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The album straddles analogue club music and vocal pop songs - rough, dark, extraordinary.
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Label:modern love
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Earlier on this year Andy Stott found himself playing on the same bill as New York “Heavy Metal hoarders” Batillus. Despite operating in completely different spheres, Batillus had been playing ‘Luxury Problems’, Stott’s most recent album, on their tourbus and suggested a remix.
The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.
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The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.
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Flora Yin-Wong - No Title
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10"
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Label:Modern Love
Cat-No:love115
Release-Date:03.07.2020
Genre:Electronic, Electronica
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Olivier Messiaen - No Title
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Label:Modern Love
Cat-No:love114
Release-Date:15.11.2019
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Andy Sott - No Title
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Andy Sott - No Title
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Andy Sott - No Title
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Label:Modern love
Cat-No:love107
Release-Date:27.11.2017
Genre:Techno
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zomby - No Title
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Cat-No:love104
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Outta the shadows and into the strobe-light, Alex Lewis aka Turinn debuts on Modern Love with a highly rinsable debut double-pack of sawn-off brukbeats and anxious, nerve-riding grooves brewed in the ravines of North Manchester. Turinn emerges from a new generation of producers in the city that include longtime spar Willow, and upcoming producer Croww, soon to offer up his own debut recordings. ?Crooked and rugged AF, but tempered by an acute emotive sensitivity, 18 1/2 Minute Gaps renders a bleedin’ cross-section of mongrel, hybrid style ’n pattern in a breathless, deceptively freehand fashion that comes riddled with an electric blue energy all of its own. ?Committing ten trax of fractious, mutant funk and sore feels, 18 1/2 minute Gaps serves to cap Turinn’s formative phase of production like a lead lid on a nuclear rave implosion; trapping original ‘ardcore ‘nuum, Detroit booty and dank post-punk elements in a perpetual flux of in-the-pocket grooves which ravenously attempt to split at the seams, alternately pushing into Muslimgauze-like buffer zones of distortion or resoundingly wide ambient dimensions, and often both at once. ?On the first plate, this ambiguous dichotomy is epitomised between the rare surge of quick/slow torque in Ovum, which almost sounds like Chris Carter sparring with Burial Hex, and then in his nod to the Italian new wave with Elba, which seems to find the square root between Lorenzo?Senni and some skudgy as heck Kassem Mosse grind, whereas the bittersweet soul of 1625 finds compatible links with his close peer, Workshop’s Willow as well as Japan’s Shinichi Atobe and scene enabler Move D, while Parratactico swaggers into quantum dancehall meters. ?The second disc is no less deadly: the album title track runs at a nexx level Detroit momentum?like DJ Stingray flipping Derrick May and Carl Craig’s Kaotic Harmonies, before ESO cuts in like?a super cranky El-B wearing itchy Primark underwear, and the bone-rattling hardcore jungle of Spawn soon enough gives way to the sweetlad couplet of Petrichor and Ondine, where his elusive, distressed melodic touch really shines thru. ?
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1
low jack - Saab Prelude
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low jack - Six In The Morning
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low jack - Thin Platforms
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low jack - Coquelin Cloarec (Steps)
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low jack - Coquelin Cloarec (Emotions)
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low jack - Judo Coaster
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low jack - SolidorJoint
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low jack - An Other Swim (Skit)
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low jack - Feigned Confidence
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low jack - Blinking Lights Sheep
Modern Love very rarely reaches out to artists outside of its immediate surroundings; it’s happened just a couple of times in the last 14 years. But there’s something about Philippe Hallais that compelled the label to ask him if he wanted to do something together. Philippe has released music on a bunch of cool labels (L.I.E.S., The Trilogy Tapes, Delsin, In Paradisum), but hearing the first tracks recorded for Lighthouse Stories, it was obvious Philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a Footwork variant sewn up with an exotic production style that was impossible to pin down. These tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with Turntablism, Detroit electro and Ghetto house, and eventually Juke and Grime. Although he’s spent the last few years focusing on more industrial dancefloor variants, for Lighthouse Stories Philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments; all things that inform the flow of this new album.
Lighthouse Stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. Frames of reference are hard, but in places it reminds us of the dusted swagger of Anthony Shake Shakir, the acquatic Drexciyan movements of Ultradyne, a loose-limbed take on Shangaan, and of Actress at his most submerged.
But ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.
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Lighthouse Stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. Frames of reference are hard, but in places it reminds us of the dusted swagger of Anthony Shake Shakir, the acquatic Drexciyan movements of Ultradyne, a loose-limbed take on Shangaan, and of Actress at his most submerged.
But ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.
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Label:modern love
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The album straddles analogue club music and vocal pop songs - rough, dark, extraordinary.
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Label:modern love
Cat-No:love96
Release-Date:18.07.2014
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1
demdike stare - Procrastination
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demdike stare - Past Majesty
7 months on from TP#4, Demdike return with the 5th instalment in their ongoing research and development series - a double-headed monster split between gnarly reductions on the A-side, and industrial strength edits on the flip. 'Procrastination' edges through Grimey detritus and gunshot snares within a vast open space perfectly primed for that Demdike slow build. 'Past Majesty' on the flip offers up a feral take on some kind of cyber-industrial insanity, somewhere between Ministry and Powell - with a denouement which should probably come with a public health warning attached to it. All we're saying is - watch yr eardrums
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Millie & Andrea are Miles Whittaker and Andy Stott, fellow labelmates at Modern Love who collaborated on an occasional series of 12" releases between 2008 and 2010. It's been four years since we last heard from them but they now return with "Drop The Vowels", their debut album. Produced fast and loose through late 2013 / early 2014, it's an album that recalls the strict and stripped funk of Anthony Shakir as much as it does Leila's incredible debut 'Like Weather', eschewing the dark aesthetic both producers are best known for in favour of something much more visceral. It's an album borne from a love of both pop and club music, made to evoke an adrenalised, hedonistic, as well as an emotional response. Opener GIF RIFF brings to life a Gamelan edit stripped bare before the over-compressed 'Stay Ugly' breaks out with a tumbling, broken arrangement situated somewhere between Richard D James and Jai Paul. "Temper Tantrum" and "Spectral Source" follow, versions of tracks originally released on the second and third Daphne EP's respectively, the former a rugged rave anthem tempered by blue strings, the latter a proper dancefloor destroyer recalling Shake's mighty 'Madmen'. 'Corrosive' flits between a fillibrating, arpeggiated steppers rhythm and a brutal jungle breakdown, while 'Drop The Vowels' further explores and strips bare bass & drums before the slow but jacking warehouse killer "Back Down" provides pure percussive abandon. Quay ends the set with something quieter, a sublime coda made entirely from field recordings.
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Label:modern love
Cat-No:love92
Release-Date:07.03.2014
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Released almost exactly a year on from their debut 'Struck' EP, Liam Morley and Dan Valentine return with 'New Brutalism', an exploration of angular, brittle club music. Referencing the stripped-down, utilitarian aesthetic of Brutalist architecture (a detail of Preston bus station features on the cover), the 5 tracks here mine looped, blocky source material gradually embellished with more complex percussive and atmospheric layers that are at once robust and introspective. From the opening woodblock/rave dismantling "UK WIll Not Survive" to the heady Hardcore of "Three Day Jag", the EP evokes a distinctly Northern British Weltanschauung, a joyous revelling in melancholy that goes as far back as the earliest dances documented in Mark Leckey's 'Fiorucci Made Me Hardcore' - somehow unique to British nightlife. The EP closes with the industrial clang of "Run Out', the cacophony slowly converging into an alignment of percussion and space, trigerring that feeling of re-emerging into daylight at the end of a long night. Blinded by all the light... by all the possibilities.
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Label:modern love
Cat-No:love93
Release-Date:21.02.2014
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The second EP from Jack Dice sees a huge leap in ambition for the project, a 5 track session that's more addictive, direct and heady than its predecessor. 'Sip Paint' centres around 'Stash's Theme' featuring rapper and producer Stash Marina, a track that deploys crisp triplets and saturated production straddling mainstream signatures on the one hand and a world of analogue/deviant recording techniques on the other. It's an odd, hyper-addictive track - available here in both vocal and instrumental versions. 'Low Glo', 'Kerosene' and 'Radium Dial' are more subdued and immersive; you could draw lines straight through the material here to a number of different projects Twells has been involved with through the last decade, though he seems to benefit immeasurably from Chambliss' presence. The pair find a perfect balance between their respective disciplines, resulting in an EP that at different points throws stylistic references to everything from Prince's Black Album to The Art of Noise, Drake, Philip Jeck and Evian Christ's DUGA 3 sessions - without ever sounding overworked or too knowing, a feat in itself.
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Label:modern love
Cat-No:love89
Release-Date:16.12.2013
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Includes an insert with artwork by Alex Solman and handstamped sleeves Searing, tormented darkside f**kery from Miles Whittaker and Sean Canty’s Demdike Stare on their rinse and run Testpressing series. A-side ‘Fail’ is a slowly descending panic attack of pealing hi-end frequencies and impending bass doom reaching a pit of noisy no return. B-side ‘Null Results’ bruks loose with a scything jungle attack; frantic 16th note hi-hats and cone-crumpling subs laced with a rudeboy mentasm to incite warehouse capoeira. Come test.
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Label:modern love
Cat-No:love95
Release-Date:16.12.2013
Genre:Techno
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Earlier on this year Andy Stott found himself playing on the same bill as New York “Heavy Metal hoarders” Batillus. Despite operating in completely different spheres, Batillus had been playing ‘Luxury Problems’, Stott’s most recent album, on their tourbus and suggested a remix.
The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.
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The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.
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Label:modern love
Cat-No:love87
Release-Date:13.06.2013
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Label:modern love
Cat-No:love84
Release-Date:31.05.2013
Configuration:12"
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An addendum of sorts to his recent 'Faint Hearted' album, Miles' returns with a half-hour EP of new material more squarely aimed at the floor with four darkened, robust variants. 'Blatant Statement' is up first, slowly emerging from a rough alignment of metallic percussion and abrasive stabs not a million miles removed from the kind of racket you'd most likely associate with Vatican Shadow, before the almost-clipped rub of those super-warm bass stabs shifts the perspective to a different kind of environment altogether. 'Technocracy' delivers an oozing House deconstruction, slowed down and inebriated, while 'Infinite Jest' revolves around an industrial cacophony harnessed into a rhythmic anomaly situated somewhere between technofied Pete Swanson and a sweaty Kassem Mosse. 'Plutocracy' ends the set with a bleached-out warehouse chug, slowed down and menacing, surrounded by a submerged choral arrangement and more of that toughened hammered-metal sound that runs through the EP.
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Cat-No:love86
Release-Date:23.04.2013
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As the world sinks deeper into screens and algorithms blur the line between creation and imitation, Nubiyan Twist return with "Chasing Shadows", a record that reclaims the pulse, warmth and spontaneity of human connection. The band"s fifth studio album is a rich and restless blend of jazz, afrobeat, hip hop and electronic textures, exploring the space between the organic and the digital. It"s music that moves, sweats, and breathes, made by real people in real rooms with heavyweight features bringing together varied voices from the music community which they inhabit. Following 2024"s acclaimed "Find Your Flame", "Chasing Shadows" pushes the band"s sound further into new soulful territory under Excell"s expert guidance, featuring bright new vocalist Eniola and a glowing cast of icons and innovators. On "Chasing Shadows", Nubiyan Twist continue to look outwards with their music but keep the focus firmly on humanity and positivity. It is an album which crosses continents and which shamelessly celebrates our collective strength.
Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith055lp
Release-Date:31.07.2026
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648412526
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Barcode:4251648412526
1
Logg - A1 : (You’ve Got) That Something
2
Logg - A2 : Dancing Into The Stars
3
Logg - A3 : Something Else
4
Logg - B1 : I Know You Will
5
Logg - B2 : Lay It On The Line
6
Logg - B3 : Sweet To Me
Format: LP
Format Notes: 2026 repress, 180 g vinyl
EAN: 4251648412526
Track List:
A1 : (You’ve Got) That Something
A2 : Dancing Into The Stars
A3 : Something Else
B1 : I Know You Will
B2 : Lay It On The Line
B3 : Sweet To Me
Release Notes:
The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece.
The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment. With all the touchstones of Burgess’s finest work - breezy grooves, undulating synths, funk-drenched bass and life-affirming lyrics - delivered with gospel-derived vocals and harmonies - it’s a record to uplift both body and spirit.
Already a cult soul figure as lead singer of seminal vocal group Black Ivory, Leroy Burgess cut his teeth as arranger, vocalist and songwriter with legendary producer Patrick Adams on essential late-70s projects like Phreek and Dazzle. He went on to define the essence of “boogie”: the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed - mid-90 to under 110 BPM - the cool boogie of Burgess has the disco bounce, just more laidback.
All six tracks here could have been stand alone 12" hits. Indeed, some of them were. But together they are also an incredibly cohesive album, where all the compositions are deeply relevant to each other. In short, it’s essential; a thrilling showcase for Burgess’s finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass.
Opener “(You’ve Got) That Something” is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of “Dancing Into The Stars” - married to percolating synth and airtight drums - showcases the chemistry between Burgess and the rhythm section.
The fusion of funk and gospel-influenced harmonies which propels “Something Else” is remarkable - deep, joyous and bouncy. Infamously mixed by Larry Levan, “I Know You Will” is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. “Lay It On The Line” radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer “Sweet To Me” is a chilled-out gem of profound soulful elegance.
Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, in the last decade, MCDE and Harvey Sutherland have routinely cited it as a huge influence. Accordingly, finding original copies on vinyl at affordable prices has been a thankless task. This fresh Be With reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves to.
Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, we think this is a reissue that does justice to this classic LP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2026 repress, 180 g vinyl
EAN: 4251648412526
Track List:
A1 : (You’ve Got) That Something
A2 : Dancing Into The Stars
A3 : Something Else
B1 : I Know You Will
B2 : Lay It On The Line
B3 : Sweet To Me
Release Notes:
The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece.
The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment. With all the touchstones of Burgess’s finest work - breezy grooves, undulating synths, funk-drenched bass and life-affirming lyrics - delivered with gospel-derived vocals and harmonies - it’s a record to uplift both body and spirit.
Already a cult soul figure as lead singer of seminal vocal group Black Ivory, Leroy Burgess cut his teeth as arranger, vocalist and songwriter with legendary producer Patrick Adams on essential late-70s projects like Phreek and Dazzle. He went on to define the essence of “boogie”: the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed - mid-90 to under 110 BPM - the cool boogie of Burgess has the disco bounce, just more laidback.
All six tracks here could have been stand alone 12" hits. Indeed, some of them were. But together they are also an incredibly cohesive album, where all the compositions are deeply relevant to each other. In short, it’s essential; a thrilling showcase for Burgess’s finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass.
Opener “(You’ve Got) That Something” is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of “Dancing Into The Stars” - married to percolating synth and airtight drums - showcases the chemistry between Burgess and the rhythm section.
The fusion of funk and gospel-influenced harmonies which propels “Something Else” is remarkable - deep, joyous and bouncy. Infamously mixed by Larry Levan, “I Know You Will” is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. “Lay It On The Line” radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer “Sweet To Me” is a chilled-out gem of profound soulful elegance.
Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, in the last decade, MCDE and Harvey Sutherland have routinely cited it as a huge influence. Accordingly, finding original copies on vinyl at affordable prices has been a thankless task. This fresh Be With reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves to.
Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, we think this is a reissue that does justice to this classic LP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
pre-sale
Label:Be With Records
Cat-No:bewith094LP
Release-Date:24.07.2026
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
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Cat-No:bewith094LP
Release-Date:24.07.2026
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2026 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:Pooledmusic
Cat-No:PLD047
Release-Date:24.04.2026
Genre:House
Configuration:12" Excl
Barcode:4251804187923
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Release-Date:24.04.2026
Genre:House
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Barcode:4251804187923
1
Ian Pooley - Higgledy Piggledy!
2
Ian Pooley - Mutual Extend
3
Ian Pooley - All Nite
lim. 2026 Reissue!
Ian Pooley brings back his timeless classic "Higgledy Piggledy!" with a fresh reissue on his own label, PooledMusic. Following this year's re-release of his landmark 2000 album "Since Then.", it marks the beginning of a dedicated series revisiting key moments from his catalogue. A true collector's item and dancefloor weapon, freshly pressed for a new generation of house lovers.
A Higgledy Piggledy!
B1 Mutual Extend
B2 All Nite
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ian Pooley brings back his timeless classic "Higgledy Piggledy!" with a fresh reissue on his own label, PooledMusic. Following this year's re-release of his landmark 2000 album "Since Then.", it marks the beginning of a dedicated series revisiting key moments from his catalogue. A true collector's item and dancefloor weapon, freshly pressed for a new generation of house lovers.
A Higgledy Piggledy!
B1 Mutual Extend
B2 All Nite
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Omniverse Records
Cat-No:OMNIVLP13
Release-Date:01.05.2026
Genre:Dope Beat/Hip Hop
Configuration:2LP
Barcode:5050580870642
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Label:Omniverse Records
Cat-No:OMNIVLP13
Release-Date:01.05.2026
Genre:Dope Beat/Hip Hop
Configuration:2LP
Barcode:5050580870642
1
Visioneers - Replay (feat. Voice)
2
Visioneers - Runnin' (Extended)
3
Visioneers - It's Simple
4
Visioneers - Ike's Mood I
5
Visioneers - The World Is Yours (Extended)
6
Visioneers - The World Is Yours (Extended)
7
Visioneers - Funk Box (feat. Capitol A)
8
Visioneers - Run for Cover
9
Visioneers - Paul's Guitar Story
10
Visioneers - Dirty Old Bossa Nova
11
Visioneers - Smoker
12
Visioneers - Hip Know Cypher
This year marks the 20th anniversary of ‘Dirty Old Hip Hop’, so we celebrate with a repress of what is now considered a stone cold classic. Originally released in 2006 this Worldwide Awards nominated album is a masterful collection of tunes from 4hero’s Marc Mac. With musicians Somatik and Luke Parkhouse on board and rappers Voice and Capital A, Marc has re-imagined Hip-Hop breaks and beats and placed them into grooves that pay homage to the tunes from which those beats were originally sampled. A very post-modern approach has resulted in an album of timeless music which transcends eras and has the ability to sound as fresh as it does familiar. Moreover it works. Bob Hill Remasted & Pressed on heavy weight double 12" vinyl.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
backorder
Label:Zodiak Commune Records
Cat-No:ZC-ELEC019LTD
Release-Date:01.05.2026
Genre:Electro
Configuration:12"
Barcode:
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Cat-No:ZC-ELEC019LTD
Release-Date:01.05.2026
Genre:Electro
Configuration:12"
Barcode:
1
Ekman - Drowning In Midnight Oil
2
Ekman - Into The Den
3
Ekman - Smoke Dragons
4
Ekman - The Girl With The Snake
Tracklisting
A1 Ekman - Drowning In Midnight Oil
A2 Ekman - Into The Den
B1 Ekman - Smoke Dragons
B2 Ekman - The Girl With The Snake
Sales Note
Ekman - Into the Den stays locked into his sound: raw, dark, direct.
Electro-driven tracks with heavy 303 pressure, built for the floor.
Limited Poster Edition (includes stickers).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Ekman - Drowning In Midnight Oil
A2 Ekman - Into The Den
B1 Ekman - Smoke Dragons
B2 Ekman - The Girl With The Snake
Sales Note
Ekman - Into the Den stays locked into his sound: raw, dark, direct.
Electro-driven tracks with heavy 303 pressure, built for the floor.
Limited Poster Edition (includes stickers).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Because Music
Cat-No:bec5772838
Release-Date:18.03.2011
Genre:Pop
Configuration:LP Excl
Barcode:5060107728387
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Last in:23.03.2026
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Last in:23.03.2026
Label:Because Music
Cat-No:bec5772838
Release-Date:18.03.2011
Genre:Pop
Configuration:LP Excl
Barcode:5060107728387
Selah Sue was not destined to become an artist. "I grew up in a really little town in Belgium, and none of my family was into music," reveals the twenty-one year old, with refreshing sincerity. "As a kid, I wanted to be a ballerina. I danced from the age of six to twelve".
Even without romanticising it, her story is like a fairy tale. It's the story of a young musician who ignores her fate, and pours her anxieties into her songs and her guitar. "I had all these worries and depressions that I wrote down, it was a way of structuring my thoughts".
She turns her doubts into soul, funk and reggae melodies, trying hard to be worthy of her idols, Lauryn Hill, Erykah Badu and Bob Marley. She sings in local clubs on the weekend and attends high school during the week. She records in home-studios, at friends houses, and publishes drafts of her songs on Myspace, without a thought of making a career in music.
What happens next seems almost unreal. Thousands of fans respond to her on the net, attracting the attention of professionals, and the interest of Because Music, which eventually leads to a record deal for the young musician. Then Farhot (Nneka) and Patrice take on the production of her first album. Meshell Ndegeocello stays with her in the studio for two days to produce the track "Mommy". Cee-Lo Green agrees to accompany her on a duet and ends up asking her to put the track ("Please") on his own album. And, last but not least, last autumn Prince offered her a coveted support slot at his show in Antwerp, Belgium.
To put it in a nutshell, in just two years, Selah Sue has fulfilled her dreams. To keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. It's a way of reminding the world that she has not been unfairly spoiled by destiny and that before Prince, Cee-Lo Green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.
For example, her first single "Raggamuffin" is one of her oldest songs and was viewed more than a million times online. "This track symbolizes me" she explains. "It shows my soulful and singing side, but also my hard side, between rap and ragga. When my manager asked me who I wanted to work with, I said Farhot straight away, as I'm a fan of Nneka. But I also wanted an intimate, dark, melodious record, with light and lively beats. Farhot is crazy about digital sounds and Patrice, who I know well, was the ideal man for the melodious part. They were my two accomplices in the studio."
Her first album is ambitious. It is a smart melting pot between electric rock, organic hip-hop and soul-funk. The twelve tracks shift from poignant ballads like "Mommy" to wilder styles like "Crazy Vibes". Like Janelle Monae, M.I.A. or Aloe Blacc, Selah Sue belongs to a new generation for whom music has no boundaries. Selah Sue will tour her new record in the Spring.
Tracklisting:
A Side
This World
Peace of Mind
Raggamuffin
Crazy Vibes
Black Part Love
Mommy
B Side
Explanations
Please feat. Cee Lo Green
Summertime
Crazy Sufferin Style
Fyah Fyah
Just Because I Do
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Even without romanticising it, her story is like a fairy tale. It's the story of a young musician who ignores her fate, and pours her anxieties into her songs and her guitar. "I had all these worries and depressions that I wrote down, it was a way of structuring my thoughts".
She turns her doubts into soul, funk and reggae melodies, trying hard to be worthy of her idols, Lauryn Hill, Erykah Badu and Bob Marley. She sings in local clubs on the weekend and attends high school during the week. She records in home-studios, at friends houses, and publishes drafts of her songs on Myspace, without a thought of making a career in music.
What happens next seems almost unreal. Thousands of fans respond to her on the net, attracting the attention of professionals, and the interest of Because Music, which eventually leads to a record deal for the young musician. Then Farhot (Nneka) and Patrice take on the production of her first album. Meshell Ndegeocello stays with her in the studio for two days to produce the track "Mommy". Cee-Lo Green agrees to accompany her on a duet and ends up asking her to put the track ("Please") on his own album. And, last but not least, last autumn Prince offered her a coveted support slot at his show in Antwerp, Belgium.
To put it in a nutshell, in just two years, Selah Sue has fulfilled her dreams. To keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. It's a way of reminding the world that she has not been unfairly spoiled by destiny and that before Prince, Cee-Lo Green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.
For example, her first single "Raggamuffin" is one of her oldest songs and was viewed more than a million times online. "This track symbolizes me" she explains. "It shows my soulful and singing side, but also my hard side, between rap and ragga. When my manager asked me who I wanted to work with, I said Farhot straight away, as I'm a fan of Nneka. But I also wanted an intimate, dark, melodious record, with light and lively beats. Farhot is crazy about digital sounds and Patrice, who I know well, was the ideal man for the melodious part. They were my two accomplices in the studio."
Her first album is ambitious. It is a smart melting pot between electric rock, organic hip-hop and soul-funk. The twelve tracks shift from poignant ballads like "Mommy" to wilder styles like "Crazy Vibes". Like Janelle Monae, M.I.A. or Aloe Blacc, Selah Sue belongs to a new generation for whom music has no boundaries. Selah Sue will tour her new record in the Spring.
Tracklisting:
A Side
This World
Peace of Mind
Raggamuffin
Crazy Vibes
Black Part Love
Mommy
B Side
Explanations
Please feat. Cee Lo Green
Summertime
Crazy Sufferin Style
Fyah Fyah
Just Because I Do
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Last in:03.06.2026
Label:Bergerac
Cat-No:BERG005X
Release-Date:29.05.2026
Genre:House
Configuration:12"
Barcode:
1
Red Rack'em - Wonky Bassline Disco Banger
2
Red Rack'em - Jazzy Extension
3
Red Rack'em - Destined
Red Vinyl!
In March 2016 Red Rack’em pressed up 300 copies of a record called ‘Wonky Bassline Disco Banger’. It was more than just a quirky title though - it quickly became THE crossover hit of the year. Described as ‘game changing’ by all that heard it pre-release. They were right.
The first pressing sold out before it even hit the shops. 2 months later, it was on its third repress. By the end of the year it had sold over 3,000 copies on vinyl. Crowned ‘Record Of The Year’ by multiple record shops. Number 5 in the German club chart. Elton John called it ‘Unbeatable’.
From underground clubs to festival main stages, it’s had huge support from Moodymann, DJ Harvey, Blessed Madonna, Bicep, Dixon, Carl Craig, François K, Masters At Work, Idjut Boys, Mr Scruff, Crazy P, Disclosure, Make A Dance, Claptone, Paul Woolford, Dam Swindle, Mousse T.
BBC Radio 1 went crazy for it too with repeated plays from Pete Tong, Annie Mac, MistaJam, B.Traits, Danny Howard, Heidi and Monki.
Hammered everywhere from Love International to Sonar. ‘Almost like it’s come down from a different planet’ - Groove Armada
A decade later and it still sells out every time it gets repressed so to celebrate 10 Years Of Wonky, this special 10th anniversary edition arrives on transparent red vinyl with full colour jacket and sleeve notes from Red Rack’em telling the full story for the first time.
DJ Support: Moodymann, DJ Harvey, Elton John, Masters At Work, Carl Craig, François K, Groove Armada, Sasha, Roger Sanchez, Basement Jaxx, Dixon, Bicep, Disclosure, Blessed Madonna, Idjut Boys, Mr Scruff, Crazy P, Mousse T., Roman Flügel, Claptone,Dam Swindle, Mano Le Tough, Danilo Plessow (MCDE), AME, Hunee,Midland, Tiger & Woods, Make A Dance, Kassian, Axel Boman, Soundstream, Bradley Zero, Paul Woolford, The Reflex, Fred Everything, Jimpster, Jacques Renault, Mark Farina, Damian Lazarus, Roy Davis Jr., Josh Wink, Doc Martin, Riva Starr, &ME, Harri (Subclub), Steffi, Honey Soundsystem, Medlar, Nic Fanciulli, Hannah Holland, Kornel Kovacs, Chaos in the CBD, Boris Dlugosch, Eats Everything, PBR Streetgang, Kiko Navarro, Horse Meat Disco, Marco Carola.
Paul Woolford - ‘Killer spannered gurner’
Blessed Madonna - ‘Best track of the year!’
Mousse T. - ‘Crazy shit’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In March 2016 Red Rack’em pressed up 300 copies of a record called ‘Wonky Bassline Disco Banger’. It was more than just a quirky title though - it quickly became THE crossover hit of the year. Described as ‘game changing’ by all that heard it pre-release. They were right.
The first pressing sold out before it even hit the shops. 2 months later, it was on its third repress. By the end of the year it had sold over 3,000 copies on vinyl. Crowned ‘Record Of The Year’ by multiple record shops. Number 5 in the German club chart. Elton John called it ‘Unbeatable’.
From underground clubs to festival main stages, it’s had huge support from Moodymann, DJ Harvey, Blessed Madonna, Bicep, Dixon, Carl Craig, François K, Masters At Work, Idjut Boys, Mr Scruff, Crazy P, Disclosure, Make A Dance, Claptone, Paul Woolford, Dam Swindle, Mousse T.
BBC Radio 1 went crazy for it too with repeated plays from Pete Tong, Annie Mac, MistaJam, B.Traits, Danny Howard, Heidi and Monki.
Hammered everywhere from Love International to Sonar. ‘Almost like it’s come down from a different planet’ - Groove Armada
A decade later and it still sells out every time it gets repressed so to celebrate 10 Years Of Wonky, this special 10th anniversary edition arrives on transparent red vinyl with full colour jacket and sleeve notes from Red Rack’em telling the full story for the first time.
DJ Support: Moodymann, DJ Harvey, Elton John, Masters At Work, Carl Craig, François K, Groove Armada, Sasha, Roger Sanchez, Basement Jaxx, Dixon, Bicep, Disclosure, Blessed Madonna, Idjut Boys, Mr Scruff, Crazy P, Mousse T., Roman Flügel, Claptone,Dam Swindle, Mano Le Tough, Danilo Plessow (MCDE), AME, Hunee,Midland, Tiger & Woods, Make A Dance, Kassian, Axel Boman, Soundstream, Bradley Zero, Paul Woolford, The Reflex, Fred Everything, Jimpster, Jacques Renault, Mark Farina, Damian Lazarus, Roy Davis Jr., Josh Wink, Doc Martin, Riva Starr, &ME, Harri (Subclub), Steffi, Honey Soundsystem, Medlar, Nic Fanciulli, Hannah Holland, Kornel Kovacs, Chaos in the CBD, Boris Dlugosch, Eats Everything, PBR Streetgang, Kiko Navarro, Horse Meat Disco, Marco Carola.
Paul Woolford - ‘Killer spannered gurner’
Blessed Madonna - ‘Best track of the year!’
Mousse T. - ‘Crazy shit’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:05.05.2026
Label:Phoenix G
Cat-No:PGRSD2026
Release-Date:18.04.2026
Genre:House
Configuration:12"
Barcode:
Tracklisting
AG1 Mr. G - Taken It Back
BG1 Mr. G - G's Shante
Sales Note
Mr. G's annual Record Store Day release!
Additional info:
- Anyone can pre-order
- Sales allowed only to physical stores till Record Store Day
- We will ship to online stores starting 20th of April
NO AUDIO TILL AFTER RECORD STORE DAY
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
AG1 Mr. G - Taken It Back
BG1 Mr. G - G's Shante
Sales Note
Mr. G's annual Record Store Day release!
Additional info:
- Anyone can pre-order
- Sales allowed only to physical stores till Record Store Day
- We will ship to online stores starting 20th of April
NO AUDIO TILL AFTER RECORD STORE DAY
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
pre-sale
Label:Life and Death
Cat-No:LAD098
Release-Date:05.06.2026
Configuration:12" Excl
Barcode:4070209020709
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Label:Life and Death
Cat-No:LAD098
Release-Date:05.06.2026
Configuration:12" Excl
Barcode:4070209020709
1
Jennifer Loveless - Satisfaction
2
ROKAR - Bedroom Headliner
3
Rudy With A Hoodie & J-Land - The Rhythm
4
PAURRO - Chik Fresa
Tracklist
A1. Jennifer Loveless - Satisfaction 07:01
A2. ROKAR - Bedroom Headliner 05:44
B1. Rudy With A Hoodie & J-Land - The Rhythm 06:45
B2. PAURRO - Chik Fresa 06:39
Life and Death launches Peak Time Archives, a new vinyl and digital various artists series shining a light on rising producers and the next wave of label-affiliated talent.
Info:
This first edition moves across the full spectrum of the dancefloor. Jennifer Loveless — Guardian 'Artist To Watch', Mixmag Track of the Year recipient, and alumni of !K7, Future Classic and Butter Sessions — opens with "Satisfaction", a warm, body-moving indie dance reinterpretation that feels at home as much at Ibiza sunset as it does on a festival main stage.
UK mystery producer ROKAR follows with "Bedroom Headliner", a garage-rooted house cut that blurs the line between intimate and euphoric, already earning BBC Radio 1 plays and support from Marco Carola, Skream and Chloé Caillet.
Rudy With A Hoodie & J-Land deliver "The Rhythm", a driving, hypnotic peak-time weapon built for main stages, drawing on the analog warmth of Red Axes and DJ Tennis.
Mexico City's PAURRO closes the record with "Chik Fresa" — playful, punchy indie dance with personality to spare, from an artist who has performed at Tresor and Boiler Room and released on Cómeme and Nervous.
Four tracks. Four distinct voices. One dancefloor.---
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Jennifer Loveless - Satisfaction 07:01
A2. ROKAR - Bedroom Headliner 05:44
B1. Rudy With A Hoodie & J-Land - The Rhythm 06:45
B2. PAURRO - Chik Fresa 06:39
Life and Death launches Peak Time Archives, a new vinyl and digital various artists series shining a light on rising producers and the next wave of label-affiliated talent.
Info:
This first edition moves across the full spectrum of the dancefloor. Jennifer Loveless — Guardian 'Artist To Watch', Mixmag Track of the Year recipient, and alumni of !K7, Future Classic and Butter Sessions — opens with "Satisfaction", a warm, body-moving indie dance reinterpretation that feels at home as much at Ibiza sunset as it does on a festival main stage.
UK mystery producer ROKAR follows with "Bedroom Headliner", a garage-rooted house cut that blurs the line between intimate and euphoric, already earning BBC Radio 1 plays and support from Marco Carola, Skream and Chloé Caillet.
Rudy With A Hoodie & J-Land deliver "The Rhythm", a driving, hypnotic peak-time weapon built for main stages, drawing on the analog warmth of Red Axes and DJ Tennis.
Mexico City's PAURRO closes the record with "Chik Fresa" — playful, punchy indie dance with personality to spare, from an artist who has performed at Tresor and Boiler Room and released on Cómeme and Nervous.
Four tracks. Four distinct voices. One dancefloor.---
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
pre-sale
Label:Synaptic Cliffs
Cat-No:SC029
Release-Date:26.06.2026
Genre:Electro
Configuration:2LP Excl
Barcode:4070209021010
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Label:Synaptic Cliffs
Cat-No:SC029
Release-Date:26.06.2026
Genre:Electro
Configuration:2LP Excl
Barcode:4070209021010
1
pdqb - A1 Suoivex hddnflg 2:55
2
pdqb - A2 SpctrlCgntn 3:20
3
pdqb - A3 Umbra Scout 2:02
4
pdqb - A4 Suoivex hddnflg (Egyptian Lover Remix) 3:55
5
pdqb - B1 Thad Songs 1:03
6
pdqb - B2 Paddaborn-Poddpurri 3:03
7
pdqb - B3 Zum Skan_die_ren! 3:27
8
pdqb - B4 Extrustraktures 1:38
9
pdqb - B5 Paddaborn-Poddpurri (Felix Da Housecat ELECTRO MIX) 3:40
10
pdqb - C1 Cuttching 1:31
11
pdqb - C2 Yo Uth 2:34
12
pdqb - C3 Inter Ruptus 2:54
13
pdqb - C4 Inter-Ruptus (Umwelt Remix) 5:18
14
pdqb - D1 Samuel Hemingway 3:34
15
pdqb - D2 Nonullmorphemes 1:20
16
pdqb - D3 Dynaquenz 3:07
17
pdqb - D4 Nonullmorphemes (Sniper Mode Remix) 4:20
[2x12"LP 33]
[with remixes by Egyptian Lover, Felix Da Housecat, Umwelt and Sniper Mode]
silver-color vinyls in a gatefold-cover
2. GENRE/S: Techno, Electro
3. TRACKLIST:
A1 Suoivex hddnflg 2:55
A2 SpctrlCgntn 3:20
A3 Umbra Scout 2:02
A4 Suoivex hddnflg (Egyptian Lover Remix) 3:55
B1 Thad Songs 1:03
B2 Paddaborn-Poddpurri 3:03
B3 Zum Skan_die_ren! 3:27
B4 Extrustraktures 1:38
B5 Paddaborn-Poddpurri (Felix Da Housecat ELECTRO MIX) 3:40
C1 Cuttching 1:31
C2 Yo Uth 2:34
C3 Inter Ruptus 2:54
C4 Inter-Ruptus (Umwelt Remix) 5:18
D1 Samuel Hemingway 3:34
D2 Nonullmorphemes 1:20
D3 Dynaquenz 3:07
D4 Nonullmorphemes (Sniper Mode Remix) 4:20
4. SHORT INFO:
pdqb shows no signs of slowing down. Relentlessly productive and constantly locked into transmission mode, it delivers 13 tracks of its unmistakable Electro-Cognition sound. Sharp, futuristic, body-moving music wired straight into the nervous system.
From precision electro workouts to mind-bending synth transmissions, every track hits with purpose, style, and identity.
However, the remix lineup is equally heavyweight. Four elite reworks from four serious operators, each one twisting the source code into new dimensions.
---
Half pinball table, half neural reactor, wired directly into a wall of aging synthesizers. The so-called Transient Witness (aka Preconscious Data Quantum Buffer) records not what people did - but what they almost did: Every flash of hesitation, every thought that vanished before becoming real, every dream erased at sunrise.
At its center pulses a synthetic brain, decoding impulses too brief for language. These signal transients are micro-events that appear and disappear in milliseconds.
When activated, the table will not play sound. It remembers it. Each collision of steel ball and sensor triggers forgotten futures, lost timelines, phantom rhythms from decisions never taken. Basslines from parallel selves. Melodies from unrealized lives. Percussion patterns from collapsing probabilities.
The 13 original tracks featured on this release are a transmission recovered from one of its sessions. Electro pulses, synaptic breaks, machine funk, and signals from thoughts that never survived long enough to exist.
5. VITAL SALES POINTS:
" artwork by visionary artist Thomas Feuerstein
" silver-color vinyls in a gatefold-cover
" mastered by the infamous Mike Grinser
" remixed by the crème de la crème
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
[with remixes by Egyptian Lover, Felix Da Housecat, Umwelt and Sniper Mode]
silver-color vinyls in a gatefold-cover
2. GENRE/S: Techno, Electro
3. TRACKLIST:
A1 Suoivex hddnflg 2:55
A2 SpctrlCgntn 3:20
A3 Umbra Scout 2:02
A4 Suoivex hddnflg (Egyptian Lover Remix) 3:55
B1 Thad Songs 1:03
B2 Paddaborn-Poddpurri 3:03
B3 Zum Skan_die_ren! 3:27
B4 Extrustraktures 1:38
B5 Paddaborn-Poddpurri (Felix Da Housecat ELECTRO MIX) 3:40
C1 Cuttching 1:31
C2 Yo Uth 2:34
C3 Inter Ruptus 2:54
C4 Inter-Ruptus (Umwelt Remix) 5:18
D1 Samuel Hemingway 3:34
D2 Nonullmorphemes 1:20
D3 Dynaquenz 3:07
D4 Nonullmorphemes (Sniper Mode Remix) 4:20
4. SHORT INFO:
pdqb shows no signs of slowing down. Relentlessly productive and constantly locked into transmission mode, it delivers 13 tracks of its unmistakable Electro-Cognition sound. Sharp, futuristic, body-moving music wired straight into the nervous system.
From precision electro workouts to mind-bending synth transmissions, every track hits with purpose, style, and identity.
However, the remix lineup is equally heavyweight. Four elite reworks from four serious operators, each one twisting the source code into new dimensions.
---
Half pinball table, half neural reactor, wired directly into a wall of aging synthesizers. The so-called Transient Witness (aka Preconscious Data Quantum Buffer) records not what people did - but what they almost did: Every flash of hesitation, every thought that vanished before becoming real, every dream erased at sunrise.
At its center pulses a synthetic brain, decoding impulses too brief for language. These signal transients are micro-events that appear and disappear in milliseconds.
When activated, the table will not play sound. It remembers it. Each collision of steel ball and sensor triggers forgotten futures, lost timelines, phantom rhythms from decisions never taken. Basslines from parallel selves. Melodies from unrealized lives. Percussion patterns from collapsing probabilities.
The 13 original tracks featured on this release are a transmission recovered from one of its sessions. Electro pulses, synaptic breaks, machine funk, and signals from thoughts that never survived long enough to exist.
5. VITAL SALES POINTS:
" artwork by visionary artist Thomas Feuerstein
" silver-color vinyls in a gatefold-cover
" mastered by the infamous Mike Grinser
" remixed by the crème de la crème
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:False Idols
Cat-No:FI002LP
Release-Date:17.07.2026
Genre:Electronic, Electronica
Configuration:LP
Barcode:4062548139396
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Label:False Idols
Cat-No:FI002LP
Release-Date:17.07.2026
Genre:Electronic, Electronica
Configuration:LP
Barcode:4062548139396
1LP (black standard)
The legendary artist and producer Tricky today announces his new album, Different When It’s Silent, out 17 July 2026 via False Idols. His 15th studio album and first full-length release under his own name in six years, Different When It’s Silent is a direct, focused record that reconnects with the distinctive sonic language that has defined Tricky’s work since his groundbreaking 1995 debut, Maxinquaye.
Tracklisting
1. A1 Still See Me There
2. A2 I'm Yours
3. A3 Be Still In The Pain
4. A4 I Tried
5. A5 So Cold
6. A6 Paris Maybe
7. A7 Cannon Fodder
8. B1 Because I Don’t Know
9. B2 Marinade
10. B3 Radana
11. B4 Piano
12. B5 Frontier Town
13. B6 Hengrove Blues
14. B7 Out of Place
Listen: https://listen.k7.com/994b8a6c-8e99-4df9-bd10-f8a69f8b8b9a
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The legendary artist and producer Tricky today announces his new album, Different When It’s Silent, out 17 July 2026 via False Idols. His 15th studio album and first full-length release under his own name in six years, Different When It’s Silent is a direct, focused record that reconnects with the distinctive sonic language that has defined Tricky’s work since his groundbreaking 1995 debut, Maxinquaye.
Tracklisting
1. A1 Still See Me There
2. A2 I'm Yours
3. A3 Be Still In The Pain
4. A4 I Tried
5. A5 So Cold
6. A6 Paris Maybe
7. A7 Cannon Fodder
8. B1 Because I Don’t Know
9. B2 Marinade
10. B3 Radana
11. B4 Piano
12. B5 Frontier Town
13. B6 Hengrove Blues
14. B7 Out of Place
Listen: https://listen.k7.com/994b8a6c-8e99-4df9-bd10-f8a69f8b8b9a
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
