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Label:numbers
Cat-No:nmbrs45
Release-Date:10.03.2016
Genre:Techno
Configuration:12"
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‘That’s What Friends Are For’ once again shows how much drama Adesse can build into a track. Think back to those twelves from the dons of dancefloor tension - Ron Trent, Carl Craig, DJ Duke and Murk - music built for a world where the lights never come back on.
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Label:White Label
Cat-No:av001t
Release-Date:09.05.2019
Genre:House
Configuration:12"
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Last in:18.06.2019
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Label:White Label
Cat-No:av001t
Release-Date:09.05.2019
Genre:House
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1
Adesse Versions - No Title
2
Adesse Versions - No Title
Absolutely killer cover of New Order's most seminal track, 'Blue Monday', from Adesse Versions - complete with a dubbed out, acid infused mix on the flip.
Approved by the band themselves, this is set to be one of the summer’s biggest anthems and a surefire hit across the festival circuit!
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Approved by the band themselves, this is set to be one of the summer’s biggest anthems and a surefire hit across the festival circuit!
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Label:razor-n-tape
Cat-No:rnt026
Release-Date:29.06.2017
Configuration:12"
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Last in:11.02.2020
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Label:razor-n-tape
Cat-No:rnt026
Release-Date:29.06.2017
Configuration:12"
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1
adesse versions - No Title
2
adesse versions - No Title
Adesse Versions brings his cut and paste ethos to Razor-N-Tape with a varied pair of edit heaters. On this stellar 12", RNT takes it back to their early format of one track per side, and these two cuts can certainly carry it. “Bumpin' NYC" is an anthemic latenite boogie cut, with a hypnotic bass line and hometown shoutout, while "Sistem" flips an afrobeat sample into a dark and groovy club track. Vibes for days!
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Label:Heist Recordings
Cat-No:heist021
Release-Date:04.11.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314098
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Label:Heist Recordings
Cat-No:heist021
Release-Date:04.11.2016
Genre:House
Configuration:12" Excl
Barcode:4260038314098
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Adesse Versions - Tout it
2
Adesse Versions - E to E (Ge-ology remix feat MdCL)
3
Adesse Versions - E to E
4
Adesse Versions - Push it along
5
Adesse Versions - Ebony roses
Vinyl 12” (180 gr., Full Cover), incl. Ge-Ology rmx
Track list :
A1 Tout it , A2 E to E (Ge-ology remix feat MdCL)
B1 E to E , B2 Push it along , B3 Ebony roses
Release Info:
For those of you wondering what Adesse Versions was doing at our Heist Boiler Room this summer in London, the answer is here. The “Push it along” EP for Heist is Adesse Versions first appearance on our label and features 4 stunningly raw and warm originals, and an amazing remix by New York’s ambassador of funk: Ge-Ology, together with multi-instrumentalist Marc de Clive-Lowe on keys.
After having released numerous records for Jackmaster’s Numbers, Local Talk and Toy Tonics, we’re happy to welcome Adesse Versions to the Heist family. When he sent us his demo’s we had the tough job to choose the right tracks, cause there were just too many. The selection on the “Push it along EP” features what we feel are his purest work up to date. With only a small amount of elements, he manages to create such a big and warm sound, finding a great balance between gritty percussion, rich analog synths and funky sampling work.
Opening track Tout it is built around an ever evolving arpeggiated synth, a dancehall-esque percussive riddim and lovely pad work. It builds up slowly, without ever becoming dull, changing small elements and adding momentum with each step.
E to E is based on a chopped vocal looped to bits (only shouting: “E, E, E, E, E..), dancing hihats and a rolling bassline, whereas Geology flips the high energy original into a classic deephouse tune that fans of Larry Heard will love. The steady bassline and trianglework form a perfect canvas for MdcL’s work on various synths, adding layer after layer of melodrama.
The title track goes for the same recipe as Tout it, with fierce snares laying down the rhythm and a far away disco sample adding the right dose of funk. Ebony Roses is the final track of the EP: A beatless groove built around a spoken word vocal with dreamy piano work around it building up suspense as the track evolves.
We’ve been playing this EP over the course of the last few months and it’s been getting great response, so we’re happy to finally share it with you.
Sincerely yours, Lars & Maarten More
Track list :
A1 Tout it , A2 E to E (Ge-ology remix feat MdCL)
B1 E to E , B2 Push it along , B3 Ebony roses
Release Info:
For those of you wondering what Adesse Versions was doing at our Heist Boiler Room this summer in London, the answer is here. The “Push it along” EP for Heist is Adesse Versions first appearance on our label and features 4 stunningly raw and warm originals, and an amazing remix by New York’s ambassador of funk: Ge-Ology, together with multi-instrumentalist Marc de Clive-Lowe on keys.
After having released numerous records for Jackmaster’s Numbers, Local Talk and Toy Tonics, we’re happy to welcome Adesse Versions to the Heist family. When he sent us his demo’s we had the tough job to choose the right tracks, cause there were just too many. The selection on the “Push it along EP” features what we feel are his purest work up to date. With only a small amount of elements, he manages to create such a big and warm sound, finding a great balance between gritty percussion, rich analog synths and funky sampling work.
Opening track Tout it is built around an ever evolving arpeggiated synth, a dancehall-esque percussive riddim and lovely pad work. It builds up slowly, without ever becoming dull, changing small elements and adding momentum with each step.
E to E is based on a chopped vocal looped to bits (only shouting: “E, E, E, E, E..), dancing hihats and a rolling bassline, whereas Geology flips the high energy original into a classic deephouse tune that fans of Larry Heard will love. The steady bassline and trianglework form a perfect canvas for MdcL’s work on various synths, adding layer after layer of melodrama.
The title track goes for the same recipe as Tout it, with fierce snares laying down the rhythm and a far away disco sample adding the right dose of funk. Ebony Roses is the final track of the EP: A beatless groove built around a spoken word vocal with dreamy piano work around it building up suspense as the track evolves.
We’ve been playing this EP over the course of the last few months and it’s been getting great response, so we’re happy to finally share it with you.
Sincerely yours, Lars & Maarten More
Label:Toy Tonics
Cat-No:toyt058
Release-Date:26.09.2016
Configuration:12" Excl
Barcode:0880655505811
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Label:Toy Tonics
Cat-No:toyt058
Release-Date:26.09.2016
Configuration:12" Excl
Barcode:0880655505811
1
adesse versions - after hours
2
adesse versions - radio rahman
3
adesse versions - devoted
4
adesse versions - explain it
Special Remarks: Limited to 300 copies.
Tracklist 12":
A1) After Hours
A2) Radio Rahman
B1) Devoted
B2) Explain It
Info:
Adesse Versions coming on Toy Tonics! After some heavy releases on Numbers, Local Talk, Make Love In Public Spaces and his own white-label imprint, Kevin Gorman brings us four new raw, heavydriving, superfunky cut-and-paste- House tracks. Killers!
Adesse Versions started as a re-edit project while Kevin lived in Vietnam. It grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (Check his Boiler Room). Gilles Peterson, Derrick May and Larry Heard are fans.
Adesse Versions is all about paying tribute to his musical idols and creating timeless music. Through rough sampling and raw emotion and as a DJ and collector. He is an artist that has toured the world many times over. Exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. To hear this in action, check out the monthly Adesse Versions show on Rinse FM.
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Tracklist 12":
A1) After Hours
A2) Radio Rahman
B1) Devoted
B2) Explain It
Info:
Adesse Versions coming on Toy Tonics! After some heavy releases on Numbers, Local Talk, Make Love In Public Spaces and his own white-label imprint, Kevin Gorman brings us four new raw, heavydriving, superfunky cut-and-paste- House tracks. Killers!
Adesse Versions started as a re-edit project while Kevin lived in Vietnam. It grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (Check his Boiler Room). Gilles Peterson, Derrick May and Larry Heard are fans.
Adesse Versions is all about paying tribute to his musical idols and creating timeless music. Through rough sampling and raw emotion and as a DJ and collector. He is an artist that has toured the world many times over. Exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. To hear this in action, check out the monthly Adesse Versions show on Rinse FM.
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Label:Numbers
Cat-No:NMBRS74
Release-Date:18.10.2024
Genre:Electronic
Configuration:LP
Barcode:
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Label:Numbers
Cat-No:NMBRS74
Release-Date:18.10.2024
Genre:Electronic
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1
Fergus Jones - Yield
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Fergus Jones - Heima With Huerco S. And James K
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Fergus Jones - Tight Knit With Birthmark, ELDON and Withdrawn
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Fergus Jones - Stack
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Fergus Jones - Can't Touch With Laila Sakini
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Fergus Jones - Heap
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Fergus Jones - It SHould be (Free) With Huerco S.
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Fergus Jones - A Leap With Lia T
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Fergus Jones - Been Here (And Gone) With Koreless
Ephemera is the debut album by Fergus Jones, the artist formerly known as Perko, an Edinburgh-born, Copenhagen-based producer, DJ, and founder of the FELT record label. The nine-track release is out on Numbers on 18 October 2024.
Ephemera was developed with collaborative energy as the creative priority, produced by Jones alongside an extensive list of like-minded musicians, lyricists and vocalists including Huerco S, James K, Koreless, Birthmark, ELDON and Withdrawn of Bristol’s Cold Light crew, Laila Sakini and Lia T. The album embodies Jones’ inner journey as he ranges further than ever sonically and emotionally, emphasising instinct, intensity, tactility and rapture.
“Heima” was written and produced with Huerco S and James K between Iceland, Copenhagen and the United States’ East Coast. Developed during and named after the same Icelandic artist residency that birthed Perko & Huerco S’ debut collaboration “Prang,” “Heima” is a shimmering piece of fortified trip-pop featuring vocals from James K, appearing here following solo releases for AD 93 and collaborations with Yves Tumor. “Tight Knit” aligns Jones’ graceful production with the raw emotions thundering from the performances of Birthmark, ELDON and Withdrawn of Cold Light, the shadowy Bristolian collective channelling the city’s deep sonic history into an equally rich future.
In his own words, Jones says “This album was made over the last five years in various studio and outdoor locations around the world, reflecting my ongoing emphasis on natural collaboration as a creative ideal. It’s my most personal record yet, written with experimentation and an open attitude as guiding lights.”
The album makes a distinctive impact that reverberates and glows long after its runtime. Analogue audio sculpting, adaptive processes and imaginative approaches to creating sound are at the forefront – whether resulting from an endless exchange of iterative stems with Huerco S, or hydrophone recordings with Koreless. Evocative vocal performances and songwriting combine with weighty sound design, gliding easily between the organic and synthetic to reflect and expand the thin spaces of transcendence in each.
Mixed by Michael James Thomas at Studio Moonchord
Co-produced by Michael James Thomas on 2, 3 & 5
Excerpt of 020301 by Opiate / Thomas Knak on 8
Mastered by Noel Summerville
Artwork by Ben Drury
Artwork Photography by Pawel Rogowski More
Ephemera was developed with collaborative energy as the creative priority, produced by Jones alongside an extensive list of like-minded musicians, lyricists and vocalists including Huerco S, James K, Koreless, Birthmark, ELDON and Withdrawn of Bristol’s Cold Light crew, Laila Sakini and Lia T. The album embodies Jones’ inner journey as he ranges further than ever sonically and emotionally, emphasising instinct, intensity, tactility and rapture.
“Heima” was written and produced with Huerco S and James K between Iceland, Copenhagen and the United States’ East Coast. Developed during and named after the same Icelandic artist residency that birthed Perko & Huerco S’ debut collaboration “Prang,” “Heima” is a shimmering piece of fortified trip-pop featuring vocals from James K, appearing here following solo releases for AD 93 and collaborations with Yves Tumor. “Tight Knit” aligns Jones’ graceful production with the raw emotions thundering from the performances of Birthmark, ELDON and Withdrawn of Cold Light, the shadowy Bristolian collective channelling the city’s deep sonic history into an equally rich future.
In his own words, Jones says “This album was made over the last five years in various studio and outdoor locations around the world, reflecting my ongoing emphasis on natural collaboration as a creative ideal. It’s my most personal record yet, written with experimentation and an open attitude as guiding lights.”
The album makes a distinctive impact that reverberates and glows long after its runtime. Analogue audio sculpting, adaptive processes and imaginative approaches to creating sound are at the forefront – whether resulting from an endless exchange of iterative stems with Huerco S, or hydrophone recordings with Koreless. Evocative vocal performances and songwriting combine with weighty sound design, gliding easily between the organic and synthetic to reflect and expand the thin spaces of transcendence in each.
Mixed by Michael James Thomas at Studio Moonchord
Co-produced by Michael James Thomas on 2, 3 & 5
Excerpt of 020301 by Opiate / Thomas Knak on 8
Mastered by Noel Summerville
Artwork by Ben Drury
Artwork Photography by Pawel Rogowski More
Label:numbers
Cat-No:NMBRS16
Release-Date:28.06.2024
Genre:2step/garage
Configuration:12"
Barcode:
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Last in:12.07.2024
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Cat-No:NMBRS16
Release-Date:28.06.2024
Genre:2step/garage
Configuration:12"
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1
Mosca - Done Me Wrong
2
Mosca - Bax
Bax is back. First released in 2011, Mosca’s UKG homage, ‘Bax’, did big things when it landed. Almost 10 years on, it’s time for a repress.
Though Mosca missed the golden era of garage in the nineties, he caught on to darkside pioneers such as Horsepower Productions, Benny Ill and El-B later on. A blend of homegrown British styles lies at the core of his electronic music influences, early dubstep, jungle, minimal grime and bassline, which he’d experienced first-hand at Sheffield’s legendary Niche club. (Little known fact: The name Bax is a partial nod to Steve Baxendale, the man behind Niche).
All these elements coalesced in the studio and the two-tracker materialised in a couple of days. Both sides of the record do their thing on the floor; ‘Bax’ with its now infamous ‘My DJ is live in the place’ sample, that earworm melody and a ruffneck b-line.
On the flip ‘Done Me Wrong’ sees Mosca incorporate several key garage tropes; the bassline swinging alongside soulful vocals (which get sliced and diced), not forgetting that cheeky rewind.
My DJ is back in the place... More
Though Mosca missed the golden era of garage in the nineties, he caught on to darkside pioneers such as Horsepower Productions, Benny Ill and El-B later on. A blend of homegrown British styles lies at the core of his electronic music influences, early dubstep, jungle, minimal grime and bassline, which he’d experienced first-hand at Sheffield’s legendary Niche club. (Little known fact: The name Bax is a partial nod to Steve Baxendale, the man behind Niche).
All these elements coalesced in the studio and the two-tracker materialised in a couple of days. Both sides of the record do their thing on the floor; ‘Bax’ with its now infamous ‘My DJ is live in the place’ sample, that earworm melody and a ruffneck b-line.
On the flip ‘Done Me Wrong’ sees Mosca incorporate several key garage tropes; the bassline swinging alongside soulful vocals (which get sliced and diced), not forgetting that cheeky rewind.
My DJ is back in the place... More
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Last in:10.08.2022
Label:Numbers
Cat-No:NMBRS40
Release-Date:20.10.2023
Genre:House
Configuration:12"
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1
Kornél Kovács - Lighthouse
2
Kornél Kovács - Gangsta
3
Kornél Kovács - Malon (Ft. Marcus Price)
4
Kornél Kovács - Pantalon
Repress!
Slide into summer with the Numbers repress of Kornél Kovács’ Radio Koko, available in vinyl for the first time since its original release in 2015. Radio Koko revives a dream radio station where music never sleeps and the hits keep coming, a soundtrack for both sweaty nights out and laidback beach BBQs. Listeners will already be familiar with the irresistible curveball house hit Pantálon, the Reese + Mentasm riffs of Gangsta, the jacking Lighthouse and the ecstatic/melancholic soundclash of Malon with Marcus Price. Coming on the heels of Kovács’ solo albums The Bells and Stockholm Marathon, this repress is a timely reminder of the prominent producer and DJ’s festive musicality and party-starting approach. More
Slide into summer with the Numbers repress of Kornél Kovács’ Radio Koko, available in vinyl for the first time since its original release in 2015. Radio Koko revives a dream radio station where music never sleeps and the hits keep coming, a soundtrack for both sweaty nights out and laidback beach BBQs. Listeners will already be familiar with the irresistible curveball house hit Pantálon, the Reese + Mentasm riffs of Gangsta, the jacking Lighthouse and the ecstatic/melancholic soundclash of Malon with Marcus Price. Coming on the heels of Kovács’ solo albums The Bells and Stockholm Marathon, this repress is a timely reminder of the prominent producer and DJ’s festive musicality and party-starting approach. More
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Last in:17.10.2023
Label:numbers
Cat-No:NMBRS70
Release-Date:19.05.2023
Genre:Electro
Configuration:12"
Barcode:
1
Perko - Prang Feat. Huerco S.
2
Perko - Sisu Feat. Cucina Povera
This two-track release by Perko on Numbers is the Glasgow-born, Copenhagen-based artist’s first release for the label since 2020’s The City Rings. Poking his head out of the foxhole of his solitary FELT imprint for a pair of productions featuring Huerco S. and Cucina Povera, “Prang” highlights Perko’s commitment to natural collaboration as a creative ideal.
“Prang” is a long-simmering dancefloor cut that was torn down and rebuilt alongside Huerco S. during a joint residency at HeimA in East Iceland in late 2022, capturing the immense scale of those surroundings and the accompanying isolation. The result is an undeniable club record – an unexpected but welcome result from the two producers – with ratcheting tension and acute impact that doesn’t sacrifice psychedelic detail.
The dust from this anxious energy settles in the ambient “Sisu.” Created via remote collaboration with Cucina Povera, her voice has a powerful resonance with the spacious production, offering a tonal reset from the A side. The wordless vocals are luminous in an otherwise foggy track, which was developed alongside Perko’s friend and collaborator Aethers Spring.
Suited for dancefloor peaks and calm mornings after, “Prang” reflects the pursuit of collaborative energies and intentions that combine to succeed as more than the sum of their parts. More
“Prang” is a long-simmering dancefloor cut that was torn down and rebuilt alongside Huerco S. during a joint residency at HeimA in East Iceland in late 2022, capturing the immense scale of those surroundings and the accompanying isolation. The result is an undeniable club record – an unexpected but welcome result from the two producers – with ratcheting tension and acute impact that doesn’t sacrifice psychedelic detail.
The dust from this anxious energy settles in the ambient “Sisu.” Created via remote collaboration with Cucina Povera, her voice has a powerful resonance with the spacious production, offering a tonal reset from the A side. The wordless vocals are luminous in an otherwise foggy track, which was developed alongside Perko’s friend and collaborator Aethers Spring.
Suited for dancefloor peaks and calm mornings after, “Prang” reflects the pursuit of collaborative energies and intentions that combine to succeed as more than the sum of their parts. More
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Label:numbers
Cat-No:NMBRS68
Release-Date:01.07.2022
Genre:Electronic
Configuration:LP
Barcode:
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Label:numbers
Cat-No:NMBRS68
Release-Date:01.07.2022
Genre:Electronic
Configuration:LP
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1
FFT - Clear (Eight-Circuit Mix)
2
FFT - Redeemer
3
FFT - 3 Sided
4
FFT - Disturb Roqe 2
5
FFT - Clear
6
FFT - You've Changed
7
FFT - Heal
8
FFT - Heal (Alt Mix)
9
FFT - Ashley Hill
Numbers will release ‘Clear’, the debut album by FFT, on 24th June 2022.The result of three years of focused writing and programming by the London-based producer, ‘Clear’ is deeply psychedelic, defined by a mature sense of melody and structures crafted at a monumental scale.
Though FFT has previously released a handful of tracks under various names, it wasn’t until 2017’s ‘FFT1’ EP on theUncertainty Principle label that his production talents began to fuse into a distinct and personal style, especially evident in FFT’s‘Regional/Loss’ EP on The Trilogy Tapes in 2019, multiple releases on Bruk Records and2021’s ‘Disturb Roqe,’also released on Numbers.Through it all, FFT has mastered a complex sense of mood catalyzed by sound itself: He builds patches and presets from scratch, and feels these synths and software have their own objectives and reactions, creating a kind of compositional feedback loop.The result is an album that brings to mind a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the Max-imized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio
The layering of sonic elements and intentions is starkly audible across these nine tracks.They can be seismically concussive and grandiose, but granular and fluid - echoing the Icelandic volcanic eruption that features in the artwork photography byGeorge Cowan. ‘Clear (Eight-Circuit Mix)’sets a euphoric tone immediately accelerated by the jagged sounds and vocal textures of ‘Redeemer’. ‘3 Sided’ channels hyper-urbanity from its almost entirely analogue palette, and by contrast ‘Disturb Roqe 2’is bracingly digital, gyrating in random cycles between clustered percussion, metallic splinters of audio and artificial vocal tics.
Opening side two, ‘You’ve Changed’ adheres to a more abrasive core, while ‘Heal’ and ‘Heal (Alt Mix)’evolved out of linked pieces in FFT’s live sets that grew into complete tracks in the months before Covid-19.The significant intensity of ‘Heal’ in particular was refined during strobe-heavy live performances and is the album at its most turbulent, the claustrophobia interrupted by dazzling arpeggios.The overall impact of 'Clear' is cinematic and precise, marking the arrival of an impressive electronic musician who is not new but has come into his own as a fully developed artist More
Though FFT has previously released a handful of tracks under various names, it wasn’t until 2017’s ‘FFT1’ EP on theUncertainty Principle label that his production talents began to fuse into a distinct and personal style, especially evident in FFT’s‘Regional/Loss’ EP on The Trilogy Tapes in 2019, multiple releases on Bruk Records and2021’s ‘Disturb Roqe,’also released on Numbers.Through it all, FFT has mastered a complex sense of mood catalyzed by sound itself: He builds patches and presets from scratch, and feels these synths and software have their own objectives and reactions, creating a kind of compositional feedback loop.The result is an album that brings to mind a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the Max-imized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio
The layering of sonic elements and intentions is starkly audible across these nine tracks.They can be seismically concussive and grandiose, but granular and fluid - echoing the Icelandic volcanic eruption that features in the artwork photography byGeorge Cowan. ‘Clear (Eight-Circuit Mix)’sets a euphoric tone immediately accelerated by the jagged sounds and vocal textures of ‘Redeemer’. ‘3 Sided’ channels hyper-urbanity from its almost entirely analogue palette, and by contrast ‘Disturb Roqe 2’is bracingly digital, gyrating in random cycles between clustered percussion, metallic splinters of audio and artificial vocal tics.
Opening side two, ‘You’ve Changed’ adheres to a more abrasive core, while ‘Heal’ and ‘Heal (Alt Mix)’evolved out of linked pieces in FFT’s live sets that grew into complete tracks in the months before Covid-19.The significant intensity of ‘Heal’ in particular was refined during strobe-heavy live performances and is the album at its most turbulent, the claustrophobia interrupted by dazzling arpeggios.The overall impact of 'Clear' is cinematic and precise, marking the arrival of an impressive electronic musician who is not new but has come into his own as a fully developed artist More
Label:Numbers
Cat-No:NMBRS65
Release-Date:03.12.2021
Configuration:12"
Barcode:
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Last in:06.01.2022
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Cat-No:NMBRS65
Release-Date:03.12.2021
Configuration:12"
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1
FFT - Disturb Roqe 2
2
FFT - Disturb Roqe 4
3
FFT - Disturb Roqe 5
The Bristol-based composer and producer FFT signs to Numbers for Disturb Roqe and an album to follow in 2022.
Disturb Roqe is out on vinyl & digital on December 3rd, 2021. The EP presents three meticulous, spacious tracks that channel bass-heavy tendencies, with whirring details that showcase masterly sound design in a controlled yet aggressive delivery.
Josh Thompson has released music dispersed across a number of labels, including The Trilogy Tapes, Low End Activist’s Bruk Records, his own Super Hexagon imprint and more. Through transmitting under a series of obscurant aliases, he composed and created while leading a nomadic life between houses, cities, occupations and attractions.
His body of work demonstrates an impressive, evolving artistry, exploring harmonic and textural sounds underlined by a powerful devotion to computer-based production. It’s a focus captured by his artist name FFT, short for Fast Fourier Transform, a process by which signals can be converted from temporal or spatial to frequency domains, or in the other direction. More
Disturb Roqe is out on vinyl & digital on December 3rd, 2021. The EP presents three meticulous, spacious tracks that channel bass-heavy tendencies, with whirring details that showcase masterly sound design in a controlled yet aggressive delivery.
Josh Thompson has released music dispersed across a number of labels, including The Trilogy Tapes, Low End Activist’s Bruk Records, his own Super Hexagon imprint and more. Through transmitting under a series of obscurant aliases, he composed and created while leading a nomadic life between houses, cities, occupations and attractions.
His body of work demonstrates an impressive, evolving artistry, exploring harmonic and textural sounds underlined by a powerful devotion to computer-based production. It’s a focus captured by his artist name FFT, short for Fast Fourier Transform, a process by which signals can be converted from temporal or spatial to frequency domains, or in the other direction. More
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Last in:16.02.2023
Label:Numbers
Cat-No:NMBRS61
Release-Date:29.11.2021
Genre:Techno
Configuration:12"
Barcode:
1
Perko - Sky Host
2
Perko - Rounded
3
Perko - What Otters
4
Perko - Grace
5
Perko - Songbirds
6
Perko - Polly
Repress!
Originally hailing from Scotland, now based in Copenhagen, Numbers present 23-year old producer and deejay Perko with his debut release NV Auto.
The six tracks on this EP hear Perko mining the grooves between his favourite genres for building blocks of inspiration. Drawing from UK soundsystem culture and modern experimental music, half of the record explores deeper atmospheric passages and meditative repetition, characterised by layers of subtly shifting chords, field recordings and delicate polyrhythms.
Three dancefloor cuts, spread throughout the rest of the record, retain this detail and interplay with added energy. Perko’s sense of rhythm & space is clear with 'Rounded’s glacial synths, blown out drum machines and sculpted sub sine waves. 'What Otters' forges playful UKG touches within a paperclip framework of space-echoes and sparks, whilst 'Songbirds' flips into 4/4 drive with percolated alarms and shimmering pads.
“Density, Noise, Dust, Distortion, Space…” says Perko, if you want it simple. More
Originally hailing from Scotland, now based in Copenhagen, Numbers present 23-year old producer and deejay Perko with his debut release NV Auto.
The six tracks on this EP hear Perko mining the grooves between his favourite genres for building blocks of inspiration. Drawing from UK soundsystem culture and modern experimental music, half of the record explores deeper atmospheric passages and meditative repetition, characterised by layers of subtly shifting chords, field recordings and delicate polyrhythms.
Three dancefloor cuts, spread throughout the rest of the record, retain this detail and interplay with added energy. Perko’s sense of rhythm & space is clear with 'Rounded’s glacial synths, blown out drum machines and sculpted sub sine waves. 'What Otters' forges playful UKG touches within a paperclip framework of space-echoes and sparks, whilst 'Songbirds' flips into 4/4 drive with percolated alarms and shimmering pads.
“Density, Noise, Dust, Distortion, Space…” says Perko, if you want it simple. More
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Last in:13.03.2023
Label:Numbers
Cat-No:NMBRS67
Release-Date:13.09.2021
Genre:Techno
Configuration:12"
Barcode:
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Sophie - BIPP (Autechre Mx)
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Sophie - UNISIL
Repress!
In 2015 when potential remixes of BIPP were first floated the unequivocal response from SOPHIE was “No remixes..” a long pause followed “..unless it’s Autechre”. We asked, and five years later an email from Autechre arrived “sorry this is so late, hope it's still of some use”. An Autechre live show recording from a Numbers show in 2005 had first inspired SOPHIE to source the equipment used to craft new music including BIPP, LEMONADE & more. The BIPP Autechre mx is 3 minutes 33 seconds long, stripped back and loose. Sounding like Autechre paying tribute to some serious late 80’s influences. The duo's interpretation channels an imagined transition point between NY electro and UK street soul, that pitched down SOPHIE vocal reconfigured into a wanna-be Latin Freestyle Natasha King, jiving over a deep slice of TR-606 funk technology. More
In 2015 when potential remixes of BIPP were first floated the unequivocal response from SOPHIE was “No remixes..” a long pause followed “..unless it’s Autechre”. We asked, and five years later an email from Autechre arrived “sorry this is so late, hope it's still of some use”. An Autechre live show recording from a Numbers show in 2005 had first inspired SOPHIE to source the equipment used to craft new music including BIPP, LEMONADE & more. The BIPP Autechre mx is 3 minutes 33 seconds long, stripped back and loose. Sounding like Autechre paying tribute to some serious late 80’s influences. The duo's interpretation channels an imagined transition point between NY electro and UK street soul, that pitched down SOPHIE vocal reconfigured into a wanna-be Latin Freestyle Natasha King, jiving over a deep slice of TR-606 funk technology. More
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Last in:22.05.2023
Label:Numbers
Cat-No:NMBRS64
Release-Date:31.01.2020
Genre:Techno
Configuration:12"
Barcode:
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Perko - Stutter
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Perko - Grounds Ft. Lia
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Perko - Luna
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Perko - The Reason
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Perko - Pippin (Version)
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Perko - Pippin
Taking inspiration from the open spaces, noise, and density of his adopted city Copenhagen, Perko follows up the acclaimed ‘NV Auto’ EP with new music that yields maximum impact via minimalist principles.
Across the record’s eight tracks, rhythms are reduced to their most essential components. There is no wastage, just pure precision and skeletal funk juxtaposed with microscopic melodies. Embedded across the entirety of the release are the sounds of the city. Listen carefully and you’ll hear recordings of his friends and their local neighbourhoods, with the city becoming a bed of sound.
‘Stutter’ melts these influences into quick-footed vaporous electro. On ‘The Reason’ Perko strips away the CSI synced excesses of drum n bass and synthesises percussion from samples of Stevie Williams skating at Love Park.
‘Grounds’ is a collaboration with Australian DJ / Producer Lia T, and stems from an exchange of field recordings between the two. These recordings became the core of the track, before Lia laid down additional synths. This all bleeds away into ‘Luna’, which connects gently cascading melodies to the urban landscape.
The record closes with ‘Pippin’, which comes in two versions. The grime concrète of the ‘Version’ oozes feelings of creeping dread and nightmarish bass stabs. The original takes the stabs and merges them with his take on the steppers’ riddim.
In Perko’s world, introspective and breakneck electronic music share the same space, mirroring the complexities of the city around him.
Tracklist:
1. Intro
2. Stutter
3. Grounds ft. Lia
4. Luna
5. The Reason
6. Pippin (Version)
7. Pippin
8. Outro
More
Across the record’s eight tracks, rhythms are reduced to their most essential components. There is no wastage, just pure precision and skeletal funk juxtaposed with microscopic melodies. Embedded across the entirety of the release are the sounds of the city. Listen carefully and you’ll hear recordings of his friends and their local neighbourhoods, with the city becoming a bed of sound.
‘Stutter’ melts these influences into quick-footed vaporous electro. On ‘The Reason’ Perko strips away the CSI synced excesses of drum n bass and synthesises percussion from samples of Stevie Williams skating at Love Park.
‘Grounds’ is a collaboration with Australian DJ / Producer Lia T, and stems from an exchange of field recordings between the two. These recordings became the core of the track, before Lia laid down additional synths. This all bleeds away into ‘Luna’, which connects gently cascading melodies to the urban landscape.
The record closes with ‘Pippin’, which comes in two versions. The grime concrète of the ‘Version’ oozes feelings of creeping dread and nightmarish bass stabs. The original takes the stabs and merges them with his take on the steppers’ riddim.
In Perko’s world, introspective and breakneck electronic music share the same space, mirroring the complexities of the city around him.
Tracklist:
1. Intro
2. Stutter
3. Grounds ft. Lia
4. Luna
5. The Reason
6. Pippin (Version)
7. Pippin
8. Outro
More
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Last in:29.11.2019
Label:Numbers
Cat-No:nmbrs62
Release-Date:22.11.2019
Genre:Dubstep
Configuration:LP
Barcode:
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
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Shapednoise - No Title
The new album 'Aesthesis' from Shapednoise aka Sicilian artist Nino Pedone is out in November 2019 on Numbers.
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Last in:24.01.2020
Label:numbers
Cat-No:nmbrs63
Release-Date:25.10.2019
Genre:Techno
Configuration:12"
Barcode:
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Lanark Artefax - Corra Linn
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Lanark Artefax - Moo Orphaned Drift
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Lanark Artefax - Ferthenheap
Lanark Artefax releases a new EP titled ‘Corra Linn’ on 24th October via Numbers, l-a-n-a-r-k.net.
It is the Scottish producer’s first solo output since his breakout record on Whities in 2017, which included the ethereal ‘Touch Absence’. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his internationally acclaimed live A/V show.
Recorded sometime in the last year and a half, the three tracks across ‘Corra Linn’ materialise like a cascading data flow; combining lazer sharp digital synths and hyperspatial sound design with scaled up, spine-tingling choral melodies, time-refracted field recordings and ethereal childlike vocal arrangements.
The EP’s title track, ‘Corra Linn’, takes its name from a waterfall in the Lanark area of Scotland, the water of which flows into one of the oldest hydro-electric power stations in the UK. The artwork accompanying the EP is a photomicrographic image of Lanarkite; a rare and precious mineral form. Almost all significant occurrences of Lanarkite were discovered deep within the Leadhills in South Lanarkshire, but it is said that an unknown, but large, quantity of it was once unearthed at the base of Corra Linn waterfall.
Visit the Lanark Artefax web portal l-a-n-a-r-k.net to explore the digital archive accompanying the release.
More
It is the Scottish producer’s first solo output since his breakout record on Whities in 2017, which included the ethereal ‘Touch Absence’. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his internationally acclaimed live A/V show.
Recorded sometime in the last year and a half, the three tracks across ‘Corra Linn’ materialise like a cascading data flow; combining lazer sharp digital synths and hyperspatial sound design with scaled up, spine-tingling choral melodies, time-refracted field recordings and ethereal childlike vocal arrangements.
The EP’s title track, ‘Corra Linn’, takes its name from a waterfall in the Lanark area of Scotland, the water of which flows into one of the oldest hydro-electric power stations in the UK. The artwork accompanying the EP is a photomicrographic image of Lanarkite; a rare and precious mineral form. Almost all significant occurrences of Lanarkite were discovered deep within the Leadhills in South Lanarkshire, but it is said that an unknown, but large, quantity of it was once unearthed at the base of Corra Linn waterfall.
Visit the Lanark Artefax web portal l-a-n-a-r-k.net to explore the digital archive accompanying the release.
More
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Last in:11.11.2019
Label:Numbers
Cat-No:nmbrs58
Release-Date:13.09.2019
Genre:Electro
Configuration:LP
Barcode:
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Complete Walkthru - Rn Atm Icymi
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Complete Walkthru - lean in
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Complete Walkthru - Honey Moon
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Complete Walkthru - Leavin’ Church Early
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Complete Walkthru - Believe I Can Do This
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Complete Walkthru - Getting Ridiculous
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Complete Walkthru - nyc
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Complete Walkthru - Just Like We Like It
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Complete Walkthru - Family By ‘22
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Complete Walkthru - Cardio
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Complete Walkthru - linking book
The first album on Numbers from Complete Walkthru aka US producer Max McFerren, titled Scrolls, is out on 20th September 2019.
Scolls plays around with themes of privacy, disillusionment and personal development over eleven tracks, representing a transitional time in McFerren’s life. Through Scrolls’ early stages he moved from New York, where he was holding down a residency at Brooklyn’s Bossa Nova Civic Club and playing regularly in downtown Manhattan at the iconic China Chalet and the now much missed Santos Party House, to the open, rural setting of South Carolina.
The albums personality, and the thematic preoccupations underlying it, reflect the impact of this contrast. It’s sound textures cast widely into what McFerren describes as “the ephemera of the saturated digital realm” while moving through arcane rhythms, chiming melodies and expansive, metallically tinged ambient passages. First single Lean In, streaming in full now, is a dusty breaks-tight miasma of fragmented cyber-consciousness. There are playful, hyperactive refrains on Getting Ridiculous. Leavin’ Church Early is an expansive beat free meditation, while NYC’s dynamic momentum is a cityscape of bad-faith corporate aspiration.
McFerren refers to his motivations with Scrolls as being “anti-nihilism”, as reacting against a dark emptiness he perceives in certain forms of techno. Ultimately with the record, he is seeking the potential of centring joy in the present moment, in a conscious awareness of now. More
Scolls plays around with themes of privacy, disillusionment and personal development over eleven tracks, representing a transitional time in McFerren’s life. Through Scrolls’ early stages he moved from New York, where he was holding down a residency at Brooklyn’s Bossa Nova Civic Club and playing regularly in downtown Manhattan at the iconic China Chalet and the now much missed Santos Party House, to the open, rural setting of South Carolina.
The albums personality, and the thematic preoccupations underlying it, reflect the impact of this contrast. It’s sound textures cast widely into what McFerren describes as “the ephemera of the saturated digital realm” while moving through arcane rhythms, chiming melodies and expansive, metallically tinged ambient passages. First single Lean In, streaming in full now, is a dusty breaks-tight miasma of fragmented cyber-consciousness. There are playful, hyperactive refrains on Getting Ridiculous. Leavin’ Church Early is an expansive beat free meditation, while NYC’s dynamic momentum is a cityscape of bad-faith corporate aspiration.
McFerren refers to his motivations with Scrolls as being “anti-nihilism”, as reacting against a dark emptiness he perceives in certain forms of techno. Ultimately with the record, he is seeking the potential of centring joy in the present moment, in a conscious awareness of now. More
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Last in:-
Label:numbers
Cat-No:nmbrs57
Release-Date:15.10.2018
Genre:Electro
Configuration:LP
Barcode:
The debut release from new Scottish producer North Sea Dialect, Local Guide is a dense musical world made of uneasy ambience, shimmering distortion, subdued rhythm and propulsive melody.
Buried in its soundscapes are the echoes and surrealness of alienated life - expectant youth, distant voices and broken folklore. It’s industrialised music tied together with found sound, adrenaline fuelled synthesis and the depths of late night solitude. Conceived during a move from Glasgow across Scotland and composed in isolation, a blistering sense of reality creeps through the recordings.
Local Guide is accompanied by three videos for the tracks Mossy Cyphol, Subarctic Baltasound and Gloup. The short films are haunted and illuminated by the serenity of rural freedom, the power of the sea, and the collapse of industry.
Watch on YouTube now: http://nmb.rs/nsd-local-guide-yt
North Sea Dialect Instagram: http://smarturl.it/nsd-ig More
Buried in its soundscapes are the echoes and surrealness of alienated life - expectant youth, distant voices and broken folklore. It’s industrialised music tied together with found sound, adrenaline fuelled synthesis and the depths of late night solitude. Conceived during a move from Glasgow across Scotland and composed in isolation, a blistering sense of reality creeps through the recordings.
Local Guide is accompanied by three videos for the tracks Mossy Cyphol, Subarctic Baltasound and Gloup. The short films are haunted and illuminated by the serenity of rural freedom, the power of the sea, and the collapse of industry.
Watch on YouTube now: http://nmb.rs/nsd-local-guide-yt
North Sea Dialect Instagram: http://smarturl.it/nsd-ig More
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Last in:14.07.2017
Label:numbers
Cat-No:nmbrs53
Release-Date:24.03.2017
Genre:techhouse
Configuration:12"
Barcode:
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passarani - Wonky Wonky Wonky
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passarani - "Quarto
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passarani - Tribalonios
Marco Passarani, PSS-2099, Analog Fingerprints, M-Chrome, Bass-arani, David Woods, Tiger & Woods, Nature Records, Final Frontier…
Passarani’s back with cosmic melodies from planet Rome ‘Analog Fingerprints Vol.1' demonstrates Numbers’ long held faith in the man as an originator who moves through the sounds of now.
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Passarani’s back with cosmic melodies from planet Rome ‘Analog Fingerprints Vol.1' demonstrates Numbers’ long held faith in the man as an originator who moves through the sounds of now.
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