2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. eighth release is a japanese brightest hope iori’s debut release on mule. we wanted to add new japanese artist for this anniversary release series, then we remembered we liked his release on phonica. a side is his trademark deep hypnotic house tune and b side is more dubby and psychedelic. hope you enjoy!

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The second release on Oktave Records is produced by Tokyo's Iori. The multi-talented Japanese producer and DJ has had his music released on some of the best labels in the business, including Prologue, Field Records, and Semantica. Iori's inimitable and distinctive sound has put his productions on turntables and headsets all over the world, while the man himself continues to extend his touring radius, hitting clubs and venues all over Europe and into the Americas. Oktave Records is proud to present his 'Circulate' EP. The A side gives us 'Satellite,' a relentless floor-focused track, bursting with Iori's signature, looping sound he draws us into a hypnotic void and allows the listener to get completely lost in the polyrhythms so deftly layered on top of each other. 'Satellite' will mesmerize your dance floor. The B side opens with 'Vortex,' which gives us more of that special Iori hypnosis, but this time we're carried along by a broken beat. Complex, understated and rhythmic, 'Vortex' is another stunner. The EP closes with 'Inversion,' an ambient track, which is an area of strength for Iori. He has long been producing compelling, cinematic soundscapes with his unique sound signature, and 'Inversion' continues in this tradition.


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Phonica White returns with two extended cuts from their mainstay artist Iori. Monsoon & Rainfall mark Iori’s 5th contribution to the label and it may be his best yet. Monsoon on the A-side is a deeply hypnotizing piece of dub techno that’s destined to cause dance floor destruction. Steady kicks & toms open the track up before a relentless downpour of intricate percussion and low-end stabs lock you in for the track’s 10 minute duration...definitely one for the long nights in dark rooms. The B-side is a calming contrast to the A side storm. Deep and meditative, Rainfall comprises sparse modulating synth keys coupled with a bouncy rhythm section and airy spaced-out sound effects that create a dreamy atmosphere. This is Iori on top form.



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Occupying the full A-side ?Moon? is an epic of a track. Clocking in at just under 11 minutes, ?Moon? combines all the elements of Iori?s productions that we?ve come to know and love; carefully sculpted (almost tribal) drum patterns, a seriously bottom heavy throbbing bassline, percussive fx throughout, subtle chords and even a pinch of acid. A monstrously heavy track that craves loud soundsystems. Flip over for ?Spread?, which contrasts brilliantly to the happenings of the A-side. Whereas ?Moon? is bolshy and gung ho, ?Spread? showcases subtler more restrained side to Iori?s character. Again we?re treated to intricate drum work, this time though, it?s all about the airy synths, gently pulsating bassline and the groove that captivates you from the off. This eleven minute journey just ain?t long enough? Limited vinyl pressing of 444 copies ? hand stamped and numbered. Special artwork by Pedro Carvalho de Almeida.

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Field Records welcomes Acronym for a new album, Malm, which follows many great ambient laced deep techno EPs and LPs on Semantica and Northern Electronics. The 10-track beatless affair pays homage to one of his lost friends who was torn between his dualistic nature. In a state of paranoia, stress and inner conflict, even brief moments of panic can be fatal for yourself and the people around you. This album is born from those ideas and was recorded and arranged between 2015 and 2017 in different parts of the world using various analog and digital synthesizers and effects. Informed by grief and sorrow, the album evolved through a number of different forms and finally comprises three acts; the first two showcase the artist's take on the mental and physical circumstances during the events that took place on the 4th of January 2016 in Malmi, Helsinki, and the final act presents his viewpoint after that date. The Swedish artist offers absorbing and meditative passages of ambience and sombre atmosphere across all pieces here. Long, tailed pads gently come and go, occasional percussive sounds get sprinkled about and bleak keys bring real tenderness. It's an escapist listen that ranges from oppressive and heavy to more subtly uplifting and is one of the most coherent and cohesive albums you could wish to hear.

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Field Records looks to L'estasi Dell'oro (Christopher Ernst, aka Penalune) for a new three-track EP for sound systems that once again takes us down the rabbit hole. Following on from his previous 'I Look Upon Nature While I Live in a Steel City' album in 2015, this is another masterfully drawn out and engaging affair. "Either to please or to educate" is the intended purpose of this EP release, utilizing guitar, tabla, and other electronic and acoustic instruments. The incessant movement of the metronomic tremors felt underneath our plains lay the rhythm. The threadbare dialogue we use to communicate frays slightly further. These spirals are given an explicit voice through Leader Annabelle Kuwe's dispassioned public address to the remaining world at the Great Meeting of 2166, as recounted by Sadie LaPierre on closer 'Achieve Ignition'.

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Field Records welcomes a new name into the fold with its next EP. That name is Kiyoko, and it pertains to the UK duo of Jack Lever and Joe McBride. After albums and EPs on Auxiliary and Samurai Horo, they now offer up four more ambient electronic cuts that again suspend you in a blissful sonic world.

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Field Records is proud to present a new experimental mini album from Scott Monteith aka Deadbeat that touches on the traditional music of Qawwali. Entitled Qawwali Quatsch, it feature lots of transcendental sounds and hypnotic violins and voices across eight tracks. This absorbing album came about after Monteith--best known for his dub techno--attended the 2015 Wasser Musik festival in Berlin, which featured music from both the coastal and land locked regions of India and Pakistan. One performer was Asif Ali Kahn and his "Qawwali party," as Qawwali bands are appropriately known, and his show really struck a chord. The resulting music (which the artist admits is just a humble experiment galaxies away from the real power of the source material that inspired it) makes up this first album under his own name, and is a sympathetically infused album that ably captures the spirit of the revelatory, life changing music that is Qawwali, and an entry quite unlike any other in his now vast catalog. Collaborator and longtime friend Sophie Trudeau of Godspeed You Black Emperor! was involved for additional violin and voice treatments.

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The third and final chapter in a three-part EP series from Field Records comes from Michel Isorinne, who has released a number of tapes under various lies in recent times. Little else is known about the man but for the fact that he makes earthly, organic ambient that is filled with found sounds and subtle progression. The first track 'Blurred Perceptions of Substance' proves exactly that, with its tweeting bird calls, horizontal church bells and the distant and gentle patter of rain all soothing the brain. The thoroughly absorbing mood continues through all six tracks, which range from downbeat and sombre to more cautiously optimistic. The sounds of crinkled paper, big organs, heavenly chords, gently tumbling, slo motion drums and lots more besides all colour these tracks to perfection. To put them on and tune in to them is to forget about the outside world and get lost in emotive soundtracks that transport you to another place entirely.

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Field Records continues to focus on its first run of solo artists EPs with four tracks from UK pair Szare. Before now this Frozen Border and Horizontal Ground duo has excelled in crafting cavernous bass chambers and off beat rhythms with ease - just as they do here. Riding up and down, skipping left and right and swelling with a sense of post apocalyptic optimism as it goes. This EP is full of fresh ideas, fulsome production and a dark energy that makes it fit perfectly on the most recent end of the hardcore continuum.

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The first chapter in a series of three EPs to come from Dutch label Field Records is from Swedish producer Staffan Linzatti. Hypnotic techno from the outer edges of our galaxy combined with richly melodic, angelic and heavenly electronics on the deep space affair. Dedicated Millsian productions which are riddled with spaceship communications and distant sonar pushes.

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Marking the 10th release on the imprint, Field Records presents five upstanding Dutch artists and an exceptional assembly of ambient waves, melodic synths and heavy analogue force.



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Welcoming four new artists on Field, the eighth EP in the vinyl series hovers somewhere between melancholic breaks, authentic deep house, and riveting techno. Upstanding contributions are realized by Dutch connoisseurs Steffi, Mark du Mosch, Artefakt and Area Forty_One.

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