Monocielo
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Panoram - Fiction Of A Sea
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Panoram - Seabrain
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Panoram - Azolyna
Tracklist
Healing Codes
Pseudolove
Wandering Frames
Z Miles
Beautiful Engines
Storme
Monocielo
Fiction Of A Sea
Seabrain
Azolyna
Release Info:
„Sybilline“, „unique“ and „peerless“. These are some of the adjectives that were used to describe Everyone Is A Door – Panoram’s first full-length on Edinburgh’s Firecracker Recordings. Since then, the elusive producer, founded his own label Wandering Eye, produced automated piano music in Los Angeles (Thom Yorke Sonos playlist approved), composed synth lines underwater for Amen Dunes Freedom and toured two years with the band as well being involved in their collaboration with Sleaford Mods Feel Nothing and their upcoming album on SubPop. But Panoram can also hold its own very well. His debut on Running Back’s Incantations series lets you hear and experience that after the first few bars already. Acrobatic Thoughts is surreal, abstract, puzzling and urgent, yet filled with beautiful, slow-moving melodies and emotional passages. Eccentric humor meets serious soundscapes, acrobatic thoughts evolve around abstract key notes, while an out-of-time and out-place atmosphere surrounds a microcosmos that seems to be otherworldly and very natural at the same time. Panoram manages to build a house that can be as much of a home for ambient record collectors as for futuristic pop fans and all the ones in-between those poles. Or to describe it one sentence while quoting two titles of this enigmatic record: Seabrains controlled by beautiful engines.
Short:
Seabrains controlled by beautiful engines. Panoram’s new record Acrobatic Thoughts and his debut on Running Back is surreal, abstract, puzzling and urgent, yet filled with beautiful, slow-moving melodies and emotional passages. Eccentric humor meets serious soundscapes, acrobatic thoughts evolve around abstract key notes. One LP to make millions happy.
More
Healing Codes
Pseudolove
Wandering Frames
Z Miles
Beautiful Engines
Storme
Monocielo
Fiction Of A Sea
Seabrain
Azolyna
Release Info:
„Sybilline“, „unique“ and „peerless“. These are some of the adjectives that were used to describe Everyone Is A Door – Panoram’s first full-length on Edinburgh’s Firecracker Recordings. Since then, the elusive producer, founded his own label Wandering Eye, produced automated piano music in Los Angeles (Thom Yorke Sonos playlist approved), composed synth lines underwater for Amen Dunes Freedom and toured two years with the band as well being involved in their collaboration with Sleaford Mods Feel Nothing and their upcoming album on SubPop. But Panoram can also hold its own very well. His debut on Running Back’s Incantations series lets you hear and experience that after the first few bars already. Acrobatic Thoughts is surreal, abstract, puzzling and urgent, yet filled with beautiful, slow-moving melodies and emotional passages. Eccentric humor meets serious soundscapes, acrobatic thoughts evolve around abstract key notes, while an out-of-time and out-place atmosphere surrounds a microcosmos that seems to be otherworldly and very natural at the same time. Panoram manages to build a house that can be as much of a home for ambient record collectors as for futuristic pop fans and all the ones in-between those poles. Or to describe it one sentence while quoting two titles of this enigmatic record: Seabrains controlled by beautiful engines.
Short:
Seabrains controlled by beautiful engines. Panoram’s new record Acrobatic Thoughts and his debut on Running Back is surreal, abstract, puzzling and urgent, yet filled with beautiful, slow-moving melodies and emotional passages. Eccentric humor meets serious soundscapes, acrobatic thoughts evolve around abstract key notes. One LP to make millions happy.
More
Label:wandering eye
Cat-No:we04
Release-Date:28.09.2017
Configuration:12"
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Label:wandering eye
Cat-No:we04
Release-Date:28.09.2017
Configuration:12"
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panoram - No Title
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panoram - No Title
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panoram - No Title
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panoram - No Title
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panoram - No Title
Panoram, the elusive mediterranean producer famous for his 'Everyone is a Door' on Firecracker and 'A Doom With A View' on Origin Peoples, now returns with a long awaited EP for his own Wandering Eye imprint. The palette here on 'The Question' is an illustrative sound collage that leaves its listener adrift through unexplored musical territories.
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Label:firecracker
Cat-No:firec012lp
Release-Date:04.11.2013
Genre:House
Configuration:2LP
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Label:firecracker
Cat-No:firec012lp
Release-Date:04.11.2013
Genre:House
Configuration:2LP
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Completely unique music in it's own cosmos, the first long player from the sibylline Panoram. Experiments in evocative soundscapes, minimal rhythms and mood. Hand printed sleeves.
More
More
More records from firecracker
Label:Firecracker
Cat-No:FIREC030LP
Release-Date:17.05.2021
Configuration:2LP
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Label:Firecracker
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being - Nine Bars
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being - Broxburn Funk
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being - Tanno
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being - Space Again
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being - Dropped
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being - The Awkward
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being - I Can't Look At It Though
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being - Cell Block
REPRESS!
Firecracker present archival tracks from the legendary Scottish producer Being.
Downright essential for those who are grabbing the Ampoule reissues, the SW. album on Avenue 66 and whats the likes of Ex-Terrestrial and Ura are releasing on Naff and Temple.
Throughout the early and mid 90's, Being released a series of records on Weatherall's Special Emissions label. Collaborated with Claude Young and also produced the rare as hens teeth Two Lone Swordsmen And A Being 12" with Weatherall and Tenniswood, whilst his Tides album was remixed by Ectomorph, Insync and more. Years later he'd resurface as the Wee DJ's and releasing idiosyncratic electro on Daz Quayle's SCSI-AV label and Sativa's Gasoline imprint. More
Firecracker present archival tracks from the legendary Scottish producer Being.
Downright essential for those who are grabbing the Ampoule reissues, the SW. album on Avenue 66 and whats the likes of Ex-Terrestrial and Ura are releasing on Naff and Temple.
Throughout the early and mid 90's, Being released a series of records on Weatherall's Special Emissions label. Collaborated with Claude Young and also produced the rare as hens teeth Two Lone Swordsmen And A Being 12" with Weatherall and Tenniswood, whilst his Tides album was remixed by Ectomorph, Insync and more. Years later he'd resurface as the Wee DJ's and releasing idiosyncratic electro on Daz Quayle's SCSI-AV label and Sativa's Gasoline imprint. More
Label:Firecracker
Cat-No:firec029lp
Release-Date:27.03.2020
Configuration:LP
Barcode:
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Label:Firecracker
Cat-No:firec029lp
Release-Date:27.03.2020
Configuration:LP
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Square Fauna - No Title
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Square Fauna - No Title
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Square Fauna - No Title
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Square Fauna - No Title
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Square Fauna - No Title
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Square Fauna - No Title
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Square Fauna - No Title
From their native St. Petersburg, Square Fauna evoke a score for imaginary protoplasmic oceans, surreal, sepia-tinged space operas and Russian sci-fi folk tales; lush, green landscapes littered with the burned out husks of automobiles, military vehicles, and askew telephone poles no longer in use though marked by pools of water in which can be found the debris of modern society.
Primitive kosmische electronics and vintage spacescapes cascade around complex polyrhythmic percussion. Ethereal mists of gaseous reverb are scattered by windswept synths and white-noise striations.
‘Meet The Fauna’ is as much of a cheeky nod to The Residents and Coil (or even Haroumi Hosono and John Hassell) as it is to the likes of B12, Black Dog, Richard H Kirk.
A completely singular, modern sci-fi soundtrack for the discerning sofanaut.
Produced by Dices & Flaty.
Artwork by Al White aka Crud. More
Primitive kosmische electronics and vintage spacescapes cascade around complex polyrhythmic percussion. Ethereal mists of gaseous reverb are scattered by windswept synths and white-noise striations.
‘Meet The Fauna’ is as much of a cheeky nod to The Residents and Coil (or even Haroumi Hosono and John Hassell) as it is to the likes of B12, Black Dog, Richard H Kirk.
A completely singular, modern sci-fi soundtrack for the discerning sofanaut.
Produced by Dices & Flaty.
Artwork by Al White aka Crud. More
Label:Firecracker
Cat-No:firec028
Release-Date:26.04.2019
Configuration:2LP
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Label:Firecracker
Cat-No:firec028
Release-Date:26.04.2019
Configuration:2LP
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
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Georgia - No Title
Consisting neither of one lone woman, nor hailing from either the Eurasian country or the North American state, this Georgia is in fact comprised of two human males working out of China Town, N.Y.C., namely Brian Close and Justin Tripp. Together they form a creative partnership responsible for not just a slew of output upon such highly regarded imprints as Meakusma, Palto Flats and Emotional Response, but also for a kaleidoscopic variety of multimedia work with a whole host of clients, from the corporate to the counter cultural. With an all embracing, freeform and in some ways contradictory approach to production, their sound is at turns stimulating, terrifying, comforting and confounding. Separated from any visual representation, the audio on its own becomes a soundtrack for the listeners' own intense internal projection screen.
With 'Time', Georgia's vision is especially well realised as here, in collaboration with fellow intuitionists Firecracker Recordings, they release into this world an album which, with any luck, shall help you unlock your inner portals - should they need assistance in that regard anyway. Unquantisable polyrhythms knock against one another in an uncannily externalised, conflicting collage of half remembered dance ritual memories. Fragmented melodies, disembodied vocal snippets, a hint of ethnomusicality in places all give deep nods simultaneously to ancient experience and to post human intelligence, condensing past present and future into one eternal instant.
'Time' the album asks us: what happens when one removes ones expectations of where in time a piece of music or art must sit? And what of time itself as a construct, now that we have myriad ways of measuring it, even at the atomic level; but still its passing is completely relative according to the observer, and indeed may all be in our minds anyway? Equally, you can always just put it on - again, and again - empty your mind of such thoughts completely, and allow all of your particles to move around freely to this joyful noise... after all, that's the point, isn't it? We're gonna have to stop asking questions eventually. More
With 'Time', Georgia's vision is especially well realised as here, in collaboration with fellow intuitionists Firecracker Recordings, they release into this world an album which, with any luck, shall help you unlock your inner portals - should they need assistance in that regard anyway. Unquantisable polyrhythms knock against one another in an uncannily externalised, conflicting collage of half remembered dance ritual memories. Fragmented melodies, disembodied vocal snippets, a hint of ethnomusicality in places all give deep nods simultaneously to ancient experience and to post human intelligence, condensing past present and future into one eternal instant.
'Time' the album asks us: what happens when one removes ones expectations of where in time a piece of music or art must sit? And what of time itself as a construct, now that we have myriad ways of measuring it, even at the atomic level; but still its passing is completely relative according to the observer, and indeed may all be in our minds anyway? Equally, you can always just put it on - again, and again - empty your mind of such thoughts completely, and allow all of your particles to move around freely to this joyful noise... after all, that's the point, isn't it? We're gonna have to stop asking questions eventually. More
Label:Firecracker
Cat-No:firec027
Release-Date:17.01.2019
Configuration:2LP
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
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Mac-Talla Nan Creag - No Title
Our favourite bothy botherers Mac-Talla Nan Creag (comprised of Hoch Ma Toch, Other Lands and Lord Of The Isles) return to Firecracker Recordings, channeling ancient rites, the mysteries of the Scottish landscape and its elements through technologies both old and new for your listening pleasure.
This time round the archaeological work of Forestry Commission Scotland at Dun Deardail in Glen Nevis, and the links between that site and the ancient Celtic myth ‘The Sorrow Of Derdriu’ provided fertile ground for new exploration and response. Accompanying the music once again will be a lush booklet containing some of the stunning imagery that results from the work FCS have done there, all packaged and silk-screened with the usual finesse we've come to expect from Firecracker Recordings and their chief visionary House Of Traps, in conjunction with 12th Isle's Al White.
Captured in part in a high vaulted medieval church, then in home studios, bouncing ideas back and forth over the internet, MTNC have once again drawn on field recordings, traditional instrumentation, analogue electronics and the simple power of the human voice to create a shimmering and expansive song cycle.
Whereas the first album was borne out of an intense period of field trips and whisky fuelled jam sessions in brochs and had a loose approach overall, the second is perhaps more focussed in its themes relating to the ancient tale - love, war, beauty and tragedy all intertwined - and they arguably go deeper this time, conjuring up something of the Fourth World feel, by way of the Firth Of Forth.
With additional contributions from Professor John Kenny - whose primal Zummoesque playing on a range of horns including a giant conch shell and a replica of the ancient Deskford carynx underpins several tracks on the album - and Eva Sutherland (daughter of Other Lands) who provides a reading from the myth at the very beginning, this is an album that not only carries the heaviness of history but also looks to the light of the future.' More
This time round the archaeological work of Forestry Commission Scotland at Dun Deardail in Glen Nevis, and the links between that site and the ancient Celtic myth ‘The Sorrow Of Derdriu’ provided fertile ground for new exploration and response. Accompanying the music once again will be a lush booklet containing some of the stunning imagery that results from the work FCS have done there, all packaged and silk-screened with the usual finesse we've come to expect from Firecracker Recordings and their chief visionary House Of Traps, in conjunction with 12th Isle's Al White.
Captured in part in a high vaulted medieval church, then in home studios, bouncing ideas back and forth over the internet, MTNC have once again drawn on field recordings, traditional instrumentation, analogue electronics and the simple power of the human voice to create a shimmering and expansive song cycle.
Whereas the first album was borne out of an intense period of field trips and whisky fuelled jam sessions in brochs and had a loose approach overall, the second is perhaps more focussed in its themes relating to the ancient tale - love, war, beauty and tragedy all intertwined - and they arguably go deeper this time, conjuring up something of the Fourth World feel, by way of the Firth Of Forth.
With additional contributions from Professor John Kenny - whose primal Zummoesque playing on a range of horns including a giant conch shell and a replica of the ancient Deskford carynx underpins several tracks on the album - and Eva Sutherland (daughter of Other Lands) who provides a reading from the myth at the very beginning, this is an album that not only carries the heaviness of history but also looks to the light of the future.' More
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Our favourite bothy botherers Mac-Talla Nan Creag (comprised of Hoch Ma Toch, Other Lands and Lord Of The Isles) return to Firecracker Recordings, channeling ancient rites, the mysteries of the Scottish landscape and its elements through technologies both old and new for your listening pleasure.
This time round the archaeological work of Forestry Commission Scotland at Dun Deardail in Glen Nevis, and the links between that site and the ancient Celtic myth ‘The Sorrow Of Derdriu’ provided fertile ground for new exploration and response. Accompanying the music once again will be a lush booklet containing some of the stunning imagery that results from the work FCS have done there, all packaged and silk-screened with the usual finesse we've come to expect from Firecracker Recordings and their chief visionary House Of Traps, in conjunction with 12th Isle's Al White.
Captured in part in a high vaulted medieval church, then in home studios, bouncing ideas back and forth over the internet, MTNC have once again drawn on field recordings, traditional instrumentation, analogue electronics and the simple power of the human voice to create a shimmering and expansive song cycle.
Whereas the first album was borne out of an intense period of field trips and whisky fuelled jam sessions in brochs and had a loose approach overall, the second is perhaps more focussed in its themes relating to the ancient tale - love, war, beauty and tragedy all intertwined - and they arguably go deeper this time, conjuring up something of the Fourth World feel, by way of the Firth Of Forth.
With additional contributions from Professor John Kenny - whose primal Zummoesque playing on a range of horns including a giant conch shell and a replica of the ancient Deskford carynx underpins several tracks on the album - and Eva Sutherland (daughter of Other Lands) who provides a reading from the myth at the very beginning, this is an album that not only carries the heaviness of history but also looks to the light of the future.' More
This time round the archaeological work of Forestry Commission Scotland at Dun Deardail in Glen Nevis, and the links between that site and the ancient Celtic myth ‘The Sorrow Of Derdriu’ provided fertile ground for new exploration and response. Accompanying the music once again will be a lush booklet containing some of the stunning imagery that results from the work FCS have done there, all packaged and silk-screened with the usual finesse we've come to expect from Firecracker Recordings and their chief visionary House Of Traps, in conjunction with 12th Isle's Al White.
Captured in part in a high vaulted medieval church, then in home studios, bouncing ideas back and forth over the internet, MTNC have once again drawn on field recordings, traditional instrumentation, analogue electronics and the simple power of the human voice to create a shimmering and expansive song cycle.
Whereas the first album was borne out of an intense period of field trips and whisky fuelled jam sessions in brochs and had a loose approach overall, the second is perhaps more focussed in its themes relating to the ancient tale - love, war, beauty and tragedy all intertwined - and they arguably go deeper this time, conjuring up something of the Fourth World feel, by way of the Firth Of Forth.
With additional contributions from Professor John Kenny - whose primal Zummoesque playing on a range of horns including a giant conch shell and a replica of the ancient Deskford carynx underpins several tracks on the album - and Eva Sutherland (daughter of Other Lands) who provides a reading from the myth at the very beginning, this is an album that not only carries the heaviness of history but also looks to the light of the future.' More
Label:firecracker
Cat-No:firec026
Release-Date:06.09.2018
Genre:House
Configuration:12"
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1
linkwood - No Title
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linkwood - No Title
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linkwood - No Title
One of Firecracker’s Founding Fathers returns once more, this time shoving two fingers up to current DJ conventions smashing out a 150 BPM electrofunk hybrid. On the flip, two deeper cuts traversing ambient wormholes and reflecting that classic Linkwood sound.
Ultimately, a miscellany of unique, syncopated weirdo sounds, barely orbiting the outer regions of dance music; or, depending on how you look at it, three timeless cuts designed for the dance floor, the sofa and all points in between.
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Ultimately, a miscellany of unique, syncopated weirdo sounds, barely orbiting the outer regions of dance music; or, depending on how you look at it, three timeless cuts designed for the dance floor, the sofa and all points in between.
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Label:firecracker
Cat-No:firec025
Release-Date:15.02.2018
Genre:Techno
Configuration:12"
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Cat-No:firec025
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Abandon all expectations ye who enter here, Other Lands (previous, druid-like incantations on FIREC015 Mac-Talla Nan Creag) got you covered with a truly compelling assortment of jazz snaz and post-armaggedon cosmo-disco oddities; occupying the space between alien-revisited exotica, classic jacking house workouts and a BoC 'Chromakey Dreamcoat' kinda vibe, seemingly elusive at first but definitely familiar to the ears of uncool survivors like you and I. One thing's sure, Other Lands could throw a balearic party at one of Berghain's most secret leather-friendly backrooms that it wouldn't feel out of place. Never mind the weird, inverse sun-tan lines.
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Label:firecracker
Cat-No:firec022
Release-Date:30.08.2017
Genre:House
Configuration:10"
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Cat-No:firec022
Release-Date:30.08.2017
Genre:House
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modula - No Title
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modula - No Title
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modula - No Title
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modula - No Title
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modula - No Title
Periodica Records family member Filippo Colonna Romano aka Modula (Naples, IT) drops a weirdo, tropical, G’d up Yamaha PSS 780 fonk EP. RIYL Dam Funk, Prince B-sides, twisted dancers and cosmic oddities. First 10" format on Firecracker for some time!
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Label:firecracker
Cat-No:firec023lp
Release-Date:07.06.2017
Configuration:2LP
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1
dj sports - "World A"
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dj sports - "Stellar Clusters"
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dj sports - "Fertile Crescent"
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dj sports - "Entry Mode"
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dj sports - "Parallax"
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dj sports - "Ascension"
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dj sports - "For Real For You"
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dj sports - "Reluctant Memory"
Whacked out from the whisky soaked bristles of Firecracker HQ, the Danish DonDaDa DJ Sports (he of Regelbau and Help Recordings fame) offers up a maiden LP of vast and varied sonic states. Get set for solid rave aesthetics aplenty - the double pack’s journey trudges over a musical milieu of broke-beaten, ambient driven house and techno, melancholy junglist and dubwise downtempo. One foot in the past, one foot in the future and killing the present - a perfect and timely addition to the Firecracker canon.
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Label:firecracker
Cat-No:firec021
Release-Date:13.01.2017
Genre:House
Configuration:12"
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Cat-No:firec021
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1
lord of the isles - Sunrise 89
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lord of the isles - Beatha
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lord of the isles - An Stuc
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lord of the isles - Bryte
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lord of the isles - Tocpe
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lord of the isles - Parabolas Of Neo
McDonald’s long-standing relationship with Firecracker boss Lindsay Todd – dating back a decade to their joint residency in Edinburgh – has seen Lord Of The Isles records appear on both UNTHANK and Shevchenko, whilst he also contributed to the Scotch and field recording shenanigans of last year’s Mac-talla Nan Creag album. Now, McDonald will now graduate to the main Firecracker label for a full Lord Of The Isles debut due in December under the name Parabolas Of Neon. Taking shape as a six-track 12'', the record features glacial techno and downtempo, cinematic melancholia; a fitting tribute to peaks conquered, whisky-drenched travelogues, warehouse parties, long drives and fried afters.
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Label:firecracker
Cat-No:firec020lp
Release-Date:11.11.2016
Genre:Techno
Configuration:2LP
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1
les gracies - Salubrious
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les gracies - Symetric Relatives
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les gracies - Pan
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les gracies - Compoly
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les gracies - The Entry Dance
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les gracies - The Reign After
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les gracies - Low Doses
Les Graciés is a collaboration in the truest sense between Paris-based sound artist Gaël Segalen and Deepblak co-founder Afrikan Sciences.
Segalen’s experiments in electroacoustic sound met the wider world this year via a debut LP for Erratum, an arresting work that showcases her ability to merge hypnotic murk ala Angus MacLise with the hard concréte of Parmegiani & Reibel. Segalen’s IHearU imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. Eric Douglas Porter aka African Sciences has been deconstructing and re-building forms of contemporary Black music since the mid-2000’s, through releases on Deepblak (the label he co-runs with Aybee) and PAN. His musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like Milford Graves & Art Jenkins, the dissonant chords of Motor City Techno and stripped back essence of early Chicago House matched with broken Hard Bop sentiments: all tied together with an aesthetic that sits somewhere between Sun Ra’s omniverse, Jean Giraud Mœbius and Dogon cosmology. Together as Le Graciés, Segalen and Porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual's work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut LP ‘Low Doses’ for Firecracker Recordings.
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Segalen’s experiments in electroacoustic sound met the wider world this year via a debut LP for Erratum, an arresting work that showcases her ability to merge hypnotic murk ala Angus MacLise with the hard concréte of Parmegiani & Reibel. Segalen’s IHearU imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. Eric Douglas Porter aka African Sciences has been deconstructing and re-building forms of contemporary Black music since the mid-2000’s, through releases on Deepblak (the label he co-runs with Aybee) and PAN. His musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like Milford Graves & Art Jenkins, the dissonant chords of Motor City Techno and stripped back essence of early Chicago House matched with broken Hard Bop sentiments: all tied together with an aesthetic that sits somewhere between Sun Ra’s omniverse, Jean Giraud Mœbius and Dogon cosmology. Together as Le Graciés, Segalen and Porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual's work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut LP ‘Low Doses’ for Firecracker Recordings.
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Label:firecracker
Cat-No:firec020cd
Release-Date:11.11.2016
Genre:Techno
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Les Graciés is a collaboration in the truest sense between Paris-based sound artist Gaël Segalen and Deepblak co-founder Afrikan Sciences.
Segalen’s experiments in electroacoustic sound met the wider world this year via a debut LP for Erratum, an arresting work that showcases her ability to merge hypnotic murk ala Angus MacLise with the hard concréte of Parmegiani & Reibel. Segalen’s IHearU imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. Eric Douglas Porter aka African Sciences has been deconstructing and re-building forms of contemporary Black music since the mid-2000’s, through releases on Deepblak (the label he co-runs with Aybee) and PAN. His musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like Milford Graves & Art Jenkins, the dissonant chords of Motor City Techno and stripped back essence of early Chicago House matched with broken Hard Bop sentiments: all tied together with an aesthetic that sits somewhere between Sun Ra’s omniverse, Jean Giraud Mœbius and Dogon cosmology. Together as Le Graciés, Segalen and Porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual's work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut LP ‘Low Doses’ for Firecracker Recordings.
More
Segalen’s experiments in electroacoustic sound met the wider world this year via a debut LP for Erratum, an arresting work that showcases her ability to merge hypnotic murk ala Angus MacLise with the hard concréte of Parmegiani & Reibel. Segalen’s IHearU imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. Eric Douglas Porter aka African Sciences has been deconstructing and re-building forms of contemporary Black music since the mid-2000’s, through releases on Deepblak (the label he co-runs with Aybee) and PAN. His musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like Milford Graves & Art Jenkins, the dissonant chords of Motor City Techno and stripped back essence of early Chicago House matched with broken Hard Bop sentiments: all tied together with an aesthetic that sits somewhere between Sun Ra’s omniverse, Jean Giraud Mœbius and Dogon cosmology. Together as Le Graciés, Segalen and Porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual's work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut LP ‘Low Doses’ for Firecracker Recordings.
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Label:firecracker
Cat-No:firec017
Release-Date:13.10.2015
Genre:House
Configuration:12"
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1
linkwood - Ignorance Is Bliss (Healing Force Project Remix)
2
linkwood - Love Lost (Musephased by Area)
When commissioning remixes, the best labels think outside the box. That's exactly what Firecracker's Lindsay Todd did when seeking out producers to rework tracks from Linkwood's excellent Expressions album. On this second 12" in an ongoing series, that faith has paid dividends. Whereas the original version of "Ignorance Is Bliss" was a warm, woozy, sun-kissed deep house affair, Healing Force Project has reinvented it as a stargazing chunk of 21st century space jazz, complete with twinkling chords, low-slung double bass and reverb-laden drum solos. The Musephased interpretation of "Love Lost" by Kimochi label head Area sticks closer to the ultra-deep, melancholic vibe of Linkwood's original, but adds a frisson of excitement via bubbling, Detroit-influenced electronics and hypnotic rhythms.
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Label:firecracker
Cat-No:firec015cd
Release-Date:27.03.2015
Genre:techhouse
Configuration:CD
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Over 10,000 years ago, after the last Ice Age, humans began to explore and settle the place now known as Scotland. Evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. Modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for. In this spirit, Firecracker Recordings were approached by Forestry Commission Scotland to make something that might capture the feel of these places. They assembled a crack squad of artists (Lord Of The Isles, Other Lands, House Of Traps, Wounded Knee) whom they felt would embrace the challenge, thanks to their shared interest in their own Highland ancestries. Visiting a handful of sites in an intense period of exploration late in 2014, they took field recordings, drank whisky, jammed in the ruins of brochs, studied rock art, sat in iron age forts, drank whisky, drove for many miles and generally began the process of channelling the shamanic forces (drank whisky) whose presence can still be felt all around. This album is the result of that brief adventure. The artists worked both together and in isolation, quickly and effortlessly, manipulating the recordings taken from the source and combining them with their own compositions, inspired by both the sights they saw in this time and those they have imagined from another. Here, they merge modern technologies with traditional instruments and the human voice to conjure up these ancient rites of celebration, ritual, offerings to long forgotten gods, changes in the features of the earth and the universe and the cycles of time. Accompanying the music is a booklet of archaeological images created by Forestry Commission Scotland, detailing some of the sites around which the music is based, again utilising modern laser scanning technology to see these mysterious relics in a different light.
• 2x12” LP & CD
• Ltd to 300 copies only
• Screen print and sleeve design by House Of Traps
• Bonus full colour booklet detailing laser scan techniques and ongoing archeological work by Forestry Commission Scotland
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• 2x12” LP & CD
• Ltd to 300 copies only
• Screen print and sleeve design by House Of Traps
• Bonus full colour booklet detailing laser scan techniques and ongoing archeological work by Forestry Commission Scotland
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Label:firecracker
Cat-No:firec014lp
Release-Date:19.03.2015
Genre:Techno
Configuration:2LP
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Tears of Love began coursing through a crevice in the wall, dissolving the old mortar which had been so firm. From the realm beyond our interstice, the Lacrima of Yearning was met by a coruscating light, heavy with air. This luminance seemed to generate in a distant source, yet had always been present - as illusion hides eternity. In this New Open Channel, a possibility was forged. A golden opportunity for the future and a resting place for the past. Leonard Campbell's Much Less Normal was originally released as a tape on 1080p last spring, and has since become one of the Vancouver label's definitive releases. This welcome vinyl reissue on Firecracker is an invitation to see this remarkable album in a new light for those who already know it, and its new format should help it earn the attention it deserved the first time around. It's a record that sounds like the city that birthed it: overcast and maritime, gloomy and gorgeous in equal measure. Campbell's songs develop and grow with the steady pace of the tides, as if his sounds and melodies are being washed ashore.
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Cat-No:firec014cd
Release-Date:19.03.2015
Genre:Techno
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Tears of Love began coursing through a crevice in the wall, dissolving the old mortar which had been so firm. From the realm beyond our interstice, the Lacrima of Yearning was met by a coruscating light, heavy with air. This luminance seemed to generate in a distant source, yet had always been present - as illusion hides eternity. In this New Open Channel, a possibility was forged. A golden opportunity for the future and a resting place for the past. Leonard Campbell's Much Less Normal was originally released as a tape on 1080p last spring, and has since become one of the Vancouver label's definitive releases. This welcome vinyl reissue on Firecracker is an invitation to see this remarkable album in a new light for those who already know it, and its new format should help it earn the attention it deserved the first time around. It's a record that sounds like the city that birthed it: overcast and maritime, gloomy and gorgeous in equal measure. Campbell's songs develop and grow with the steady pace of the tides, as if his sounds and melodies are being washed ashore.
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Label:firecracker
Cat-No:firec013cd
Release-Date:06.11.2014
Genre:House
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Ah, yes! Finally some real flavours to sink our teeth into. The nose is truly a work of art. First the classic peaty smoke but so distinctly understated. Confident in it's maturity. The salty pineapple citrus is next coupled with a refined lemon- lime toffee tartness. And finally a whiff of fresh cucumber sprinkled with the loveliest of white pepper. Oh, yes. This is what we’ve been waiting for! The creamy mouthfeel is laced with intense black peppers but then mellows out to give you honey, lemon and chocolate with a dash of tobacco. The long peppery finish is fruity with a hint of limestone. These are the classic flavours that made Linkwood one of the top distilleries and Expressions should be on your list of malts to try before you die.
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Label:firecracker
Cat-No:firec012lp
Release-Date:04.11.2013
Genre:House
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Release-Date:04.11.2013
Genre:House
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Completely unique music in it's own cosmos, the first long player from the sibylline Panoram. Experiments in evocative soundscapes, minimal rhythms and mood. Hand printed sleeves.
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